{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"The Film Comment Podcast","title":"Cannes 2019 Day 11","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/eea4ab06\"></iframe>","width":"100%","height":180,"duration":2548,"description":"The end is nigh! For our final salvo from the Riviera, we welcome guest Manohla Dargis, critic for the New York Times, for a wrap-up of all the festival goings-on. Film Comment Editor-in-Chief Nicolas Rapold sat down with Dargis to discuss a Cannes line-up that was widely considered a success. The two run through their highlights of the festival, including Kleber Mendonça Filho and Juliano Dornelles’s phantasmagorical Bacurau, the fascinating flawed jewel that is Tarantino’s Once Upon a Time... in Hollywood, and Mounia Meddour’s Algerian ’90s coming-of-age drama Papicha. They also discuss the lowlights, including Abdellatif Kechiche’s much maligned three-and-a-half-hour ogle Mektoub, My Love: Intermezzo. Other topics include TV Westerns of the ’60s and ’70s, movie stars and press junkets, the politics of what plays in competition, and much more.","thumbnail_url":"https://img.transistorcdn.com/bI_2iU8AwjxinzV-q0ji4Pt8uwI1EFv8xC6xgBwq6I4/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iYzUz/ZjQ5ZWNmNzFjNjY1/NWNkZTBhZjdhMGU4/NzgzYS5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}