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Day 100 and 19
then Beel made the lamps stand of pure hammered gold.
He made the entire lamp stand and its decorations of one piece.
The base center stem lamp cups, buds, and pedals.
The lamps stand had six branches going out from the center, STEM three on each side.
Each of the six branches had three lamp cups shaped like almond blossoms
complete with buds and pedals.
The center stem of the lamp stand was crafted with four lamp
cups shaped like almond blossoms complete with buds and pedals.
There was an almond bud beneath each pair of branches where the
six branches extended from the center stem, all made of one piece.
The almond buds and branches were all of one piece with the center stem,
and they were hammered from pure gold.
He also made seven lamps for the lamp stand, lamp, snuffers,
and trays, all of pure gold.
The entire lamp stand along with its accessories was made
from 75 pounds of pure gold.
Then Beel made the incense altar of acacia wood.
It was 18 inches square and 36 inches high with horns at the corners carved from the
same piece of wood as the altar itself.
He overlaid the top sides and horns of the altar with pure gold, and he ran a
gold molding around the entire altar.
He made two gold rings and attached them on opposite sides of the altar below the
gold molding to hold the carrying poles.
He made the poles of a Keisha wood and overlaid them with gold.
Then he made the sacred anointing oil and the fragrant incense using the
techniques of a skilled incense maker.
Next Beel used Acacia Wood to construct the square altar of burnt offering.
It was seven and a half feet wide, seven and a half feet long,
and four and a half feet high.
He made horns for each of its four corners, so that the horns
and altar were all one piece.
He overlaid the altar with bronze.
Then he made all the altar utensils of bronze.
The ash buckets, shovels, basins, meat forks, and fire pans.
Next, he made a bronze grading and installed it halfway
down the side of the altar.
Under the ledge, he cast four rings and attached them to the corners of the
bronze grading to hold the carrying poles.
He made the poles from Akeisha wood and overlaid them with bronze.
He inserted the poles through the rings on the sides of the altar.
The altar was hollow and was made from planks.
Beel made the bronze wash basin and its bronze stand from bronze mirrors
donated by the women who served at the entrance of the tabernacle.
Then Beel made the courtyard, which was enclosed with curtains made of
finely woven linen on the south side.
The curtains were 150 feet long.
They were held up by 20 posts, set securely in 20 bronze basis.
He hung the curtains with silver hooks and rings.
He made a similar set of curtains for the north side.
150 feet of curtains held up by 20 posts set securely in bronze bases.
He hung the curtains with silver hooks and rings.
The curtains on the west end of the courtyard were 75 feet long, hung
with silver hooks and rings, and supported by 10 posts set into 10 bases.
The east end, the front was also 75 feet long.
The courtyard entrance was on the east end, flanked by two curtains.
The curtain on the right side was 22 and a half feet long, and was supported
by three posts set into three bases.
The curtain on the left side was also 22 and a half feet long, and was supported
by three posts set into three bases.
All the curtains used in the courtyard were made of finely woven linen.
Each post had a bronze base, and all the hooks and rings were silver.
The tops of the posts of the courtyard were overlaid with
silver, and the rings to hold up.
The curtains were made of silver.
He made the curtain for the entrance to the courtyard of finely woven linen, and
he decorated it with beautiful embroidery and blue, purple and scarlet thread.
It was 30 feet long and its height was seven and a half feet, just like
the curtains of the courtyard walls.
It was supported by four posts.
Each set securely in its own bronze base.
The tops of the posts were overlaid with silver, and the hooks and
rings were also made of silver.
All the tent pigs used in the tabernacle and courtyard were made of bronze.
This is an inventory of the materials used in building the
tabernacle of the covenant.
The Levites compiled the figures as Moses directed and eMAR son of Aaron,
the priest served as Recorder Beels, son of your i grandson of her, of
the tribe of Judah, made everything just as the Lord had commanded Moses.
He was assisted by, oh holy ab.
Son of Ishak of the Tribe of Dan, a craftsman expert at engraving, designing
and embroidering with blue, purple, and scarlet thread on fine linen cloth.
The people brought special offerings of gold to totalling 2,193 pounds as
measured by the weight of the sanctuary.
Sh.
This gold was used throughout the tabernacle.
The whole community of Israel gave 7,545 pounds of silver as measured by
the weight of the sanctuary shekel.
The silver came from the tax collected from each man registered in the census.
The tax one, Becca, which is half a shekel based on the sanctuary shekel.
The tax was collected from 603,550 men who had reached their 20th birthday.
The a hundred bases for the frames of the sanctuary walls and for the
posts supporting the inner curtain required 7,500 pounds of silver,
about 75 pounds for each base.
The remaining 45 pounds of silver was used to make the hooks and rings
and to overlay the tops of the posts.
The people also brought as special offerings, 5,310 pounds of bronze, which
was used for casting the basis for the posts at the entrance to the tabernacle
and for the bronze altar with its bronze grading and all the altar utensils.
Bronze was also used to make the basis for the posts that supported
the curtains around the courtyard.
The basis for the curtain at the entrance of the courtyard and all the tent pigs
for the tabernacle and the courtyard.
This concludes today's Immer reading experience.
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