{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"The Variety Show","title":"Katharine Arnold on choosing art over the 9-5, handling heights and advice for future circus performers.","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/415166fc\"></iframe>","width":"100%","height":180,"duration":2117,"description":"Join us on this captivating journey into the fascinating world of live entertainment. Host Adam Sternberg brings you engaging conversations with remarkable entertainers, from magicians and jugglers to aerial artists and contortionists. Discover the unique stories behind their extraordinary careers, the challenges they’ve faced, and the motivations that drive them. If you’re passionate about live entertainment or simply curious about the lives of these extraordinary performers, this podcast is a must-listen.\nEpisode Highlights\nIn this episode, Adam welcomes circus artist, director and producer Katharine Arnold, an aerialist with two decades of experience who has performed with La Clique and Cirque du Soleil and appeared as Mary Poppins in the Olympic opening ceremony. Katharine traces her path from a Brixton childhood and early ballet training to discovering trapeze at university. She explains the decision to leave a sensible office job at Bloomberg for life on tour, the variety of company experiences from collaborative outdoor shows to large scale revue productions, and the creative process behind her own company show Sophie’s Surprise 29th Birthday Party. Katharine shares candid stories about major surgery, recovery and returning to performance, the thrill of live risk, a hilarious rigging mishap involving a cable tie and her hair, and her views on sexualisation, costume and creative freedom. We also hear about training routines, the practical differences between small cabaret shows and huge productions like Cirque du Soleil, the challenges facing the London cabaret scene, and why she believes showmanship, narrative and audience interaction matter.\nKey Discussion Points\nOrigins and Early Training: Born and raised in Brixton; ballet from age three; school plays and early love of music and movement.\nDiscovering Circus at University: Performing arts degree at Middlesex University with a physical theatre focus; Fevered Sleep visit brought circus equipment and a...","thumbnail_url":"https://img.transistorcdn.com/JHRDqil-H1p__PcBxkFKeWgvmzANKXqZzhsKiqUP0gc/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mODc5/NmZkY2I4Nzk5OWNi/MjFiNDFhNzY5MTNi/NzI1Ni5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}