FORMidables

In January 2020, in the heat and smoke of last summer’s devastating Australian bushfires, 16 dancers from Bega to Parramatta, joined by 48 young Western Sydney musicians, performed in Prince Alfred Square in Parramatta as part of the Sydney festival 2020. ENCOUNTER was a work of joy. In this episode, ENCOUNTER speaker and FORMidables host Pola Fanous shares the experience of making ENCOUNTER with its director, Emma Saunders. First joined by writer Felicity Castagna, they explore the nexus between dance, text and performance in the context of creating a site-specific work. Cast members Feras Shaheen and Gabriela Green Olea follow in describing their process of discovery and endurance through rehearsing outdoors, across sites from South to West, over the 18 months it took to create a work filled with emotional realities from which a new youth company, We Are Here, has emerged.

Show Notes

Tuesday 6 October and Wednesday 7 October 2020

In January 2020, in the heat and smoke of last summer’s devastating Australian bushfires, 16 dancers from Bega to Parramatta, joined by 48 young Western Sydney musicians, performed in Prince Alfred Square in Parramatta as part of the Sydney festival 2020. ENCOUNTER was a work of joy. In this episode, ENCOUNTER speaker and FORMidables host Pola Fanous shares the experience of making ENCOUNTER with its director, Emma Saunders. First joined by writer Felicity Castagna, they explore the nexus between dance, text and performance in the context of creating a site-specific work. Cast members Feras Shaheen and Gabriela Green Olea follow in describing their process of discovery and endurance through rehearsing outdoors, across sites from South to West, over the 18 months it took to create a work filled with emotional realities from which a new youth company, We Are Here, has emerged.

 
HOST
POLA FANOUS
GUESTS PART A
EMMA SAUNDERS
FELICITY CASTAGNA
GUESTS PART B
EMMA SAUNDERS
FERAS SHAHEEN
GABRIELA GREEN OLEA
EDITOR
VIR KAULA
Original soundtracks 
JODI PHILLIS
AMANDA BROWN
Running Time: 63 Minutes
 
Pola Fanous
Pola Fanous is a young poet and performing artist from Western Sydney. An Egyptian-born immigrant, at age 21 Pola is a prominent figure in Sydney’s slam scene. In 2016, Pola competed in the Poetry Olympics and spoke at the City of Sydney’s Youth Leadership Conference. In 2017, Pola was published in 'The Resurrection' Anthology and performed at the Digital Writers’ Festival, The Plot Music Festival, and the Parliament House of Australia. His poem 'Mr War (Palestine)' incorporated into Warren Armstrong and Susannah Williams’ multi-sensory artwork ‘Listening Device VII: Felt Histories’, was awarded the 2017 Paramor Prize for Art & Innovation. In 2018, Pola began writing for Honi Soit, performed at the Sydney Writer’s Festival and made waves with his now-iconic ‘Westies’. Pola was the 2018 NSW Slam Champion in the Australian Poetry Slam National Final at the Sydney Opera House. In early 2019 he released his debut collection of poetry, STRONGSOFT. He was the Speaker in FORM Dance Projects’ 2020 Sydney Festival creation ENCOUNTER directed by Emma Saunders.
 
Emma Saunders ENCOUNTER DIRECTOR/WE ARE HERE ASSOCIATE ARTIST
Emma Saunders has been described as a “formidable” (Realtime, 2010) Australian dance artist who works as a dancer, choreographer, director, educator and curator. She is interested in the simplicity of dance and the complexity of choreography. Utilising a visceral, instinctive attack, her work is immediate, often working with humour, everyday movement, text, repetition, deconstruction, duration and abstraction. E mma is a co-founding member of the award-winning Sydney based trio, The Fondue Set, alongside Jane McKernan and Elizabeth Ryan, who have created 10 full length works including Green Room Award-winning No Success Like Failure presented at the Sydney Opera House (2008) and Dance Massive, Arts House (2009). The Fondue Set have also performed in the Melbourne International Arts Festival (The Bar, 2008) and Sydney Festival First Night (The Hoofer, 2010).  The Fondue Set has toured nationally in Australia and internationally to the UK, Europe and Japan.  Emma was the inaugural Dance Curator at Campbelltown Arts Centre (2008 – 2012).  Emma has created two new large-scale outdoor site-specific dance works, The Bankstown Dancing Project, commissioned by Urban Theatre Projects for Sydney Festival 2015, and The Austinmer Dancing Project (2018), exploring where dance and community can intersect. 

 
Felicity Castagna ENCOUNTER/WE ARE HERE WRITER
Felicity Castagna’s most recent novel, No More Boats, was a finalist in the 2018 Miles Franklin Literary Awards and is published internationally. She is also the author of Small Indiscretions and The Incredible Here and Now, which received The Prime Minister’s Award for Literature. Her next book Girls in Boys’ Cars will be released in 2021. She publishes essays on home, suburbia, art-making and literature in many different places and reviews books for ABC radio and television. She is very interested in cross-artform collaboration and has worked with artists in many different fields to produce work for The Sydney Festival, The National Theatre of Parramatta, The Four Winds Festival, Parramatta Lanes and many other places. She also makes all sorts of collaborative, complex and dynamic stories with The Finishing School Collective. She holds a PhD from The Writing and Society Research Centre, WSU and teaches creative writing at universities, schools and many other places all over Australia.
 
Feras Shaheen ENCOUNTER ENSEMBLE DANCER/WE ARE HERE DIGITAL ARTIST
Feras Shaheen’s practice spans across performance, semiotics, street dance, readymade art and digital media. Shaheen was born in Dubai to Palestinian parents and moved to Sydney at the age of 11. Drawing from his Hip Hop dance background as well as Palestinian cultural dance traditions, Shaheen traverses different roles within the arts, working as a performer, teacher, choreographer and digital artist. He holds a Bachelor in Design from Western Sydney University (2014) and in addition to his artistic practice works as a freelance graphic designer, photographer and filmmaker. Feras is currently presenting a duet titled ‘Klapping’ with Ahilan Ratnamohan, a contemporary project that consists of choreographic research in football commissioned by Campbelltown Arts Centre. In September 2020, Feras exhibited a body of work titled ‘Cross Cultures’ at Pari Gallery in Parramatta. Feras will be presenting a performative video installation that draws from the postmodern concept of hyper-reality, exploring shifting states of personal perception titled ‘Plastic Bag’ in 2022. Feras is also a member of Buggy Bumpers Street Dance Crew, Groove Therapy Commercial Agency, Cultural Renegades Street Dance Show and Klappsquad.
 
Gabriela Green Olea ENCOUNTER FLING PHYSICAL THEATRE DANCER/WE ARE HERE DANCER
Gabriela is an activist and dance artist who works across many mediums, with all people and within inclusive environments. As a daughter and granddaughter of a refugee family, her work responds to the ideas of cross-cultural identity and the transitional space of belonging to community and place. Gabriela graduated from the VCA in 2014. Gabriela choreographed a social project CPAL for the This is Not Art Festival in 2018. In 2019 she choreographed WHO WE ARE with dancers in regional NSW, living with and without disability mentored by Vicky Malin (UK). In 2020 Gabriela had a residency at Campbelltown Arts Centre for the AusDance NSW DAIR program, and is a part of Dancehouse Emerging Choreographers Program. Gabriela was a successful DirtyFeet Choreographic Lab recipient in 2019 and is a lead artist in The Right Foot program 2020. In 2020 Gabriela danced and created with Ngioka Bunda-Heath, Ros Crisp, Oscar Poncell, Holly Craig, Imogen Yang, Riana Head-Toussaint, Feras Shaheen and Coti Cibils

What is FORMidables?

Join Award winning Western Sydney slam poet Pola Fanous in lively duet conversations. FORMidables is about life, passion, the universality of dance language, what it means to be a young artist in a cosmopolitan Australia and the lessons we can take from the artists who contribute to the vibrancy of art making in Western Sydney.