{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"The Film Comment Podcast","title":"Cinema and the State with Nadav Lapid and Jamsheed Akrami","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/44e5f47c\"></iframe>","width":"100%","height":180,"duration":4028,"description":"With Ahed’s Knee, the rawest, most autobiographical entry in Nadav Lapid’s blistering filmography (The Kindergarten Teacher; Synonyms), the director crafts a stylized and self-lacerating portrait of an Israeli filmmaker railing at the censorship, hypocrisy, and violence of his government. Last week, we welcomed Lapid for a Film Comment Live Talk exploring Ahed’s Knee and the questions it raises about state censorship of cinema, the politics of self-critique, and the political role and responsibility of the artist. We were also joined by Jamsheed Akrami, scholar of Iranian cinema and director of several documentaries, including A Cinema of Discontent. Listen all the way to the end for Jamsheed’s translation of a recent viral video in which the legendary Iranian filmmaker Dariush Mehrjui excoriates government censorship.","thumbnail_url":"https://img.transistorcdn.com/bI_2iU8AwjxinzV-q0ji4Pt8uwI1EFv8xC6xgBwq6I4/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iYzUz/ZjQ5ZWNmNzFjNjY1/NWNkZTBhZjdhMGU4/NzgzYS5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}