{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"The Truth In This Art","title":"Artist Paloma Vianey on Painting \"The Most Dangerous City\"","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/d6575d17\"></iframe>","width":"100%","height":180,"duration":3219,"description":"In this episode of The Truth In This Art, the guest is Paloma Vianey!\n\nAbout Paloma Vianey: Interdisciplinary artist from Ciudad Juarez, Mexico, now based in Washington, DC. She holds an MFA from Cornell University and has created large-scale public art installations along the US-Mexico border, with work exhibited at major museums and galleries internationally. She is primarily a painter and educator, teaching at the collegiate level.\n\nIn our conversation, Vianey walks through her artistic journey from beginning to paint as a teenager when Juarez was labeled \"the most dangerous city in the world,\" using art as catharsis during years of violence. She recounts completing a groundbreaking 72-foot-wide community-funded border bridge mural in 2018, depicting a girl blowing bubbles with each bubble representing emblematic images of Juarez including a tribute to femicide victims. We dig into her signature \"Chamara\" paintings—labor-intensive works where she hand-sews canvas jackets with industrial zippers over oil-painted urban landscapes of Juarez, creating what she calls \"portraits of the city.\" One painting captured a pink house she'd see every time crossing the border—until one visit when she discovered it had been painted white. \"That was a little heartbreaking for me,\" she shares, explaining how these works archive the changing memory of her hometown through a lens of resilience and hope.\nShe shares insights on finding community in DC after moving six times in five years, her love for the U Street corridor (particularly Taqueria Xochi for authentic Mexican food), and how DC has been generous in giving her platforms to show her work. This conversation came about after I encountered Vianey's work at Umbrella Art Fair—a chance discovery that sparked a deeper dialogue about representation, resilience, and the power of challenging negative narratives through art.\n\nBe sure to follow Paloma Vianey (@palomavianey on Instagram) and visit palomavianey.com to keep up with her...","thumbnail_url":"https://img.transistorcdn.com/JOa6JbGOYOtDQMaChk3GEjdMaqieN4aTVZIMSZjm84c/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85Y2U0/ZjJkMjUzNTFiYjlh/NTNkMDAxNzg0Y2Iy/ZWI5My5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}