{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"TRILLOQUY","title":"Opus 39 - Close Enough for Jazz","html":"","width":"100%","height":180,"duration":3701,"description":"How do you define jazz? Should it sit side-by-side with “classical” music in the concert hall? At what point does the act of incorporating elements of jazz become cultural appropriation? In this opus, Garrett and Scott explore these questions and discuss jazz’s connection to black music and Black History Month. The two also recap their recent trip to Detroit for the 5th annual SphinxConnect conference, billed as the “epicenter for artists and leaders in diversity.” Garrett and Scott send “get well soon” vibes to Janis Lane-Ewart, who has been rescheduled to a future opus of Trilloquy due to illness.\r\n\r\nEpisode Playlist\r\nSamuel Barber – Summer Music\r\nDarius Milhaud - La Création du monde\r\nLeonard Bernstein – Symphonic Dances from West Side Story: VII. Fugue ('Cool')\r\nDuke Ellington – Black, Brown, and Beige\r\nNina Simone – “Love Me or Leave Me,” “Black Is the Color of My True Love’s Hair,” “Mississippi Goddam,” “Strange Fruit”\r\nJessie Montgomery – Coincident Dances\r\nMichael Abels – Winged Creatures\r\nLudwig van Beethoven – Symphony No. 5\r\nDaBaby – “Bop”\r\nJoel Thompson – Seven Last Words of the Unarmed\r\nAstor Piazzolla - “Fuga y Misterio”","thumbnail_url":"https://img.transistorcdn.com/JPjoxq2TKjzyGIDod5AR0vf0PJ66oOQOBMGhTIooMcc/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9zaG93/LzExMjc2LzE1OTEx/NzIxNDgtYXJ0d29y/ay5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}