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The Next Reel Film Podcast
Trailer
Bonus
Episode 42
Season 13
The American Astronaut • The Next Reel
“I’ve never understood this joke, but then I’ve never been to Earth.”
Shooting for the Stars on a Shoestring Budget
Shooting for the Stars on a Shoestring Budget
In 1996, writer/director Cory McAbee set out to make a wholly unique film that blended elements of science fiction, Western, comedy and musical genres. With a background in music and short films, McAbee threw everything he had into crafting the world of The American Astronaut. Shot on stark black and white 35mm film, this low-budget labor of love caught the attention of the Film Independent Spirit Awards, earning a Best Cinematography nomination. Join us – Pete Wright and Andy Nelson – as we kick off the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about McAbee’s 2001 film The American Astronaut.
Traversing the Quirky Universe of The American Astronaut
Our discussion launches into the film's fascinating blend of genre tropes and cinematic influences. The lo-fi special effects, particularly in depicting space travel, somehow work perfectly in the established universe. We marvel at the creative framing and cinematography that elevate the low-budget production design. The memorable musical numbers get us singing along. At the heart of the story, we explore how this space Western playfully taps into themes of masculinity and loneliness across the cosmos.
Further Points of Discussion
- Appreciating the authentic, understated performances
- Noting the film's multitude of cinematic influences
- Struggling with the underdeveloped antagonist storyline
- Reveling in the earworm-inducing soundtrack
- Comparing The American Astronaut to other quirky genre-benders
A Flawed but Ambitious Debut
The American Astronaut is a testament to the power of a singular creative vision. While the ending stumbles a bit in its execution, the totality of Cory McAbee's debut feature is an undeniably striking and inventive piece of independent filmmaking. The cinematography rightfully earns its place among the Film Independent Spirit Awards nominees. Despite the budgetary limitations, this is a film that sticks with you long after the credits roll. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
- Watch this on Amazon or find other places at JustWatch
- Script Options
- Theatrical trailer
- Letterboxd
The Next Reel’s Family of Film Podcasts
- Cinema Scope
- The Film Board
- Freely Adapted (coming soon!)
- Movies We Like
- The Next Reel
- The Next Reel Shorts (retired)
- One Minute for Old Men (coming soon!)
- The Saturday Matinée (retired)
- Silver Linings (retired)
- Sitting in the Dark
- Three of a Kind (retired)
- Trailer Rewind (retired)
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- Cinema Scope: Bridging Genres, Subgenres, and Movements
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- Movies We Like
- Sitting in the Dark
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Chapters
- Welcome to The Next Reel • The American Astronaut
- Series and Initial Thoughts
- The Imagery
- The Music
- Cory McAbee
- More About the Music
- Quirky Vibe
- Depiction of Travel
- Low Budget World-Building
- Antagonist Professor Hess
- Finale
- Cast, Sundance Institute, and Getting It Made
- The Joke and Performance Art
- Narrator and Voiceover
- W. Mott Huppfel III
- Props and World-Building
- Technical Notes
- Future Releases?
- Credits
- Awards
- The Box Office
- Last Thoughts
- Coming Next Week • The Deep End
- Letterboxd
- Who Would You Recommend This To?
- Wrap Up