{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"The Sum of All Wisdom: Conversations on Music, Makers, Meaning & More","title":"There are a Lot of People in a Tune: Stephen Wade on Banjo History, Folk Tradition, and Our Common Life","html":"","width":"100%","height":180,"duration":4755,"description":"Stephen Wade is a renowned banjo player, folklorist, and author. He joins today to discuss his new book, Our Common Life, and explore our shared musical inheritance, American folk culture, creative individuality, and the promises we make to those whose stories we carry.\nEpisode Summary\nEvery traditional song contains more than notes and words. It carries the traces of musicians, families, communities, migrations, technologies, institutions, and individual acts of invention. Bob Dylan may have sung about containing multitudes, but Stephen Wade gifts us with his wonderful and humane understanding of the multitudes contained in a tune. \nIn this episode of The Sum of All Wisdom, Scott Catey speaks with renowned banjo player, folklorist, historian, and author Stephen Wade about his new book, Our Common Life: Folk Songs from the Front Porch to the Concert Hall, published by the University of Illinois Press.\nStephen describes traditional music as a collection of “common possessions with individual contributions.” A tune may pass through generations, but it never remains unchanged. Each musician catches it, puts their hands on it, and contributes something of their own, sometimes surprisingly.\nBeginning with Stephen’s childhood in Chicago, the conversation follows the people and encounters that shaped his musical life: sidewalk performer Casey Jones and his trained chicken Mae West; blues musicians Muddy Waters, Howlin’ Wolf, and Big Joe Williams; banjo teachers Fleming Brown and Doc Hopkins; and the musicians, writers, and working people whose lives populate Stephen’s research.\nAlong the way, Stephen traces the African and Caribbean ancestry of the banjo, the meeting of Black and European musical traditions, Chicago’s role as a crossroads for American music, and the relationship between changing instruments, technologies, dances, and communities.\nBut this is also a conversation about the responsibilities of memory. Stephen explains that his work represents “promises...","thumbnail_url":"https://img.transistorcdn.com/WxYkrFS9xG0iifivgXJ8ULNXdp4ij1PBeHoIXb0qWXE/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wYjZh/Zjk1NjhmNzU4ZmJi/ZWJmMjI0YWViNmU3/YjEwOS5wbmc.webp","thumbnail_width":300,"thumbnail_height":300}