{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"Making the Museum","title":"The Real Bilbao Effect, with Andy Klemmer","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/3772f9d8\"></iframe>","width":"100%","height":180,"duration":3521,"description":"Can an eye-catching museum revitalize a city? The answer might surprise you.\n \nGetting the right designer is vital. If you don’t like a painting you can put it away, but if you don’t like a building, you can’t take it down. Why is it important to have the goals of a complex museum project fit in a mantra of a few words? What comes first in museum architecture, practicality or creative genius? Should you choose your designers by design competition? If not, what’s the alternative? What are the three things a designer needs to do, to win a major project?\n \nAndy Klemmer (Founder, Paratus Group) joins host Jonathan Alger (Managing Partner, C&G Partners) to reveal “The Real Bilbao Effect”.\n \nAlong the way: why every architect has a bad building, how $300 per square foot can beat $3,000 per square foot, and why you should always take people to ball games.\n \nTalking Points:\n \n1. Words matter\n2. Helping an owner be a conductor\n3. Every architect has one bad building\n4. Good Bilbao Effect vs. Bad Bilbao Effect\n5. Architecture is practicality first, fun second\n6. Why you shouldn’t hold a design competition\n7. Nature, community, service, faith (& other mantras)\n \nHow to Listen:\nApple Podcasts\nhttps://podcasts.apple.com/us/podcast/making-the-museum/id1674901311\nSpotify\nhttps://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G\nEverywhere\nhttps://makingthemuseum.transistor.fm/\nGuest Bio:\nAndrew Klemmer established Paratus Group in 1997 to offer specialized consulting for cultural projects involving complex programs, exceptional design, intricate construction, and highly creative global teams. With over thirty years of experience, Andrew assumes a pivotal leadership role in every Paratus project. The genesis of Paratus stems from Andrew's oversight of the expansion of the landmarked Frank Lloyd Wright-designed Solomon R. Guggenheim Museum in 1991 and subsequent involvement in directing the planning and programming of Frank Gehry’s Guggenheim Museum Bilbao in Spain. Paratus uniquely...","thumbnail_url":"https://img.transistorcdn.com/ooMbrPDmGLsE_qMwfGl5DFclFB99_k3beUa6dc2Z8Yw/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9zaG93/LzM5MzAzLzE2ODA1/NjI4NTktYXJ0d29y/ay5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}