{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"The Battler","title":"Ep. 67 Wet Behind The Ears with Becki Whitton","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/5823f175\"></iframe>","width":"100%","height":180,"duration":5244,"description":"This week, the Georges Batt**l*ers talk to Becki Whitton, or Aphir, the musician and producer behind the Wettest 100. We talk about the gaps in broadcast and the Aussie market for experimental or “left-field” music; the forms of support that artists provide for each other when old structures collapse; e-girl aesthetics and twitch streaming; and the way that an initiative like the W100 tries to bring attention to overlooked musicians.\nBefore that, the M*jahideen talk about the exciting new joint business venture/pyramid scheme that is WHARF RAT: Pat’s small press. You can donate to the Kickstarter here. They also talk about the Omar musa gong at the Miles Franklin; Sussan Ley’s Zen and the Art of Liberal Leadership for the AFR; CUCKUS; “Greenlip”-sandgroper supercessionism; Judge Mark Holden and more.\nThanks as always to “Dictator” Dan Dare for Production.\nSong is No Strain by the Southend Rainbows.\nTHANKYOU to everyone who has subscribed to the website www.thebattler.net First paid ep will be up next week.\nSubscribe to Yeah Nah Review and Straying for the Morsel. \nThis is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thebattler.substack.com","thumbnail_url":"https://img.transistorcdn.com/HyTmcP2vxFA_JYPslwG-Jz-KcO87bwC6TPGpFxbcd-o/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zYmQw/ODFmZjdiMDE2ODJh/MTRhOGYzNjczYTMw/MzU4ZS5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}