David Lynch's Mulholland Dr. started life as a television pilot for ABC, but when the network passed on the project, Lynch reworked it into a feature film. The resulting movie is a surreal, non-linear exploration of the dark side of Hollywood, blending elements of mystery, romance, and psychological horror. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about Mulholland Dr.

In our discussion, we delve into the film's complex narrative structure and the various interpretations of its plot. At least how we see it. We examine how Lynch uses the concept of dreams and illusions to explore the characters' psyches and the darker aspects of the entertainment industry. The film's cinematography, nominated for a Spirit Award, is also a focal point of our conversation, as we analyze how Lynch and his team create a haunting, dreamlike atmosphere that enhances the story's themes.

Mulholland Dr. is a film that demands multiple viewings and encourages deep analysis. Its enigmatic nature and layered storytelling make it a prime example of Lynch's unique style and vision. While the movie's unconventional structure and surreal elements may not appeal to everyone, it remains a fascinating exploration of identity, dreams, and the dark side of ambition. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

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