In 1987, Spanish filmmaker Bigas Luna ventured into the horror genre with an innovative approach to storytelling. Working with a budget of $2 million, Luna crafted a unique narrative that would blend psychological horror with commentary on cinema itself. Despite its limited theatrical release and modest box office returns (to be generous), the film would go on to win several awards and be nominated for others. Join us – Pete Wright and Andy Nelson – as we wrap up this return to the 'Spoiled. Rotten? Twist Endings' series with a conversation about Luna’s 1987 film Anguish.

The film follows John Pressman (Michael Lerner), a troubled ophthalmologist's orderly whose overbearing mother (Zelda Rubinstein) exercises an unusual amount of control over his life. As their story unfolds, Luna takes viewers on an unexpected journey that challenges conventional horror storytelling.

We discuss how the film's unique approach to storytelling enhances rather than diminishes its impact. While we initially found the first act somewhat challenging, we agree that the film's revelations make these early moments more meaningful in retrospect. We particularly praise Michael Lerner's performance and Zelda Rubinstein's uniquely unsettling presence.

Anguish proves itself to be a fascinating and innovative piece of horror cinema that deserves wider recognition. Despite its limited availability, this hypnotic and unsettling film rewards viewers with its creative storytelling and memorable performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

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