1
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create a better connection
between the brand and the customer.

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So I think we're looking at different ways
to incorporate it where we can see value

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and it can, and not just for the for
the brand, but for the customer as well.

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So I think we're not just looking at
AI like a blanket like replacement.

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It's like, where can it really,
you know, solve a problem.

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If you believe
we can change the narrative.

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If you believe,
we can change our communities.

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If you believe we can change the outcomes,
then we can change the world.

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I'm Rob Richardson.

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Welcome One.

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Welcome to disruption.

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Now I'm your host and moderator,
Rob Richardson.

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As always, it's
great to be joined here at 1819.

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if you're if you're watching this, please
like please comment.

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That's how we get our message out.

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More about all the disruption
and all the creators

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and all the brilliant minds
we have on here

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that are disrupting
common narratives and constructs.

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With me is Adam Khan.

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He is the chief creative officer
for Great Midwest.

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We're going to have a discussion.

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Do you see AI for creativity as a threat?

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Is an opportunity? Is it both?
I don't know.

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These are like the discussions
people are having.

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Like what do we do with this
massive technology?

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How do we view it especially as a creator?

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Adam, good to have you on another.

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Very, very, very happy to be here.

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So thank you for having me.

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Yeah.

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So I know you,
Adam, are creative at heart.

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Like, we've,

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you've used creative and,

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and and combine technology.

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You did that with Web3. With, NFTs.

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Right?

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And you.

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And you've helped, like,
use your creative, mind to,

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to really merge technology.

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and I think NFTs are still a thing,
but they're

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but in comparison to scale,
AI is just a whole nother level.

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in terms of, like,
what's happening with the creator economy.

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I just love to get your thoughts about
what do you see

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as the future of creatives

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and what role does I play with that?

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at everything,
I think, you know, I've been

47
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I've been in this advertising industry
for 18 years.

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And, you know,
when I got in, it really was about

49
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a few key principles
to making great work. Yes.

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And and you had some tools,
that you, you had access to.

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It was, it was limiting.

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But now,

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today with AI

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and all the innovation that's
been happening over the past, you know,

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you know, 510 years, it has just changed

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everything about how we think
about creation in general.

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Right.

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So, you know, in, in the ad worlds,
you know,

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you come up with an idea for a brand
and then you'd have to hire

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all these other people
to help execute your vision.

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Right.

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But today, I really don't need them right

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to the same capacity as I do,
because I have AI.

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Right?

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And I think it's going to, be impossible

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to move forward without incorporating it
into your skill set.

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because it, it,
it gives you the ability to move

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at a speed
in which you never would have imagined.

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And, I don't want to ever cut out
those that helped in the past

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or help build things, but,
it really is going to become a massive

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skill set that everyone has to learn to,
to continue pursuing creativity.

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But I imagine, businesses
are going to have expectations as they

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there's always been there's already been,
you know, this pressure to,

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on, on your clients to bring down costs.

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I don't know what your
how are your clients talking about AI?

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Do they do they assume like,
okay, used to be able to do this for less

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because I hear now
do they make that assumption?

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If so,
how do you navigate something like that?

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okay. So it's a very recent topic.

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I'd say over the past, 
16 months, I've been meeting with,

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with most of the clients
talking about AI because I think

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AI is

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like can be
seen in so many different facets, right?

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Right.

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You know, I think we typically think of
AI as like ChatGPT

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or you got the Midjourney for visuals,
but then there's like AI

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from a productivity standpoint
and an efficiency standpoint that

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most people aren't even thinking about.

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So I think when we've approached them,

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we try and communicate
as best as possible.

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One the creative opportunities that it
can unleash and unlock and make for you.

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But then also some of the side effects,
I'd say for using.

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Yeah.

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I you know, that to some extent
we still don't know where some assets

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come from.

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Yes, we want to partner
with those that license, etc..

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so you kind of balance
the risk and reward.

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I haven't seen too many clients
I want to totally move over to.

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I think they're exploring the
possibility of what it can do

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and how we would use

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it to, either attract talent,

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new customers or more revenue.

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you know, some examples could be,

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we are
very used to going to like a delta.com

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and instead of waiting
six minutes for a callback, we can text.

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But what if you, that chat bot,
relationship was actually a 3D avatar

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that was built on
AI who could actually talk to you

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about your needs of,
you know, upcoming travel, visually.

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Right.

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So, you know,
there's AI platforms that are turning,

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you know, the old antiquated chat bots
into people.

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Exactly. To make a more human.

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I think, you know, for
maybe that brand that actually

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might create a better connection
between the brand and the customer.

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So I think we're looking at different ways
to incorporate it where we can see value

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and it can, and not just for the for
the brand, but for the customer as well.

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So I think we're not just looking at
AI like a blanket like replacement.

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It's like, where can it really,
you know, solve a problem.

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So you are creative naturally.

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And we talked
we had this conversation offline about

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like how both of us because, 
I consider myself a creative in some ways.

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And I have ADHD.

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I have a million things on my mind.

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And, you know, I have found it useful to,
to actually use,

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ChatGPT and multiple tools
of artificial intelligence

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to really help me bring out
all these thoughts and organizing.

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I'm curious, you know, as a creative,
what how how have you used it

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and what are some tools that you know,
from a creative point of view,

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that a creator should embrace
based upon your experience?

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Sure. So, I'll give you a few examples.

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You know, I'm an artist
by trade and designer.

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but I also know my limitations.

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So, you know, one thing I use Midjourney

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for almost every single day
is basically a digital sketchbook.

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So any ideas I have,
whether it's a character or a story,

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I just jot it down, prompt it, and output
kind of like a digital digital memory.

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So I think from a visualization
standpoint, I'm using it

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obsessively, right.

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for so many reasons.

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One, I can't draw as fast as I think to.

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I know my limits,
and sometimes I just can't, produce

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what I'm visualizing,
with with the tools I have.

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Right.

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and it helps me do a lot of,
like, I'd say, daydreaming.

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Right.

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you know, we have great ideas sometimes.

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And sometimes I can't find
all these people to think through it

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or put it down,
and it just helps me in 30s outputs

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something that that will help me
remember where I want to go next,

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you know, from, like a ChatGPT standpoint,
I am not a writer, all right?

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I might be a good storyteller,
I might have great ideas.

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But when it comes to like structurally
writing things, I need it for help.

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Whether it's emails, feedback, reviews,

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you know, emailing, customer service
about a problem.

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I think that it helps

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me, eliminate a

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lot of the friction it gets me to go from,
you know, A to B, right.

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and it lets me, puts my thoughts down
and then, you know, format in a way that

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someone would want to receive it.

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and then I think from,

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you know, an AI standpoint
and just like creative exploration.

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Yeah, it's opening me up to how utilizing

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more than just one tool can really unlock,

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so many more ways to be,
expressive as creative.

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Right?

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You know, so, you know. Sure.

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I'll use Midjourney
to create an image, but,

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putting it in Firefly and adapting it,

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you know, stretching it,
beyond the initial cropping

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and letting me change

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things is actually really getting me
to think differently about, how,

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the creative output could be at the,
at the end, you know, instead of, like,

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hiring someone to do a photo shoot
with a person

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wearing a blue shirt,
now I can have that person.

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I can adapt the clothing,
you know, on the computer using

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AI until I see it as a viable product.

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Yeah, yeah.

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So with that, like,

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I think about, like, I think there's just
there's really this debate I had and

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I had another, a designer, on my, on
my podcast is just the last podcast.

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It just came out,
his view was he definitely uses AI,

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but his view was that AI doesn't doesn't
it won't make you creative.

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It's not a word I say this way.

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It doesn't replace creativity.

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it in the.

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For those who rely on that solely,

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they will be outpaced
by those who are creative and use it.

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What is your thought on that?

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Yeah, I don't
I think I think AI is creative.

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I mean, it has to be to some extent.

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I think,

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I think that it's going
to you're going to have to understand

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how to use AI to truly be creative versus
it being like a set it and forget it.

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I think there is an element of creativity,
of prompting and creating the output.

195
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But at the end of the day, too,
I think it all comes down to taste, style

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and sensibility. Yeah.

197
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So anyone can put anything into the prompt
and see a result.

198
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But unless you have taste and style right,

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you're only going to reach a certain
threshold like,

200
00:10:16,866 --> 00:10:20,233
you know,
there was a way that the early, let's say

201
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end of 21 where like,
I think everyone just got tired of AI

202
00:10:23,533 --> 00:10:26,533
because they're like,
everything looks the same, right?

203
00:10:26,700 --> 00:10:29,800
and then there were some modifications
and updates, and you see people

204
00:10:29,800 --> 00:10:32,800
starting to incorporate real design into,

205
00:10:33,100 --> 00:10:36,266
what the initial output is.

206
00:10:36,266 --> 00:10:38,666
And that's where it starts
to really unlock the possibilities.

207
00:10:38,666 --> 00:10:40,366
So I think taste helps you blend.

208
00:10:40,366 --> 00:10:41,633
That's a good way of putting it.

209
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Like I, I went to a,
I went to this performance a couple,

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I think it was last week.

211
00:10:47,933 --> 00:10:50,266
and, and a performer
that's coming to Midwest.

212
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Com. Lisa. Fancy five,
actually is her name.

213
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She had a, a performance
about authentic intelligence

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and said the age of AI is not going to.

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What's going to still matter
is, it's kind of, like, similar.

216
00:11:01,966 --> 00:11:03,366
What you're saying taste and style.

217
00:11:03,366 --> 00:11:08,000
What makes you an authentic person
affects offensive creator.

218
00:11:08,333 --> 00:11:11,933
And thinking about how you put that
and then get ideas

219
00:11:12,400 --> 00:11:13,733
and other expressions for that.

220
00:11:13,733 --> 00:11:16,766
And so like, how do you balance that out?

221
00:11:16,766 --> 00:11:17,233
Like how

222
00:11:17,233 --> 00:11:21,533
how do you advise people to think about
how do you tap into your authentic self?

223
00:11:21,533 --> 00:11:22,666
What does that look like for you?

224
00:11:22,666 --> 00:11:27,466
I mean, I think, I think
I use the same lens that I apply at work.

225
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Like if you have an idea, art, your

226
00:11:31,200 --> 00:11:35,733
your first go at it is like go to Getty
or stock photography

227
00:11:35,733 --> 00:11:38,833
site to find something
that reflects an element of the vision,

228
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and then you hope
that you can go shoot it.

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And that's where your craft style
and taste come out in the final execution.

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I think
that comes with years of experience.

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I agree, and there is a big difference
between good and great,

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you know, and I think those sites like,
you know,

233
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that have stock photography
serve a real purpose.

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But when you want to elevate the craft
and creativity, you you do have to have,

235
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and I think an element of expertise
and experience to uplevel the work.

236
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Otherwise
you're just going to get the status quo.

237
00:12:11,100 --> 00:12:14,166
Yeah, I agree, and I think about like what
I think about the creativity

238
00:12:14,633 --> 00:12:18,666
that a lot of that that was generated
out of the 80s and the 90s

239
00:12:18,666 --> 00:12:22,100
that just thinking about music right now
that say we don't have any creativity now

240
00:12:22,766 --> 00:12:26,900
we have some, but it's nothing compared
to like the 80s and 90s early 2000s.

241
00:12:26,900 --> 00:12:29,900
And I'm not saying that just because
we're we're a little more seasoned

242
00:12:30,033 --> 00:12:33,266
old a little bit,
but what I'm saying is that, like you

243
00:12:33,266 --> 00:12:35,633
look at like
think about Michael Jackson, right?

244
00:12:35,633 --> 00:12:38,133
How much effort he put into his craft.

245
00:12:38,133 --> 00:12:38,700
Right? Right.

246
00:12:38,700 --> 00:12:43,133
In terms
of being able to dance, perform right.

247
00:12:43,466 --> 00:12:44,466
Produce right.

248
00:12:44,466 --> 00:12:47,500
Like so
I do think people are had this sense that,

249
00:12:48,233 --> 00:12:51,166
hey, you don't need to do some of these
things, I believe, to get

250
00:12:51,166 --> 00:12:55,066
that authentic self, to get that authentic
kind of like what makes you great.

251
00:12:55,066 --> 00:12:57,600
You still have to go through
some of that work and process it.

252
00:12:57,600 --> 00:12:59,466
I can enhance that.

253
00:12:59,466 --> 00:13:03,833
I think it's people that are just looking
to think that they can be mediocre

254
00:13:03,833 --> 00:13:06,933
and that those people
will have some trouble because, you know,

255
00:13:07,400 --> 00:13:08,933
I think people can still tell

256
00:13:08,933 --> 00:13:11,200
when thing, when,
when there's no authenticity put into it.

257
00:13:11,200 --> 00:13:13,866
I think. Yeah. And I mean, I, I know I,

258
00:13:14,833 --> 00:13:17,833
we probably sound old

259
00:13:18,100 --> 00:13:19,866
saying that. Like you probably do.

260
00:13:19,866 --> 00:13:23,500
You know, I, I still think that people
need to start off on the ground

261
00:13:23,500 --> 00:13:27,466
floor, like learn how things are made
before they can skip steps.

262
00:13:27,966 --> 00:13:30,500
you know, again, me

263
00:13:30,500 --> 00:13:34,533
using AI and everything
now isn't shortcutting anything for me.

264
00:13:34,533 --> 00:13:39,800
I still draw every day and and use
my brain, but there is an element that is,

265
00:13:40,700 --> 00:13:43,600
you know, a bit speedier to market
than what I'm used to,

266
00:13:43,600 --> 00:13:46,733
but I'm still applying
the same sort of taste, sensibility,

267
00:13:46,733 --> 00:13:50,000
style and years of experience
in the in the output.

268
00:13:50,000 --> 00:13:51,900
It's just manifesting differently.

269
00:13:51,900 --> 00:13:52,500
Yeah.

270
00:13:52,500 --> 00:13:55,433
I also think authenticity
and or leaning have into this,

271
00:13:55,433 --> 00:13:57,666
but I think it's important is like,

272
00:13:57,666 --> 00:14:00,733
a lot of folks aren't used to doing this
either.

273
00:14:00,733 --> 00:14:02,900
Like in terms of like,
you know, newer generations, it's

274
00:14:02,900 --> 00:14:05,900
because everything can't be replaced
with technology, right?

275
00:14:05,900 --> 00:14:08,666
Everything can't be replaced
with a text message.

276
00:14:08,666 --> 00:14:13,366
people will tell you, like,
even the most, expert people

277
00:14:13,366 --> 00:14:17,766
in implementing technology is three things
in order to do it right, people,

278
00:14:18,766 --> 00:14:21,766
process which is learning stuff
and then technology.

279
00:14:21,933 --> 00:14:22,333
Right.

280
00:14:22,333 --> 00:14:25,900
So like and but people think you can start
with technology and work backwards

281
00:14:26,100 --> 00:14:27,266
and that's the problem. Right.

282
00:14:27,266 --> 00:14:31,133
And that's why I think we produce
a lot of things that seem similar.

283
00:14:31,166 --> 00:14:34,166
because to me
music sounds really similar now.

284
00:14:34,166 --> 00:14:36,066
Like for the most case
there are exceptions or

285
00:14:36,066 --> 00:14:38,566
there are some very creative people
and that's one example.

286
00:14:38,566 --> 00:14:41,633
But there others and people
I think will die

287
00:14:41,666 --> 00:14:44,666
for that taste and style
and that authenticity to come.

288
00:14:44,900 --> 00:14:45,900
I, I will.

289
00:14:45,900 --> 00:14:47,400
I noticed this the other day though.

290
00:14:47,400 --> 00:14:50,833
It's getting harder and harder
to really see

291
00:14:51,933 --> 00:14:53,900
what's real and what isn't real though.

292
00:14:53,900 --> 00:14:57,700
And I think like as an artist,
as much as I love this stuff,

293
00:14:59,033 --> 00:14:59,566
it is

294
00:14:59,566 --> 00:15:04,300
a bit of a battle because if you open acts
or, you know, or Instagram

295
00:15:04,300 --> 00:15:08,333
and you see all this beautiful photography
and art does beg the question,

296
00:15:08,333 --> 00:15:09,933
is it real anymore or is it not?

297
00:15:09,933 --> 00:15:12,033
Because the how do we got that?

298
00:15:12,033 --> 00:15:13,566
Like what's what's your thought on that?

299
00:15:13,566 --> 00:15:15,400
Like what should we do about that.

300
00:15:15,400 --> 00:15:19,433
Because I don't
well I think, I think there's, I think

301
00:15:19,966 --> 00:15:23,766
that there's a few way
I think the government and other companies

302
00:15:23,766 --> 00:15:28,066
have talked about, like calling out
and truly identifying what is.

303
00:15:28,066 --> 00:15:30,600
I. Yeah.

304
00:15:30,600 --> 00:15:33,600
but I think in general, like

305
00:15:33,666 --> 00:15:36,966
I'm questioning if people even appreciate
real art anymore.

306
00:15:37,000 --> 00:15:37,366
Yeah.

307
00:15:37,366 --> 00:15:42,333
because I can make, to some extent
what I do

308
00:15:42,733 --> 00:15:46,466
in, Midjourney in a few seconds through,

309
00:15:46,466 --> 00:15:50,000
so I don't want to lose that appreciation
for real handcrafted.

310
00:15:50,733 --> 00:15:52,566
So you're not sure if people do?

311
00:15:52,566 --> 00:15:53,700
I don't know.

312
00:15:53,700 --> 00:15:56,733
I don't know, my hope
maybe I'm an optimist

313
00:15:56,766 --> 00:15:59,766
is that people will still want to connect
with people.

314
00:15:59,933 --> 00:16:01,633
Oh, yeah, I definitely think that's true.

315
00:16:01,633 --> 00:16:06,233
I think, you know,
I've seen sales slip for a lot of artists.

316
00:16:06,233 --> 00:16:06,733
Right.

317
00:16:06,733 --> 00:16:09,033
or people just being like,
yeah, it's cool.

318
00:16:09,033 --> 00:16:12,066
Like, yeah, I can make it. Yeah.

319
00:16:13,233 --> 00:16:13,766
so I'm really

320
00:16:13,766 --> 00:16:16,966
concerned about, like,
you know, people's well-being and career.

321
00:16:17,866 --> 00:16:21,833
I kind of goes to what we talked
about, too, with, Tyler Perry.

322
00:16:22,200 --> 00:16:22,633
Tyler Perry.

323
00:16:22,633 --> 00:16:25,966
I was building,
I think, a $800 million studio in Atlanta.

324
00:16:26,200 --> 00:16:29,166
He saw saw AI and halted production.

325
00:16:29,166 --> 00:16:33,000
And and I think his words were like,
we have to figure out what this policy

326
00:16:33,000 --> 00:16:33,600
looks like.

327
00:16:33,600 --> 00:16:38,200
because it's, you know, this, this
this made him stop, like,

328
00:16:38,233 --> 00:16:39,400
obviously something

329
00:16:39,400 --> 00:16:43,600
that's to have a lot of support
for a lot of creatives in a big industry.

330
00:16:43,600 --> 00:16:46,733
So I think your, your,
your concerns are well-founded.

331
00:16:47,333 --> 00:16:51,233
I mean, I when I saw that article,
I was a little frustrated.

332
00:16:51,833 --> 00:16:53,033
Why were you frustrated?

333
00:16:53,033 --> 00:16:57,066
Because, when you look at what saw,

334
00:16:57,066 --> 00:17:01,166
and other people have done with, runway,
you should look in to runway.

335
00:17:01,600 --> 00:17:07,000
they have done an amazing
job with conceptualizing

336
00:17:08,466 --> 00:17:10,733
ideas like nuggets of ideas.

337
00:17:10,733 --> 00:17:13,400
There was a gentleman on X.

338
00:17:13,400 --> 00:17:15,433
I can't keep saying assets.

339
00:17:15,433 --> 00:17:17,500
You know, it's. Twitter,
but I just can't say, this.

340
00:17:17,500 --> 00:17:18,800
Yeah, okay.

341
00:17:18,800 --> 00:17:19,466
I think he.

342
00:17:19,466 --> 00:17:20,933
Was the first person who did the.

343
00:17:20,933 --> 00:17:23,166
Platform formerly known as Twitter. There
you go.

344
00:17:23,166 --> 00:17:25,700
He, he created the first movie trailer.

345
00:17:25,700 --> 00:17:27,900
Totally built, with eyes.

346
00:17:27,900 --> 00:17:31,100
He used ChatGPT and Midjourney, runway

347
00:17:31,133 --> 00:17:34,100
and other tools, and it looked phenomenal.

348
00:17:34,100 --> 00:17:36,700
It was like Dune meets Star Wars.

349
00:17:36,700 --> 00:17:39,700
I think he used cap cut to edit it,

350
00:17:40,066 --> 00:17:42,366
but you got to go shoot that.

351
00:17:42,366 --> 00:17:43,733
You got to get into production.

352
00:17:43,733 --> 00:17:47,466
So I think I worry that, like,
just assuming that

353
00:17:47,800 --> 00:17:51,400
these tools can replace
all the handcrafted, right?

354
00:17:51,500 --> 00:17:56,166
Storytelling, 
is, is a little too far fetched right now.

355
00:17:56,333 --> 00:17:57,133
I understand that

356
00:17:57,133 --> 00:18:01,300
maybe he wants to cancel it
because he wants to think about, like,

357
00:18:01,500 --> 00:18:05,633
who's really needed in this $800
million studio, moving forward.

358
00:18:05,633 --> 00:18:11,533
But, to kind of pause and halt thinking
that it's going to replace a lot,

359
00:18:11,533 --> 00:18:12,066
I think is,

360
00:18:13,900 --> 00:18:16,433
it's a
little troublesome to for jobs in L.A.

361
00:18:16,433 --> 00:18:18,433
and people's careers.

362
00:18:18,433 --> 00:18:21,533
You know, we're focused a lot here
at the Universe Society well, as well as

363
00:18:21,766 --> 00:18:22,800
as well as Midwest Con.

364
00:18:22,800 --> 00:18:25,466
Like, what does policy
look like around data like?

365
00:18:25,466 --> 00:18:29,066
Because when we talk about AI, it's,
it's really we're talking about data.

366
00:18:29,133 --> 00:18:32,766
and so like,
I'm really thinking about, like,

367
00:18:33,233 --> 00:18:37,200
if we don't get this right to your point,
like what I, what I fear could happen

368
00:18:37,200 --> 00:18:40,200
is that people don't know what's real
and what's not.

369
00:18:40,433 --> 00:18:40,733
Right.

370
00:18:40,733 --> 00:18:43,900
And there
so the initial part people might like it

371
00:18:44,400 --> 00:18:48,300
because the algorithms know us better
than we know ourselves in some ways.

372
00:18:48,300 --> 00:18:49,766
But we've also seen

373
00:18:49,766 --> 00:18:52,933
the negative side of algorithms
that don't have any type of restraint.

374
00:18:53,366 --> 00:18:55,266
That is what I call
social media right now. Right.

375
00:18:55,266 --> 00:18:56,533
Like we we've seen that.

376
00:18:56,533 --> 00:18:58,500
At least that's my perspective.

377
00:18:58,500 --> 00:19:01,500
I can probably say
that a lot of social media companies start

378
00:19:01,533 --> 00:19:02,633
off with the best of intentions.

379
00:19:02,633 --> 00:19:05,333
I think Facebook was about connecting
the world, right.

380
00:19:05,333 --> 00:19:07,600
That happened
until it disconnected the world,

381
00:19:07,600 --> 00:19:09,700
because then the algorithms
took over. Right?

382
00:19:09,700 --> 00:19:12,600
And the goal was engagement at all
costs. Yeah.

383
00:19:12,600 --> 00:19:15,600
It wasn't about,
making sure the world was connected.

384
00:19:16,133 --> 00:19:18,233
It became, how do I keep you glued?

385
00:19:18,233 --> 00:19:21,866
And how people stay glued is that they're
always mad and arguing with each other.

386
00:19:22,366 --> 00:19:25,266
Right. So that's what they give people.

387
00:19:25,266 --> 00:19:27,133
And it's hacking their brains in some way.

388
00:19:27,133 --> 00:19:30,133
I do have that fear
that it could hack our brains.

389
00:19:30,566 --> 00:19:34,233
that and then it could also do something
where people, enough

390
00:19:34,233 --> 00:19:37,333
people get upset that they want to
shut down innovation, which is also bad.

391
00:19:37,333 --> 00:19:37,566
Right.

392
00:19:37,566 --> 00:19:39,733
So I believe the most important thing
we need to do

393
00:19:39,733 --> 00:19:43,033
is figure out a way to do this and still, 
keep trust.

394
00:19:43,566 --> 00:19:46,466
I think, 
it needs to be augmented intelligence.

395
00:19:46,466 --> 00:19:49,200
Not not not
not not completely artificial.

396
00:19:49,200 --> 00:19:49,700
Yeah.

397
00:19:49,700 --> 00:19:51,666
and I think
we got to find that balance in.

398
00:19:51,666 --> 00:19:54,666
And I still think people will want to.

399
00:19:54,833 --> 00:19:58,400
Maybe I'm naive and I still think people
will want to connect with people.

400
00:19:58,833 --> 00:20:01,700
And I think we should we should know
if we're talking to a person, right.

401
00:20:01,700 --> 00:20:04,700
Or a false person and some people
and entertainment is fine, right?

402
00:20:04,700 --> 00:20:07,300
If I'm watching Disney, I know,
I know what's happening.

403
00:20:07,300 --> 00:20:08,233
Right? But

404
00:20:08,233 --> 00:20:11,233
if someone's pretending to be Adam Con,
I need to know

405
00:20:11,800 --> 00:20:14,233
if it's you or is fake. It.

406
00:20:14,233 --> 00:20:17,666
If it is a fake version of you
that you approved it, right?

407
00:20:17,666 --> 00:20:19,366
Because that's you, right?

408
00:20:19,366 --> 00:20:21,433
And no, like, we don't know.

409
00:20:21,433 --> 00:20:24,733
We have laws against that that are going
to protect your image and likeness.

410
00:20:24,733 --> 00:20:28,533
But it's we're we're entering into an area
that, like you said, we just don't

411
00:20:28,533 --> 00:20:29,633
know like

412
00:20:30,866 --> 00:20:32,633
what shouldn't we do with AI?

413
00:20:32,633 --> 00:20:35,866
If you had to say what we talked about,
what we can't do, but what what

414
00:20:35,866 --> 00:20:38,866
should be off the table
from your perspective?

415
00:20:39,033 --> 00:20:42,100
make, make it
the only thing we interact with.

416
00:20:42,166 --> 00:20:43,566
You know.

417
00:20:43,566 --> 00:20:47,666
I mean, I think that's where you get
to, like, AGI and some some craziness.

418
00:20:47,733 --> 00:20:49,233
Right?

419
00:20:49,233 --> 00:20:51,300
I do think it's

420
00:20:51,300 --> 00:20:52,700
I've listened to a lot of podcasts.

421
00:20:52,700 --> 00:20:57,066
It's going to be really hard to, like,
crack down on what's what's real and fake,

422
00:20:57,533 --> 00:21:00,166
I think to a point where I've, like,
almost given up, like

423
00:21:00,166 --> 00:21:03,166
reading the news somewhere or,
you know, going through X or Twitter.

424
00:21:03,533 --> 00:21:06,333
I mean, yeah, you don't I don't know where
that's where you get that.

425
00:21:06,333 --> 00:21:07,700
I don't know what's real or fake.

426
00:21:07,700 --> 00:21:11,633
And I do think that that's going to
just totally screw up this next generation

427
00:21:11,633 --> 00:21:14,633
in understanding,
like what's really happening in the,

428
00:21:14,766 --> 00:21:18,033
in the world, versus what
people are telling you what's happening.

429
00:21:18,066 --> 00:21:18,500
Well, that's good.

430
00:21:18,500 --> 00:21:20,766
So how do you go about getting
getting your news then?

431
00:21:20,766 --> 00:21:22,433
I don't turn it off.

432
00:21:22,433 --> 00:21:25,500
No. I know my wife has gotten
so mad at me lately because I'm like, I'm

433
00:21:25,500 --> 00:21:28,666
just refuse to watch you
because everything is so skewed.

434
00:21:28,700 --> 00:21:31,033
You're like me. To a perspective.

435
00:21:31,033 --> 00:21:32,500
You know? So I have I have a lot.

436
00:21:32,500 --> 00:21:36,766
I've said often, news is to the mind
as sugar is to the body.

437
00:21:37,333 --> 00:21:38,300
It's a hit.

438
00:21:38,300 --> 00:21:40,300
Yeah, but then it takes you down.

439
00:21:40,300 --> 00:21:43,266
It makes you actually feel
some type of reaction.

440
00:21:43,266 --> 00:21:44,400
But then you go downward.

441
00:21:44,400 --> 00:21:47,000
Know it's meant to is meant to do that to.

442
00:21:47,000 --> 00:21:49,000
We don't need actually as much information
as we get.

443
00:21:49,000 --> 00:21:50,933
That's also part of the problem.
Right, right.

444
00:21:50,933 --> 00:21:55,133
but but I do think what I
so something I do is I don't

445
00:21:55,500 --> 00:21:57,900
I try not to look at the news on Twitter
or anything else.

446
00:21:57,900 --> 00:22:02,233
I do read long form content 
and I'll maybe listen to a podcast

447
00:22:02,233 --> 00:22:05,233
about something, because that's less
likely to trigger, right,

448
00:22:05,633 --> 00:22:07,600
than seeing a reaction,

449
00:22:07,600 --> 00:22:10,666
because on social media,
the goal is to capture your attention.

450
00:22:10,666 --> 00:22:12,233
Yeah, it's not to inform you. Right.

451
00:22:12,233 --> 00:22:15,100
And so I try to pull myself back,
but most people it's it's it's

452
00:22:15,100 --> 00:22:16,866
by the way,
it's impossible to do it all the time.

453
00:22:16,866 --> 00:22:16,966
Yeah.

454
00:22:16,966 --> 00:22:19,400
Most people don't know
I listen to a lot of podcasts

455
00:22:19,400 --> 00:22:20,366
because I think that's kind of where

456
00:22:20,366 --> 00:22:24,266
I get my source for like tech and yeah,
and all that stuff happen in the world.

457
00:22:24,266 --> 00:22:28,433
But even local news in the paper, it's
just so depressing.

458
00:22:28,466 --> 00:22:29,766
It is, though.

459
00:22:29,766 --> 00:22:31,833
The goal is to depress
you and get you to angry.

460
00:22:31,833 --> 00:22:33,700
And I'm like, I'm not. I'm not doing. It.

461
00:22:33,700 --> 00:22:37,600
I remember as a couple of years ago
I called my buddy.

462
00:22:37,866 --> 00:22:39,866
I used to live in Manhattan, I called him,
I was like, dude,

463
00:22:39,866 --> 00:22:41,766
what is going on there? And he's like,
what are you talking about?

464
00:22:41,766 --> 00:22:43,833
Yeah, he's like, it's a nice day out.

465
00:22:43,833 --> 00:22:46,533
I'm in Union Square and I'm like, well,
the news just said

466
00:22:46,533 --> 00:22:49,133
there was a shooting here
and then a murder there,

467
00:22:49,133 --> 00:22:52,133
and then someone got dragged
and he was like, yeah, no.

468
00:22:52,300 --> 00:22:54,866
We're good,
we're good, we're good, we're good.

469
00:22:54,866 --> 00:22:55,766
Okay, well, this is

470
00:22:56,900 --> 00:22:57,566
a little scary.

471
00:22:57,566 --> 00:22:58,566
Yeah.

472
00:22:58,566 --> 00:22:58,866
All right.

473
00:22:58,866 --> 00:22:59,700
So what do you want it like,

474
00:22:59,700 --> 00:23:03,033
what would you tell future
creatives, people that are in this world

475
00:23:03,033 --> 00:23:06,366
that are just starting like,
I mean, let's face it, this way.

476
00:23:07,366 --> 00:23:09,033
Your creator, you are.

477
00:23:09,033 --> 00:23:11,033
You always been. It's in your heart.

478
00:23:11,033 --> 00:23:14,266
what advice would you give yourself
as a younger creator?

479
00:23:14,800 --> 00:23:17,333
Right.
You're talking to young at this time.

480
00:23:17,333 --> 00:23:20,233
And then what advice would you ignore?

481
00:23:20,233 --> 00:23:22,500
what advice would I give the younger Adam?

482
00:23:22,500 --> 00:23:25,133
I typically say nothing because I.

483
00:23:25,133 --> 00:23:27,233
I like that I made all these mistakes.

484
00:23:27,233 --> 00:23:27,700
Right.

485
00:23:27,700 --> 00:23:32,200
but, and and and failed a million times,
I think.

486
00:23:32,200 --> 00:23:36,466
I think the advice I'd give my younger
self is like, don't, don't cut corners.

487
00:23:36,633 --> 00:23:39,633
You know, obviously we had less tools back
then.

488
00:23:39,633 --> 00:23:45,466
and focus more on the craft
you want to be excellent at.

489
00:23:45,566 --> 00:23:47,833
I think I tried a lot of things.

490
00:23:47,833 --> 00:23:52,600
you know, whether it was going into
the movie industry or being an artist.

491
00:23:52,600 --> 00:23:56,333
And I think, I wish I had spent more time

492
00:23:56,333 --> 00:24:00,700
crafting certain things that I thought
could be really great strengths.

493
00:24:00,800 --> 00:24:01,200
Right.

494
00:24:01,200 --> 00:24:04,666
And don't be afraid to fail
and fail and fail and fail.

495
00:24:04,666 --> 00:24:07,700
Because I think that's where you get
the most, learning experiences.

496
00:24:07,933 --> 00:24:09,433
No. Agreed.

497
00:24:09,433 --> 00:24:11,633
all right,
another lightning round question.

498
00:24:11,633 --> 00:24:13,666
This is this always trips up, people.

499
00:24:13,666 --> 00:24:17,433
What's an important truth you have that
very few people agree with you on?

500
00:24:20,766 --> 00:24:22,566
truth that I have.

501
00:24:22,566 --> 00:24:25,233
Oh, man.

502
00:24:25,233 --> 00:24:28,266
As it relates to my own art,
anything, man,

503
00:24:28,300 --> 00:24:31,300
that I don't I don't want your feedback.

504
00:24:32,333 --> 00:24:37,133
I think that,
hopefully I don't get dinged

505
00:24:37,133 --> 00:24:40,866
for saying this, but,
when I was in art school,

506
00:24:41,400 --> 00:24:46,133
my professor went up to a piece
that I had made and asked me

507
00:24:46,133 --> 00:24:49,833
kind of kind of a tough question
to answer as an 18 year old.

508
00:24:50,200 --> 00:24:53,366
And he said, he's like,
let's look at this.

509
00:24:53,366 --> 00:24:54,866
Let's talk about this piece.

510
00:24:54,866 --> 00:24:58,133
are you
are you masturbating or doing art?

511
00:24:59,333 --> 00:25:01,933
And I was like, what's wow.

512
00:25:01,933 --> 00:25:04,066
And only are teachers, but yeah.

513
00:25:04,066 --> 00:25:07,066
And that has stuck with me,

514
00:25:07,300 --> 00:25:10,500
for forever and really,
I think the crux of it is,

515
00:25:10,500 --> 00:25:13,133
are you doing art for yourself
or are you doing, for other. Right.

516
00:25:13,133 --> 00:25:15,966
And I think when I do art,
it really is for me.

517
00:25:15,966 --> 00:25:19,100
And for the most part,
like I think that it's the one thing

518
00:25:19,100 --> 00:25:23,033
that I own, that
that I want to create what I want versus

519
00:25:23,033 --> 00:25:26,866
it being like, nipped
and tucked by budgets and constraints.

520
00:25:27,233 --> 00:25:29,366
And then so
I think that would be my one truth.

521
00:25:29,366 --> 00:25:31,433
So sometimes art's just for me.

522
00:25:31,433 --> 00:25:31,800
Yeah.

523
00:25:31,800 --> 00:25:35,200
And I think I would argue
the greatest artists probably have that.

524
00:25:35,200 --> 00:25:38,200
Like I think about
like they probably didn't go out in,

525
00:25:38,233 --> 00:25:41,366
think about what everyone's opinion
is going to be and like,

526
00:25:41,366 --> 00:25:42,566
how can I make something great?

527
00:25:42,566 --> 00:25:44,933
It's greatness comes from within.

528
00:25:44,933 --> 00:25:46,300
And then you share it with the world.

529
00:25:46,300 --> 00:25:48,266
It is your unique experience.

530
00:25:48,266 --> 00:25:50,833
But I kind of going back to the authentic
intelligence, right?

531
00:25:50,833 --> 00:25:54,033
I actually think we all are artists
in our own way.

532
00:25:54,033 --> 00:25:57,033
We are all expressing ourselves
in this world, whatever,

533
00:25:57,400 --> 00:26:00,400
whatever God gave us,
we had to figure out how to use that.

534
00:26:01,066 --> 00:26:05,533
And if we listen to too many voices,
you can drown out who you are.

535
00:26:05,533 --> 00:26:07,433
That doesn't mean don't listen to people
I don't want

536
00:26:07,433 --> 00:26:08,866
I don't want people to take that.

537
00:26:08,866 --> 00:26:12,566
But I do believe one of the problems
we're facing in this generation

538
00:26:12,866 --> 00:26:15,666
is that social media has it that you

539
00:26:15,666 --> 00:26:18,133
you do things
to compare yourself to others

540
00:26:18,133 --> 00:26:20,600
and not figure out how to get in tune with
what makes you great.

541
00:26:20,600 --> 00:26:21,166
Yeah, yeah.

542
00:26:21,166 --> 00:26:22,733
I mean, I just think that's, that's a

543
00:26:22,733 --> 00:26:24,633
I think that's a really good truth
that you have.

544
00:26:24,633 --> 00:26:27,033
And that's why you're able to be creative.

545
00:26:27,033 --> 00:26:30,733
Because if you're trying to be like
everybody else, you come up with art

546
00:26:30,733 --> 00:26:32,366
that's like everything else, right.

547
00:26:32,366 --> 00:26:33,800
Right. Right. Yeah.

548
00:26:33,800 --> 00:26:34,066
All right.

549
00:26:34,066 --> 00:26:36,200
You got a committee of three.

550
00:26:36,200 --> 00:26:37,166
They can be living.

551
00:26:37,166 --> 00:26:38,033
They can be dead.

552
00:26:38,033 --> 00:26:40,266
You can combine living and dead. Yeah.

553
00:26:40,266 --> 00:26:42,533
They can advise you on business,
life, creativity.

554
00:26:42,533 --> 00:26:44,066
Tell me who these
three people are and why.

555
00:26:46,133 --> 00:26:48,766
Steve
Jobs I think for, for obvious reasons,

556
00:26:48,766 --> 00:26:54,133
Jake Burton,
the founder of Burton Snowboards,

557
00:26:54,333 --> 00:26:57,966
I guess quickly because,
you know, at a time when,

558
00:26:59,033 --> 00:27:03,533
there were, you know, two flankers,
skiers, ruled the mountain.

559
00:27:03,533 --> 00:27:07,500
there was one individual
who really pursued, a different sport,

560
00:27:07,600 --> 00:27:10,733
and it got rejected over years and years
and kind of built

561
00:27:10,733 --> 00:27:13,733
one of the largest snowboarding companies.

562
00:27:14,033 --> 00:27:17,033
so I think,
you know, he's not living anymore.

563
00:27:17,033 --> 00:27:20,900
but I would love to know
how he got through all the tough times

564
00:27:20,900 --> 00:27:24,533
and pursued a vision
that was honestly widely rejected.

565
00:27:25,300 --> 00:27:27,133
So that would be my question for him.

566
00:27:27,133 --> 00:27:32,833
And then, finally, mixer was one of
the first artists I ever saw as a child.

567
00:27:33,533 --> 00:27:36,366
and it was the kind of art
that I just stared

568
00:27:36,366 --> 00:27:40,433
at for hours being like,
how did you do this?

569
00:27:40,433 --> 00:27:44,966
And I think, I think those three people
have always been really interesting to me

570
00:27:44,966 --> 00:27:49,500
from, you know, someone who,
went against the grain for design

571
00:27:49,533 --> 00:27:54,033
innovation and had really strong beliefs
and what great greatness is.

572
00:27:54,033 --> 00:27:56,166
And then someone that, when,

573
00:27:56,166 --> 00:27:59,600
when against the current
when it came to trends and popularity,

574
00:28:00,066 --> 00:28:02,233
and then just art for the sake of doing

575
00:28:02,233 --> 00:28:05,800
art and blowing your mind
I think is always just fascinating.

576
00:28:06,166 --> 00:28:06,766
All right.

577
00:28:06,766 --> 00:28:09,266
The had a motto and life slogan.
What is it?

578
00:28:09,266 --> 00:28:11,133
It kind of kind of ties into,

579
00:28:12,200 --> 00:28:13,733
my art, but it's simple.

580
00:28:13,733 --> 00:28:16,700
It's I am what I am, and what I am is me.

581
00:28:16,700 --> 00:28:18,933
I love it, Adam. Let's
have you on, brother.

582
00:28:18,933 --> 00:28:21,466
Thank you very much for having me, Rob,
I appreciate it. It's it's. Great.