Kenji Mizoguchi's 1953 film Ugetsu, based on stories by Akinari Ueda and Guy de Maupassant, is a haunting tale set in war-torn 16th century Japan. The film follows two peasant couples whose lives are upended by the devastation of war and the allure of ambition. Ugetsu masterfully blends the supernatural with the harsh realities of the human condition, creating a timeless masterpiece that continues to captivate audiences. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Ugetsu.

In our discussion of Ugetsu, we explore how Mizoguchi seamlessly weaves together the ghostly and the mundane to create a powerful narrative. The film's central character, Genjuro, a potter, becomes consumed by his desire for wealth and fame, ultimately falling under the spell of a mysterious noblewoman who turns out to be a ghost. This supernatural element serves as a metaphor for the destructive nature of unchecked ambition and pride.

We also delve into the film's portrayal of the effects of war on the peasant class, particularly the women who are left behind to fend for themselves while their husbands pursue their dreams. Mizoguchi's empathetic lens highlights the resilience and strength of these women in the face of unimaginable hardship.

Ugetsu is a film that transcends its historical setting to deliver a powerful message about the dangers of pride, greed, and the pursuit of glory at the expense of what truly matters. Mizoguchi's masterful direction, combined with the film's haunting visuals and compelling performances, cements Ugetsu's place as a true classic of world cinema. We thoroughly enjoyed discussing this thought-provoking and emotionally resonant film. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

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