Sarah Belle Reid is a rule breaker. A performer-composer who trained in trumpet and moved through, and at times against the status quo, to modular synthesizer, and an ever-expanding array of handcrafted electronic instruments. The personal voice she explores, moves between the intersections of contemporary classical music, experimental and interactive electronics, visual arts, noise music, and improvisation. Reid holds a Doctorate of Musical Arts from California Institute of the Arts, with a research focus on the development of new electronic instruments and musical notation systems as interfaces for exploring temporal perception and co-creation. Reid is on faculty at Chapman University teaching music technology, as well as Temple University, where she teaches Physical Computing and Electronic Instrument Design. 

Sarah and I discuss her early career and how she disrupted her own ideas of musical success to forge a path all of her own. She shares the story of creating her own instrument, MIGSI, explaining what inspired its development, its mechanics, and how it has propelled the trumpet into the future with innovative sensing technology and sound processing. Sarah also reflects on her journey as an innovative musician in her field, building a social media presence, independent research and improvisation, and how she felt like she was “just starting”, once she realized she was not just a performer but so much more, herself. Sarah goes on to announce, for the first time publicly, her newest work, an opera titled “Times Undoing and Progress”.