After completing her documentary The Decline of Western Civilization about the LA punk scene, director Penelope Spheeris wanted to tell a narrative story in that world. Roger Corman saw potential in her vision and agreed to match her $250,000 investment to make the film. Spheeris made the unconventional choice to cast real punk musicians and street kids rather than professional actors, believing it would create more authentic performances. Join us — Pete Wright and Andy Nelson — as we continue the member bonus Roger Corman series with a conversation about her 1983 film Suburbia.

The film powerfully depicts alienated youth finding community among fellow outcasts while struggling against societal rejection. Though Corman insisted on including sex or violence every 10 minutes, Spheeris managed to maintain her artistic vision while incorporating these commercial elements. We explore how she achieved this balance and whether it ultimately strengthened or weakened the final product.

The abandoned suburban setting becomes a character itself, reflecting broader issues of American development and social displacement. Spheeris based many plot elements on real stories she encountered while filming her documentary, including the pack of abandoned guard dogs. Her documentary background influences the film's raw, authentic style.

We both found Suburbia to be a powerful and emotionally affecting film that transcends its low-budget origins through authenticity and strong thematic resonance. Though it can be difficult to watch at times, it offers valuable perspective on alienated youth and societal rejection that remains relevant today. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins!