{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"The Bright Wall/Dark Room Podcast","title":"Boyz N the Hood (1991)","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/51989932\"></iframe>","width":"100%","height":180,"duration":1130,"description":"The BW/DR Podcast: Frame 25 is a series in conversation with, and sponsored by, our friends at Galerie. Every month, we pick a title from Galerie’s curated library and zoom in on a single moment to better see the whole.\nThis month we're chatting about expressive sound and slow motion in John Singleton’s Boyz N the Hood (1991), a pick by curator Reinaldo Marcus Green. To see the rest of Green’s hit picks, sign up at https://join.galerie.com/bwdr.\n*\nThis episode is co-hosted by ⁠⁠⁠⁠Veronica Fitzpatrick⁠⁠⁠⁠ and ⁠⁠⁠⁠Chad Perman⁠⁠⁠⁠ and produced and edited by ⁠⁠⁠⁠Eli Sands⁠⁠⁠⁠.\n*\nFurther reading/Articles Referenced:\nThey've Gotta Have Us - Karen Grigsby Bates (New York Times Magazine, July 14, 1991)\nHow Boyz n the Hood Beat the Odds to Get Made—and Why It Matters Today - Sam Kashner (Vanity Fair, August 4, 2016)\n*\nTo read our current issue, or browse our 125+ issue archive, visit us at Bright Wall/Dark Room","thumbnail_url":"https://img.transistorcdn.com/F3ADF-_dUFITESYa-d8-ew8ND7x-yTSh_Sw_FQyX2co/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NTZi/Yjg0YzlkYjFkZTYw/OTMwMDA3YzA2NGQx/NWQ3Mi5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}