WEBVTT


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<v Speaker Rik Morgan>Let's do it.

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<v Speaker Rik Morgan>Been one short bus all day.

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<v Speaker Rik Morgan>Short. Yes.

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<v Speaker Rik Morgan>Gonna see what kind of movie they got

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<v Speaker Rik Morgan>today.

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<v Speaker Rik Morgan>Well, hello, everybody. Welcome back to another fun

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<v Speaker Rik Morgan>filled adventure as the wheels go round

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<v Speaker Rik Morgan>and round on the short bus.

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<v Speaker Rik Morgan>And I am one of your co hosts,

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<v Speaker Rik Morgan>Mister Rock and roll over Rick Morgan. And I'm

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<v Speaker Rik Morgan>here with my brother, mister God of thunder. What's up?

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<v Speaker Rik Morgan>Johnny Krug, the cat man.

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<v Speaker Rik Morgan>No, not much, dude. Easy, cat man. They are

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<v Speaker Rik Morgan>serious.

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<v Speaker Rik Morgan>Yeah, not much. Head along for the ride. Special guest,

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<v Speaker Rik Morgan>Mister Rock and roll all night, party every day. Mister Joseph

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<v Speaker Rik Morgan>Henson. What's up, brother? Oh, not a whole lot.

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<v Speaker Joseph Henson>This, uh, this movie made me feel so unholy.

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<v Speaker Rik Morgan>Oh. So, yeah, this is, uh, this is

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<v Speaker Rik Morgan>one that I wanted to do because it's

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<v Speaker Rik Morgan>one of those love hate movies. I know this movie is terrible, but it's

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<v Speaker Rik Morgan>one of those events that happens when you're a kid. And even

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<v Speaker Rik Morgan>though you hold your head in shame,

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<v Speaker Rik Morgan>I still kind of love this movie because it is terrible.

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<v Speaker Rik Morgan>Man. And we are talking about kiss meets the

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<v Speaker Rik Morgan>phantom, or if you're an old og, kiss meets

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<v Speaker Rik Morgan>the phantom of the park.

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<v Speaker Johnny Krueg>You know, this, this movie, I had never seen it before,

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<v Speaker Johnny Krueg>watching it this time, but it felt like,

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<v Speaker Johnny Krueg>and you, you guys know a lot of the details in the background on this,

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<v Speaker Johnny Krueg>but it felt like they were trying, you know, all the

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<v Speaker Johnny Krueg>parents thought Kiss was this evil rock band, and it felt like they

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<v Speaker Johnny Krueg>put together this movie to say, look, these guys are completely family friendly.

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<v Speaker Rik Morgan>Well, and like I said, there's a lot to talk about

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<v Speaker Rik Morgan>in this movie. But first and foremost, here's, here's kind of what happened.

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<v Speaker Rik Morgan>Yeah, you kind of had this bad karma thing going on with,

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<v Speaker Rik Morgan>you know, parents saying there are knights in Satan service going

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<v Speaker Rik Morgan>around, but the other side of it is

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<v Speaker Rik Morgan>about, I don't know, a year before,

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<v Speaker Rik Morgan>they had released, Marvel had released the Kiss comics,

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<v Speaker Rik Morgan>where Kiss had superhero powers. Like hearing from their

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<v Speaker Rik Morgan>eye. Well, yeah, I mean, they fought

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<v Speaker Rik Morgan>Doctor doom. I mean, they were legit, you know, superheroes in the

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<v Speaker Rik Morgan>Marvel universe. Oh, geez. Yeah,

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<v Speaker Rik Morgan>I mean, and Johnny, I mean, to find one of those original comics

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<v Speaker Rik Morgan>is, like, unreal, what it's worth,

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<v Speaker Rik Morgan>because it was printed in kiss blood.

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<v Speaker Rik Morgan>They actually drew some blood and put it supposedly in the,

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<v Speaker Rik Morgan>the red ink. So when you bought a copy, you had some of their blood

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<v Speaker Rik Morgan>mixed in the red ink order. I mean, there was a big promotion thing.

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<v Speaker Rik Morgan>You can't even find those comics. They've reissued them, and there was

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<v Speaker Rik Morgan>two of them, and they combined them together. But that was such a big hit.

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<v Speaker Rik Morgan>I guess that's what really started

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<v Speaker Rik Morgan>the idea of this movie. But we, let's not get too far ahead of ourselves.

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<v Speaker Rik Morgan>We've got to get into this in a little bit. But let's talk about

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<v Speaker Rik Morgan>some other stuff. So special guest,

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<v Speaker Rik Morgan>Joseph, man, tell us. Tell us what's going on in your world, man.

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<v Speaker Joseph Henson>Oh, not, you know, not a whole lot outside of the hysteria

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<v Speaker Joseph Henson>continues. I'm pretty much doing that full time. We just

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<v Speaker Joseph Henson>released, I think it was terror night. I mean, these episodes

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<v Speaker Joseph Henson>kind of bleed together, but it was terror night from 1987.

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<v Speaker Joseph Henson>We got ten to midnight coming out in a week or so.

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<v Speaker Joseph Henson>Nice. Yeah, we got a few commentaries

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<v Speaker Joseph Henson>in the bag for 88 films, vinegar syndrome and

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<v Speaker Joseph Henson>Arrow. Other than that, I mean, that's pretty much all I do now.

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<v Speaker Joseph Henson>So. Man. So there you go, folks. Short bus.

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<v Speaker Joseph Henson>Then hit the high time. We got a celebrity on the show. Yo,

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<v Speaker Joseph Henson>I wouldn't go that far. He's been

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<v Speaker Rik Morgan>a good buddy for quite a while and we have always enjoyed

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<v Speaker Rik Morgan>having him on. And, man, it's awesome that things are doing so well

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<v Speaker Rik Morgan>for you and the guys. Yeah, it's been ten years. I mean,

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<v Speaker Rik Morgan>we just had our 10th year anniversary as well. Wow. At the end of January.

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<v Speaker Joseph Henson>So it took ten years, but yeah, it's, it's crazy.

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<v Speaker Rik Morgan>Wow. Well, what we're going to do right now, we're going to take a short

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<v Speaker Rik Morgan>break and. Short break.

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<v Speaker Rik Morgan>I wish I could do a good brack. It'd be all right. We're gonna take

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<v Speaker Rik Morgan>a short break. We'll be right back with kiss meets the phantom.

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<v Speaker Joseph Henson>Yo,

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<v Speaker Rik Morgan>get out of the way.

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<v Speaker Rik Morgan>All I know is today it's October 3131 backwards is 13.

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<v Speaker Rik Morgan>It's Friday. It's Halloween 13th, anniversary of the lawnmower

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<v Speaker Rik Morgan>killings as a crazy loose. It's prom night.

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<v Speaker Rik Morgan>Hi, this is Tracy Savage, Debbie from Friday

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<v Speaker Rik Morgan>the 13th part three for the best podcast

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<v Speaker Rik Morgan>ever on old slasher movies. Be sure you find

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<v Speaker Rik Morgan>hysteria continues. You will be glad you did.

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<v Speaker Rik Morgan>And hey, stay out of Crystal Lake, okay? Every episode

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<v Speaker Rik Morgan>we celebrate a classic slasher movie such as Friday the 13th,

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<v Speaker Rik Morgan>Halloween, my Bloody Valentine, happy Birthday to me,

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<v Speaker Rik Morgan>and crazy for Ethel two.

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<v Speaker Rik Morgan>Please don't hurt me, Ethel.

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<v Speaker Rik Morgan>The history continues, bringing slash with Panache since 2011.

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<v Speaker Rik Morgan>Listen on Apple Podcasts, Stitcher and all good podcatchers.

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<v Speaker Rik Morgan>And now for our feature presentation.

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<v Speaker Johnny Krueg>All right. And we're back with Kiss meets the Phantom of the park from 1978.

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<v Speaker Johnny Krueg>When you think 1978, you don't think movies like Halloween.

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<v Speaker Johnny Krueg>You think movies like Kiss meets the Phantom of the park. Yo,

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<v Speaker Johnny Krueg>the IMDb for this is a 4.8, which,

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<v Speaker Johnny Krueg>man, that is in.

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<v Speaker Joseph Henson>When you compare that, it's like 4.7 too high.

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<v Speaker Johnny Krueg>Dude, I was just gonna say, when you put this up to next to things

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<v Speaker Johnny Krueg>we've done on short bus in the past, like, I feel like this is,

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<v Speaker Johnny Krueg>this isn't as good as some stuff we've done and some in some of those

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<v Speaker Johnny Krueg>movies have gotten way lower scores.

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<v Speaker Johnny Krueg>But this movie, it is directed by

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<v Speaker Johnny Krueg>Gordon Hessler, who did scream and scream again with

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<v Speaker Johnny Krueg>Vincent Price and Cry of the Banshee also.

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<v Speaker Johnny Krueg>Yeah, it's, it's crazy because there, that's something I'll

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<v Speaker Johnny Krueg>talk about later in this movie. But the villain in this man

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<v Speaker Johnny Krueg>could have been so much more if they had gotten somebody like Vincent Price.

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<v Speaker Johnny Krueg>But this movie's also. It's written by

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<v Speaker Johnny Krueg>two different guys. Bye, Don Bru. We'll see

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<v Speaker Johnny Krueg>Don Bidet, which. Okay.

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<v Speaker Johnny Krueg>And Jan Michael Sherman almost said Jan Michael Vincent.

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<v Speaker Johnny Krueg>And they're known for movies like Slithis and Too Hot to handle,

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<v Speaker Johnny Krueg>which was, from what I read, too hot to handle is

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<v Speaker Johnny Krueg>some kind of, like, sexy adventurer movie.

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<v Speaker Johnny Krueg>Sure. Yeah. The cast of this movie is

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<v Speaker Johnny Krueg>kissed and the rock band and Anthony

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<v Speaker Johnny Krueg>Zerbe. Is that how you say that? Yeah.

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<v Speaker Johnny Krueg>Played Edwardevereau. Yeah. Yep. And then Carmine

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<v Speaker Johnny Krueg>carried II. I didn't really know anybody in this movie,

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<v Speaker Johnny Krueg>but when I looked him up, I'd seen them in every. I mean, well,

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<v Speaker Joseph Henson>you didn't recognize Brian James as the, one of the security guards,

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<v Speaker Joseph Henson>was that. Yeah. Was he really in this? Yeah. You didn't know.

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<v Speaker Rik Morgan>He's like, he said it was him or his twin.

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<v Speaker Rik Morgan>Oh, dude. Yeah. That's so crazy. I'm looking at, yeah, right there. Brian James,

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<v Speaker Johnny Krueg>he usually stands out, too, because he kind of looks like a thumb that got,

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<v Speaker Johnny Krueg>you know, involved in a machinery accident

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<v Speaker Johnny Krueg>in his face. Well, the guy

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<v Speaker Rik Morgan>that plays Devereux has been in a ton of stuff. And your two teenage

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<v Speaker Rik Morgan>supposed actors were both in soap operas at this time, so they were

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<v Speaker Rik Morgan>kind of a hot commodity and everybody knew who they were, so that was kind

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<v Speaker Rik Morgan>of the draw. There's the ones that could actually act.

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<v Speaker Johnny Krueg>Well, yeah, the main actress in this, she had, like, she had some good

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<v Speaker Johnny Krueg>chops when it came to screaming and stuff like that.

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<v Speaker Johnny Krueg>But it's funny when you look a lot of these people up like her.

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<v Speaker Johnny Krueg>I mean, they have soap opera stuff, but, like, in the first two or

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<v Speaker Johnny Krueg>three credits, it shows this. So you're like, ooh,

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<v Speaker Johnny Krueg>sorry. Sorry about that. But, dude,

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<v Speaker Rik Morgan>I mean, again, I mean, and I'm defending it because,

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<v Speaker Rik Morgan>I guess because of the time. But this thing was so

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<v Speaker Rik Morgan>huge when it came out. And, yeah, it is not good.

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<v Speaker Rik Morgan>And like I said, the kiss had a thing where if

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<v Speaker Rik Morgan>you worked for them, you couldn't bring it up.

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<v Speaker Rik Morgan>You were not allowed to talk about the movie.

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<v Speaker Rik Morgan>They did not like the idea at all. But when this

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<v Speaker Rik Morgan>thing came out, like I said, I mean, I skipped Halloween parties

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<v Speaker Rik Morgan>and everything to stay home and watch this. And it was the most watched television

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<v Speaker Rik Morgan>event in almost a decade.

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<v Speaker Rik Morgan>So this thing, it screened on Halloween. Or it screamed,

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<v Speaker Rik Morgan>like, a couple of days before. But,

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<v Speaker Rik Morgan>I mean, it was. It was an event. I mean, there was magazines

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<v Speaker Rik Morgan>and stuff out, you know, put out before. And just like you do any of

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<v Speaker Rik Morgan>your Star wars and stuff, you know, you get your, you know, magazines to come

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<v Speaker Rik Morgan>out beforehand, explaining stuff and all that. It was a

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<v Speaker Rik Morgan>big deal. Speaking of Star wars, this is. This is basically the equivalent

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<v Speaker Rik Morgan>of the Christmas special. It's pretty close.

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<v Speaker Rik Morgan>So for you folks that have never seen this, I'll give

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<v Speaker Rik Morgan>you a little backstory. Kiss being the hot commodity

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<v Speaker Rik Morgan>that they were, they were approached.

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<v Speaker Rik Morgan>Johnny didn't say who produced this movie. He talked about who directed it, but it

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<v Speaker Rik Morgan>was produced by Joseph Barbera.

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<v Speaker Rik Morgan>That's right. Hanna Barbera did

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<v Speaker Rik Morgan>this movie. Oh. And it just. It just. It just definitely

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<v Speaker Rik Morgan>comes across as something Hanna Barbera would do. Oh, yeah. Yeah.

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<v Speaker Rik Morgan>So when they have. When the idea was so to

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<v Speaker Rik Morgan>kiss and their managers, they told him, it's gonna be like a hard day's night,

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<v Speaker Rik Morgan>which is the, you know, incredible Beatles movie that came

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<v Speaker Rik Morgan>out. It was such a phenomenon for the. Especially for Kiss, because they were such

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<v Speaker Rik Morgan>Beatles fans. So they took that idea and said, it's gonna be a combination

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<v Speaker Rik Morgan>of that and Star wars, and.

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<v Speaker Rik Morgan>And somewhere it got lost.

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<v Speaker Rik Morgan>But, yeah, I mean, there's. There's tons and tons of stories

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<v Speaker Rik Morgan>of the failure of this movie, but I think Johnny

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<v Speaker Rik Morgan>and I were talking back and forth, you know, while just

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<v Speaker Rik Morgan>talking about this movie. And once you realize that this is

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<v Speaker Rik Morgan>a Hanna Barbera movie, all your background music,

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<v Speaker Rik Morgan>all your sound effects, everything is straight out of, like, Scooby Doo

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<v Speaker Rik Morgan>cartoons. Yeah. And you're. Your. Your Hanna Barbera childhood

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<v Speaker Joseph Henson>is ruined when you learn that,

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<v Speaker Joseph Henson>dude. Well, you know, it's funny, and we'll get into the plot

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<v Speaker Johnny Krueg>and stuff, but, I mean, it plays out like Scooby Doo, man.

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<v Speaker Johnny Krueg>Yeah, it does. Like, straight up. I mean, that's. That's who it

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<v Speaker Johnny Krueg>was made by. The only thing it was missing was the Harlem Globetrotters.

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<v Speaker Rik Morgan>Oh, that would have been great.

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<v Speaker Rik Morgan>But the way after they agreed to do this.

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<v Speaker Rik Morgan>Hannah Burma or whoever was in charge at the time,

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<v Speaker Rik Morgan>they sent a writer to go around with each member of Kiss

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<v Speaker Rik Morgan>and just follow them around and capture their personalities so they could write skips

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<v Speaker Rik Morgan>based off of the way they reacted and talked.

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<v Speaker Rik Morgan>And Pete straight up told them, f y'all,

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<v Speaker Rik Morgan>I ain't doing it. Cause, you know, I gotta go out back and do some

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<v Speaker Rik Morgan>heroin. But Ace could

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<v Speaker Rik Morgan>care less, and he knew he was being followed, so he just went

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<v Speaker Rik Morgan>around going, ah, ah. All the time. I kept expecting

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<v Speaker Joseph Henson>Ace. I kept expecting Ace freely to go, my grand slam

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<v Speaker Joseph Henson>was supposed to be with sausage.

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<v Speaker Rik Morgan>But if you notice in the movie, he never really has. He has, like two

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<v Speaker Rik Morgan>or three lines, but the rest time he just goes.

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<v Speaker Johnny Krueg>I thought that was an interesting choice of the writers

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<v Speaker Johnny Krueg>just have a squawk, like some kind of, like, dull pelican.

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<v Speaker Joseph Henson>That's, let's put it this Gene Simmons is the best actor of

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<v Speaker Joseph Henson>the four. Easily. Yeah, yeah, well,

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<v Speaker Rik Morgan>and that's why he went on and had a somewhat career. Right.

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<v Speaker Rik Morgan>But yeah, that's. That's why Sony goes in

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<v Speaker Rik Morgan>the whole movie, which is one of the funny qualities

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<v Speaker Rik Morgan>about it, right? Because they'll talk about something serious. He'll just go,

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<v Speaker Rik Morgan>yeah, well, yeah,

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<v Speaker Rik Morgan>we'll. Get to that later. But, yeah, they're, like, interrogating him later, and he just

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<v Speaker Rik Morgan>squawks. I feel like the director probably

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<v Speaker Joseph Henson>went home after shooting every night and looked his wife in the eye and was

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<v Speaker Joseph Henson>like, honey, I'm sorry. Just kill me now.

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<v Speaker Rik Morgan>Yeah, I mean, and like I said, pete, even when it

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<v Speaker Rik Morgan>came time to finish the movie, he wouldn't even show up to

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<v Speaker Rik Morgan>do overdubs or anything. So that's not Pete's

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<v Speaker Rik Morgan>voice in the whole movie. Oh, wow.

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<v Speaker Rik Morgan>Pete sounds like he's got Demi Moore stuck in his throat.

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<v Speaker Rik Morgan>I mean, he's got a super raspy voice, very heavy accent,

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<v Speaker Rik Morgan>and, yeah, you know, that kind of messed with everybody's

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<v Speaker Rik Morgan>head because, you know, he was talking normal. And they're like,

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<v Speaker Rik Morgan>wait a minute. That don't sound anything like Pete.

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<v Speaker Rik Morgan>And there's just. It just goes on and on. The stunt double for

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<v Speaker Rik Morgan>ace really was a black guy. And they didn't, they didn't cover his

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<v Speaker Rik Morgan>hands, they didn't cover his neck. I mean, you can tell. It's just like,

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<v Speaker Rik Morgan>wait a minute. It's kind of weird. It's kind of a weird parallel there,

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<v Speaker Joseph Henson>because I had mentioned off air how I thought,

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<v Speaker Joseph Henson>you know, I'm sure I'm not the only person who thinks this, but I always

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<v Speaker Joseph Henson>thought Gene Simmons looked like Bill Duke. Like the white version of Bill Duke.

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<v Speaker Joseph Henson>And then what's interesting, you bring that up, because Bill Duke and Commando,

15:15.104 --> 15:18.792
<v Speaker Joseph Henson>he had a white stunt double for his fight with Arnold Schwarzenegger. So there's.

15:18.936 --> 15:22.912
<v Speaker Joseph Henson>There's some synchronicity for you. Well, you want to hear something even funnier

15:22.976 --> 15:26.416
<v Speaker Johnny Krueg>is when you message Bill Duke. Some.

15:26.488 --> 15:29.816
<v Speaker Johnny Krueg>Somehow my brain got that scrambled as David Duke.

15:29.968 --> 15:34.056
<v Speaker Johnny Krueg>Oh, God. Like, isn't David

15:34.088 --> 15:37.496
<v Speaker Johnny Krueg>Duke white? Joseph, it's amazing you say

15:37.528 --> 15:40.408
<v Speaker Rik Morgan>that, because I remember me and my wife going to see Preter, which she was

15:40.424 --> 15:43.922
<v Speaker Rik Morgan>my girlfriend back then, but I saw this guy, and I was like.

15:44.066 --> 15:47.682
<v Speaker Rik Morgan>I said, becky, I said, that guy looks like a black gene simmons.

15:47.786 --> 15:51.186
<v Speaker Joseph Henson>He does. I mean, he even talks like him. They have, like, the same voice,

15:51.298 --> 15:54.810
<v Speaker Joseph Henson>same mannerisms. Yeah, it's crazy.

15:54.930 --> 15:58.162
<v Speaker Rik Morgan>Very much so. But, yeah, so, yeah, I mean, and the guy

15:58.186 --> 16:01.458
<v Speaker Rik Morgan>that actually is the stunt dough for it, for Gene is like some really old

16:01.514 --> 16:04.986
<v Speaker Rik Morgan>guy. So when you see him with the wig and stuff

16:05.018 --> 16:08.796
<v Speaker Rik Morgan>on, it's like. It's almost like Benny Hill

16:08.868 --> 16:12.276
<v Speaker Rik Morgan>stepping in for Gene in the movie. I mean, it's really, really obvious it's

16:12.308 --> 16:16.300
<v Speaker Rik Morgan>not Gene. Oh, dude, there's a scene where it's like a wire. Like a wire

16:16.340 --> 16:19.120
<v Speaker Johnny Krueg>trick, and you could just tell it's an old dude.

16:19.900 --> 16:21.920
<v Speaker Rik Morgan>That's it. That's what I'm talking about.

16:24.580 --> 16:27.080
<v Speaker Rik Morgan>So, anyways, let's get on with this.

16:28.180 --> 16:31.300
<v Speaker Rik Morgan>Yeah, we're at an amusement

16:31.340 --> 16:35.412
<v Speaker Rik Morgan>park, which is actually magic, mountainous, which was supposedly the

16:35.436 --> 16:38.560
<v Speaker Rik Morgan>biggest, you know, amusement park of its kind at the time.

16:39.300 --> 16:42.508
<v Speaker Rik Morgan>And there's gonna be a big kiss concert there. Matter of fact, three of them

16:42.524 --> 16:45.788
<v Speaker Rik Morgan>in a row, because, you know, you sound at an

16:45.804 --> 16:50.116
<v Speaker Rik Morgan>amusement park. I like the intercoms, like, kiss tonight,

16:50.268 --> 16:54.036
<v Speaker Joseph Henson>kiss tonight. Kiss. It's like, okay,

16:54.068 --> 16:57.372
<v Speaker Joseph Henson>who's playing tonight? I mean,

16:57.436 --> 17:00.816
<v Speaker Rik Morgan>it doesn't matter that you get, you know, statues of them everywhere,

17:00.888 --> 17:03.980
<v Speaker Rik Morgan>you know, as well, saying, you know, they're gonna be there tonight. But.

17:04.800 --> 17:08.180
<v Speaker Rik Morgan>But, you know, I get it. I've got a

17:09.040 --> 17:12.328
<v Speaker Rik Morgan>buddy here that is the. At one time, he was

17:12.344 --> 17:15.816
<v Speaker Rik Morgan>the world champion banjo player. Lives just down the road from me.

17:15.968 --> 17:19.184
<v Speaker Rik Morgan>And he used to have it have a spot in Opryland, you know, which is

17:19.232 --> 17:21.900
<v Speaker Rik Morgan>the. The Tennessee amusement park.

17:23.200 --> 17:26.258
<v Speaker Rik Morgan>And he kind of had his own spot there, so I

17:26.274 --> 17:29.578
<v Speaker Rik Morgan>can see where, you know. Okay. You just get booked to

17:29.594 --> 17:32.946
<v Speaker Rik Morgan>do these gigs, and you just do them because your management just got you this

17:32.978 --> 17:36.482
<v Speaker Rik Morgan>spot. So kissing a lull, for some reason, got to play

17:36.506 --> 17:40.430
<v Speaker Rik Morgan>at Magic Mountain. You never told me you were friends with Kermit. The frog.

17:41.250 --> 17:44.910
<v Speaker Rik Morgan>Oh, yeah. Man, why are there so many?

17:46.610 --> 17:49.030
<v Speaker Rik Morgan>How do we get out here? Yeah, it's back the way you came.

17:53.780 --> 17:57.284
<v Speaker Rik Morgan>And we get to, you know, your typical. I mean, you got kiss fans

17:57.332 --> 18:00.196
<v Speaker Rik Morgan>coming to your amusement park. So you're gonna get some rough and tumble people,

18:00.268 --> 18:03.708
<v Speaker Rik Morgan>right? I mean, that's what they're trying to portray here. If you're a

18:03.724 --> 18:06.972
<v Speaker Rik Morgan>kiss fan, you're a devil worshipper, right? I mean,

18:06.996 --> 18:10.964
<v Speaker Rik Morgan>that's kind of what we're saying. So we meet Snead.

18:11.132 --> 18:14.524
<v Speaker Rik Morgan>You never get his real name. Just Snead, which is like the main

18:14.572 --> 18:18.482
<v Speaker Rik Morgan>security guard in the amusement park. And the guy just calls

18:18.506 --> 18:22.002
<v Speaker Rik Morgan>him all the time. Ain't that right, snead? Let's go get

18:22.026 --> 18:25.306
<v Speaker Rik Morgan>him, snead. Hey, snead. It's like, what the

18:25.338 --> 18:28.110
<v Speaker Rik Morgan>heck? Stop saying my name, please.

18:31.250 --> 18:34.322
<v Speaker Rik Morgan>He's like, we gotta be careful. Cause we got a riot on our

18:34.346 --> 18:38.010
<v Speaker Rik Morgan>hands. And hear him like, dude, it's some kids building a pyramid. I mean,

18:38.170 --> 18:40.390
<v Speaker Rik Morgan>yeah, you gonna bust these eight years olds?

18:41.090 --> 18:44.256
<v Speaker Johnny Krueg>That was so weird. Like, I mean, the whole thing with,

18:44.288 --> 18:47.784
<v Speaker Johnny Krueg>like, the. The bikers messing with the kids, building the pyramid. We'll have none of

18:47.792 --> 18:50.088
<v Speaker Johnny Krueg>that in our park. I'm like, you don't have a whole lot of anything in

18:50.104 --> 18:53.800
<v Speaker Johnny Krueg>this park. It's like the. The three

18:53.840 --> 18:57.032
<v Speaker Joseph Henson>bikers, they're like. Their. Their claim to trouble making is

18:57.056 --> 19:00.336
<v Speaker Joseph Henson>like they. They get up in people's face and they. They can only be bought

19:00.368 --> 19:03.460
<v Speaker Joseph Henson>off with, like, tickets to a haunted amusement attraction.

19:03.840 --> 19:07.776
<v Speaker Joseph Henson>I like. You never. I like the scene where they harass the $30,000

19:07.848 --> 19:11.198
<v Speaker Joseph Henson>monkey experiment. And I. Yeah, what the

19:11.214 --> 19:14.130
<v Speaker Joseph Henson>hell has. That guy been doing with $30,000 for the last year?

19:16.110 --> 19:19.542
<v Speaker Rik Morgan>Building this robot monkey? I mean,

19:19.606 --> 19:22.290
<v Speaker Rik Morgan>it's almost like showbiz pizza there for a minute, right?

19:24.430 --> 19:27.918
<v Speaker Rik Morgan>I always wanted. I wanted to get a good shot of that dude's jacket on

19:27.934 --> 19:30.294
<v Speaker Rik Morgan>the. On the back of his jacket. The leader of the group, because it says

19:30.342 --> 19:33.806
<v Speaker Rik Morgan>Satan's something. But I never could see what it says

19:33.838 --> 19:37.038
<v Speaker Rik Morgan>at the bottom. I always wondered what that is because you never get a good

19:37.054 --> 19:39.814
<v Speaker Rik Morgan>shot of it. By the way, the leader of that gang,

19:39.902 --> 19:43.090
<v Speaker Rik Morgan>Johnny, was in Jekyll and Hyde together

19:43.470 --> 19:46.530
<v Speaker Rik Morgan>again. He's the guy that gives up his testicle.

19:47.350 --> 19:50.622
<v Speaker Rik Morgan>Nice. I thought

19:50.646 --> 19:55.078
<v Speaker Rik Morgan>he looked familiar. He's been in several late

19:55.134 --> 19:57.250
<v Speaker Rik Morgan>seventies, early eighties stuff.

19:58.710 --> 20:02.022
<v Speaker Rik Morgan>We meet Sam and Melissa, which is, like we said earlier,

20:02.206 --> 20:05.354
<v Speaker Rik Morgan>possibly the only decent actors in the whole thing. Well,

20:05.442 --> 20:08.710
<v Speaker Rik Morgan>Sam, how far can you go? He just plays a robot the whole time.

20:10.690 --> 20:14.034
<v Speaker Rik Morgan>But I love that they're getting off a roller coaster together.

20:14.202 --> 20:17.642
<v Speaker Rik Morgan>And Melissa goes, do you have to go to work now? And he goes,

20:17.826 --> 20:20.994
<v Speaker Rik Morgan>there's something I don't understand. It's like,

20:21.082 --> 20:23.070
<v Speaker Rik Morgan>are y'all having the same conversation?

20:28.250 --> 20:31.762
<v Speaker Rik Morgan>But Sam's feeling that there's something odd going on, so he goes snooping

20:31.786 --> 20:35.530
<v Speaker Rik Morgan>around in Devereaux workshop. Now, Devereux,

20:36.310 --> 20:39.838
<v Speaker Rik Morgan>he's the phantom of the park, and, uh, so we

20:39.854 --> 20:42.050
<v Speaker Rik Morgan>can soup. Up amusement park rides.

20:44.590 --> 20:48.286
<v Speaker Joseph Henson>Well, I like when he's. I like when he's, um, the. The guy who

20:48.318 --> 20:51.150
<v Speaker Joseph Henson>runs the park. He, like, he basically lets Devereaux, you know,

20:51.190 --> 20:54.950
<v Speaker Joseph Henson>go. And I'm sitting there thinking, you know, it's so sad to watch Abner walk

20:54.990 --> 20:58.622
<v Speaker Joseph Henson>away. I wonder if Oliver Stone, you know, got the

20:58.646 --> 21:01.130
<v Speaker Joseph Henson>idea for Nixon's walk of shame from this film.

21:03.890 --> 21:07.186
<v Speaker Johnny Krueg>Was that. That was after he souped up, like, the. What was that ride?

21:07.218 --> 21:10.970
<v Speaker Johnny Krueg>Like, the crazy dance or something? Yeah, yeah. The big octopus looking thing. It spins

21:11.010 --> 21:13.670
<v Speaker Rik Morgan>around, and he, he hooks up that, like,

21:14.530 --> 21:17.898
<v Speaker Rik Morgan>special generator to it or something,

21:17.954 --> 21:21.010
<v Speaker Rik Morgan>and it makes it go, like, four times the speed. Well,

21:21.050 --> 21:23.706
<v Speaker Johnny Krueg>and I. And I love all the ADR that's coming off of it. People like,

21:23.738 --> 21:27.386
<v Speaker Johnny Krueg>oh, my God, we're gonna die. They just sped the field up,

21:27.418 --> 21:28.270
<v Speaker Rik Morgan>right? Yeah.

21:30.730 --> 21:33.922
<v Speaker Rik Morgan>Oh, I love the whole Devereux thing because

21:33.946 --> 21:37.330
<v Speaker Rik Morgan>he's like, hey, who took. Who took down the walrus display

21:37.370 --> 21:41.386
<v Speaker Rik Morgan>and put up this hideous thing of this rock band? He was like, the walrus

21:41.418 --> 21:43.350
<v Speaker Rik Morgan>display? That's what you're worried about?

21:45.010 --> 21:48.490
<v Speaker Johnny Krueg>Well, I mean, you think about it, and you think about, like, that monkey costing

21:48.530 --> 21:52.466
<v Speaker Johnny Krueg>$30,000 and you're like, man, they just must have disposable income. They had their

21:52.498 --> 21:56.146
<v Speaker Johnny Krueg>hand in this dude. Well, this is. And that's. I think that's the breaking

21:56.178 --> 21:59.456
<v Speaker Rik Morgan>point, because he's saying he don't have enough. I'm like, dude, look at the stuff

21:59.488 --> 22:03.136
<v Speaker Rik Morgan>you've done. You built all these rides. You're building your, your monkey and

22:03.168 --> 22:06.352
<v Speaker Rik Morgan>stuff, and you're still not got enough money, you know,

22:06.416 --> 22:10.416
<v Speaker Rik Morgan>and the. The guys running the parks, giving him a hard time because,

22:10.608 --> 22:14.200
<v Speaker Rik Morgan>hey, man, you know, you're. You're not doing any pm on these illness

22:14.280 --> 22:17.848
<v Speaker Rik Morgan>equipment. You're just letting it break down. Well, doesn't he,

22:17.944 --> 22:21.816
<v Speaker Johnny Krueg>like, in the beginning of the movie, doesn't he see the kiss banner flying overhead?

22:21.848 --> 22:25.860
<v Speaker Johnny Krueg>He's like, how much did that cost? Like, he's angry. The dude bought a banner.

22:26.410 --> 22:29.186
<v Speaker Johnny Krueg>Oh, yeah. That didn't cost $30,000,

22:29.258 --> 22:31.830
<v Speaker Johnny Krueg>right? So, yeah,

22:32.450 --> 22:36.026
<v Speaker Rik Morgan>while this is going on, you got Sam, which is our young guy. This is

22:36.058 --> 22:40.682
<v Speaker Rik Morgan>snooping around in Devereux shop, and you

22:40.706 --> 22:44.034
<v Speaker Rik Morgan>got these cool 1970s space doors

22:44.122 --> 22:46.430
<v Speaker Rik Morgan>that just kind of, and they raise,

22:47.850 --> 22:50.954
<v Speaker Rik Morgan>like, star trek type doors, and he goes into one,

22:51.002 --> 22:54.220
<v Speaker Rik Morgan>and you don't know what happens to him. It closes,

22:54.260 --> 22:57.000
<v Speaker Rik Morgan>and it's like you hear him scream, and that's it.

22:57.340 --> 23:01.012
<v Speaker Rik Morgan>Which doesn't make a lick of sense, because Devereux not in

23:01.036 --> 23:03.720
<v Speaker Rik Morgan>there. So,

23:04.580 --> 23:08.280
<v Speaker Rik Morgan>yeah, I don't know what happens there. I don't guess it really matters.

23:13.220 --> 23:16.628
<v Speaker Rik Morgan>Devereux, with the kindness of his heart, because they're up

23:16.644 --> 23:18.120
<v Speaker Rik Morgan>there humping on his monkey,

23:19.730 --> 23:23.282
<v Speaker Rik Morgan>gives the biker group some free tickets to go to

23:23.306 --> 23:29.706
<v Speaker Rik Morgan>the chamber of thrills. And this

23:29.738 --> 23:31.870
<v Speaker Rik Morgan>chamber of thrills, man, here's the thing.

23:33.130 --> 23:37.470
<v Speaker Rik Morgan>All these robotics that are in the movie are just mimes.

23:38.450 --> 23:41.666
<v Speaker Rik Morgan>They're just people that are trying to act like robots, you know?

23:41.778 --> 23:45.216
<v Speaker Rik Morgan>So that, that's your budget in this, this movie. You don't have,

23:45.248 --> 23:48.792
<v Speaker Rik Morgan>like, any real robots. It's just dudes walking like shields in yarn.

23:48.816 --> 23:52.160
<v Speaker Rik Morgan>Ale. Yeah, they needed,

23:52.240 --> 23:55.312
<v Speaker Joseph Henson>they needed a little bit of Yule Brenner to kind of sprite spice things up

23:55.336 --> 23:58.656
<v Speaker Joseph Henson>a little bit. Yeah. The ones, the ones in the scary, like,

23:58.688 --> 24:02.112
<v Speaker Johnny Krueg>the spook house, they're a little bit more convincing than

24:02.256 --> 24:05.624
<v Speaker Johnny Krueg>the ones later. Well, they got the COVID of darkness to help them out a

24:05.632 --> 24:09.518
<v Speaker Johnny Krueg>little bit there. Dude, it is so dark, too. I mean, and that's,

24:09.624 --> 24:13.546
<v Speaker Rik Morgan>that's something that, on that, the other version that I sent. So I messed

24:13.578 --> 24:16.986
<v Speaker Rik Morgan>up when we were prepping for this show, and I sent them the australian version

24:17.018 --> 24:19.978
<v Speaker Rik Morgan>of this movie, and it's called,

24:20.154 --> 24:22.830
<v Speaker Rik Morgan>it's called the attack of the phantoms.

24:24.730 --> 24:26.870
<v Speaker Johnny Krueg>And it's nothing but wallabies. And.

24:30.970 --> 24:34.042
<v Speaker Joseph Henson>Like how you're mentioning Rick, how it's

24:34.066 --> 24:37.712
<v Speaker Joseph Henson>Devereux. He gives the, the punks the tickets to the, the,

24:37.906 --> 24:41.316
<v Speaker Joseph Henson>the haunted attraction, and he's like, and one of the guys is

24:41.348 --> 24:45.280
<v Speaker Joseph Henson>like, maybe we will, maybe we won't. Why can't you get with the 20th century?

24:45.860 --> 24:49.788
<v Speaker Joseph Henson>What? Well, I mean,

24:49.884 --> 24:53.516
<v Speaker Rik Morgan>Hanna Barbera, that's the way they think that a motorcycle gang would react.

24:53.628 --> 24:57.212
<v Speaker Rik Morgan>So there you go. Well, 1978,

24:57.236 --> 25:00.956
<v Speaker Rik Morgan>they might have. What does the girl say every time? She's like, she's like,

25:01.068 --> 25:04.000
<v Speaker Johnny Krueg>this won't happen unless we mean for it to happen.

25:06.970 --> 25:10.430
<v Speaker Rik Morgan>Oh. So at this point,

25:11.010 --> 25:14.282
<v Speaker Rik Morgan>we haven't really gotten to where they get

25:14.306 --> 25:18.242
<v Speaker Rik Morgan>to the, to the thrill, the chamber of thrills just yet, because Melissa's

25:18.266 --> 25:21.282
<v Speaker Rik Morgan>going around looking for Sam because now he's missing. Dude's been gone for,

25:21.306 --> 25:25.642
<v Speaker Rik Morgan>like, 15 minutes, and now he's already on the missing persons list in

25:25.666 --> 25:29.826
<v Speaker Rik Morgan>a, in a park that he works in. So even

25:29.858 --> 25:33.206
<v Speaker Rik Morgan>as a kid, I would go, well, if he works

25:33.238 --> 25:36.050
<v Speaker Rik Morgan>here, how do you know he's missing?

25:38.150 --> 25:41.638
<v Speaker Joseph Henson>Yeah, it's like they called in the cavalry, like 15 minutes after he's gone.

25:41.694 --> 25:44.830
<v Speaker Joseph Henson>Like, Amy Lynn Bradley didn't even get that much time. They took her, like,

25:44.870 --> 25:48.478
<v Speaker Joseph Henson>two, two or three days thereport her missing. This guy. This guy's probably on

25:48.494 --> 25:52.450
<v Speaker Joseph Henson>his lunch break. They reported Missy. It's. This is,

25:53.230 --> 25:57.022
<v Speaker Rik Morgan>this is where you get to start seeing people acting like robots, because she shows

25:57.046 --> 26:00.822
<v Speaker Rik Morgan>up at Devereaux's workshop. He's in there, and he walks around and starts

26:00.846 --> 26:04.374
<v Speaker Rik Morgan>showing her some of the androids that are just, you know,

26:04.422 --> 26:08.190
<v Speaker Rik Morgan>dudes dressed up in these outfits. And that's where you get the barbershop

26:08.230 --> 26:11.478
<v Speaker Rik Morgan>quartet singing. And when they walk past the

26:11.494 --> 26:14.650
<v Speaker Rik Morgan>table, it's obviously a dude's head sticking up through the table.

26:15.230 --> 26:18.398
<v Speaker Rik Morgan>That's part of the quartet. And they sing a little piece of a song,

26:18.534 --> 26:21.502
<v Speaker Rik Morgan>then they go back to it, and I don't know if you could pick a

26:21.526 --> 26:24.238
<v Speaker Rik Morgan>more fake looking head than the one that he picks up that's supposed to be

26:24.254 --> 26:28.188
<v Speaker Rik Morgan>the same head. I mean, it looks absolutely

26:28.244 --> 26:31.884
<v Speaker Rik Morgan>terrible. And I'm like, you're supposed to buy that. That's the same

26:31.932 --> 26:34.520
<v Speaker Rik Morgan>head. I mean, it don't even. It's not even the same shape,

26:39.660 --> 26:42.780
<v Speaker Rik Morgan>but they're trying to give you that illusion of, you know, they're not real.

26:42.820 --> 26:45.916
<v Speaker Rik Morgan>They're all robotic. And. Yeah, sure they are.

26:46.108 --> 26:49.076
<v Speaker Joseph Henson>It's like, did no one have, like, any kind of, like,

26:49.148 --> 26:52.132
<v Speaker Joseph Henson>safety procedures for any of this? I mean, they just let this guy run hog

26:52.196 --> 26:55.802
<v Speaker Joseph Henson>wild, like, creating these killer robots in there, and no one's, like,

26:55.866 --> 26:58.790
<v Speaker Joseph Henson>bats an eye at it until he's, like, let go or whatever.

27:00.210 --> 27:03.762
<v Speaker Rik Morgan>Yeah, and that's the thing. You don't know if the guy. That's the financial,

27:03.906 --> 27:07.970
<v Speaker Rik Morgan>you know, guy of the, of the park, the one that fires him,

27:08.090 --> 27:11.634
<v Speaker Rik Morgan>if he knows that he's been doing other

27:11.682 --> 27:14.602
<v Speaker Rik Morgan>stuff or if he just realizes he has been doing what he's supposed to be

27:14.626 --> 27:16.830
<v Speaker Rik Morgan>doing and that's why he has to let him go.

27:18.170 --> 27:21.512
<v Speaker Rik Morgan>But, oh, yeah. I'm, uh, at this point, that's where chopper and his

27:21.536 --> 27:23.340
<v Speaker Rik Morgan>bunch go to the house of thrills.

27:25.280 --> 27:28.968
<v Speaker Rik Morgan>How about when they first get in there and there's the family in there with

27:28.984 --> 27:33.424
<v Speaker Rik Morgan>the kids, got the balloon. He's smoking. Chopper pops

27:33.512 --> 27:37.192
<v Speaker Rik Morgan>the balloon. The guy's like, hey, you can't smoke in here. The chopper

27:37.216 --> 27:38.740
<v Speaker Rik Morgan>goes, I'll smoke you.

27:41.760 --> 27:43.580
<v Speaker Rik Morgan>I think what.

27:47.290 --> 27:49.830
<v Speaker Johnny Krueg>This movie just got really hardcore.

27:50.690 --> 27:53.578
<v Speaker Rik Morgan>I didn't know where that was going. You might want to get the kids out

27:53.594 --> 27:56.994
<v Speaker Rik Morgan>of there real fast. Yeah. He's a two pack a day, or you better

27:57.042 --> 27:57.950
<v Speaker Joseph Henson>run, kid.

28:00.770 --> 28:03.826
<v Speaker Rik Morgan>But anyways, what happens is, you know, you got the mummy,

28:03.858 --> 28:07.226
<v Speaker Rik Morgan>you got Dracula, Frankenstein. All these

28:07.258 --> 28:10.154
<v Speaker Rik Morgan>characters down here. And, you know, big.

28:10.322 --> 28:13.138
<v Speaker Rik Morgan>Typical what you would think of like a house of wax kind of thing or

28:13.154 --> 28:16.670
<v Speaker Rik Morgan>whatever. And they all get

28:16.710 --> 28:19.990
<v Speaker Rik Morgan>captured and pulled through a air

28:20.030 --> 28:24.446
<v Speaker Rik Morgan>duct somehow. It's like one of those bank suction

28:24.518 --> 28:27.606
<v Speaker Johnny Krueg>things. They send your money to the teller.

28:27.758 --> 28:30.918
<v Speaker Rik Morgan>Exactly. Well, think of in Star wars. Hint, hint.

28:31.054 --> 28:34.358
<v Speaker Rik Morgan>You know, those. Those. That tube would come down from the jawa's,

28:34.494 --> 28:37.862
<v Speaker Rik Morgan>you know, trailer or whatever that thing was they riding in.

28:37.886 --> 28:41.488
<v Speaker Rik Morgan>It would suck. Suck the characters back up into it. It's kind

28:41.504 --> 28:44.740
<v Speaker Rik Morgan>of what happens here. Except we get to see them float through the tubes going.

28:47.160 --> 28:50.480
<v Speaker Rik Morgan>Well. And then it's cool too, because, like, part of it is them, like,

28:50.520 --> 28:53.712
<v Speaker Johnny Krueg>coming toward the camera. And the other, other half is them going backwards through the

28:53.736 --> 28:55.180
<v Speaker Johnny Krueg>tube. Yeah.

28:58.120 --> 29:02.100
<v Speaker Rik Morgan>And then it. It cuts away to

29:03.240 --> 29:06.762
<v Speaker Rik Morgan>Deverell getting fired outside the kiss stage. Where they're

29:06.786 --> 29:10.154
<v Speaker Rik Morgan>doing a sound check. Even. Even though they don't have the speaker set up yet.

29:10.242 --> 29:12.310
<v Speaker Rik Morgan>You're hearing guys testing the speakers.

29:15.130 --> 29:18.578
<v Speaker Rik Morgan>Oh, and this is. I love it. Because the

29:18.594 --> 29:22.002
<v Speaker Rik Morgan>guy goes, I gotta let you go. And Devereaux gets up

29:22.026 --> 29:25.970
<v Speaker Rik Morgan>and he says, you will regret this day. And he starts

29:26.010 --> 29:29.282
<v Speaker Rik Morgan>walking away. But it's one of those walking aways where

29:29.306 --> 29:33.090
<v Speaker Rik Morgan>you think, what if I walk slow enough? Maybe he'll call me back.

29:33.390 --> 29:37.286
<v Speaker Rik Morgan>Maybe he'll call me back. Maybe. I mean, dude is just barely creeping

29:37.318 --> 29:40.370
<v Speaker Rik Morgan>off. And it's like the longest scene of him walking off.

29:41.710 --> 29:45.302
<v Speaker Joseph Henson>Yeah, it's like the. It's like the scene in Nixon where. Where Nixon is impeached.

29:45.326 --> 29:49.490
<v Speaker Joseph Henson>And it's like this long, like, walk to the plane or into the limousine.

29:51.670 --> 29:54.982
<v Speaker Joseph Henson>This goes on forever. All I needed

29:55.006 --> 29:58.862
<v Speaker Joseph Henson>was, like, some sad music playing over.

29:59.006 --> 30:02.118
<v Speaker Joseph Henson>They should have got, like, kissed, like, record some sort of sad music.

30:02.174 --> 30:05.378
<v Speaker Joseph Henson>Like, they could have scored the film as well. Other than their songs.

30:05.434 --> 30:07.710
<v Speaker Johnny Krueg>They play as they play a sad song later.

30:12.010 --> 30:15.538
<v Speaker Rik Morgan>But at this point, it's showtime. It's concert time.

30:15.714 --> 30:19.362
<v Speaker Rik Morgan>And this is where I don't know if the warm up bands playing or

30:19.386 --> 30:22.746
<v Speaker Rik Morgan>whatever. But the crowds all going crazy, getting amped up.

30:22.898 --> 30:26.710
<v Speaker Rik Morgan>And it shows Devereaux sitting at his desk. Which I have to admit,

30:27.090 --> 30:30.800
<v Speaker Rik Morgan>it's a pretty cool desk. Mandev. All those blinking

30:30.840 --> 30:34.620
<v Speaker Rik Morgan>lights. And the three little tv screens up top where you can see everything.

30:35.440 --> 30:38.780
<v Speaker Rik Morgan>But, dude, has done snapped. I mean,

30:39.120 --> 30:43.424
<v Speaker Rik Morgan>he basically turns off the tv and says, I will destroy you.

30:43.592 --> 30:46.768
<v Speaker Rik Morgan>I'll destroy all of you. And you're like, now you're

30:46.784 --> 30:49.660
<v Speaker Rik Morgan>gonna kill everybody that goes to the park. I mean,

30:50.840 --> 30:53.784
<v Speaker Rik Morgan>why? I have a question.

30:53.912 --> 30:57.182
<v Speaker Johnny Krueg>So he's let go. But before he's

30:57.206 --> 31:00.654
<v Speaker Johnny Krueg>let go, you hear earlier that it's pretty much, you know, common knowledge

31:00.702 --> 31:04.766
<v Speaker Johnny Krueg>where his laboratory and everything is. And he just, like, goes back

31:04.798 --> 31:08.342
<v Speaker Johnny Krueg>there, and nobody goes and checks, nobody escorts him out of the park

31:08.406 --> 31:11.518
<v Speaker Johnny Krueg>or, you know, removes his, like, access to that.

31:11.654 --> 31:15.518
<v Speaker Joseph Henson>Secret facility, or, yeah, nothing is revoked. No one puts chains on

31:15.534 --> 31:18.222
<v Speaker Joseph Henson>the doors, or no one sets a security guard out there to say, hey,

31:18.246 --> 31:21.406
<v Speaker Joseph Henson>this guy might come back. He's been acting a little fruit loopy,

31:21.438 --> 31:24.936
<v Speaker Joseph Henson>so just keep an eye out. No, it's this business as usual once he's

31:24.968 --> 31:28.560
<v Speaker Joseph Henson>gone. Yeah, yeah. I mean, so, yeah, he's just.

31:28.600 --> 31:31.872
<v Speaker Rik Morgan>He's got his own place. I guess. Maybe that was of his stipulations when they

31:31.896 --> 31:35.320
<v Speaker Rik Morgan>started building, was, I need my own place and no

31:35.400 --> 31:38.540
<v Speaker Rik Morgan>people allowed, so who knows?

31:40.080 --> 31:44.140
<v Speaker Rik Morgan>But, yeah. So he decides that he's gonna destroy

31:44.440 --> 31:48.304
<v Speaker Rik Morgan>the park and all the people in the park and

31:48.352 --> 31:51.900
<v Speaker Rik Morgan>kiss, because I guess he hates kiss, but he's gonna use kiss as his

31:51.940 --> 31:55.692
<v Speaker Rik Morgan>instrument to destroy the people and destroy the park,

31:55.836 --> 31:57.680
<v Speaker Rik Morgan>which makes total sense, right?

32:00.780 --> 32:04.812
<v Speaker Rik Morgan>Oh, speaking of kiss, the show starts,

32:04.996 --> 32:08.080
<v Speaker Rik Morgan>and kiss comes flying in on the stage from outer space.

32:11.740 --> 32:15.092
<v Speaker Rik Morgan>I still don't understand that one. We're not making this up,

32:15.116 --> 32:18.930
<v Speaker Rik Morgan>by the way. No, I mean,

32:19.510 --> 32:23.326
<v Speaker Rik Morgan>ace just comes out of nowhere and shoots some lasers out of his fingers.

32:23.358 --> 32:26.446
<v Speaker Rik Morgan>And Peter criss appears in space,

32:26.518 --> 32:29.742
<v Speaker Rik Morgan>and Paul Stanley shoots a laser

32:29.766 --> 32:32.814
<v Speaker Rik Morgan>out of his eye and walks down the laser onto the stage.

32:32.902 --> 32:34.970
<v Speaker Rik Morgan>It sounds much cooler than it is.

32:39.670 --> 32:43.022
<v Speaker Rik Morgan>And gene breathes cartoon fire all the. Time,

32:43.206 --> 32:47.160
<v Speaker Rik Morgan>so aunt growls like a lion. And growls like a lionhouse.

32:47.850 --> 32:51.510
<v Speaker Rik Morgan>And not just a lion, a Hanna Barbera lion. I mean,

32:52.650 --> 32:55.722
<v Speaker Rik Morgan>yeah, it is stock sound effects in this one,

32:55.746 --> 32:58.962
<v Speaker Rik Morgan>folks. They could have done,

32:58.986 --> 33:02.506
<v Speaker Joseph Henson>like, a who, who framed Roger Rabbit type thing and got all the Hanna Barbera

33:02.538 --> 33:06.234
<v Speaker Joseph Henson>cartoon characters in there. Like, you could have Gene Simmons, like, on stage

33:06.282 --> 33:09.590
<v Speaker Joseph Henson>breathing fire and huckleberry hounds. Like, watch out.

33:10.090 --> 33:13.650
<v Speaker Joseph Henson>That would have been so awesome. Snaggle bliss, exit stage left.

33:13.690 --> 33:14.430
<v Speaker Rik Morgan>Ethan.

33:17.080 --> 33:20.060
<v Speaker Rik Morgan>You know, all these sound like better ideas than what we get.

33:23.360 --> 33:26.880
<v Speaker Rik Morgan>So, yeah, the show starts, they get on stage, they sing

33:26.920 --> 33:30.340
<v Speaker Rik Morgan>shouted out loud. And I have to admit,

33:30.760 --> 33:34.424
<v Speaker Rik Morgan>as a kid, the stage performances were really

33:34.472 --> 33:37.848
<v Speaker Rik Morgan>the best stage performance things we ever got to

33:37.864 --> 33:41.226
<v Speaker Rik Morgan>see. Because, you know, you didn't have MTV. You didn't see them on

33:41.258 --> 33:44.778
<v Speaker Rik Morgan>tv ever. As far as live performance.

33:44.874 --> 33:48.098
<v Speaker Rik Morgan>If you did, it was like midnight special or something, something you were not allowed

33:48.114 --> 33:51.322
<v Speaker Rik Morgan>to stay up and watch because it was past your bedtime. So this is the

33:51.346 --> 33:55.110
<v Speaker Rik Morgan>first time that most kids got to see kiss on stage

33:55.490 --> 33:59.154
<v Speaker Rik Morgan>of any kind. So that

33:59.202 --> 34:02.710
<v Speaker Rik Morgan>part was kind of a big deal. It's just when they get off the stage,

34:03.730 --> 34:07.098
<v Speaker Rik Morgan>it's when the problem starts. Let me. Let me ask you

34:07.114 --> 34:11.188
<v Speaker Johnny Krueg>a question, Mandy. I don't know a lot about kiss. You know, I know

34:11.204 --> 34:14.440
<v Speaker Johnny Krueg>a lot about music and stuff, but surprisingly, I don't know a lot about kiss.

34:15.620 --> 34:19.508
<v Speaker Johnny Krueg>Did you. Did Gene Simmons always walk like he had something up his butt?

34:19.604 --> 34:22.960
<v Speaker Rik Morgan>Oh, yeah, yeah. I mean, that was part of the.

34:23.620 --> 34:26.868
<v Speaker Rik Morgan>He slithers around, like, you know, think of the dragon in

34:26.884 --> 34:29.820
<v Speaker Rik Morgan>Dragon Slayer, when it had its legs bent and it was like,

34:29.860 --> 34:32.916
<v Speaker Rik Morgan>walking down that corridor. That's kind of his thing.

34:32.948 --> 34:36.645
<v Speaker Rik Morgan>It was that. You're exactly right. That's. That's what it's like. Like that posturing.

34:36.797 --> 34:39.989
<v Speaker Rik Morgan>Yeah. Okay. In the.

34:40.029 --> 34:42.253
<v Speaker Johnny Krueg>I didn't know if that was, like, something for the movie or if that's something

34:42.301 --> 34:46.213
<v Speaker Johnny Krueg>he, like, he did in general. No, that's when they're on stage performing.

34:46.261 --> 34:50.213
<v Speaker Rik Morgan>That's kind of how they are. It's just,

34:50.341 --> 34:53.969
<v Speaker Rik Morgan>you know, trying to make that passable is.

34:54.269 --> 34:58.469
<v Speaker Rik Morgan>No, no. The super, he's. He walks like, he's wearing extremely

34:58.509 --> 35:01.946
<v Speaker Joseph Henson>tight spandex pants, and he's already bow legged, so it's

35:01.978 --> 35:05.202
<v Speaker Joseph Henson>like he's crunched up there. That's probably

35:05.266 --> 35:08.402
<v Speaker Rik Morgan>very true. And he's a very tall dude, too.

35:08.466 --> 35:11.962
<v Speaker Rik Morgan>So you take that and then let him hunker down. Of course, they all had

35:11.986 --> 35:15.954
<v Speaker Rik Morgan>trouble with the boots, right? I mean, Ace was infamous for falling

35:16.002 --> 35:19.218
<v Speaker Rik Morgan>on stage all the time, and the dude couldn't walk in normal shoes. You put

35:19.234 --> 35:22.298
<v Speaker Rik Morgan>him in those things, and they said they'd look around, he'd be on the ground

35:22.354 --> 35:24.990
<v Speaker Rik Morgan>all the time, you know, laughing at himself.

35:26.980 --> 35:30.332
<v Speaker Rik Morgan>Oh, let's see. Where are we

35:30.356 --> 35:34.012
<v Speaker Rik Morgan>at? Kiss performance on stage. And then it cuts back to Devereaux

35:34.036 --> 35:36.972
<v Speaker Rik Morgan>again. And this is where you find out that chopper and his gang are now

35:37.116 --> 35:40.120
<v Speaker Rik Morgan>androids that he uses in the show. Dresses them up like,

35:40.580 --> 35:44.204
<v Speaker Rik Morgan>I don't know, from early american history

35:44.292 --> 35:47.960
<v Speaker Rik Morgan>kind of looking, you know, stuff. 1776 looking stuff.

35:48.780 --> 35:52.716
<v Speaker Rik Morgan>And so now you're kind of putting the pieces together of,

35:52.748 --> 35:56.664
<v Speaker Rik Morgan>wow, he's not making robots. Well, not literally making robots.

35:56.712 --> 35:59.900
<v Speaker Rik Morgan>He's turning people into robots. Dump. Dump. Dom.

36:03.200 --> 36:06.576
<v Speaker Rik Morgan>And then kiss. Yeah. Colonial robots. At the colonial robots.

36:06.608 --> 36:09.536
<v Speaker Rik Morgan>There you go. That's the word I was looking for. Yeah, I think that.

36:09.568 --> 36:13.480
<v Speaker Johnny Krueg>I think that band used to open for kiss robots.

36:13.560 --> 36:16.180
<v Speaker Johnny Krueg>Yeah. It's actually not a bad thing.

36:16.600 --> 36:19.820
<v Speaker Rik Morgan>Yeah. Bad at all. Oh,

36:20.410 --> 36:24.570
<v Speaker Rik Morgan>and this is where the mighty starts falling.

36:24.690 --> 36:28.042
<v Speaker Rik Morgan>Falling. This is where sam starts

36:28.066 --> 36:31.562
<v Speaker Rik Morgan>taking pictures of him when they're coming off the back of the stage to get

36:31.626 --> 36:35.190
<v Speaker Rik Morgan>every angle as possible of their faces. For Devereux,

36:35.850 --> 36:39.626
<v Speaker Rik Morgan>even though he only takes one shot and they just show

36:39.658 --> 36:40.510
<v Speaker Rik Morgan>it twice,

36:44.170 --> 36:48.220
<v Speaker Rik Morgan>get every angle. He just takes one picture

36:48.300 --> 36:51.080
<v Speaker Rik Morgan>and then zooms in a little closer on the same picture.

36:54.820 --> 36:57.764
<v Speaker Joseph Henson>It's like you'd have Gene Simmons, like, the front of his face. But then when

36:57.772 --> 37:00.180
<v Speaker Joseph Henson>you make the Android, like, for the side of his face, he just have to,

37:00.220 --> 37:03.996
<v Speaker Joseph Henson>like, do a lot of guesswork. Yeah, right. Well, that's funny,

37:04.028 --> 37:07.236
<v Speaker Rik Morgan>because later on, when he's building them, he's got all these other photos. You're like,

37:07.268 --> 37:10.532
<v Speaker Rik Morgan>okay, where'd you get those at? Because those are definitely not pictures that

37:10.556 --> 37:11.480
<v Speaker Rik Morgan>sam took.

37:14.670 --> 37:18.774
<v Speaker Rik Morgan>But what happens is Melissa sees Sam back there because he's been missing for 45

37:18.822 --> 37:23.198
<v Speaker Rik Morgan>minutes, and she's trying to. She's trying to get his attention and

37:23.254 --> 37:26.446
<v Speaker Rik Morgan>sneed the a hole that he will, and he is.

37:26.478 --> 37:30.086
<v Speaker Rik Morgan>He won't let her by. And that's when Gene

37:30.118 --> 37:33.358
<v Speaker Rik Morgan>goes star child, but he's got the sound effect

37:33.414 --> 37:37.470
<v Speaker Rik Morgan>on his voice that is worse than Doctor

37:37.510 --> 37:39.770
<v Speaker Rik Morgan>Doom and the corpsman version.

37:44.590 --> 37:47.290
<v Speaker Rik Morgan>And Paul shoots a laser out of his eye,

37:47.830 --> 37:51.694
<v Speaker Rik Morgan>and it makes everybody freeze except the girl.

37:51.742 --> 37:54.798
<v Speaker Rik Morgan>And she walks up closer and. Yeah.

37:54.854 --> 37:57.250
<v Speaker Rik Morgan>We start getting conversation that we didn't need.

37:58.270 --> 38:01.262
<v Speaker Joseph Henson>I'm not the, um. I'm not the biggest. Like, I don't know a whole lot

38:01.286 --> 38:04.990
<v Speaker Joseph Henson>about ki. I mean, I know some, but which one has the star over his

38:05.030 --> 38:08.632
<v Speaker Joseph Henson>face? That's Pauldin. Yeah. Yeah. Did you notice? I mean, probably getting ahead

38:08.656 --> 38:12.032
<v Speaker Joseph Henson>of here a little bit, but there's. There. I remember one scene where he's

38:12.056 --> 38:15.768
<v Speaker Joseph Henson>got. He's got, like, the star cam vision and, like. Yeah, everything's in,

38:15.784 --> 38:18.872
<v Speaker Joseph Henson>like, this sepia color except for the edge of the star. It's in black and

38:18.896 --> 38:22.096
<v Speaker Joseph Henson>white. Yeah. So I just wonder about that. Well,

38:22.168 --> 38:25.416
<v Speaker Rik Morgan>he can use it for multiple things, right? It can be a laser that's destructive,

38:25.488 --> 38:28.672
<v Speaker Rik Morgan>like a Star wars blaster, or he can use

38:28.696 --> 38:32.256
<v Speaker Rik Morgan>it to, you know, do the, you know, because they're. There's the same. They're talking

38:32.288 --> 38:35.736
<v Speaker Rik Morgan>all the way across the swimming pool, and he's able to just listen within that.

38:35.808 --> 38:38.712
<v Speaker Rik Morgan>That star, I guess, and hear what they're saying. I don't know. Yeah, that.

38:38.736 --> 38:42.656
<v Speaker Johnny Krueg>That's like, that's a scene that he's talking about because I'm, I kept

38:42.688 --> 38:45.768
<v Speaker Johnny Krueg>thinking I'm like he's hearing with his eye. Like,

38:45.864 --> 38:49.288
<v Speaker Johnny Krueg>yeah, man. It's like he can do all this stuff with his eyes. But if

38:49.304 --> 38:52.400
<v Speaker Joseph Henson>you look, if you look at the camera view, it's obvious he's colorblind.

38:52.440 --> 38:55.020
<v Speaker Joseph Henson>Poor guy. Actually,

38:55.560 --> 38:59.304
<v Speaker Rik Morgan>he's, he's only got one ear in real life.

38:59.432 --> 39:02.984
<v Speaker Rik Morgan>Seriously. He only really only has one ear? Yeah. Paul Stanley only has one a

39:02.992 --> 39:05.460
<v Speaker Rik Morgan>year. Yeah.

39:07.280 --> 39:10.360
<v Speaker Rik Morgan>That's always been, you know, it's something he never talked a whole lot about,

39:10.400 --> 39:12.980
<v Speaker Rik Morgan>but, yeah, he's, he's only had one ear his whole life.

39:14.400 --> 39:15.980
<v Speaker Rik Morgan>Just born without it.

39:17.400 --> 39:21.112
<v Speaker Johnny Krueg>But that's, that's crazy too, for like, a musician. Like, you don't,

39:21.136 --> 39:24.192
<v Speaker Johnny Krueg>you never hear people, you know, stuff like that? Yeah.

39:24.216 --> 39:28.042
<v Speaker Rik Morgan>He's never heard stereo, you know, never had that ability.

39:28.146 --> 39:31.554
<v Speaker Rik Morgan>But he said this. But he said, if you think about it, for like,

39:31.602 --> 39:35.350
<v Speaker Rik Morgan>monitors, he kind of, he had an advantage because

39:35.850 --> 39:38.906
<v Speaker Rik Morgan>you look at most singers, they oppose. They used to hold one ear, right,

39:38.938 --> 39:41.858
<v Speaker Rik Morgan>so they could hear themselves. He said he could hear himself all the time,

39:41.914 --> 39:45.506
<v Speaker Rik Morgan>so. Well, this probably explains why he's in this movie because the

39:45.538 --> 39:47.950
<v Speaker Joseph Henson>person that asked him probably asked him in his bad ear.

39:50.650 --> 39:54.002
<v Speaker Rik Morgan>I'm sure it came down to dollar signs. That's the only explanation for

39:54.026 --> 39:57.324
<v Speaker Rik Morgan>this movie because everybody was, was trying to make money

39:57.372 --> 40:01.172
<v Speaker Rik Morgan>off of this band at the time because, again, they were the

40:01.196 --> 40:04.244
<v Speaker Rik Morgan>biggest thing on the planet. And. Yeah,

40:04.292 --> 40:07.860
<v Speaker Rik Morgan>that's, that's all this turned into. And anyways,

40:07.940 --> 40:11.052
<v Speaker Rik Morgan>we'll get back to the movie. They know

40:11.076 --> 40:14.628
<v Speaker Rik Morgan>that Melissa's looking for Sam. And I love the fact that

40:14.644 --> 40:17.760
<v Speaker Rik Morgan>he says, don't worry about it, Melissa.

40:18.260 --> 40:21.620
<v Speaker Rik Morgan>Sam's still in the park. Well, hell, yeah, he is. He just walked by

40:21.660 --> 40:22.600
<v Speaker Rik Morgan>a minute ago.

40:25.670 --> 40:29.358
<v Speaker Rik Morgan>Thanks for being captain obvious there, Paul. I like,

40:29.454 --> 40:32.574
<v Speaker Johnny Krueg>I like, I like when they talk to her because they're very, like, prophetic.

40:32.622 --> 40:35.654
<v Speaker Johnny Krueg>They're very like, calm and just. Yeah,

40:35.742 --> 40:37.050
<v Speaker Johnny Krueg>he's still in the park.

40:39.510 --> 40:43.390
<v Speaker Rik Morgan>Well, and that's, trying to keep that mystique going. So let's, let's break down

40:43.430 --> 40:47.286
<v Speaker Rik Morgan>kiss for you, the, the real personalities. You got

40:47.318 --> 40:50.582
<v Speaker Rik Morgan>Gene, who is Gene Simmons?

40:50.646 --> 40:53.752
<v Speaker Rik Morgan>I mean, there's not a big difference between Gene without makeup,

40:53.816 --> 40:56.780
<v Speaker Rik Morgan>as with makeup, he's bombastic,

40:58.240 --> 41:01.072
<v Speaker Rik Morgan>a stage hog. He loves what he does.

41:01.256 --> 41:05.060
<v Speaker Rik Morgan>Paul was the one, it was always about the music, but he was always,

41:06.480 --> 41:09.840
<v Speaker Rik Morgan>to me, Paul was always the one in charge. When it come down to it,

41:10.000 --> 41:13.152
<v Speaker Rik Morgan>he kind of kept the band going. So he was the real musician of the

41:13.176 --> 41:17.206
<v Speaker Rik Morgan>bunch, Ace Washington.

41:17.308 --> 41:20.970
<v Speaker Rik Morgan>He was living the rock and roll lifestyle. I mean, the best example

41:21.010 --> 41:24.738
<v Speaker Rik Morgan>is, you know, like Keith Richards, Slash. This is

41:24.754 --> 41:28.578
<v Speaker Rik Morgan>what Ace was. He was the rock and roll guy that hated all this goofy

41:28.754 --> 41:32.386
<v Speaker Rik Morgan>superhero crap. He just wanted to play a Les Paul and

41:32.418 --> 41:35.706
<v Speaker Rik Morgan>rock out. That's. That's Ace. And then Pete thought

41:35.738 --> 41:39.010
<v Speaker Rik Morgan>he was the star of the band. The drummer

41:39.050 --> 41:42.602
<v Speaker Rik Morgan>always thought he was the star and pretty much resented

41:42.626 --> 41:44.510
<v Speaker Rik Morgan>everybody else in the band because of it.

41:47.130 --> 41:51.114
<v Speaker Johnny Krueg>Dude, don't let him paint your face like a kitty cat and expect

41:51.162 --> 41:52.470
<v Speaker Johnny Krueg>to be the star, man.

41:54.610 --> 41:57.402
<v Speaker Rik Morgan>Well, and that's all the Persona thing, right? I mean, they.

41:57.546 --> 42:01.170
<v Speaker Rik Morgan>That's. You know, Paul's always said, he said, you can't

42:01.210 --> 42:05.098
<v Speaker Rik Morgan>claim somebody to be a genius when they fall into a

42:05.274 --> 42:08.762
<v Speaker Rik Morgan>stream of gold. He said, it's just one of those things that just happened

42:08.946 --> 42:12.440
<v Speaker Rik Morgan>because they were tired of fans growing up and paying

42:12.480 --> 42:15.792
<v Speaker Rik Morgan>money to go see, you know, Led Zeppelin. All these bands that would get on

42:15.816 --> 42:19.656
<v Speaker Rik Morgan>stage and be totally wasted and not get your money's worth.

42:19.768 --> 42:22.808
<v Speaker Rik Morgan>And they were a reaction to that. They wanted to be larger than life and

42:22.824 --> 42:26.888
<v Speaker Rik Morgan>put on a great show. So that's kind of the way the whole Persona

42:26.904 --> 42:30.240
<v Speaker Rik Morgan>and all that stuff came from, and they just kind of dabbled into

42:30.280 --> 42:33.420
<v Speaker Rik Morgan>their own personalities and come up with some crap.

42:34.840 --> 42:38.094
<v Speaker Rik Morgan>That's the explanation. I'm nothing. I'm not saying that's right. I'm just

42:38.142 --> 42:41.750
<v Speaker Rik Morgan>saying that's what's been said. No, that's cool.

42:41.790 --> 42:45.530
<v Speaker Rik Morgan>That's. I. That's more than I knew about. About kiss. Yeah,

42:46.870 --> 42:50.414
<v Speaker Rik Morgan>but, I mean, I've seen them 39 times in concert.

42:50.462 --> 42:53.854
<v Speaker Rik Morgan>I'm a big fan. But. And nobody.

42:53.902 --> 42:56.614
<v Speaker Rik Morgan>I don't care who it is. Nobody puts on a show like they do.

42:56.662 --> 42:58.410
<v Speaker Rik Morgan>And that's just. That's just a fact.

42:58.990 --> 43:02.542
<v Speaker Rik Morgan>And, yeah, I mean, that's. That's why

43:02.566 --> 43:06.032
<v Speaker Rik Morgan>they were such a big deal. Because, one, you have to remember at this

43:06.056 --> 43:09.416
<v Speaker Rik Morgan>time, too, that the whole mystique behind them, they were

43:09.448 --> 43:13.200
<v Speaker Rik Morgan>never photographed without their makeup. In the seventies, nobody knew who they

43:13.240 --> 43:16.528
<v Speaker Rik Morgan>were without their makeup. It's. That's kind of

43:16.544 --> 43:19.920
<v Speaker Rik Morgan>the mystique about it. Right. Which also led to all the devil worship and stuff.

43:20.040 --> 43:23.264
<v Speaker Rik Morgan>I mean, you knew Alice Cooper if he had the makeup on or not.

43:23.432 --> 43:26.520
<v Speaker Rik Morgan>These guys could take the makeup off and walk down the street. Nobody would even

43:26.560 --> 43:29.728
<v Speaker Rik Morgan>bother them because nobody knew who they were. Yeah. Lindsay Lohan's

43:29.744 --> 43:30.660
<v Speaker Johnny Krueg>the same way.

43:34.800 --> 43:37.620
<v Speaker Rik Morgan>Didn't I see you in the love bug movies? Nope. Wasn't me.

43:41.720 --> 43:45.504
<v Speaker Rik Morgan>So it all plays to this. Mystique and that's the reason

43:45.672 --> 43:49.048
<v Speaker Rik Morgan>them being superheroes and stuff, because they're doing the same thing. I mean, look at

43:49.064 --> 43:52.408
<v Speaker Rik Morgan>Clark Kent taking off his glasses and then you know who he is and puts

43:52.424 --> 43:55.304
<v Speaker Rik Morgan>them on. You don't know. It's like, come on, it's the same dude with glasses,

43:55.352 --> 43:58.932
<v Speaker Rik Morgan>right? So that's kind

43:58.956 --> 44:02.460
<v Speaker Rik Morgan>of the mystique behind the band. That's the reason they got the whole devil

44:02.500 --> 44:06.580
<v Speaker Rik Morgan>worshiping thing and all this stuff, because they wouldn't be photographed without it, which caused

44:06.620 --> 44:08.600
<v Speaker Rik Morgan>the controversy and made them even bigger.

44:09.500 --> 44:12.628
<v Speaker Rik Morgan>Oh, man. My mom came in my room holding up one of my

44:12.644 --> 44:15.916
<v Speaker Rik Morgan>kiss records and was like, you're not listening. This is the devil's music. I mean,

44:15.948 --> 44:17.880
<v Speaker Rik Morgan>I lived through all that. It's real.

44:19.980 --> 44:23.362
<v Speaker Rik Morgan>I mean, preachers were preaching against kiss because they were the devil,

44:23.436 --> 44:26.950
<v Speaker Rik Morgan>you know? Oh, yeah, I was. I was. Yeah. I mean,

44:26.990 --> 44:29.330
<v Speaker Joseph Henson>all those, like, twisted sister kiss,

44:29.790 --> 44:33.182
<v Speaker Joseph Henson>uh, all those bands from the late seventies, early eighties that got

44:33.206 --> 44:36.454
<v Speaker Joseph Henson>into the whole glam thing. I mean, you couldn't. You couldn't take a step,

44:36.502 --> 44:39.838
<v Speaker Joseph Henson>you know, in one, in either direction without someone standing

44:39.854 --> 44:43.086
<v Speaker Joseph Henson>there saying, oh, you should listen to that. It's the devil's music. Yeah, well,

44:43.118 --> 44:46.174
<v Speaker Rik Morgan>that was everywhere. That was heavy metal in general. But you gotta remember

44:46.222 --> 44:49.464
<v Speaker Rik Morgan>this is before all that. I mean, this is.

44:49.512 --> 44:53.248
<v Speaker Rik Morgan>I mean, this is legit where people specifically called out kiss

44:53.304 --> 44:56.980
<v Speaker Rik Morgan>by themselves because of the spitting of the fire, the spitting of blood.

44:58.000 --> 45:01.456
<v Speaker Joseph Henson>Yeah. And I. I can't remember someone came up with an acronym

45:01.488 --> 45:05.208
<v Speaker Joseph Henson>for Kiss. It was like nights and something. Yeah, yeah, that's what

45:05.224 --> 45:08.264
<v Speaker Joseph Henson>it was. Yeah. Yeah. Nice. And Satan service. I mean, that's.

45:08.392 --> 45:12.568
<v Speaker Rik Morgan>I've heard that many a time. Matter of fact, that happened

45:12.584 --> 45:15.624
<v Speaker Rik Morgan>at a church when I was a kid that we grew up going to.

45:15.672 --> 45:19.028
<v Speaker Rik Morgan>And a lot of the kids that were, you know, teenage kids got

45:19.044 --> 45:22.156
<v Speaker Rik Morgan>it and walked out when all that was going on. Because it's like,

45:22.308 --> 45:25.240
<v Speaker Rik Morgan>I'm not sitting here listening to this because that's bull crap. So,

45:27.020 --> 45:30.436
<v Speaker Rik Morgan>yeah, anyways, that's a whole different story, right?

45:30.548 --> 45:34.100
<v Speaker Rik Morgan>But it just builds up to why this was such a big deal.

45:34.140 --> 45:38.852
<v Speaker Rik Morgan>And it's such a shame that it was such a letdown because,

45:38.996 --> 45:42.356
<v Speaker Rik Morgan>you know, again, there was nobody any bigger than these guys at this point.

45:42.428 --> 45:46.666
<v Speaker Rik Morgan>I mean, every. They were crapping platinum at this point. I mean,

45:46.818 --> 45:49.882
<v Speaker Rik Morgan>it didn't matter what it was. That had to hurt.

45:50.026 --> 45:52.390
<v Speaker Rik Morgan>Yeah. Is this the only movie they ever did?

45:52.970 --> 45:54.470
<v Speaker Rik Morgan>Yes. Thank goodness.

45:58.890 --> 46:02.950
<v Speaker Rik Morgan>So let's get past all this stuff, get back to the movie where

46:04.050 --> 46:07.178
<v Speaker Rik Morgan>our security guards are wandering down an alleyway in

46:07.194 --> 46:10.686
<v Speaker Rik Morgan>the amusement park because, you know, that's where you look for

46:10.718 --> 46:16.022
<v Speaker Rik Morgan>bad guys in an amusement park when it shut down and

46:16.166 --> 46:20.110
<v Speaker Rik Morgan>they get attacked by Gene Simmons. And it sounds like

46:20.270 --> 46:23.438
<v Speaker Rik Morgan>in the background, super tramps trying to play a disco song.

46:23.574 --> 46:26.838
<v Speaker Rik Morgan>And this music's playing while Gene's, like,

46:26.894 --> 46:30.850
<v Speaker Rik Morgan>throwing cops around and breathing fake cartoon fire and

46:31.310 --> 46:34.290
<v Speaker Rik Morgan>roaring like a lion and smashing a.

46:36.040 --> 46:37.340
<v Speaker Johnny Krueg>Concession stand,

46:38.760 --> 46:41.760
<v Speaker Johnny Krueg>dude, like that concession stand scene. Like, there,

46:41.880 --> 46:45.700
<v Speaker Johnny Krueg>there's legitimately no reason for him to bust that up.

46:47.400 --> 46:50.984
<v Speaker Rik Morgan>Well, again, they were trying to. He busted through a cement block wall

46:51.032 --> 46:53.944
<v Speaker Rik Morgan>when he first got there. It's like, does that not show that he's strong enough

46:53.992 --> 46:57.272
<v Speaker Rik Morgan>as is? I mean, well, it's funny, though, because, yeah,

46:57.296 --> 47:00.392
<v Speaker Johnny Krueg>he's busting to this stuff, but then when he, you expect when he throws

47:00.416 --> 47:04.016
<v Speaker Johnny Krueg>these security guys for, like, them to break stuff, but they're just lightly landing

47:04.048 --> 47:07.680
<v Speaker Johnny Krueg>on like, like little pavilion ledges and stuff.

47:08.460 --> 47:12.388
<v Speaker Rik Morgan>Yeah. And you get your $6 million man kind of sound effects when he's throwing

47:12.404 --> 47:16.120
<v Speaker Rik Morgan>them around. Like. You know,

47:17.500 --> 47:21.556
<v Speaker Rik Morgan>I didn't get any sound bites for this, and I probably should have because I'm

47:21.588 --> 47:25.468
<v Speaker Rik Morgan>telling you, man, it's as, it's a seventies Saturday morning cartoon

47:25.524 --> 47:28.916
<v Speaker Rik Morgan>sounding as you can get, man. This, this sounds like,

47:29.068 --> 47:32.548
<v Speaker Rik Morgan>it's like you're watching a movie with kiss in it, but your volume is

47:32.604 --> 47:36.030
<v Speaker Rik Morgan>actually turned on to a cartoon from jabber

47:36.070 --> 47:39.382
<v Speaker Rik Morgan>Jaw or something. I mean. Yeah, and you, yeah, you could almost,

47:39.446 --> 47:42.462
<v Speaker Joseph Henson>like, play this to children, too, because there's not a lot of foul language in

47:42.486 --> 47:46.222
<v Speaker Joseph Henson>this movie or Violet, like, you know, the violence is cartoonish and,

47:46.406 --> 47:49.910
<v Speaker Joseph Henson>you know, there's no, there's no real foul language, you know, other than, like,

47:49.990 --> 47:53.630
<v Speaker Joseph Henson>you might hear like hell or damn or something. But that's risque

47:53.670 --> 47:57.486
<v Speaker Joseph Henson>as it gets. I don't, I think there's one bad word.

47:57.638 --> 48:00.610
<v Speaker Rik Morgan>You don't call it bad word in the whole movie. And that's exactly why.

48:00.710 --> 48:04.506
<v Speaker Rik Morgan>You're exactly right, Joseph, because your audience at this point,

48:04.618 --> 48:08.026
<v Speaker Rik Morgan>they knew who they were after. This was made for eight

48:08.098 --> 48:12.026
<v Speaker Rik Morgan>years old, up to about 15 years old. This was the

48:12.058 --> 48:15.602
<v Speaker Rik Morgan>target audience for this movie. And it should

48:15.626 --> 48:19.762
<v Speaker Rik Morgan>have just been a Saturday morning show instead of a prom network

48:19.866 --> 48:23.730
<v Speaker Rik Morgan>tv presentation. Can you imagine tuning into this

48:23.770 --> 48:27.230
<v Speaker Joseph Henson>every Saturday in the eighties or late seventies and early eighties?

48:27.630 --> 48:30.990
<v Speaker Joseph Henson>I would have done it. It would have fit right in with electric woman

48:31.030 --> 48:34.622
<v Speaker Rik Morgan>and Dinah Girl or Wild Boy and Bigfoot.

48:34.686 --> 48:38.374
<v Speaker Rik Morgan>I mean, there was all these shows that this, this would have been

48:38.422 --> 48:42.102
<v Speaker Rik Morgan>just like, I mean, it felt like a Sid and Marty Croft

48:42.206 --> 48:43.610
<v Speaker Rik Morgan>Saturday morning show.

48:45.630 --> 48:48.382
<v Speaker Rik Morgan>That's a good point. I've never really thought about that. But this could have been

48:48.406 --> 48:51.606
<v Speaker Rik Morgan>a Saturday morning show that came right on after the.

48:51.638 --> 48:54.010
<v Speaker Rik Morgan>The Bay City Rollers power hour.

48:55.270 --> 48:58.606
<v Speaker Rik Morgan>Was that really a thing? Yeah, they had.

48:58.638 --> 49:01.654
<v Speaker Rik Morgan>I don't think it was base. City Rollers had their own show. Yeah, it was

49:01.662 --> 49:05.142
<v Speaker Rik Morgan>a Sid and murdy cross. I did not know that. Okay. I didn't

49:05.166 --> 49:07.918
<v Speaker Rik Morgan>know that either. Yeah, they came to a screeching halt when they got on a

49:07.934 --> 49:08.970
<v Speaker Rik Morgan>fight on the set.

49:12.230 --> 49:16.050
<v Speaker Rik Morgan>You talking about some dudes that threw. Down somebody misspelled Saturday

49:17.750 --> 49:21.004
<v Speaker Rik Morgan>start beating the hell out of each other? Oh,

49:21.052 --> 49:24.892
<v Speaker Rik Morgan>man. I mean, there's. I mean, literally, they said that there would be

49:24.916 --> 49:28.548
<v Speaker Rik Morgan>shows. You remember the movie fear? Fear of a black hat? And they

49:28.564 --> 49:31.052
<v Speaker Rik Morgan>get in a fight right before they raise the lights on the stage. They're all

49:31.076 --> 49:34.680
<v Speaker Rik Morgan>rolling around the floor, beating each other up. That literally happened with these guys.

49:38.180 --> 49:42.320
<v Speaker Rik Morgan>So. Yeah. Anyways, bay city rollers, totally different story.

49:43.460 --> 49:47.146
<v Speaker Rik Morgan>Let's get back to this. Oh, this is the next day when the cops show

49:47.178 --> 49:50.350
<v Speaker Rik Morgan>up at kiss his house. Because, you know, kiss all live together.

49:50.810 --> 49:54.922
<v Speaker Rik Morgan>And they're all in robes. Yeah, they're all in. It's almost starting

49:54.946 --> 49:57.830
<v Speaker Joseph Henson>to sound like Miami connection. They all share an apartment together.

49:58.290 --> 50:01.626
<v Speaker Joseph Henson>We are all. Gene's waiting for a letter from his.

50:01.778 --> 50:04.830
<v Speaker Rik Morgan>Oh, my God, my father. My father.

50:06.210 --> 50:09.442
<v Speaker Johnny Krueg>If kids were singing songs about friendship in this and, like,

50:09.626 --> 50:13.690
<v Speaker Johnny Krueg>getting into shenanigans on the beach, Manda, you would improve this movie so much.

50:14.870 --> 50:18.406
<v Speaker Johnny Krueg>Yeah. At least a seat or two. I thought we were all

50:18.518 --> 50:20.090
<v Speaker Rik Morgan>orphans. And he goes,

50:25.350 --> 50:28.486
<v Speaker Rik Morgan>but the cops show up to arrest Gene. But the

50:28.558 --> 50:32.450
<v Speaker Rik Morgan>other three are sitting up in these real, like, lifeguard chairs

50:32.790 --> 50:35.610
<v Speaker Rik Morgan>around this Olympic sized pool that's in the backyard.

50:37.150 --> 50:40.748
<v Speaker Rik Morgan>And the robes. Because, you know, it's a. It's the middle of summer and you

50:40.764 --> 50:44.200
<v Speaker Rik Morgan>gotta wear robes over your head and everything. Cause, you know, that's cool.

50:45.220 --> 50:48.200
<v Speaker Rik Morgan>But, uh, yeah, Gene's not there,

50:48.660 --> 50:52.200
<v Speaker Rik Morgan>and they're there to bust him because, you know, he attacked the cops.

50:52.740 --> 50:55.692
<v Speaker Rik Morgan>And they're all saying, there's no way it wouldn't him. What does. What does.

50:55.756 --> 50:58.560
<v Speaker Rik Morgan>And that's where you get a bunch. Of the drummers say about his brother.

51:00.620 --> 51:02.480
<v Speaker Rik Morgan>Gene's brother was an only child.

51:04.580 --> 51:08.120
<v Speaker Rik Morgan>And that's when Paul goes, easy. Cat man, they are serious.

51:08.770 --> 51:11.442
<v Speaker Joseph Henson>Yeah. How's his brother an only child? That's one of the questions I was.

51:11.466 --> 51:14.962
<v Speaker Joseph Henson>Gonna ask him with the cops. Yeah. Okay.

51:15.026 --> 51:18.746
<v Speaker Rik Morgan>He was just. He was just cracking the joke. Yeah.

51:18.858 --> 51:22.346
<v Speaker Rik Morgan>You get a whole bunch of nonsense here that is kind of

51:22.378 --> 51:25.858
<v Speaker Rik Morgan>comical, again, if you know the characters. But this is just bad writing all

51:25.874 --> 51:29.498
<v Speaker Rik Morgan>the way around and bad acting. It cuts

51:29.514 --> 51:32.562
<v Speaker Rik Morgan>away to Melissa showing up at Devereaux's place again and

51:32.586 --> 51:36.292
<v Speaker Rik Morgan>saying, hey, I'm still looking for Sam. He's like, I tell you what,

51:36.396 --> 51:40.280
<v Speaker Rik Morgan>take this pass, and this will let you in everywhere in the park.

51:41.420 --> 51:43.840
<v Speaker Rik Morgan>But we don't know that that pass.

51:44.260 --> 51:47.520
<v Speaker Rik Morgan>She's been bugged. So now he's keeping tracks on her.

51:48.300 --> 51:51.820
<v Speaker Rik Morgan>And almost like he knows the future.

51:51.900 --> 51:54.800
<v Speaker Rik Morgan>He can tell that she's gonna go hang out. Kiss. I don't know,

51:55.340 --> 51:58.388
<v Speaker Rik Morgan>but she's got a bug. Well, they were the biggest thing on the planet at

51:58.404 --> 51:59.960
<v Speaker Rik Morgan>the time. That's right. That's right.

52:03.150 --> 52:06.654
<v Speaker Rik Morgan>It goes back to the pool again. And ace goes ack

52:06.742 --> 52:10.446
<v Speaker Rik Morgan>again. And that's when.

52:10.558 --> 52:13.846
<v Speaker Rik Morgan>And that's when Gene shows up. And Gene growls at the police

52:13.918 --> 52:17.250
<v Speaker Rik Morgan>officers and gets up in his chair.

52:17.550 --> 52:20.526
<v Speaker Rik Morgan>And that's when the cops go out and have the private conversation that Paul can

52:20.558 --> 52:21.650
<v Speaker Rik Morgan>hear through his eyeball.

52:25.340 --> 52:28.428
<v Speaker Rik Morgan>So the cops decide, okay, we're gonna let it go because

52:28.484 --> 52:31.916
<v Speaker Rik Morgan>you guys got these other shows you gotta finish up. Then after that, we'll bust

52:31.948 --> 52:35.556
<v Speaker Rik Morgan>him. And so they already know that something's

52:35.588 --> 52:38.000
<v Speaker Rik Morgan>going on. Cops leave,

52:39.700 --> 52:43.200
<v Speaker Rik Morgan>Melissa shows up, and Gene growls again.

52:44.020 --> 52:46.680
<v Speaker Rik Morgan>And that's when they say, it must be Gene's feeding time.

52:48.260 --> 52:51.420
<v Speaker Rik Morgan>I was like, no, that's what he does when any girl walks. Bye.

52:54.390 --> 52:58.350
<v Speaker Rik Morgan>And this is the thing, man. This we cut away to inside

52:58.390 --> 53:02.030
<v Speaker Rik Morgan>the house. And every

53:02.070 --> 53:05.726
<v Speaker Rik Morgan>kiss fan out there right now, I know, is getting excited. Because the

53:05.758 --> 53:09.526
<v Speaker Rik Morgan>one thing you always wanted as a kiss fan was

53:09.558 --> 53:12.990
<v Speaker Rik Morgan>these talisman, right? So supposedly there's a box of these talisman that

53:13.030 --> 53:17.290
<v Speaker Rik Morgan>have the supernatural powers that kiss all have. So somehow

53:17.850 --> 53:21.522
<v Speaker Rik Morgan>they've been knighted with these

53:21.546 --> 53:24.938
<v Speaker Rik Morgan>talisman. And that's what gives each of their superpowers and also their

53:24.954 --> 53:28.750
<v Speaker Rik Morgan>ability to play from pulp fiction.

53:29.930 --> 53:33.258
<v Speaker Rik Morgan>Absolutely. I'm saying Tarantino ripped us all.

53:33.314 --> 53:36.706
<v Speaker Rik Morgan>Yeah, so that's. You find out all along in pup

53:36.738 --> 53:39.962
<v Speaker Rik Morgan>fiction, they had the talisman from the kiss meets the phantom in dude, if.

53:39.986 --> 53:42.722
<v Speaker Johnny Krueg>There was a director's cut that existed where that was the case.

53:42.786 --> 53:45.860
<v Speaker Johnny Krueg>Mandy, Marcellus Wallace is,

53:46.680 --> 53:49.780
<v Speaker Johnny Krueg>like, obsessed with this kiss merch.

53:52.000 --> 53:54.592
<v Speaker Joseph Henson>Dude, you be like, I'm gonna get medieval on your ass,

53:54.656 --> 53:55.420
<v Speaker Rik Morgan>Gene.

53:59.800 --> 54:03.256
<v Speaker Joseph Henson>That's the sound Mars Marcellus Wallace made when he was in that

54:03.288 --> 54:04.620
<v Speaker Joseph Henson>pawn shop, by the way.

54:08.920 --> 54:12.564
<v Speaker Rik Morgan>So, yeah, uh, they're giving the story

54:12.652 --> 54:16.748
<v Speaker Rik Morgan>to Melissa, which I think is so stupid. I mean, it's so will know,

54:16.884 --> 54:19.852
<v Speaker Rik Morgan>but they're saying, oh, yeah, we're gonna tell you this, girl, that we hardly know

54:19.916 --> 54:24.036
<v Speaker Rik Morgan>all of our secrets about how

54:24.068 --> 54:27.640
<v Speaker Rik Morgan>we're superheroes, right here. It's like Superman saying, oh, by the way,

54:29.380 --> 54:33.196
<v Speaker Rik Morgan>Lois, Kip, tonight will kill me. And I'm

54:33.228 --> 54:36.320
<v Speaker Rik Morgan>also that dude you work with all the time. I mean, it's the same equivalent.

54:37.320 --> 54:40.832
<v Speaker Rik Morgan>But this is where it cuts back

54:40.856 --> 54:44.064
<v Speaker Rik Morgan>to Devereaux. And he's building a robot,

54:44.112 --> 54:47.856
<v Speaker Rik Morgan>Gene Simmons. So that's the robot that was tearing

54:47.888 --> 54:51.528
<v Speaker Rik Morgan>up all the stuff. So we're finding out that, you know, yada, yada, there's a

54:51.544 --> 54:56.032
<v Speaker Rik Morgan>robot, Gene Simmons. So then

54:56.056 --> 54:59.512
<v Speaker Rik Morgan>it's time for kisses, second show. Because it's really

54:59.536 --> 55:01.420
<v Speaker Rik Morgan>the only thing worth watching in this movie.

55:04.240 --> 55:07.472
<v Speaker Rik Morgan>And then it cuts away from that. Back to the kisses house.

55:07.536 --> 55:12.832
<v Speaker Rik Morgan>The kisses. It goes back to the kisses. Because imagine,

55:12.856 --> 55:16.496
<v Speaker Johnny Krueg>like a beaver style show called the kisses. But it's just that. It's just

55:16.528 --> 55:19.696
<v Speaker Rik Morgan>kiss. Hey,

55:19.728 --> 55:23.432
<v Speaker Rik Morgan>what's funny is. I mean, I've got a video where I think they were

55:23.456 --> 55:27.060
<v Speaker Rik Morgan>playing on Fridays. You guys remember Fridays at all?

55:27.560 --> 55:30.972
<v Speaker Rik Morgan>Yeah, I remember it. Fridays was like ABC's answer to Saturday

55:31.036 --> 55:34.452
<v Speaker Rik Morgan>Night Live. And kiss were playing on there. And they were asking this

55:34.476 --> 55:37.092
<v Speaker Rik Morgan>guy in the crowd. So. So what do you think about kiss? Oh, I love

55:37.116 --> 55:40.540
<v Speaker Rik Morgan>the kisses. So it's literally something

55:40.580 --> 55:43.732
<v Speaker Rik Morgan>that an older person would have said in the seventies about Kiss. Oh,

55:43.756 --> 55:46.960
<v Speaker Rik Morgan>I love the kisses. They're good. I like him a lot.

55:50.300 --> 55:53.596
<v Speaker Rik Morgan>Anyways, back at the house, they're sitting around the pool. So Pete can sing

55:53.628 --> 55:56.904
<v Speaker Rik Morgan>an acoustic version of Bethe 20 times

55:56.952 --> 56:00.200
<v Speaker Rik Morgan>in a row. It does go on. It just keeps going. Oh,

56:00.240 --> 56:03.952
<v Speaker Rik Morgan>God. But they

56:03.976 --> 56:07.060
<v Speaker Rik Morgan>do something kind of cool because while they're out here hanging out by the pool,

56:07.960 --> 56:11.224
<v Speaker Rik Morgan>Paul's playing the acoustic and Pete's doing the singing.

56:11.392 --> 56:14.648
<v Speaker Rik Morgan>And Sam breaks into Kiss's house to get

56:14.664 --> 56:18.048
<v Speaker Rik Morgan>the talisman. Because when she had the bug on earlier, he heard

56:18.064 --> 56:21.448
<v Speaker Rik Morgan>the whole story about the talisman. So you send Sam in

56:21.464 --> 56:25.030
<v Speaker Rik Morgan>there and I. Sam goes to touch the talisman

56:25.150 --> 56:26.850
<v Speaker Rik Morgan>and it shocks him.

56:27.790 --> 56:30.450
<v Speaker Rik Morgan>And Paul can no longer play the guitar.

56:31.790 --> 56:35.262
<v Speaker Joseph Henson>Now, Sam still is Sam still considered missing at this point,

56:35.366 --> 56:40.574
<v Speaker Joseph Henson>of course. Yeah. And so

56:40.702 --> 56:43.966
<v Speaker Rik Morgan>where she runs into him, it kind of. Yeah, it kind of makes

56:43.998 --> 56:46.630
<v Speaker Rik Morgan>Paul's fingers kind of mess up a little bit. And they're all licking each other.

56:46.670 --> 56:50.016
<v Speaker Rik Morgan>Paul's like, that was weird. And it goes back to playing like

56:50.048 --> 56:53.960
<v Speaker Rik Morgan>nothing ever happened. And then Melissa's walking

56:54.000 --> 56:57.248
<v Speaker Rik Morgan>around and she sees Sam walking out of the house. I'm like,

56:57.264 --> 57:00.220
<v Speaker Rik Morgan>it's amazing. She sees him just walking away all the time.

57:01.520 --> 57:05.220
<v Speaker Rik Morgan>But she walks up to him and touches him and finds out he's a robot.

57:06.520 --> 57:10.152
<v Speaker Rik Morgan>Not really. I mean, he's still Sam. He just. He's walking like

57:10.176 --> 57:13.060
<v Speaker Rik Morgan>a robot. Walk like a robot.

57:14.270 --> 57:17.254
<v Speaker Johnny Krueg>Well, this is where she lets out that scream, too.

57:17.302 --> 57:20.570
<v Speaker Johnny Krueg>That. Like that. That, like, shriek of the wicked.

57:22.110 --> 57:25.406
<v Speaker Johnny Krueg>Yeah. So they all sound like a banshee.

57:25.558 --> 57:27.890
<v Speaker Rik Morgan>Yeah, screaming like banshee.

57:30.790 --> 57:33.886
<v Speaker Rik Morgan>So they all run to rescue her and see what's happened,

57:33.918 --> 57:37.890
<v Speaker Rik Morgan>and she says, it was Sam. He was here, but it wasn't real.

57:39.050 --> 57:42.026
<v Speaker Rik Morgan>And they all go back in there. They stand around the talisman, because they're left

57:42.058 --> 57:45.442
<v Speaker Rik Morgan>on a table with the lid open on it. If somebody gets to

57:45.466 --> 57:47.910
<v Speaker Rik Morgan>these, we'll be in trouble. It's like, you think?

57:50.370 --> 57:53.870
<v Speaker Rik Morgan>And I love they goes, Sam, the talisman.

57:54.330 --> 57:56.430
<v Speaker Rik Morgan>It all leads to the park. I'm like,

57:57.810 --> 57:59.390
<v Speaker Rik Morgan>yeah, you think,

58:04.890 --> 58:08.298
<v Speaker Rik Morgan>oh, I mean, what else have you guys been doing for the last. I don't

58:08.314 --> 58:11.990
<v Speaker Rik Morgan>know, however long this time we've been going on playing at the park?

58:13.850 --> 58:17.398
<v Speaker Joseph Henson>Well, earlier in the film, like, it may have been. I think it was

58:17.404 --> 58:21.610
<v Speaker Joseph Henson>the financier. He was like, you know, he's talking about kiss.

58:21.770 --> 58:24.594
<v Speaker Joseph Henson>Playing at this park is going to put this park on the map. I'm like,

58:24.722 --> 58:28.050
<v Speaker Joseph Henson>dude, you people could easily put this on this

58:28.090 --> 58:31.242
<v Speaker Joseph Henson>park on the map without kiss. I mean, this place is like. This place is

58:31.266 --> 58:35.202
<v Speaker Joseph Henson>like crazy town for everybody. Yeah. Just have some good rides and

58:35.226 --> 58:38.938
<v Speaker Joseph Henson>some. Some. Crazy town.

58:38.994 --> 58:41.710
<v Speaker Joseph Henson>I'm thinking about butterflies. Wow.

58:47.130 --> 58:50.434
<v Speaker Rik Morgan>But, yeah. So they decide they're gonna go to the park

58:50.482 --> 58:53.706
<v Speaker Rik Morgan>when it shut down and snoop around, because that's what you do

58:53.738 --> 58:56.510
<v Speaker Rik Morgan>when you're a rock band with superhero powers.

58:57.090 --> 59:00.660
<v Speaker Rik Morgan>So they sneak in and they go to the big, giant roller coaster,

59:00.850 --> 59:05.632
<v Speaker Rik Morgan>and they fight space.

59:05.696 --> 59:08.180
<v Speaker Rik Morgan>Werewolves. That's right.

59:08.960 --> 59:11.820
<v Speaker Rik Morgan>Space. Is that what those are crawl around and make?

59:12.120 --> 59:15.512
<v Speaker Rik Morgan>Yeah, they're supposed to be werewolves, but they're, like, in space

59:15.576 --> 59:18.896
<v Speaker Rik Morgan>outfits. But they make

59:18.928 --> 59:22.416
<v Speaker Rik Morgan>sounds like gorillas and monkeys. Yeah. Because this

59:22.448 --> 59:25.656
<v Speaker Joseph Henson>movie couldn't be, as, you know, it couldn't be crazy enough. They had to introduce

59:25.688 --> 59:28.830
<v Speaker Joseph Henson>this. Yeah, they climb roller coasters. Like lemurse.

59:29.960 --> 59:33.820
<v Speaker Rik Morgan>Yeah, yeah. Which also, I have to admit,

59:34.280 --> 59:38.016
<v Speaker Rik Morgan>this was a big thing, too, because there was a Spider man tv series

59:38.168 --> 59:41.976
<v Speaker Rik Morgan>around this point, and the big talk about

59:42.008 --> 59:45.232
<v Speaker Rik Morgan>it was how they were doing the. The climbing scenes, and it was

59:45.256 --> 59:48.704
<v Speaker Rik Morgan>literally, you know, a guy being held

59:48.752 --> 59:51.608
<v Speaker Rik Morgan>by a wire. They would reel up the wire and he would act like he's

59:51.624 --> 59:54.922
<v Speaker Rik Morgan>crawling up the building. It was the new tech of the time. And you see

59:54.946 --> 59:58.666
<v Speaker Rik Morgan>this used with these guys quite a bit on here. So strangely

59:58.698 --> 01:00:01.850
<v Speaker Rik Morgan>enough, that's probably the new high tech that they had in this

01:00:01.890 --> 01:00:02.550
<v Speaker Rik Morgan>movie.

01:00:06.090 --> 01:00:09.930
<v Speaker Rik Morgan>So, yeah, they, all the space werewolves jump down

01:00:09.970 --> 01:00:14.018
<v Speaker Rik Morgan>on the ground after they play some Scooby Doo music and

01:00:14.194 --> 01:00:16.030
<v Speaker Rik Morgan>we get a big fight.

01:00:17.610 --> 01:00:20.826
<v Speaker Rik Morgan>And the music during the fight sounds like, I don't know,

01:00:20.858 --> 01:00:23.390
<v Speaker Rik Morgan>streets of San Francisco or something. I mean, it's just,

01:00:25.530 --> 01:00:29.146
<v Speaker Rik Morgan>it just doesn't work at all. You got

01:00:29.178 --> 01:00:33.002
<v Speaker Joseph Henson>ace that brings a flashback to me. San Francisco.

01:00:33.106 --> 01:00:36.994
<v Speaker Rik Morgan>Yeah, man, you got ace doing somersaults and

01:00:37.122 --> 01:00:40.970
<v Speaker Rik Morgan>shooting werewolves with lasers. You got Pete, Pete's like a street fighter,

01:00:41.010 --> 01:00:44.922
<v Speaker Rik Morgan>right? He's got these, this cat agility. He can jump and latch

01:00:44.946 --> 01:00:47.380
<v Speaker Rik Morgan>on to people and throw them on the ground and punch them. And I,

01:00:47.490 --> 01:00:50.544
<v Speaker Rik Morgan>you see them punching like little sparks that fly up because, you know,

01:00:50.592 --> 01:00:54.416
<v Speaker Rik Morgan>they're robots. You got

01:00:54.568 --> 01:00:58.520
<v Speaker Rik Morgan>Gene. I don't know Gene just being Gene. I don't know that he does anything

01:00:58.560 --> 01:01:01.856
<v Speaker Rik Morgan>any different. But how about that same rap?

01:01:01.928 --> 01:01:04.408
<v Speaker Rik Morgan>Knocks the head off of one of them and he makes a face at the

01:01:04.424 --> 01:01:07.904
<v Speaker Rik Morgan>camera and you're like, what is he doing? That's when

01:01:07.912 --> 01:01:10.940
<v Speaker Johnny Krueg>they, yeah, that's when they finally realized that they're not fighting people.

01:01:12.650 --> 01:01:15.786
<v Speaker Rik Morgan>Yeah, he knocks the werewolf's head off and you can obviously

01:01:15.818 --> 01:01:18.922
<v Speaker Rik Morgan>see all the circuitry that's

01:01:18.946 --> 01:01:21.550
<v Speaker Rik Morgan>going on in them. So when they stop,

01:01:22.050 --> 01:01:24.630
<v Speaker Rik Morgan>they pull up on the heads and one of them says,

01:01:26.090 --> 01:01:29.026
<v Speaker Rik Morgan>it just seems so unreal. And they go, absolutely.

01:01:29.058 --> 01:01:32.442
<v Speaker Rik Morgan>And they flip one of the heads over. It's all unreal or something to that

01:01:32.466 --> 01:01:36.190
<v Speaker Rik Morgan>degree. So they're finding out that they're fighting robots.

01:01:36.490 --> 01:01:40.260
<v Speaker Rik Morgan>Big shock there. Right again,

01:01:40.420 --> 01:01:44.196
<v Speaker Rik Morgan>think about your, your age crowd

01:01:44.268 --> 01:01:47.492
<v Speaker Rik Morgan>for this. Right again, like I said, this is your, you know,

01:01:47.676 --> 01:01:51.716
<v Speaker Rik Morgan>eight year olds up to 1314 year old kids. That's, that's what this was shooting

01:01:51.748 --> 01:01:55.036
<v Speaker Rik Morgan>for. So you have to over explain stuff.

01:01:55.068 --> 01:01:58.636
<v Speaker Rik Morgan>I guess. I don't know. It don't matter though,

01:01:58.668 --> 01:02:02.468
<v Speaker Rik Morgan>because they whip all the werewolves and they go fight a bunch of samurai in

01:02:02.484 --> 01:02:05.930
<v Speaker Rik Morgan>an amphitheater because that's where samurai,

01:02:07.350 --> 01:02:10.854
<v Speaker Rik Morgan>that's the obvious. Next move in the plot. I legitimately,

01:02:11.022 --> 01:02:14.822
<v Speaker Johnny Krueg>when that, when they went into that theater, I was like, I did not expect

01:02:14.886 --> 01:02:15.490
<v Speaker Johnny Krueg>this.

01:02:18.230 --> 01:02:22.134
<v Speaker Rik Morgan>It's kind of like, it's kind of like a game of death, right? With Bruce

01:02:22.182 --> 01:02:24.854
<v Speaker Rik Morgan>Lee where he goes up to different levels of the building. He fights a different

01:02:24.902 --> 01:02:27.870
<v Speaker Rik Morgan>bad guy on each level. So, yeah,

01:02:28.030 --> 01:02:31.790
<v Speaker Rik Morgan>this is, this is the second level. And you fight a bunch of robot

01:02:31.830 --> 01:02:34.090
<v Speaker Rik Morgan>samurai. Yeah.

01:02:36.630 --> 01:02:40.430
<v Speaker Rik Morgan>Oh, they, they get all cornered

01:02:40.470 --> 01:02:43.790
<v Speaker Rik Morgan>up, surrounded by the samurai. And Ace, this is a little thing where he points

01:02:43.830 --> 01:02:46.450
<v Speaker Rik Morgan>his thumb to the side, and they all just disappear.

01:02:47.310 --> 01:02:50.894
<v Speaker Rik Morgan>Right. So ace has got the power to. To make you jump

01:02:50.942 --> 01:02:54.622
<v Speaker Rik Morgan>from one place to another. So he's got that kind

01:02:54.646 --> 01:02:57.926
<v Speaker Rik Morgan>of power. Even though it only comes in handy once in this whole

01:02:57.958 --> 01:03:03.302
<v Speaker Rik Morgan>movie at

01:03:03.326 --> 01:03:07.182
<v Speaker Rik Morgan>this point. This is where they go

01:03:07.206 --> 01:03:09.010
<v Speaker Rik Morgan>into the chamber of thrills.

01:03:11.070 --> 01:03:14.206
<v Speaker Rik Morgan>I don't know why. It's. It seems

01:03:14.238 --> 01:03:17.334
<v Speaker Joseph Henson>like everybody's going into the chamber of thrills in this movie at one point.

01:03:17.422 --> 01:03:20.622
<v Speaker Rik Morgan>Yeah. And I think you have to because. Right. We've already developed that.

01:03:20.686 --> 01:03:23.910
<v Speaker Rik Morgan>Oh, this is where Chopper and his gang got, you know,

01:03:24.250 --> 01:03:28.202
<v Speaker Rik Morgan>beat up or whatever. So you're keeping it familiar

01:03:28.226 --> 01:03:31.826
<v Speaker Rik Morgan>with everybody. They go in there, and the same time that they're fighting everybody

01:03:31.858 --> 01:03:35.506
<v Speaker Rik Morgan>in there. You get Sam going back to kiss's

01:03:35.538 --> 01:03:39.042
<v Speaker Rik Morgan>place with a ray gun. I like how Devereaux

01:03:39.066 --> 01:03:41.866
<v Speaker Rik Morgan>goes. Use this on it. And he shoots across the room, like, blows a big

01:03:41.898 --> 01:03:45.426
<v Speaker Rik Morgan>hole in the wall. You could have just

01:03:45.458 --> 01:03:49.346
<v Speaker Rik Morgan>said, hey, don't point this at anything except the talisman. Because it'll really mess

01:03:49.378 --> 01:03:53.278
<v Speaker Rik Morgan>some crap up. And I love that

01:03:53.294 --> 01:03:57.650
<v Speaker Rik Morgan>the laser beam coming out of it is like a wave.

01:03:59.150 --> 01:04:02.650
<v Speaker Rik Morgan>A waveform. Right. It's not even a straight laser.

01:04:03.150 --> 01:04:06.850
<v Speaker Joseph Henson>Yeah, it's like. It's like somebody played Metroid and got the wave beam.

01:04:10.830 --> 01:04:13.966
<v Speaker Rik Morgan>So while kiss is fighting in here. Fighting. I mean, come on, man. This is

01:04:13.998 --> 01:04:17.176
<v Speaker Rik Morgan>every kid's dream at this point. Kiss fighting the werewolf and

01:04:17.208 --> 01:04:21.200
<v Speaker Rik Morgan>Dracula and the mummy and Frankenstein. And they

01:04:21.240 --> 01:04:24.192
<v Speaker Rik Morgan>asked Ace to get him out of there again. And he does it. And they

01:04:24.216 --> 01:04:27.496
<v Speaker Rik Morgan>just pop up in another part of the room because he's been zapped.

01:04:27.648 --> 01:04:31.216
<v Speaker Rik Morgan>So the whole time they're fighting, Sam is, you know,

01:04:31.248 --> 01:04:34.416
<v Speaker Rik Morgan>giving them the juice on their talisman. Well,

01:04:34.448 --> 01:04:36.220
<v Speaker Rik Morgan>that can mean something totally different.

01:04:40.040 --> 01:04:43.670
<v Speaker Rik Morgan>And then kiss gets pulled up in the. The great vacuum

01:04:43.710 --> 01:04:47.454
<v Speaker Rik Morgan>cleaner. And now they are in a laser

01:04:47.502 --> 01:04:51.142
<v Speaker Rik Morgan>light prison or cell.

01:04:51.286 --> 01:04:55.526
<v Speaker Rik Morgan>That Devereaux built to keep them locked up. Because he's

01:04:55.558 --> 01:04:59.510
<v Speaker Rik Morgan>about to unleash his plan. And it's to take robot kiss,

01:04:59.670 --> 01:05:03.930
<v Speaker Rik Morgan>put them out on the stage. And use music

01:05:04.550 --> 01:05:07.822
<v Speaker Rik Morgan>to drive the fans crazy. And make them

01:05:07.846 --> 01:05:10.300
<v Speaker Rik Morgan>tear down the park or each other.

01:05:11.400 --> 01:05:14.816
<v Speaker Rik Morgan>So this is pretty much the plot of any rock and roll horror movie

01:05:14.848 --> 01:05:17.712
<v Speaker Rik Morgan>that we've covered on the show. To drive the.

01:05:17.736 --> 01:05:19.820
<v Speaker Johnny Krueg>Drive the fans completely insane.

01:05:21.640 --> 01:05:25.288
<v Speaker Johnny Krueg>Yes. So all they really need to do

01:05:25.304 --> 01:05:29.020
<v Speaker Johnny Krueg>is show them this movie after it was over. I miss John Michael Thor.

01:05:30.520 --> 01:05:34.064
<v Speaker Rik Morgan>Yes. Man, that would

01:05:34.072 --> 01:05:35.140
<v Speaker Rik Morgan>have been awesome.

01:05:38.050 --> 01:05:41.922
<v Speaker Rik Morgan>Oh. So fake kiss gets

01:05:41.946 --> 01:05:45.370
<v Speaker Rik Morgan>on the stage. And they took the

01:05:45.410 --> 01:05:49.350
<v Speaker Rik Morgan>music from hotter than hell. And changed the lyrics to rip and destroy.

01:05:51.010 --> 01:05:54.370
<v Speaker Rik Morgan>Thinking that. That's gonna make fans go, let's tear

01:05:54.410 --> 01:05:57.610
<v Speaker Rik Morgan>this place down, because that's the power of

01:05:57.650 --> 01:06:01.184
<v Speaker Rik Morgan>satanic music in the seventies. But, uh,

01:06:01.322 --> 01:06:04.836
<v Speaker Rik Morgan>while the band is getting all upset and robot

01:06:04.868 --> 01:06:07.880
<v Speaker Rik Morgan>kiss is up there playing the same song 45 minutes straight,

01:06:09.980 --> 01:06:13.988
<v Speaker Rik Morgan>that's when, uh, kiss, the original

01:06:14.044 --> 01:06:16.800
<v Speaker Rik Morgan>kiss, figure out. So that's it.

01:06:17.500 --> 01:06:20.520
<v Speaker Rik Morgan>He was just gonna use the, you know, use the fake us to.

01:06:21.180 --> 01:06:24.652
<v Speaker Rik Morgan>Yeah, okay, we got it, Paul. We got it. But this

01:06:24.676 --> 01:06:28.300
<v Speaker Rik Morgan>is when they decide that for some reason, Devereux just leaves the talisman

01:06:28.340 --> 01:06:31.650
<v Speaker Rik Morgan>laying over there on his desk in the same room with them.

01:06:32.710 --> 01:06:37.410
<v Speaker Rik Morgan>And they all combine their superpowers

01:06:37.830 --> 01:06:40.630
<v Speaker Rik Morgan>and make the talisman float over to them between the bars.

01:06:40.670 --> 01:06:42.450
<v Speaker Johnny Krueg>Wonderkiss powers activate.

01:06:43.830 --> 01:06:47.118
<v Speaker Rik Morgan>Right, which is, which is kind of cool. But it

01:06:47.134 --> 01:06:49.370
<v Speaker Rik Morgan>still didn't explain how they get out of the lasers.

01:06:50.550 --> 01:06:54.382
<v Speaker Rik Morgan>So what? You got the talisman? They're just as powerful across the room

01:06:54.406 --> 01:06:57.790
<v Speaker Rik Morgan>as they are in your hands. So what,

01:06:59.170 --> 01:07:02.898
<v Speaker Rik Morgan>you proved you can levitate some stuff. I don't get where this is going.

01:07:03.034 --> 01:07:06.442
<v Speaker Rik Morgan>But somehow they get out and they

01:07:06.466 --> 01:07:09.530
<v Speaker Rik Morgan>come flying in from space again. I mean, this is what I don't understand.

01:07:09.610 --> 01:07:13.202
<v Speaker Rik Morgan>You're already in the park. Go back to space.

01:07:13.386 --> 01:07:15.754
<v Speaker Rik Morgan>All you had to do was. All you had to do is walk out of

01:07:15.762 --> 01:07:18.670
<v Speaker Rik Morgan>Devereaux's door, walk up to the stage.

01:07:19.330 --> 01:07:23.026
<v Speaker Rik Morgan>But no, we're gonna launch ourselves back into space to do

01:07:23.058 --> 01:07:26.130
<v Speaker Rik Morgan>our grand entrance back on the stage again. There's something to be said

01:07:26.170 --> 01:07:27.870
<v Speaker Johnny Krueg>about making a great entrance.

01:07:29.330 --> 01:07:32.570
<v Speaker Johnny Krueg>Yes. So they. I made a fine exit after

01:07:32.610 --> 01:07:34.950
<v Speaker Johnny Krueg>this movie went off, by the way. Yeah,

01:07:36.770 --> 01:07:40.242
<v Speaker Rik Morgan>so you get fake kiss and real kiss fighting it out

01:07:40.266 --> 01:07:44.042
<v Speaker Rik Morgan>on stage, and you kind of see all their powers

01:07:44.146 --> 01:07:47.410
<v Speaker Rik Morgan>come into play here because the robot,

01:07:47.490 --> 01:07:51.268
<v Speaker Rik Morgan>Paul Stanley, shoots a laser out of his eye, and Paul Stanley flips over

01:07:51.364 --> 01:07:54.772
<v Speaker Rik Morgan>his cheap Gibson. I don't even know what Gibson it

01:07:54.796 --> 01:07:58.492
<v Speaker Rik Morgan>is. It's the marauder, I think, was the name of it,

01:07:58.676 --> 01:08:02.156
<v Speaker Rik Morgan>that had a. Had a mirror back on it.

01:08:02.268 --> 01:08:05.412
<v Speaker Rik Morgan>So he shoots the laser up, back into fake Paul Stanley's head, and it blows

01:08:05.436 --> 01:08:06.160
<v Speaker Rik Morgan>him up.

01:08:09.180 --> 01:08:12.204
<v Speaker Rik Morgan>And then the other three robots get

01:08:12.332 --> 01:08:15.356
<v Speaker Rik Morgan>beat up, and they get together, and ace freely just shoots him with some stuff,

01:08:15.388 --> 01:08:19.022
<v Speaker Rik Morgan>and they all just disappear. And I'm like, why didn't you

01:08:19.046 --> 01:08:22.302
<v Speaker Rik Morgan>guys, when you were in those bars and you

01:08:22.326 --> 01:08:26.302
<v Speaker Rik Morgan>saw devil standing there, why don't you just zap him and you're

01:08:26.326 --> 01:08:29.090
<v Speaker Rik Morgan>done, right?

01:08:31.590 --> 01:08:33.970
<v Speaker Rik Morgan>Maybe the bars are more powerful. I don't know.

01:08:34.350 --> 01:08:38.118
<v Speaker Rik Morgan>Anyways, kiss wins, and they're in there gonna sing.

01:08:38.254 --> 01:08:42.118
<v Speaker Rik Morgan>You got it. Rock and roll all night and then when

01:08:42.134 --> 01:08:45.859
<v Speaker Rik Morgan>the song ends, we cut back to Devereaux's desk. And Devereaux

01:08:45.899 --> 01:08:49.595
<v Speaker Rik Morgan>sitting at his desk, but they won't show him. And they're all like,

01:08:49.627 --> 01:08:52.955
<v Speaker Rik Morgan>she's like, the girl's there. Melissa's like, you gotta give Sam back to me.

01:08:52.987 --> 01:08:55.159
<v Speaker Rik Morgan>And he's like, I don't think he can hear you.

01:08:56.099 --> 01:08:59.879
<v Speaker Rik Morgan>Okay. So they.

01:09:00.819 --> 01:09:04.579
<v Speaker Rik Morgan>Sam standing there, and Paul just

01:09:04.619 --> 01:09:08.411
<v Speaker Rik Morgan>goes. Pulls down this collar of his shirt and

01:09:08.435 --> 01:09:12.269
<v Speaker Rik Morgan>sees a little transistor that's on his neck.

01:09:12.649 --> 01:09:16.029
<v Speaker Rik Morgan>And he just pulls the transistor off and then, you know. Sounds fine,

01:09:18.809 --> 01:09:22.121
<v Speaker Rik Morgan>Paul. Just go, let's see. If I was

01:09:22.145 --> 01:09:25.201
<v Speaker Rik Morgan>gonna make a robot person, I'd have a transistor right

01:09:25.225 --> 01:09:28.905
<v Speaker Rik Morgan>there on their neck. You get.

01:09:28.937 --> 01:09:32.441
<v Speaker Joseph Henson>It's gotta be where Paul can see it. Yeah, I mean,

01:09:32.505 --> 01:09:35.393
<v Speaker Joseph Henson>where anyone can see. It's a hunch, right? I mean, yeah,

01:09:35.521 --> 01:09:39.410
<v Speaker Rik Morgan>it could have been on his waistline. It could have been anywhere. But I just.

01:09:39.530 --> 01:09:40.670
<v Speaker Joseph Henson>Third knuckle.

01:09:43.250 --> 01:09:46.562
<v Speaker Rik Morgan>And then. So Sam comes back to being human, and him

01:09:46.586 --> 01:09:50.818
<v Speaker Rik Morgan>and Melissa are happy. And then they turn around, Devereux in his chair, and he's

01:09:50.874 --> 01:09:53.594
<v Speaker Rik Morgan>aged. Why?

01:09:53.722 --> 01:09:56.030
<v Speaker Rik Morgan>Yeah, yeah.

01:09:57.050 --> 01:10:01.298
<v Speaker Rik Morgan>Don't know. It's like a. Like a. It's like a Dracula

01:10:01.354 --> 01:10:03.910
<v Speaker Johnny Krueg>store, like subplot. They never said anything about.

01:10:05.700 --> 01:10:09.548
<v Speaker Joseph Henson>I think you're your. Why is an all encompassing question to this entire

01:10:09.604 --> 01:10:12.996
<v Speaker Joseph Henson>film. It's very true. I mean,

01:10:13.148 --> 01:10:16.812
<v Speaker Rik Morgan>it doesn't make a lick of sense, but it didn't matter because right after that,

01:10:16.836 --> 01:10:19.480
<v Speaker Rik Morgan>they start playing God of Thunder live on stage.

01:10:20.220 --> 01:10:23.960
<v Speaker Rik Morgan>And that's why the movie is the. Best part of the movie, by the way.

01:10:25.660 --> 01:10:28.684
<v Speaker Johnny Krueg>Not just because it's ending, but because it's ending on a good song. And you

01:10:28.692 --> 01:10:31.280
<v Speaker Johnny Krueg>don't have to hear part party all night again. Yeah.

01:10:36.780 --> 01:10:40.400
<v Speaker Rik Morgan>So there you go, guys. There's the incredible,

01:10:40.740 --> 01:10:44.680
<v Speaker Rik Morgan>not so incredible, great memory of mine.

01:10:44.980 --> 01:10:48.716
<v Speaker Rik Morgan>Kiss meets the phantom. I would have loved

01:10:48.868 --> 01:10:51.600
<v Speaker Johnny Krueg>to see an audience reaction to this movie.

01:10:53.060 --> 01:10:57.012
<v Speaker Rik Morgan>Yeah, well, again, this was made for tv, right? I mean, so this

01:10:57.036 --> 01:10:59.956
<v Speaker Rik Morgan>was not supposed to be thrown shown in. No, I just. I just mean,

01:10:59.988 --> 01:11:03.704
<v Speaker Johnny Krueg>like. Like when you said that they went to the premiere before it aired.

01:11:03.792 --> 01:11:07.016
<v Speaker Rik Morgan>Oh, yeah, yeah. And, yeah, yeah, I've seen. I've seen pictures

01:11:07.048 --> 01:11:10.100
<v Speaker Rik Morgan>of them. Like, actually, you know, sitting there watching it.

01:11:13.160 --> 01:11:16.368
<v Speaker Rik Morgan>Yeah. I mean. I mean, there's this. What is

01:11:16.384 --> 01:11:19.928
<v Speaker Rik Morgan>it? Kiss extreme close up, I think, is the name

01:11:19.944 --> 01:11:23.256
<v Speaker Rik Morgan>of the documentary. And pause. You know, that's where he says that

01:11:23.288 --> 01:11:26.512
<v Speaker Rik Morgan>I was literally just trying to slither out of my chair and

01:11:26.536 --> 01:11:30.376
<v Speaker Rik Morgan>find a way to sneak out of that theater. They were probably hoping

01:11:30.408 --> 01:11:33.508
<v Speaker Joseph Henson>the check would clear so they can, you know, go buy their new boat or

01:11:33.524 --> 01:11:36.796
<v Speaker Joseph Henson>whatever. Because this. This film would

01:11:36.828 --> 01:11:40.308
<v Speaker Joseph Henson>worry you if they're gonna pay you or not. Yeah. Like the

01:11:40.324 --> 01:11:43.556
<v Speaker Joseph Henson>production rolling in the hand of our barracks. The real story

01:11:43.588 --> 01:11:46.924
<v Speaker Rik Morgan>of this band. So there's. There's a level

01:11:46.972 --> 01:11:50.220
<v Speaker Rik Morgan>of kiss fandom, right? Because when they

01:11:50.260 --> 01:11:53.600
<v Speaker Rik Morgan>started, it was all black and silver,

01:11:55.820 --> 01:11:59.450
<v Speaker Rik Morgan>hardcore, kind of just. Just rock and roll.

01:11:59.620 --> 01:12:02.774
<v Speaker Rik Morgan>No bells and whistles. I mean, they still had a good stage show,

01:12:02.942 --> 01:12:06.262
<v Speaker Rik Morgan>but it was more adult. And just like with

01:12:06.286 --> 01:12:09.326
<v Speaker Rik Morgan>everything great that happens, they get popular. Yeah,

01:12:09.438 --> 01:12:12.702
<v Speaker Rik Morgan>well, think about it. In our time, right, there was a time where kids were

01:12:12.726 --> 01:12:16.410
<v Speaker Rik Morgan>having Rambo toys. You know,

01:12:16.870 --> 01:12:20.150
<v Speaker Rik Morgan>when you think about how ridiculous that is, that's how ridiculous this was. They got

01:12:20.190 --> 01:12:23.646
<v Speaker Rik Morgan>so big that it became a kids thing. And they said that they would

01:12:23.678 --> 01:12:27.062
<v Speaker Rik Morgan>notice that by the time 77 78 rolled around,

01:12:27.246 --> 01:12:30.686
<v Speaker Rik Morgan>they look out in a crowd and there was, you know, parents there with your

01:12:30.718 --> 01:12:33.942
<v Speaker Rik Morgan>kids, and that's the majority of their crowd there for a while. And they're

01:12:33.966 --> 01:12:38.130
<v Speaker Rik Morgan>like, man, we're doing something wrong. It's the Freddy Krueger phenomenon.

01:12:40.430 --> 01:12:44.014
<v Speaker Rik Morgan>Yeah. I mean, it's. It's a weird situation.

01:12:44.102 --> 01:12:47.422
<v Speaker Rik Morgan>They got so big and ended up, you know, of course they said

01:12:47.446 --> 01:12:50.462
<v Speaker Rik Morgan>that it gets addictive, too, because once you get a taste of the.

01:12:50.486 --> 01:12:53.896
<v Speaker Rik Morgan>The pop life and just how much money and access come with that,

01:12:53.998 --> 01:12:57.160
<v Speaker Rik Morgan>you just want more of it. More of it. And you end up destroying everything,

01:12:57.700 --> 01:13:00.520
<v Speaker Rik Morgan>which is literally what they did. I mean, this is a.

01:13:01.060 --> 01:13:04.604
<v Speaker Rik Morgan>A five year period from when they started to

01:13:04.732 --> 01:13:08.076
<v Speaker Rik Morgan>being where they were at this point to where this is the year that they

01:13:08.108 --> 01:13:11.396
<v Speaker Rik Morgan>released double platinum, which obviously

01:13:11.428 --> 01:13:14.572
<v Speaker Rik Morgan>shipped double platinum. And they released four solo albums.

01:13:14.596 --> 01:13:17.680
<v Speaker Rik Morgan>They all did solo albums apiece. You know,

01:13:18.100 --> 01:13:21.654
<v Speaker Rik Morgan>that's. That's how big they were. Just that there was Kiss Dolls,

01:13:21.702 --> 01:13:24.170
<v Speaker Rik Morgan>kiss pinball machine. I mean, kiss everything.

01:13:25.150 --> 01:13:29.454
<v Speaker Rik Morgan>Yeah. And they're still. They're still really popular today. Like, in 2021.

01:13:29.582 --> 01:13:32.750
<v Speaker Joseph Henson>It's like if they can survive this, you know, that they can pretty much survive

01:13:32.790 --> 01:13:36.838
<v Speaker Joseph Henson>until they, you know, until there, they can't play. That's a testament to

01:13:36.854 --> 01:13:38.050
<v Speaker Johnny Krueg>their. To their brand.

01:13:40.590 --> 01:13:43.670
<v Speaker Rik Morgan>Well, but they also realized where it went wrong, too.

01:13:43.710 --> 01:13:47.310
<v Speaker Rik Morgan>And course, when you got, you know, Bill. Billecoin Washington,

01:13:47.500 --> 01:13:51.026
<v Speaker Rik Morgan>legendary, you know, manager, too. So he knew

01:13:51.058 --> 01:13:54.226
<v Speaker Rik Morgan>how to. How to get money out of everything. And that was

01:13:54.258 --> 01:13:57.282
<v Speaker Rik Morgan>part of it, too. I mean, that's what made them the machine that they were.

01:13:57.346 --> 01:14:01.082
<v Speaker Rik Morgan>I mean, they merchandised everything. And Gene

01:14:01.106 --> 01:14:04.950
<v Speaker Rik Morgan>kind of still carried that on. Right. I mean, there's kiss toilet paper everything.

01:14:05.450 --> 01:14:08.978
<v Speaker Rik Morgan>And that's. I mean, it's ridiculous.

01:14:09.074 --> 01:14:11.390
<v Speaker Rik Morgan>Yeah. Yeah. It's called kiss me some phantom of the park.

01:14:13.530 --> 01:14:16.670
<v Speaker Rik Morgan>Oh, that was good. Oh,

01:14:17.130 --> 01:14:20.430
<v Speaker Rik Morgan>man. So luckily,

01:14:20.970 --> 01:14:24.402
<v Speaker Rik Morgan>you know, around 82, they kind of got

01:14:24.426 --> 01:14:27.618
<v Speaker Rik Morgan>their senses back and made creatures of the night, which is their heaviest album they

01:14:27.634 --> 01:14:30.610
<v Speaker Rik Morgan>ever made, so, you know. Well, I take that back.

01:14:30.690 --> 01:14:32.870
<v Speaker Rik Morgan>It's the heaviest album up until.

01:14:35.970 --> 01:14:39.258
<v Speaker Rik Morgan>Revenge. Maybe after revenge, there was. What was the album they

01:14:39.274 --> 01:14:42.800
<v Speaker Rik Morgan>did after that? That was more of the alternative kind of album.

01:14:45.060 --> 01:14:48.388
<v Speaker Rik Morgan>Carnival of souls. Yeah. Oh, carnival.

01:14:48.524 --> 01:14:51.640
<v Speaker Johnny Krueg>I was thinking Psycho circus, but is that something different?

01:14:54.220 --> 01:14:57.268
<v Speaker Rik Morgan>Psycho Circus was the reunion of the original four members,

01:14:57.444 --> 01:15:00.908
<v Speaker Rik Morgan>and only two of the original members really played on most of

01:15:00.924 --> 01:15:01.480
<v Speaker Rik Morgan>it.

01:15:04.780 --> 01:15:08.088
<v Speaker Rik Morgan>I hated that album, actually, because I knew it wasn't them.

01:15:08.184 --> 01:15:11.256
<v Speaker Rik Morgan>Right. I mean, I could tell. It's like, that's not Pete playing drums.

01:15:11.288 --> 01:15:15.080
<v Speaker Rik Morgan>It's, you know, I don't know. It was. It was fabricated. And they tried too

01:15:15.120 --> 01:15:18.248
<v Speaker Rik Morgan>hard. Instead of. Instead of getting four guys back together, putting them

01:15:18.264 --> 01:15:21.672
<v Speaker Rik Morgan>in a room and let them jam and come up with songs, they were trying

01:15:21.736 --> 01:15:25.552
<v Speaker Rik Morgan>to create songs that hit high points in all the

01:15:25.616 --> 01:15:29.248
<v Speaker Rik Morgan>decades, you know, that they were from. So they tried to give Pete another

01:15:29.304 --> 01:15:32.460
<v Speaker Rik Morgan>Beth kind of song. They gave Ace another shock be kind of song.

01:15:33.120 --> 01:15:36.768
<v Speaker Rik Morgan>They did some songs where they sang two or three lines apiece in

01:15:36.784 --> 01:15:39.528
<v Speaker Rik Morgan>each song, which goes back to the earlier days. So they were. They were trying

01:15:39.544 --> 01:15:43.056
<v Speaker Rik Morgan>to hit all the tick marks and satisfy all the kiss fans instead of just

01:15:43.088 --> 01:15:46.168
<v Speaker Rik Morgan>making a good. You know what's funny? The last. I mean, I know it's not

01:15:46.184 --> 01:15:49.504
<v Speaker Johnny Krueg>the same band or anything or type of music, but the last offspring

01:15:49.552 --> 01:15:52.840
<v Speaker Johnny Krueg>album they put out, like, ten years ago was the same way.

01:15:52.880 --> 01:15:56.980
<v Speaker Johnny Krueg>Like, it was like every song was from a different album that they put out.

01:15:57.320 --> 01:16:00.960
<v Speaker Rik Morgan>Yeah. Yeah. You know, it's. I don't know, man.

01:16:01.000 --> 01:16:03.900
<v Speaker Rik Morgan>I think. I think you can. You can see through that stuff. So,

01:16:04.440 --> 01:16:07.928
<v Speaker Rik Morgan>you know, this timeframe,

01:16:08.064 --> 01:16:10.896
<v Speaker Rik Morgan>even though this. This movie doesn't really reflect it,

01:16:11.088 --> 01:16:14.672
<v Speaker Rik Morgan>this around this time points, my. Probably my favorite kiss time,

01:16:14.776 --> 01:16:17.968
<v Speaker Rik Morgan>because this is Love gun. Destroyer. Rock and roll over.

01:16:18.104 --> 01:16:21.288
<v Speaker Rik Morgan>That's just some of my favorite records that they did because they

01:16:21.304 --> 01:16:24.896
<v Speaker Rik Morgan>were, you know, Destroyer was over produced because it's Bob

01:16:24.928 --> 01:16:28.000
<v Speaker Rik Morgan>Ezrinae, but it's their most popular album.

01:16:29.500 --> 01:16:32.960
<v Speaker Rik Morgan>But rock and roll over is raw. Love Gun is raw.

01:16:33.340 --> 01:16:36.428
<v Speaker Rik Morgan>And from there, they just kind of lost it because they did

01:16:36.444 --> 01:16:39.860
<v Speaker Rik Morgan>the solo albums. And then Dynasty came out, which had, you know, the disco song

01:16:39.900 --> 01:16:43.500
<v Speaker Rik Morgan>on it. So, yeah, that's when it was starting to really.

01:16:43.580 --> 01:16:44.640
<v Speaker Joseph Henson>Disco song.

01:16:48.420 --> 01:16:52.116
<v Speaker Joseph Henson>Oh, crap. You were made

01:16:52.188 --> 01:16:55.488
<v Speaker Joseph Henson>for loving me. Oh, yeah. I had no

01:16:55.504 --> 01:16:58.664
<v Speaker Joseph Henson>idea that was kiss. Oh, wow.

01:16:58.712 --> 01:17:01.760
<v Speaker Rik Morgan>Yeah. Yeah. Their biggest hit.

01:17:01.840 --> 01:17:05.392
<v Speaker Johnny Krueg>They charted the highest, I guess it

01:17:05.416 --> 01:17:08.340
<v Speaker Johnny Krueg>sounds like the. Sounds like the theme song to the kisses.

01:17:09.480 --> 01:17:13.520
<v Speaker Rik Morgan>Well, and here's another thing you got to remember, too. This is why

01:17:13.640 --> 01:17:17.640
<v Speaker Rik Morgan>I can go in the whole history of this band, but they were on Casablanca

01:17:17.680 --> 01:17:21.056
<v Speaker Rik Morgan>records, so besides, kiss is the one that kept the lights

01:17:21.088 --> 01:17:25.200
<v Speaker Rik Morgan>on, for sure. But Casablanca was known as pretty

01:17:25.240 --> 01:17:28.240
<v Speaker Rik Morgan>much, you know, how you got Motown for all the r and b stuff.

01:17:28.360 --> 01:17:32.304
<v Speaker Rik Morgan>Casablanca was disco. They were the biggest disco

01:17:32.472 --> 01:17:36.096
<v Speaker Rik Morgan>production company out there. I mean, they had Donna Summer,

01:17:36.288 --> 01:17:38.900
<v Speaker Rik Morgan>village people, everybody at that time.

01:17:39.600 --> 01:17:43.400
<v Speaker Rik Morgan>Casablanca was disco. So I'm sure

01:17:43.480 --> 01:17:47.194
<v Speaker Rik Morgan>that because of the popularity of disco at the time, they probably nudged.

01:17:47.242 --> 01:17:47.910
<v Speaker Rik Morgan>I know.

01:17:49.970 --> 01:17:53.610
<v Speaker Rik Morgan>Bogart was. Neil Bogart, who owned Casablanca, probably nudged

01:17:53.650 --> 01:17:57.190
<v Speaker Rik Morgan>kiss. Hey, this stuff's hot. You guys need to jump on one of these.

01:17:57.610 --> 01:18:00.978
<v Speaker Rik Morgan>And he would do that all the time. He'd tell them what kind

01:18:00.994 --> 01:18:03.830
<v Speaker Rik Morgan>of song they needed to have. That's how they got rock and roll all night.

01:18:04.730 --> 01:18:08.434
<v Speaker Rik Morgan>They didn't want to write that. They were told to. Wow, that's. I mean,

01:18:08.522 --> 01:18:12.186
<v Speaker Johnny Krueg>good on whoever told them to, I guess, because that. I mean, that song plays

01:18:12.218 --> 01:18:16.070
<v Speaker Johnny Krueg>on the local stations here every, you know, 20 minutes on a loop.

01:18:17.770 --> 01:18:21.090
<v Speaker Johnny Krueg>I think that song played, played, played during this whole podcast, actually. This is getting

01:18:21.130 --> 01:18:23.430
<v Speaker Johnny Krueg>royalties from short, but. I can make that happen.

01:18:24.650 --> 01:18:28.350
<v Speaker Johnny Krueg>Yeah, Gene, at least. All right, guys, so,

01:18:28.810 --> 01:18:32.042
<v Speaker Johnny Krueg>yeah, what, what. What are some good lessons from a

01:18:32.066 --> 01:18:34.070
<v Speaker Johnny Krueg>bad movie? You guys took away from this.

01:18:38.730 --> 01:18:42.818
<v Speaker Rik Morgan>Kisses the devil. And you

01:18:42.834 --> 01:18:46.202
<v Speaker Rik Morgan>can use kiss music to make people turn on each other and kill each other

01:18:46.306 --> 01:18:50.210
<v Speaker Rik Morgan>and tear down amusement parks. I'd say

01:18:50.250 --> 01:18:53.570
<v Speaker Joseph Henson>Paul Stanley, his need to give a lot of exposition

01:18:53.730 --> 01:18:57.346
<v Speaker Joseph Henson>coined the phrase kiss position. So that's. I took

01:18:57.378 --> 01:19:00.802
<v Speaker Joseph Henson>that from that. From this film. Oh, man. The only thing I got from this

01:19:00.826 --> 01:19:06.732
<v Speaker Johnny Krueg>was that theme parks are run by moronse.

01:19:06.786 --> 01:19:10.352
<v Speaker Johnny Krueg>Well, that's kind of true, actually. So. Well, I learned you're not supposed to

01:19:10.376 --> 01:19:13.568
<v Speaker Rik Morgan>piss off the security guards because. Easy, cat. Man,

01:19:13.664 --> 01:19:15.020
<v Speaker Rik Morgan>these guys are serious.

01:19:16.640 --> 01:19:21.312
<v Speaker Johnny Krueg>Oh, man. What about. What were they thinking? Any of those moments besides

01:19:21.336 --> 01:19:22.460
<v Speaker Johnny Krueg>the entire movie?

01:19:24.440 --> 01:19:27.380
<v Speaker Johnny Krueg>Gee, I don't know where to start on that one. Right.

01:19:28.480 --> 01:19:32.096
<v Speaker Rik Morgan>Yeah. Just the. The whole concept of why they made this. I mean,

01:19:32.168 --> 01:19:35.786
<v Speaker Rik Morgan>it's obviously a money grab, just like jaws three or jaws

01:19:35.818 --> 01:19:39.410
<v Speaker Rik Morgan>for. Right. I mean, it's. It's not needed. Shut your mouth about Jaws

01:19:39.450 --> 01:19:40.230
<v Speaker Johnny Krueg>3D.

01:19:44.170 --> 01:19:47.850
<v Speaker Rik Morgan>Hey, I'm guilty of liking Mister Iron Eagle

01:19:47.890 --> 01:19:48.590
<v Speaker Rik Morgan>in it.

01:19:50.570 --> 01:19:52.830
<v Speaker Rik Morgan>Absolutely. You can't handle the loo.

01:19:59.090 --> 01:20:01.784
<v Speaker Rik Morgan>Yeah. This whole movie is just a big. What were they thinking?

01:20:01.832 --> 01:20:03.940
<v Speaker Rik Morgan>Because obviously,

01:20:05.000 --> 01:20:08.056
<v Speaker Rik Morgan>whoever got the money off of this kiss was thinking, we're gonna

01:20:08.088 --> 01:20:12.928
<v Speaker Rik Morgan>make a big paycheck. But nobody thought about anything

01:20:12.984 --> 01:20:15.340
<v Speaker Rik Morgan>about this. Movie, really, for me. I.

01:20:16.800 --> 01:20:20.088
<v Speaker Joseph Henson>Yeah, I'm wondering. Yeah, I'm wondering if it broke, if it had any kind of

01:20:20.104 --> 01:20:23.380
<v Speaker Joseph Henson>profit at all. I don't think. Oh, yeah. So had four profits.

01:20:24.160 --> 01:20:25.620
<v Speaker Rik Morgan>I was telling Johnny,

01:20:26.930 --> 01:20:30.402
<v Speaker Rik Morgan>ah, like I said,

01:20:30.426 --> 01:20:34.050
<v Speaker Rik Morgan>the biggest tv show at this time was showgun with Richard Chamberlain.

01:20:34.130 --> 01:20:37.402
<v Speaker Rik Morgan>This thing was. A mini series was on. This thing was breaking records left and

01:20:37.426 --> 01:20:40.842
<v Speaker Rik Morgan>right. And this came on the same night that

01:20:40.866 --> 01:20:43.750
<v Speaker Rik Morgan>shogun came on. And nobody watched Showgun.

01:20:46.290 --> 01:20:49.546
<v Speaker Rik Morgan>So this. This thing did what it was supposed to do, man.

01:20:49.578 --> 01:20:53.550
<v Speaker Johnny Krueg>For me, it was, you know, is the Illuminati all seeing,

01:20:53.690 --> 01:20:57.206
<v Speaker Johnny Krueg>all hearing eye in this. The all

01:20:57.238 --> 01:21:00.166
<v Speaker Johnny Krueg>hearing eye was my. What are they thinking? Oh, as it was, soon as he

01:21:00.198 --> 01:21:03.494
<v Speaker Johnny Krueg>started saying them in that. In that sepia tone and.

01:21:03.582 --> 01:21:06.290
<v Speaker Johnny Krueg>And you could hear the dialogue through his eyeball,

01:21:07.630 --> 01:21:11.170
<v Speaker Johnny Krueg>I was like, what? Yeah, it's high tech.

01:21:13.150 --> 01:21:16.486
<v Speaker Joseph Henson>I think my. What were they thinking is it's like, how many times do we

01:21:16.518 --> 01:21:19.686
<v Speaker Joseph Henson>need to hear that kiss is the biggest group on the planet? And so we

01:21:19.718 --> 01:21:23.266
<v Speaker Joseph Henson>know this, right? It's like, as you know, kiss is playing here tonight and they

01:21:23.298 --> 01:21:26.482
<v Speaker Joseph Henson>are the biggest group on the planet. Five minutes later, kiss is gonna be here

01:21:26.506 --> 01:21:29.994
<v Speaker Joseph Henson>tomorrow and they're the biggest group on the planet. Where's. What were you thinking

01:21:30.042 --> 01:21:30.630
<v Speaker Rik Morgan>saying.

01:21:33.250 --> 01:21:35.950
<v Speaker Johnny Krueg>What about upgrades? How would you upgrade this?

01:21:39.090 --> 01:21:42.682
<v Speaker Rik Morgan>Well, ironically enough, as far as what you can do for

01:21:42.706 --> 01:21:46.082
<v Speaker Rik Morgan>upgrades, that first version of the movie that I sent you

01:21:46.186 --> 01:21:49.322
<v Speaker Rik Morgan>pissed me off because they did cut a lot of the cheese out

01:21:49.346 --> 01:21:53.202
<v Speaker Rik Morgan>of it which made it a. Just a very dull,

01:21:53.386 --> 01:21:56.706
<v Speaker Rik Morgan>bad movie at that point. But they did

01:21:56.858 --> 01:22:00.122
<v Speaker Rik Morgan>change out some of the songs and they put some songs from the solo albums

01:22:00.146 --> 01:22:04.202
<v Speaker Rik Morgan>on there. It's just the whole. The whole Hanna

01:22:04.226 --> 01:22:07.466
<v Speaker Rik Morgan>Barbera thing really hurts

01:22:07.498 --> 01:22:10.770
<v Speaker Rik Morgan>it with all the sound effects, the, you know,

01:22:10.810 --> 01:22:14.426
<v Speaker Rik Morgan>Scooby Doo sounding music in the background. I mean, you're just missing the zoinks

01:22:14.498 --> 01:22:16.150
<v Speaker Rik Morgan>in there every once in a while, right?

01:22:21.010 --> 01:22:22.470
<v Speaker Rik Morgan>Space werewolves.

01:22:25.210 --> 01:22:28.658
<v Speaker Joseph Henson>I'd say in addition

01:22:28.714 --> 01:22:32.114
<v Speaker Joseph Henson>to all the kiss songs that we hear through this movie there's a lot of

01:22:32.162 --> 01:22:35.458
<v Speaker Joseph Henson>footage of patrons on amusement park rides. I'd say

01:22:35.474 --> 01:22:37.870
<v Speaker Joseph Henson>we needed less of that and more. Brian James.

01:22:40.850 --> 01:22:44.760
<v Speaker Johnny Krueg>Like I said in the very beginning of this episode, I think,

01:22:44.800 --> 01:22:47.848
<v Speaker Johnny Krueg>man, I think if they had had somebody like Vincent Price and the. In the

01:22:47.864 --> 01:22:51.472
<v Speaker Johnny Krueg>villain role because although the dude who played the villain in this has

01:22:51.496 --> 01:22:55.272
<v Speaker Johnny Krueg>been in a lot of stuff, he just didn't have the charisma of what

01:22:55.296 --> 01:22:58.744
<v Speaker Johnny Krueg>he. If they were gonna go for that full on Scooby Doo feeling,

01:22:58.832 --> 01:23:02.420
<v Speaker Johnny Krueg>they needed, like, a. You know, like,

01:23:02.960 --> 01:23:06.576
<v Speaker Johnny Krueg>was it Doctor Goldfoot and the bikini mission bombs?

01:23:06.688 --> 01:23:09.220
<v Speaker Johnny Krueg>They needed that kind of thing going on.

01:23:12.170 --> 01:23:15.430
<v Speaker Joseph Henson>Yeah, it's like his. It's like the guy who played Abner, he's like.

01:23:15.890 --> 01:23:19.186
<v Speaker Joseph Henson>He had, like, no, like, you know, mystique about him or any kind of,

01:23:19.218 --> 01:23:22.402
<v Speaker Joseph Henson>like, evil charisma. It's like his worst infractions by stealing,

01:23:22.426 --> 01:23:26.090
<v Speaker Joseph Henson>like, pins from the park. Oh. You know, this movie needed more.

01:23:26.170 --> 01:23:27.030
<v Speaker Johnny Krueg>Sneed.

01:23:30.370 --> 01:23:31.350
<v Speaker Johnny Krueg>Sneed.

01:23:34.250 --> 01:23:38.018
<v Speaker Johnny Krueg>So it comes. It's that time. Then you guys gotta set this on the

01:23:38.034 --> 01:23:41.418
<v Speaker Johnny Krueg>bus. And since Joseph is joining us, I think he

01:23:41.434 --> 01:23:44.590
<v Speaker Johnny Krueg>should tell us where he says, since this movie on the bus.

01:23:45.890 --> 01:23:49.498
<v Speaker Johnny Krueg>Yeah. Oh, well, I wouldn't put it in the back

01:23:49.554 --> 01:23:53.426
<v Speaker Joseph Henson>because I did laugh a lot and, you know, I was entertained.

01:23:53.458 --> 01:23:57.026
<v Speaker Joseph Henson>I mean, it's a terrible film. I mean, it's one of the worst I've ever

01:23:57.058 --> 01:24:00.910
<v Speaker Joseph Henson>seen, honestly. But I would. I would put it

01:24:01.290 --> 01:24:04.082
<v Speaker Joseph Henson>not exactly in the middle, maybe, like, before. Like,

01:24:04.106 --> 01:24:06.310
<v Speaker Joseph Henson>the seat next to the last seat.

01:24:08.350 --> 01:24:11.758
<v Speaker Rik Morgan>Yeah, same thing, man. I don't want to put it

01:24:11.774 --> 01:24:15.070
<v Speaker Rik Morgan>all the way in the back, you know? And I. I do love

01:24:15.110 --> 01:24:18.326
<v Speaker Rik Morgan>this movie as bad as it is, because, again, you're tied to it

01:24:18.358 --> 01:24:21.862
<v Speaker Rik Morgan>emotionally as a kid, but, yeah. Yeah.

01:24:21.926 --> 01:24:25.490
<v Speaker Rik Morgan>That doesn't defend the fact that it's a terrible movie. So. Yeah, I understand,

01:24:26.390 --> 01:24:29.782
<v Speaker Johnny Krueg>like, the dark power we just did. I mean, I. I enjoy

01:24:29.846 --> 01:24:33.856
<v Speaker Johnny Krueg>the hell out of that, but I know it's not good. I would.

01:24:33.888 --> 01:24:36.976
<v Speaker Johnny Krueg>I would say this. Yes, second last. Like you guys said,

01:24:37.168 --> 01:24:41.368
<v Speaker Johnny Krueg>it's. Because it's. It's not something like battlefield Earth or.

01:24:41.544 --> 01:24:44.928
<v Speaker Johnny Krueg>Or death nurse. It's not something that I'm just absolutely gonna

01:24:44.944 --> 01:24:46.260
<v Speaker Johnny Krueg>take a crap all over.

01:24:50.880 --> 01:24:53.728
<v Speaker Rik Morgan>Man. If Battlefield Earth only had space werewolves,

01:24:53.904 --> 01:24:57.392
<v Speaker Rik Morgan>it matter. Death nurse. Oh, death nurse only had gene Simmons and

01:24:57.496 --> 01:25:00.940
<v Speaker Rik Morgan>might have improved that one. Oh,

01:25:01.840 --> 01:25:05.936
<v Speaker Rik Morgan>awesome. Well, man, Joseph, tell us.

01:25:06.048 --> 01:25:09.420
<v Speaker Rik Morgan>Tell everybody what they can find your show at.

01:25:10.480 --> 01:25:14.288
<v Speaker Joseph Henson>Hey, we're on apple, Stitcher,

01:25:14.344 --> 01:25:18.464
<v Speaker Joseph Henson>Spotify, YouTube. Just search. The hysteria continues on

01:25:18.512 --> 01:25:21.856
<v Speaker Joseph Henson>Google. If you like slasher films, you can find us on

01:25:21.968 --> 01:25:25.232
<v Speaker Joseph Henson>several Blu ray releases from vinegar syndrome,

01:25:25.296 --> 01:25:28.704
<v Speaker Joseph Henson>Arrow 88 films. Yeah, I mean, just type in

01:25:28.712 --> 01:25:32.560
<v Speaker Joseph Henson>the name and we're somewhere. Yeah, these guys know their crap.

01:25:32.600 --> 01:25:34.100
<v Speaker Joseph Henson>Oh, yeah, man. Like.

01:25:35.960 --> 01:25:39.184
<v Speaker Joseph Henson>Well, when it comes to Nathan, yeah, it comes to Nathan. Yeah.

01:25:39.312 --> 01:25:42.592
<v Speaker Johnny Krueg>Guys on the show. And, like, every single one of them has,

01:25:42.656 --> 01:25:46.064
<v Speaker Johnny Krueg>like, just an infinite amount of slasher knowledge.

01:25:46.112 --> 01:25:48.500
<v Speaker Johnny Krueg>So, you know, it's.

01:25:49.640 --> 01:25:53.536
<v Speaker Johnny Krueg>Oh, yeah. Yeah. Almost like I do with. I learn more about kissing this podcast

01:25:53.608 --> 01:25:56.420
<v Speaker Johnny Krueg>then that I've known my entire life.

01:25:57.590 --> 01:26:01.550
<v Speaker Rik Morgan>Dude. I'm gonna. I'm gonna send you both a link to a video,

01:26:01.670 --> 01:26:05.462
<v Speaker Rik Morgan>which is pretty much the nail in the coffin for the original lineup of

01:26:05.486 --> 01:26:09.270
<v Speaker Rik Morgan>kiss, where they're on the Tom Snyder show on

01:26:09.310 --> 01:26:12.750
<v Speaker Rik Morgan>Halloween night. And you literally

01:26:12.830 --> 01:26:15.330
<v Speaker Rik Morgan>see it fall apart. Cuz aces,

01:26:15.830 --> 01:26:19.606
<v Speaker Rik Morgan>he's messed up on something, and it just goes downhill so

01:26:19.638 --> 01:26:22.410
<v Speaker Rik Morgan>fast. You can see Gene and Paul getting so pissed.

01:26:23.270 --> 01:26:26.462
<v Speaker Rik Morgan>Oh, yeah. So I gotta send you all that. And y'all check it out.

01:26:26.486 --> 01:26:29.486
<v Speaker Rik Morgan>It is. It is. It is legendary. I mean,

01:26:29.518 --> 01:26:33.198
<v Speaker Rik Morgan>every kiss fan just, you know, this is like one of those great

01:26:33.254 --> 01:26:36.850
<v Speaker Rik Morgan>things that you get to see because you literally see the. The band dude

01:26:38.270 --> 01:26:39.730
<v Speaker Johnny Krueg>you were talking about, too.

01:26:42.910 --> 01:26:46.590
<v Speaker Johnny Krueg>Oh, yeah. Yeah. Because I didn't live through

01:26:46.630 --> 01:26:50.090
<v Speaker Johnny Krueg>the height of, you know, kiss mania, so it's cool to

01:26:50.130 --> 01:26:53.230
<v Speaker Johnny Krueg>kind of, like, brush up on that stuff. Yeah,

01:26:56.410 --> 01:26:59.946
<v Speaker Rik Morgan>yeah. I mean, as, you know, the people that don't

01:26:59.978 --> 01:27:03.750
<v Speaker Rik Morgan>get it, they don't get it. I mean, that's fine. But you don't have

01:27:04.530 --> 01:27:07.030
<v Speaker Rik Morgan>arena rock. You don't have,

01:27:07.650 --> 01:27:11.550
<v Speaker Rik Morgan>you know, Slipknot, Marilyn Manson, all these other bands without

01:27:11.970 --> 01:27:15.676
<v Speaker Rik Morgan>this band, you really don't. I mean, they. They were the

01:27:15.708 --> 01:27:19.028
<v Speaker Rik Morgan>ones that really made it happen. And they took a little bit

01:27:19.044 --> 01:27:21.732
<v Speaker Rik Morgan>from Lou Reed, they took a little bit from Alice Cooper,

01:27:21.916 --> 01:27:25.240
<v Speaker Rik Morgan>dated boy, in a way, from the fantastical kind of part,

01:27:25.660 --> 01:27:30.252
<v Speaker Rik Morgan>and it just exploded. And the

01:27:30.276 --> 01:27:33.852
<v Speaker Rik Morgan>people think that was only about the theatrics is totally

01:27:33.876 --> 01:27:37.228
<v Speaker Rik Morgan>missing the point, because there's some. Like I said, like, I mean,

01:27:37.324 --> 01:27:40.084
<v Speaker Johnny Krueg>I don't know a lot of their music, but God of thunder has always been

01:27:40.172 --> 01:27:41.560
<v Speaker Johnny Krueg>a pretty badass song.

01:27:43.930 --> 01:27:47.410
<v Speaker Johnny Krueg>Yeah. Oh, yeah. Yeah. I was a. I was a toddler at the.

01:27:47.450 --> 01:27:51.002
<v Speaker Joseph Henson>At the height of their popularity, but I did see them on the revenge tour,

01:27:51.106 --> 01:27:54.210
<v Speaker Joseph Henson>and I had that album. I wore that album out like. Like it was nobody's

01:27:54.250 --> 01:27:57.722
<v Speaker Joseph Henson>business. But I've never been. I've never been super crazy about kiss. But I

01:27:57.746 --> 01:28:01.114
<v Speaker Joseph Henson>do concede that they are, you know, outside of their image. They're very

01:28:01.162 --> 01:28:04.626
<v Speaker Joseph Henson>talented musicians and they put that, you know, they write great songs

01:28:04.658 --> 01:28:07.470
<v Speaker Joseph Henson>as well. So other than, you know, revenge.

01:28:08.290 --> 01:28:12.058
<v Speaker Rik Morgan>Revenge was kind of like the return to the original feel of kiss for

01:28:12.114 --> 01:28:15.674
<v Speaker Rik Morgan>all of us die hard fans because it was a little more raw,

01:28:15.842 --> 01:28:18.890
<v Speaker Rik Morgan>very. Tongue in cheek, but heavy as well.

01:28:18.970 --> 01:28:23.690
<v Speaker Rik Morgan>Heavy, yeah. And, well, that's a great of great writers all

01:28:23.730 --> 01:28:27.710
<v Speaker Johnny Krueg>around. Greatness in the entertainment industry.

01:28:28.370 --> 01:28:31.426
<v Speaker Johnny Krueg>I would like to put it out there that our next episode of short bus

01:28:31.458 --> 01:28:34.524
<v Speaker Johnny Krueg>is going to be a huge one. It's going to be a massive episode.

01:28:34.682 --> 01:28:37.536
<v Speaker Johnny Krueg>I mean, just heavy hitter all the way.

01:28:37.688 --> 01:28:40.576
<v Speaker Johnny Krueg>And you guys have to stay tuned to see what that is,

01:28:40.608 --> 01:28:44.140
<v Speaker Johnny Krueg>though. Yep. Because.

01:28:45.320 --> 01:28:49.640
<v Speaker Johnny Krueg>Absolutely. Joseph, man, very miss. Sounds very mysterious.

01:28:49.800 --> 01:28:52.992
<v Speaker Johnny Krueg>Oh, yeah. Thanks, dude. Joseph, appreciate you coming on with us,

01:28:53.016 --> 01:28:56.568
<v Speaker Johnny Krueg>man. Yeah, yeah. Anytime. Oh, yeah. We'll see

01:28:56.584 --> 01:28:58.660
<v Speaker Rik Morgan>you next episode. Two dudes, right?

01:29:01.760 --> 01:29:03.980
<v Speaker Rik Morgan>All right, Johnny, you got anything else?

01:29:05.680 --> 01:29:09.104
<v Speaker Rik Morgan>All right, everybody, take it easy. We will see you later.

01:29:09.192 --> 01:29:11.180
<v Speaker Rik Morgan>Adios. Peace.

01:29:09.192 --> 01:29:11.180
<v Credits>Transcript Brought to you by DeepCast Pro — link-backs to DeepCast.fm or referrals to DeepCast Pro are greatly appreciated!