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Speaker 1: Welcome to Smytian Son. I'm Kevin Smith.

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Speaker 2: That's what that's the name Smitti and Son.

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Speaker 1: Yeah, that would be the name of our hardware to.

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Speaker 2: Her, because I'm your son.

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Speaker 1: In this altar universe where I had to open hardwors

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Speaker 1: to it. You're born as Charlie Quinon, so it's Schmittian Son.

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Speaker 2: I guess I don't want a munch of joys.

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Speaker 1: So looking on the dance floor, Welcome to Smittians. I'm

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Speaker 1: Kevin Smith.

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Speaker 2: I'm a Harley Quins.

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Speaker 1: I guess.

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Speaker 2: Charlie Charlie the boys Smith Smitty store.

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Speaker 1: That's right, man, we're you know what, And maybe it's

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Speaker 1: not our worst store. Maybe it's like a mercantile. Like

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Speaker 1: you didn't watch the Low House in the Prayer grown up,

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Speaker 1: we didn't have so we did. And the Olsens ran

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Speaker 1: a mercantile, which was like a five dime convenience story essentially,

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Speaker 1: but in the olden days and ship like that. They

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Speaker 1: were the richest people in town. And Missus Olsen, who

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Speaker 1: is the mom, was such hard and she hated the poor.

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Speaker 1: So we would be smitty and sounds to be competing mercantile.

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Speaker 1: Oh or you people come in, they feel welcome. Oh yeah,

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Speaker 1: now because it's the turns of century and the Prairie times.

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Speaker 1: And ship we called Smitty and Son because fucking it's

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Speaker 1: still a man's world back then, not not like now.

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Speaker 1: So we call it Smitty and Son. But really, I'm

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Speaker 1: a daughter, yes, and so we like we'll put like

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Speaker 1: boyish clothing on you and ship.

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Speaker 3: Come on.

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Speaker 1: I knew the ship sounded from of just copping malan,

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Speaker 1: you know what. They copped it from somebody. This is

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Speaker 1: tale as old as time.

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Speaker 2: This is Smitty and Son.

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Speaker 1: That's that's our origin story that in order to open

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Speaker 1: American town like on the prairie, but but to do

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Speaker 1: it with like Smitian daughter, people be like, well, don't

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Speaker 1: shop there. Yeah, he's like daughter, daughters belong with dolls

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Speaker 1: and cooking and ship like that. But we're progressive. Yeah,

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Speaker 1: we're different. That's what makes our show different.

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Speaker 2: That's so true.

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Speaker 1: So it's oh fuck a podcast. This is a fucking show.

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Speaker 1: It's a Hallmark show right here. Pretty good idea turn

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Speaker 1: the century Mulan in America.

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Speaker 2: Soundly just making Mulan about a white family, though pretty

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Speaker 2: much it's.

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Speaker 1: Pretty much cultural appropriation.

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Speaker 2: At it's worst, just not the right thing to do.

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Speaker 1: Like what if I called you one? Dan? I was like,

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Speaker 1: not only did I pitch it, but with the leads

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Speaker 1: we're playing Smittyosuf and Smitty and stuff. It is set

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Speaker 1: on the prairie, so you'll be wearing lots of petticoats

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Speaker 1: and fucking uh crinolines and fucking bonnets.

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Speaker 2: Fun.

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Speaker 1: But they want minimum ten year commitment, which, to be fair,

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Speaker 1: think about it. Right now, you're doing a podcast with

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Speaker 1: your father for money.

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Speaker 2: Not true for loving, because you gave me no choice.

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Speaker 1: I was like, you're doing this so if somebody's like,

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Speaker 1: we'll give you ten guaranteed seasons a smittyan sense. Now

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Speaker 1: you know, let's say the first two seasons of Smitty

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Speaker 1: and Center are always going to be the fucking strongest.

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Speaker 1: But that's Hallmark strong. So already you're starting off with

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Speaker 1: something that like you're going to have to find the

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Speaker 1: emotional truth in all these little You're gonna have to

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Speaker 1: work fun satisfaction in this gig. It's going to be

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Speaker 1: a money gig because Hallmark. They saw a lot of

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Speaker 1: greeting cards.

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Speaker 2: So this is guaranteed on Hallmark.

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Speaker 1: Who else is gonna pick even we're all right here? Huh?

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Speaker 1: What is a what's like a good salary? Like? What

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Speaker 1: would you be happy if you were on that? If

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Speaker 1: you want to sick? Have you got friends are on

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Speaker 1: TV ship? Like do they like is it a what? What? What? Roughly?

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Speaker 1: Give me an idea? Is it? Like?

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Speaker 2: You don't want to it's a it's too crazy to say,

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Speaker 2: it's kind.

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Speaker 1: Of crazy high. Yeah, all right, so that crazy high

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Speaker 1: money is what you're being offered for ten seasons in

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Speaker 1: advance of spinning and son good news in advance.

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Speaker 2: Yeah, wait, is the money off the front?

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Speaker 1: Well, I mean not upfront there like, here's all fucking

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Speaker 1: you know, but when you're done shooting. Yes, And here's

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Speaker 1: the thing. Ten seasons you can shoot out in five years.

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Speaker 1: So it's five years you life, but ten seasons of television?

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Speaker 3: How many episodes a season?

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Speaker 1: Twenty? Now you know what, that's old school, well known

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Speaker 1: because it's syndicated. You got it. It's twenty twenty perir.

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Speaker 1: And to say the episodes are similar every ding, it's.

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Speaker 2: It's hard to differentiate that.

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Speaker 4: There's no overarching storyline where you're like, does she want

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Speaker 4: to become a pilot or does she fly the first

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Speaker 4: wright brother's playing No every week is a simple morality.

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Speaker 1: Tale about fucking and also trying to keep it in.

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Speaker 1: And you're a girl. Oh yes, you're wearing a lot

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Speaker 1: of overalls. There's a lot of fucking. There's a lot

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Speaker 1: of crush fan fiction written value on law.

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Speaker 2: Wow, this is on offer. That is your pass.

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Speaker 1: Here's the backstir pugging is brilliant. Mom died like colowist

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Speaker 1: some their timing disease, so it's just the three of them.

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Speaker 1: And and fucking he knew he's like this town accept

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Speaker 1: Smitish daughter, spiny and son. So people feel bad because

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Speaker 1: there's like no like women in their life, but really

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Speaker 1: there is.

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Speaker 2: I mean, this is not a bad idea.

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Speaker 1: Bro. If Michael Landon was alive, the guy who did

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Speaker 1: the Last in the Prairie and fucking Highway to Heaven

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Speaker 1: and shit like that, I could fucking sell him this show.

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Speaker 1: I you ain't let me finish that.

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Speaker 3: Oh I'm so sorry.

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Speaker 1: Ten seasons and you're getting paid not fucking friends money,

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Speaker 1: but you're getting paid whatever your friend is making on

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Speaker 1: that TV show that made you go like it's crazy.

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Speaker 1: You're getting paid that twenty episodes of season to do

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Speaker 1: the math. I did it. That's big ten seasons, so

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Speaker 1: time's out number by ten, so you're out in five

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Speaker 1: because he only takes five to shoot ten feeling it

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Speaker 1: is the pitch.

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Speaker 3: The pitches concluded for.

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Speaker 1: The most part.

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Speaker 2: No you say no, No, I'm sorry. Here's my reason.

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Speaker 1: Last piece? What just in case.

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Speaker 2: And all animals are saved in the world.

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Speaker 1: This is a Disney Plus show.

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Speaker 2: No, this was a Hallmark show.

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Speaker 1: Yeah, but Hallmark was like, this is better than Plus,

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Speaker 1: and so we pitched it to Disney Plus. The Disney

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Speaker 1: Plus was like, oh my god, s Minny and Son

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Speaker 1: is you know, they're like, fuck Disney Plus. We're gonna

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Speaker 1: restart Disney Channel with this ship.

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Speaker 5: Oh this is Disney No, No, they're like Disney Plus.

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Speaker 3: My answer asked me, no, why are you not.

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Speaker 1: I'm gonna call Jay and be like, I found another one.

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Speaker 2: Here's what I'm just.

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Speaker 1: Like, what's his name on that fucking show I'm talking about?

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Speaker 1: His dad was in you know, The Godfather. Oh my god.

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Speaker 5: We don't like to identify people specifically for their parents, so.

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Speaker 2: They're their own person.

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Speaker 1: Smithy and Sun Kids isn't a Disney Plus show, though

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Speaker 1: it should be.

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Speaker 2: But I didn't say my reason, but I just want

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Speaker 2: to explain myself.

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Speaker 1: I would love to hear I don't.

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Speaker 5: Want to seem ungrateful for passing up the opportunity, and

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Speaker 5: I just want to share my side. I so to

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Speaker 5: to cram forty episodes a year into a year, You've

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Speaker 5: got no time off to focus on other creative endeavors.

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Speaker 5: So I don't think I could be working on music

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Speaker 5: or anything on the side, because I'd be fucking learning

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Speaker 5: my memorizing my Smithy and Son's new episode every day.

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Speaker 1: Yes and so, but you remember the math, right, you

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Speaker 1: did the math the.

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Speaker 5: Math, But I I wouldn't be able to be creatively

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Speaker 5: fulfilled within the job, nor would I have time outside

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Speaker 5: the job.

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Speaker 1: Right for five years?

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Speaker 2: But that for five years, those are five time years.

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Speaker 1: So you would rather have a life, and.

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Speaker 2: I would rather have time for If I was this

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Speaker 2: was like.

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Speaker 5: New episode, new circumstance, not really a storyline that's traveling

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Speaker 5: through or life building, totally episodic, then I just don't

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Speaker 5: think that sounds so creatively fulfilling.

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Speaker 1: Every week you're getting in a jam, every week you're

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Speaker 1: getting out of the jam. You gotta do it without

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Speaker 1: people fighting out you're a girl.

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Speaker 2: That's like, I guess.

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Speaker 1: I tell you there's a guest star. Oh and you

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Speaker 1: could reach out to anyone you've ever you know admired

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Speaker 1: as a performer.

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Speaker 2: Is this is she got to learn to make it

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Speaker 2: work for you.

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Speaker 1: That's so true. Like, if I'm you, one of the

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Speaker 1: first thoughts I have is how do I use this

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Speaker 1: fucking Spinny and Sun show to meet Courtney Love? That

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Speaker 1: is like my first question is can she play the

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Speaker 1: mom in the flashbacks? WHOA? So? That? All right?

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Speaker 2: You want me over?

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Speaker 1: About a week? Spot? As all what?

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Speaker 2: I take it all back and take back everything I say.

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Speaker 1: Everyone has a price everyone. I I admire that as

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Speaker 1: an artist, but as a dad, like we can give

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Speaker 1: me that phone Hello, She'll do it. She'll do twenty years.

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Speaker 2: Yeah. Yeah.

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Speaker 1: We were having a discussion earlier this evening and I

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Speaker 1: found it very telling about you know, if there's ever

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Speaker 1: moments where I'm like, I wonder if this student's really mind.

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Speaker 1: I mean, she looks like me, she sounds like me,

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Speaker 1: and she thinks like me. She's the personal wrong. But

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Speaker 1: if there's ever a moment, then there are moments where

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Speaker 1: you say something like the little delivery ro pop makes

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Speaker 1: me sad. So for those that don't, living makes its

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Speaker 1: as well. People are using like these little delivery robots.

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Speaker 1: The delivery robots, they got four wheels, they got blinky eyes,

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Speaker 1: and they're basically like little coolers that have a GPS

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Speaker 1: inside and they deliver food. Right. But like I was

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Speaker 1: talking when we passed one, and I was like that

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Speaker 1: they make me so sad, and how I was like,

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Speaker 1: that's they make They make a lot. Well, how do

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Speaker 1: you know that?

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Speaker 2: I just feel like the general consensus of the.

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Speaker 1: Small that makes me they're just so vulnerable, and Wally

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Speaker 1: comes to mind.

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Speaker 2: I know, it's just when they should have given.

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Speaker 1: Them blanky eyes. I'll tell you that much. Every time

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Speaker 1: I see one, Like because they're GP, they run on GPS,

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Speaker 1: but they'll stop at intersections.

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Speaker 2: They see what's going on and they just they want

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Speaker 2: to stay out of danger.

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Speaker 1: They really do. And I feel I really feel like

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Speaker 1: people like, you know, like just take advantage of them.

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Speaker 1: Like think about how easy it would be to face

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Speaker 1: that in dual wall and then open it and ship

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Speaker 1: it use it as a toilet.

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Speaker 3: Oh my god.

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Speaker 2: Oh my god.

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Speaker 1: So that not only when the delivery shows up is

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Speaker 1: the person in life where this I'm not paying. They're

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Speaker 1: also the little robot is like fucking secretly shamed. He's caring.

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Speaker 1: I can't I know that.

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Speaker 6: Har This reminds me of when you would you would say, yes,

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Speaker 6: you would try to make me cry.

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Speaker 2: That's a child, because you thought my empathy was amusing you.

223
00:14:21,800 --> 00:14:25,040
Speaker 1: Love it it was. I felt this. I do exactly

224
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Speaker 1: how you felt. I had to be more advised. All

225
00:14:27,880 --> 00:14:31,800
Speaker 1: my stuffed animals as well. The next generation, your generation

226
00:14:31,960 --> 00:14:33,240
Speaker 1: called them fluffed animals.

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00:14:33,720 --> 00:14:34,440
Speaker 3: That was just me.

228
00:14:34,720 --> 00:14:36,600
Speaker 2: That was just a music.

229
00:14:38,840 --> 00:14:42,200
Speaker 3: And stuff seems like it didn't have any soul in it.

230
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Speaker 1: There you go, there's the title of the book, stuff

231
00:14:45,280 --> 00:14:47,440
Speaker 1: Stuffed doesn't have any soul in it.

232
00:14:50,120 --> 00:14:58,280
Speaker 2: Story stuffed without a soul, unstuffed, stuffed and soulss.

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00:14:59,760 --> 00:15:04,440
Speaker 3: Well and so full and full of soul.

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Speaker 1: Oh my god that if you were so adorable, they're like, well,

235
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Speaker 1: because you'd be like you get rid of it. Still

236
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Speaker 1: works like you were when you moved oger to your house.

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Speaker 1: All those stuffed animals I brought over.

238
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Speaker 2: I don't get in my tiny ass house.

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Speaker 5: You were you brought over boxes.

240
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Speaker 1: Because like those No, it was one big back.

241
00:15:31,400 --> 00:15:37,800
Speaker 2: It was one big gigantic box, and then you carried

242
00:15:37,840 --> 00:15:41,640
Speaker 2: in bigger ones that didn't fit in the box, and

243
00:15:41,680 --> 00:15:45,160
Speaker 2: you came over unannounced and forced me to take it

244
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Speaker 2: by guilting me into it.

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00:15:48,000 --> 00:15:53,840
Speaker 7: You know about you have nothing but space in your

246
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Speaker 7: big empty house.

247
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Speaker 2: No one lives in.

248
00:15:58,040 --> 00:16:01,520
Speaker 1: In your I think a lot of people's homes look

249
00:16:01,640 --> 00:16:03,880
Speaker 1: like this clutter. This is her grandma's house looks like

250
00:16:04,280 --> 00:16:08,720
Speaker 1: And she didn't even move, She just holds on her

251
00:16:08,720 --> 00:16:12,920
Speaker 1: ship Momily tell him the story of the text that

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00:16:12,960 --> 00:16:16,280
Speaker 1: she said text.

253
00:16:17,400 --> 00:16:19,400
Speaker 2: Did you see how that ended?

254
00:16:20,120 --> 00:16:20,480
Speaker 1: All right?

255
00:16:23,240 --> 00:16:30,120
Speaker 5: Well, my dad's mom, my grandma slash Momily as we

256
00:16:30,160 --> 00:16:30,680
Speaker 5: call her.

257
00:16:32,520 --> 00:16:35,480
Speaker 1: That's what her mom called her when she was a kid,

258
00:16:35,520 --> 00:16:38,760
Speaker 1: She called her Momily. So we started she said that

259
00:16:38,800 --> 00:16:39,600
Speaker 1: recently we were.

260
00:16:39,560 --> 00:16:46,320
Speaker 2: Like her texting is.

261
00:16:49,400 --> 00:16:50,680
Speaker 1: She's the talk texture.

262
00:16:51,000 --> 00:16:54,840
Speaker 2: Yeah, and it doesn't really transfer from her speech.

263
00:16:55,000 --> 00:16:58,200
Speaker 1: She can talk to the phone while she's talking to

264
00:16:58,240 --> 00:17:02,040
Speaker 1: the cat and talking to wherever else you So you

265
00:17:02,240 --> 00:17:04,000
Speaker 1: get this conversation that's kind.

266
00:17:03,880 --> 00:17:07,080
Speaker 2: Of hard to fall like one sentence makes sense and

267
00:17:07,320 --> 00:17:07,800
Speaker 2: like and.

268
00:17:07,760 --> 00:17:11,480
Speaker 1: Then a bunch of it is like, yes, princess, do

269
00:17:11,560 --> 00:17:20,880
Speaker 1: you want some eat? And stay in the game? Pick?

270
00:17:23,240 --> 00:17:24,200
Speaker 1: So what is what.

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00:17:27,000 --> 00:17:33,359
Speaker 2: One night? No setup, no afterwards.

272
00:17:33,480 --> 00:17:38,920
Speaker 5: Just a photo of the baby Jesus in that little basket.

273
00:17:38,800 --> 00:17:44,199
Speaker 1: Manger, Christmas crush scene, baby Gess in the manger, A

274
00:17:44,280 --> 00:17:51,919
Speaker 1: close up photo of it. That's all. It's really small.

275
00:17:52,720 --> 00:17:57,400
Speaker 1: But we hardly sent it to me with like, oh no,

276
00:17:57,640 --> 00:18:01,840
Speaker 1: she goes. Grandma said this with no context whatsoever.

277
00:18:03,280 --> 00:18:07,639
Speaker 5: I was just like, maybe in retrospect, maybe I should

278
00:18:07,640 --> 00:18:10,080
Speaker 5: have responded to my grandma, but I didn't.

279
00:18:09,840 --> 00:18:13,200
Speaker 1: Know what she was like. I saw it, I said,

280
00:18:13,280 --> 00:18:15,680
Speaker 1: just respond to that. I didn't know what to say,

281
00:18:16,000 --> 00:18:18,320
Speaker 1: and she wrote, what did you write?

282
00:18:18,840 --> 00:18:19,960
Speaker 2: Nothing? I didn't say I.

283
00:18:20,160 --> 00:18:21,000
Speaker 1: Did she follow you?

284
00:18:22,119 --> 00:18:22,680
Speaker 8: And then like.

285
00:18:22,720 --> 00:18:28,359
Speaker 9: Two days Leney, she was like, she said, the same picture.

286
00:18:28,480 --> 00:18:29,680
Speaker 2: Oh my god, I don't want my phone.

287
00:18:29,720 --> 00:18:30,000
Speaker 8: I was.

288
00:18:30,359 --> 00:18:32,760
Speaker 2: I wanted to know the exact morning because it was

289
00:18:32,840 --> 00:18:36,560
Speaker 2: so funny. Yours your dad's.

290
00:18:38,480 --> 00:18:41,000
Speaker 5: And I was like, well, I wasn't sure if she

291
00:18:41,119 --> 00:18:43,959
Speaker 5: was referencing the photo from two days ago or she

292
00:18:44,040 --> 00:18:47,240
Speaker 5: forgot to send the picture about something else.

293
00:18:47,359 --> 00:18:50,959
Speaker 1: This was our mind or yours? Which one of you

294
00:18:51,040 --> 00:18:53,000
Speaker 1: owned the Jesus You're like, well, not me?

295
00:18:55,640 --> 00:18:57,680
Speaker 2: And why would it be at your house to Florida?

296
00:18:59,200 --> 00:19:00,800
Speaker 2: But Irish, I did.

297
00:19:01,160 --> 00:19:04,720
Speaker 10: The baby Jesus question Mark, because I again didn't know

298
00:19:04,720 --> 00:19:06,760
Speaker 10: if she was referring to the baby Jesus or if

299
00:19:06,800 --> 00:19:08,960
Speaker 10: she forgot to send a picture of something else in

300
00:19:09,040 --> 00:19:16,760
Speaker 10: a fully new conversation, and she said, she said, honey.

301
00:19:16,520 --> 00:19:25,960
Speaker 11: I know that's the baby Jesus, like I'm the weird

302
00:19:27,400 --> 00:19:31,359
Speaker 11: pictures of the baby Jesus, zero context.

303
00:19:30,800 --> 00:19:35,760
Speaker 12: And two days later sent a different text without any

304
00:19:36,080 --> 00:19:41,639
Speaker 12: context again. So and then she says something else after that,

305
00:19:41,760 --> 00:19:44,600
Speaker 12: and I was like, no, Grandma, that is not mine

306
00:19:44,680 --> 00:19:48,960
Speaker 12: or dads. But her reply was dying, no saucy.

307
00:19:49,840 --> 00:19:53,480
Speaker 1: She was like, I know that's the baby Jesus. I

308
00:19:53,560 --> 00:19:58,159
Speaker 1: knew it before you. Yeah. When we were in Floria

309
00:19:58,280 --> 00:20:01,000
Speaker 1: recently from my month's birthday, we were just talking about

310
00:20:01,040 --> 00:20:04,040
Speaker 1: before my mom was doing this thing like she found

311
00:20:04,080 --> 00:20:07,040
Speaker 1: she discovered that she can make hardly laugh. So she

312
00:20:07,160 --> 00:20:11,399
Speaker 1: fucking died some it. So she's started going like Harley, Harley,

313
00:20:11,600 --> 00:20:14,800
Speaker 1: what and then she was something shitty about my sister

314
00:20:17,320 --> 00:20:23,600
Speaker 1: and the like right right, watch and then she'd say

315
00:20:23,880 --> 00:20:24,880
Speaker 1: or whatever the fuck.

316
00:20:26,280 --> 00:20:29,720
Speaker 2: She's so funny. She really makes me laugh.

317
00:20:30,560 --> 00:20:32,440
Speaker 1: She was delighted that she was like, oh my god,

318
00:20:32,480 --> 00:20:34,480
Speaker 1: I could fucking I can make her last.

319
00:20:34,600 --> 00:20:37,560
Speaker 2: She's pretty hilarious, to be honest.

320
00:20:37,960 --> 00:20:40,840
Speaker 1: And maybe the other one was jumping Joose. Oh yeah,

321
00:20:41,000 --> 00:20:43,320
Speaker 1: jump jo.

322
00:20:43,840 --> 00:20:48,600
Speaker 7: That's so she was like hard really, but she also

323
00:20:48,680 --> 00:20:53,159
Speaker 7: said something like I can't remember exactly what it was

324
00:20:53,200 --> 00:20:56,280
Speaker 7: when she said something to your sister.

325
00:20:57,920 --> 00:21:00,640
Speaker 5: That made her laugh and then she was like, oh

326
00:21:00,680 --> 00:21:03,160
Speaker 5: it made you laugh, Harley, Hey, Harley, And.

327
00:21:03,160 --> 00:21:05,720
Speaker 12: She was like, I can't remember what she said, but

328
00:21:05,800 --> 00:21:11,600
Speaker 12: she was like almost I remember how she was like no, it.

329
00:21:11,520 --> 00:21:14,320
Speaker 2: Was like she just said a word weirdly, like sugar

330
00:21:14,840 --> 00:21:15,560
Speaker 2: or cookies.

331
00:21:15,920 --> 00:21:26,640
Speaker 13: What I think she was like cookies she literally did.

332
00:21:28,040 --> 00:21:30,080
Speaker 2: It's like, so true, Grandma.

333
00:21:30,880 --> 00:21:31,720
Speaker 1: You know what kids me?

334
00:21:31,880 --> 00:21:32,360
Speaker 2: Grandma?

335
00:21:33,000 --> 00:21:37,359
Speaker 1: She fucking rocks. She would be a character ins Midian Sons.

336
00:21:37,680 --> 00:21:40,399
Speaker 1: Oh boy, she comes to visit like once a season,

337
00:21:40,960 --> 00:21:42,679
Speaker 1: but the character's so popular we have to pray her

338
00:21:42,680 --> 00:21:44,560
Speaker 1: in twice a season. So true.

339
00:21:44,600 --> 00:21:46,639
Speaker 3: There's a hiding man for Momily.

340
00:21:46,640 --> 00:21:49,200
Speaker 1: But she's not played, of course, by the real mama.

341
00:21:49,480 --> 00:21:50,080
Speaker 1: She's played.

342
00:21:50,160 --> 00:21:56,399
Speaker 5: Oh I thought Momily was getting an acting break.

343
00:21:57,359 --> 00:22:03,760
Speaker 9: Hey now she's like cookies. Can't have somebody looking at

344
00:22:03,760 --> 00:22:07,679
Speaker 9: the camera and saying, hey, hey look look break the

345
00:22:07,720 --> 00:22:10,080
Speaker 9: fourth wall. And she went to right trying to make a.

346
00:22:10,080 --> 00:22:13,000
Speaker 1: Fucking modern day little house in the prairie for grist sakes.

347
00:22:15,160 --> 00:22:16,640
Speaker 2: That brings the fourth wall.

348
00:22:17,280 --> 00:22:22,399
Speaker 1: What they're like, what is it? Like? I tell you

349
00:22:23,240 --> 00:22:26,240
Speaker 1: it's a butter Scott, Mommily is a butterscotch tasty cake?

350
00:22:27,240 --> 00:22:32,439
Speaker 1: Why cake, butterscotch frosting. You know exactly what your finding.

351
00:22:32,520 --> 00:22:33,440
Speaker 2: Get a classic?

352
00:22:33,640 --> 00:22:35,639
Speaker 1: Oh my god, it's not like a crimpet where you're like, oh,

353
00:22:35,680 --> 00:22:42,960
Speaker 1: it's tasty cakes jumping in this, Mamaly is no surprise, mom, Momily,

354
00:22:43,320 --> 00:22:44,480
Speaker 1: you know what you can count on?

355
00:22:45,359 --> 00:22:46,600
Speaker 3: So true?

356
00:22:47,000 --> 00:22:48,600
Speaker 1: Yes, the title not smittying sons.

357
00:22:48,600 --> 00:22:52,440
Speaker 2: Shoot, can that be the name of this instead?

358
00:22:53,440 --> 00:22:55,840
Speaker 1: Yes? Actually, yes, you can count you can cut on.

359
00:22:56,560 --> 00:22:59,040
Speaker 2: For a few days after that trip, we were calling

360
00:22:59,080 --> 00:22:59,920
Speaker 2: each other marble.

361
00:23:00,680 --> 00:23:02,080
Speaker 1: That's true, the strongest.

362
00:23:02,240 --> 00:23:04,520
Speaker 2: So really anyone can be mammally.

363
00:23:05,000 --> 00:23:07,680
Speaker 1: It's meaning sons you're saving Maybe we should take a

364
00:23:07,760 --> 00:23:11,720
Speaker 1: vote for saving that for our fucking Disney blood show.

365
00:23:11,800 --> 00:23:14,639
Speaker 1: That's true. It's a workable concept. If I was j

366
00:23:14,800 --> 00:23:17,160
Speaker 1: j Abrams can make that happen.

367
00:23:17,480 --> 00:23:20,280
Speaker 2: You should just pitch it and then walk away. We

368
00:23:20,440 --> 00:23:21,640
Speaker 2: don't have anything to do.

369
00:23:21,560 --> 00:23:23,880
Speaker 1: It, like we were so into it, but they just.

370
00:23:24,400 --> 00:23:27,840
Speaker 2: Know then they buy it. Yeah, and then we walk away.

371
00:23:27,960 --> 00:23:31,040
Speaker 1: Only way I can fucking sell that is if I'm like,

372
00:23:31,160 --> 00:23:32,520
Speaker 1: we're attached to wife.

373
00:23:34,320 --> 00:23:35,760
Speaker 2: Yeah, mus still the great.

374
00:23:37,960 --> 00:23:41,359
Speaker 1: There, Like, look, the concept is weak. We're buying the

375
00:23:41,880 --> 00:23:51,160
Speaker 1: daughter thing like without her word without you it word way?

376
00:23:51,200 --> 00:23:51,840
Speaker 1: What's the title?

377
00:23:52,840 --> 00:23:53,080
Speaker 7: Wait?

378
00:23:53,119 --> 00:23:53,639
Speaker 2: I forgot?

379
00:23:53,920 --> 00:23:54,080
Speaker 1: Is it?

380
00:23:54,280 --> 00:23:55,320
Speaker 2: You can't trust?

381
00:23:59,400 --> 00:24:03,760
Speaker 1: I thought without mom, you've got nothing? But that's way

382
00:24:03,840 --> 00:24:04,720
Speaker 1: too long.

383
00:24:10,160 --> 00:24:13,600
Speaker 2: With you count nothing.

384
00:24:17,119 --> 00:24:21,520
Speaker 1: From the poorly titled people who brought you vegan AMATOI.

385
00:24:23,320 --> 00:24:30,720
Speaker 2: Wait, but literally, yes, you don't have anything? What about mamally?

386
00:24:31,560 --> 00:24:32,720
Speaker 2: Neither of us try?

387
00:24:33,160 --> 00:24:35,000
Speaker 1: So? Wait? Is that was not the title? You don't

388
00:24:35,040 --> 00:24:41,840
Speaker 1: have anything? But that's what is eluding me.

389
00:24:42,800 --> 00:24:44,919
Speaker 2: I don't remember the original title.

390
00:24:45,680 --> 00:24:46,520
Speaker 1: You get a rolled?

391
00:24:51,080 --> 00:24:54,720
Speaker 2: I wait, are you sure? Listen't you can't just mom?

392
00:24:55,960 --> 00:24:56,760
Speaker 1: It would never be.

393
00:24:58,240 --> 00:24:59,040
Speaker 2: Really don't.

394
00:25:00,600 --> 00:25:04,800
Speaker 1: Trust you know you're sure.

395
00:25:06,960 --> 00:25:09,960
Speaker 2: You can always trust mommy, you can always lean on

396
00:25:10,560 --> 00:25:10,840
Speaker 2: It was.

397
00:25:10,920 --> 00:25:13,960
Speaker 1: Like, can count on momily, you can count on?

398
00:25:14,359 --> 00:25:23,640
Speaker 2: No, that doesn't someone's gotta watch that what the original

399
00:25:23,760 --> 00:25:33,680
Speaker 2: title was? But I honestly think without no, no anything

400
00:25:33,880 --> 00:25:34,520
Speaker 2: from that one?

401
00:25:34,800 --> 00:25:46,200
Speaker 14: No down, because you've got two ways like I'm down

402
00:25:46,280 --> 00:25:51,200
Speaker 14: with mom or down, which sounds like an anty mom.

403
00:25:52,680 --> 00:25:56,520
Speaker 1: Really break my mom's heart? Hot? I tried so hard.

404
00:25:58,320 --> 00:25:58,840
Speaker 2: What happened?

405
00:25:58,920 --> 00:26:01,600
Speaker 1: This was the first one, but I cannot remember what

406
00:26:01,760 --> 00:26:05,439
Speaker 1: it was my body and reported will will have figured

407
00:26:05,440 --> 00:26:06,840
Speaker 1: it out and that will be the title.

408
00:26:07,119 --> 00:26:09,480
Speaker 2: But or it could be without Momley, you got nothing,

409
00:26:09,680 --> 00:26:11,280
Speaker 2: because that's a true statement.

410
00:26:11,840 --> 00:26:21,720
Speaker 1: Without Momily, You've got nothing. Such a it's almost like

411
00:26:22,880 --> 00:26:26,800
Speaker 1: it's almost like Momily is the source of all good

412
00:26:26,880 --> 00:26:31,080
Speaker 1: things about Momily, and where would we be poor Mommay

413
00:26:31,480 --> 00:26:33,800
Speaker 1: is the genitor of all things?

414
00:26:34,600 --> 00:26:40,800
Speaker 2: We love love Momley. What if it's Momily, we love

415
00:26:40,880 --> 00:26:42,320
Speaker 2: you love Momy.

416
00:26:44,000 --> 00:26:47,200
Speaker 1: I like no, I like whatever it was that we

417
00:26:47,280 --> 00:26:49,880
Speaker 1: said first, it was ridiculous perfect.

418
00:26:50,320 --> 00:26:51,160
Speaker 2: We can't remember.

419
00:26:52,160 --> 00:26:53,800
Speaker 1: I can't Momily's Homily.

420
00:26:54,800 --> 00:26:56,000
Speaker 2: Mobley's almost all.

421
00:27:00,840 --> 00:27:03,359
Speaker 3: Every week Molly solves a crime.

422
00:27:04,760 --> 00:27:06,960
Speaker 2: I'm not feel like talking about the grand mom be

423
00:27:07,040 --> 00:27:08,199
Speaker 2: so funny because she would just be.

424
00:27:08,280 --> 00:27:12,000
Speaker 1: Like, they're like, what do you think, Detective Momly. She's like,

425
00:27:12,119 --> 00:27:16,240
Speaker 1: hold on, she said, you detective a picture of.

426
00:27:25,520 --> 00:27:28,400
Speaker 2: Oh my god, oh my god.

427
00:27:30,320 --> 00:27:34,880
Speaker 1: Maybe so Momily should retired, don't you say that process?

428
00:27:37,600 --> 00:27:42,879
Speaker 1: I think she's texting her picture baby Jesus. That's how

429
00:27:42,960 --> 00:27:45,960
Speaker 1: she figures out to cry. She needs to. It's part

430
00:27:46,000 --> 00:27:46,640
Speaker 1: of the process.

431
00:27:48,760 --> 00:27:55,080
Speaker 2: Wait, you just said something. I said, momly.

432
00:27:54,800 --> 00:28:04,359
Speaker 1: Homily, mommy inside is the thing that they do in church.

433
00:28:05,040 --> 00:28:08,320
Speaker 1: That's like after they read the readings then when the priests.

434
00:28:09,400 --> 00:28:11,639
Speaker 1: So you know what that meant and he sums it

435
00:28:11,720 --> 00:28:12,840
Speaker 1: up for you. That's the homily.

436
00:28:14,520 --> 00:28:20,720
Speaker 11: I like Mamley's homicide, so I want to son it's

437
00:28:20,800 --> 00:28:24,480
Speaker 11: like eight o'clock'sicide.

438
00:28:27,720 --> 00:28:32,080
Speaker 1: Maybe ten o'clock right in it Momley's homicide? Was it?

439
00:28:32,680 --> 00:28:37,120
Speaker 1: Somebody else is dead? What again? I gotta feed Princess frum.

440
00:28:39,080 --> 00:28:43,760
Speaker 1: It's almost like it's like fucking murder, she wrote, wrote

441
00:28:46,400 --> 00:28:48,360
Speaker 1: we'll figure out what the title was, but the that

442
00:28:48,560 --> 00:28:52,280
Speaker 1: was good. We said something there was something like God,

443
00:28:52,360 --> 00:28:53,560
Speaker 1: if only we recorded it.

444
00:28:53,840 --> 00:28:54,880
Speaker 2: That's so true.

445
00:28:55,560 --> 00:28:58,520
Speaker 1: Whatever it is, that's gonna be the title. Spinning something

446
00:28:58,760 --> 00:29:03,720
Speaker 1: something dness. Wow, really yeah, I'm sucking spinning side of

447
00:29:03,720 --> 00:29:05,680
Speaker 1: the Hallmark show. I ever heard of it? That's true?

448
00:29:05,760 --> 00:29:08,880
Speaker 1: Say I God, that's fucking that's a syllable concept. Hey man,

449
00:29:08,960 --> 00:29:12,480
Speaker 1: fucking trademark, Kevin Harley. They came.

450
00:29:12,520 --> 00:29:16,040
Speaker 2: Now now we're untouchable.

451
00:29:18,400 --> 00:29:19,680
Speaker 1: I want to share something with you.

452
00:29:21,160 --> 00:29:23,320
Speaker 3: Is it that picture turned upside down.

453
00:29:25,920 --> 00:29:30,400
Speaker 1: And I'm going to show it? Almost so scared the

454
00:29:30,680 --> 00:29:37,240
Speaker 1: camera this camera here that was looking that this. Think

455
00:29:37,320 --> 00:29:40,800
Speaker 1: of Momily? Mm hmmm, Mommily.

456
00:29:40,880 --> 00:29:45,000
Speaker 5: You know, okay, the Momily I was like the person,

457
00:29:45,200 --> 00:29:47,280
Speaker 5: the spirit, the idea, that energy.

458
00:29:49,720 --> 00:29:57,080
Speaker 1: Think of Harley, Harley Cooky. Yeah. So when you think

459
00:29:57,120 --> 00:30:01,680
Speaker 1: of Momily, like you know, seventy, I'm seventy eight years old,

460
00:30:03,040 --> 00:30:06,000
Speaker 1: you're not thinking like there was a time when mom

461
00:30:06,080 --> 00:30:07,680
Speaker 1: only got down in the brown.

462
00:30:07,840 --> 00:30:12,640
Speaker 3: Oh no, that's not what I thought about my grandma.

463
00:30:14,760 --> 00:30:20,280
Speaker 1: This is a photo of your grandfather. Now, because of

464
00:30:20,360 --> 00:30:25,400
Speaker 1: our complicated family history, like, well, I guess it's not

465
00:30:25,480 --> 00:30:32,480
Speaker 1: that complicated for us. My mom is adopted. She's like, wait,

466
00:30:32,720 --> 00:30:36,720
Speaker 1: what what do you mean. I'm like, I didn't tell

467
00:30:36,760 --> 00:30:40,080
Speaker 1: you this. Oh fuck, I left you on our doorstep.

468
00:30:41,200 --> 00:30:45,479
Speaker 1: My mom was adopted, so all the people on her

469
00:30:45,560 --> 00:30:49,880
Speaker 1: side of the family technically we weren't blood with you know.

470
00:30:50,200 --> 00:30:53,240
Speaker 1: Of course, fucking family is what you make of hi shit.

471
00:30:53,320 --> 00:30:56,640
Speaker 1: But in the seventies version of family, which was like

472
00:30:56,760 --> 00:31:03,840
Speaker 1: fucking blood, Mom was a adopted and then she marries Dad,

473
00:31:04,560 --> 00:31:07,480
Speaker 1: so all dad was not adopted, so everyone in his

474
00:31:07,680 --> 00:31:13,560
Speaker 1: family was blood relative. But then Mom and Dad make

475
00:31:13,920 --> 00:31:18,480
Speaker 1: me and Virginia and Donald and we're all blood And

476
00:31:18,600 --> 00:31:22,520
Speaker 1: then I go off and make you with gen and

477
00:31:22,600 --> 00:31:23,920
Speaker 1: we're all blood. I guess we're all blood.

478
00:31:23,960 --> 00:31:24,840
Speaker 3: Do you know how it works?

479
00:31:28,240 --> 00:31:30,520
Speaker 15: I explained to you how you got I do know

480
00:31:30,600 --> 00:31:35,880
Speaker 15: how family trees out, so it stands the reason that

481
00:31:36,040 --> 00:31:38,960
Speaker 15: there are roots of the family tree. Then had to

482
00:31:39,000 --> 00:31:40,200
Speaker 15: begin to begin somewhere.

483
00:31:40,640 --> 00:31:43,560
Speaker 1: I had to begin with Momily getting a fucking sparkle

484
00:31:43,600 --> 00:31:51,120
Speaker 1: in her eye. I would do that, but this fucking stead, Wow,

485
00:31:52,520 --> 00:31:55,680
Speaker 1: that is fucking that. That's Momily's man.

486
00:31:55,800 --> 00:31:58,680
Speaker 3: Oh my gosh. I just wanted to assume, like.

487
00:32:01,560 --> 00:32:10,040
Speaker 1: Oh, you fucking jacks millennial, fucking raised Don's house. That's hysterical.

488
00:32:11,240 --> 00:32:14,280
Speaker 3: Pinching and will work. Your phone's broken?

489
00:32:14,400 --> 00:32:15,400
Speaker 1: Your's broken?

490
00:32:16,120 --> 00:32:18,040
Speaker 3: Who looks kind of like Uncle Don from Afar?

491
00:32:18,480 --> 00:32:25,440
Speaker 1: What no, let me see? I mean, mister Momiy, mister

492
00:32:25,560 --> 00:32:28,440
Speaker 1: Mommy himself, come Don Smith. Look at him with this

493
00:32:28,600 --> 00:32:31,080
Speaker 1: fucking ride, look at him one hand on it and

494
00:32:31,120 --> 00:32:32,040
Speaker 1: ship cool.

495
00:32:32,320 --> 00:32:33,440
Speaker 3: He looks cool.

496
00:32:33,480 --> 00:32:36,760
Speaker 1: He exudes a bit of fucking like you know, no wonder.

497
00:32:36,920 --> 00:32:39,920
Speaker 3: And he would need to to lock down Momily especially.

498
00:32:40,120 --> 00:32:44,560
Speaker 1: Yeah. Well, I mean, here's the fucking scandal, Momily being

499
00:32:44,600 --> 00:32:54,440
Speaker 1: eighteen at the time, and mister Momley not my father

500
00:32:54,600 --> 00:32:55,640
Speaker 1: was forty two when he married.

501
00:33:00,360 --> 00:33:04,400
Speaker 3: Oh my god, my dad late that.

502
00:33:06,480 --> 00:33:09,760
Speaker 1: Late. That's the only time I can tell you this

503
00:33:10,120 --> 00:33:11,800
Speaker 1: in the light of day. It was so shameful.

504
00:33:11,880 --> 00:33:14,800
Speaker 3: You waited until night was moment, so you're old.

505
00:33:14,680 --> 00:33:20,080
Speaker 1: Enough to angels. Yeah, no, Momily threw it all away

506
00:33:20,240 --> 00:33:29,600
Speaker 1: for twenty seven year old nine years twenty seven and eighteen. Wow,

507
00:33:30,520 --> 00:33:36,720
Speaker 1: So now you're twenty four, so you're past you know,

508
00:33:37,360 --> 00:33:41,440
Speaker 1: the moment, the mamily moment where you're like, I'm eighteen

509
00:33:41,520 --> 00:33:42,960
Speaker 1: and I want to get married for the rest of

510
00:33:43,040 --> 00:33:43,480
Speaker 1: my life.

511
00:33:45,240 --> 00:33:49,000
Speaker 3: I missed that that, I guess, thank god.

512
00:33:49,280 --> 00:33:51,840
Speaker 1: But I mean if you had come to me at

513
00:33:51,880 --> 00:33:54,080
Speaker 1: age eighteen and you're like, I want married twenty seven

514
00:33:54,160 --> 00:33:57,600
Speaker 1: year old, I would have been like, all right, yeah,

515
00:33:57,760 --> 00:33:59,440
Speaker 1: go get ready in your room, and you would have

516
00:33:59,760 --> 00:34:03,040
Speaker 1: got ready and I would have locked the door, nailed

517
00:34:03,080 --> 00:34:03,520
Speaker 1: that shut.

518
00:34:04,960 --> 00:34:08,000
Speaker 12: In this scenario, I'm saying I'm gonna go get married,

519
00:34:08,200 --> 00:34:10,440
Speaker 12: and I'm telling you on the day of my wedding,

520
00:34:10,520 --> 00:34:12,480
Speaker 12: and you're stopping me from getting ready.

521
00:34:12,800 --> 00:34:16,120
Speaker 1: Yes, you waited that long, And I'm like, well, and

522
00:34:16,280 --> 00:34:18,319
Speaker 1: I think it's fair that I can take these two

523
00:34:18,360 --> 00:34:21,160
Speaker 1: bay fours and that fucking nail. The money bedroom door.

524
00:34:21,280 --> 00:34:23,040
Speaker 1: The thing is your door opens in so you just

525
00:34:23,160 --> 00:34:24,880
Speaker 1: like tuck under them.

526
00:34:30,760 --> 00:34:34,160
Speaker 3: I did not have that problem. Yeah that would sorry

527
00:34:34,320 --> 00:34:35,800
Speaker 3: rather you did not have that problem.

528
00:34:35,840 --> 00:34:40,600
Speaker 1: I didn't, But I mean to hear my mother tell

529
00:34:40,680 --> 00:34:44,040
Speaker 1: the story. Her parents didn't have a problem. Her parents

530
00:34:44,120 --> 00:34:46,440
Speaker 1: were like what you seven year old man? What are

531
00:34:46,440 --> 00:34:48,000
Speaker 1: you fucking out of your mind? They were just like,

532
00:34:48,080 --> 00:34:50,400
Speaker 1: here she is, here's a close.

533
00:34:53,360 --> 00:34:54,040
Speaker 2: Oh my god.

534
00:34:54,120 --> 00:34:56,879
Speaker 5: And they probably weren't calling her Momily, because that's who

535
00:34:57,040 --> 00:34:58,320
Speaker 5: called her Momily.

536
00:34:58,760 --> 00:35:09,960
Speaker 1: Now my my grandmother, Momily's mom mom, Mommily's Momily, Grandmomily,

537
00:35:10,840 --> 00:35:22,800
Speaker 1: grandma Grandpapaly and Schultz. She she like, I was super

538
00:35:23,640 --> 00:35:26,279
Speaker 1: in love with my dad, not like you know that,

539
00:35:26,400 --> 00:35:29,920
Speaker 1: but she was like out of the way Momily gangway.

540
00:35:31,320 --> 00:35:34,719
Speaker 1: But he wasn't like a good like good dude. My

541
00:35:34,840 --> 00:35:37,120
Speaker 1: dad like dodad on my grandmother and should like tut

542
00:35:37,160 --> 00:35:39,279
Speaker 1: her along all the time and stuff like that. What

543
00:35:39,840 --> 00:35:42,239
Speaker 1: her lawn motor lawn?

544
00:35:42,400 --> 00:35:46,319
Speaker 3: I see have you ever we've never had a law.

545
00:35:47,600 --> 00:35:50,680
Speaker 1: I guess you're short changed the lawn in life. But

546
00:35:50,840 --> 00:35:54,640
Speaker 1: to be fair, no lawn, no lawn moments. So true,

547
00:35:55,280 --> 00:36:00,000
Speaker 1: my Grandmomily had a fucking literally almost an acre of Prompt,

548
00:36:00,080 --> 00:36:02,960
Speaker 1: pretty corner of K Street, right around the block from

549
00:36:03,120 --> 00:36:07,839
Speaker 1: our house. Tiny ass house, little dolls house, but big

550
00:36:08,520 --> 00:36:12,360
Speaker 1: yard that had to get and two giant trees that

551
00:36:12,719 --> 00:36:16,280
Speaker 1: you know, fucking shed their leaves every fault, so fucking

552
00:36:16,880 --> 00:36:20,919
Speaker 1: yours truly was always fun to ba like leaves, which

553
00:36:20,960 --> 00:36:22,000
Speaker 1: I fucking hated.

554
00:36:22,120 --> 00:36:23,160
Speaker 3: I can't even imagine.

555
00:36:23,560 --> 00:36:27,560
Speaker 1: Mowing the lawn took an hour at least because the

556
00:36:27,719 --> 00:36:31,120
Speaker 1: yard was that fucking big. Like finally, when I was

557
00:36:31,200 --> 00:36:33,959
Speaker 1: like eighteen, one day, they came home with a tractor mower.

558
00:36:34,080 --> 00:36:38,520
Speaker 1: I'm like, yeah, yeah, motherfucker, this is practically a farm.

559
00:36:38,680 --> 00:36:40,959
Speaker 3: You need a tractor to mother, and you just sign

560
00:36:41,040 --> 00:36:42,120
Speaker 3: on it and got to do it.

561
00:36:43,360 --> 00:36:45,319
Speaker 1: Well, my father did because he was like, oh you're

562
00:36:45,560 --> 00:36:52,719
Speaker 1: you're too young for this. But it was like such

563
00:36:52,760 --> 00:36:55,399
Speaker 1: a fucking arduous task. I hated it. I hated when

564
00:36:56,000 --> 00:36:57,239
Speaker 1: my mom was like, you have to go to your

565
00:36:57,239 --> 00:37:01,200
Speaker 1: grandmother's long I'm like, oh my god, I hate so much. Now,

566
00:37:03,080 --> 00:37:08,280
Speaker 1: Like I would I'd pay you cash money to moron.

567
00:37:09,640 --> 00:37:14,719
Speaker 3: Would you you wait, you would pay to mold that

568
00:37:14,880 --> 00:37:15,440
Speaker 3: lawn again?

569
00:37:16,880 --> 00:37:19,800
Speaker 1: Maybe not. I might pay someone to mother lawn and

570
00:37:21,080 --> 00:37:21,799
Speaker 1: back and be like.

571
00:37:23,480 --> 00:37:28,040
Speaker 11: Yeah, yeah, mote that lawn you would get to live

572
00:37:28,040 --> 00:37:30,280
Speaker 11: a day and mom Lely's shoes, Momily shoes.

573
00:37:30,760 --> 00:37:34,200
Speaker 1: Momily went out to get her mail with her walker

574
00:37:35,080 --> 00:37:39,239
Speaker 1: and fucking fell. What this is going back like two years?

575
00:37:39,880 --> 00:37:44,239
Speaker 1: Fell and felt like under the walker too, and like

576
00:37:44,360 --> 00:37:47,320
Speaker 1: couldn't get up from for a while. She's like like that.

577
00:37:47,360 --> 00:37:49,080
Speaker 1: I was thirty minutes. I was trying to get out

578
00:37:49,120 --> 00:37:52,239
Speaker 1: of the Yeah, like a turtle. She was like, oh no,

579
00:37:54,200 --> 00:37:57,200
Speaker 1: she was like snapper, Oh no. She was like, is

580
00:37:57,239 --> 00:37:57,719
Speaker 1: this end?

581
00:38:01,440 --> 00:38:04,640
Speaker 3: She eventually got up, but that's so tragic.

582
00:38:04,960 --> 00:38:10,399
Speaker 1: Well, my was like this, this is touching his frozen right.

583
00:38:12,200 --> 00:38:14,200
Speaker 3: Her stuck under a walk I know.

584
00:38:14,400 --> 00:38:18,160
Speaker 1: She's just like, oh, Harley, come here, Harley, Harley.

585
00:38:18,480 --> 00:38:21,520
Speaker 3: Cookies, Harley.

586
00:38:24,680 --> 00:38:29,560
Speaker 1: She stuck under the chair. She fine. Finally manages to

587
00:38:29,560 --> 00:38:31,600
Speaker 1: get her phone and started calling the police. She said,

588
00:38:31,640 --> 00:38:34,000
Speaker 1: you're a picture of the baby. Jesus going, who is this?

589
00:38:35,000 --> 00:38:35,360
Speaker 2: Please?

590
00:38:35,600 --> 00:38:36,080
Speaker 1: Who is this?

591
00:38:37,280 --> 00:38:38,360
Speaker 3: Hardy Harley? Who is this?

592
00:38:40,200 --> 00:38:43,160
Speaker 1: So when that happened, and you know, fucking she talks

593
00:38:43,160 --> 00:38:47,120
Speaker 1: about so casually, and I was like, no, you live

594
00:38:47,200 --> 00:38:51,239
Speaker 1: in Florida. If you fall on the ground and can't

595
00:38:51,280 --> 00:38:54,759
Speaker 1: get up for half an hour, you are literally gator bait.

596
00:38:55,200 --> 00:38:56,000
Speaker 3: Oh my god.

597
00:38:56,120 --> 00:39:00,440
Speaker 1: Could you imagine if I was like, sit down, passed

598
00:39:00,440 --> 00:39:02,879
Speaker 1: and you're like, oh god, that sucks. I was like, yes,

599
00:39:03,040 --> 00:39:09,960
Speaker 1: but it gets worse. What do you mean, how did

600
00:39:10,160 --> 00:39:15,040
Speaker 1: she die? Well? Momily fell under her walker, she was

601
00:39:15,120 --> 00:39:18,200
Speaker 1: trapped for half an hour and alligator fucking.

602
00:39:20,680 --> 00:39:23,480
Speaker 3: I feel like this is someone's story. Probably this has

603
00:39:23,560 --> 00:39:25,440
Speaker 3: probably happened, no way.

604
00:39:25,440 --> 00:39:27,879
Speaker 1: But that's what I literally said that to my mother.

605
00:39:27,920 --> 00:39:31,000
Speaker 1: I was like, mah, like, I'm not even joking. I'm

606
00:39:31,000 --> 00:39:32,880
Speaker 1: not even like trying to like be funny about it.

607
00:39:33,040 --> 00:39:37,279
Speaker 1: Like an old lady on the ground not far from

608
00:39:37,400 --> 00:39:40,880
Speaker 1: water because there she lives in her park. There's water nearby.

609
00:39:41,440 --> 00:39:45,600
Speaker 1: So could you imagine Mamily's under the phone, under the walker,

610
00:39:45,840 --> 00:39:48,520
Speaker 1: and the fucking TikTok croc gets out of the water.

611
00:39:48,400 --> 00:39:57,919
Speaker 8: And sees her, and she's just like, dude, like jump

612
00:39:58,000 --> 00:40:00,640
Speaker 8: Jones proms because us out here.

613
00:40:04,800 --> 00:40:08,080
Speaker 3: Momiy no, why I hate this scenario.

614
00:40:08,680 --> 00:40:11,480
Speaker 1: The next time you talk to Momily, like way more

615
00:40:11,520 --> 00:40:16,399
Speaker 1: careful when you go out to the man. I was like, mah,

616
00:40:16,600 --> 00:40:19,239
Speaker 1: I love you to death, but you cannot die being

617
00:40:19,320 --> 00:40:22,040
Speaker 1: eaten by an alligator, because that's all anyone will ever

618
00:40:22,200 --> 00:40:27,359
Speaker 1: remember about me. So so fish.

619
00:40:28,560 --> 00:40:30,239
Speaker 3: Hey, what she wants to go out that way?

620
00:40:30,760 --> 00:40:33,360
Speaker 1: She's like tiger, that's my dream. I was like, oh no,

621
00:40:34,000 --> 00:40:37,759
Speaker 1: oh no, I worked too hard to suddenly fucking lose

622
00:40:37,800 --> 00:40:43,680
Speaker 1: all this to like dinnis. Yes, she did'nish walker that's

623
00:40:43,680 --> 00:40:47,040
Speaker 1: what she wanted. I don't know somehow communicated that.

624
00:40:47,960 --> 00:40:49,240
Speaker 3: I'm not really sure what it was about.

625
00:40:49,680 --> 00:40:52,560
Speaker 1: Show you a picture of my dead dad. It's pretty hot.

626
00:40:56,200 --> 00:40:58,600
Speaker 3: There he is, there, he is, he does.

627
00:40:58,920 --> 00:41:02,800
Speaker 1: Think about it. You're fucking story is tied to his story. This,

628
00:41:03,520 --> 00:41:07,120
Speaker 1: this motherfucker right here, look at him, has no idea.

629
00:41:08,280 --> 00:41:11,239
Speaker 1: You're who you will one day be.

630
00:41:11,920 --> 00:41:12,479
Speaker 3: It's true.

631
00:41:13,120 --> 00:41:16,840
Speaker 1: This has no idea right now in this photo. You

632
00:41:16,920 --> 00:41:17,960
Speaker 1: don't even know if I'm gonna be.

633
00:41:18,560 --> 00:41:22,880
Speaker 3: That's so true. And here we are two Momily's at

634
00:41:22,920 --> 00:41:23,560
Speaker 3: a table, and.

635
00:41:23,640 --> 00:41:26,279
Speaker 1: That's fucking crazy that dude, because that dude stood there

636
00:41:26,880 --> 00:41:29,480
Speaker 1: next to that car in this picture. We both exist

637
00:41:30,160 --> 00:41:34,680
Speaker 1: because that's what fucking Mammily was like, Oh my god,

638
00:41:34,800 --> 00:41:36,760
Speaker 1: I would throw my panties in his face.

639
00:41:37,400 --> 00:41:46,960
Speaker 16: Oh, come on, that's what they did in the fucking sixties,

640
00:41:49,080 --> 00:41:51,240
Speaker 16: and they threw panties in men's faces.

641
00:41:51,960 --> 00:41:53,759
Speaker 1: Please, that's what my dad said.

642
00:41:53,840 --> 00:41:57,120
Speaker 3: It's midnight and it's so show about Mommily is going

643
00:41:57,200 --> 00:41:57,680
Speaker 3: to grow off.

644
00:41:57,760 --> 00:42:00,160
Speaker 1: You're twenty four, Sometimes, Mommily.

645
00:42:00,520 --> 00:42:07,520
Speaker 3: I'm twenty five. I wanted to see I wanted to

646
00:42:07,640 --> 00:42:08,800
Speaker 3: see you your aren't you?

647
00:42:10,200 --> 00:42:10,400
Speaker 1: I know?

648
00:42:23,040 --> 00:42:27,560
Speaker 17: This has been a podcast production, this podcast podcast using

649
00:42:27,640 --> 00:42:34,719
Speaker 17: our mouths on you since two thousand and seven. Hey kids,

650
00:42:34,760 --> 00:42:36,000
Speaker 17: did you like what you just heard?

651
00:42:36,080 --> 00:42:36,560
Speaker 1: Well, guess what.

652
00:42:36,760 --> 00:42:40,239
Speaker 17: We've got tons more, man thousands of hours of podcasts

653
00:42:40,320 --> 00:42:43,399
Speaker 17: waiting for you at that Kevinsmith club dot com.

654
00:42:43,680 --> 00:42:44,680
Speaker 1: Go sign up now