{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"Contemporánea","title":"96. Elliott Carter","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/f4da0daa\"></iframe>","width":"100%","height":180,"duration":755,"description":"Su longevidad, que abarca más de un siglo, le permite recorrer un inmenso arco de escuelas, estéticas y estilos. Su catálogo reúne centenares de obras, incluidos grandes cuartetos de cuerda, varios conciertos y una única ópera, que escribe con 90 años._____Has escuchadoCaprices. Lauds II. Riconoscenza per Goffredo Petrassi (1984). Irvine Arditti, violín. Alpha (2017)Figment I: For Solo Violoncello (1994). Thomas Demenga, violonchelo. ECM (2003)String Quartet No. 5. V. Adagio Sereno (1995). Juilliard String Quartet. RCA (2014)Symphony of Three Orchestras (1976). New York Philharmonic; Pierre Boulez, director. Columbia Masterworks (1995)_____Selección bibliográficaBERNARD, Jonathan, “The Evolution of Elliott Carter’s Rhythmic Practice”. Perspectives of New Music, vol. 26, n.º 2 (1988), pp. 164-203*—, “An Interview with Elliott Carter”. Perspectives of New Music, vol. 28, n.º 2 (1990), pp. 180-214*BOLAND, Marguerite y John Link (eds.), Elliott Carter Studies. Cambridge University Press, 2017BORETZ, Benjamin, “Conversations with Elliott Carter “. Perspectives of New Music, vol. 8, n.º 2 (1970), pp. 1-22*CARTER, Elliott, Collected Essays and Lectures, 1937-1995. Editado por Jonathan W. Bernard. University of Rochester Press, 1997—, Harmony Book. Editado por Nicholas Hopkins y John Link. Carl Fischer, 2002EMMERY, Laura, Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches. Routledge, 1989HARVEY, David I. H., The Later Music of Elliott Carter: A Study in Music Theory and Analysis. Garland, 1989LINK, John F., Elliott Carter: A Guide to Research. Garland, 2000—, Elliott Carter’s Late Music. Cambridge University Press, 2024MARTÍN, Fernando, “Tiempo, narratividad, organicismo y uso de conjuntos en el último estilo de Elliott Carter”. Quodlibet: Revista de Especialización Musical, n.º 37 (2007), pp. 66-83*MEYER, Felix y Anne SHREFFLER, Elliott Carter. A Centennial Portrait in Letters and Documents. The Boydell Press, 2008SCHIFF, David, The Music of...","thumbnail_url":"https://img.transistorcdn.com/-OjNsSd1KSsiI_oPlEyL6GNfjloceaP9j7zXzpPWvBM/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9zaG93/LzQ3MTYxLzE3MDA4/Mjg4MDMtYXJ0d29y/ay5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}