{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"Contemporánea","title":"22. Darmstadt","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/36674880\"></iframe>","width":"100%","height":180,"duration":923,"description":"En 1945 apenas quedan las ruinas de esta ciudad alemana. Quizás por ello es el lugar adecuado para recuperar, desde sus cenizas, la expresión de potencia y relevancia de la música que, durante una larga década, ha soportado la represión censora del régimen nazi._____Has escuchadoDarmstadt Aural Documents, Box 1, Composers-Conductors. Concerto per pianoforte e orchestra (1959) / Bruno Maderna. David Tudor, piano; Frankfurt Radio Symphony Orchestra; Bruno Maderna, director. NEOS (2010)Darmstadt Aural Documents, Box 1, Composers-Conductors. Continuo (1974) / Ernstalbrecht Stiebler. Hans Deinzer, clarinete; Klaus Thunemann, fagot; Kurt Schwertsik, trompa; Armin Rosin, trombón; Hubert Mayer, viola; Gaby Schumacher, violonchelo; Ernstalbrecht Stiebler, director. NEOS (2010)Darmstadt Aural Documents, Box 4, Pianists. Enchiridion 2. Teil “Exerzitien”. Ostinato / Bern Alois Zimmermann. Yvonne Loriod, piano. NEOS (2016)Darmstadt Aural Documents, Box 4, Pianists. Identikit (divertimento) for Five Pianists (at One Piano) and Tapes (1974) / Christina Kubisch. David Arden, Marek Mietelski, Davide Mosconi, Carlos Pellegrino, Werner Füsser, piano. NEOS (2016)Darmstadt Aural Documents, Box 4, Pianists. Klavierstück XI (1956) / Karlheinz Stockhausen. Intérpretes: David Tudor, piano. NEOS (2016)Darmstadt Aural Documents, Box 4, Pianists. Passacaglia (1936) / Stefan Wolpe. David Tudor, piano. NEOS (2016)_____ Selección bibliográficaBEAL, Amy C., “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956”. Journal of the American Musicological Society, vol. 53, n.º 1 (2000), pp. 105-139*CÉLESTIN, Deliège, Cinquante ans de modernité musicale: de Darmstadt à l’IRCAM: contribution historiographique à une musicologie critique. Mardaga, 2003*ERWIN, Max, Herbert Eimert and the Darmstadt School: The Consolidation of the Avant-Garde. Cambridge University Press, 2020FOX, Christopher, “British Music at Darmstadt 1982-92”. Tempo, n.º 186 (1993), pp. 21-25*IDDON, Martin, “Darmstadt...","thumbnail_url":"https://img.transistorcdn.com/-OjNsSd1KSsiI_oPlEyL6GNfjloceaP9j7zXzpPWvBM/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9zaG93/LzQ3MTYxLzE3MDA4/Mjg4MDMtYXJ0d29y/ay5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}