{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"Refolkus","title":"Culture in Climate Conversations with The Weather Station","html":"","width":"100%","height":180,"duration":1954,"description":"In this week’s episode, Rosalyn is joined by Tamara Lindeman of The Weather Station. Tamara reflects on how climate grief has shaped her music, a theme that emerged with her previous album Ignorance. She discusses her latest record, Humanhood, which explores themes of personal disconnection and healing, while continuing to resonate with the emotional weight of climate grief and broader political tensions. Tamara also shares her perspective on the current political climate and its impact on touring, speaking candidly about the emotional burden of climate change—particularly on younger generations—and offering thoughtful insights into how artists can balance their roles as advocates. Overall, it’s a powerful and timely conversation about art’s role in expressing complex emotions, creating connection, and sparking action in the face of an uncertain future.Tamara’s recommendations for climate organizations, thinkers and speakers include: 350.org, Environmental Defence, Nature Conservancy Canada, Music Declares Emergency, Bill McKibben and Dr. Ayana Elizabeth Johnson.Buy, download or listen to The Weather Station’s latest record, Humanhood.Find The Weather Station online:Website & Upcoming ShowsInstagramFacebookAbout The Weather StationThe Weather Station — the project of Toronto based songwriter Tamara Lindeman — returns with new album Humanhood on January 17th via Fat Possum Records.  The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others. ...","thumbnail_url":"https://img.transistorcdn.com/hglTEtE6-69Pd9nI-g8uHGmTKVB-QwYPFVNH_5ExHDk/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81NDBj/NjYxNzE0OTQyYWU2/MTFiZWYyNzNmMGEx/OWZlMi5wbmc.webp","thumbnail_width":300,"thumbnail_height":300}