{
  "version": "1.2.0",
  "chapters": [
    {
      "title": "Intro.\r",
      "startTime": 0,
      "endTime": 53
    },
    {
      "title": "Richard intro.\r",
      "startTime": 53,
      "endTime": 95
    },
    {
      "title": "Interview starts.\r",
      "startTime": 95,
      "endTime": 160
    },
    {
      "title": "Working in South Africa and abroad.\r",
      "startTime": 160,
      "endTime": 338
    },
    {
      "title": "Solutions for jobs.\r",
      "startTime": 338,
      "endTime": 432
    },
    {
      "title": "Starting out.\r",
      "startTime": 432,
      "endTime": 551
    },
    {
      "title": "Film vs digital exposure guidelines.\r",
      "startTime": 551,
      "endTime": 625
    },
    {
      "title": "Post production experience.\r",
      "startTime": 625,
      "endTime": 831
    },
    {
      "title": "Early digital cameras.\r",
      "startTime": 831,
      "endTime": 947
    },
    {
      "title": "Is the role of the DIT easily defined?\r",
      "startTime": 947,
      "endTime": 981
    },
    {
      "title": "Read the fucking manual.\r",
      "startTime": 981,
      "endTime": 1045
    },
    {
      "title": "LED walls, a complex color management task.\r",
      "startTime": 1045,
      "endTime": 1346
    },
    {
      "title": "LED wall calibration.\r",
      "startTime": 1346,
      "endTime": 1429
    },
    {
      "title": "Shooting tests on film.\r",
      "startTime": 1429,
      "endTime": 1743
    },
    {
      "title": "Film scanners.\r",
      "startTime": 1743,
      "endTime": 1953
    },
    {
      "title": "Color management and approaches to HDR.\r",
      "startTime": 1953,
      "endTime": 2274
    },
    {
      "title": "Watching exposure.\r",
      "startTime": 2274,
      "endTime": 2542
    },
    {
      "title": "Onset dailies grading.\r",
      "startTime": 2542,
      "endTime": 2780
    },
    {
      "title": "Effect of a show LUT on production.\r",
      "startTime": 2780,
      "endTime": 3152
    },
    {
      "title": "The many tasks of a DIT.\r",
      "startTime": 3152,
      "endTime": 3407
    },
    {
      "title": "Backups and data security.\r",
      "startTime": 3407,
      "endTime": 3778
    },
    {
      "title": "Q-take operator rather than DIT in Germany.\r",
      "startTime": 3778,
      "endTime": 4097
    },
    {
      "title": "Cost saving of a DIT.\r",
      "startTime": 4097,
      "endTime": 4190
    },
    {
      "title": "Reality shows and concerts.\r",
      "startTime": 4190,
      "endTime": 4353
    },
    {
      "title": "Misconceptions about DIT’s.\r",
      "startTime": 4353,
      "endTime": 4523
    },
    {
      "title": "Is the DIT part of the camera department?\r",
      "startTime": 4523,
      "endTime": 4616
    },
    {
      "title": "Confidence booster.\r",
      "startTime": 4616,
      "endTime": 4664
    },
    {
      "title": "Color pipeline collaboration.\r",
      "startTime": 4664,
      "endTime": 4742
    },
    {
      "title": "Makeup artists.\r",
      "startTime": 4742,
      "endTime": 4928
    },
    {
      "title": "The look of Dark.\r",
      "startTime": 4928,
      "endTime": 5012
    },
    {
      "title": "Daniele’s look design talk for Filmlight.\r",
      "startTime": 5012,
      "endTime": 5148
    },
    {
      "title": "Difficulty of grading on set.\r",
      "startTime": 5148,
      "endTime": 5260
    },
    {
      "title": "Show LUT options and LUT’s of lore.\r",
      "startTime": 5260,
      "endTime": 5388
    },
    {
      "title": "Outro.\r",
      "startTime": 5388,
      "endTime": 5465
    },
    {
      "title": "End.\r",
      "startTime": 5465,
      "endTime": 0
    }
  ]
}