{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"TRILLOQUY","title":"Opus 140 - \"So White, So What?\" ","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/1431a48e\"></iframe>","width":"100%","height":180,"duration":7697,"description":"Brittany J. Green is a North Carolina-based composer, creative, and educator whose works engage everything from Black feminist theory to the rupture of systems. She joins Garrett in this week's third movement to talk about her music, her studies of Julius Eastman, and how differing queer perspectives played a role in 20th century instrumental music. Scott returns to this year's \"classical\" Grammy conversation, highlights the music of Odetta, and offers his thoughts concerning the conflict in Ukraine. Garrett offers words from Mamie Till, celebrates the \"Afro-harping\" of Brandee Younger, and digs into the nuances of racism as seen in recent news media. \r\n\r\nPlaylist:\r\n\r\nBohdana Frolyak - Clarinet Concerto\r\nMiles Davis - \"So What\"\r\nOdetta - \"Woke Up This Morning (With My Mind Stayed On Freedom)\"\r\nOdetta - \"Water Boy\" \r\nDorothy Ashby - \"Games\" (perf. Brandee Younger Quartet: https://www.youtube.com/watch?v=gY9ghgmH_r0&t=1119s)\r\nJulius Eastman - \"Stay On It\" (perf. San Francisco Conservatory: https://www.youtube.com/watch?v=61pfXwQ1OgI&t=86s)\r\nBrittany J. Green - \"bluedream\" \r\nBrittany J. Green - \"Portraits for Piano\" \r\n\r\nMore:\r\n\r\nBrittany J. Green: http://www.brittanyjgreen.com\r\nDownbeat (30th Anniversary of Emmett Till's Death NBC 1985): https://www.youtube.com/watch?v=4l4droR9W8E\r\nMetropolitan Opera says it will sever ties with Putin-allied artists: https://www.npr.org/sections/deceptivecadence/2022/02/27/1083387627/metropolitan-opera-sever-ties-putin-ukraine-gergiev-netrebko\r\nWomen Composers from Ukraine: https://ukrainianinstitutenyc.wordpress.com/2016/11/06/women-composers-from-ukraine/\r\nHow Being Inclusive Can Be Insulting: https://www.nytimes.com/2022/02/25/opinion/black-classical-music.html\r\nHow Odetta Revolutionized Folk Music: https://www.newyorker.com/culture/culture-desk/how-odetta-revolutionized-folk-music\r\nTransphobia in Texas: https://www.texastribune.org/2022/02/28/texas-transgender-child-abuse/\r\nReporters Show Racism:...","thumbnail_url":"https://img.transistorcdn.com/JPjoxq2TKjzyGIDod5AR0vf0PJ66oOQOBMGhTIooMcc/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9zaG93/LzExMjc2LzE1OTEx/NzIxNDgtYXJ0d29y/ay5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}