Speaker 1: Back to bearlesstickless me. I'm Kevin Smith Smith. Okay, big news,
Speaker 1: Dogma so true.
Speaker 2: Congratulations, everything old is new again.
Speaker 1: Last time I released Dogma, you were like you were
Speaker 1: fucking a baby.
Speaker 2: You were baby exactly precise.
Speaker 1: You couldn't even concentrate on releasing the movies. We had
Speaker 1: to watch you because you're like hands up in the air,
Speaker 1: used helpless. Some would say useless. I said helpless. My apologies,
Speaker 1: but we're oddly enough we're doing it again twenty five
Speaker 1: technically twenty six years later.
Speaker 2: That's so exciting.
Speaker 1: Uh, Dogma movie dot com is the address we dropped,
Speaker 1: as the kids say, the trailer this morning. The trailer
Speaker 1: was made by the folks that bond. They have made
Speaker 1: the trailers for our last few movies. They did Reboot,
Speaker 1: which was an excellent trailer, Clerk's Three, which was an
Speaker 1: excellent trailer, four point thirty Movie which was an excellent trailer,
Speaker 1: and now Dogma and kill It. They found a way
Speaker 1: to fucking sell Dogma where I was like, I go
Speaker 1: see that, Like they give it a modern fucking sello.
Speaker 2: It's pretty awesome, everybody. I feel like a big comment
Speaker 2: that I get all the time is that Dogma is
Speaker 2: everyone's favorite movie of yours.
Speaker 1: People seem to like that used to be chasing.
Speaker 2: Amy and chasing Chasing Amy ques.
Speaker 1: Oddly for some people and for some people though like
Speaker 1: this movie is not what it's you know, he shouldn't
Speaker 1: be making this movie. I can see it. But Dogma
Speaker 1: has weathered the storm, even people that used to be like,
Speaker 1: I'm against this movie. I'm not gonna say all of them,
Speaker 1: but like most of them came around a lot worse
Speaker 1: ship came out between dogs. I did see somebody in
Speaker 1: my Socialist today who was just like, you're gonna burn?
Speaker 2: Are you serious?
Speaker 1: They don't know, they don't know that I sold my
Speaker 1: soul to Jesus when I was nine years old because
Speaker 1: I was scared, because I was like, what if, like
Speaker 1: fucking somebody tricks me into selling my soul to the devil.
Speaker 1: So I made a deal with Christ first, and I
Speaker 1: sold my soul of Jesus so I can never sell
Speaker 1: my soul to the devil.
Speaker 2: True story, sad but true.
Speaker 1: I'm not saying I sold it to him for love
Speaker 1: of Jesus, more for fear of the devil. Somebody tricking
Speaker 1: me into fucking giving my soul up and shit like
Speaker 1: you know it was, you know, like devil went down
Speaker 1: Georgia looking for a soul to steel. You know that
Speaker 1: of course you want?
Speaker 3: You don't know?
Speaker 1: That's all? Is that it is?
Speaker 4: Uh?
Speaker 1: I was again the devil went down to Georgia looking
Speaker 1: for a soul to steal. What was it?
Speaker 2: Cinnamon's song?
Speaker 1: It's called what is it? It's fucking the Charlie Daniels Band.
Speaker 1: But the song is it's a fuck? Is it?
Speaker 2: The Devil went down to Georgia.
Speaker 5: I guess I could assume it's let me quick, but
Speaker 5: I guess that would track devil.
Speaker 2: Whatever it is, it.
Speaker 1: Down to Georgia is a song written and recorded by
Speaker 1: the Charlie Daniels Band, Although uncredited. Vasser Clements originally wrote
Speaker 1: the basic melody an octave lower in a tune called
Speaker 1: Lonesome Fiddle Blues, released on Clement's self titled nineteen seventy
Speaker 1: five album, on which Charlie Daniels played guitar. Charlie Daniels
Speaker 1: Band moved it up in octave and put words to it.
Speaker 1: Songs versus are closer to being spoken rather than some
Speaker 1: so that's why I wasn't singing. I was like the
Speaker 1: devil went down Georgia looking for a soul to stay you.
Speaker 1: It's about that, like a motherfucker, and he the devil
Speaker 1: comes down to Georgia.
Speaker 3: Literally, I mean, I don't know why I'm fucking literally.
Speaker 1: It's right there on Fronstreet. They don't bury the lead.
Speaker 1: He meets a fiddle player, Johnny. This guy fiddle plays
Speaker 1: the fiddle man. The song tells the story is from
Speaker 1: the Wikipedia bas about the Devil's I mean spoilers. They
Speaker 1: shouldn't fucking they should bury this part deep in the
Speaker 1: but they say the song tells a story about the
Speaker 1: devil's failure to gain a young man's soul through a
Speaker 1: fiddle playing contest.
Speaker 3: Don't wait to give it away in the first second.
Speaker 3: My kid didn't know.
Speaker 2: There's a whole story to be said.
Speaker 1: Wikipedia, Well, yeah, that's the thing. The devil shows up
Speaker 1: and he challenges a motherfucker. It's like the story of
Speaker 1: the you know crossroads. You ever hear that story? Yeah,
Speaker 1: where motherfucker went at a crossroads, met the devil Daniel
Speaker 1: whatever his name was, Johnson or something, and he taught
Speaker 1: him to play. I don't fucking or he played better
Speaker 1: than the devil and the devil got a soul. Whatever
Speaker 1: this is that story, Charlott, Where fucking what's his name? Johnny? Yes,
Speaker 1: Johnny is the fiddle player. The devil shows up and
Speaker 1: he's like the song begins Johnny Johnny turns out to
Speaker 1: be the devil. The song begins as a disappointed devil
Speaker 1: arrives in Georgia, apparently way behind on stealing souls, when
Speaker 1: it comes upon a young man named Johnny who is
Speaker 1: playing a fiddle, and he's playing it quite well. At
Speaker 1: a desperation, The devil claims to also be a fiddle
Speaker 1: player because in old pictures of old scratch there was
Speaker 1: you could see pictures of them in the fiddle wages,
Speaker 1: uh wagers a fiddle made of gold, which in those days,
Speaker 1: old timey days. Look it's still be worth something today too, but.
Speaker 2: All made of gold, Yeah, I think so, yes.
Speaker 1: But not enough big versus your soul? Oh you know
Speaker 1: what I'm saying.
Speaker 2: No, you got a point.
Speaker 1: Unless you're like before, no one will ever outfiddle me,
Speaker 1: so I can wager my soul and that's kind of okay.
Speaker 2: Yeah, you got a spoilers, You've got a good point.
Speaker 1: Although Johnny believes taking the devil's bet might be a sin.
Speaker 1: He fearlessly accepts, confidently boasting, I'm best that's ever beenned.
Speaker 2: Damn.
Speaker 1: So I'm trying to remember, like there's a curse because
Speaker 1: when we were kids, we loved singing it. Ship I think,
Speaker 1: he says.
Speaker 3: Step on back, you a bitch, I'm the best that's ever.
Speaker 1: Been, and we were all like wow, he said, And
Speaker 1: it's a very catholic song because he beats the devil
Speaker 1: and with his skill, his presumably God given the skill,
Speaker 1: and the devil fucking loses.
Speaker 2: Of course, well who.
Speaker 1: Else gave it to? The devil plays first, backed by
Speaker 1: a band of demon musicians.
Speaker 3: Love right, I Love.
Speaker 1: You're waking up at age twenty five, almost twenty six,
Speaker 1: realizing you've wasted your whole life because you've never heard
Speaker 1: this fucking song.
Speaker 4: This.
Speaker 2: I feel like this is going on you.
Speaker 1: It's going to redefine cinnamon.
Speaker 2: Dude, I think so, I think this could be some heavy.
Speaker 1: Cover it bro. You know, anybody could play a mean fiddle.
Speaker 2: Let me do some research.
Speaker 1: You can also also the lyrics, so it's not a fiddle.
Speaker 1: It could be like a piccolo, so somebody can be
Speaker 1: like or recorder whatever, that's not a pickle.
Speaker 2: I don't even know what a piccolo is.
Speaker 1: But it's not that the devil. The devil first place first.
Speaker 1: He's backed by a band of musicians. When he's finished,
Speaker 1: Johnny compliments him. He goes, uh, well, you're pretty good,
Speaker 1: old son. Let me just pull the wait.
Speaker 2: Johnny says that to the devil. That's bold.
Speaker 1: But he said, but then, if I remember correctly, he's like, uh,
Speaker 1: let me show your house.
Speaker 4: Done.
Speaker 1: Devil went down to Georgia. Lyrics and you, honestly, well,
Speaker 1: the devil went down to Georgia. He was looking for
Speaker 1: a soul to steal. He was in a bind because
Speaker 1: he was way behind. He was willing to make a
Speaker 1: deal when he came across this young man song on
Speaker 1: a fiddle, playing it hot, and the devil jumped on
Speaker 1: a hickory stump and said, boy, let me tell you
Speaker 1: what you probably didn't even know. But I'm a fiddle
Speaker 1: player too, and if you'd care to take a dare,
Speaker 1: I'll make a.
Speaker 3: Bet with you. Now you're playing pretty good fiddle. But
Speaker 3: the what is it?
Speaker 1: But boy, but give the devil his due. The boy said, no,
Speaker 1: I'm a fiddle. Now you're playing pretty good fiddle, boy,
Speaker 1: but give the devil his due. I'll bet a fiddle
Speaker 1: of gold against I bet a fiddle goal against your soul.
Speaker 1: I think I'm better than you. The boy said, my
Speaker 1: name's Johnny, and it might be a sin. I'm gonna
Speaker 1: take your bet, and you're gonna regret. I'm the best
Speaker 1: there's ever been. Johnny, rising up your bow and play
Speaker 1: your fiddle hard, because hell's.
Speaker 3: Broke loose in Georgia.
Speaker 1: And the devil deals the cards and if you win, you.
Speaker 3: Get the shiny fiddle made of gold, but if you lose,
Speaker 3: the devil gets your soul.
Speaker 1: And then they fucking fiddle.
Speaker 2: Now, now maybe it's ringing a bell, but also fantastic
Speaker 2: reminder that this song is out there. Because of this
Speaker 2: song slows, it does slap.
Speaker 1: Let me find where he curses. Man devil opening up
Speaker 1: his case, so I'll start the show. And fire flew
Speaker 1: from his fingertips as he rosing up his bow, and
Speaker 1: then he pulled his bow across the strings and that
Speaker 1: it made an evil hiss, and the banded demons joined
Speaker 1: in and it sounded something like this, and then they
Speaker 1: go into instrumental.
Speaker 2: This is a this is gorgeously told.
Speaker 1: When the right to Charlie Daniel's.
Speaker 2: Band fingertip, what was that.
Speaker 1: Rosing up the bow? Fingered fire flew from his fingertips
Speaker 1: as he rosing up his bow, and he pulled his
Speaker 1: bow across the strings. That made Nevil hiss, and the
Speaker 1: band of Deems joined in. This sounds something like this.
Speaker 1: When the Devil finished, Johnny said, you know you're pretty good,
Speaker 1: old son, but you just flopped down there in that
Speaker 1: chair right there.
Speaker 3: I'm gonna show you how it's done.
Speaker 4: Oh my god, Fire.
Speaker 3: On the mountain, Run boys, run.
Speaker 1: Devil's in the House of the Rising Sun, checking in
Speaker 1: the bread pan, picking out no.
Speaker 4: Granting?
Speaker 3: Does your dog bite no child?
Speaker 1: No, I had no idea. Those are the.
Speaker 2: Lyrics this song is. I do know this song well.
Speaker 1: That old devil bowed his head because he knew that
Speaker 1: he'd been beat, and he laid that golden fiddle down
Speaker 1: at the ground at Johnny's feet, and Johnny said, Devil,
Speaker 1: come on back, if you ever want to try again.
Speaker 1: I told you, once you some up.
Speaker 3: A bit, I'm the best there's ever been.
Speaker 1: But they I think the radio version was the son
Speaker 1: of a gun. But every once in a while you
Speaker 1: would hear the Son of a Bitch version on the album.
Speaker 1: I remember, first of all, you know what I'm saying,
Speaker 1: Daniels nineteen seventy nine.
Speaker 2: But you just fucking spit that out. I mean, you know,
Speaker 2: thank you, but it was impressive.
Speaker 1: I did have help. I amn't familiar with the song
Speaker 1: going way back.
Speaker 2: But that's a good that's a good story.
Speaker 1: It's good ass sort. How fuck did we get there?
Speaker 1: Oh yeah, Dogmas coming on? Dogmas happened?
Speaker 3: That song is not in it, although now I wish
Speaker 3: it was.
Speaker 2: You made a mistake with your one.
Speaker 1: Perhaps I can fucking redo the sound mix and get
Speaker 1: this in there.
Speaker 2: Oh my gosh, yes, but why why not bring it up?
Speaker 2: Something about who the hell the fuck knows? Yeah, was
Speaker 2: happy to have that song back in my life.
Speaker 1: Bro, I'm telling you you and your band Cinnamon should
Speaker 1: cover it. Nobody's touched that song in a while, and
Speaker 1: now like people are in country can cover country, Beyonce,
Speaker 1: I want a whole ass Grammy.
Speaker 2: She's that's true.
Speaker 1: It's a fire song. People love that song that.
Speaker 2: I'm gonna think about that one. But anyways, congratulations on Dogma.
Speaker 1: Why thank you?
Speaker 2: It's very exciting.
Speaker 1: Dogmovie dot com. Kids, you could come see the Dogma's
Speaker 1: gonna be everywhere June fifth. Go out to your local
Speaker 1: movie theater. You're gonna be able to watch it. Yes,
Speaker 1: in advance of June fifth, I'm taking it on tour
Speaker 1: for right now, it's like twenty dates, but I think
Speaker 1: we'll probably keep adding more across the country, and tickets
Speaker 1: are on sale dogmamovie dot com. Harley has been paying
Speaker 1: a close attention to the site all day, more so
Speaker 1: than me. Yeah, she's been texting me like.
Speaker 3: This, so doubt is so doubt, just so dout, just
Speaker 3: close to selling out.
Speaker 2: I like it. It's exciting, It is cool.
Speaker 1: These are small venues. Normally when we go out we
Speaker 1: do like one thousand, fifteen hundred theaters, but this tour
Speaker 1: is through AMC theaters, so you're only as you know,
Speaker 1: big as whatever their biggest houns is. So we're trying
Speaker 1: to do multiple shows while we're at each stop. So
Speaker 1: if you don't see your city, it may be added.
Speaker 1: Don't worry about it.
Speaker 2: I saw some people.
Speaker 1: Folks in Pittsburgh I thought were right rightfully, like, hey man,
Speaker 1: you shot the fucking thing here.
Speaker 2: Gonna make that work?
Speaker 1: Oh, yeah, I would say if some podcasts Small Guys
Speaker 1: has sold out, we had another show, it looks like
Speaker 1: that's gon sell out, so we might add a second day.
Speaker 1: That was the case, then Pittsburgh would probably be May seventeenth.
Speaker 1: So if you're Pittsburgh kids, hold on, hold on coming.
Speaker 3: Oh no, I'm the fucking best it's ever been. Some
Speaker 3: a bitch, I'm the best of every band.
Speaker 1: Gotta have that Johnny confidence.
Speaker 2: Man, I know, honestly, only I told.
Speaker 1: You once, you se bitch, I'm the best of every band.
Speaker 1: I don't know, man, Johnny, you know Judy's Johnny cousin. Johnny.
Speaker 1: We would love singing that part because you can sing it.
Speaker 1: Nobody can say anything. Can be like, hey man, it's
Speaker 1: on a radio.
Speaker 2: But it also just goes real hard.
Speaker 6: It does.
Speaker 1: He sends you home in a real big book. You're
Speaker 1: you're absolutely right to point out the story structure of
Speaker 1: that song. The story like wonderful.
Speaker 2: The imagery is truly just breathtaking.
Speaker 1: And it's weird that it is more spoken than some
Speaker 1: I think, so anybody could do it.
Speaker 2: That's pretty cool.
Speaker 1: Honestly, maybe the first.
Speaker 2: Rap, Honestly, that was kind of some bar.
Speaker 1: Oh the whole hip hop community is like, no, absolutely
Speaker 1: not it. That's not the origins of Wrap my Front.
Speaker 1: But it is a fire.
Speaker 2: Song, pretty fire lyrics.
Speaker 1: Dogma coming to a town near you, kids. How delightful
Speaker 1: to get it back after all this time. And Bertie
Speaker 1: just leant on a sigh of contempt. I'm happy. I'm happy. Okay,
Speaker 1: go by tickets, dog my kids. Now, this is what
Speaker 1: we're doing this week, me and Ralph during Well, I
Speaker 1: guess let me set it up first. As you know,
Speaker 1: anyone who listens to the show for the last month
Speaker 1: or whatever knows, I've been dealing with a bit of
Speaker 1: a Bullwinkle fixation obsession, bit of a Bullwinkle obsession. Man,
Speaker 1: I am Almoose crazy.
Speaker 2: He's gone off the deben. He's really going off the debu.
Speaker 1: It is uh and and I'm trying to find a
Speaker 1: way to channel it. Oftentimes I get to be involved
Speaker 1: with things that I like and then that tempers, you know,
Speaker 1: the fucking fever for it. Because I was a case
Speaker 1: in point that.
Speaker 2: How we built America.
Speaker 1: Yeah, when I got to do the fucking it's two
Speaker 1: weeks ago. I did the mega brands that built America,
Speaker 1: there was an itch that was, although it hasn't made
Speaker 1: me be like I don't care about the show nor
Speaker 1: because it's the fucking fire show. We last night we
Speaker 1: watched episodes about Milton. His name was Kilton Bradley. Their
Speaker 1: names were the Parker brothers. I say that these fuckers
Speaker 1: hated each other.
Speaker 2: Sometimes I'm like, his name was Moo.
Speaker 1: His name is who's what in the last name would
Speaker 1: has Ager or Smith Smith?
Speaker 6: His name is Moo Smith. His name is MoU Moose Smith,
Speaker 6: and one day he will create a billion dollar cat
Speaker 6: litter industry. But today MoU is trying to figure out
Speaker 6: how to get to the top of the couch without
Speaker 6: encountering the bitchy little cat.
Speaker 2: Hey, Carl, Carl, you.
Speaker 1: Every and the stories they always have like some enemy
Speaker 1: and ship, some motherfucker working against them. That makes them
Speaker 1: be better at the end of the day. At least
Speaker 1: that's how they painted through the lens of history. I'm
Speaker 1: sure in the moment they're like, I didn't want to
Speaker 1: make it better. I hate it. I hate it those
Speaker 1: Parker brothers. All right, I can't interact with Bullwinkle like
Speaker 1: I can't. Like they're done a long time ago. They
Speaker 1: were done before I was born.
Speaker 2: Really yeah, oh shit, yeah.
Speaker 1: They went from nineteen fifteen hard, from nineteen fifty nine
Speaker 1: nineteen sixty four, five fucking hard careers. First the Rocky
Speaker 1: Show than the bowl Winkle Show. Now jay Ward had
Speaker 1: other productions like Georgia the Jungle and stuff like that,
Speaker 1: but that was it for Rocky Bogo. Five seasons technically,
Speaker 1: but a lot of episodes. But point being, they stopped
Speaker 1: in nineteen sixty four, six years before I was even
Speaker 1: born that I'm aware of. There is no time travel
Speaker 1: technology yet for now, we're waiting on Tony Start to
Speaker 1: figure it out. Yeah, so what to do? So what
Speaker 1: I did was I wrote a Rocky and bowl Ankle
Speaker 1: episode to see if I could do it. And I
Speaker 1: knew I could because I've watched so many episodes. But
Speaker 1: what I did was, rather than write Rocky and Bullwinkle,
Speaker 1: I wrote them for my characters. Substitute the Rocky bowl
Speaker 1: Ankle characters for my characters. So instead of Bullwinkle, it's
Speaker 1: Movie the Golden Calf. Instead of Rocky, it's Little Eddie,
Speaker 1: the cat who lives in your mouth, clean your teeth.
Speaker 1: Instead of Bores Bad Nove, I'll be using Surley Duck
Speaker 1: and instead of Natasha, I'm using Enoch the Bible, quoting
Speaker 1: hard Park so instantly gets a laugh. So I constructed
Speaker 1: it very much like an episode of Rocky and Bullwinkle,
Speaker 1: including the narrator and stuff like that, and I was
Speaker 1: very pleased with the results. So on Saturday night we
Speaker 1: had a Hollywood Babylon that I knew wasn't sold that
Speaker 1: we were like half capacity and ship. So on a
Speaker 1: show like that, I'm like, let's get experimental, let's let's
Speaker 1: let's feel the room's blue sky. So I brought the
Speaker 1: script with me because Ralph will be the voice of
Speaker 1: the narrator. He's very good at doing the William Conrad
Speaker 1: type of like when we last left our Heros. He's
Speaker 1: a perfect voice for that, and he'll also be Surly Duck.
Speaker 1: I had him do it as al Pacino, but we're
Speaker 1: going to have him do it instead as John Love.
Speaker 1: It's which makes more sense for the character and stuff.
Speaker 1: So I busted it out and we read the entire
Speaker 1: script in front of the audience and it fucking killed,
Speaker 1: like it absolutely killed. Ralph did the voice of Little
Speaker 1: Eddie because he had a he had a I was like,
Speaker 1: do you have a hip, do you have a Rocky?
Speaker 1: So he went for it, and I was doing the
Speaker 1: movie voice as Bowwinkled, so I didn't want to talk
Speaker 1: to myself, so I let him go. But it is
Speaker 1: it was written for you to play the part of
Speaker 1: little Eddie. So what we're going to do is put
Speaker 1: together a scratch track. So we're going to record all
Speaker 1: the dialogue and then I'll edit it together and then
Speaker 1: I send it to Steve Stark once I get Ralph's
Speaker 1: side of it and stuff. So it plays like an
Speaker 1: audio episode, which the way that they produced Bullwinkle was
Speaker 1: they often called it a radio show with drawings because
Speaker 1: since it was limited animation back in those days, so
Speaker 1: much of the story was told through dialogue. And in
Speaker 1: the case of Rocky and Bogul, a narrator. They didn't
Speaker 1: have to draw so many things because the narrator be
Speaker 1: like and they did this, and that covers a lot
Speaker 1: of ground. So the thing that I've noticed about rock
Speaker 1: and Bogos, I'll put it on go sleep. It is
Speaker 1: like a podcast. It's like a radio show. It's just
Speaker 1: constant dialogue. There's no like it's quiet, what's happening even
Speaker 1: when they're not talking. Somebody else is telling the story.
Speaker 1: So I will put together that entire scratch track it's
Speaker 1: called and then send it to Steve Stark, who's already
Speaker 1: been designing the characters his Little Eddie, Like you know,
Speaker 1: I was like broke, just.
Speaker 2: Sorry, Wuckie preaching orgasm.
Speaker 1: He's already started drawing him, so he like, like, you know,
Speaker 1: it's definitely movie, but he's more in the proportions of Bowwinkle,
Speaker 1: And it's definitely a little Eddie, but he is very
Speaker 1: much in the proportions of Rocky.
Speaker 2: It's so cute, very very cool.
Speaker 1: So we're gonna record and then I'll cut this. Aside
Speaker 1: from it being an episode for everyone here, I'm gonna
Speaker 1: then take the audio cut it up to create the
Speaker 1: scratch track.
Speaker 2: Oh my god, this is so cute.
Speaker 1: I honestly like, I think it'll work because the it
Speaker 1: killed at the fucking live show.
Speaker 7: He's cute.
Speaker 1: So I will read everything. Mm hmmm, you're just responsible
Speaker 1: for Little.
Speaker 2: Eddie and you're looking for a Linus adjacent Let's.
Speaker 1: Yeah, let's audition voices. Okay, first, you know what Rocky
Speaker 1: the Flying Squirrel.
Speaker 2: Sounds like, Yeah, but maybe you could put him.
Speaker 1: All right, fucking you never have to ask me twice.
Speaker 2: Maybe them up.
Speaker 1: I was just watching.
Speaker 2: Yeah, I'm sure it's not on that part, all right,
Speaker 2: So yours me me you.
Speaker 7: We can't do that, we.
Speaker 2: Can we can't do that.
Speaker 7: We can't do that. We gotta see the country.
Speaker 1: It's so strange, right because she's doing.
Speaker 7: We can't do that. We can't do that.
Speaker 1: But you already have a like a like a girl voice.
Speaker 1: So I don't know why you're trying to be a
Speaker 1: girl because.
Speaker 2: I got a little ass boy.
Speaker 1: Uh, well, you don't have to do that because that
Speaker 1: was June four ray and she was, you know, the
Speaker 1: best and stuff. But I'm flat out doing Bullwinkle because
Speaker 1: I'm not creative. And so my Moby Saunds like this,
Speaker 1: that's so cute, but it ain't pitch perfect like you
Speaker 1: know it's but it's close. People will be like, that's
Speaker 1: he's doing bull Winkle. You might get away with people
Speaker 1: not going like she's doing Rocky because you could do
Speaker 1: your own cat boys. So let me hear your Linus
Speaker 1: voice as Linus as you're doing.
Speaker 7: Hi, Hi, Grandpa, it's me Linus.
Speaker 8: Now.
Speaker 1: I like the pitch and the register, but why is
Speaker 1: he so fucking scared.
Speaker 2: That's just the personality.
Speaker 1: So I'll take that pitch and register, but with more confidence,
Speaker 1: not confidence. It was like game, not like that other
Speaker 1: fucking mean cat.
Speaker 3: We don't want that.
Speaker 1: Don't come nowhere near the show. He's too he's too
Speaker 1: close to me.
Speaker 3: We can't have two people's.
Speaker 2: Grandpa grand my boys.
Speaker 1: You if anything that's Red Skelton's voice. What happened there?
Speaker 1: Oh my god, I did anything unplugged? All right, Okay,
Speaker 1: so let's hear that same pitch and register. But the
Speaker 1: voice direction that June Fora was given was he's a
Speaker 1: little boy scout ernest as hell. Sometimes he's like, hey,
Speaker 1: but you don't know what you're talking about, mister, But
Speaker 1: that's who he was. He was a little he was
Speaker 1: a little kid.
Speaker 2: Is a boy scout.
Speaker 7: Hi, I'm Linus. I'm a little boy scout.
Speaker 1: That's pretty fucking good.
Speaker 7: My name's Linus. I'm a little boy scout.
Speaker 1: That's pretty good. And then sometimes you know he'll be like,
Speaker 1: you know, like saucy like you know, not saucy like,
Speaker 1: but like you know, you're you don't like, uh, the
Speaker 1: raw deal fucking there's a sense of hey, that ain't fair.
Speaker 1: M M. You know what I'm saying.
Speaker 2: Yeah, I see what you're saying.
Speaker 1: Like, And whenever she met Boris Bad or whenever Rocky
Speaker 1: met Board, he's like, Hey, haven't weird? Hey you sure
Speaker 1: sound familiar?
Speaker 7: Cute?
Speaker 1: Hold on, where's the She always tells the same story
Speaker 1: in every interview. I mean, she's past. But of course,
Speaker 1: why wouldn't she tell us.
Speaker 8: I arrived at the Tale of the Car and there were.
Speaker 1: Just too to give you context. That was the name
Speaker 1: of a restaurant slash bar where she met Jay Ward
Speaker 1: and Bill Scott.
Speaker 3: She got the job because of her talent, kids, not.
Speaker 1: Because of that piece that you heard.
Speaker 2: Yeah, that was a crazy beginning.
Speaker 8: At the table, the met brought us over, brought me
Speaker 8: over to the table, and I saw this very man
Speaker 8: with glasses and a handle of our mustache and a
Speaker 8: taller man.
Speaker 1: This is the story you'll tell about me when our
Speaker 1: cartoon takes off one day and you're an old lady
Speaker 1: and she had a mustache.
Speaker 2: That's how I describe you now.
Speaker 3: About talk about your father.
Speaker 2: Yeah, yeah, he's got a mustache and a mustache, and
Speaker 2: he had very peculiar You're dead.
Speaker 3: I was just calling me dead.
Speaker 8: And they were Jay Ward and Bill Thoughts, and they
Speaker 8: were having martini and they said, have a martine and
Speaker 8: I said, no, I really don't drink it.
Speaker 1: It's a good story. Right now, I know who your
Speaker 1: generation is, like, hey, what the fuck? But it all
Speaker 1: works out rather than not.
Speaker 8: And they started to tell me about the idea of
Speaker 8: most from the Squirrel, and I thought the idea was
Speaker 8: plind that cock eye.
Speaker 1: They were the only.
Speaker 8: We're talking to real people, and so they said, oh,
Speaker 8: come on, have a martini. Well, after the first martini, I.
Speaker 1: Thought that was not such a bad idea.
Speaker 8: After the second one, I thought it was a sensation,
Speaker 8: which sturned out was. But we did a demo the
Speaker 8: following week and he said, you're rocking the Squirrel And
Speaker 8: I what kind of a voice do you want? You said, well,
Speaker 8: an all American voice out squirrel. So that's what I
Speaker 8: did with a little cup brisk And sometimes he became
Speaker 8: a little bit pet with the bow winkle, but always
Speaker 8: doing well. He wanted to stay in the world.
Speaker 3: And so then.
Speaker 2: We're gonna.
Speaker 7: Crying.
Speaker 1: God, that's such a beautiful way to put it. It's
Speaker 1: so true. So petulant that was, but not petulant all
Speaker 1: the time, but like every once in a while.
Speaker 9: You know, I'd be like, oh, who are where's the IM?
Speaker 9: Gonna get them going, Hey, you sure sound familiar? Like
Speaker 9: they did that for five years. They never recognized for
Speaker 9: as Natasha.
Speaker 1: Like you srself familiar? All right, So that's the direction. Okay,
Speaker 1: the boy scout always wants to do, right, Bullwinkle? Is
Speaker 1: this hero?
Speaker 4: This is?
Speaker 1: I love this. I put this up on that TikTok
Speaker 1: a couple of weeks ago.
Speaker 2: Is here.
Speaker 7: I keep a record of your hero.
Speaker 3: Might keep telling you a week lady, but just the.
Speaker 2: Same, you're my hero, Winkle.
Speaker 3: Don't you have a hero?
Speaker 9: Lie?
Speaker 4: Only human? Of course I do.
Speaker 7: Who is it?
Speaker 2: What is you?
Speaker 3: That may seem silly, but it's just said.
Speaker 4: It's only human to have a hero.
Speaker 1: It's you.
Speaker 2: It's literally you. You have a dollar of yourself on
Speaker 2: your fucking desk right now. Oh my god, you are Bwinkle.
Speaker 1: I will might try to be rocky, but yeah, unfortunately
Speaker 1: I'm probably.
Speaker 3: Okay.
Speaker 1: So let's let's hear let's hear uh one more run?
Speaker 2: Should I read a line or just speak as Linus?
Speaker 1: Speak as Linus?
Speaker 7: Hi am Linus. I'm a little boy scout.
Speaker 1: I'm a little lettie.
Speaker 7: Hi, I'm a little Eddie. I'm a boy scout.
Speaker 1: But don't say boy scout is that I'm a little eddie.
Speaker 1: I'm the cat that lives in your mouth.
Speaker 7: Hi, I'm a little eddie, the cat that lives in movies.
Speaker 1: Now, oh, that's perfect. We're gonna make millions, all right
Speaker 1: with a stolen concept. Perfect, all right, So I'll read
Speaker 1: everything else just so everyone can you know we are
Speaker 1: getting something done. But at the same time people are like,
Speaker 1: hey man, we're here too. Yeah, like fucking entertainment.
Speaker 6: And be a little cat lives in a cow's map.
Speaker 1: Those are very specific lyrics. Exterior map of America. Start
Speaker 1: wide on a map that has state separations, with multiple
Speaker 1: colors distinguishing all the states. The narrator says, when one
Speaker 1: thinks of New Jersey, if one ever thinks of New Jersey,
Speaker 1: it's usually poorly. Zoom in on a clearly identified New Jersey.
Speaker 1: Then zoom in on a clearly identified Asbury Park, where
Speaker 1: a Springsteen cricketure belts out a note. Indeed, aren't outsiders
Speaker 1: who valiantly ventured beyond the borders of the savage Eastern
Speaker 1: seaboard state and lived to tell about it. Make meager
Speaker 1: mention of local matt landmarks like Asbury Park, home to
Speaker 1: a musical bucolic boss, or Atlantic City, home to catastrophic
Speaker 1: casino loss. Pans to clearly identified Atlantic City, A guy
Speaker 1: with his pockets turned out jumps from the very high
Speaker 1: floor of a casino hotel balcony, then pants with clearly
Speaker 1: identified cow Pie County, where a standard cow lifts its
Speaker 1: head from the grass, chewing cut after beat. It gives
Speaker 1: us a mean look for casually dropping a deuce, the
Speaker 1: narrator tells us, But perhaps the best kept secret excuse me,
Speaker 1: but perhaps the best kept state secret is the bovine
Speaker 1: imbued burrow of cow Pie County, where bulls take no
Speaker 1: crap because they can make their own. Exterior movies restaurant
Speaker 1: day a jay wardy in white, establishing the lay of
Speaker 1: the land. The building looks like the one from the movies.
Speaker 1: Out in the parking lot is a rocket ship and
Speaker 1: a launch pad, surrounded by a crowd of people and
Speaker 1: a marching band beneath a banner that reads the cow
Speaker 1: jumps over the moon, and then a narrator says, but
Speaker 1: today the entire town can be found in the parking
Speaker 1: lot of a fledgling fast food franchise where a pairent
Speaker 1: proprietor's plucky publicity stunt is creating curiosity over our pound
Speaker 1: of mis entrepreneur. Cut to Movie, hands on his hips mouth,
Speaker 1: close about to be interviewed by reporter Minor Burt. That's
Speaker 1: a boys, narrator finished movie the Golden Calf, and the
Speaker 1: miner Bird says, call minor bird from the Cowpie Chronicle.
Speaker 1: Minor readers need to know the rocket ship scoop. Movie
Speaker 1: shrugs and points to his mouth. Miner birds, what's the
Speaker 1: matter of movie? Cat got your tongue? Suddenly, little Eddie
Speaker 1: Dentuers pops out his head and shoulders out of Movie's mouth,
Speaker 1: holding movies lips open with his arms and elbows, and
Speaker 1: he says, kinda give me three different kindness, kinda not bad.
Speaker 2: Wait, you gotta give me the line before.
Speaker 1: Oh you need a leader. Here we go. Uh, what's
Speaker 1: the matter movie? Cat got your tongue? Kinda nice, that's
Speaker 1: the one. We don't even need to lead. And I
Speaker 1: can see, I can sink I should bring more mind
Speaker 1: it next time.
Speaker 3: What the woodwinder Bernstein, who are you.
Speaker 7: I'm his little business buddy. Little Eddie Denter's the cat
Speaker 7: that lives in movies mouth.
Speaker 1: Okay, but I would never put little twice in the
Speaker 1: same sentence, so don't make me look like a bad rider.
Speaker 1: Did I say you added a little where there was none?
Speaker 1: You added I'm his little business buddy, which, to be fair,
Speaker 1: whenever I read it, I want to add it too,
Speaker 1: but I didn't use it there because I need it
Speaker 1: to say his name because little is literally right, of course,
Speaker 1: But just know that I stumbled the same way, so
Speaker 1: genetically you were predisposed to see little where there was none.
Speaker 1: It's not your fault, Thank you. You're I blame Mommily.
Speaker 2: This is all on Mommily.
Speaker 1: That's right. Okay, Here we go. Take two on that line,
Speaker 1: and what.
Speaker 3: The Woodward in Bernstein? Who are you?
Speaker 7: I'm his business buddy, Little Eddie Dentuer's the cat that
Speaker 7: lives in movie's mouth?
Speaker 1: I like that?
Speaker 2: Did I say you did not?
Speaker 1: But we'll take a spare just in Kate, What the
Speaker 1: Woodward in Bernstein?
Speaker 3: Who are you?
Speaker 7: I'm his business buddy, Little Eddie Dentuer's the cat that
Speaker 7: lives in movie's mouth?
Speaker 1: Like it let me give you sneeze was cute movie?
Speaker 1: Sneezes Little Eddie onto the ground with a cat, lands
Speaker 1: on his feet, standing side by side. M Oh shit,
Speaker 1: bet Deacon went to CinemaCon, so did Ernie, and they
Speaker 1: saw footage from Superman. Oh oh, sho asked about it later,
Speaker 1: lands on his feet, standing side by side. They're roughly
Speaker 1: the size of Rocky and Bullwinkle movie. The Golden Calf says, sorry,
Speaker 1: good god, I want to say.
Speaker 7: Oh, that's all right movie. Everyone knows it's cold and
Speaker 7: flu season.
Speaker 1: Oh that's good, but speed it up. I'll give you
Speaker 1: a leading so reay.
Speaker 7: Oh it's all right movie. Everyone knows it's cold and
Speaker 7: flu season.
Speaker 3: It's because of a cold that you flew out my
Speaker 3: nose instead of my mouth. Good, thank you.
Speaker 1: Cat and cow do mouth stuff. That's what mina bird
Speaker 1: writes in my work here is done. She starts to
Speaker 1: fly off.
Speaker 7: We've been lot. Don't you need to even interview us
Speaker 7: for your article?
Speaker 1: Nice? Give me separation between litters and dome.
Speaker 2: Weep in litters.
Speaker 7: Don't you need to even interview us for your article?
Speaker 1: And now a little faster, h.
Speaker 2: Give me my leada.
Speaker 1: Oh my work is done, but on your leaping litters?
Speaker 1: Like more leap in litters?
Speaker 2: Oh got it?
Speaker 1: Uh, my work here is done?
Speaker 7: Leep in litters. Don't you need to even interview us
Speaker 7: for your article?
Speaker 1: Nice? A little more sauce on that. Don't you need
Speaker 1: a little more suspicion. Yeah, I'll take that, but tight
Speaker 1: faster here we go.
Speaker 3: My work here is done.
Speaker 7: Weep in litters. Don't you need to even interview us
Speaker 7: for your article?
Speaker 1: Minor readers only have time for a headline and cat
Speaker 1: and cow do mouth stuff is click bait crack raw.
Speaker 1: As Minor flies off, we zoom in on Movie and Eddie,
Speaker 1: who run up three sets of stairs to a platform
Speaker 1: at the rockets open door, the narrator tells us, and
Speaker 1: after an exchange angel little expository assistance, our fearless food
Speaker 1: flingers climbed atop the launch pad, where a mighty rocket
Speaker 1: ship towered over the crowd. Movie steps up to the
Speaker 1: microphone with Eddie on his shoulder.
Speaker 3: Felicitations, Cowpa cotians, I bet you're wondering why we reconnoiter
Speaker 3: her a rocket ship today.
Speaker 1: I'm gonna give you another one. You know you didn't
Speaker 1: ask for.
Speaker 3: Felicitations Kaupa Conians. I bet you're wondering why we reconnoitered
Speaker 3: this rocket ship today.
Speaker 7: Me and movie planned to prove once and for all
Speaker 7: that a cow really can jump over the moon.
Speaker 1: Nice to me, No tell that way for this car, I'll.
Speaker 2: Take a leaden. Oh, thank you very much.
Speaker 3: Felicitations Kaupa Cotians, I bet you're wondering why we reconnoitered
Speaker 3: a rocket ship today.
Speaker 7: Me and movie plan to prove once and for all
Speaker 7: that a cow really can jump over the moon.
Speaker 3: All are in flight meals in moon munchie's furnished by
Speaker 3: our feeling, I mean fabulous fast food franchise movies. Why
Speaker 3: don't you represent by slinging our slogan little litty movies?
Speaker 7: Hit it already?
Speaker 1: Nice? I mean, I'll do another one and then you
Speaker 1: do good another mm hmm. Wait on a.
Speaker 4: Car rush out.
Speaker 1: It's like seven forty.
Speaker 2: Three got up the street.
Speaker 1: Goddamn truck.
Speaker 3: All are in flight meals and moon munchies furnished by
Speaker 3: our failing I mean fabulous fast food franchise movies. Why
Speaker 3: don't you represent by slinging? Ur say, why don't you
Speaker 3: represent by slinging our slogan Little lady.
Speaker 7: Movies hit it already, Yeah.
Speaker 1: Movie and Little Eddie head into the movie and Little
Speaker 1: Eddie heading into the rocket.
Speaker 3: The door closes behind them.
Speaker 1: This crowd joice below. Marrier says, the circumstances properly pomped.
Speaker 1: Our heroes heard into the ready rocket. As the crowd
Speaker 1: closer to cheer on their intrepid spirit. The interior rockets same,
Speaker 1: strapped into their seats. Little Eddie is at the steering wheel.
Speaker 1: Movie is the copilot. Let's lick this candle engas movie
Speaker 1: presses the launch button. Exterior Movies Restaurant Same. Fire ports
Speaker 1: and the rocket's engines go wide and see the flames
Speaker 1: and gulf the cheering crowd. When the flames subside, the
Speaker 1: cartoon cook crowd stands there for beat before disintegrating to act.
Speaker 2: Oh my god.
Speaker 1: Interior Rockets same. The cabin vibrates violently as the rocket
Speaker 1: takes off, rattling our heroes, the narrator says, and breaking
Speaker 1: free the surly bounds of earth, the rockets sword into
Speaker 1: the sky. Exterior Movies Restaurant Same. The rocket blasts off
Speaker 1: into the sky. Interior rockets same movie and Little Eddie
Speaker 1: experienced the impact of liftoff, their eyes bulging, their skin flapping.
Speaker 1: It was one small step for a cow and one
Speaker 1: giant mess for cow Pie County. Exterior Movies, Restaurant countyans
Speaker 1: go running from the launch pad, screaming on fire.
Speaker 3: And one goes a kill makew may kill me.
Speaker 1: The narrator says. It was a sobering sentiment shared by
Speaker 1: the underpaid narrator. Exterior Out of Space Night, the rocket
Speaker 1: reaches the starry Milky Way, and the narrator says, but
Speaker 1: after a worldwide pandemic to industry strikes in the California fires,
Speaker 1: work in Hollywood was too scarce to voice a content
Speaker 1: objection ever again. And so our hero narrate it on
Speaker 1: Little Eddie Denture says two interior rocket with gravity gun
Speaker 1: movie and Little Eddie float now offering objecting looks to
Speaker 1: the camera, the narrator says, And so our hero narrate it.
Speaker 7: On Hero leaping litters.
Speaker 1: No, you gotta come harder, Hero like Hero, Oh yeah,
Speaker 1: my bad. I should put in another but that's why
Speaker 1: it's in italics.
Speaker 10: And Hero I.
Speaker 2: Thought it was like, oh, he's calling me a hero.
Speaker 1: No, he's saying, so our hero he was calling himself
Speaker 1: a hero. We're about to chat.
Speaker 2: Us, Oh I see, and so.
Speaker 3: Our hero narrate it on zero leaping letters. We're the
Speaker 3: heroes here, hit a. Unless you want our new narrator
Speaker 3: to be an AI voice generator.
Speaker 1: Uh no, I need this gig. Insurance depends on it.
Speaker 7: Then stay on scrap. Then stay on script, cring Colcin.
Speaker 1: Nice, that was good. Give me one more of those,
Speaker 1: a little more attitude on that hands on hips for
Speaker 1: keering Colcin.
Speaker 3: Then stay on script carring Colcin perfect and so our
Speaker 3: two heroes. That's more laky. That's more laked. That's more lake.
Speaker 3: It found themselves free from the grip of gravity as
Speaker 3: they entered infinity.
Speaker 7: We're about to land on the moon movie, so it's
Speaker 7: start to put on our special outfits.
Speaker 3: You mean these special outfits, but it ain't Saturday.
Speaker 7: Not those. I'm talking about our space shoots.
Speaker 1: Shoots and give me more, not those.
Speaker 3: Uh you mean these special outfits, but it ain't Saturday.
Speaker 7: Not those I'm talking about our space suits.
Speaker 1: Nice, give me another. We're about to land on the moon.
Speaker 1: Start with a help hold on, and so our two
Speaker 1: heroes found themselves free from the grip of gravity. As
Speaker 1: they entered infinity.
Speaker 7: Well where about to land on the Moon? Movie? So
Speaker 7: it's time to put on our special outfits.
Speaker 3: You mean these special outfits, But it ain't Saturday, not those.
Speaker 7: I'm talking about our space suits.
Speaker 1: And once the and once the rolling rocket, and once
Speaker 1: the rowing Rocket landed, our space suited heroes emerged and
Speaker 1: explored the mysterious Moon in advance of their lunar leap.
Speaker 1: Exterior Moonnight. The rocket lands on the Moon door opens,
Speaker 1: moving little Eddie pop up in the doorway, wearing sixty
Speaker 1: sci fi inspired spacesuits, bubble helmets over their heads. Jet
Speaker 1: packed comment.
Speaker 2: Yes, you read scripts really interestingly.
Speaker 7: You're jumping all over the God.
Speaker 1: I'm doing it more for those listening at home, so
Speaker 1: the joke doesn't hang there.
Speaker 2: Okay, got shoot.
Speaker 1: So then I'm like, all right, what information.
Speaker 2: Is he's jumping all over the goddamn page?
Speaker 4: I am.
Speaker 1: It's not that I'm like I have a reading dysfunction
Speaker 1: or something like that.
Speaker 2: I'm literally like, you're thinking of.
Speaker 1: The audience a little bit, because I'm sure everybody the
Speaker 1: fuck like you're trying to get two things done here.
Speaker 3: This isn't a show. You're trying to record a different show.
Speaker 3: But this is the process looking out for you.
Speaker 1: This is how one you get to actually see behind
Speaker 1: a curtain.
Speaker 2: Be like, oh so true.
Speaker 1: How they do it? Is that how not to do it? Okay,
Speaker 1: So they wearing their space bubble helmets and jet pecks.
Speaker 1: A ladder lowers and the pair climbed down and then
Speaker 1: they bounce across the surface of the moon.
Speaker 3: We're off to skim the milky way.
Speaker 7: That sure was one sour milk pun.
Speaker 1: Give it a more like that sure was one sour
Speaker 1: milk pun. Hold on, wait for the car. Waiting for
Speaker 1: the car.
Speaker 3: We're off to skim the milky way.
Speaker 7: That sure was one sour milk pun.
Speaker 3: Then I refuse to utter another movie? Darry make one more?
Speaker 1: He did.
Speaker 3: Suddenly movie and Eddie are.
Speaker 1: Enveloped by a cloud of gas that makes them fall
Speaker 1: to the ground heavy and the narrator tells us but
Speaker 1: before a movie can bring home the bit, the comedic
Speaker 1: cow and his feline friend got a blast of gravity
Speaker 1: gas from an unseen aggressor.
Speaker 7: Leep in litters movie, we've been a mobilize and.
Speaker 3: We can't move either.
Speaker 7: Who would ever do such a thing?
Speaker 1: Give me another one, because I got a different line, reading.
Speaker 3: Leep in litters movie, we've been a mobilize yeah, and
Speaker 3: we can't move either.
Speaker 7: Who would ever do such a thing?
Speaker 1: Like the old saying goes, if it looks like a duck,
Speaker 1: swims like a duck, and quacks like a duck, then
Speaker 1: it's probably me, Surly Duck. That's the ticket, reveals Surly Duck.
Speaker 1: In a bubble helmet and jetpack. Surly moves to reveal
Speaker 1: a second branded rocket that was heretofore hidden.
Speaker 3: Narrator says, as it.
Speaker 1: Turned out, our heroes we're not alone on this blue moon,
Speaker 1: being beaten beyond the atmosphere by their Cowpie County corporate competition.
Speaker 1: The owner and operator of the unfortunately named Asian Fusion
Speaker 1: fast food franchise, Duck. You that's scoundrel, Surly Duck, and
Speaker 1: don't forget the number two to my number one, reveal
Speaker 1: Enoch the ardvark, who's aiming the gas gun at our heroes.
Speaker 1: That's mobilizing them. Enoch the Bible. Quoting Ardvark, Enoch says,
Speaker 1: if God is for us, then who could be against us?
Speaker 3: The Book of Romans, That's what.
Speaker 1: I think I might have Andy do it. Just all
Speaker 1: fucking like if God is for it, who could be
Speaker 1: against it? And Shirley Duck says, and Romans something you too?
Speaker 1: I got Oh? No, I was right, Roman, Roman, it's
Speaker 1: a hominin.
Speaker 3: And Romans and Romans something you two won't be doing
Speaker 3: anytime soon thanks to my gravity gas gun.
Speaker 1: Movie and Eddie tried to pull their feet off the
Speaker 1: lunar surface to no avow. The gravity gas cloud around
Speaker 1: them is making them heavy. Little Eddie says, sir.
Speaker 7: We duck in enoch Artvark, what are you two doing
Speaker 7: on the moon?
Speaker 1: More angry?
Speaker 2: I see knock.
Speaker 1: Yeah, you're right, you nailed it.
Speaker 7: Surly Duck and E knock Ardvark. Wait right, Surly Duck
Speaker 7: and e knock Ardvark.
Speaker 1: How about how about this lose the question mark and
Speaker 1: make it more Surly Duck and e knock Ardvark like,
Speaker 1: I knew it?
Speaker 2: Okay, got ith.
Speaker 7: Surly Duck and E knock Ardvark, What are you two
Speaker 7: doing on the moon?
Speaker 1: Nice? Perfect? And one more just for safety? But that
Speaker 1: was perfect?
Speaker 7: Surly Duck and Nino, Oh wait, that's not question. Surly
Speaker 7: Duck and E knock Ard Bark, what are you two
Speaker 7: doing on the moon?
Speaker 1: Perfect? You gotta be smoking quack if you think I'm
Speaker 1: gonna let your fast foodery thank you outshine mine. Once
Speaker 1: I make that giant jump over the moon, the whole
Speaker 1: world will know the name of my Asian Fusion fast foodery,
Speaker 1: and they will cry out in unison, duck you, Surly, Oh.
Speaker 2: My gosh, smoke, thank you very much.
Speaker 1: I was happy with that. I got a big laugh
Speaker 1: in the.
Speaker 3: Movie, says kind of took the words right out of
Speaker 3: my mouth.
Speaker 1: And we all know about that mouth the yours. Surly
Speaker 1: holds up a copy of the Cowpy Chronicles that features
Speaker 1: photos of movie and Little Eddie under the headline cat
Speaker 1: and met cow do mouths.
Speaker 3: Talk a bit of headline?
Speaker 7: This cartoons for kids movie?
Speaker 1: None listen? He says, skibbity, let's do that again.
Speaker 3: Whoa talk a bit of headline?
Speaker 7: This cartoons for kids movie?
Speaker 3: None listen. One says skibbity, skibby, Doc trademark, Surly, bye
Speaker 3: bye a bovine butthole.
Speaker 1: I hate to culturally appropriate, but in the words of
Speaker 1: the Yellow People movie and Little Lady Eddie gaspin unison,
Speaker 1: appalled count of three one two three, Give me a
Speaker 1: count of three one two.
Speaker 3: Three, don't have a cow man.
Speaker 1: Yellow people of the Simpsons. And then we say, you
Speaker 1: go oh, and I'll go, well that's okay. Then so
Speaker 1: you see, like we got insult everyone. Like when we
Speaker 1: actually read it in the club, everyone was like, because
Speaker 1: the fucking yellow lie. But it's like wait for it,
Speaker 1: and then it's the yellow is the Simpsons. Okay, here we.
Speaker 3: Go, don't have a cow man.
Speaker 1: Oh, that's key. Then we'll do it again one two, three, Oh,
Speaker 1: that's key. Then there we go. Surly and Enoch slapped
Speaker 1: their chests and their rocket packs roared to life, throwing flames,
Speaker 1: leaving Moby and Little Eddie frozen in place. Still covering
Speaker 1: gravity gas cloud, Surly an Enoch sore into space, and
Speaker 1: the narrator tells us and As the devious Duck and
Speaker 1: his Christian companion jet packed into the air to jump
Speaker 1: over the Moon, our hero struggled with the gravity of
Speaker 1: the situation.
Speaker 7: Leaping letters. Movie I can't move my legs.
Speaker 3: Let me give it a tray.
Speaker 1: Movie leans down and talks directly to his legs.
Speaker 3: I'm gonna tell you, gays the story of the note
Speaker 3: Book and spoilers.
Speaker 1: It's a jerker.
Speaker 7: What are you doing? Movie.
Speaker 3: I'm trying to move my legs.
Speaker 1: Can the Golden Calf talk his way out of this
Speaker 1: moon mess? Or will the foul surly ever get his
Speaker 1: ducks in a row? Ugh duck puns in the lowest
Speaker 1: form of comedy, even lower than impressions. Yes, even lower
Speaker 1: than Ay, this is an impression. It's my real voice. Yeah,
Speaker 1: and that's the ticket. That's something John lovetch uosed to say.
Speaker 1: Don't miss our next exciting episode Moon Unit Zephyr or
Speaker 1: Duck dup the asteroid.
Speaker 2: Wow, thank you, that was delightful.
Speaker 1: Now I will take that hatch it out and I
Speaker 1: will send that to Steve Stark and he will start
Speaker 1: working on on a what do they call that beatboard
Speaker 1: or you know, or pencil test if you will, and
Speaker 1: we'll see it laid out his little ice we were
Speaker 1: doing little first drew a cat. I was like, of course,
Speaker 1: but I didn't say anything beyond like draw them like
Speaker 1: rock I was like, we gotta get him hat, but
Speaker 1: can't give him like aviator goggles, that's what Rocky wears.
Speaker 1: But he's a little cat that lives inside movies mouth.
Speaker 1: So I said, put a miner's hat on him.
Speaker 2: Oh my god, And.
Speaker 1: Steve Stark was like, from when he's in his mouth,
Speaker 1: so now he's got the hat, and then he had
Speaker 1: the years sticking out the top, and I was like, no,
Speaker 1: take those years off. And they took him off and
Speaker 1: I was like, all right, let's stick him out the
Speaker 1: size and he did. So we're arranging him perfectly and stuff.
Speaker 2: It's cute.
Speaker 1: Yeah, it's gonna it's good. I mean, look, it's not
Speaker 1: like and we're gonna make a fortune. There's more hobby.
Speaker 1: This is more for me, something that I would enjoy
Speaker 1: to see and do. But if I could pull it off,
Speaker 1: and I think I can, I mean, we'll probably have
Speaker 1: to re record the voices like in a you know,
Speaker 1: sound environment and something like that, but if I think
Speaker 1: it'd be.
Speaker 2: A music, I think it would be super amusing kind of.
Speaker 3: Please, well done, excellent job, amusing.
Speaker 4: Excellent job.
Speaker 2: Well, I thank you you too.
Speaker 1: I'm gonna put that together. Is going to sucking sound
Speaker 1: good little suddenly like I'm look, nothing's going to happen,
Speaker 1: But imagine if everything happened. This was it that after
Speaker 1: thirty years, This was the idea that was like, oh,
Speaker 1: you're going to become a multi millionaire.
Speaker 2: Imagine and it.
Speaker 1: Was off a cartoon that we were doing voices together.
Speaker 1: I know this ain't like modern day people like cartoons
Speaker 1: be like three D and ship like that.
Speaker 2: No wait, you're saying people, Oh, people like cartoons now.
Speaker 9: That are like three They expect them to look good.
Speaker 1: I'm not coming from a different school thought. It's just
Speaker 1: a conveyance for the jokes in the dialogue. Just has
Speaker 1: to look just to look.
Speaker 2: I think.
Speaker 1: I think it's more I think so yeah.
Speaker 2: There.
Speaker 1: I don't know Rocking Bulge, their whole thing was like
Speaker 1: basic as fuck.
Speaker 2: I'm more thinking about Scooby Doo.
Speaker 1: And it's also limited animation.
Speaker 2: It is.
Speaker 1: I was reading recently Beautiful. The Hannah Barbera people did
Speaker 1: not care for the jay.
Speaker 2: Ward people really yeah.
Speaker 1: They were like, ugh, that's some of that jay Ward stuff.
Speaker 1: They like the cleaner coloring book style. Whereas you know
Speaker 1: jay Ward, their whole style was like the look really
Speaker 1: doesn't matter, like it's a it's a radio show with
Speaker 1: pictures and withdrawing. So so they because of that, their
Speaker 1: designers like can be more free and fun with their
Speaker 1: with their designs, whereas Hannah Barbera kept things even with
Speaker 1: anthropomorphic characters like a talking cat or a talking gorilla
Speaker 1: or whatever the fuck talking dog. They still kept things relatively,
Speaker 1: you know, like proportionate, realistic, not impressionistic or something. No,
Speaker 1: I'm not saying like they were wrong, but I thought,
Speaker 1: I think it was very funny that they were like, yeah,
Speaker 1: that they were like not so much. They didn't get along,
Speaker 1: but they had a real low opinion of the jay
Speaker 1: Ward stuff, like, ugh, that's barely animation.
Speaker 2: That's that's pretty wild.
Speaker 1: But I mean, to be fair, you look at the
Speaker 1: hand of our bear stuff, Like, you know, they were
Speaker 1: fucking industry maestros that both of them came from cinema animation.
Speaker 1: They won fucking Oscars for Tom and Jerry, those guys,
Speaker 1: and then they you know, moved to TV and they're like,
Speaker 1: there's a business here, and you just bring the animation,
Speaker 1: like the page count down, you bring the frame countdown.
Speaker 1: You can make a thing a good looking thing. And
Speaker 1: they just liked the look of their thing better than
Speaker 1: the look of how jay Ward did everything. They likeugh,
Speaker 1: it looks like a child, did it?
Speaker 2: I do? I do find Tom and Jerry and Scooby
Speaker 2: Doo very visually pleasing.
Speaker 1: Yeah, that was their whole thing. They're like, hey, man,
Speaker 1: make it beautiful.
Speaker 2: It's pretty beautiful. There's an Instagram account called Scooby Scapes,
Speaker 2: which is like the landscape of the Scooby.
Speaker 1: Doo shows and movies, just shows.
Speaker 2: It just shows like the landscape.
Speaker 1: That they walk through all the time.
Speaker 2: Yeah, it's pretty magical and it's all just really beautiful.
Speaker 1: And they play that music they walked through it.
Speaker 2: I love it. I love it, bro.
Speaker 1: I was listening to that music in the seventies when
Speaker 1: I was watching the show when they were airing it
Speaker 1: for the first time. That music never went anywhere. That's
Speaker 1: it as a Scooby groove. Man, Why don't you take
Speaker 1: that Scooby groove with some lyrics under it?
Speaker 3: You scared me?
Speaker 1: People like, is that did they scooby that'ud?
Speaker 2: They mixed their song with the Scooby Doo song.
Speaker 1: Yes, stranger things have happened and become bigger hits.
Speaker 2: Well, I think I know where my priorities lie, and
Speaker 2: that is with the Devil came down to Georgia.
Speaker 1: Bro. If you take anything away from the show, take
Speaker 1: it that you should be going to have a conversation
Speaker 1: with the fucking nuke and lick you will whoever else
Speaker 1: is in the band this week, and then the shade
Speaker 1: it'd be like, look, I'm gonna play you guys a
Speaker 1: song and I want you to does anybody I mean here,
Speaker 1: would you get a would you still do the fiddle
Speaker 1: or would you replace it with a different instrument. If
Speaker 1: you replace it with a different instrument, some people be like,
Speaker 1: why don't you just make a whole new song that's
Speaker 1: to be a.
Speaker 2: Fiddle fiddle in playing in the song as well.
Speaker 1: Yeah, because whenever they battle, it would be weird, like
Speaker 1: they're all singing about a fiddle and then you never
Speaker 1: once hear a fiddle.
Speaker 2: You know what, You have a good point.
Speaker 1: So there's a lot of fiddling, an awful lot of things.
Speaker 2: I can't say that we know a fiddle player.
Speaker 1: No, but you can find one, particularly out here in
Speaker 1: Los Angeles, pretty easy to find a fiddle player. Question
Speaker 1: is is it a fiddle or is it something more modern?
Speaker 2: You know, that's a discussion I'll have to have. That's
Speaker 2: something we got to figure out, because this will be
Speaker 2: figured out because.
Speaker 1: You could make just make a guitar. Get this, as
Speaker 1: he said, if you win, you get this fiddle made
Speaker 1: of and if you win, you get yourself this guitar
Speaker 1: made of gold. If you lose the devil and you're
Speaker 1: so so yeah, you just have to swam out fiddle
Speaker 1: with guitar. They're both fucking two syllable terms, I think.
Speaker 1: And then who's your lead guitarist? Is it Nick or Luke?
Speaker 1: It's Luke, so then fucking Luke would be like it's fast.
Speaker 1: Have you heard the fucking I?
Speaker 2: I feel like I've heard this song, but it's truly.
Speaker 1: Been We'll do it on the next one. We can't
Speaker 1: do it on this one because I heard It'll be like,
Speaker 1: hey man, hey, we can't play you can't play that song.
Speaker 1: We have to run an ad.
Speaker 2: Please stop talking.
Speaker 1: We have to run anytime you guys take a breath,
Speaker 1: we have to run out.
Speaker 2: Oh god, they hate us.
Speaker 1: I don't know if they hate us, but I'm sure
Speaker 1: the audience is like another fucking a. There's a version
Speaker 1: of the show you can listen to add free at
Speaker 1: back Kevin smithclub dot com.
Speaker 2: You can also see it does not appreciate this.
Speaker 1: I don't care.
Speaker 3: You could see it and hear it.
Speaker 1: You see us crab walk in, crab walk out.
Speaker 2: Yeah, truly if you want to see us crab walk.
Speaker 3: But if you news, the devil gets your So.
Speaker 2: That part, that part really seems familiar.
Speaker 1: Oh not the fucking you told you once you saw
Speaker 1: him a bitch, I'm a bestler's ever beer.
Speaker 2: No, but that part stays with me.
Speaker 1: Now, pretty fire, folks, you have been listening patiently. Tip Beardless,
Speaker 1: Stickless Me, We're in it in this week. That's it.
Speaker 1: That's it for this week. Don't forget Go get your
Speaker 1: Dogma tickets before they sell out. The June fifth wide
Speaker 1: release those tickets go on so I think February, like
Speaker 1: the end of the month, February twenty third, I believe.
Speaker 1: But for the tour, tickets on sale right.
Speaker 2: Now February, did I think?
Speaker 1: Or maybe April April, yes, April twenty third. I think
Speaker 1: the tickets for the June fifth, like is it wide
Speaker 1: everywhere go on sale. But right now, if you want
Speaker 1: to see that on the tour with me tickets, talkmovie
Speaker 1: dot com.
Speaker 2: And hey, while you're on the internet, why don't you
Speaker 2: go over to Beardless, sticklessme dot com and buy a
Speaker 2: fucking shirt?
Speaker 1: There you go, man, the shirts. Well, first off, you
Speaker 1: got to do the work, put it in your stories,
Speaker 1: make it collaboratable, okay, and then I'll put it into
Speaker 1: my stories. But like all these counts listening, they're like,
Speaker 1: I got one.
Speaker 2: That's true.
Speaker 1: You got to get new people, you got to go
Speaker 1: out there beyond. But yeah, feed it to me and
Speaker 1: I'll feed it into my socials and stuff. That would
Speaker 1: have been the day to do it. I had a
Speaker 1: lot of eyes on the Instagram. That's why I put
Speaker 1: your song up today. So it was like a bunch
Speaker 1: of people popping by the feed. You released your second single.
Speaker 2: We released our second single. It's exciting.
Speaker 1: I can't believe we didn't start the episode with that.
Speaker 1: You don't know how to self promote not being critical,
Speaker 1: but you don't.
Speaker 2: I don't.
Speaker 1: It's not the end of the world. But like, that
Speaker 1: would have been the first thing I said. I would
Speaker 1: have covered my mouth and been like, hey man, cinnamon
Speaker 1: happened again. What's it called? Second song? Why Star and Why?
Speaker 1: So you got a real commitment to one word titles.
Speaker 2: Yeah, we're having a dilemma about the next song because
Speaker 2: we wanted to be a one word title, but it's
Speaker 2: looking like a three word title.
Speaker 1: Bertie and Lucky exactly three word title.
Speaker 2: Dad eats poop.
Speaker 1: How's that go ever been?
Speaker 3: Daddy's going to eat that poop?
Speaker 4: Like, what's that story?
Speaker 1: Why is he eating the poop? He's fighting the devil.
Speaker 3: He's got to do it.
Speaker 1: To save his daughter's soul. I guess they changed all
Speaker 1: the lyrics. Yeah, I mean it's their version. I guess they.
Speaker 1: She says, you're gonna change just enough, so I think
Speaker 1: get sued. But I don't know how I wind up
Speaker 1: eating shipping the song.
Speaker 3: I mean it feels like a metaphor.
Speaker 2: My dad eats some poop.
Speaker 1: And if you lose, my dad eat some boo. And
Speaker 1: if you win, DA wait a second eating poop if
Speaker 1: I win or lose, Like part of the song is
Speaker 1: DA's gonna need.
Speaker 3: Some boo either way.
Speaker 1: Either way, my old man's eating boo, stuffing his face
Speaker 1: in a pile of sheet.
Speaker 2: Why is that so amusing?
Speaker 4: I don't know.
Speaker 10: But you write that song right now, that's gonna eat
Speaker 10: some boo.
Speaker 1: We'll compose the rest of song in the after show. Yeah. Man,
Speaker 1: if you're like a Spotify person who's been listening or
Speaker 1: on iHeart or wherever the fuck, Like the show is
Speaker 1: about to end, but the show is just beginning. Yeah,
Speaker 1: if you follow us over to Beardless Stickless plus exclusively
Speaker 1: at that Kevin Spick club where you can not only
Speaker 1: listen to it, but watch it, you'll hear us compose,
Speaker 1: my dad's gonna use some poo. Why did you I
Speaker 1: can't believe I caught you off guard with that one,
Speaker 1: and it made you laugh again, like if we were
Speaker 1: doing it, and you act like you just heard it
Speaker 1: for the first time again. Your short term memory is
Speaker 1: shot because you're like Pooh, and then a second goes
Speaker 1: by and then I'm like Pooh, like delod joy and
Speaker 1: delight of hearing something.
Speaker 2: Like I sound like Krusty the Cloud. That was good.
Speaker 1: I think it was more just that you were surprised,
Speaker 1: and that, to me was the amusing part, because you
Speaker 1: were surprised by the thing you were because you're short
Speaker 1: Termy shot. There it is, kids, follow us over to beardless.
Speaker 1: We're gonna eat some food. So easy. There it is
Speaker 1: kids for beardless stickless. I'm Kevin Smith and Smith go
Speaker 1: have yourself a beardless stickless day.
Speaker 10: This has been a podcast production podcast podcast using our
Speaker 10: mouths on you since two thousand and seven. Hey, kids,
Speaker 10: did you like what you just heard, Well, guess what.
Speaker 1: We've got tons more man thousands of hours of podcasts
Speaker 1: waiting for you at that kevinsmithclub dot com. Go sign
Speaker 1: up now,