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Hey, everybody. Welcome to the Poduty Live Podcast Theater. I'm Jeff, your host. I've got

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a special in theater guest today. I've got DJ Sky.

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While I'm wandering through the theater trying to find my seat, I don't know where

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to go. We've got six stories about live news

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podcasting recorded live coming at you after.

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What time is it?

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What time is.

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The only live news podcast about

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podcasting from the st.

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How do we end the news?

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How do we in the news?

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The only live news podcast about

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podcasting from the stage.

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Just requested. DJ sky wants the full version of the

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podcast theme song to play at his next gig because you made a big

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announcement. It had almost went locally viral.

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I think everybody in this town saw your announcement. And welcome to the

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show again, DJ sky. Two timing on the show here.

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Glad to have you back. And tell us a little bit about what you. What

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did you announce last week? Hey, thank you for having me. I actually announced

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it's a four bar tour three city between

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Tarentum, Lower Burrell and Freeport. I'm going to be at the

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Praha Hotel, Barley

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Lock Five Tavern and Barrel and Bloom. And all of those

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dates are on the screen, so I set them out of order. But as long

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as you show up on those right days, you're going to have a good

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time. At least I hope you're going to have a good time. I know I

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will. And one thing that shocked me, the ticket price.

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It's free and you can win some stuff.

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So right now, all of these places are putting up a

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gift card for you to come back. Marmac is

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actually sponsoring Uber rides, so I'm going to raffle off an

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Uber ride each night. It's a $50 gift card, so

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if you're traveling locally, that's a whole bunch of rides.

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Yeah. Yeah. What, what better way to play it safe? You're going to go out,

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have a good time. Why not take it safe? Take the Safeway home, Get in,

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call a cab. Yeah, get an Uber. Or if you're going down to the draft,

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that is from here to Harmarville, because it's going to be

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ridiculous to do anything during the draft. Tell us a

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little bit about how can people find out more if they want to connect with

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you personally, learn about all your gigs. I mean, you're doing trivia.

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You're torn to rent them week on a weekly basis. So you're always around here

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working. Where can people find you on the regular right now? Facebook,

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just Skylor Hayden. It's Skylor with an O and same with my

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Instagram. I just try to keep everything simple so that way you can find

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me. Because if you like me, you'll remember me.

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If you don't like me, you'll definitely remember me.

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Well, a funny story about people liking you is,

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you know, you did a local high school prom about two years

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ago, a school that my daughter goes to, and the next year they hired a

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different dj, and she said, man, I really miss

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DJ Sky. So if you're out there, you're thinking about events, you want

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to get somebody that the kids like. DJ sky was well

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missed at my daughter's high school. I miss being there. There was a

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weird scheduling thing. I don't know what I did, but I was

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probably on vacation or something. Yeah, it's hard to believe because

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every time I turn on Facebook, there's a new thing that you're doing. You're always

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working, you're always out there and doing two or three trivia nights a

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week sometimes. Tell us a little bit about how do you structure trivia? How do

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you play the games when you're in pub? So I just like to keep

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it interesting. It's not rocket science. We're just supposed to be out and

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having a good time. So I don't like themes

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because if I do a theme and you're not interested, you're not coming out.

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So I try to just keep it random, keep people on their toes,

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and I mix it between trivia and name that tune.

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So that's a little hard because I have some young kids, but I

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gotta bridge the gap and make sure that they can have a good time

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to sound. Yeah, but that's what we

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have going on. It's pretty cool. I'm having fun.

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And for those of you watching at home, you're not gonna believe that there's 90

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years of experience up on this stage. I'm turning 50 this year, and

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believe it or not, DJ sky is 40 and I

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41. 91 years of experience up on this

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stage, which is crazy. They are putting something in the drinking water in tarentum.

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But every time I hear you're 40, it just blows my mind. It's definitely

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not fluoride because they just took that out of brackenry. I miss it.

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So do my teeth. Watch it. Watch our healthy. We'll be walking with

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walkers by the end of the year. I hope not.

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All right, well, are you ready to get into our

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stories? We've got story number one coming

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your way. This one was a music podcast, so a lot of the times with

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my guests, I try to pair the stories with their expertise, with their

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knowledge, with what they do on a daily basis. And

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this is the classroom to career podcasting, the music

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industry playbook. And this was a really interesting concept done at a university

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for kids who are studying event production, music

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production, the music industry. And this is Emily White, recorded season

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five of her podcast live at Northeastern University.

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Turning into an interactive in person learning experience.

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With a small audience, industry guests and student involvement in

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production, the show blends education, networking and

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live podcasting into real world training ground for building

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a sustainable music career. And this was a smaller event,

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15 people, but the industry experts, the knowledge

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that you got, being in the smaller, intimate environment, you

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don't get that in the classroom. You're not getting that real world experience. You're getting

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textbook experience and the knowledge of the professor. But here's

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somebody who lived through it, who built an empire, not an empire, but built

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something in the music industry. And sharing those with students in real time,

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they're able to ask questions and, and really dive in deeper.

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And all of these people who show up to these events, they're not getting lost

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in the shuffle and their voices are heard. Because since it

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is one on one, there's time. And whenever you got

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to see more than 15, it gets hard. And

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you might not either think your question is valid or somebody else

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is going to ask it, but the answer that they get won't be the

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answer that you need. Yeah, I mean, I couldn't imagine, you know, I took a

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lot of marketing classes, but having somebody like Mark Cuban or Bill

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Gates, even a local business

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entrepreneur to sit in a room with, you tell their story

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and then you can ask them questions. I never got an experience like that in

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college. And through podcasting, I think these types of things are now possible.

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So I have been to a couple DJ conventions.

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One was really huge. Djx. It was amazing because you still got

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the top tier speakers of the hour, the top tier people in

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your business, but from me to them, I'm

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80 people away. But then when I went to the Pittsburgh DJ summit,

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it was cooler. It was a little bit smaller scale from me to them.

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I'm like 35 people away. And it was just cool because

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they took time out and was able to give you the time that you

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wanted more than just you needed. So it makes a big

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difference whenever you can actually get up close and personal. Yeah. That

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intimate experience, one on one knowledge. If you're one of 15

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questions that are going to be asked and there's only 15 people in the audience,

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you have a good chance of getting that itch scratched of like, what's

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that thing burning in the back of your head? Like, how do I do this?

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How did you do that? I see that you've accomplished these types of things.

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How can I pull some of that knowledge and build off for my own

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career? And then even if they do ask a question that you have,

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you still have a few other questions in the chamber. So that way, whenever they

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do get to you, you still have your opportunity to speak

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and get some knowledge. Yeah. And sometimes there's. Even afterwards, after the show

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cuts, they got what they needed for the recording. You can hang out,

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you can thank them for coming out. You make those connections that you

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just, you can't get through an email or just through sending in

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a fan mail of, hey, listen to your podcast was really great. Now they know

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you and they're able to connect with you on a personal level. Yeah,

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well, keep it going. Story number two

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is from podcast to festivals turning content

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into a cultural event. This is the 2026 Black Effect

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podcast Festival in Atlanta is more than live shows.

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It's a full scale experience combining live podcast tapings,

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panel discussions, networking, a marketplace and an audience

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participation. This is podcasting as an event

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ecosystem where content, community

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and commerce all come together. And this is kind of the opposite of

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our previous story. This is big scale. This is

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podcasts up on the stage, entertaining a crowd

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and built around this network. This idea of podcast

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as performance is something I really from talking to me for the

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last couple years, I'm very passionate about performing

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podcasts live for audience. And this is scaling it way beyond

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what I'm doing. It's not that it's scaling it way beyond what you're

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doing. People don't know that they can come down to the theater,

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they can come sit down, watch, hang out,

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interact. So that's another thing. When people realize that

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they only got to come 5, 10 minutes, see something that they're listening

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to or something that they're interested in, and it's in their backyard.

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And this when I was listening to the story and reading it,

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I had a few other different ideas that I think could work for

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you. Maybe going down to the Trenum Amphitheater and

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doing an outside live podcast, kind of sort of like this

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where you could interview people on the street or

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just do a show. And I think that'd be really cool. Right along the river.

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I'll have to show you. One of the original concepts for this space

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was I called it theater anywhere. And I built something that fit in

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the back seat of my sedan, so I had to travel with it. And you're

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familiar. DJ loading in and out equipment. And it was two

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speakers, it was a mixer, some microphones, and a podium

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all slid in perfectly into the backseat of my car. And my

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original concept was to go, like, set up along a river walkway

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or the clamshell theaters and parks and just start

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ambush. Like podcasting. Like, kind of like Billy in the Streets. But it was Jeff

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in the Streets doing this podcast. Anywhere I wanted to be, anywhere

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I went, that's where the podcast would be. And I love that idea. So maybe

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this summer I'll ambush the. What's it, Miss Doctor, Mr.

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Wolf Amphitheater. James. James P. Wolf Amphitheater.

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I thought it was Carl Magnetta. Is it Magnetta? Yeah, I thought it

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was the Carl Magnetta. Yeah, Maybe Wolf was the skateboard

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guys. We can ambush there, too, because they still have

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the rinks up. Well, I remember one of them didn't like

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skateboarding, and it was ironic that they named the skate park after them.

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Oh, yeah, that's before my time. That's an early

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2002 Tarentum story. But again,

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bringing people together, people who like podcasts, people who like, in some cases,

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music, they like entertainment. They're going to come together and

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people are realizing that you can get a great level of

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entertainment for 10, $20 a ticket.

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Instead of going to, like an arena, a theater, you're paying

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$80 for balcony seats, you're paying $300 to be on

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the floor with a live podcast, you're going to meet people

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who are like you. They like the same things that you're interested in. Usually the

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topic of the podcast is what people are conjugating around. They're.

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They're meeting together, they're thinking about the same things, they're passionate about the same

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topics, and you're meeting people for $10. $20. You could have the

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worst night of your life. And it doesn't break the bank to hang out with

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podcasters. Or even if it's outside, you can still walk

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by and still be entertained because you just never know what you're

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going to hear at that moment. As long as you put yourself out there,

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you can get something. They are doing one cool thing. It's called Pitcher

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Podcast, where they're having a stage where you can go up. If you have an

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idea, you can pitch it, kind of like a shark tank

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or America's Got Talent. You pitch your idea,

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your concept, and judges give you feedback and how to put it together.

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So if you're kind of on the fringe, like, I like these topics. I love

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what these people are putting together. How can I build my own

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podcast? Well, here's an idea. You take the stage in front of them

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and you get to pitch your idea and see if it has some value. Now,

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that would be cool if they turned that into a reality show and like a

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legit contest where people could vote on it and the

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winner gets their own podcast. Win a podcast at the

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Poduty Podcast Theater. I mean, we can get some local

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sponsors, at least give them a speaker or two. Yeah,

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let's do it. We'll keep going to our next story.

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Another story about live podcasting, and this one is

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one. Here's a ticket price that it's after. My own heart. This is where I

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think the value is for small, independent podcasters.

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$13.50. I'm all in turning a local

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podcast into a live platform. The Connect the Dots podcast

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in St. Louis hosted its first live event after years of

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building its brand, offering tickets for just

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$13.50 to bring the community together.

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The show combined live podcast tapings, performances, and

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networking and transforming a digital platform into a physical stage

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for local artists and setting the foundation for

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future events. And a lot of times we talk about taking your show live

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and you don't have to do it as soon as you start your podcast. They're

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building up a podcast over six years. By now. They're ready,

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they're confident on the microphone. They want to perform in front of people. Six

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years later, they're building live shows now and monetizing that for

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$13.50 a ticket. And especially if

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you do multiple shows where if you can get a

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group discount or pay for several shows at

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once, I mean, that's just hand over fist right there.

235
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And that's the cool thing they're doing in St. Louis, but we're also doing it

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here in Trenum. I say we're. Because I'm on the show. I have

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no. The stage is always yours here. Oh,

238
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yeah, you say that now. And that's the thing. The more

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you know, the more you can do. And

240
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people just need to know that you can come here and just hang out

241
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and be interactive. Most

242
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podcasts cost between 20 and $100 a month to

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run. If they sold 10 tickets at $13,

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I guarantee you they covered their expenses for a month. So just think about live

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events. How do I. How can I bring in some revenue to make

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this hobby, at least pay the bills? I can at least cover my expenses.

247
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I can have a good time doing it, and I'm not worried about

248
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the size of my audience. Whereas most podcasters chase this idea

249
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of if I build a big enough audience, I can read ads for

250
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purple mattress or meundies or Sherry's Berries. They can do

251
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all these things if they get the audience. But you don't have to have a

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live audience. If you think getting 1000 downloads is difficult,

253
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how difficult is it to get 10 people to show up right, so you can

254
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cover your expenses without having large audiences? And

255
00:16:03,450 --> 00:16:07,090
I'm looking Now, this is two live podcast tapings for

256
00:16:07,090 --> 00:16:10,490
1350. So we're talking almost what,

257
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$6.75 a pop per show. You get two shows for

258
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1350 and for them that's two weeks of

259
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content that covers half of their month, that those sales

260
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probably covered their expenses for a month or two months. They're ahead of

261
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the game now. They're in the green. They're not operating at a loss or as

262
00:16:28,820 --> 00:16:32,580
a hobby anymore. They're making this a business. And that's the

263
00:16:32,580 --> 00:16:36,140
nice thing about just being able to create that movement to where

264
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you can be there in person and you can interact. And that

265
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just changes the whole grand scheme of things. And

266
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I think that's really cool. Let's

267
00:16:47,870 --> 00:16:51,670
go to the first impressions. Winning or losing

268
00:16:51,990 --> 00:16:55,150
at check in. I love this story we're talking about. DJ sky has an event

269
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coming up at four different locations. And this whole

270
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article here is about how do

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00:17:02,310 --> 00:17:05,830
we control that process. The check in is part of the experience.

272
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So if you get to a venue and you're waiting to

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get scanned in, if there's tickets, if you're waiting to get checked in because they

274
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can't find your email, or in DJ Sky's case,

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the process is free. There's no tickets, but you're gonna be

276
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doing these events. You may wanna capture some of that information. So in your mind,

277
00:17:24,670 --> 00:17:28,270
how do I get this information so that I'm not holding up the

278
00:17:28,270 --> 00:17:31,910
experience, but I wanna be able to talk to these people, market

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to them after the show and bring them back to future episodes. So that

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whole check in process is something great to think about, especially for your upcoming events.

281
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And the success of your event is not decided when the music starts,

282
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it's decided when people walk through the door. Long lines,

283
00:17:46,770 --> 00:17:50,490
confusion and slow check ins can ruin the energy before your show even

284
00:17:50,490 --> 00:17:53,890
begins. The strategy here is simple. Plan the experience

285
00:17:54,130 --> 00:17:57,730
from the first touch point. Registration, staffing and flow

286
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all matter. Because if people walk around frustrated, it is a

287
00:18:01,530 --> 00:18:05,290
lot harder to win. Win them back once the show starts.

288
00:18:05,290 --> 00:18:08,940
And I think I almost said all those things verbatim before I read the

289
00:18:08,940 --> 00:18:12,700
paragraph. But this is part of the experience. And

290
00:18:12,780 --> 00:18:16,060
this is something. When you're hosting a live podcast, a live event,

291
00:18:16,620 --> 00:18:20,060
you gotta think about, how do I get people through the door so their experience

292
00:18:20,220 --> 00:18:23,940
can begin in the most positive way possible? Because I was

293
00:18:23,940 --> 00:18:27,740
thinking about this after I read it, I'm like, wow. Because with

294
00:18:27,740 --> 00:18:30,780
our access passes, whenever you get it stamped,

295
00:18:31,750 --> 00:18:34,870
that puts you in the running for the raffle. And I'm like, how am I

296
00:18:34,870 --> 00:18:38,670
gonna collect all the information? Raffle tickets are cool, but

297
00:18:38,670 --> 00:18:42,390
it's kind of outdated. But this is the route that I have to take,

298
00:18:43,270 --> 00:18:46,870
and then I can't lose them. So it's like little

299
00:18:46,870 --> 00:18:50,230
things that make. I hate to say

300
00:18:51,030 --> 00:18:54,710
my guests, but the people are coming out, make them feel valued,

301
00:18:54,790 --> 00:18:57,670
and it goes a lot.

302
00:18:58,710 --> 00:19:02,470
So this one is really. I'm going to pay attention to this one.

303
00:19:02,950 --> 00:19:06,750
Yeah. We were talking before the show started today, and I think the

304
00:19:06,750 --> 00:19:10,110
best way for you to do this is you'll have the raffle tickets. That's fine.

305
00:19:10,110 --> 00:19:13,829
But part of the entry is they scan a QR code and

306
00:19:13,829 --> 00:19:17,350
they sign up for your newsletter. Then you'll have the people who signed up

307
00:19:17,510 --> 00:19:20,710
pick a number, 1 to 20. Or have somebody randomly pick a number,

308
00:19:21,110 --> 00:19:23,870
and that person's the one who wins the raffle. So you can still do the

309
00:19:23,870 --> 00:19:27,650
raffle, but now you're capturing that information easily and

310
00:19:27,650 --> 00:19:31,290
flawlessly because they just scan it, they're entering, and you're good to go. So

311
00:19:31,290 --> 00:19:34,690
that's something we could talk about. Happy to help set that up and

312
00:19:35,010 --> 00:19:37,330
see what you can do with it. It'd be fun to see you walk away

313
00:19:37,330 --> 00:19:40,210
with 100, 150 names at the end of the four days.

314
00:19:41,330 --> 00:19:44,850
That's a pretty good starting point for marketing for future events.

315
00:19:44,850 --> 00:19:47,090
Yes, that's a great base. And

316
00:19:49,010 --> 00:19:52,810
that also would streamline that process because they're not waiting

317
00:19:52,810 --> 00:19:56,550
for either me or the bartender to scan them. And if it's busy,

318
00:19:56,550 --> 00:20:00,270
the bartender can't punch their card. So it's a great way

319
00:20:00,270 --> 00:20:02,710
to do both. So we have to figure that out.

320
00:20:03,830 --> 00:20:07,630
Yeah, let's do that. Let's figure that out. Keep the event moving. When

321
00:20:07,630 --> 00:20:10,630
I said we, I didn't mean you. I'll be there.

322
00:20:11,590 --> 00:20:14,950
That's true. I'm sure you'd have me.

323
00:20:15,110 --> 00:20:18,870
Yeah. Anything you need to do.

324
00:20:18,870 --> 00:20:22,500
I got you. I got you. That's my favorite saying. I got you.

325
00:20:22,900 --> 00:20:26,060
Let me tell You a story. We were at the Olive Garden, and there's an

326
00:20:26,060 --> 00:20:28,980
Olive Garden up at the Pittsburgh Mills. Here we had

327
00:20:29,620 --> 00:20:33,300
this waitress. She was busy and doing

328
00:20:33,300 --> 00:20:36,500
things and doing 100 things. But no matter what you asked,

329
00:20:36,980 --> 00:20:40,780
she would reply with, I got you. And I love this. And my whole family,

330
00:20:40,780 --> 00:20:44,580
to this day, we talk about this waitress like, roman, what you need?

331
00:20:44,660 --> 00:20:47,350
I need an iced tea. I got you. How about you? I need some more

332
00:20:47,350 --> 00:20:51,110
breadsticks. I got you. I can't get a refill on the salad. I got you.

333
00:20:51,110 --> 00:20:54,830
She would say, I got you. No matter what we said. Like, the same way.

334
00:20:54,830 --> 00:20:58,590
Like, oh, she got everything right. And she would. The same

335
00:20:58,590 --> 00:21:01,790
way. Like, when you say thank you at Chick Fil A, they have to say,

336
00:21:01,790 --> 00:21:05,630
my pleasure. This girl would say, I got you for whatever you

337
00:21:05,630 --> 00:21:08,390
asked. To everybody who asked. She wouldn't wait till we were all done

338
00:21:09,030 --> 00:21:12,270
individually. I got you. That's my favorite thing. So if you ever hear me saying,

339
00:21:12,270 --> 00:21:16,070
I got you, it's some waitress in Olive Garden. Who's my favorite person in the

340
00:21:16,070 --> 00:21:18,270
world? That I have no idea who she is. Well, I think we need to

341
00:21:18,270 --> 00:21:22,110
go back and find her. Let's find her. Well, let's go. This

342
00:21:22,110 --> 00:21:25,950
could be her. This is from stage to stage, from story to

343
00:21:25,950 --> 00:21:29,270
stage. Turning personal conversations into live experiences.

344
00:21:29,430 --> 00:21:33,270
Karen Thorne launched her new podcast, Finding Foundations, with a live

345
00:21:33,270 --> 00:21:36,870
event centered around real unscripted conversations about

346
00:21:36,870 --> 00:21:40,320
overcoming adversity. With tickets around 25 bucks,

347
00:21:40,480 --> 00:21:44,280
the event combined storytelling, audience Q and A and post

348
00:21:44,280 --> 00:21:47,560
show connection, turning a podcast into a shared

349
00:21:47,560 --> 00:21:51,400
emotional experience. And this was our first live event, not just a

350
00:21:51,400 --> 00:21:54,639
digital experience. There was these authentic unscripted

351
00:21:54,639 --> 00:21:58,360
conversations and it included an audience Q and A and

352
00:21:58,360 --> 00:22:01,840
social time afterwards. So when you're putting these types of events together,

353
00:22:02,160 --> 00:22:05,890
you start to think about, okay, what's the experience look like? 1 we're looking

354
00:22:05,890 --> 00:22:08,690
at? Check in. That's going to be an important part of it. People are going

355
00:22:08,690 --> 00:22:10,770
to get seated. We're going to put on a great show. We're going to give

356
00:22:10,770 --> 00:22:14,410
Q and A. So there's interactivity. But then like a

357
00:22:14,410 --> 00:22:18,090
VIP experience, even if it's for everybody, there's a hangout

358
00:22:18,090 --> 00:22:21,370
afterwards. You get to walk by, talk to the host,

359
00:22:21,690 --> 00:22:25,490
take pictures with the host, proof that you were there. That's a big part of

360
00:22:25,490 --> 00:22:29,290
this whole experience that we're trying to build. How do you connect with everybody? How

361
00:22:29,290 --> 00:22:32,850
do you connect with the audience, the hosts, and build a system

362
00:22:33,330 --> 00:22:37,130
that people leave raving about talking? I'm so glad I went to

363
00:22:37,130 --> 00:22:40,530
that. It just Goes back to making them feel

364
00:22:40,530 --> 00:22:44,210
valued because they're not only there for you,

365
00:22:44,210 --> 00:22:47,930
they're also there for themselves to share experiences. And

366
00:22:47,930 --> 00:22:51,690
if anybody can relate, that just helps. And the whole question

367
00:22:51,690 --> 00:22:55,530
and answer part, that's really cool because some people have

368
00:22:55,530 --> 00:22:59,170
a question and they just might need to know how to get through something or

369
00:22:59,660 --> 00:23:03,380
take the right steps on what they need to do just to overcome an

370
00:23:03,380 --> 00:23:06,540
adversity. And that's, that's really cool. I like that. I talk,

371
00:23:07,020 --> 00:23:10,820
I talk a lot about people who put on shows here. And there's

372
00:23:10,820 --> 00:23:14,380
like three stages. There's the, the pre show where most of the people

373
00:23:14,380 --> 00:23:18,060
are, have this nervous energy that's, it's, it's a lot of fun to like,

374
00:23:18,300 --> 00:23:22,060
like lift the mood and make them laugh. But they're pacing, they're going

375
00:23:22,060 --> 00:23:25,660
through scripts, they're. They're going through their notes and they're overly

376
00:23:26,060 --> 00:23:29,900
prepared or overly nervous and there's too much time between what they're doing. So you

377
00:23:29,900 --> 00:23:33,620
get this nervous energy. Then during the show, all that gets released, they

378
00:23:33,620 --> 00:23:37,460
come alive. They're doing the performance. It's amazing. They're having

379
00:23:37,460 --> 00:23:41,220
a great experience. The audience is enjoying it. But the thing that has shocked me

380
00:23:41,220 --> 00:23:44,780
the most about building this type of event space, this type of experience

381
00:23:44,860 --> 00:23:48,700
is getting people out of the theater afterwards. They

382
00:23:48,700 --> 00:23:52,420
have such a good time that they're taking pictures, they're

383
00:23:52,420 --> 00:23:55,980
coming up on stage, getting photos, recording small videos, thank yous,

384
00:23:56,400 --> 00:23:59,440
they're shaking hands, they're telling stories. And

385
00:23:59,840 --> 00:24:03,640
it's always as long as the show was performed is how long

386
00:24:03,640 --> 00:24:07,480
it takes to clear out. Which is something that I didn't expect. But

387
00:24:07,480 --> 00:24:11,240
I also love at the same time that that type of connection on a

388
00:24:11,240 --> 00:24:14,320
small stage like this is happening with just 40 people.

389
00:24:14,640 --> 00:24:18,320
Imagine in larger events and if you're a bigger celebrity

390
00:24:18,640 --> 00:24:21,280
and people get to come in and meet you and shake your hand and thank

391
00:24:21,280 --> 00:24:24,620
you for the things you've done, that's a big part of the experience. And

392
00:24:24,780 --> 00:24:28,060
you're building that and giving that as a gift to the attendees.

393
00:24:28,620 --> 00:24:32,340
Especially if One of these 40 are fortunate to see somebody

394
00:24:32,340 --> 00:24:35,900
who really, really takes off and makes it big, they're gonna remember

395
00:24:35,980 --> 00:24:39,580
where they met him, where they first saw him, the

396
00:24:39,580 --> 00:24:42,940
time that they had, and that's gonna last longer than a

397
00:24:42,940 --> 00:24:46,620
lifetime because those stories will get passed on from generation.

398
00:24:47,340 --> 00:24:51,180
And it's cool that it's taking place here. And

399
00:24:52,220 --> 00:24:55,100
that's just, it's really nice. I remember in

400
00:24:55,100 --> 00:24:58,780
2026, I saw DJ Sky. I was gonna

401
00:24:58,780 --> 00:25:02,500
say I was Gonna go with the comedian Loaf. I was listening to the

402
00:25:02,500 --> 00:25:06,220
comedian, and he told this one joke, and then we hung

403
00:25:06,220 --> 00:25:07,020
out afterwards.

404
00:25:09,660 --> 00:25:13,180
Let's go. Our final story of the day

405
00:25:13,980 --> 00:25:17,630
is south by South. I love this one, because there was a big event that

406
00:25:17,630 --> 00:25:21,310
happened at south by Southwest that happened parallel was called

407
00:25:21,310 --> 00:25:25,110
podcast movement. It happened alongside. So a lot

408
00:25:25,110 --> 00:25:27,790
of people didn't realize there were separate events. But in this case,

409
00:25:29,070 --> 00:25:32,750
this is a substack article, and she's

410
00:25:32,750 --> 00:25:36,350
talking about how podcasts were the center stage of south by Southwest, which I love.

411
00:25:36,430 --> 00:25:39,950
If you needed proof that podcasting has gone mainstream, south by

412
00:25:39,950 --> 00:25:43,230
Southwest made it clear podcasts were everywhere.

413
00:25:43,640 --> 00:25:47,000
Live shows, brand activations, music performances, and major

414
00:25:47,000 --> 00:25:50,800
platforms all leaning into audio. The strategy here is not

415
00:25:50,800 --> 00:25:54,480
about where you post your content. It's about owning your voice and

416
00:25:54,480 --> 00:25:58,280
bringing it to life on stage. Because the future of podcasting is not just

417
00:25:58,280 --> 00:26:02,120
something people listen to, it's something they experience. And I

418
00:26:02,120 --> 00:26:05,560
mean, if there's any proof about how big podcasting has become

419
00:26:05,880 --> 00:26:09,240
as part of an entertainment structure, look at conferences,

420
00:26:09,320 --> 00:26:12,960
events. Part of their big entertainment is now

421
00:26:12,960 --> 00:26:16,360
live podcasts. Where it used to be bands and comedians and

422
00:26:16,360 --> 00:26:20,080
magicians, now podcasts are right in that mix. They're

423
00:26:20,080 --> 00:26:23,560
replacing panel sessions, they're doing a live podcast, they're replacing

424
00:26:23,720 --> 00:26:27,320
comedy, they're replacing the headliner with a live

425
00:26:27,320 --> 00:26:30,960
podcast. And it's becoming a number one

426
00:26:30,960 --> 00:26:34,720
form of entertainment at conferences. Especially since it's

427
00:26:34,720 --> 00:26:36,040
the entertainment base.

428
00:26:38,280 --> 00:26:41,880
Watching something and being there and actually interacting with it

429
00:26:41,960 --> 00:26:45,160
is a whole different experience than just listening to it.

430
00:26:45,880 --> 00:26:49,400
It's so weird because whenever you're there

431
00:26:49,560 --> 00:26:53,360
and they're doing the podcast and they're interviewing somebody that you know

432
00:26:53,360 --> 00:26:56,920
and follow, and they're still right there, 40

433
00:26:56,920 --> 00:27:00,760
people away. It's pretty amazing what they're able to do with

434
00:27:00,920 --> 00:27:04,710
the live podcasting right now. You know, on the

435
00:27:04,710 --> 00:27:08,470
last show, we were talking about, like, podcast conferences, and it's

436
00:27:08,470 --> 00:27:12,150
so weird. You listen to these podcasters for years at home, during your

437
00:27:12,150 --> 00:27:15,910
morning commute, in the background, when you're. You're doing the dishes

438
00:27:15,910 --> 00:27:19,350
or whatever, and all of a sudden you're at a conference and you see them

439
00:27:19,350 --> 00:27:22,990
up on stage, everybody has their badges on, and then you

440
00:27:22,990 --> 00:27:26,750
leave and you're walking the hallways, and you see that podcaster that

441
00:27:26,750 --> 00:27:29,810
you've listened to for 20 years, or you see them over there,

442
00:27:30,850 --> 00:27:34,690
they're approachable. You can talk to them. So when you go to these

443
00:27:34,690 --> 00:27:38,450
events that are centered around the topics that you care about, and you see

444
00:27:38,450 --> 00:27:41,810
the industry leaders, they're almost Always very

445
00:27:41,810 --> 00:27:45,530
approachable. You can thank them. You can tell them how much

446
00:27:45,530 --> 00:27:49,330
you appreciate the content they're creating, how it's helped you in your career or

447
00:27:49,650 --> 00:27:53,370
during your own podcast journey. And they're

448
00:27:53,370 --> 00:27:57,060
right there. It's that surrealness of you're only 40

449
00:27:57,060 --> 00:28:00,900
people away, but they're also approachable. They're not surrounded by

450
00:28:00,900 --> 00:28:02,900
10 bodyguards like a Kardashian.

451
00:28:05,460 --> 00:28:09,060
Yeah, the bodyguards. I'm so glad that they don't have

452
00:28:09,060 --> 00:28:12,660
those when we go to these things because it's the

453
00:28:12,660 --> 00:28:16,340
interaction that lasts a whole lot longer and

454
00:28:16,820 --> 00:28:20,620
that just sets it apart from seeing them, listening to them,

455
00:28:20,620 --> 00:28:24,430
but being able to take that picture. It just shows

456
00:28:24,430 --> 00:28:28,070
that they appreciate you and value as a listener. Yeah. Now I guess as a

457
00:28:28,070 --> 00:28:31,830
watcher, because everything is live now. Yeah, we

458
00:28:31,830 --> 00:28:35,470
went full circle today. We went from putting on events, the check in

459
00:28:35,470 --> 00:28:39,270
process, the experience. These are all things that anybody watching at

460
00:28:39,270 --> 00:28:43,030
home can take for their own podcast, for their own live events, Even some

461
00:28:43,030 --> 00:28:46,750
tips that you may see DJ sky put into place

462
00:28:46,750 --> 00:28:50,450
for his four stop tour starting April 11th right

463
00:28:50,450 --> 00:28:53,690
here in Tarentum. At Barley is the first stop. Praha is the first.

464
00:28:54,170 --> 00:28:57,970
Praha is the last stop. Praha's the headliner. They got those

465
00:28:57,970 --> 00:29:01,530
weed mushrooms. The weed mushrooms, the patio.

466
00:29:03,370 --> 00:29:07,170
It goes lock five barley barrel in

467
00:29:07,170 --> 00:29:10,490
bloom, then the Praha. Yeah. But

468
00:29:11,690 --> 00:29:15,410
all these places are only 10, 15 minutes away. So

469
00:29:15,410 --> 00:29:18,330
that's the cool thing about it. I'm in everybody's backyard.

470
00:29:19,210 --> 00:29:23,010
Yeah. Love to see it. April 11th. Check out Skyler Hayden on Facebook. You'll

471
00:29:23,010 --> 00:29:26,810
see the tour poster. You're going to get a little. What do

472
00:29:26,810 --> 00:29:30,570
you get? You get little punches for each stop. There's the access pass.

473
00:29:30,570 --> 00:29:33,770
You get little punches for each stop. That'll put you into the grand prize

474
00:29:33,850 --> 00:29:37,690
raffle. So whenever we get the QR code, we'll

475
00:29:37,690 --> 00:29:41,290
figure out how to do that. And then the second place is

476
00:29:41,890 --> 00:29:45,570
I'm gonna put together probably a chip of some sort

477
00:29:45,570 --> 00:29:48,690
from each location and then I'm gonna give away

478
00:29:49,170 --> 00:29:52,530
hopefully a whole bunch of swag. So some T shirts, some gear.

479
00:29:52,850 --> 00:29:56,650
So if you are a local business and you do want to sponsor, please reach

480
00:29:56,650 --> 00:30:00,330
out. We'll take whatever you can give. I don't care if it's a shirt, a

481
00:30:00,330 --> 00:30:04,010
koozie. People just like stuff. I'll give a

482
00:30:04,010 --> 00:30:07,730
stage rental as a prize a night. You can come in, use the theater

483
00:30:07,730 --> 00:30:11,290
for whatever you want. I'll give a two hour prize.

484
00:30:11,290 --> 00:30:15,010
That's like $150 value. Does that count? That

485
00:30:15,010 --> 00:30:17,850
count? All right, go see DJ sky, you can win a two hour rental at

486
00:30:17,850 --> 00:30:21,610
the Poduty Podcast Theater at Downtown Tarentum. This has been Poduty

487
00:30:21,610 --> 00:30:25,330
and the News for March 2026. I

488
00:30:25,330 --> 00:30:27,730
don't remember the date. What time is it?

489
00:30:34,050 --> 00:30:35,170
What time is it?

490
00:30:49,230 --> 00:30:51,870
The only live news podcast about

491
00:30:52,190 --> 00:30:54,270
podcasting from the st.

492
00:31:04,030 --> 00:31:06,910
The only live news podcast about

493
00:31:07,230 --> 00:31:09,310
podcasting from the ST.