{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"Making the Museum","title":"The New Louis Armstrong Center, with Regina Bain and Sara Caples","html":"","width":"100%","height":180,"duration":2781,"description":"What’s the secret to success, when a project lasts years longer than planned? What keeps us going when our work takes more time? How does the subject matter of a project relate to the form of a project? Why should we be thinking equally about the budget for what happens after a project opens? What is the “architecture of delight”? Why do “reverberations matter”? Which is more important: patience, or pushing? (Hint: it’s a trick question.) And most importantly, why should everybody visit the house of Louis and Lucille Armstrong in Queens, New York? Regina Bain (Executive Director, Louis Armstrong House Museum & Archives) and Sara Caples, (Principal and co-founder of Caples Jefferson Architects) join host Jonathan Alger (Managing Partner, C&G Partners) to discuss the new Louis Armstrong Center project that all three worked on.Along the way: why everyone should take acting classes, and what it’s like being inside a cello.Chapters:1. Louis and Lucille’s House2. We’ll Open in Three Months3. A Golden Curve4. Serious Acting5. The Reverberations Matter6. Patience and Pushing7. Letter to Your Earlier Self8. Budget Beyond OpeningHow to Listen: Apple Podcastshttps://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Spotifyhttps://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Everywherehttps://makingthemuseum.transistor.fm/ Guest Bios:   Regina Bain is an artist and educator serving as the Executive Director of the Louis Armstrong House Museum. In the midst of the reverberations of slavery, Jim Crow laws and the great migration, Armstrong became America’s first Black popular music icon. The Museum preserves his home and archives and develops programs grounded in the values of artistic excellence, education and community. This year, Ms. Bain recently opened the new 14,000 sq. foot Armstrong Center housing a multimedia exhibit curated by Jason Moran, a 75-seat performance space, and the 60,000-piece Armstrong Archives — the largest archives of any jazz musician...","thumbnail_url":"https://img.transistorcdn.com/ooMbrPDmGLsE_qMwfGl5DFclFB99_k3beUa6dc2Z8Yw/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9zaG93/LzM5MzAzLzE2ODA1/NjI4NTktYXJ0d29y/ay5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}