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Hey everybody, welcome to Poduty and the News for Saturday, March

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21st, 2026. I've got a great guest joining me. We're going to discuss

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6 live stories about live podcasting recorded

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live here at the theater. I've got Carl Richards joining me, Podcast

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Solutions Made Simple, Communication Connection Community. It's the

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Podcaster's Podcast host Carl. Do you know what time it is?

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Is it time for Poduty and the News? What

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time is it?

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What time is it?

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It's

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time for Poduty and the

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News!

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Poduty and the

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News! The only live news podcast

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about podcasting from the States!

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Poduty and the News! Poduty

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and the News!

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The only live news podcast

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about podcasting from the

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stage.

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Carl, welcome to the show. Hey, Jeff, it's great to be here.

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I feel like I should be actually sitting in that chair. Well,

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someday we'll get you down here. Love to have you here anytime you want the

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stage. The stage is yours. Uh, it'd be— it's a lot of fun doing the

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show live. But, you know, Saturday mornings we like to slow

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down a little bit, you know, get together. We're always busy during the week,

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jobs and conferences and connecting and consulting. All

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these things kind of compound during the week. But on the weekend, we can just

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sit down, slow down, relax, and, and talk about the podcast news.

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Yeah, I love it. I love it. Great. I'm very, very pleased to be here.

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Well, great to have you here. I've been looking over your website, Podcast Solutions Made

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Simple. A lot of services there for podcasters. Tell us a little

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bit about what you do. Yeah, essentially what we do is we

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work a lot with coaches, consultants, and other subject

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matter experts who feel they don't have the time or the technical skills

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to be in the podcasting space, whether it's as a guest or whether it's as

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a host. We actually just added guesting to our slate of

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services this last 6 or 8 months. We help them, you know,

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really give them hope. We take care of all the backend work for them, whether

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it's getting them booked or whether it's getting their podcast launched and maintained. Maintain it.

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So as a busy business owner, you get to focus on your business while

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we're helping you be seen as the expert, elevate your credibility, and get

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that visibility, which is what you want. And also do it strategically.

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I think in the podcasting space, we're recognizing that strategy

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always goes ahead of just recording content and getting it out there. So that's what

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we're up to. PodcastingSolutionsMadeSimple.com.

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We'll have the links in the show notes and the 3 C's of

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podcasting, communication, connections, community. You're also the

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host of The Podcaster's Podcast. Tell us a little bit

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about that show. I'm sure you're employing some of those practices that you're talking about.

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Absolutely, all the time. Yeah, it's funny because my journey into

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podcasting started when I had a part-time business as a speaker

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trainer. And when I shifted into full-time in business,

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building the agency Podcast Solutions Made Simple, I needed to tweak the

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podcast because even though it was still about communications

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and still about speaking, this element of adding

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podcasting to it meant that, okay, well, we need to make a

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few changes here. So, we

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put our thinking toques on. Like a good Canadian, we always have our toques handy.

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So, we put our thinking toques on and then came up with communication,

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connection, community. Still, obviously, when we're podcasting,

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it's about communication. It's about the connections that

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you're making, whether it's with your audience or whether it's with your guests.

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And it's as we find in 2026 at

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this, you know, as we're doing this show today,

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that community is becoming a very important aspect of that. So, and we

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call it the Podcaster's Podcast because most people are business

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owners and podcasting is something that they do, but they see themselves

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in the podcasting chair, either, you know, whether it's as a host or whether it's

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as a guest. So a lot of the principles we talk about, everything from show

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structure to Communication skills,

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storytelling, success as a guest,

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some tales from the, from the, from the, the

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world of podcasting that maybe there's been some interesting experiences along

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the way. So we cover a whole gamut of it. Oh, that's

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awesome. And I love it when it's easy to get to too. You can go

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to the website podcast-solutions-made-simple.com. You can click the

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podcast tab up at the top. And go right to the podcast and hear all

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those stories that Carl's talking about. Yeah, yeah, there's a lot of great

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stuff there. Awesome. Those links will be in the show notes, and

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each guest who's been on the show, we have a crew page. This is Padute

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and the News, and there's going to be— there's Padute in the crew. The crew

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are the hosts, the guest hosts that have been on the show. There'll be a

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whole page dedicated with all Carl's links, so go to that page,

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check it out, connect them on the social platforms, connect check out the website. If

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he has a newsletter, make sure you sign up and get on that list as

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well. Are you ready for the

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stories? I'm ready. Let's do it. Well, we're going to

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Europe first. We're going to go to Radio Days Europe. Podcasting is

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stepping off of the sidelines and into the spotlight with a dedicated

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podcast room built right into the event. Attendees can

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reserve time, bring their own gear, and record episodes live from

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the conference floor in Riga. It's a simple setup, but

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it highlights a bigger shift. Events are no longer just

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places to learn and network. They're becoming content engines.

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When you put creators in the same room with industry leaders, the real

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value is not just the conversations that happen. It is the

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content that gets created in real time and shared with the

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world. And this is a bigger move that we're seeing in conferences

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where they're really starting to embrace content creators, podcasters,

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and they're inviting them into their network into their conference to

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record, to perform, to be parts of the, of these

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sessions. And what you end up having is these

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podcasters are going to talk about it before the conference, they're going to talk

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about it at the conference, and once they leave the conference, they're leaving

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with a month's worth of material all about that conference. So these

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conferences, they're pretty smart. They're strategic in the way that they're thinking

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about the future. And they're creating these rooms, they're creating

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spaces for content creators to really come in and

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create something that'll last throughout the year and maybe help build

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momentum to the next year. Yeah, I think what we're seeing, Jeff, too,

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is there's this rise in popularity in podcasting. If it wasn't

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popular before, it certainly is becoming popular now, especially with

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the, you know, continuous erosion of conventional media, you know,

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mainly radio and television. So whereas before we would use those

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components and print as well, but a lot of people would look at radio video

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and television as the be-all end-all for

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promotion and getting the word out. And this

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is a really interesting component that I really like because it's

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a layer that's always been there, just not in the

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podcasting sense. Depending on different events that you'd go to,

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in some cases there was a main stage happening while you were at other

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vendor tables or something else going on. But this is

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this new layer. And the other thing too, Jeff, is it's

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attracting the types of

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individuals, the demographic that's already digesting

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podcasting like it's just part of their regular diet. And

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that's the Gen Zs, Gen Xers like you and I,

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I'm assuming you're a Gen Xer. They're, you know, they're,

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we're, yeah, we're into podcasting, but not like the Gen Zs,

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not like the Alphas. So if we can get them in the door,

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it's easier to have them come to the event. If we have that little

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carrot, that hook that we can dangle, it's just going to make it even

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stronger. It's a great strategy. I've had guests on the show and they talked about

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15 years ago that they would use this technique to get free

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passes, you know, try to get a press pass because they had a podcast. But

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finally the conferences are waking up to like what's really happening and all

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that content that's being created with no cost other than giving

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out a press pass, they're going to get coverage and

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communication, people talking about that before, during, and after the show.

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It's such a great move. And one of the things that we really stress

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on this, if you're going to do a live show and you want to think

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like, okay, where can I start? Where can I perform my show? I

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guarantee you there's probably a conference or event about the topic that

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you cover on your podcast. That's where you want to start. Go where

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your audience already is. And see if you can work in, you know, do a

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little performance. Can you do a recording? Be a part of that community

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and you'll find growth exponentially because you're where

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people who like what you do are already, they're already meeting up. Yeah,

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exactly. And I think it's also a very supportive environment too.

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If you're just testing the waters and you just wanna, or

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as you say, you wanna get some content, it's a great way

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to immerse yourself into it and get what you need and

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get the support and you're also going to make the connections too. As you

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say, your audience is right there. You may as

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well take advantage of that. Absolutely. And

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that's— we'll go to the next story too, because this kind of ties right into

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it. Here is an event about basketball. They're doing a

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basketball podcast during the Women's Final Four. There's

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no better way to find an audience who likes basketball than to do a basketball

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podcast at a basketball tournament. So at this year's Women's Final

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Four, Just Women's Sports is doing more than covering the event.

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They're becoming part of it alongside a full fan activation

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experience. They're hosting a live taping of Between the Lines

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with WNBA legend Lisa Leslie right in the middle of the

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action. This is where podcasting starts to look a lot more like

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entertainment. Fans are not just listening after the fact. They

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are showing up, engaging, and becoming part of the experience in

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real time. When you combine live audiences, brand sponsors, and

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cultural moments like the Final Four, podcasting shifts from

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content into something people want to attend.

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Yeah, I think this is something, Jeff, that we're going to see more and more

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of with the— and, and I think for a couple of reasons.

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It's not cheap to go to a game. Uh, I live

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in Canada. Even to go to a Jays game, I mean, you're drop in a

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couple hundred bucks easily just for the tickets. So I think

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that venues, teams, all of those organizations,

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they're looking for ways to increase the fan experience. It's

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not just about going to the game and getting your peanuts and Cracker Jacks and

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your foot-long hot dog. It's not just about that. As

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a matter of fact, on the concourse at the

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SkyDome in Toronto, I noticed there were so many

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events happening and I didn't know, I didn't know, I mean,

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I knew, I knew some of them were, uh, part of the, the game, but

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I think that we saw that when we were at SkyDome at a Jays

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game. We saw what looked like either something being recorded or

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something being hosted live on top of what was

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happening on the field. So I think we're going to see more of this, and

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I think fans are going to love it. I think it's a reason

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to bring them to the game. It's also a great way to, uh,

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put your, put the fans in front of the people who they,

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who they're coming to see. Because if they structure it properly,

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if it's put together and produced the right way, you could actually have a

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fan-based experience where, you know, fans can either be a part of

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it, but they can also meet or have meet and greets with,

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with players or other sporting people that is above and

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beyond what, what it used to be. It used to be if you did a

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meet and greet, you'd go backstage or in the dressing room or

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whatever to meet the players. You could do that now or meet

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former players. All those things can be a part of it. So I think it's

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taking the fan experience to the next level. And as I

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said, it justifies the ticket price too. Yeah. I mean, when you go

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to a game, you're immersed with the crowd, the vendors,

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the food carts. There's all these things happening on your way to the

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stadium and to have a little stage off to the side. Where they're

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just as part of the event, as part of the experience before you even get

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inside, building hype, building excitement. You get to see Lisa

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Leslie doing an interview live on stage talking about the

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tournament. That's going to stop you in your tracks. That's going to stop you and

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you're going to take that in. And that's part of the experience. And it just

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elevates the whole experience where it's a value add. Like

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you mentioned, the ticket prices are already not, you know, they're not the

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cheapest tickets in town, but you get to have this bonus

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content, bonus experience, and maybe Lisa sits

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off to the side of the stage, you can thank her and congratulate her on

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a great career, great show, and you can't do that just watching

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it on television. No, no, certainly not.

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Well, that's good. Here's one of my favorite ones. I love stories that always surprise

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me, and I'm big on live podcasting. I have this theater space

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But this was, this was showing how easy it is to do a

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live show. They didn't have a ticketing event, a ticketing

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experience. They used a Google Form. So how great is that for

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ticket registration? If you're hung up on how do I sell tickets, you can start

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with a Google Form. And that's what I loved about this podcast. This is at

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Marquette University. A live podcast event is coming together in the

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simplest way possible. No fancy ticketing platform, no

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complex setup. Just a room, a topic, and an easy way to sign up.

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The event features Balancing the Scales hosted by Colleen Foley

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with a live audience discussion around real-world issues like public

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interest law, philanthropy, and shifting political priorities.

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What stands out here is not the production, it's the accessibility.

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This is a reminder that live podcasting does not have to start big, it

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just has to start. And when you remove the friction, more people

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are willing to show up, participate, and turn conversations

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into experiences.

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Yeah, I have mixed feelings about that.

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Okay. I like

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live, but I also spent 25 years in radio broadcasting, so

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I know what it means to go live. Folks who haven't really

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done that, I think it's beneficial. I like the

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accessibility piece. What I would caution

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against in a situation like this is giving people some

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parameters of what it means to go live and what it takes to go

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live. It's not just about, you know, having a

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conversation or opening your mouth and speaking. It's really about having

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some, you know, your thoughts put together, those kinds of things.

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Because I think that still content is king. So I think

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by having these issues, that's great. That's phenomenal. But I still think there

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needs to be those parameters in place. And by the way, having spent years

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on the radio, a lot of what you hear, all those

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moments that you would hear the hosts go back and forth with each other, that's

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not magic. That's planned. In some

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cases, it is. Certain elements are prerecorded. I can say that

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because I worked in the industry. So understand that even if it's

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live or it's perceived to be live, what we have come to know

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isn't necessarily live. So I would still caution though against

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making sure before something goes live that especially when we're at the

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university level where, you know, young adults are still evolving

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their communication skills, we give them the opportunity

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to, you know, nail the skill set, even if it's the basic skill set of

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what they need to be, of what they need to do rather in order to

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go live and be successful at it. Yeah, we

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say hosting, it's a muscle and you like any

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muscle, you have to strengthen that muscle through through practice,

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through experience, through stage time, through getting on the microphone,

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through trying to entertain an audience. You have to strengthen that through

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repetition. And one thing I'll tell you, you mentioned about things that surprised you

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about the radio that were prerecorded. I was a kid one

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time and they used to have the Top 8 at 8. If you were the

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8th caller, you could call in and win Tears for Fears tickets to the

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Civic Arena in Pittsburgh, Pennsylvania. I called in and I won. But

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they, it didn't air live. It was like they record that segment when I

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guess, well, maybe when they let the public on the air, they don't always just

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let them go live on the air. They prerecord it and then they aired it

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like a minute or two later. I was always disappointed by that. Yeah. There's a

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reason for that. Yeah. Just in case the phone is

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answered and you go, holy bleep, I won. So they

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want to make sure, and it also gives the DJ or the host a

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chance to do some tight edits, some quick tight edits before

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it goes live. So usually I actually had a chance to shadow a guy when

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I was in college and he was taking song requests

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for an oldies show. I don't know how much you know about oldies, but oldies,

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very, very short songs. But he was taking song requests

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while a song was playing and snip, snip, reel-to-reel tape back then. So

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doing it all manually, reel-to-reel tape, snip, snip, and getting it on the air within

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seconds of the phone call being hung up.

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So, but again, still is edited so there's enough

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of all the stuff you don't want there

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taken out, right? So there's that. But I think with live

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podcasting, again, I think as long as the parameters are in place so

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that all the participants know if you're

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going to be on the air, if you're going to be live, here are some

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things to keep in mind. And it's not about having it regulated or

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having people shackled, but understanding that it's a journey,

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right? A communication or a conversation rather is a journey. And if you're in the

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hosting chair, even if you're in the guesting chair, you need to be able to

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help be the person that moves that conversation forward.

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Absolutely. You still have to entertain. You have to provide value at the end of

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the day. But you don't have to start in large theaters or

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auditoriums too. Like you could do this at a flea market and sell tickets, you

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know, buy a $10 booth, a parking spot, set up your podcast.

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And you could even do tickets and sell pre-registrations that small on that, that

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kind of a tiny level. And that's where you start, that's where you cut your

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teeth, that's where you learn to perform in front of people. And this, the

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way that this podcast went about it, which you mentioned, that the

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efficiency of not having to rely on another platform,

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just having a Google Form— hey, if you're interested, let us know you're coming and,

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uh, yeah, we'll register you that way. I thought that was pretty creative and a

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great way to get started at least for your first live show. Try

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it out, see what happens. You know, get started. You can't— you're not going to

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take that second step if you don't take your first step. Yeah, 100%.

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Let's keep running to our next show, our next story.

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This is a podcast about marathon running.

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Grandma's Marathon is celebrating its 50th anniversary,

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and along with record sellouts, they're adding something new to race weekend.

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A live podcast recording of Nobody Asked Us with

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Olympians Kara Goucher and Des Linden at the North

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Shore Theater. This is a perfect example of how live podcasting fits

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into existing events. You already have the audience, you already have the

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energy. Now give people something else to attend. With

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450 tickets available at $20 each, that's— I think that's important to

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these types of events that we're talking about aren't the same as going to a

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basketball or hockey game. You know, it could be $20, $10, $20

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to have a night out. And this turns the podcast into a

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revenue-generating experience that complements the main

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event. It's not competing with the marathon. It's enhancing

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the entire weekend. And I think this is— we kind of touched on this with,

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you know, going to the game on your way to the arena, having a side

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stage. This is that example. Yeah, I

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think this is a phenomenal experience of that where you're right,

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it's a great way to, hey, there's an event going on.

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And obviously you want to, I would say, be checking in with organizers and stuff

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like that. Or maybe you're the organizing committee that's thinking, hey, what can

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we do that's different? Because that's the other thing. What can you do

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that's different than what's happened every single year?

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So for something like this, I think it's great that they have other events going

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on. It's kind of like when you go to, it's kind of like when you

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go to the agricultural fair, right? You've got the

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agricultural fair, but then you have a side stage with

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entertainment. You've got something else going on that might be, you know, maybe is

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game related. You've got all these other things that are components of,

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and why not a podcast? Why not take advantage of that? Even if it is

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an extra charge to be in on that.

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Same as the other thing that's very prominent in a lot of agricultural fairs now

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is the midway, right? So there's a lot of midway rides. So all part of

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one big show and podcasting is well

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positioned. You can set this up any way you want

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to. So it can be, and I like how it's, it's a couple of

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Olympians who are doing this because they're, they're bringing

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their experiences and all of that and also giving—

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maybe some of the racers are having the opportunity to come on, on camera

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or come on mic as well. So I think that's great. I think it's a

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great fit. Gives credibility. You're having a

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marathon, you're having some Olympians come in to do a podcast.

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Other people who are racing maybe the night before They want

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to hang out. They want to hang out with other marathon runners to probably trade

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tips of training and fasting and eating and carbing the night

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before. And here's an add-on event as part of the marathon

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experience where you can sit down and hear stories from

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Olympians. There's no better way. This is that go where your

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audience is. If the marathon runners are running the race anyway, they're

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having record attendance, and you're adding in this podcast, Well, that

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podcast is going to see windfall from this experience. They're going to

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gain new listeners. They're going to make new connections because they are

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where their audience is at. I like it too, because as you've

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just indicated, it gives you a look behind the scenes. I refer to

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this as green room conversations, and I always say to,

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to content creators when they're conceptualizing their, their show,

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is there a way to build bonus content that is saleable or that you

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can have as a premium or subscriber content.

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And green room conversations, the things that you don't hear

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on the show is a great way to do that and a great way to

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hook people into that. So this I think is phenomenal because there is

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that monetization piece in. It is a behind the scenes or can be.

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And also, yeah, brings the human side of it forward

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too, because we don't know what's going on before the race, but we will.

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Because here's the podcast to show it. Yeah, I'm a sucker

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for those quote-unquote "how the sausage is made" stories where

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that behind-the-scenes content, that bonus content.

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Last week with Scott Edwards, we were talking about how much

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comedians have embraced podcasting and it's not that they're just being

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funny, they're actually telling you the road stories, they're telling

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you how jokes came together, They're telling you these

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behind-the-scenes, those greenroom stories that you're mentioning, Carl.

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That type of information isn't typically available to

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everybody, but as bonus content, that's a tremendous strategy to

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roll that out to your select audience, your private audience,

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the people who are really out there supporting you. Give them that extra content, that

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00:24:00,351 --> 00:24:03,604
extra bonus. As I like to refer to them as your raving fans.

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Yes. The ones that will, if you post something, they're going to want

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to watch it, see it, listen to it, digest it, whatever. So yeah, it's a

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great way to, to definitely bring them along on the journey.

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Well, let's keep the journey going. Spotify is celebrating

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5 years of its EQUAL program by launching EQUAL: The

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Podcast. While continuing to host live events around the world and bring

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artists together in real life, what started as playlists and

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00:24:29,534 --> 00:24:33,097
promotion has now evolved into something much bigger: a full

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ecosystem that includes content, community, and live experiences

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This is where podcasting is heading. It's no longer just about

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distribution, it's about connection. When you combine

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storytelling through podcasts with in-person events and global communities,

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you are not just building an audience, you're building a movement. And

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I've seen a ton of things come out from Spotify lately. They're building these,

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these small stages, they're building these podcast experiences, and

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this is another example of them doing that around the world.

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In having these shows and showcasing not just their podcast

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talent, but artists from different genres are also now having

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these live shows and live experiences with their fans. Yeah, I think

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platforms like Apple, Spotify, they've been in the

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game long enough to know that it's not just about a distribution platform,

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it's about being a part of the game that they're in

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already, right? So it's about providing

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not just a distribution platform, but the stages,

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they also have the resources to tap into

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larger scale events and be a part of

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the experience, you know, a very immersive

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experience too, because they have budgets, they can do that. All of those things

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that I think make Spotify or Apple or, you know,

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other platforms too, it greenlights them, I think, to be

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able to bring that forward.

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Whereas as opposed to just saying, hey, you can post your content here and yeah,

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we'll make sure it goes out and yada, yada, yada. No, they want to be

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a part of the journey that they're bringing people on. So I

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completely, I completely think this is a great, because I

425
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mean, here's the thing too, Jeff, is that podcasting has evolved

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00:26:18,751 --> 00:26:22,444
a lot in 22 years from being just, you know, a bunch of

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00:26:22,444 --> 00:26:25,094
talking heads to now being this video components.

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We're talking a lot about community building, live podcasting, all different aspects

429
00:26:30,377 --> 00:26:33,619
of it. So this is another layer for,

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and I think it's a good showcase too for larger companies to be able to

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00:26:37,144 --> 00:26:40,349
say, hey, you know what, you can get in on this game too. So I

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00:26:40,413 --> 00:26:43,730
think it's a great way to showcase and highlight what

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can be. And as you say, invite artists to be a

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00:26:48,105 --> 00:26:51,790
part of it too. This whole genre

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00:26:52,175 --> 00:26:55,845
of Spotify doing these events with their artists, it really is the

436
00:26:55,941 --> 00:26:59,771
replacement to what we would have done 20, 30 years ago, whereas we would have

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00:26:59,787 --> 00:27:03,382
opened up a Rolling Stone magazine or a Teen Beat, maybe a Teen

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00:27:03,414 --> 00:27:07,040
Beat magazine, and read an article about New Kids on the Block.

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And, you know, you would hear the tour stories from the magazine

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00:27:11,277 --> 00:27:14,887
article. You would read the reviews and you would read,

441
00:27:14,951 --> 00:27:18,546
like, you know, letters from the fans. But what's happened as

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00:27:18,658 --> 00:27:22,156
podcasting has evolved and grown into this multimedia platform,

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00:27:22,910 --> 00:27:26,665
you're now seeing those magazine articles really in real life.

444
00:27:27,307 --> 00:27:30,578
And this Spotify experience is the artist up on stage,

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00:27:30,931 --> 00:27:34,379
probably being interviewed by a host. The audience is now the

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00:27:34,379 --> 00:27:38,068
mailbag. They're answering questions. To me, like, this type

447
00:27:38,549 --> 00:27:42,285
of Spotify event is an immersive experience that really replaces

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00:27:42,318 --> 00:27:45,749
that magazine experience we used to have 30 years ago,

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00:27:45,846 --> 00:27:48,861
but we had to wait 6 months to get our copy.

450
00:27:49,518 --> 00:27:53,222
Yeah, yeah, I think there's a lot that can be taken from to, you know,

451
00:27:53,302 --> 00:27:55,930
I think independent creators can look at this and say,

452
00:27:57,773 --> 00:28:00,738
what can I do that's different? You know,

453
00:28:01,234 --> 00:28:05,000
there's— someone said, maybe many people have said it, there's no such

454
00:28:05,080 --> 00:28:08,686
thing as an original idea. Somebody's probably already done it. So why

455
00:28:08,766 --> 00:28:12,612
not take some of those ideas that have been done before and find a

456
00:28:12,612 --> 00:28:16,361
way to incorporate them into new media,

457
00:28:16,441 --> 00:28:19,952
which again, podcasting is part of that. And I like how you highlighted

458
00:28:20,048 --> 00:28:23,691
that it's not just one medium, it's

459
00:28:23,771 --> 00:28:27,430
multimedia pieces. So you can think about that for

460
00:28:27,430 --> 00:28:30,913
your own show. What can I do that's different as opposed to just have a

461
00:28:30,961 --> 00:28:34,476
conversation? I mean, look at Jeff's setup. Look at this. This is

462
00:28:34,572 --> 00:28:38,327
phenomenal. I mean, no one's doing this or probably very

463
00:28:38,424 --> 00:28:41,505
few people. So what can you do that's different? And I'm not saying you have

464
00:28:41,553 --> 00:28:45,004
to build a studio like Jeff has done, but what can you do? What can

465
00:28:45,004 --> 00:28:48,253
you do that's instead of just reading another letter or opening the

466
00:28:48,253 --> 00:28:52,029
mailbag, what can you do that's different? That's an experience for

467
00:28:52,029 --> 00:28:55,308
your audience that's going to want them coming back week

468
00:28:55,646 --> 00:28:58,835
after week or episode after episode to

469
00:28:59,109 --> 00:29:02,636
tap in, right? You mentioned some people

470
00:29:03,054 --> 00:29:06,792
get hesitant because like, oh, you know, that's not an original idea. Other people

471
00:29:06,792 --> 00:29:10,031
have done that or other people have talked about that. But the thing is,

472
00:29:10,547 --> 00:29:14,318
you haven't. You haven't given your perspective, you haven't

473
00:29:14,318 --> 00:29:17,540
done it your way, even though all these things have been done. Like,

474
00:29:18,390 --> 00:29:22,141
this theater concept that I built isn't much different than a comedy club, the

475
00:29:22,173 --> 00:29:25,972
comedy circuit. It's a stage with chairs, people listen to

476
00:29:26,020 --> 00:29:29,836
people talking. It's a comedy club, right? But I put my

477
00:29:29,868 --> 00:29:32,689
own twist on it, my own perspective of what I thought it can be, and

478
00:29:33,074 --> 00:29:36,729
it's a little bit different. And same thing if you think that you're copying somebody,

479
00:29:37,146 --> 00:29:40,419
You're not because you haven't done it your way. The world hasn't seen

480
00:29:41,093 --> 00:29:44,783
what you offer and what your perspective is. So don't let that be a hindrance

481
00:29:44,783 --> 00:29:48,553
to you starting your own show. Yeah. The only way you're copying something is

482
00:29:48,553 --> 00:29:52,324
if they have a copyright or trademark on it. In that

483
00:29:52,324 --> 00:29:55,869
case, yeah, don't do that. But otherwise, I

484
00:29:55,869 --> 00:29:59,639
mean, I also like to say, Jeff, in podcasting,

485
00:29:59,704 --> 00:30:03,329
there are no rules, which means you can do anything. But

486
00:30:03,618 --> 00:30:07,211
the caution is, remember, in podcasting, there are no

487
00:30:07,243 --> 00:30:11,045
rules, but you should always be thinking about the audience and what

488
00:30:11,334 --> 00:30:15,103
their experience is going to be because that's, those are the people who are going

489
00:30:15,103 --> 00:30:18,793
to follow you. If you're using your show for business, they're going to buy from

490
00:30:18,793 --> 00:30:22,257
you. All of those things become a part of it, but have at it.

491
00:30:22,963 --> 00:30:26,476
Do what you want. Yeah, you can do anything, but

492
00:30:26,476 --> 00:30:29,909
maybe, you know, maybe not do everything.

493
00:30:32,368 --> 00:30:36,119
Exactly. Well, Carl, these go so fast. We're on our last story

494
00:30:36,216 --> 00:30:39,702
already. This is from Downloads to Destination. The

495
00:30:39,702 --> 00:30:43,440
Thrifty Traveler podcast is taking things to the next level. I love

496
00:30:43,489 --> 00:30:46,790
the, the thumbnail if you're watching the video here, with a live show at the

497
00:30:46,887 --> 00:30:50,539
Parkway Theater in Minneapolis. What started as a growing travel

498
00:30:50,555 --> 00:30:53,913
podcast is now becoming a full experience, complete with

499
00:30:53,945 --> 00:30:57,725
trivia, audience Q&A, and ticketed access to be part of the

500
00:30:57,725 --> 00:31:01,092
show. This is that shift in action we keep talking about.

501
00:31:01,396 --> 00:31:04,987
Podcasts are no longer just something you listen to, they are something you

502
00:31:05,035 --> 00:31:08,465
attend. By adding elements like games, interaction, and

503
00:31:08,465 --> 00:31:12,136
community, this becomes more than an episode, it becomes a night

504
00:31:12,136 --> 00:31:15,903
out, and that is where the real connection and real monetization start

505
00:31:15,903 --> 00:31:19,606
to happen. Yeah, I like this immersive

506
00:31:19,606 --> 00:31:23,375
experience, and I know we've covered this a lot

507
00:31:23,375 --> 00:31:27,036
today. It's funny, there's been a theme all the way through. But,

508
00:31:27,469 --> 00:31:31,227
but again, I think it's, again, it's, it's opening the

509
00:31:31,323 --> 00:31:34,855
box and doing something different or getting outside of the box, right? It's

510
00:31:35,417 --> 00:31:39,207
what can you do? And I've talked to many people say I'd

511
00:31:39,207 --> 00:31:42,338
like to start a podcast. Okay, well, why? Number one is why?

512
00:31:43,125 --> 00:31:46,753
Well, I need it for this. Okay, well, what, what's going to make your show

513
00:31:46,898 --> 00:31:50,153
different? What are you going to do? And you don't have to go to this

514
00:31:50,249 --> 00:31:53,950
extent, of course, but I like how it's building. Firstly, it's

515
00:31:53,950 --> 00:31:57,474
building community. You know, it's giving the opportunity to build a

516
00:31:57,474 --> 00:32:01,239
community, to have followers, to take the show. I mean, you know,

517
00:32:01,319 --> 00:32:04,636
taking show on the road, all of those aspects that

518
00:32:05,229 --> 00:32:09,010
can be your show too. So I do like that.

519
00:32:09,170 --> 00:32:12,374
I do like that where people are not just,

520
00:32:13,255 --> 00:32:16,139
I worked in the radio world, like I said, and you know, the radio world

521
00:32:16,139 --> 00:32:19,733
became very cookie cutter. For me. It's literally sitting in a

522
00:32:19,733 --> 00:32:23,299
room, playing some tunes, talky talky talky, and you do that day in, day out.

523
00:32:23,363 --> 00:32:26,897
Same, same stuff. The only thing that changed was the music and the commercials. That's

524
00:32:26,897 --> 00:32:30,189
it. And news. Everything else was the same.

525
00:32:30,655 --> 00:32:34,462
Everything else was the same. Very rarely were you outside of the studio. This gives

526
00:32:34,462 --> 00:32:38,188
you the opportunity to do something that's different, to bring in community

527
00:32:38,365 --> 00:32:41,690
to where you are, to be a part of the experience, to have some fun.

528
00:32:42,236 --> 00:32:45,846
And again, continue to have people come back,

529
00:32:46,310 --> 00:32:49,308
heck, even travel, even follow you on the journey if they want to.

530
00:32:51,600 --> 00:32:54,630
Yeah, we're talking about these big events that these people are going to a theater,

531
00:32:55,287 --> 00:32:58,910
and what I— if you haven't thought about this, we talked about how do you

532
00:32:58,910 --> 00:33:02,725
sell tickets. Well, the one story, use the Google Form, and these,

533
00:33:02,998 --> 00:33:06,123
these podcasters have been doing it for years, and they're going to go to a

534
00:33:06,123 --> 00:33:09,794
theater and do it, but you haven't done that yet, so start to think

535
00:33:09,874 --> 00:33:13,675
out of the box. In your neighborhood. There's probably a coffee shop that sits

536
00:33:13,739 --> 00:33:17,235
pretty empty at 2:30 on a Tuesday afternoon.

537
00:33:17,668 --> 00:33:21,324
There's a library that has a media center. There's restaurants that have

538
00:33:21,420 --> 00:33:25,044
banquet rooms or back rooms. There are places for you to

539
00:33:25,044 --> 00:33:28,524
start planting the seeds of doing live podcasting, of building a

540
00:33:28,572 --> 00:33:32,261
community in real life. Start thinking outside the box. How do I get

541
00:33:32,261 --> 00:33:35,709
started and how do I do it? It's not going to be a theater or

542
00:33:35,709 --> 00:33:39,486
arena your first show, But you're gonna train that muscle, you're gonna do the

543
00:33:39,486 --> 00:33:43,246
repetitions, and you'll build up something that's much bigger than you

544
00:33:43,278 --> 00:33:46,944
ever thought it was because you took that first step and you tried it

545
00:33:47,364 --> 00:33:49,871
and you refined it and you got a little bit better, a little bit better,

546
00:33:49,888 --> 00:33:53,333
a little bit better, till someday you're like the thirsty

547
00:33:53,349 --> 00:33:57,149
traveler there in the Sahara on that episode. But the

548
00:33:57,149 --> 00:34:00,836
Thrifty Traveler podcast on my birthday, June 12th, is going

549
00:34:00,965 --> 00:34:04,429
live at a theater, and that's That's the end goal here is how do we

550
00:34:04,590 --> 00:34:07,803
do something that involves a community that builds an

551
00:34:07,803 --> 00:34:11,177
experience and just takes podcasting to the next level?

552
00:34:11,804 --> 00:34:15,242
Yeah, thinking outside of the box or in this case thinking

553
00:34:15,258 --> 00:34:19,050
outside of the studio. What can you do that's different, especially for

554
00:34:19,050 --> 00:34:22,826
something that's live? You know, a number of people do a live

555
00:34:22,826 --> 00:34:26,521
show and they'll stream it from their house and there's nothing

556
00:34:26,521 --> 00:34:29,863
wrong with that. I'm not saying you can't do that, but What can you do

557
00:34:29,879 --> 00:34:33,686
that again? What can you do that's different? And you don't even need to, Jeff,

558
00:34:33,750 --> 00:34:36,175
like you said, you don't need to break the bank. All you need is to

559
00:34:36,175 --> 00:34:39,660
go into, for example, the coffee shop and say, hey, thinking of doing a live

560
00:34:39,676 --> 00:34:43,451
show from here once a week or whatever. How would you feel about that?

561
00:34:43,547 --> 00:34:47,386
Or if you're like the Thrifty Traveler, yeah, I think they're doing a

562
00:34:47,386 --> 00:34:50,839
podcast in your community this day, this time. How do you feel about that? So,

563
00:34:51,257 --> 00:34:55,047
and don't be afraid to test stuff. Test

564
00:34:55,657 --> 00:34:59,506
test it out, try it out. If it doesn't work, build on it. And if

565
00:34:59,506 --> 00:35:03,179
that doesn't work, keep, keep building on it. Because I mean, you can't do anything

566
00:35:03,291 --> 00:35:06,627
wrong because as I said already, there are no rules in podcasting,

567
00:35:07,221 --> 00:35:11,022
right? So just— and have fun. I mean, it's a journey, so enjoy it.

568
00:35:12,177 --> 00:35:15,464
Yeah, I'd do a show at a coffee shop for a blueberry scone and a

569
00:35:15,464 --> 00:35:19,249
cup of joe. 100%. Yeah.

570
00:35:19,971 --> 00:35:23,788
Well, Carl, this has been so much fun. Podcasting Solutions Made Simple. This is

571
00:35:23,885 --> 00:35:27,431
where I turn over the floor. Anything you'd like to plug,

572
00:35:27,511 --> 00:35:30,929
promote, talk about, the floor is yours. Oh,

573
00:35:31,747 --> 00:35:35,149
I get the full floor? Oh my goodness. Yeah,

574
00:35:35,197 --> 00:35:38,391
Podcast Solutions Made Simple. Always like to have

575
00:35:38,423 --> 00:35:42,210
conversations with people. So if anything that's resonated today with what Jeff

576
00:35:42,210 --> 00:35:45,869
and I have talked about, don't hesitate to reach out. There's a form on the

577
00:35:45,869 --> 00:35:49,672
website, a site in which to do that. Speaking of community, I mean, we have

578
00:35:49,720 --> 00:35:52,961
quarterly meetups too. So we'd love to have you come to the next one if

579
00:35:53,009 --> 00:35:56,525
you're available. It is virtual. I will say it is virtual,

580
00:35:56,942 --> 00:36:00,699
but after my conversation today with Jeff, maybe there's an opportunity to take it on

581
00:36:00,731 --> 00:36:04,441
the road. But certainly love to have a conversation with— if you'd

582
00:36:04,441 --> 00:36:07,443
like to find out more about what we do or find out more about our

583
00:36:07,555 --> 00:36:11,361
community called the Podcast Alliance, it's not just a meetup, it's a meetup and mastermind

584
00:36:11,409 --> 00:36:14,877
with guest speakers. And we have some fun, we have some prizes. So

585
00:36:15,086 --> 00:36:18,699
always, always a hoot. Would love to have you there too. So, and Jeff, this

586
00:36:18,699 --> 00:36:22,345
has been a great opportunity. Thank you so much. Oh, thank you for joining me.

587
00:36:22,393 --> 00:36:25,784
These Saturday morning shows are my favorite. The pace is a little bit slower. We

588
00:36:25,800 --> 00:36:29,367
can sit down, talk about these stories, and give new perspective. And

589
00:36:29,704 --> 00:36:33,223
you really brought it today. You've added all that history of radio, podcasting,

590
00:36:33,641 --> 00:36:37,241
production. Hearing your side of it for these 6 stories

591
00:36:37,353 --> 00:36:40,744
just took it to a whole nother level. And I appreciate your time. And this

592
00:36:40,792 --> 00:36:44,488
was, this was a ton of fun. Yeah, thanks, Jeff. It was fun. And

593
00:36:44,504 --> 00:36:47,956
do you remember what time it is? Is it time to

594
00:36:47,956 --> 00:36:51,486
go home? What time is it?

595
00:37:12,150 --> 00:37:15,829
The only live news podcast about

596
00:37:15,958 --> 00:37:19,702
podcasting from the stage. Poduty and the News.

597
00:37:19,895 --> 00:37:22,032
Hold to the

598
00:37:22,546 --> 00:37:26,371
end of news.

599
00:37:26,483 --> 00:37:29,504
The only live news podcast about

600
00:37:29,617 --> 00:37:33,280
podcasting from the

601
00:37:33,377 --> 00:37:33,811
stage.