{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"Keen On America","title":"Eyeless in Digital Gaza: Eryk Salvaggio sifts through the debris of our AI age in which we can no longer trust anything we see","html":"","width":"100%","height":180,"duration":2478,"description":"EPISODE 1913: In this KEEN ON show, Andrew talks to new media artist Eryk Salvaggio who sifts through the debris of an AI age in which we can no longer trust anything we seeEryk Salvaggio is an interdisciplinary design researcher and new media artist. His work explores emerging technologies through a critically engaged lens, testing their mythologies and narratives against their impacts on social and cultural ecosystems. His work, which focuses on generativity and artificial intelligence, often exposes the ideologies embedded into technologies. His work has been curated into film and music festivals, gallery installations, and conferences (such as DEFCON 31 and SXSW). The work interrogates generative AI through a blend of cybernetics, visual culture & media theory, with a critique grounded in resistance and creative misuse, highlighting the gaps that emerge between the analog and digital, such as datasets and the world they claim to represent. Eryk has since worked with partners including AIxDesign’s Story & Code program, the AI Village at DEFCON 31, Space10, the Australian National University, the Swiss National Science Foundation, the Wikimedia Foundation, the Internet Archive, and the National Gallery of Australia. His work has been published in academic journals such as Leonardo, Communications of the ACM, IMAGE, Patterns, and by art publishers including DAHJ Gallery, the Furtherfield gallery (London), Turbulence (Boston), Rhizome (New York) and 10th Floor Design Studios (San Francisco). His artwork has been included in pieces with the BBC4, The New York Times, ArtForum, NBC News, Neural, Dirty, and Mute Magazine. His work has been exhibited at Michigan State University Science Museum, the UN Internet Governance Forum, Eyebeam, CalArts, Brown University, Turbulence, The Internet Archive, and in books including Jon Ippolito & Joline Blais’ At the Edge of Art, Alex Galloway's Protocol: How Control Exists After Decentralization, and Peter Langford’s Image &...","thumbnail_url":"https://img.transistorcdn.com/bCpvkYgrorWYCv4ujOodZ7o-xqCKvQH-YHlEI5E7zpw/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83NDM2/MGJjOTYyNjBkYzJi/ZDVhMTUwZDgwMWE3/ZDk3OS5wbmc.webp","thumbnail_width":300,"thumbnail_height":300}