{"type":"rich","version":"1.0","provider_name":"Transistor","provider_url":"https://transistor.fm","author_name":"University of Minnesota Press","title":"Why art? On performance, theater, deep time, and the environment.","html":"<iframe width=\"100%\" height=\"180\" frameborder=\"no\" scrolling=\"no\" seamless src=\"https://share.transistor.fm/e/f7fd73dc\"></iframe>","width":"100%","height":180,"duration":3481,"description":"The urgency of climate change means it is not sufficient for environmental scholarship to describe our complex relationship to the natural world. It must also compel a response. TIMESCALES: THINKING ACROSS ECOLOGICAL TEMPORALITIES gathers scholars from different fields, placing traditional academic essays alongside experimental sections, to promote innovation and collaboration. This episode asks: Why art? Why art … at all? With climate change and environmental catastrophe looming large, what purpose does art serve in pressing conversations about environmental futures? Three TIMESCALES contributors are here to answer that question: -Patricia Eunji Kim, assistant professor/faculty fellow at the Gallatin School of Individualized Studies and a provost’s postdoctoral fellow at New York University. She serves as an assistant curator at Monument Lab, a public art and history studio. Kim researches and teaches Greco-Roman art and archaeology, with a focus on issues of gender, cultural identity, and empire. Her in-progress monograph examines the art and archaeology of royal women from the Hellenistic world (4th–1st century BCE). -Kate Farquhar is a Philadelphia-based landscape designer at Olin and has worked at the intersection of ecology, infrastructure, and art for fifteen years. Her TIMESCALES chapter focuses on WetLand, an experimental floating lab created from a 45-foot-long salvaged houseboat in 2014 by artist Mary Mattingly. From 2015 to 2016, Farquhar served as program coordinator for events that accompanied its residency with the Penn Program in Environmental Humanities (PPEH) on the Lower Schuylkill River. -Dr. Marcia Ferguson, a professional actor, director, and educator, has worked as a theatre artist in Philadelphia regional theatre and arts organizations including the Wilma Theatre, Painted Bride Art Center, Act II Playhouse, Irish Heritage, Paper Dolls, the Mediums, Juniper productions, the Daedalus String Quartet, and the Penn Museum of Archaeology and...","thumbnail_url":"https://img.transistorcdn.com/fAwENHzmp9h_PaRnnj_lblPe4NxpUbbLPc46_lIefAU/rs:fill:0:0:1/w:400/h:400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84ZDM5/YzQwMzU5YTA2NTdh/MDAzOGFkZGNlNjk3/NTRjOC5qcGc.webp","thumbnail_width":300,"thumbnail_height":300}