{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"The Director's Chair Network","title":"Last Night in Soho","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/57d9543f\"></iframe>","width":"100%","height":180,"duration":5017,"description":"In this penultimate episode of the Director's Chair Network's \"All the Right Moves\" limited series, host Andy and guest Tony from Hack the Movies dissect Edgar Wright's psychological thriller *Last Night in Soho* as a bold stylistic departure from his Cornetto Trilogy and *Scott Pilgrim vs. the World*, praising its meticulous mirror swaps, dream-reality editing, and 1960s Bond-girl aesthetic while critiquing plot holes in Eloise's \"Shining\"-like psychic visions, the post-Me Too vilification of men that abruptly flips to reveal the landlady as a vengeful killer, and co-writer Kristy Wilson-Cairns' influence shifting away from Simon Pegg's character-driven humor; they detour into ranking Wright's filmography (*Shaun of the Dead* reigns supreme for its horror-comedy balance), *Spaced* Easter eggs like male telepathy and Darth Maul red lighting, and hype for the upcoming *The Running Man* remake co-written with Michael Bacall.","thumbnail_url":"https://img.transistorcdn.com/LBAEYblG9PZVYwjdm61Rf1UWRUyUQfQtnArxhuaMpYw/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MmRi/NTM1ZThmYjRiZDZj/ODBkMDc3Y2ZhNmEx/NmU0Mi5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}