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Speaker 1: Back to bearlesstickless me. I'm Kevin Smith Smith. Okay, big news,

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Speaker 1: Dogma so true.

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Speaker 2: Congratulations, everything old is new again.

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Speaker 1: Last time I released Dogma, you were like you were

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Speaker 1: fucking a baby.

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Speaker 2: You were baby exactly precise.

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Speaker 1: You couldn't even concentrate on releasing the movies. We had

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Speaker 1: to watch you because you're like hands up in the air,

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Speaker 1: used helpless. Some would say useless. I said helpless. My apologies,

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Speaker 1: but we're oddly enough we're doing it again twenty five

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Speaker 1: technically twenty six years later.

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Speaker 2: That's so exciting.

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Speaker 1: Uh, Dogma movie dot com is the address we dropped,

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Speaker 1: as the kids say, the trailer this morning. The trailer

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Speaker 1: was made by the folks that bond. They have made

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Speaker 1: the trailers for our last few movies. They did Reboot,

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Speaker 1: which was an excellent trailer, Clerk's Three, which was an

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Speaker 1: excellent trailer, four point thirty Movie which was an excellent trailer,

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Speaker 1: and now Dogma and kill It. They found a way

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Speaker 1: to fucking sell Dogma where I was like, I go

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Speaker 1: see that, Like they give it a modern fucking sello.

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Speaker 2: It's pretty awesome, everybody. I feel like a big comment

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Speaker 2: that I get all the time is that Dogma is

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Speaker 2: everyone's favorite movie of yours.

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Speaker 1: People seem to like that used to be chasing.

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Speaker 2: Amy and chasing Chasing Amy ques.

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Speaker 1: Oddly for some people and for some people though like

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Speaker 1: this movie is not what it's you know, he shouldn't

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Speaker 1: be making this movie. I can see it. But Dogma

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Speaker 1: has weathered the storm, even people that used to be like,

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Speaker 1: I'm against this movie. I'm not gonna say all of them,

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Speaker 1: but like most of them came around a lot worse

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Speaker 1: ship came out between dogs. I did see somebody in

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Speaker 1: my Socialist today who was just like, you're gonna burn?

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Speaker 2: Are you serious?

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Speaker 1: They don't know, they don't know that I sold my

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Speaker 1: soul to Jesus when I was nine years old because

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Speaker 1: I was scared, because I was like, what if, like

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Speaker 1: fucking somebody tricks me into selling my soul to the devil.

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Speaker 1: So I made a deal with Christ first, and I

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Speaker 1: sold my soul of Jesus so I can never sell

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Speaker 1: my soul to the devil.

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Speaker 2: True story, sad but true.

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Speaker 1: I'm not saying I sold it to him for love

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Speaker 1: of Jesus, more for fear of the devil. Somebody tricking

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Speaker 1: me into fucking giving my soul up and shit like

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Speaker 1: you know it was, you know, like devil went down

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Speaker 1: Georgia looking for a soul to steel. You know that

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Speaker 1: of course you want?

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Speaker 3: You don't know?

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Speaker 1: That's all? Is that it is?

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Speaker 4: Uh?

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Speaker 1: I was again the devil went down to Georgia looking

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Speaker 1: for a soul to steal. What was it?

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Speaker 2: Cinnamon's song?

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Speaker 1: It's called what is it? It's fucking the Charlie Daniels Band.

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Speaker 1: But the song is it's a fuck? Is it?

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Speaker 2: The Devil went down to Georgia.

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Speaker 5: I guess I could assume it's let me quick, but

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Speaker 5: I guess that would track devil.

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Speaker 2: Whatever it is, it.

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Speaker 1: Down to Georgia is a song written and recorded by

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Speaker 1: the Charlie Daniels Band, Although uncredited. Vasser Clements originally wrote

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Speaker 1: the basic melody an octave lower in a tune called

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Speaker 1: Lonesome Fiddle Blues, released on Clement's self titled nineteen seventy

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Speaker 1: five album, on which Charlie Daniels played guitar. Charlie Daniels

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Speaker 1: Band moved it up in octave and put words to it.

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Speaker 1: Songs versus are closer to being spoken rather than some

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Speaker 1: so that's why I wasn't singing. I was like the

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Speaker 1: devil went down Georgia looking for a soul to stay you.

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Speaker 1: It's about that, like a motherfucker, and he the devil

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Speaker 1: comes down to Georgia.

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Speaker 3: Literally, I mean, I don't know why I'm fucking literally.

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Speaker 1: It's right there on Fronstreet. They don't bury the lead.

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Speaker 1: He meets a fiddle player, Johnny. This guy fiddle plays

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Speaker 1: the fiddle man. The song tells the story is from

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Speaker 1: the Wikipedia bas about the Devil's I mean spoilers. They

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Speaker 1: shouldn't fucking they should bury this part deep in the

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Speaker 1: but they say the song tells a story about the

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Speaker 1: devil's failure to gain a young man's soul through a

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Speaker 1: fiddle playing contest.

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Speaker 3: Don't wait to give it away in the first second.

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Speaker 3: My kid didn't know.

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Speaker 2: There's a whole story to be said.

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Speaker 1: Wikipedia, Well, yeah, that's the thing. The devil shows up

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Speaker 1: and he challenges a motherfucker. It's like the story of

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Speaker 1: the you know crossroads. You ever hear that story? Yeah,

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Speaker 1: where motherfucker went at a crossroads, met the devil Daniel

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Speaker 1: whatever his name was, Johnson or something, and he taught

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Speaker 1: him to play. I don't fucking or he played better

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Speaker 1: than the devil and the devil got a soul. Whatever

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Speaker 1: this is that story, Charlott, Where fucking what's his name? Johnny? Yes,

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Speaker 1: Johnny is the fiddle player. The devil shows up and

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Speaker 1: he's like the song begins Johnny Johnny turns out to

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Speaker 1: be the devil. The song begins as a disappointed devil

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Speaker 1: arrives in Georgia, apparently way behind on stealing souls, when

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Speaker 1: it comes upon a young man named Johnny who is

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Speaker 1: playing a fiddle, and he's playing it quite well. At

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Speaker 1: a desperation, The devil claims to also be a fiddle

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Speaker 1: player because in old pictures of old scratch there was

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Speaker 1: you could see pictures of them in the fiddle wages,

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Speaker 1: uh wagers a fiddle made of gold, which in those days,

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Speaker 1: old timey days. Look it's still be worth something today too, but.

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Speaker 2: All made of gold, Yeah, I think so, yes.

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Speaker 1: But not enough big versus your soul? Oh you know

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Speaker 1: what I'm saying.

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Speaker 2: No, you got a point.

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Speaker 1: Unless you're like before, no one will ever outfiddle me,

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Speaker 1: so I can wager my soul and that's kind of okay.

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Speaker 2: Yeah, you got a spoilers, You've got a good point.

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Speaker 1: Although Johnny believes taking the devil's bet might be a sin.

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Speaker 1: He fearlessly accepts, confidently boasting, I'm best that's ever beenned.

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Speaker 2: Damn.

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Speaker 1: So I'm trying to remember, like there's a curse because

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Speaker 1: when we were kids, we loved singing it. Ship I think,

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Speaker 1: he says.

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Speaker 3: Step on back, you a bitch, I'm the best that's ever.

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Speaker 1: Been, and we were all like wow, he said, And

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Speaker 1: it's a very catholic song because he beats the devil

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Speaker 1: and with his skill, his presumably God given the skill,

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Speaker 1: and the devil fucking loses.

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Speaker 2: Of course, well who.

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Speaker 1: Else gave it to? The devil plays first, backed by

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Speaker 1: a band of demon musicians.

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Speaker 3: Love right, I Love.

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Speaker 1: You're waking up at age twenty five, almost twenty six,

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Speaker 1: realizing you've wasted your whole life because you've never heard

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Speaker 1: this fucking song.

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Speaker 4: This.

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Speaker 2: I feel like this is going on you.

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Speaker 1: It's going to redefine cinnamon.

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Speaker 2: Dude, I think so, I think this could be some heavy.

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Speaker 1: Cover it bro. You know, anybody could play a mean fiddle.

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Speaker 2: Let me do some research.

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Speaker 1: You can also also the lyrics, so it's not a fiddle.

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Speaker 1: It could be like a piccolo, so somebody can be

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Speaker 1: like or recorder whatever, that's not a pickle.

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Speaker 2: I don't even know what a piccolo is.

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Speaker 1: But it's not that the devil. The devil first place first.

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Speaker 1: He's backed by a band of musicians. When he's finished,

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Speaker 1: Johnny compliments him. He goes, uh, well, you're pretty good,

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Speaker 1: old son. Let me just pull the wait.

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Speaker 2: Johnny says that to the devil. That's bold.

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Speaker 1: But he said, but then, if I remember correctly, he's like, uh,

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Speaker 1: let me show your house.

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Speaker 4: Done.

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Speaker 1: Devil went down to Georgia. Lyrics and you, honestly, well,

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Speaker 1: the devil went down to Georgia. He was looking for

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Speaker 1: a soul to steal. He was in a bind because

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Speaker 1: he was way behind. He was willing to make a

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Speaker 1: deal when he came across this young man song on

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Speaker 1: a fiddle, playing it hot, and the devil jumped on

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Speaker 1: a hickory stump and said, boy, let me tell you

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Speaker 1: what you probably didn't even know. But I'm a fiddle

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Speaker 1: player too, and if you'd care to take a dare,

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Speaker 1: I'll make a.

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Speaker 3: Bet with you. Now you're playing pretty good fiddle. But

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Speaker 3: the what is it?

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Speaker 1: But boy, but give the devil his due. The boy said, no,

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Speaker 1: I'm a fiddle. Now you're playing pretty good fiddle, boy,

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Speaker 1: but give the devil his due. I'll bet a fiddle

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Speaker 1: of gold against I bet a fiddle goal against your soul.

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Speaker 1: I think I'm better than you. The boy said, my

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Speaker 1: name's Johnny, and it might be a sin. I'm gonna

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Speaker 1: take your bet, and you're gonna regret. I'm the best

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Speaker 1: there's ever been. Johnny, rising up your bow and play

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Speaker 1: your fiddle hard, because hell's.

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Speaker 3: Broke loose in Georgia.

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Speaker 1: And the devil deals the cards and if you win, you.

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Speaker 3: Get the shiny fiddle made of gold, but if you lose,

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Speaker 3: the devil gets your soul.

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Speaker 1: And then they fucking fiddle.

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Speaker 2: Now, now maybe it's ringing a bell, but also fantastic

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Speaker 2: reminder that this song is out there. Because of this

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Speaker 2: song slows, it does slap.

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Speaker 1: Let me find where he curses. Man devil opening up

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Speaker 1: his case, so I'll start the show. And fire flew

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Speaker 1: from his fingertips as he rosing up his bow, and

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Speaker 1: then he pulled his bow across the strings and that

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Speaker 1: it made an evil hiss, and the banded demons joined

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Speaker 1: in and it sounded something like this, and then they

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Speaker 1: go into instrumental.

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Speaker 2: This is a this is gorgeously told.

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Speaker 1: When the right to Charlie Daniel's.

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Speaker 2: Band fingertip, what was that.

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Speaker 1: Rosing up the bow? Fingered fire flew from his fingertips

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Speaker 1: as he rosing up his bow, and he pulled his

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Speaker 1: bow across the strings. That made Nevil hiss, and the

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Speaker 1: band of Deems joined in. This sounds something like this.

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Speaker 1: When the Devil finished, Johnny said, you know you're pretty good,

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Speaker 1: old son, but you just flopped down there in that

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Speaker 1: chair right there.

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Speaker 3: I'm gonna show you how it's done.

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Speaker 4: Oh my god, Fire.

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Speaker 3: On the mountain, Run boys, run.

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Speaker 1: Devil's in the House of the Rising Sun, checking in

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Speaker 1: the bread pan, picking out no.

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Speaker 4: Granting?

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Speaker 3: Does your dog bite no child?

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Speaker 1: No, I had no idea. Those are the.

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Speaker 2: Lyrics this song is. I do know this song well.

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Speaker 1: That old devil bowed his head because he knew that

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Speaker 1: he'd been beat, and he laid that golden fiddle down

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Speaker 1: at the ground at Johnny's feet, and Johnny said, Devil,

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Speaker 1: come on back, if you ever want to try again.

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Speaker 1: I told you, once you some up.

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Speaker 3: A bit, I'm the best there's ever been.

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Speaker 1: But they I think the radio version was the son

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Speaker 1: of a gun. But every once in a while you

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Speaker 1: would hear the Son of a Bitch version on the album.

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Speaker 1: I remember, first of all, you know what I'm saying,

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Speaker 1: Daniels nineteen seventy nine.

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Speaker 2: But you just fucking spit that out. I mean, you know,

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Speaker 2: thank you, but it was impressive.

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Speaker 1: I did have help. I amn't familiar with the song

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Speaker 1: going way back.

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Speaker 2: But that's a good that's a good story.

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Speaker 1: It's good ass sort. How fuck did we get there?

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Speaker 1: Oh yeah, Dogmas coming on? Dogmas happened?

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Speaker 3: That song is not in it, although now I wish

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Speaker 3: it was.

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Speaker 2: You made a mistake with your one.

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Speaker 1: Perhaps I can fucking redo the sound mix and get

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Speaker 1: this in there.

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Speaker 2: Oh my gosh, yes, but why why not bring it up?

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Speaker 2: Something about who the hell the fuck knows? Yeah, was

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Speaker 2: happy to have that song back in my life.

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Speaker 1: Bro, I'm telling you you and your band Cinnamon should

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Speaker 1: cover it. Nobody's touched that song in a while, and

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Speaker 1: now like people are in country can cover country, Beyonce,

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Speaker 1: I want a whole ass Grammy.

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Speaker 2: She's that's true.

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Speaker 1: It's a fire song. People love that song that.

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Speaker 2: I'm gonna think about that one. But anyways, congratulations on Dogma.

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Speaker 1: Why thank you?

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Speaker 2: It's very exciting.

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Speaker 1: Dogmovie dot com. Kids, you could come see the Dogma's

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Speaker 1: gonna be everywhere June fifth. Go out to your local

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Speaker 1: movie theater. You're gonna be able to watch it. Yes,

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Speaker 1: in advance of June fifth, I'm taking it on tour

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Speaker 1: for right now, it's like twenty dates, but I think

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Speaker 1: we'll probably keep adding more across the country, and tickets

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Speaker 1: are on sale dogmamovie dot com. Harley has been paying

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Speaker 1: a close attention to the site all day, more so

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Speaker 1: than me. Yeah, she's been texting me like.

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Speaker 3: This, so doubt is so doubt, just so dout, just

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Speaker 3: close to selling out.

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Speaker 2: I like it. It's exciting, It is cool.

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Speaker 1: These are small venues. Normally when we go out we

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Speaker 1: do like one thousand, fifteen hundred theaters, but this tour

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Speaker 1: is through AMC theaters, so you're only as you know,

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Speaker 1: big as whatever their biggest houns is. So we're trying

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Speaker 1: to do multiple shows while we're at each stop. So

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Speaker 1: if you don't see your city, it may be added.

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Speaker 1: Don't worry about it.

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Speaker 2: I saw some people.

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Speaker 1: Folks in Pittsburgh I thought were right rightfully, like, hey man,

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Speaker 1: you shot the fucking thing here.

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Speaker 2: Gonna make that work?

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Speaker 1: Oh, yeah, I would say if some podcasts Small Guys

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Speaker 1: has sold out, we had another show, it looks like

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Speaker 1: that's gon sell out, so we might add a second day.

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Speaker 1: That was the case, then Pittsburgh would probably be May seventeenth.

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Speaker 1: So if you're Pittsburgh kids, hold on, hold on coming.

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Speaker 3: Oh no, I'm the fucking best it's ever been. Some

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Speaker 3: a bitch, I'm the best of every band.

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Speaker 1: Gotta have that Johnny confidence.

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Speaker 2: Man, I know, honestly, only I told.

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Speaker 1: You once, you se bitch, I'm the best of every band.

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Speaker 1: I don't know, man, Johnny, you know Judy's Johnny cousin. Johnny.

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Speaker 1: We would love singing that part because you can sing it.

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Speaker 1: Nobody can say anything. Can be like, hey man, it's

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Speaker 1: on a radio.

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Speaker 2: But it also just goes real hard.

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Speaker 6: It does.

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Speaker 1: He sends you home in a real big book. You're

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Speaker 1: you're absolutely right to point out the story structure of

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Speaker 1: that song. The story like wonderful.

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Speaker 2: The imagery is truly just breathtaking.

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Speaker 1: And it's weird that it is more spoken than some

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Speaker 1: I think, so anybody could do it.

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Speaker 2: That's pretty cool.

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Speaker 1: Honestly, maybe the first.

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Speaker 2: Rap, Honestly, that was kind of some bar.

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Speaker 1: Oh the whole hip hop community is like, no, absolutely

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Speaker 1: not it. That's not the origins of Wrap my Front.

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Speaker 1: But it is a fire.

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Speaker 2: Song, pretty fire lyrics.

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Speaker 1: Dogma coming to a town near you, kids. How delightful

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Speaker 1: to get it back after all this time. And Bertie

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Speaker 1: just leant on a sigh of contempt. I'm happy. I'm happy. Okay,

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Speaker 1: go by tickets, dog my kids. Now, this is what

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Speaker 1: we're doing this week, me and Ralph during Well, I

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Speaker 1: guess let me set it up first. As you know,

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Speaker 1: anyone who listens to the show for the last month

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Speaker 1: or whatever knows, I've been dealing with a bit of

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Speaker 1: a Bullwinkle fixation obsession, bit of a Bullwinkle obsession. Man,

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Speaker 1: I am Almoose crazy.

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Speaker 2: He's gone off the deben. He's really going off the debu.

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Speaker 1: It is uh and and I'm trying to find a

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Speaker 1: way to channel it. Oftentimes I get to be involved

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Speaker 1: with things that I like and then that tempers, you know,

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Speaker 1: the fucking fever for it. Because I was a case

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Speaker 1: in point that.

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Speaker 2: How we built America.

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Speaker 1: Yeah, when I got to do the fucking it's two

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Speaker 1: weeks ago. I did the mega brands that built America,

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Speaker 1: there was an itch that was, although it hasn't made

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Speaker 1: me be like I don't care about the show nor

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Speaker 1: because it's the fucking fire show. We last night we

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Speaker 1: watched episodes about Milton. His name was Kilton Bradley. Their

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Speaker 1: names were the Parker brothers. I say that these fuckers

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Speaker 1: hated each other.

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Speaker 2: Sometimes I'm like, his name was Moo.

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Speaker 1: His name is who's what in the last name would

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Speaker 1: has Ager or Smith Smith?

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Speaker 6: His name is Moo Smith. His name is MoU Moose Smith,

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Speaker 6: and one day he will create a billion dollar cat

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Speaker 6: litter industry. But today MoU is trying to figure out

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Speaker 6: how to get to the top of the couch without

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Speaker 6: encountering the bitchy little cat.

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Speaker 2: Hey, Carl, Carl, you.

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Speaker 1: Every and the stories they always have like some enemy

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Speaker 1: and ship, some motherfucker working against them. That makes them

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Speaker 1: be better at the end of the day. At least

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Speaker 1: that's how they painted through the lens of history. I'm

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Speaker 1: sure in the moment they're like, I didn't want to

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Speaker 1: make it better. I hate it. I hate it those

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Speaker 1: Parker brothers. All right, I can't interact with Bullwinkle like

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Speaker 1: I can't. Like they're done a long time ago. They

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Speaker 1: were done before I was born.

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Speaker 2: Really yeah, oh shit, yeah.

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Speaker 1: They went from nineteen fifteen hard, from nineteen fifty nine

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Speaker 1: nineteen sixty four, five fucking hard careers. First the Rocky

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Speaker 1: Show than the bowl Winkle Show. Now jay Ward had

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Speaker 1: other productions like Georgia the Jungle and stuff like that,

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Speaker 1: but that was it for Rocky Bogo. Five seasons technically,

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Speaker 1: but a lot of episodes. But point being, they stopped

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Speaker 1: in nineteen sixty four, six years before I was even

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Speaker 1: born that I'm aware of. There is no time travel

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Speaker 1: technology yet for now, we're waiting on Tony Start to

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Speaker 1: figure it out. Yeah, so what to do? So what

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Speaker 1: I did was I wrote a Rocky and bowl Ankle

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Speaker 1: episode to see if I could do it. And I

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Speaker 1: knew I could because I've watched so many episodes. But

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Speaker 1: what I did was, rather than write Rocky and Bullwinkle,

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Speaker 1: I wrote them for my characters. Substitute the Rocky bowl

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Speaker 1: Ankle characters for my characters. So instead of Bullwinkle, it's

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Speaker 1: Movie the Golden Calf. Instead of Rocky, it's Little Eddie,

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Speaker 1: the cat who lives in your mouth, clean your teeth.

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Speaker 1: Instead of Bores Bad Nove, I'll be using Surley Duck

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Speaker 1: and instead of Natasha, I'm using Enoch the Bible, quoting

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Speaker 1: hard Park so instantly gets a laugh. So I constructed

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Speaker 1: it very much like an episode of Rocky and Bullwinkle,

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Speaker 1: including the narrator and stuff like that, and I was

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Speaker 1: very pleased with the results. So on Saturday night we

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Speaker 1: had a Hollywood Babylon that I knew wasn't sold that

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Speaker 1: we were like half capacity and ship. So on a

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Speaker 1: show like that, I'm like, let's get experimental, let's let's

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Speaker 1: let's feel the room's blue sky. So I brought the

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Speaker 1: script with me because Ralph will be the voice of

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Speaker 1: the narrator. He's very good at doing the William Conrad

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Speaker 1: type of like when we last left our Heros. He's

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Speaker 1: a perfect voice for that, and he'll also be Surly Duck.

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Speaker 1: I had him do it as al Pacino, but we're

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Speaker 1: going to have him do it instead as John Love.

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Speaker 1: It's which makes more sense for the character and stuff.

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Speaker 1: So I busted it out and we read the entire

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Speaker 1: script in front of the audience and it fucking killed,

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Speaker 1: like it absolutely killed. Ralph did the voice of Little

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Speaker 1: Eddie because he had a he had a I was like,

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Speaker 1: do you have a hip, do you have a Rocky?

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Speaker 1: So he went for it, and I was doing the

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Speaker 1: movie voice as Bowwinkled, so I didn't want to talk

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Speaker 1: to myself, so I let him go. But it is

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Speaker 1: it was written for you to play the part of

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Speaker 1: little Eddie. So what we're going to do is put

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Speaker 1: together a scratch track. So we're going to record all

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Speaker 1: the dialogue and then I'll edit it together and then

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Speaker 1: I send it to Steve Stark once I get Ralph's

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00:20:17,520 --> 00:20:19,840
Speaker 1: side of it and stuff. So it plays like an

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Speaker 1: audio episode, which the way that they produced Bullwinkle was

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Speaker 1: they often called it a radio show with drawings because

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Speaker 1: since it was limited animation back in those days, so

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Speaker 1: much of the story was told through dialogue. And in

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Speaker 1: the case of Rocky and Bogul, a narrator. They didn't

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Speaker 1: have to draw so many things because the narrator be

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Speaker 1: like and they did this, and that covers a lot

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Speaker 1: of ground. So the thing that I've noticed about rock

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Speaker 1: and Bogos, I'll put it on go sleep. It is

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Speaker 1: like a podcast. It's like a radio show. It's just

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Speaker 1: constant dialogue. There's no like it's quiet, what's happening even

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Speaker 1: when they're not talking. Somebody else is telling the story.

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Speaker 1: So I will put together that entire scratch track it's

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Speaker 1: called and then send it to Steve Stark, who's already

396
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Speaker 1: been designing the characters his Little Eddie, Like you know,

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Speaker 1: I was like broke, just.

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Speaker 2: Sorry, Wuckie preaching orgasm.

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Speaker 1: He's already started drawing him, so he like, like, you know,

400
00:21:29,280 --> 00:21:33,080
Speaker 1: it's definitely movie, but he's more in the proportions of Bowwinkle,

401
00:21:33,840 --> 00:21:37,800
Speaker 1: And it's definitely a little Eddie, but he is very

402
00:21:37,880 --> 00:21:39,879
Speaker 1: much in the proportions of Rocky.

403
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Speaker 2: It's so cute, very very cool.

404
00:21:42,840 --> 00:21:49,120
Speaker 1: So we're gonna record and then I'll cut this. Aside

405
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Speaker 1: from it being an episode for everyone here, I'm gonna

406
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Speaker 1: then take the audio cut it up to create the

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Speaker 1: scratch track.

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Speaker 2: Oh my god, this is so cute.

409
00:21:58,080 --> 00:22:00,960
Speaker 1: I honestly like, I think it'll work because the it

410
00:22:01,119 --> 00:22:03,399
Speaker 1: killed at the fucking live show.

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Speaker 7: He's cute.

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Speaker 1: So I will read everything. Mm hmmm, you're just responsible

413
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Speaker 1: for Little.

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Speaker 2: Eddie and you're looking for a Linus adjacent Let's.

415
00:22:22,040 --> 00:22:27,680
Speaker 1: Yeah, let's audition voices. Okay, first, you know what Rocky

416
00:22:27,720 --> 00:22:28,760
Speaker 1: the Flying Squirrel.

417
00:22:28,480 --> 00:22:31,840
Speaker 2: Sounds like, Yeah, but maybe you could put him.

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Speaker 1: All right, fucking you never have to ask me twice.

419
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Speaker 2: Maybe them up.

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Speaker 1: I was just watching.

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00:22:40,720 --> 00:22:44,920
Speaker 2: Yeah, I'm sure it's not on that part, all right,

422
00:22:45,000 --> 00:22:50,840
Speaker 2: So yours me me you.

423
00:23:00,800 --> 00:23:01,879
Speaker 7: We can't do that, we.

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Speaker 2: Can we can't do that.

425
00:23:09,680 --> 00:23:12,760
Speaker 7: We can't do that. We gotta see the country.

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Speaker 1: It's so strange, right because she's doing.

427
00:23:21,440 --> 00:23:25,600
Speaker 7: We can't do that. We can't do that.

428
00:23:29,040 --> 00:23:33,560
Speaker 1: But you already have a like a like a girl voice.

429
00:23:35,200 --> 00:23:36,760
Speaker 1: So I don't know why you're trying to be a

430
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Speaker 1: girl because.

431
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Speaker 2: I got a little ass boy.

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Speaker 1: Uh, well, you don't have to do that because that

433
00:23:44,160 --> 00:23:46,639
Speaker 1: was June four ray and she was, you know, the

434
00:23:46,720 --> 00:23:50,240
Speaker 1: best and stuff. But I'm flat out doing Bullwinkle because

435
00:23:50,760 --> 00:23:53,640
Speaker 1: I'm not creative. And so my Moby Saunds like this,

436
00:23:53,960 --> 00:23:56,960
Speaker 1: that's so cute, but it ain't pitch perfect like you

437
00:23:57,000 --> 00:23:58,920
Speaker 1: know it's but it's close. People will be like, that's

438
00:23:58,960 --> 00:24:03,080
Speaker 1: he's doing bull Winkle. You might get away with people

439
00:24:03,280 --> 00:24:05,520
Speaker 1: not going like she's doing Rocky because you could do

440
00:24:05,560 --> 00:24:08,880
Speaker 1: your own cat boys. So let me hear your Linus

441
00:24:08,960 --> 00:24:12,400
Speaker 1: voice as Linus as you're doing.

442
00:24:12,960 --> 00:24:16,360
Speaker 7: Hi, Hi, Grandpa, it's me Linus.

443
00:24:16,520 --> 00:24:16,600
Speaker 8: Now.

444
00:24:16,800 --> 00:24:19,800
Speaker 1: I like the pitch and the register, but why is

445
00:24:19,800 --> 00:24:20,960
Speaker 1: he so fucking scared.

446
00:24:21,880 --> 00:24:24,240
Speaker 2: That's just the personality.

447
00:24:24,400 --> 00:24:29,400
Speaker 1: So I'll take that pitch and register, but with more confidence,

448
00:24:29,440 --> 00:24:31,920
Speaker 1: not confidence. It was like game, not like that other

449
00:24:31,960 --> 00:24:33,920
Speaker 1: fucking mean cat.

450
00:24:34,040 --> 00:24:34,960
Speaker 3: We don't want that.

451
00:24:35,280 --> 00:24:40,520
Speaker 1: Don't come nowhere near the show. He's too he's too

452
00:24:40,520 --> 00:24:41,040
Speaker 1: close to me.

453
00:24:42,280 --> 00:24:43,760
Speaker 3: We can't have two people's.

454
00:24:44,240 --> 00:24:49,480
Speaker 2: Grandpa grand my boys.

455
00:24:49,720 --> 00:24:53,760
Speaker 1: You if anything that's Red Skelton's voice. What happened there?

456
00:24:53,880 --> 00:24:59,000
Speaker 1: Oh my god, I did anything unplugged? All right, Okay,

457
00:24:59,400 --> 00:25:06,359
Speaker 1: so let's hear that same pitch and register. But the

458
00:25:06,480 --> 00:25:10,520
Speaker 1: voice direction that June Fora was given was he's a

459
00:25:10,560 --> 00:25:15,720
Speaker 1: little boy scout ernest as hell. Sometimes he's like, hey,

460
00:25:15,760 --> 00:25:18,480
Speaker 1: but you don't know what you're talking about, mister, But

461
00:25:19,119 --> 00:25:20,600
Speaker 1: that's who he was. He was a little he was

462
00:25:20,640 --> 00:25:21,160
Speaker 1: a little kid.

463
00:25:21,800 --> 00:25:22,639
Speaker 2: Is a boy scout.

464
00:25:23,160 --> 00:25:26,120
Speaker 7: Hi, I'm Linus. I'm a little boy scout.

465
00:25:26,400 --> 00:25:27,600
Speaker 1: That's pretty fucking good.

466
00:25:27,960 --> 00:25:30,399
Speaker 7: My name's Linus. I'm a little boy scout.

467
00:25:30,520 --> 00:25:35,000
Speaker 1: That's pretty good. And then sometimes you know he'll be like,

468
00:25:36,760 --> 00:25:42,000
Speaker 1: you know, like saucy like you know, not saucy like,

469
00:25:42,640 --> 00:25:46,399
Speaker 1: but like you know, you're you don't like, uh, the

470
00:25:47,280 --> 00:25:51,000
Speaker 1: raw deal fucking there's a sense of hey, that ain't fair.

471
00:25:52,080 --> 00:25:53,359
Speaker 1: M M. You know what I'm saying.

472
00:25:53,480 --> 00:25:54,920
Speaker 2: Yeah, I see what you're saying.

473
00:25:56,359 --> 00:25:58,920
Speaker 1: Like, And whenever she met Boris Bad or whenever Rocky

474
00:25:58,960 --> 00:26:02,960
Speaker 1: met Board, he's like, Hey, haven't weird? Hey you sure

475
00:26:03,080 --> 00:26:04,080
Speaker 1: sound familiar?

476
00:26:06,160 --> 00:26:06,560
Speaker 7: Cute?

477
00:26:08,720 --> 00:26:12,720
Speaker 1: Hold on, where's the She always tells the same story

478
00:26:12,760 --> 00:26:15,600
Speaker 1: in every interview. I mean, she's past. But of course,

479
00:26:15,600 --> 00:26:16,640
Speaker 1: why wouldn't she tell us.

480
00:26:16,720 --> 00:26:21,040
Speaker 8: I arrived at the Tale of the Car and there were.

481
00:26:20,680 --> 00:26:24,920
Speaker 1: Just too to give you context. That was the name

482
00:26:24,960 --> 00:26:27,960
Speaker 1: of a restaurant slash bar where she met Jay Ward

483
00:26:28,040 --> 00:26:28,919
Speaker 1: and Bill Scott.

484
00:26:29,520 --> 00:26:31,520
Speaker 3: She got the job because of her talent, kids, not.

485
00:26:33,040 --> 00:26:34,800
Speaker 1: Because of that piece that you heard.

486
00:26:34,960 --> 00:26:38,640
Speaker 2: Yeah, that was a crazy beginning.

487
00:26:38,720 --> 00:26:41,879
Speaker 8: At the table, the met brought us over, brought me

488
00:26:41,920 --> 00:26:47,000
Speaker 8: over to the table, and I saw this very man

489
00:26:47,520 --> 00:26:52,359
Speaker 8: with glasses and a handle of our mustache and a

490
00:26:52,480 --> 00:26:54,040
Speaker 8: taller man.

491
00:26:54,359 --> 00:26:55,959
Speaker 1: This is the story you'll tell about me when our

492
00:26:55,960 --> 00:26:58,000
Speaker 1: cartoon takes off one day and you're an old lady

493
00:26:57,960 --> 00:27:01,080
Speaker 1: and she had a mustache.

494
00:27:02,720 --> 00:27:04,000
Speaker 2: That's how I describe you now.

495
00:27:05,680 --> 00:27:07,480
Speaker 3: About talk about your father.

496
00:27:07,880 --> 00:27:11,320
Speaker 2: Yeah, yeah, he's got a mustache and a mustache, and

497
00:27:11,359 --> 00:27:13,800
Speaker 2: he had very peculiar You're dead.

498
00:27:14,480 --> 00:27:15,760
Speaker 3: I was just calling me dead.

499
00:27:17,240 --> 00:27:19,959
Speaker 8: And they were Jay Ward and Bill Thoughts, and they

500
00:27:20,000 --> 00:27:24,439
Speaker 8: were having martini and they said, have a martine and

501
00:27:24,480 --> 00:27:28,280
Speaker 8: I said, no, I really don't drink it.

502
00:27:28,280 --> 00:27:30,440
Speaker 1: It's a good story. Right now, I know who your

503
00:27:30,480 --> 00:27:33,160
Speaker 1: generation is, like, hey, what the fuck? But it all

504
00:27:33,200 --> 00:27:35,000
Speaker 1: works out rather than not.

505
00:27:36,160 --> 00:27:38,960
Speaker 8: And they started to tell me about the idea of

506
00:27:39,080 --> 00:27:42,119
Speaker 8: most from the Squirrel, and I thought the idea was

507
00:27:42,160 --> 00:27:42,960
Speaker 8: plind that cock eye.

508
00:27:43,000 --> 00:27:43,800
Speaker 1: They were the only.

509
00:27:45,760 --> 00:27:49,000
Speaker 8: We're talking to real people, and so they said, oh,

510
00:27:49,040 --> 00:27:52,400
Speaker 8: come on, have a martini. Well, after the first martini, I.

511
00:27:52,359 --> 00:27:54,600
Speaker 1: Thought that was not such a bad idea.

512
00:27:54,920 --> 00:27:57,720
Speaker 8: After the second one, I thought it was a sensation,

513
00:27:58,080 --> 00:28:05,840
Speaker 8: which sturned out was. But we did a demo the

514
00:28:05,920 --> 00:28:10,639
Speaker 8: following week and he said, you're rocking the Squirrel And

515
00:28:10,720 --> 00:28:13,360
Speaker 8: I what kind of a voice do you want? You said, well,

516
00:28:13,640 --> 00:28:17,000
Speaker 8: an all American voice out squirrel. So that's what I

517
00:28:17,040 --> 00:28:20,240
Speaker 8: did with a little cup brisk And sometimes he became

518
00:28:20,280 --> 00:28:24,119
Speaker 8: a little bit pet with the bow winkle, but always

519
00:28:24,960 --> 00:28:27,680
Speaker 8: doing well. He wanted to stay in the world.

520
00:28:27,760 --> 00:28:29,919
Speaker 3: And so then.

521
00:28:30,920 --> 00:28:31,640
Speaker 2: We're gonna.

522
00:28:33,480 --> 00:28:33,840
Speaker 7: Crying.

523
00:28:34,160 --> 00:28:36,800
Speaker 1: God, that's such a beautiful way to put it. It's

524
00:28:36,840 --> 00:28:43,320
Speaker 1: so true. So petulant that was, but not petulant all

525
00:28:43,320 --> 00:28:45,280
Speaker 1: the time, but like every once in a while.

526
00:28:45,640 --> 00:28:49,080
Speaker 9: You know, I'd be like, oh, who are where's the IM?

527
00:28:49,200 --> 00:28:54,560
Speaker 9: Gonna get them going, Hey, you sure sound familiar? Like

528
00:28:54,640 --> 00:28:58,880
Speaker 9: they did that for five years. They never recognized for

529
00:28:59,000 --> 00:29:00,320
Speaker 9: as Natasha.

530
00:28:59,880 --> 00:29:07,520
Speaker 1: Like you srself familiar? All right, So that's the direction. Okay,

531
00:29:07,800 --> 00:29:12,320
Speaker 1: the boy scout always wants to do, right, Bullwinkle? Is

532
00:29:12,320 --> 00:29:12,680
Speaker 1: this hero?

533
00:29:13,560 --> 00:29:14,120
Speaker 4: This is?

534
00:29:14,960 --> 00:29:19,360
Speaker 1: I love this. I put this up on that TikTok

535
00:29:19,520 --> 00:29:20,520
Speaker 1: a couple of weeks ago.

536
00:29:22,400 --> 00:29:25,640
Speaker 2: Is here.

537
00:29:25,720 --> 00:29:28,600
Speaker 7: I keep a record of your hero.

538
00:29:28,840 --> 00:29:32,880
Speaker 3: Might keep telling you a week lady, but just the.

539
00:29:32,760 --> 00:29:34,600
Speaker 2: Same, you're my hero, Winkle.

540
00:29:34,960 --> 00:29:35,920
Speaker 3: Don't you have a hero?

541
00:29:36,760 --> 00:29:37,000
Speaker 9: Lie?

542
00:29:37,040 --> 00:29:38,720
Speaker 4: Only human? Of course I do.

543
00:29:39,000 --> 00:29:39,680
Speaker 7: Who is it?

544
00:29:40,120 --> 00:29:40,760
Speaker 2: What is you?

545
00:29:41,680 --> 00:29:44,000
Speaker 3: That may seem silly, but it's just said.

546
00:29:44,040 --> 00:29:45,600
Speaker 4: It's only human to have a hero.

547
00:29:46,160 --> 00:29:48,400
Speaker 1: It's you.

548
00:29:49,120 --> 00:29:51,320
Speaker 2: It's literally you. You have a dollar of yourself on

549
00:29:51,400 --> 00:29:55,280
Speaker 2: your fucking desk right now. Oh my god, you are Bwinkle.

550
00:29:56,760 --> 00:30:00,000
Speaker 1: I will might try to be rocky, but yeah, unfortunately

551
00:30:00,040 --> 00:30:00,840
Speaker 1: I'm probably.

552
00:30:05,160 --> 00:30:05,520
Speaker 3: Okay.

553
00:30:05,720 --> 00:30:14,160
Speaker 1: So let's let's hear let's hear uh one more run?

554
00:30:14,880 --> 00:30:17,520
Speaker 2: Should I read a line or just speak as Linus?

555
00:30:18,160 --> 00:30:19,280
Speaker 1: Speak as Linus?

556
00:30:19,760 --> 00:30:22,320
Speaker 7: Hi am Linus. I'm a little boy scout.

557
00:30:23,080 --> 00:30:23,760
Speaker 1: I'm a little lettie.

558
00:30:24,560 --> 00:30:27,200
Speaker 7: Hi, I'm a little Eddie. I'm a boy scout.

559
00:30:27,920 --> 00:30:29,840
Speaker 1: But don't say boy scout is that I'm a little eddie.

560
00:30:29,840 --> 00:30:31,160
Speaker 1: I'm the cat that lives in your mouth.

561
00:30:32,480 --> 00:30:35,080
Speaker 7: Hi, I'm a little eddie, the cat that lives in movies.

562
00:30:35,120 --> 00:30:38,400
Speaker 1: Now, oh, that's perfect. We're gonna make millions, all right

563
00:30:39,440 --> 00:30:44,400
Speaker 1: with a stolen concept. Perfect, all right, So I'll read

564
00:30:44,480 --> 00:30:48,080
Speaker 1: everything else just so everyone can you know we are

565
00:30:48,160 --> 00:30:50,560
Speaker 1: getting something done. But at the same time people are like,

566
00:30:50,560 --> 00:30:53,960
Speaker 1: hey man, we're here too. Yeah, like fucking entertainment.

567
00:30:56,200 --> 00:31:01,680
Speaker 6: And be a little cat lives in a cow's map.

568
00:31:05,560 --> 00:31:11,200
Speaker 1: Those are very specific lyrics. Exterior map of America. Start

569
00:31:11,240 --> 00:31:14,160
Speaker 1: wide on a map that has state separations, with multiple

570
00:31:14,200 --> 00:31:17,200
Speaker 1: colors distinguishing all the states. The narrator says, when one

571
00:31:17,240 --> 00:31:19,520
Speaker 1: thinks of New Jersey, if one ever thinks of New Jersey,

572
00:31:19,520 --> 00:31:22,880
Speaker 1: it's usually poorly. Zoom in on a clearly identified New Jersey.

573
00:31:23,120 --> 00:31:25,560
Speaker 1: Then zoom in on a clearly identified Asbury Park, where

574
00:31:25,560 --> 00:31:29,160
Speaker 1: a Springsteen cricketure belts out a note. Indeed, aren't outsiders

575
00:31:29,200 --> 00:31:32,240
Speaker 1: who valiantly ventured beyond the borders of the savage Eastern

576
00:31:32,280 --> 00:31:35,120
Speaker 1: seaboard state and lived to tell about it. Make meager

577
00:31:35,200 --> 00:31:38,760
Speaker 1: mention of local matt landmarks like Asbury Park, home to

578
00:31:38,840 --> 00:31:42,680
Speaker 1: a musical bucolic boss, or Atlantic City, home to catastrophic

579
00:31:42,720 --> 00:31:46,080
Speaker 1: casino loss. Pans to clearly identified Atlantic City, A guy

580
00:31:46,120 --> 00:31:48,160
Speaker 1: with his pockets turned out jumps from the very high

581
00:31:48,200 --> 00:31:51,320
Speaker 1: floor of a casino hotel balcony, then pants with clearly

582
00:31:51,320 --> 00:31:54,560
Speaker 1: identified cow Pie County, where a standard cow lifts its

583
00:31:54,600 --> 00:31:56,480
Speaker 1: head from the grass, chewing cut after beat. It gives

584
00:31:56,560 --> 00:31:58,600
Speaker 1: us a mean look for casually dropping a deuce, the

585
00:31:58,680 --> 00:32:02,959
Speaker 1: narrator tells us, But perhaps the best kept secret excuse me,

586
00:32:03,000 --> 00:32:06,120
Speaker 1: but perhaps the best kept state secret is the bovine

587
00:32:06,160 --> 00:32:09,239
Speaker 1: imbued burrow of cow Pie County, where bulls take no

588
00:32:09,360 --> 00:32:12,800
Speaker 1: crap because they can make their own. Exterior movies restaurant

589
00:32:12,960 --> 00:32:16,400
Speaker 1: day a jay wardy in white, establishing the lay of

590
00:32:16,400 --> 00:32:19,920
Speaker 1: the land. The building looks like the one from the movies.

591
00:32:20,240 --> 00:32:22,400
Speaker 1: Out in the parking lot is a rocket ship and

592
00:32:22,400 --> 00:32:24,720
Speaker 1: a launch pad, surrounded by a crowd of people and

593
00:32:24,760 --> 00:32:27,080
Speaker 1: a marching band beneath a banner that reads the cow

594
00:32:27,160 --> 00:32:30,080
Speaker 1: jumps over the moon, and then a narrator says, but

595
00:32:30,200 --> 00:32:32,320
Speaker 1: today the entire town can be found in the parking

596
00:32:32,360 --> 00:32:34,640
Speaker 1: lot of a fledgling fast food franchise where a pairent

597
00:32:34,680 --> 00:32:38,200
Speaker 1: proprietor's plucky publicity stunt is creating curiosity over our pound

598
00:32:38,200 --> 00:32:42,400
Speaker 1: of mis entrepreneur. Cut to Movie, hands on his hips mouth,

599
00:32:42,440 --> 00:32:45,920
Speaker 1: close about to be interviewed by reporter Minor Burt. That's

600
00:32:45,920 --> 00:32:51,360
Speaker 1: a boys, narrator finished movie the Golden Calf, and the

601
00:32:51,360 --> 00:32:53,960
Speaker 1: miner Bird says, call minor bird from the Cowpie Chronicle.

602
00:32:54,000 --> 00:32:57,080
Speaker 1: Minor readers need to know the rocket ship scoop. Movie

603
00:32:57,080 --> 00:32:59,560
Speaker 1: shrugs and points to his mouth. Miner birds, what's the

604
00:32:59,560 --> 00:33:02,200
Speaker 1: matter of movie? Cat got your tongue? Suddenly, little Eddie

605
00:33:02,240 --> 00:33:05,000
Speaker 1: Dentuers pops out his head and shoulders out of Movie's mouth,

606
00:33:05,240 --> 00:33:08,120
Speaker 1: holding movies lips open with his arms and elbows, and

607
00:33:08,160 --> 00:33:16,600
Speaker 1: he says, kinda give me three different kindness, kinda not bad.

608
00:33:17,560 --> 00:33:19,400
Speaker 2: Wait, you gotta give me the line before.

609
00:33:19,880 --> 00:33:24,640
Speaker 1: Oh you need a leader. Here we go. Uh, what's

610
00:33:24,640 --> 00:33:28,920
Speaker 1: the matter movie? Cat got your tongue? Kinda nice, that's

611
00:33:28,960 --> 00:33:32,160
Speaker 1: the one. We don't even need to lead. And I

612
00:33:32,160 --> 00:33:34,120
Speaker 1: can see, I can sink I should bring more mind

613
00:33:34,120 --> 00:33:34,680
Speaker 1: it next time.

614
00:33:36,960 --> 00:33:39,040
Speaker 3: What the woodwinder Bernstein, who are you.

615
00:33:39,880 --> 00:33:43,120
Speaker 7: I'm his little business buddy. Little Eddie Denter's the cat

616
00:33:43,160 --> 00:33:44,440
Speaker 7: that lives in movies mouth.

617
00:33:44,520 --> 00:33:46,520
Speaker 1: Okay, but I would never put little twice in the

618
00:33:46,560 --> 00:33:49,120
Speaker 1: same sentence, so don't make me look like a bad rider.

619
00:33:49,200 --> 00:33:51,880
Speaker 1: Did I say you added a little where there was none?

620
00:33:52,280 --> 00:33:55,000
Speaker 1: You added I'm his little business buddy, which, to be fair,

621
00:33:56,040 --> 00:33:58,200
Speaker 1: whenever I read it, I want to add it too,

622
00:33:58,440 --> 00:34:00,479
Speaker 1: but I didn't use it there because I need it

623
00:34:00,640 --> 00:34:03,360
Speaker 1: to say his name because little is literally right, of course,

624
00:34:04,280 --> 00:34:09,319
Speaker 1: But just know that I stumbled the same way, so

625
00:34:09,440 --> 00:34:14,080
Speaker 1: genetically you were predisposed to see little where there was none.

626
00:34:14,840 --> 00:34:18,920
Speaker 1: It's not your fault, Thank you. You're I blame Mommily.

627
00:34:20,560 --> 00:34:21,720
Speaker 2: This is all on Mommily.

628
00:34:21,960 --> 00:34:25,280
Speaker 1: That's right. Okay, Here we go. Take two on that line,

629
00:34:25,360 --> 00:34:26,359
Speaker 1: and what.

630
00:34:26,440 --> 00:34:28,359
Speaker 3: The Woodward in Bernstein? Who are you?

631
00:34:28,920 --> 00:34:31,840
Speaker 7: I'm his business buddy, Little Eddie Dentuer's the cat that

632
00:34:31,920 --> 00:34:33,000
Speaker 7: lives in movie's mouth?

633
00:34:34,160 --> 00:34:34,799
Speaker 1: I like that?

634
00:34:35,400 --> 00:34:37,200
Speaker 2: Did I say you did not?

635
00:34:37,719 --> 00:34:40,520
Speaker 1: But we'll take a spare just in Kate, What the

636
00:34:40,560 --> 00:34:41,680
Speaker 1: Woodward in Bernstein?

637
00:34:41,800 --> 00:34:42,359
Speaker 3: Who are you?

638
00:34:42,920 --> 00:34:46,040
Speaker 7: I'm his business buddy, Little Eddie Dentuer's the cat that

639
00:34:46,120 --> 00:34:47,240
Speaker 7: lives in movie's mouth?

640
00:34:47,840 --> 00:34:57,920
Speaker 1: Like it let me give you sneeze was cute movie?

641
00:34:57,920 --> 00:35:00,520
Speaker 1: Sneezes Little Eddie onto the ground with a cat, lands

642
00:35:00,600 --> 00:35:07,040
Speaker 1: on his feet, standing side by side. M Oh shit,

643
00:35:07,960 --> 00:35:10,960
Speaker 1: bet Deacon went to CinemaCon, so did Ernie, and they

644
00:35:10,960 --> 00:35:15,759
Speaker 1: saw footage from Superman. Oh oh, sho asked about it later,

645
00:35:18,360 --> 00:35:20,880
Speaker 1: lands on his feet, standing side by side. They're roughly

646
00:35:20,920 --> 00:35:26,240
Speaker 1: the size of Rocky and Bullwinkle movie. The Golden Calf says, sorry,

647
00:35:26,800 --> 00:35:29,880
Speaker 1: good god, I want to say.

648
00:35:30,719 --> 00:35:34,200
Speaker 7: Oh, that's all right movie. Everyone knows it's cold and

649
00:35:34,239 --> 00:35:35,000
Speaker 7: flu season.

650
00:35:35,440 --> 00:35:37,680
Speaker 1: Oh that's good, but speed it up. I'll give you

651
00:35:37,719 --> 00:35:39,040
Speaker 1: a leading so reay.

652
00:35:39,520 --> 00:35:42,000
Speaker 7: Oh it's all right movie. Everyone knows it's cold and

653
00:35:42,080 --> 00:35:42,800
Speaker 7: flu season.

654
00:35:43,080 --> 00:35:44,960
Speaker 3: It's because of a cold that you flew out my

655
00:35:45,080 --> 00:35:50,680
Speaker 3: nose instead of my mouth. Good, thank you.

656
00:35:52,560 --> 00:35:55,239
Speaker 1: Cat and cow do mouth stuff. That's what mina bird

657
00:35:55,360 --> 00:35:57,960
Speaker 1: writes in my work here is done. She starts to

658
00:35:58,000 --> 00:35:58,520
Speaker 1: fly off.

659
00:35:59,200 --> 00:36:02,040
Speaker 7: We've been lot. Don't you need to even interview us

660
00:36:02,040 --> 00:36:02,840
Speaker 7: for your article?

661
00:36:03,239 --> 00:36:05,680
Speaker 1: Nice? Give me separation between litters and dome.

662
00:36:07,040 --> 00:36:08,000
Speaker 2: Weep in litters.

663
00:36:08,440 --> 00:36:11,080
Speaker 7: Don't you need to even interview us for your article?

664
00:36:11,440 --> 00:36:14,319
Speaker 1: And now a little faster, h.

665
00:36:16,360 --> 00:36:17,200
Speaker 2: Give me my leada.

666
00:36:17,480 --> 00:36:20,640
Speaker 1: Oh my work is done, but on your leaping litters?

667
00:36:20,680 --> 00:36:21,960
Speaker 1: Like more leap in litters?

668
00:36:22,280 --> 00:36:23,160
Speaker 2: Oh got it?

669
00:36:25,080 --> 00:36:26,440
Speaker 1: Uh, my work here is done?

670
00:36:26,680 --> 00:36:29,680
Speaker 7: Leep in litters. Don't you need to even interview us

671
00:36:29,719 --> 00:36:30,520
Speaker 7: for your article?

672
00:36:31,200 --> 00:36:33,719
Speaker 1: Nice? A little more sauce on that. Don't you need

673
00:36:33,760 --> 00:36:36,919
Speaker 1: a little more suspicion. Yeah, I'll take that, but tight

674
00:36:37,080 --> 00:36:37,960
Speaker 1: faster here we go.

675
00:36:38,239 --> 00:36:39,200
Speaker 3: My work here is done.

676
00:36:39,640 --> 00:36:42,839
Speaker 7: Weep in litters. Don't you need to even interview us

677
00:36:42,880 --> 00:36:43,680
Speaker 7: for your article?

678
00:36:44,280 --> 00:36:47,120
Speaker 1: Minor readers only have time for a headline and cat

679
00:36:47,160 --> 00:36:50,319
Speaker 1: and cow do mouth stuff is click bait crack raw.

680
00:36:50,480 --> 00:36:53,480
Speaker 1: As Minor flies off, we zoom in on Movie and Eddie,

681
00:36:53,600 --> 00:36:56,720
Speaker 1: who run up three sets of stairs to a platform

682
00:36:56,840 --> 00:36:59,200
Speaker 1: at the rockets open door, the narrator tells us, and

683
00:36:59,280 --> 00:37:02,439
Speaker 1: after an exchange angel little expository assistance, our fearless food

684
00:37:02,440 --> 00:37:05,000
Speaker 1: flingers climbed atop the launch pad, where a mighty rocket

685
00:37:05,000 --> 00:37:07,719
Speaker 1: ship towered over the crowd. Movie steps up to the

686
00:37:07,719 --> 00:37:09,720
Speaker 1: microphone with Eddie on his shoulder.

687
00:37:10,719 --> 00:37:15,120
Speaker 3: Felicitations, Cowpa cotians, I bet you're wondering why we reconnoiter

688
00:37:15,120 --> 00:37:16,920
Speaker 3: her a rocket ship today.

689
00:37:17,320 --> 00:37:19,399
Speaker 1: I'm gonna give you another one. You know you didn't

690
00:37:19,400 --> 00:37:19,680
Speaker 1: ask for.

691
00:37:21,600 --> 00:37:26,040
Speaker 3: Felicitations Kaupa Conians. I bet you're wondering why we reconnoitered

692
00:37:26,120 --> 00:37:27,720
Speaker 3: this rocket ship today.

693
00:37:28,000 --> 00:37:30,319
Speaker 7: Me and movie planned to prove once and for all

694
00:37:30,440 --> 00:37:32,959
Speaker 7: that a cow really can jump over the moon.

695
00:37:33,440 --> 00:37:37,760
Speaker 1: Nice to me, No tell that way for this car, I'll.

696
00:37:37,600 --> 00:37:41,040
Speaker 2: Take a leaden. Oh, thank you very much.

697
00:37:45,080 --> 00:37:49,320
Speaker 3: Felicitations Kaupa Cotians, I bet you're wondering why we reconnoitered

698
00:37:49,400 --> 00:37:50,840
Speaker 3: a rocket ship today.

699
00:37:51,000 --> 00:37:53,239
Speaker 7: Me and movie plan to prove once and for all

700
00:37:53,320 --> 00:37:58,120
Speaker 7: that a cow really can jump over the moon.

701
00:37:58,760 --> 00:38:01,480
Speaker 3: All are in flight meals in moon munchie's furnished by

702
00:38:01,480 --> 00:38:05,879
Speaker 3: our feeling, I mean fabulous fast food franchise movies. Why

703
00:38:05,920 --> 00:38:10,240
Speaker 3: don't you represent by slinging our slogan little litty movies?

704
00:38:10,440 --> 00:38:11,200
Speaker 7: Hit it already?

705
00:38:11,719 --> 00:38:13,840
Speaker 1: Nice? I mean, I'll do another one and then you

706
00:38:13,880 --> 00:38:16,799
Speaker 1: do good another mm hmm. Wait on a.

707
00:38:16,800 --> 00:38:27,719
Speaker 4: Car rush out.

708
00:38:27,719 --> 00:38:28,640
Speaker 1: It's like seven forty.

709
00:38:28,440 --> 00:38:30,000
Speaker 2: Three got up the street.

710
00:38:30,040 --> 00:38:30,800
Speaker 1: Goddamn truck.

711
00:38:32,840 --> 00:38:35,759
Speaker 3: All are in flight meals and moon munchies furnished by

712
00:38:35,760 --> 00:38:41,279
Speaker 3: our failing I mean fabulous fast food franchise movies. Why

713
00:38:41,280 --> 00:38:44,840
Speaker 3: don't you represent by slinging? Ur say, why don't you

714
00:38:44,880 --> 00:38:47,080
Speaker 3: represent by slinging our slogan Little lady.

715
00:38:47,280 --> 00:38:49,800
Speaker 7: Movies hit it already, Yeah.

716
00:38:50,200 --> 00:38:52,080
Speaker 1: Movie and Little Eddie head into the movie and Little

717
00:38:52,160 --> 00:38:53,120
Speaker 1: Eddie heading into the rocket.

718
00:38:53,080 --> 00:38:54,279
Speaker 3: The door closes behind them.

719
00:38:54,320 --> 00:38:57,680
Speaker 1: This crowd joice below. Marrier says, the circumstances properly pomped.

720
00:38:57,719 --> 00:38:59,800
Speaker 1: Our heroes heard into the ready rocket. As the crowd

721
00:39:00,160 --> 00:39:03,520
Speaker 1: closer to cheer on their intrepid spirit. The interior rockets same,

722
00:39:03,760 --> 00:39:07,000
Speaker 1: strapped into their seats. Little Eddie is at the steering wheel.

723
00:39:07,120 --> 00:39:11,840
Speaker 1: Movie is the copilot. Let's lick this candle engas movie

724
00:39:11,880 --> 00:39:15,840
Speaker 1: presses the launch button. Exterior Movies Restaurant Same. Fire ports

725
00:39:15,880 --> 00:39:18,320
Speaker 1: and the rocket's engines go wide and see the flames

726
00:39:18,320 --> 00:39:21,319
Speaker 1: and gulf the cheering crowd. When the flames subside, the

727
00:39:21,320 --> 00:39:24,799
Speaker 1: cartoon cook crowd stands there for beat before disintegrating to act.

728
00:39:24,920 --> 00:39:25,600
Speaker 2: Oh my god.

729
00:39:26,200 --> 00:39:30,080
Speaker 1: Interior Rockets same. The cabin vibrates violently as the rocket

730
00:39:30,120 --> 00:39:32,520
Speaker 1: takes off, rattling our heroes, the narrator says, and breaking

731
00:39:32,520 --> 00:39:34,719
Speaker 1: free the surly bounds of earth, the rockets sword into

732
00:39:34,719 --> 00:39:38,440
Speaker 1: the sky. Exterior Movies Restaurant Same. The rocket blasts off

733
00:39:38,440 --> 00:39:40,680
Speaker 1: into the sky. Interior rockets same movie and Little Eddie

734
00:39:40,719 --> 00:39:43,960
Speaker 1: experienced the impact of liftoff, their eyes bulging, their skin flapping.

735
00:39:44,320 --> 00:39:46,439
Speaker 1: It was one small step for a cow and one

736
00:39:46,480 --> 00:39:50,880
Speaker 1: giant mess for cow Pie County. Exterior Movies, Restaurant countyans

737
00:39:50,920 --> 00:39:53,440
Speaker 1: go running from the launch pad, screaming on fire.

738
00:39:53,480 --> 00:39:55,920
Speaker 3: And one goes a kill makew may kill me.

739
00:39:56,239 --> 00:39:58,560
Speaker 1: The narrator says. It was a sobering sentiment shared by

740
00:39:58,560 --> 00:40:01,640
Speaker 1: the underpaid narrator. Exterior Out of Space Night, the rocket

741
00:40:01,680 --> 00:40:04,840
Speaker 1: reaches the starry Milky Way, and the narrator says, but

742
00:40:04,920 --> 00:40:08,080
Speaker 1: after a worldwide pandemic to industry strikes in the California fires,

743
00:40:08,120 --> 00:40:10,760
Speaker 1: work in Hollywood was too scarce to voice a content

744
00:40:10,800 --> 00:40:14,319
Speaker 1: objection ever again. And so our hero narrate it on

745
00:40:15,160 --> 00:40:21,239
Speaker 1: Little Eddie Denture says two interior rocket with gravity gun

746
00:40:21,320 --> 00:40:24,400
Speaker 1: movie and Little Eddie float now offering objecting looks to

747
00:40:24,560 --> 00:40:28,239
Speaker 1: the camera, the narrator says, And so our hero narrate it.

748
00:40:28,200 --> 00:40:30,920
Speaker 7: On Hero leaping litters.

749
00:40:31,200 --> 00:40:34,919
Speaker 1: No, you gotta come harder, Hero like Hero, Oh yeah,

750
00:40:34,920 --> 00:40:36,960
Speaker 1: my bad. I should put in another but that's why

751
00:40:36,960 --> 00:40:37,759
Speaker 1: it's in italics.

752
00:40:37,800 --> 00:40:39,239
Speaker 10: And Hero I.

753
00:40:39,200 --> 00:40:41,759
Speaker 2: Thought it was like, oh, he's calling me a hero.

754
00:40:41,880 --> 00:40:44,440
Speaker 1: No, he's saying, so our hero he was calling himself

755
00:40:44,440 --> 00:40:45,920
Speaker 1: a hero. We're about to chat.

756
00:40:45,760 --> 00:40:48,560
Speaker 2: Us, Oh I see, and so.

757
00:40:48,640 --> 00:40:52,400
Speaker 3: Our hero narrate it on zero leaping letters. We're the

758
00:40:52,440 --> 00:40:55,280
Speaker 3: heroes here, hit a. Unless you want our new narrator

759
00:40:55,320 --> 00:40:57,080
Speaker 3: to be an AI voice generator.

760
00:40:58,640 --> 00:41:01,319
Speaker 1: Uh no, I need this gig. Insurance depends on it.

761
00:41:02,600 --> 00:41:08,440
Speaker 7: Then stay on scrap. Then stay on script, cring Colcin.

762
00:41:08,880 --> 00:41:10,719
Speaker 1: Nice, that was good. Give me one more of those,

763
00:41:10,760 --> 00:41:13,520
Speaker 1: a little more attitude on that hands on hips for

764
00:41:13,600 --> 00:41:14,200
Speaker 1: keering Colcin.

765
00:41:15,360 --> 00:41:20,440
Speaker 3: Then stay on script carring Colcin perfect and so our

766
00:41:20,480 --> 00:41:26,239
Speaker 3: two heroes. That's more laky. That's more laked. That's more lake.

767
00:41:26,320 --> 00:41:30,120
Speaker 3: It found themselves free from the grip of gravity as

768
00:41:30,120 --> 00:41:31,239
Speaker 3: they entered infinity.

769
00:41:32,120 --> 00:41:34,520
Speaker 7: We're about to land on the moon movie, so it's

770
00:41:34,520 --> 00:41:36,360
Speaker 7: start to put on our special outfits.

771
00:41:36,680 --> 00:41:39,680
Speaker 3: You mean these special outfits, but it ain't Saturday.

772
00:41:40,360 --> 00:41:42,840
Speaker 7: Not those. I'm talking about our space shoots.

773
00:41:43,239 --> 00:41:46,640
Speaker 1: Shoots and give me more, not those.

774
00:41:48,480 --> 00:41:52,120
Speaker 3: Uh you mean these special outfits, but it ain't Saturday.

775
00:41:52,520 --> 00:41:55,000
Speaker 7: Not those I'm talking about our space suits.

776
00:41:55,239 --> 00:41:58,120
Speaker 1: Nice, give me another. We're about to land on the moon.

777
00:41:59,120 --> 00:42:07,160
Speaker 1: Start with a help hold on, and so our two

778
00:42:07,160 --> 00:42:09,640
Speaker 1: heroes found themselves free from the grip of gravity. As

779
00:42:09,640 --> 00:42:10,719
Speaker 1: they entered infinity.

780
00:42:11,120 --> 00:42:13,759
Speaker 7: Well where about to land on the Moon? Movie? So

781
00:42:13,840 --> 00:42:15,600
Speaker 7: it's time to put on our special outfits.

782
00:42:15,880 --> 00:42:19,600
Speaker 3: You mean these special outfits, But it ain't Saturday, not those.

783
00:42:19,800 --> 00:42:21,440
Speaker 7: I'm talking about our space suits.

784
00:42:21,600 --> 00:42:25,279
Speaker 1: And once the and once the rolling rocket, and once

785
00:42:25,320 --> 00:42:27,920
Speaker 1: the rowing Rocket landed, our space suited heroes emerged and

786
00:42:27,960 --> 00:42:31,319
Speaker 1: explored the mysterious Moon in advance of their lunar leap.

787
00:42:31,800 --> 00:42:34,440
Speaker 1: Exterior Moonnight. The rocket lands on the Moon door opens,

788
00:42:34,600 --> 00:42:37,640
Speaker 1: moving little Eddie pop up in the doorway, wearing sixty

789
00:42:37,760 --> 00:42:40,879
Speaker 1: sci fi inspired spacesuits, bubble helmets over their heads. Jet

790
00:42:40,920 --> 00:42:42,320
Speaker 1: packed comment.

791
00:42:42,560 --> 00:42:47,360
Speaker 2: Yes, you read scripts really interestingly.

792
00:42:47,440 --> 00:42:49,840
Speaker 7: You're jumping all over the God.

793
00:42:50,200 --> 00:42:52,359
Speaker 1: I'm doing it more for those listening at home, so

794
00:42:52,440 --> 00:42:53,839
Speaker 1: the joke doesn't hang there.

795
00:42:54,080 --> 00:42:55,480
Speaker 2: Okay, got shoot.

796
00:42:55,600 --> 00:42:57,760
Speaker 1: So then I'm like, all right, what information.

797
00:42:57,440 --> 00:42:59,800
Speaker 2: Is he's jumping all over the goddamn page?

798
00:43:00,080 --> 00:43:00,359
Speaker 4: I am.

799
00:43:00,440 --> 00:43:03,560
Speaker 1: It's not that I'm like I have a reading dysfunction

800
00:43:03,680 --> 00:43:04,279
Speaker 1: or something like that.

801
00:43:04,440 --> 00:43:07,040
Speaker 2: I'm literally like, you're thinking of.

802
00:43:07,000 --> 00:43:10,480
Speaker 1: The audience a little bit, because I'm sure everybody the

803
00:43:10,560 --> 00:43:13,399
Speaker 1: fuck like you're trying to get two things done here.

804
00:43:13,400 --> 00:43:15,399
Speaker 3: This isn't a show. You're trying to record a different show.

805
00:43:15,960 --> 00:43:18,080
Speaker 3: But this is the process looking out for you.

806
00:43:18,360 --> 00:43:20,919
Speaker 1: This is how one you get to actually see behind

807
00:43:20,920 --> 00:43:21,280
Speaker 1: a curtain.

808
00:43:21,280 --> 00:43:22,359
Speaker 2: Be like, oh so true.

809
00:43:22,560 --> 00:43:29,680
Speaker 1: How they do it? Is that how not to do it? Okay,

810
00:43:29,719 --> 00:43:32,640
Speaker 1: So they wearing their space bubble helmets and jet pecks.

811
00:43:32,640 --> 00:43:34,719
Speaker 1: A ladder lowers and the pair climbed down and then

812
00:43:34,719 --> 00:43:37,120
Speaker 1: they bounce across the surface of the moon.

813
00:43:39,280 --> 00:43:41,160
Speaker 3: We're off to skim the milky way.

814
00:43:42,239 --> 00:43:44,640
Speaker 7: That sure was one sour milk pun.

815
00:43:45,160 --> 00:43:47,720
Speaker 1: Give it a more like that sure was one sour

816
00:43:47,920 --> 00:43:51,480
Speaker 1: milk pun. Hold on, wait for the car. Waiting for

817
00:43:51,520 --> 00:43:52,000
Speaker 1: the car.

818
00:43:52,760 --> 00:43:54,560
Speaker 3: We're off to skim the milky way.

819
00:43:55,239 --> 00:43:57,520
Speaker 7: That sure was one sour milk pun.

820
00:43:57,840 --> 00:44:02,839
Speaker 3: Then I refuse to utter another movie? Darry make one more?

821
00:44:03,120 --> 00:44:03,480
Speaker 1: He did.

822
00:44:06,640 --> 00:44:07,799
Speaker 3: Suddenly movie and Eddie are.

823
00:44:07,760 --> 00:44:09,839
Speaker 1: Enveloped by a cloud of gas that makes them fall

824
00:44:09,880 --> 00:44:12,120
Speaker 1: to the ground heavy and the narrator tells us but

825
00:44:12,239 --> 00:44:14,280
Speaker 1: before a movie can bring home the bit, the comedic

826
00:44:14,360 --> 00:44:16,600
Speaker 1: cow and his feline friend got a blast of gravity

827
00:44:16,640 --> 00:44:18,520
Speaker 1: gas from an unseen aggressor.

828
00:44:18,800 --> 00:44:21,600
Speaker 7: Leep in litters movie, we've been a mobilize and.

829
00:44:21,680 --> 00:44:22,840
Speaker 3: We can't move either.

830
00:44:23,840 --> 00:44:25,480
Speaker 7: Who would ever do such a thing?

831
00:44:25,560 --> 00:44:27,719
Speaker 1: Give me another one, because I got a different line, reading.

832
00:44:29,040 --> 00:44:32,200
Speaker 3: Leep in litters movie, we've been a mobilize yeah, and

833
00:44:32,320 --> 00:44:33,480
Speaker 3: we can't move either.

834
00:44:34,000 --> 00:44:35,799
Speaker 7: Who would ever do such a thing?

835
00:44:36,280 --> 00:44:38,080
Speaker 1: Like the old saying goes, if it looks like a duck,

836
00:44:38,080 --> 00:44:39,920
Speaker 1: swims like a duck, and quacks like a duck, then

837
00:44:39,960 --> 00:44:43,680
Speaker 1: it's probably me, Surly Duck. That's the ticket, reveals Surly Duck.

838
00:44:43,680 --> 00:44:46,360
Speaker 1: In a bubble helmet and jetpack. Surly moves to reveal

839
00:44:46,360 --> 00:44:49,160
Speaker 1: a second branded rocket that was heretofore hidden.

840
00:44:50,360 --> 00:44:51,399
Speaker 3: Narrator says, as it.

841
00:44:51,360 --> 00:44:53,680
Speaker 1: Turned out, our heroes we're not alone on this blue moon,

842
00:44:53,760 --> 00:44:57,759
Speaker 1: being beaten beyond the atmosphere by their Cowpie County corporate competition.

843
00:44:57,840 --> 00:45:00,720
Speaker 1: The owner and operator of the unfortunately named Asian Fusion

844
00:45:00,760 --> 00:45:04,840
Speaker 1: fast food franchise, Duck. You that's scoundrel, Surly Duck, and

845
00:45:04,920 --> 00:45:07,280
Speaker 1: don't forget the number two to my number one, reveal

846
00:45:07,480 --> 00:45:10,160
Speaker 1: Enoch the ardvark, who's aiming the gas gun at our heroes.

847
00:45:10,160 --> 00:45:14,520
Speaker 1: That's mobilizing them. Enoch the Bible. Quoting Ardvark, Enoch says,

848
00:45:14,560 --> 00:45:17,120
Speaker 1: if God is for us, then who could be against us?

849
00:45:17,280 --> 00:45:18,719
Speaker 3: The Book of Romans, That's what.

850
00:45:22,600 --> 00:45:24,359
Speaker 1: I think I might have Andy do it. Just all

851
00:45:24,400 --> 00:45:27,120
Speaker 1: fucking like if God is for it, who could be

852
00:45:27,280 --> 00:45:32,000
Speaker 1: against it? And Shirley Duck says, and Romans something you too?

853
00:45:32,040 --> 00:45:35,520
Speaker 1: I got Oh? No, I was right, Roman, Roman, it's

854
00:45:35,520 --> 00:45:36,440
Speaker 1: a hominin.

855
00:45:37,200 --> 00:45:40,479
Speaker 3: And Romans and Romans something you two won't be doing

856
00:45:40,520 --> 00:45:43,080
Speaker 3: anytime soon thanks to my gravity gas gun.

857
00:45:43,480 --> 00:45:46,200
Speaker 1: Movie and Eddie tried to pull their feet off the

858
00:45:46,280 --> 00:45:50,120
Speaker 1: lunar surface to no avow. The gravity gas cloud around

859
00:45:50,200 --> 00:45:53,600
Speaker 1: them is making them heavy. Little Eddie says, sir.

860
00:45:53,600 --> 00:45:56,480
Speaker 7: We duck in enoch Artvark, what are you two doing

861
00:45:56,560 --> 00:45:57,080
Speaker 7: on the moon?

862
00:45:57,440 --> 00:45:58,000
Speaker 1: More angry?

863
00:45:59,400 --> 00:46:00,799
Speaker 2: I see knock.

864
00:46:00,719 --> 00:46:02,000
Speaker 1: Yeah, you're right, you nailed it.

865
00:46:04,040 --> 00:46:11,520
Speaker 7: Surly Duck and E knock Ardvark. Wait right, Surly Duck

866
00:46:11,560 --> 00:46:13,120
Speaker 7: and e knock Ardvark.

867
00:46:13,719 --> 00:46:15,759
Speaker 1: How about how about this lose the question mark and

868
00:46:15,800 --> 00:46:19,400
Speaker 1: make it more Surly Duck and e knock Ardvark like,

869
00:46:19,520 --> 00:46:20,279
Speaker 1: I knew it?

870
00:46:20,520 --> 00:46:23,320
Speaker 2: Okay, got ith.

871
00:46:24,320 --> 00:46:27,399
Speaker 7: Surly Duck and E knock Ardvark, What are you two

872
00:46:27,480 --> 00:46:28,279
Speaker 7: doing on the moon?

873
00:46:28,600 --> 00:46:32,360
Speaker 1: Nice? Perfect? And one more just for safety? But that

874
00:46:32,440 --> 00:46:32,840
Speaker 1: was perfect?

875
00:46:34,120 --> 00:46:38,160
Speaker 7: Surly Duck and Nino, Oh wait, that's not question. Surly

876
00:46:38,360 --> 00:46:40,799
Speaker 7: Duck and E knock Ard Bark, what are you two

877
00:46:40,880 --> 00:46:41,719
Speaker 7: doing on the moon?

878
00:46:42,120 --> 00:46:44,279
Speaker 1: Perfect? You gotta be smoking quack if you think I'm

879
00:46:44,280 --> 00:46:48,480
Speaker 1: gonna let your fast foodery thank you outshine mine. Once

880
00:46:48,600 --> 00:46:50,799
Speaker 1: I make that giant jump over the moon, the whole

881
00:46:50,800 --> 00:46:53,640
Speaker 1: world will know the name of my Asian Fusion fast foodery,

882
00:46:53,840 --> 00:46:58,320
Speaker 1: and they will cry out in unison, duck you, Surly, Oh.

883
00:46:58,200 --> 00:47:02,640
Speaker 2: My gosh, smoke, thank you very much.

884
00:47:02,680 --> 00:47:04,239
Speaker 1: I was happy with that. I got a big laugh

885
00:47:04,239 --> 00:47:09,000
Speaker 1: in the.

886
00:47:06,719 --> 00:47:09,080
Speaker 3: Movie, says kind of took the words right out of

887
00:47:09,120 --> 00:47:09,560
Speaker 3: my mouth.

888
00:47:10,719 --> 00:47:13,120
Speaker 1: And we all know about that mouth the yours. Surly

889
00:47:13,160 --> 00:47:15,400
Speaker 1: holds up a copy of the Cowpy Chronicles that features

890
00:47:15,440 --> 00:47:17,680
Speaker 1: photos of movie and Little Eddie under the headline cat

891
00:47:17,719 --> 00:47:19,080
Speaker 1: and met cow do mouths.

892
00:47:20,080 --> 00:47:21,520
Speaker 3: Talk a bit of headline?

893
00:47:22,000 --> 00:47:23,640
Speaker 7: This cartoons for kids movie?

894
00:47:23,719 --> 00:47:27,920
Speaker 1: None listen? He says, skibbity, let's do that again.

895
00:47:30,560 --> 00:47:32,400
Speaker 3: Whoa talk a bit of headline?

896
00:47:33,000 --> 00:47:34,880
Speaker 7: This cartoons for kids movie?

897
00:47:35,040 --> 00:47:39,759
Speaker 3: None listen. One says skibbity, skibby, Doc trademark, Surly, bye

898
00:47:39,760 --> 00:47:41,040
Speaker 3: bye a bovine butthole.

899
00:47:41,280 --> 00:47:43,960
Speaker 1: I hate to culturally appropriate, but in the words of

900
00:47:44,000 --> 00:47:47,360
Speaker 1: the Yellow People movie and Little Lady Eddie gaspin unison,

901
00:47:47,400 --> 00:47:49,680
Speaker 1: appalled count of three one two three, Give me a

902
00:47:50,200 --> 00:47:51,120
Speaker 1: count of three one two.

903
00:47:51,080 --> 00:47:54,759
Speaker 3: Three, don't have a cow man.

904
00:47:55,040 --> 00:47:57,799
Speaker 1: Yellow people of the Simpsons. And then we say, you

905
00:47:57,920 --> 00:48:01,640
Speaker 1: go oh, and I'll go, well that's okay. Then so

906
00:48:01,760 --> 00:48:04,120
Speaker 1: you see, like we got insult everyone. Like when we

907
00:48:04,160 --> 00:48:07,200
Speaker 1: actually read it in the club, everyone was like, because

908
00:48:07,239 --> 00:48:09,440
Speaker 1: the fucking yellow lie. But it's like wait for it,

909
00:48:09,520 --> 00:48:12,560
Speaker 1: and then it's the yellow is the Simpsons. Okay, here we.

910
00:48:12,520 --> 00:48:16,200
Speaker 3: Go, don't have a cow man.

911
00:48:17,120 --> 00:48:23,480
Speaker 1: Oh, that's key. Then we'll do it again one two, three, Oh,

912
00:48:23,640 --> 00:48:27,920
Speaker 1: that's key. Then there we go. Surly and Enoch slapped

913
00:48:27,920 --> 00:48:31,120
Speaker 1: their chests and their rocket packs roared to life, throwing flames,

914
00:48:31,320 --> 00:48:35,080
Speaker 1: leaving Moby and Little Eddie frozen in place. Still covering

915
00:48:35,160 --> 00:48:39,279
Speaker 1: gravity gas cloud, Surly an Enoch sore into space, and

916
00:48:39,280 --> 00:48:41,560
Speaker 1: the narrator tells us and As the devious Duck and

917
00:48:41,600 --> 00:48:43,919
Speaker 1: his Christian companion jet packed into the air to jump

918
00:48:43,960 --> 00:48:46,080
Speaker 1: over the Moon, our hero struggled with the gravity of

919
00:48:46,080 --> 00:48:47,239
Speaker 1: the situation.

920
00:48:47,640 --> 00:48:50,280
Speaker 7: Leaping letters. Movie I can't move my legs.

921
00:48:50,680 --> 00:48:51,600
Speaker 3: Let me give it a tray.

922
00:48:52,040 --> 00:48:54,280
Speaker 1: Movie leans down and talks directly to his legs.

923
00:48:54,719 --> 00:48:57,360
Speaker 3: I'm gonna tell you, gays the story of the note

924
00:48:57,400 --> 00:48:59,120
Speaker 3: Book and spoilers.

925
00:48:59,480 --> 00:49:01,280
Speaker 1: It's a jerker.

926
00:49:01,880 --> 00:49:03,160
Speaker 7: What are you doing? Movie.

927
00:49:03,280 --> 00:49:05,080
Speaker 3: I'm trying to move my legs.

928
00:49:06,080 --> 00:49:07,880
Speaker 1: Can the Golden Calf talk his way out of this

929
00:49:07,960 --> 00:49:10,440
Speaker 1: moon mess? Or will the foul surly ever get his

930
00:49:10,520 --> 00:49:13,000
Speaker 1: ducks in a row? Ugh duck puns in the lowest

931
00:49:13,040 --> 00:49:16,439
Speaker 1: form of comedy, even lower than impressions. Yes, even lower

932
00:49:16,480 --> 00:49:19,759
Speaker 1: than Ay, this is an impression. It's my real voice. Yeah,

933
00:49:19,760 --> 00:49:22,000
Speaker 1: and that's the ticket. That's something John lovetch uosed to say.

934
00:49:22,640 --> 00:49:25,600
Speaker 1: Don't miss our next exciting episode Moon Unit Zephyr or

935
00:49:25,800 --> 00:49:27,120
Speaker 1: Duck dup the asteroid.

936
00:49:28,400 --> 00:49:31,360
Speaker 2: Wow, thank you, that was delightful.

937
00:49:32,480 --> 00:49:36,520
Speaker 1: Now I will take that hatch it out and I

938
00:49:36,560 --> 00:49:41,520
Speaker 1: will send that to Steve Stark and he will start

939
00:49:41,560 --> 00:49:47,560
Speaker 1: working on on a what do they call that beatboard

940
00:49:48,680 --> 00:49:52,239
Speaker 1: or you know, or pencil test if you will, and

941
00:49:52,320 --> 00:49:54,759
Speaker 1: we'll see it laid out his little ice we were

942
00:49:54,800 --> 00:49:57,440
Speaker 1: doing little first drew a cat. I was like, of course,

943
00:49:57,440 --> 00:49:59,560
Speaker 1: but I didn't say anything beyond like draw them like

944
00:49:59,719 --> 00:50:03,400
Speaker 1: rock I was like, we gotta get him hat, but

945
00:50:03,560 --> 00:50:06,440
Speaker 1: can't give him like aviator goggles, that's what Rocky wears.

946
00:50:06,680 --> 00:50:09,080
Speaker 1: But he's a little cat that lives inside movies mouth.

947
00:50:09,320 --> 00:50:10,959
Speaker 1: So I said, put a miner's hat on him.

948
00:50:11,400 --> 00:50:12,680
Speaker 2: Oh my god, And.

949
00:50:12,719 --> 00:50:14,920
Speaker 1: Steve Stark was like, from when he's in his mouth,

950
00:50:17,280 --> 00:50:18,879
Speaker 1: so now he's got the hat, and then he had

951
00:50:18,880 --> 00:50:20,320
Speaker 1: the years sticking out the top, and I was like, no,

952
00:50:20,440 --> 00:50:21,960
Speaker 1: take those years off. And they took him off and

953
00:50:22,000 --> 00:50:23,239
Speaker 1: I was like, all right, let's stick him out the

954
00:50:23,239 --> 00:50:26,400
Speaker 1: size and he did. So we're arranging him perfectly and stuff.

955
00:50:26,560 --> 00:50:27,320
Speaker 2: It's cute.

956
00:50:27,960 --> 00:50:30,799
Speaker 1: Yeah, it's gonna it's good. I mean, look, it's not

957
00:50:30,840 --> 00:50:33,560
Speaker 1: like and we're gonna make a fortune. There's more hobby.

958
00:50:33,760 --> 00:50:36,560
Speaker 1: This is more for me, something that I would enjoy

959
00:50:36,760 --> 00:50:39,360
Speaker 1: to see and do. But if I could pull it off,

960
00:50:39,760 --> 00:50:41,840
Speaker 1: and I think I can, I mean, we'll probably have

961
00:50:41,920 --> 00:50:44,640
Speaker 1: to re record the voices like in a you know,

962
00:50:45,040 --> 00:50:48,839
Speaker 1: sound environment and something like that, but if I think

963
00:50:48,880 --> 00:50:49,279
Speaker 1: it'd be.

964
00:50:49,200 --> 00:50:52,360
Speaker 2: A music, I think it would be super amusing kind of.

965
00:50:52,360 --> 00:50:56,359
Speaker 3: Please, well done, excellent job, amusing.

966
00:50:57,080 --> 00:50:57,839
Speaker 4: Excellent job.

967
00:50:58,000 --> 00:50:58,879
Speaker 2: Well, I thank you you too.

968
00:50:58,920 --> 00:51:01,040
Speaker 1: I'm gonna put that together. Is going to sucking sound

969
00:51:01,080 --> 00:51:05,879
Speaker 1: good little suddenly like I'm look, nothing's going to happen,

970
00:51:05,920 --> 00:51:10,320
Speaker 1: But imagine if everything happened. This was it that after

971
00:51:10,360 --> 00:51:12,880
Speaker 1: thirty years, This was the idea that was like, oh,

972
00:51:12,920 --> 00:51:15,680
Speaker 1: you're going to become a multi millionaire.

973
00:51:15,840 --> 00:51:17,719
Speaker 2: Imagine and it.

974
00:51:17,719 --> 00:51:20,040
Speaker 1: Was off a cartoon that we were doing voices together.

975
00:51:21,200 --> 00:51:25,040
Speaker 1: I know this ain't like modern day people like cartoons

976
00:51:25,120 --> 00:51:26,520
Speaker 1: be like three D and ship like that.

977
00:51:27,320 --> 00:51:31,320
Speaker 2: No wait, you're saying people, Oh, people like cartoons now.

978
00:51:31,160 --> 00:51:35,160
Speaker 9: That are like three They expect them to look good.

979
00:51:35,520 --> 00:51:40,560
Speaker 1: I'm not coming from a different school thought. It's just

980
00:51:40,600 --> 00:51:43,359
Speaker 1: a conveyance for the jokes in the dialogue. Just has

981
00:51:43,400 --> 00:51:45,359
Speaker 1: to look just to look.

982
00:51:46,000 --> 00:51:46,520
Speaker 2: I think.

983
00:51:47,400 --> 00:51:49,680
Speaker 1: I think it's more I think so yeah.

984
00:51:51,120 --> 00:51:51,359
Speaker 2: There.

985
00:51:51,440 --> 00:51:53,400
Speaker 1: I don't know Rocking Bulge, their whole thing was like

986
00:51:53,560 --> 00:51:54,399
Speaker 1: basic as fuck.

987
00:51:55,400 --> 00:51:56,959
Speaker 2: I'm more thinking about Scooby Doo.

988
00:51:57,400 --> 00:51:58,880
Speaker 1: And it's also limited animation.

989
00:51:59,560 --> 00:51:59,920
Speaker 2: It is.

990
00:52:00,080 --> 00:52:04,319
Speaker 1: I was reading recently Beautiful. The Hannah Barbera people did

991
00:52:04,360 --> 00:52:05,560
Speaker 1: not care for the jay.

992
00:52:05,400 --> 00:52:07,319
Speaker 2: Ward people really yeah.

993
00:52:07,320 --> 00:52:10,560
Speaker 1: They were like, ugh, that's some of that jay Ward stuff.

994
00:52:11,200 --> 00:52:16,520
Speaker 1: They like the cleaner coloring book style. Whereas you know

995
00:52:17,200 --> 00:52:22,359
Speaker 1: jay Ward, their whole style was like the look really

996
00:52:22,400 --> 00:52:25,440
Speaker 1: doesn't matter, like it's a it's a radio show with

997
00:52:25,560 --> 00:52:29,960
Speaker 1: pictures and withdrawing. So so they because of that, their

998
00:52:30,000 --> 00:52:33,919
Speaker 1: designers like can be more free and fun with their

999
00:52:34,360 --> 00:52:40,160
Speaker 1: with their designs, whereas Hannah Barbera kept things even with

1000
00:52:40,280 --> 00:52:43,520
Speaker 1: anthropomorphic characters like a talking cat or a talking gorilla

1001
00:52:43,600 --> 00:52:48,359
Speaker 1: or whatever the fuck talking dog. They still kept things relatively,

1002
00:52:49,880 --> 00:52:56,759
Speaker 1: you know, like proportionate, realistic, not impressionistic or something. No,

1003
00:52:56,840 --> 00:52:58,719
Speaker 1: I'm not saying like they were wrong, but I thought,

1004
00:52:58,760 --> 00:53:01,839
Speaker 1: I think it was very funny that they were like, yeah,

1005
00:53:03,000 --> 00:53:04,680
Speaker 1: that they were like not so much. They didn't get along,

1006
00:53:04,680 --> 00:53:07,319
Speaker 1: but they had a real low opinion of the jay

1007
00:53:07,360 --> 00:53:12,400
Speaker 1: Ward stuff, like, ugh, that's barely animation.

1008
00:53:13,400 --> 00:53:15,000
Speaker 2: That's that's pretty wild.

1009
00:53:15,239 --> 00:53:16,799
Speaker 1: But I mean, to be fair, you look at the

1010
00:53:16,800 --> 00:53:18,680
Speaker 1: hand of our bear stuff, Like, you know, they were

1011
00:53:18,719 --> 00:53:24,040
Speaker 1: fucking industry maestros that both of them came from cinema animation.

1012
00:53:24,200 --> 00:53:27,560
Speaker 1: They won fucking Oscars for Tom and Jerry, those guys,

1013
00:53:28,080 --> 00:53:29,920
Speaker 1: and then they you know, moved to TV and they're like,

1014
00:53:29,920 --> 00:53:32,000
Speaker 1: there's a business here, and you just bring the animation,

1015
00:53:32,200 --> 00:53:35,000
Speaker 1: like the page count down, you bring the frame countdown.

1016
00:53:35,880 --> 00:53:38,400
Speaker 1: You can make a thing a good looking thing. And

1017
00:53:38,440 --> 00:53:40,719
Speaker 1: they just liked the look of their thing better than

1018
00:53:40,719 --> 00:53:42,919
Speaker 1: the look of how jay Ward did everything. They likeugh,

1019
00:53:43,719 --> 00:53:45,319
Speaker 1: it looks like a child, did it?

1020
00:53:47,480 --> 00:53:50,480
Speaker 2: I do? I do find Tom and Jerry and Scooby

1021
00:53:50,480 --> 00:53:51,800
Speaker 2: Doo very visually pleasing.

1022
00:53:52,440 --> 00:53:54,719
Speaker 1: Yeah, that was their whole thing. They're like, hey, man,

1023
00:53:54,800 --> 00:53:55,560
Speaker 1: make it beautiful.

1024
00:53:55,800 --> 00:53:58,920
Speaker 2: It's pretty beautiful. There's an Instagram account called Scooby Scapes,

1025
00:53:59,200 --> 00:54:01,759
Speaker 2: which is like the landscape of the Scooby.

1026
00:54:01,440 --> 00:54:03,800
Speaker 1: Doo shows and movies, just shows.

1027
00:54:04,320 --> 00:54:06,880
Speaker 2: It just shows like the landscape.

1028
00:54:06,560 --> 00:54:08,000
Speaker 1: That they walk through all the time.

1029
00:54:08,280 --> 00:54:12,080
Speaker 2: Yeah, it's pretty magical and it's all just really beautiful.

1030
00:54:12,480 --> 00:54:14,359
Speaker 1: And they play that music they walked through it.

1031
00:54:20,320 --> 00:54:22,239
Speaker 2: I love it. I love it, bro.

1032
00:54:22,400 --> 00:54:24,600
Speaker 1: I was listening to that music in the seventies when

1033
00:54:24,640 --> 00:54:26,840
Speaker 1: I was watching the show when they were airing it

1034
00:54:26,840 --> 00:54:29,279
Speaker 1: for the first time. That music never went anywhere. That's

1035
00:54:29,320 --> 00:54:33,040
Speaker 1: it as a Scooby groove. Man, Why don't you take

1036
00:54:33,080 --> 00:54:35,239
Speaker 1: that Scooby groove with some lyrics under it?

1037
00:54:40,640 --> 00:54:45,839
Speaker 3: You scared me?

1038
00:54:48,400 --> 00:54:50,720
Speaker 1: People like, is that did they scooby that'ud?

1039
00:54:51,200 --> 00:54:53,560
Speaker 2: They mixed their song with the Scooby Doo song.

1040
00:54:54,560 --> 00:54:57,120
Speaker 1: Yes, stranger things have happened and become bigger hits.

1041
00:54:59,480 --> 00:55:02,120
Speaker 2: Well, I think I know where my priorities lie, and

1042
00:55:02,160 --> 00:55:05,000
Speaker 2: that is with the Devil came down to Georgia.

1043
00:55:05,560 --> 00:55:09,520
Speaker 1: Bro. If you take anything away from the show, take

1044
00:55:09,520 --> 00:55:11,400
Speaker 1: it that you should be going to have a conversation

1045
00:55:11,520 --> 00:55:15,120
Speaker 1: with the fucking nuke and lick you will whoever else

1046
00:55:15,160 --> 00:55:19,240
Speaker 1: is in the band this week, and then the shade

1047
00:55:19,800 --> 00:55:22,200
Speaker 1: it'd be like, look, I'm gonna play you guys a

1048
00:55:22,239 --> 00:55:25,759
Speaker 1: song and I want you to does anybody I mean here,

1049
00:55:25,840 --> 00:55:28,400
Speaker 1: would you get a would you still do the fiddle

1050
00:55:29,120 --> 00:55:32,120
Speaker 1: or would you replace it with a different instrument. If

1051
00:55:32,120 --> 00:55:33,960
Speaker 1: you replace it with a different instrument, some people be like,

1052
00:55:33,960 --> 00:55:35,799
Speaker 1: why don't you just make a whole new song that's

1053
00:55:35,840 --> 00:55:36,200
Speaker 1: to be a.

1054
00:55:36,120 --> 00:55:40,040
Speaker 2: Fiddle fiddle in playing in the song as well.

1055
00:55:40,480 --> 00:55:45,200
Speaker 1: Yeah, because whenever they battle, it would be weird, like

1056
00:55:45,239 --> 00:55:47,120
Speaker 1: they're all singing about a fiddle and then you never

1057
00:55:47,160 --> 00:55:48,040
Speaker 1: once hear a fiddle.

1058
00:55:48,160 --> 00:55:49,280
Speaker 2: You know what, You have a good point.

1059
00:55:49,560 --> 00:55:52,080
Speaker 1: So there's a lot of fiddling, an awful lot of things.

1060
00:55:52,080 --> 00:55:54,239
Speaker 2: I can't say that we know a fiddle player.

1061
00:55:54,040 --> 00:55:56,200
Speaker 1: No, but you can find one, particularly out here in

1062
00:55:56,200 --> 00:55:59,880
Speaker 1: Los Angeles, pretty easy to find a fiddle player. Question

1063
00:56:00,120 --> 00:56:05,080
Speaker 1: is is it a fiddle or is it something more modern?

1064
00:56:06,280 --> 00:56:09,799
Speaker 2: You know, that's a discussion I'll have to have. That's

1065
00:56:09,840 --> 00:56:12,319
Speaker 2: something we got to figure out, because this will be

1066
00:56:12,360 --> 00:56:14,320
Speaker 2: figured out because.

1067
00:56:14,160 --> 00:56:18,919
Speaker 1: You could make just make a guitar. Get this, as

1068
00:56:18,960 --> 00:56:21,719
Speaker 1: he said, if you win, you get this fiddle made

1069
00:56:21,719 --> 00:56:24,320
Speaker 1: of and if you win, you get yourself this guitar

1070
00:56:24,440 --> 00:56:27,239
Speaker 1: made of gold. If you lose the devil and you're

1071
00:56:27,320 --> 00:56:29,480
Speaker 1: so so yeah, you just have to swam out fiddle

1072
00:56:29,480 --> 00:56:31,920
Speaker 1: with guitar. They're both fucking two syllable terms, I think.

1073
00:56:32,000 --> 00:56:34,480
Speaker 1: And then who's your lead guitarist? Is it Nick or Luke?

1074
00:56:34,760 --> 00:56:39,320
Speaker 1: It's Luke, so then fucking Luke would be like it's fast.

1075
00:56:39,360 --> 00:56:41,120
Speaker 1: Have you heard the fucking I?

1076
00:56:41,120 --> 00:56:44,000
Speaker 2: I feel like I've heard this song, but it's truly.

1077
00:56:43,760 --> 00:56:45,399
Speaker 1: Been We'll do it on the next one. We can't

1078
00:56:45,400 --> 00:56:47,719
Speaker 1: do it on this one because I heard It'll be like,

1079
00:56:47,760 --> 00:56:51,000
Speaker 1: hey man, hey, we can't play you can't play that song.

1080
00:56:51,760 --> 00:56:52,960
Speaker 1: We have to run an ad.

1081
00:56:56,400 --> 00:56:57,600
Speaker 2: Please stop talking.

1082
00:56:57,840 --> 00:57:00,640
Speaker 1: We have to run anytime you guys take a breath,

1083
00:57:00,680 --> 00:57:01,759
Speaker 1: we have to run out.

1084
00:57:02,200 --> 00:57:03,360
Speaker 2: Oh god, they hate us.

1085
00:57:04,160 --> 00:57:06,080
Speaker 1: I don't know if they hate us, but I'm sure

1086
00:57:06,080 --> 00:57:09,040
Speaker 1: the audience is like another fucking a. There's a version

1087
00:57:09,040 --> 00:57:10,960
Speaker 1: of the show you can listen to add free at

1088
00:57:10,960 --> 00:57:12,399
Speaker 1: back Kevin smithclub dot com.

1089
00:57:12,400 --> 00:57:14,680
Speaker 2: You can also see it does not appreciate this.

1090
00:57:15,080 --> 00:57:15,600
Speaker 1: I don't care.

1091
00:57:16,600 --> 00:57:19,680
Speaker 3: You could see it and hear it.

1092
00:57:21,120 --> 00:57:23,560
Speaker 1: You see us crab walk in, crab walk out.

1093
00:57:23,600 --> 00:57:25,439
Speaker 2: Yeah, truly if you want to see us crab walk.

1094
00:57:25,920 --> 00:57:29,440
Speaker 3: But if you news, the devil gets your So.

1095
00:57:31,440 --> 00:57:33,920
Speaker 2: That part, that part really seems familiar.

1096
00:57:34,600 --> 00:57:38,880
Speaker 1: Oh not the fucking you told you once you saw

1097
00:57:38,920 --> 00:57:40,720
Speaker 1: him a bitch, I'm a bestler's ever beer.

1098
00:57:41,360 --> 00:57:43,240
Speaker 2: No, but that part stays with me.

1099
00:57:43,320 --> 00:57:52,680
Speaker 1: Now, pretty fire, folks, you have been listening patiently. Tip Beardless,

1100
00:57:52,680 --> 00:57:57,000
Speaker 1: Stickless Me, We're in it in this week. That's it.

1101
00:57:57,240 --> 00:57:59,240
Speaker 1: That's it for this week. Don't forget Go get your

1102
00:57:59,240 --> 00:58:03,160
Speaker 1: Dogma tickets before they sell out. The June fifth wide

1103
00:58:03,200 --> 00:58:05,800
Speaker 1: release those tickets go on so I think February, like

1104
00:58:05,840 --> 00:58:07,880
Speaker 1: the end of the month, February twenty third, I believe.

1105
00:58:08,440 --> 00:58:11,000
Speaker 1: But for the tour, tickets on sale right.

1106
00:58:10,880 --> 00:58:13,680
Speaker 2: Now February, did I think?

1107
00:58:15,720 --> 00:58:20,520
Speaker 1: Or maybe April April, yes, April twenty third. I think

1108
00:58:20,560 --> 00:58:23,520
Speaker 1: the tickets for the June fifth, like is it wide

1109
00:58:23,560 --> 00:58:26,440
Speaker 1: everywhere go on sale. But right now, if you want

1110
00:58:26,440 --> 00:58:30,600
Speaker 1: to see that on the tour with me tickets, talkmovie

1111
00:58:30,640 --> 00:58:31,840
Speaker 1: dot com.

1112
00:58:31,400 --> 00:58:33,880
Speaker 2: And hey, while you're on the internet, why don't you

1113
00:58:33,920 --> 00:58:37,160
Speaker 2: go over to Beardless, sticklessme dot com and buy a

1114
00:58:37,200 --> 00:58:37,960
Speaker 2: fucking shirt?

1115
00:58:38,040 --> 00:58:40,760
Speaker 1: There you go, man, the shirts. Well, first off, you

1116
00:58:40,840 --> 00:58:43,520
Speaker 1: got to do the work, put it in your stories,

1117
00:58:44,200 --> 00:58:47,439
Speaker 1: make it collaboratable, okay, and then I'll put it into

1118
00:58:47,440 --> 00:58:50,800
Speaker 1: my stories. But like all these counts listening, they're like,

1119
00:58:50,840 --> 00:58:51,439
Speaker 1: I got one.

1120
00:58:52,000 --> 00:58:52,560
Speaker 2: That's true.

1121
00:58:53,040 --> 00:58:54,840
Speaker 1: You got to get new people, you got to go

1122
00:58:54,920 --> 00:58:57,720
Speaker 1: out there beyond. But yeah, feed it to me and

1123
00:58:57,720 --> 00:59:00,800
Speaker 1: I'll feed it into my socials and stuff. That would

1124
00:59:00,800 --> 00:59:01,760
Speaker 1: have been the day to do it. I had a

1125
00:59:01,800 --> 00:59:03,840
Speaker 1: lot of eyes on the Instagram. That's why I put

1126
00:59:03,840 --> 00:59:06,600
Speaker 1: your song up today. So it was like a bunch

1127
00:59:06,600 --> 00:59:12,240
Speaker 1: of people popping by the feed. You released your second single.

1128
00:59:12,400 --> 00:59:14,600
Speaker 2: We released our second single. It's exciting.

1129
00:59:14,680 --> 00:59:16,560
Speaker 1: I can't believe we didn't start the episode with that.

1130
00:59:16,680 --> 00:59:18,880
Speaker 1: You don't know how to self promote not being critical,

1131
00:59:18,920 --> 00:59:19,360
Speaker 1: but you don't.

1132
00:59:19,440 --> 00:59:19,880
Speaker 2: I don't.

1133
00:59:21,120 --> 00:59:22,920
Speaker 1: It's not the end of the world. But like, that

1134
00:59:22,920 --> 00:59:24,439
Speaker 1: would have been the first thing I said. I would

1135
00:59:24,480 --> 00:59:27,480
Speaker 1: have covered my mouth and been like, hey man, cinnamon

1136
00:59:27,560 --> 00:59:31,959
Speaker 1: happened again. What's it called? Second song? Why Star and Why?

1137
00:59:32,040 --> 00:59:33,960
Speaker 1: So you got a real commitment to one word titles.

1138
00:59:34,120 --> 00:59:37,440
Speaker 2: Yeah, we're having a dilemma about the next song because

1139
00:59:38,000 --> 00:59:40,439
Speaker 2: we wanted to be a one word title, but it's

1140
00:59:40,440 --> 00:59:41,880
Speaker 2: looking like a three word title.

1141
00:59:42,520 --> 00:59:46,440
Speaker 1: Bertie and Lucky exactly three word title.

1142
00:59:47,160 --> 00:59:48,200
Speaker 2: Dad eats poop.

1143
00:59:50,160 --> 00:59:55,439
Speaker 1: How's that go ever been?

1144
00:59:55,640 --> 00:59:57,880
Speaker 3: Daddy's going to eat that poop?

1145
01:00:03,440 --> 01:00:04,320
Speaker 4: Like, what's that story?

1146
01:00:04,800 --> 01:00:07,160
Speaker 1: Why is he eating the poop? He's fighting the devil.

1147
01:00:07,840 --> 01:00:08,680
Speaker 3: He's got to do it.

1148
01:00:08,640 --> 01:00:11,440
Speaker 1: To save his daughter's soul. I guess they changed all

1149
01:00:11,480 --> 01:00:15,640
Speaker 1: the lyrics. Yeah, I mean it's their version. I guess they.

1150
01:00:16,040 --> 01:00:17,680
Speaker 1: She says, you're gonna change just enough, so I think

1151
01:00:17,680 --> 01:00:19,800
Speaker 1: get sued. But I don't know how I wind up

1152
01:00:19,800 --> 01:00:20,720
Speaker 1: eating shipping the song.

1153
01:00:20,960 --> 01:00:22,480
Speaker 3: I mean it feels like a metaphor.

1154
01:00:22,320 --> 01:00:23,960
Speaker 2: My dad eats some poop.

1155
01:00:26,160 --> 01:00:30,480
Speaker 1: And if you lose, my dad eat some boo. And

1156
01:00:30,520 --> 01:00:33,240
Speaker 1: if you win, DA wait a second eating poop if

1157
01:00:33,240 --> 01:00:36,320
Speaker 1: I win or lose, Like part of the song is

1158
01:00:36,400 --> 01:00:37,120
Speaker 1: DA's gonna need.

1159
01:00:37,080 --> 01:00:39,400
Speaker 3: Some boo either way.

1160
01:00:40,000 --> 01:00:46,040
Speaker 1: Either way, my old man's eating boo, stuffing his face

1161
01:00:46,160 --> 01:00:47,200
Speaker 1: in a pile of sheet.

1162
01:00:51,280 --> 01:00:53,080
Speaker 2: Why is that so amusing?

1163
01:00:54,040 --> 01:00:54,440
Speaker 4: I don't know.

1164
01:00:54,480 --> 01:00:57,640
Speaker 10: But you write that song right now, that's gonna eat

1165
01:00:57,680 --> 01:00:58,160
Speaker 10: some boo.

1166
01:00:59,000 --> 01:01:04,520
Speaker 1: We'll compose the rest of song in the after show. Yeah. Man,

1167
01:01:04,560 --> 01:01:09,600
Speaker 1: if you're like a Spotify person who's been listening or

1168
01:01:09,600 --> 01:01:15,000
Speaker 1: on iHeart or wherever the fuck, Like the show is

1169
01:01:15,000 --> 01:01:18,080
Speaker 1: about to end, but the show is just beginning. Yeah,

1170
01:01:18,120 --> 01:01:22,720
Speaker 1: if you follow us over to Beardless Stickless plus exclusively

1171
01:01:22,760 --> 01:01:24,439
Speaker 1: at that Kevin Spick club where you can not only

1172
01:01:24,480 --> 01:01:27,520
Speaker 1: listen to it, but watch it, you'll hear us compose,

1173
01:01:28,320 --> 01:01:35,160
Speaker 1: my dad's gonna use some poo. Why did you I

1174
01:01:35,200 --> 01:01:37,040
Speaker 1: can't believe I caught you off guard with that one,

1175
01:01:37,200 --> 01:01:39,760
Speaker 1: and it made you laugh again, like if we were

1176
01:01:39,880 --> 01:01:41,920
Speaker 1: doing it, and you act like you just heard it

1177
01:01:41,960 --> 01:01:45,240
Speaker 1: for the first time again. Your short term memory is

1178
01:01:45,280 --> 01:01:50,280
Speaker 1: shot because you're like Pooh, and then a second goes

1179
01:01:50,320 --> 01:01:56,880
Speaker 1: by and then I'm like Pooh, like delod joy and

1180
01:01:57,000 --> 01:01:58,640
Speaker 1: delight of hearing something.

1181
01:02:00,240 --> 01:02:05,760
Speaker 2: Like I sound like Krusty the Cloud. That was good.

1182
01:02:06,280 --> 01:02:08,520
Speaker 1: I think it was more just that you were surprised,

1183
01:02:09,960 --> 01:02:12,560
Speaker 1: and that, to me was the amusing part, because you

1184
01:02:12,960 --> 01:02:19,600
Speaker 1: were surprised by the thing you were because you're short

1185
01:02:19,680 --> 01:02:25,000
Speaker 1: Termy shot. There it is, kids, follow us over to beardless.

1186
01:02:27,240 --> 01:02:33,280
Speaker 1: We're gonna eat some food. So easy. There it is

1187
01:02:33,360 --> 01:02:36,560
Speaker 1: kids for beardless stickless. I'm Kevin Smith and Smith go

1188
01:02:36,680 --> 01:02:43,520
Speaker 1: have yourself a beardless stickless day.

1189
01:02:49,200 --> 01:02:53,920
Speaker 10: This has been a podcast production podcast podcast using our

1190
01:02:53,960 --> 01:03:00,640
Speaker 10: mouths on you since two thousand and seven. Hey, kids,

1191
01:03:00,640 --> 01:03:02,480
Speaker 10: did you like what you just heard, Well, guess what.

1192
01:03:02,640 --> 01:03:06,160
Speaker 1: We've got tons more man thousands of hours of podcasts

1193
01:03:06,160 --> 01:03:10,080
Speaker 1: waiting for you at that kevinsmithclub dot com. Go sign

1194
01:03:10,160 --> 01:03:10,600
Speaker 1: up now,