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[Music]

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Two bit late one!

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[Music]

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This show's still fu-

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Still fucking Субтитры сделал DimaTorzok

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[Silence]

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Virtue single

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Single in how they're so wolf Chip and Sy outside This podcast uh Chip and Saiyap sa This show still fucking sucks!

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Fucking sucks!

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Nooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo

11
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And welcome to the 545th episode of Cinema Psyops. I'm your host, Cort, the guy who's doing the notes this week and talking about the movie The Driver from 1978, and sitting in the co-pilot seat this week and doing the

12
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Hi, co-hosts.

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Ugh Yeah. The driver. I need a driver.

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I get way too drunk, man. I can't be behind the wheel of the car.

15
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Oh wow. That's that's where you went with that. Okay. Yeah.

16
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Yeah. I well listen, man, all right. I did the best I could with what I had with the time given.

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This is an odd uh film to kind of cover because this is a Walter Hill film.

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my first time watching the film was to actually cover it for the show here. And there's a lot of Walter Hill flavored uh stylistic choices and things that are definitely here and are pretty prevalent. And uh it's kind of it it is sort of a touch

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stone of that, but it's also very different than a lot of his other films. Uh I although you can st like I said, there's a lot of like things that he does that are relatively similar with his uh his action and stuff like that. Like for instance, he did 48 hours and then another 48 hours.

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Both of those films.

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Oh, ja, ja, ja. Dat was een goed movie. Ja.

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Yeah, and the style that you would get in the action with the chase scenes and the various fist fighting and the grittier style of dialogue and the people really getting at each other, that's all prevalent here. Yeah. But this one is so much more noir.

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Noir.

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It is. It's it feels like a film noir. Like it feels like it's very gritty. Like nobody has a name. All these people just have purposes or jobs they have to do and that's how they're known, right? Yeah.

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Right.

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Yeah.

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and that's

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It's it's very cool. It's very it's it's got a little bit of an artsy flair to it, is what I'm getting at. And I really enjoyed the film. Spoiler alert to everybody. Um I tend to be a mark for Walter Hill films, and uh this one did not disappoint. So I'm actually pretty much.

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Pretty excited to talk about it. I'm glad we were able to fit it in with the pre nineteen eighties uh car chase movies. And I think this is the last one, is it not? I think

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I think so.

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So yeah, let me uh go back and check the scheduling document just to confirm, but I think we're about to be on to Trucker movies post nineteen eighty.

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Yep, because next is uh Smoky and the Bandit.

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Yeah.

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Yeah, we're on Trucker Movies post nineteen eighty. We gotta get Smokey and the Bandit too. Uh I think that just dropped off Netflix, so I'm going to have to find a way for you to be able to watch that besides that.

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All right. And then uh a road games. Roadhouse.

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Roadhouse. No, road games. That's the sort of horror movie, road trucker movie. That's the thing. Uh truck movies and other types of styles of movies, though even the biker movies had this.

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Well hell. Uh just about every style of movie did this. Whenever your popularity was waning, like even Abbott and Costello, they start doing horror.

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Or they bring horror elements into the genre that was popular and then boom, they have a crossover. And so that's kind of where Road Games comes in. It's sort of a slasher, uh, you know, road stalker type movie. We're gonna have more of those that we'll be talking about later on too. Yeah.

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Yeah.

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That w there's even one for Car Chase movies that we'll be talking about.

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But let's actually get into talking about the driver. Let's show this movie the respect that it deserves. So we're gonna take a break here. We're gonna play the Legion Patreon ad because Bo did some podcasts. He's back. It's still relevant as far as I'm concerned.

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And when we come back, there will be a song that will be created mere moments before the edit of this episode. And we will have that hopefully at least describe something having to do with the plot for the film.

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And after that we will actually describe the part of the f plot of the film via a lot of fucking clips.

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Clips. That was a lot of fucking words to say we're gonna play clips and fuck around.

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Well that's what I do.

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Jesus Christ, show off.

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Oh, hi there.

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I didn't see it.

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You call me cutting a new show.

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I'm Bo Ransdell and I'm one of the many creators you can find on Legion Podcasts.

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اشتركوا في القناة

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I SAID QUIET

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Grrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr

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My fellow podcasters and I work hard to bring you the best in horror podcasting.

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But that comes at a cost.

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Not that, but also yes. No, what I'm getting at Is that there are server costs?

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Costs for good microphones and software for editing, all the things that make our shows, you know, fun to listen to.

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And you can help.

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If you're enjoying the shows on Legion Podcasts dot com or in the Legion Network available on iTunes and Stitcher, just about anywhere you can download a podcast really, you can help us out and get a little something for your trouble at patreon.com Ford slash LegionPodcasts

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For just two bucks a month, you get a pair of movie commentaries exclusive to Patreon, and for $5, you can also join us for a monthly screening of a movie.

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All of that available on patreon.com/LegionPodcasts

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We appreciate it and thank you for listening.

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Now Back to the cutting room.

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[Music]

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Você!

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[Music]

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Welcome back to Apparently Cort is now an MPR podcaster.

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Welcome. There was more violence today in the Congo.

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And I would just like to state that that song was definitely created near seconds before the edit of this episode was started, and it was

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I can tell you that it definitely will feel like an orgy in your mouth when you listen to that song.

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Oh god damn it, I was hoping you weren't gonna start in on that shit with this episode but

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They're definitely gonna feel like dicks in your ear if you listen to that. Okay.

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Okay, we're gonna stop with that.

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That's a Psyop guarantee.

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We're gonna stop with that right now and we're gonna do the fucking review.

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Alright, let's do the review.

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Alright, the driver nineteen seventy eight. We see the driver boosting a car from a parking garage, or so it appears that that's what's going on, and then the film cuts.

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As one does when you're in a parking garage, you just steal a car. I mean, fuck it.

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And the film cuts from that to an illegal gambling hall with the lady from the movie Possession dealing cards with people making other types of bets going on in the background. The film then cuts from that back and forth with him waiting to do his gig while she is cashing out.

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out on what I assume is her gig with the card playing.

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He parks and waits just before a pig drives by, and when the timing is right, we see the lady head past a security checkpoint, and the driver plows through an alley fenced in.

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Area as dudes in hockey masks pull the robbery and immediately dive into the driver's car, all while the lady from possession stares on at the shenanigans and several gawkers also are mesmerized by this sudden crime. The driver speeds off.

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Two Bruce.

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Bruce Dern shooting pool and looking menacing and young when another person walks in with our first actual dialogue and our first clip.

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[Silence]

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We got a two eleven in progress.

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Progress.

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Alright. Southside, near Lincoln.

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You call it.

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[Music]

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Suspects are described to

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Four units on their way.

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[Silence]

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That's him. Yeah. Same goddamn stun he pulled six weeks ago.

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Yeah.

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You two want to tell me who we're talking about?

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شكرا

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Shut up, I wanna hear this.

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Yeah, tell them.

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The end of the clip leads to a chase where the driver has to do some amazing back alley maneuvers to crash a pigmobile.

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But more end up on him as we watch him weave and bob his way through alleys and streets and these way too narrow corridors that look like they connect parking garages or are some kind of like small service road tunnel or something like that.

102
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like that. I can't even describe all of it to you, nor do I fucking want to, nor should I, because this is the shit you want to actually experience for yourself. Yeah.

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Yeah, yeah, yeah. You just you gotta watch this shit because it's it's to be seen to be believed.

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Some really impressive, dangerous city stunt driving here that is worth your fucking time for sure. Yes.

105
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Yes, definitely.

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Yeah.

107
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There are several points where the pigs seem to have him all boxed in and are going to make him spin out or fuck up. And then it's revealed he picks them off one by one and sure seems to be just toying with them.

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them and fucking bored by this the whole time. Didn't you notice that? Yeah.

109
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Yeah. Yeah, he was bored the whole fucking time, man. He just couldn't even cared less.

110
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And it may just be that Ryan O'Neal looks dead behind the eyes and soulless all the fucking time.

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He definitely does.

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But he looks jaded as fuck and just completely unconcerned by any of this fucking mayhem he is causing, including flipping the pigmobiles over and some truly terrific crashes that are happening here for sure. Yeah.

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Yeah.

114
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And I'm talking about like his character looks like that, but Ryan O'Neal, the actual actor, also doesn't look like he has a fucking soul most of the time.

115
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most of the time. No, uh Ryan O'Neill always looks like he's uh you know, but you literally sold his soul to be famous.

116
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Yeah.

117
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Yeah, he has the appearance of the uncanny valley all wrapped up in one place, one face that is both unpleasant and calming all at once.

118
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Yep.

119
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Ha ha ha.

120
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We're just bagging on everybody for their looks, man.

121
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We really are, but we can because

122
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Well you can. I can't.

123
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Oh. I'm gonna keep doing that bit. I'm gonna keep pretending like I'm too gorgeous to

124
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You do that bit like you're you're pretty or something.

125
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Yeah, like I'm too pretty to make fun of people.

126
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It's the best humble it's the best humble brag ever.

127
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You're you're really helping yourself out.

128
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All right, back to the actual review. There are two pig cars the driver seems to be having a hard time ditching, so he ducks into an alley and goes dark to hide out and waits quietly to see if they will get

129
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get passed by, like if you can actually like just hide from them enough to where the cops will just disappear into the background looking for him somewhere else. When the cops still find their way to them in some way, shape, or form, he fires up a game of chicken. And even though they are filling his windshield full of lead,

130
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And the robbers are screaming at him to stop doing this. The completely unaffected, unmoved driver wins the game of chicken with both cops when they both swer.

131
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Oath swerve away.

132
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And dumpsters and just basically being filled with humiliation.

133
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Yeah.'Cause you know, that's what happens.

134
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It's an amazing opening sequence. I've got no notes on that. So much fucking fun so far, and it's only been around like thirteen minutes of fucking screen time. And that's

135
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I mean really the only notes we have is that Ryan O'Neal Must be a soulless press, right?

136
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Right.

137
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Jesus Christ. The cut away from the driver speeding off to the humiliated pigs and our second clip.

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[Silence]

139
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Mm-hmm.

140
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Poker Palace first. You call in.

141
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[Silence]

142
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1Y10, code six, eight thirteen North Cleveland.

143
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Продолжение следует...

144
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Twenty three five.

145
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Are you sure none of those people?

146
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Those people got a good location.

147
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See we want to keep you healthy for the next day.

148
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There isn't gonna be any next time.

149
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You were late.

150
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[Silence]

151
00:14:41,327 --> 00:14:42,320
Lucky here.

152
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Cowboy.

153
00:14:44,624 --> 00:14:45,583
No shit.

154
00:14:47,504 --> 00:14:49,168
Well it kinda looks like him to me.

155
00:14:49,423 --> 00:14:49,903
You sure?

156
00:14:49,903 --> 00:14:51,033
Can't say for sure.

157
00:14:51,152 --> 00:14:51,951
What about you?

158
00:14:52,559 --> 00:14:54,831
I just I just didn't get that good look at him.

159
00:14:55,759 --> 00:14:56,176
Yep.

160
00:14:57,456 --> 00:14:57,936
She saw him better tonight.

161
00:14:57,936 --> 00:15:02,046
better than I did. Oh. She did. What do you mean she? On the end. In the black.

162
00:15:03,727 --> 00:15:07,440
Said him? You can take your time because there's no way he can ever get to you.

163
00:15:07,855 --> 00:15:09,296
Absolutely no way.

164
00:15:09,423 --> 00:15:09,903
It was on him.

165
00:15:09,903 --> 00:15:12,764
You sure? Yeah.

166
00:15:13,231 --> 00:15:14,384
It was in him that

167
00:15:14,607 --> 00:15:18,000
How about the rest of ya? Guide dogs for everyone, is that it? Huh?

168
00:15:19,567 --> 00:15:23,056
My line of work is kinda hard to come.

169
00:15:23,120 --> 00:15:24,272
Depends on where you look.

170
00:15:24,336 --> 00:15:25,615
Depends on who you are.

171
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I don't know

172
00:15:26,735 --> 00:15:41,625
Some of the criminal types these days, they uh think that they're real cowboys. Think that they can just uh drive around, do whatever they want to do, whenever they wanna do it. I respect a man that's good at what he does. I'll tell you something else. I'm very good at what I do.

173
00:15:41,648 --> 00:15:51,418
Ah last night. Memory's not too good about last night. I remember every alone in your room. Yeah. You can do better than that. I don't have to Go ahead, fraud!

174
00:15:51,600 --> 00:16:02,159
It'll cost you two years. Go on, you wanna throw it? Go on, go on. Go on. You know what I'm gonna do? I'm gonna catch the cowboy that's never been caught. Cowboy desperado.

175
00:16:06,735 --> 00:16:07,385
Yeah.

176
00:16:08,847 --> 00:16:09,519
You sure?

177
00:16:13,840 --> 00:16:14,895
Over the door!

178
00:16:15,663 --> 00:16:17,583
It's over a goddamn door! You ass

179
00:16:17,583 --> 00:16:18,063
You ass okay.

180
00:16:18,063 --> 00:16:19,024
So can't you leave out the-

181
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[Silence]

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The driver dumps the getaway car during that clip, late at night, in a junkyard, and the next day it is actually hoisted out by the pigs in the clip. At the end of the clip, three menacing dudes do a robbery with a driver who is not our driver, and it's a basic growth.

183
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Grocery store knockover that they barely even fucking pull off.

184
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What an asshole.

185
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It cuts from their sloppy getaway to what appears to be the next day as cars moving along a busy industrial area street are shown. Then the

186
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Camera follows a giant box truck where Bruce Dern is lingering in an alley, which is the worst place to find Bruce Dern lingering. Yeah, that's

187
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Yeah, that's not where you want to see Bruce turn.

188
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Especially not Lincoln.

189
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You don't number one, you don't want him lingering at all. But definitely not in an alley.

190
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the valley. And it's totally a surveillance van as it's revealed to be in our third clip.

191
00:17:18,607 --> 00:17:22,576
Well, well, well. Look at the old man drug in.

192
00:17:24,240 --> 00:17:25,519
What kind of peace did he have?

193
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Forty five.

194
00:17:30,192 --> 00:17:31,152
Right.

195
00:17:31,152 --> 00:17:33,241
Very nice gun.

196
00:17:33,807 --> 00:17:37,135
You know that supermarket's gonna cost you ten years.

197
00:17:40,592 --> 00:17:41,551
Yeah, you know.

198
00:17:42,672 --> 00:17:44,271
Why don't you come on inside?

199
00:17:44,367 --> 00:17:45,167
How about a bear?

200
00:17:45,584 --> 00:17:46,064
Rather than out if that's okay.

201
00:17:46,064 --> 00:17:46,544
Oh, that's okay, bye-bye.

202
00:17:46,544 --> 00:17:47,423
Okay, by you.

203
00:17:47,632 --> 00:17:48,624
Fine by me.

204
00:17:50,000 --> 00:17:51,215
Today's your lucky day.

205
00:17:51,632 --> 00:17:52,847
I'm feeling generous.

206
00:17:53,167 --> 00:17:57,743
I'm gonna give you a choice. You and your bunch are gonna do one more job. A bank. Nice big one.

207
00:17:58,384 --> 00:17:59,056
For free.

208
00:17:59,855 --> 00:18:01,551
You're gonna hire a new driver, that's all.

209
00:18:03,248 --> 00:18:04,528
I don't work with cops.

210
00:18:07,183 --> 00:18:07,663
I wish I hadn't said that.

211
00:18:07,663 --> 00:18:08,473
I hadn't said that.

212
00:18:09,359 --> 00:18:11,759
[Silence]

213
00:18:13,008 --> 00:18:13,455
Terima kasih.

214
00:18:13,551 --> 00:18:14,192
Go on.

215
00:18:16,880 --> 00:18:21,392
Now about this bank. Cash on hand. Two hundred thousand.

216
00:18:21,680 --> 00:18:23,471
That's bait for the man you're gonna hire.

217
00:18:25,423 --> 00:18:26,703
He does no banks.

218
00:18:28,912 --> 00:18:29,872
You set it up in a week or

219
00:18:29,872 --> 00:18:30,352
Yeah.

220
00:18:30,352 --> 00:18:30,832
Sure.

221
00:18:30,832 --> 00:18:31,791
I know all about ten years.

222
00:18:31,791 --> 00:18:32,352
Yes.

223
00:18:33,167 --> 00:18:34,319
Oh, that's a choice.

224
00:18:34,607 --> 00:18:36,112
Do ten years wear in a number?

225
00:18:36,432 --> 00:18:38,576
Or trust me and walk away.

226
00:18:38,640 --> 00:18:42,415
Free. You're getting in pretty deep on this one, aren't you?

227
00:18:42,672 --> 00:18:44,112
My business

228
00:18:44,112 --> 00:18:49,872
Setting up bank jobs. I don't remember that being part of taking the oath. We're getting the money back, Jerkov.

229
00:18:50,480 --> 00:18:53,263
And we're catching somebody that's never been caught.

230
00:18:53,584 --> 00:18:55,023
That's a public service.

231
00:18:55,471 --> 00:18:58,319
[Silence]

232
00:18:58,319 --> 00:18:59,920
How many banks in this city?

233
00:19:00,367 --> 00:19:01,488
Get hit every month.

234
00:19:02,352 --> 00:19:02,832
Oh fifteen.

235
00:19:02,832 --> 00:19:04,442
Fifteen on the average.

236
00:19:09,872 --> 00:19:10,832
Thank you.

237
00:19:10,960 --> 00:19:12,400
We're raising the average.

238
00:19:12,400 --> 00:19:12,880
Pray.

239
00:19:12,880 --> 00:19:13,400
Thank you.

240
00:19:13,488 --> 00:19:17,807
Try to sell that downtown. I sold it to myself, that's enough. I want the cowboy.

241
00:19:18,607 --> 00:19:20,048
You wanna play this your way?

242
00:19:20,112 --> 00:19:20,688
Fine.

243
00:19:21,071 --> 00:19:22,000
You're the boss.

244
00:19:22,223 --> 00:19:24,528
But I'm telling you something. I'm in this for the wind.

245
00:19:24,751 --> 00:19:32,367
You blow this thing and you say goodbye to your bed. You know something? Maybe there's something I ought to investigate in your background, huh? Did you ever think of that? Some little item there?

246
00:19:32,784 --> 00:19:34,223
Maybe there's something about.

247
00:19:35,407 --> 00:19:39,728
Or uh maybe you took a bribe. I wonder how much it costs. You'll just be disappointed.

248
00:19:39,728 --> 00:19:40,208
Uh huh.

249
00:19:40,208 --> 00:19:45,758
Well, I'm not gonna take your word for it, how's it? Listen, I got a wife, I got a kid, and I got twelve years service toward a pension.

250
00:19:45,872 --> 00:19:49,359
Now if you think I'm gonna let you blow that for me, you're crazy. Think about it.

251
00:19:49,647 --> 00:19:50,768
I already have.

252
00:19:51,279 --> 00:19:52,240
Asshole.

253
00:19:53,615 --> 00:19:55,056
I didn't think you'd be the one to pay me.

254
00:19:55,056 --> 00:19:55,576
Amy.

255
00:19:56,079 --> 00:19:58,160
Kind of taking a chance, aren't you?

256
00:19:58,576 --> 00:19:59,536
I'll bear you here if you want it.

257
00:19:59,536 --> 00:20:00,096
Yeah.

258
00:20:00,367 --> 00:20:01,039
Come on up.

259
00:20:03,279 --> 00:20:05,615
I've been paid to do a few things before.

260
00:20:05,647 --> 00:20:16,720
But I was never paid to be an alibi. You're going to ask me why I did it? I have a friend that pays the rent, lives out of town, visits me once or twice a month. Lately the checks haven't been so regular.

261
00:20:18,576 --> 00:20:19,407
I need the money.

262
00:20:20,751 --> 00:20:24,112
Hello? No, I don't think He's on his way up to Sim.

263
00:20:27,183 --> 00:20:28,559
I guess that means I could.

264
00:20:28,751 --> 00:20:31,279
Nice place. Terrific. You. Huh.

265
00:20:31,375 --> 00:20:33,327
You didn't come by to tell me that.

266
00:20:33,455 --> 00:20:38,736
You saw the man who was driving the car, and you saw the man up against the brick wall, and you know it's the same man.

267
00:20:38,864 --> 00:20:41,263
Yet you didn't identify him. Are you afraid of him? No.

268
00:20:41,263 --> 00:20:41,753
No.

269
00:20:42,096 --> 00:20:42,576
Are you afraid of me?

270
00:20:42,576 --> 00:20:43,066
Me.

271
00:20:43,375 --> 00:20:45,296
No, I just don't like it.

272
00:20:45,296 --> 00:20:49,359
It must be because I'm such a good cop, all of you.

273
00:20:49,839 --> 00:20:51,855
Twenty two. I did a little checking.

274
00:20:51,887 --> 00:20:53,327
What else did you check?

275
00:20:53,327 --> 00:20:55,728
Well, a young girl like yourself.

276
00:20:56,400 --> 00:21:00,079
You sure have been around the track a few times, honey, hmm.

277
00:21:00,144 --> 00:21:01,584
Let a real active life.

278
00:21:01,584 --> 00:21:02,544
Get out.

279
00:21:02,544 --> 00:21:07,344
No, we're gonna do a little business, you and I. Look at it. You sure that's not him?

280
00:21:07,344 --> 00:21:08,304
It's not hateful.

281
00:21:08,304 --> 00:21:11,034
Really. Maybe you ought to be afraid of me.

282
00:21:12,816 --> 00:21:13,776
I ran a make on you.

283
00:21:13,776 --> 00:21:14,556
On you.

284
00:21:15,023 --> 00:21:15,632
Clean.

285
00:21:15,728 --> 00:21:16,528
No problem.

286
00:21:16,720 --> 00:21:18,256
Of course there was that...

287
00:21:18,288 --> 00:21:26,736
One little scrape. You remember? The kinda nasty one? The one that got swept under the rug? Oh when your memory improves, honey. Give me a call.

288
00:21:26,736 --> 00:21:39,215
The driver was eavesdropping in on that whole conversation with the pig, as was implied heavily in the clip. And at the end of the clip, when the pig leaves, that actually takes us over the first third of the film. So we're about twenty

289
00:21:39,215 --> 00:21:43,344
nine to thirty ish minutes into the film right now. We've just finished. Yeah.

290
00:21:43,344 --> 00:21:46,223
Good that's that listen, it it goes quick.

291
00:21:46,223 --> 00:21:46,703
Yeah.

292
00:21:46,703 --> 00:21:51,023
I don't know, man. It doesn't go f slow. You you you enjoy yourself watching this movie.

293
00:21:51,023 --> 00:21:57,273
Yeah, and most of this is actually occurring one hundred percent because Bruce Dern's pig character.

294
00:21:57,296 --> 00:22:12,125
Is essentially trying to entrap the driver who he cannot capture any other way, other than breaking the rules and the laws that are helped to be there for protecting the citizens. He violates civil rights of people later on in this film and still.

295
00:22:12,144 --> 00:22:15,503
cannot produce any results with all of that.

296
00:22:15,503 --> 00:22:24,816
Yeah, yeah. Listen, he uh he well he does what typical cops do and that is violate the laws that they claim to be upholding.

297
00:22:25,008 --> 00:22:29,135
to try to get a guilty verdict that shouldn't hold up in any court in the world.

298
00:22:29,296 --> 00:22:30,256
So you know, fun.

299
00:22:30,256 --> 00:22:31,736
Okay.

300
00:22:32,463 --> 00:22:34,864
Yeah, we got up on a soapbox there, but We did.

301
00:22:34,864 --> 00:22:39,834
We did. Yeah. And it's that's the other thing. You know how we always we we're talking about in the last show.

302
00:22:39,920 --> 00:22:41,968
Uh how we dig a hole. We

303
00:22:42,064 --> 00:22:50,319
play chicken. We also do that with our soapbox and we see who's go going to Like stop and then by the time we look down there's no more ground.

304
00:22:50,319 --> 00:23:00,880
It's like we're on a super stacked staircase made up of egg crates and uh soap boxes that we just keep getting higher and higher up until we realize that we need to fall.

305
00:23:00,880 --> 00:23:03,791
Fall.

306
00:23:04,271 --> 00:23:08,592
Why don't we uh go ahead and cut it short then and just move on to the middle act.

307
00:23:08,592 --> 00:23:10,031
I think we should do that.

308
00:23:10,031 --> 00:23:19,599
All right, so the middle act starts with the driver emerging from hiding in the bedroom, and that leads to more dialogue. So therefore that is our fourth clip.

309
00:23:19,599 --> 00:23:21,039
That's how you podcast, man.

310
00:23:21,039 --> 00:23:23,440
This is in fact the only way I can podcast anymore.

311
00:23:23,440 --> 00:23:27,759
This is the only way you should pot anyone should be podcasting, all right? I don't care who you are.

312
00:23:27,759 --> 00:23:29,019
No guarantees.

313
00:23:29,680 --> 00:23:30,576
Never has been.

314
00:23:31,215 --> 00:23:33,135
He might still be down there.

315
00:23:34,352 --> 00:23:35,728
How'd the new girl work out?

316
00:23:36,175 --> 00:23:37,200
She did her job.

317
00:23:37,776 --> 00:23:38,960
Who'd you have pay her off?

318
00:23:39,983 --> 00:23:40,943
I did it myself.

319
00:23:41,903 --> 00:23:42,991
It's not like you.

320
00:23:43,728 --> 00:23:44,559
Why am I here?

321
00:23:44,912 --> 00:23:46,256
Some people want to meet.

322
00:23:46,448 --> 00:23:47,759
They're from downtown.

323
00:23:48,175 --> 00:23:49,423
Done a few jobs.

324
00:23:49,488 --> 00:23:50,415
Shooters.

325
00:23:50,703 --> 00:23:51,183
Yeah.

326
00:23:51,183 --> 00:23:53,104
I told you I don't like guns.

327
00:23:53,104 --> 00:23:57,213
I know, but they're looking to move up. They got their eyes set on something special.

328
00:23:57,519 --> 00:23:58,672
They know my price.

329
00:23:58,928 --> 00:24:00,496
Everybody knows your price.

330
00:24:00,655 --> 00:24:02,895
He even paid me three hundred just to get to you.

331
00:24:07,279 --> 00:24:08,112
I'm okay.

332
00:24:08,432 --> 00:24:19,087
You two know each other? Couple of years ago we worked a two car job. You already have a driver. You don't have the balls for driving anymore. You work for a piece, right? Ten thousand up front. Against fifteen percent.

333
00:24:19,279 --> 00:24:20,751
How do we know you're that good?

334
00:24:20,784 --> 00:24:31,248
The end of the clip is the driver tryout test, where the driver fucking destroys this car to intimidate and somewhat punish those dudes just for questioning him.

335
00:24:31,279 --> 00:24:35,983
Or so it seems. This thrashing goes on for a long fucking time.

336
00:24:36,016 --> 00:24:43,215
He basically just does a bunch of things to destroy the car but still make it usable and it's very fucking impressive and it's intense as fuck.

337
00:24:43,215 --> 00:24:43,695
Yeah.

338
00:24:43,695 --> 00:24:44,655
Yeah.

339
00:24:44,655 --> 00:24:45,615
That's insane.

340
00:24:45,615 --> 00:24:50,905
He ends up closing this all out by ripping off the driver's door by just essentially opening it up.

341
00:24:50,928 --> 00:25:05,758
And then backing up until it basically gets broken off, and then goes through a wrongway sign and dips it under a giant fucking log truck, bending up the roof like a motherfucker and scratching the shit out of it too, before screeching to a stop and getting out to

342
00:25:05,776 --> 00:25:09,615
Deliver some fucking dialogue, thankfully, you know. Fifth clip.

343
00:25:09,615 --> 00:25:11,056
It's been too long.

344
00:25:11,056 --> 00:25:12,016
Easy.

345
00:25:13,615 --> 00:25:16,432
Better get new plates if you plan on taking it out again.

346
00:25:16,880 --> 00:25:18,576
People might be looking for you.

347
00:25:18,895 --> 00:25:20,784
You're crazy. We'll make you a deal.

348
00:25:21,231 --> 00:25:22,991
I don't work with people like you.

349
00:25:24,847 --> 00:25:26,703
This plan of yours for our friend.

350
00:25:28,655 --> 00:25:30,296
Gotta be patient, pal.

351
00:25:30,415 --> 00:25:33,743
Every job has its problem. Couldn't be you just figured it wrong.

352
00:25:33,776 --> 00:25:41,359
You know something? I think I'm gonna have to help you with your education. This is the quiet part of the hunt. Trap's all set. Cowboy's out there somewhere.

353
00:25:41,615 --> 00:25:44,367
Wouldn't be any fun if the cowboy just walked right into it, would it?

354
00:25:44,559 --> 00:25:54,640
That'd be no fun. You know what the best part of our job is? It's just a game. It's either them or us. Maybe me and you. Huh, no way, Jose. You're not even in my league. I tell you what though.

355
00:25:54,736 --> 00:25:56,271
I'm a very generous man.

356
00:25:56,624 --> 00:25:59,824
Tell you what I'm gonna do, I'm gonna help you be a better cop. You know how?

357
00:26:00,112 --> 00:26:01,776
You know what you do first thing every morning?

358
00:26:01,839 --> 00:26:03,056
Read the sports page.

359
00:26:03,248 --> 00:26:03,887
You know why?

360
00:26:04,048 --> 00:26:05,488
Best part of the newspaper.

361
00:26:05,807 --> 00:26:11,887
Winners, losers, how it happened, score, Now we got a much better game than the one they give the players.

362
00:26:11,983 --> 00:26:14,031
They don't retire us after ten years.

363
00:26:14,064 --> 00:26:15,248
Just one thing.

364
00:26:15,375 --> 00:26:17,776
You gotta be a player. A real player.

365
00:26:17,807 --> 00:26:19,407
Not just filling out of position.

366
00:26:19,440 --> 00:26:21,039
I guess you figure you're a winner.

367
00:26:21,296 --> 00:26:24,688
That's it. You're a loser. But I think you'd like to be a winner.

368
00:26:24,784 --> 00:26:26,384
And you're gonna show me the way, huh?

369
00:26:26,672 --> 00:26:30,799
Unless of course you turn into a complete asshole first. Let's move.

370
00:26:31,183 --> 00:26:32,208
I just wanna talk.

371
00:26:32,271 --> 00:26:35,279
We need you. You're valuable. I already gave you guys an answer.

372
00:26:35,471 --> 00:26:37,584
We don't like that answer. Be friendly.

373
00:26:37,647 --> 00:26:39,567
Things our way. Go ahead and pull the trigger.

374
00:26:39,567 --> 00:26:40,057
Let's check.

375
00:26:42,415 --> 00:26:43,311
Anything else?

376
00:26:43,344 --> 00:26:44,784
Come back, I'll kill ya.

377
00:26:45,807 --> 00:26:47,728
Just trying to do my job. So am I go home.

378
00:26:47,728 --> 00:26:48,377
Go home.

379
00:26:48,528 --> 00:26:49,968
Just wanted to talk.

380
00:26:49,968 --> 00:26:50,448
Thank you.

381
00:26:50,448 --> 00:26:51,488
Let's talk.

382
00:26:52,208 --> 00:26:54,607
Go ahead. I had a very big problem with your boy.

383
00:26:54,799 --> 00:26:56,688
I mean he's not too thrilled in working with us.

384
00:26:57,296 --> 00:26:58,511
I can understand that.

385
00:26:58,768 --> 00:27:01,008
Jag har inte något att göra det, jag har gjort det som jag kan.

386
00:27:01,455 --> 00:27:02,415
You know what to do.

387
00:27:02,576 --> 00:27:03,536
You just did it.

388
00:27:03,920 --> 00:27:05,359
You came in here.

389
00:27:06,319 --> 00:27:07,983
And ask me to save your ass.

390
00:27:09,231 --> 00:27:10,461
Es lo que voy a hacer.

391
00:27:11,663 --> 00:27:12,912
Save your ass.

392
00:27:13,423 --> 00:27:15,215
Guess I can't leave you alone, can I?

393
00:27:15,279 --> 00:27:19,680
Guess I'm just a real friendly guy. Friend of yours told me where I could find you in the middle of the day.

394
00:27:19,695 --> 00:27:34,586
I don't have any friends. That's right. No friends. No steady job. No girlfriend. You live real cheap, don't ask any questions. Boy, you got it down real tight. So tight there's no room for anything else. That's a real sad song. Only trouble is uh sad song.

395
00:27:34,607 --> 00:27:37,200
Maybe I'm your friend.

396
00:27:37,296 --> 00:27:41,488
present the broad boy founded on the floorboard of some Ford a cowboy boosted.

397
00:27:41,968 --> 00:27:44,304
Go ahead, take it. Save you the trouble of making another one.

398
00:27:45,776 --> 00:27:47,248
I really like Jason.

399
00:27:47,663 --> 00:27:49,104
Sounds like you got a problem.

400
00:27:49,104 --> 00:27:50,064
Uh-huh.

401
00:27:50,640 --> 00:27:57,839
I'm much better at this game than you are. You play against me, pal, you're gonna lose. You win, you make some money. I win. You're gonna do fifteen years.

402
00:27:57,839 --> 00:27:58,359
Years.

403
00:27:58,384 --> 00:27:59,344
How about it, Carver?

404
00:27:59,920 --> 00:28:02,079
[Music]

405
00:28:02,160 --> 00:28:03,119
My price is double.

406
00:28:04,208 --> 00:28:10,096
Who do you think you're dealing with? That's 30% of the take. That's right. Special price because I'm working with second raters.

407
00:28:10,511 --> 00:28:11,471
I'll make a deal.

408
00:28:11,567 --> 00:28:12,751
I want to hear him say it.

409
00:28:13,071 --> 00:28:13,551
Yeah.

410
00:28:13,776 --> 00:28:17,200
One more thing, you're not coming. You don't give many choices, do you, pal?

411
00:28:18,384 --> 00:28:26,352
Two-man job inside. You'll get you cut later. I don't like that's the whole idea. Boy, it's tough to like that man, I tell you. We got him, he's doing the job.

412
00:28:26,511 --> 00:28:29,423
Look, I gotta tell you something. It's very important for you to get this.

413
00:28:29,711 --> 00:28:31,152
Hold up your end of this deal.

414
00:28:31,440 --> 00:28:34,256
Cause if I should see any cops at all in front of that bank, any at all.

415
00:28:34,511 --> 00:28:35,791
It's gonna be a lot of shooting going on.

416
00:28:37,807 --> 00:28:39,471
Listen to me, I don't want any shooting.

417
00:28:40,688 --> 00:28:42,544
Got it? Yeah, I got it.

418
00:28:42,640 --> 00:28:44,463
I just need one thing out of you.

419
00:28:44,720 --> 00:28:46,160
And that's a drop point.

420
00:28:46,352 --> 00:28:47,087
Understand?

421
00:28:47,375 --> 00:28:48,559
Understand?

422
00:28:48,943 --> 00:28:50,448
That way I get my man.

423
00:28:50,832 --> 00:28:51,791
I got the money.

424
00:28:52,208 --> 00:28:54,384
The money gets back to the people it belongs to.

425
00:28:54,768 --> 00:28:59,759
Straighten up your little corduroy jacket. Now piss off. I'm sick of looking at ya.

426
00:28:59,855 --> 00:29:02,415
You really do like the lead, don't you? It's part of the job, pal.

427
00:29:02,415 --> 00:29:03,096
Um

428
00:29:03,183 --> 00:29:05,584
Yeah, it doesn't make things too easy, let me tell you.

429
00:29:05,743 --> 00:29:06,544
Mm-hmm.

430
00:29:06,640 --> 00:29:08,559
A man's afraid of heights.

431
00:29:13,359 --> 00:29:22,170
The end of the clip starts a robbery sequence of the bank that is part of this plan, and the main baddie s shoots the kid in the stomach.

432
00:29:22,223 --> 00:29:36,144
After declaring that he fucked up, he dives into the driver's getaway vehicle and they speed off. It cuts from that to the pig standing around in an abandoned building, and that means more dialogue, thankfully, and our sixth clip.

433
00:29:36,144 --> 00:29:37,114
Oh thank god.

434
00:29:37,135 --> 00:29:40,976
Well you are

435
00:29:40,976 --> 00:29:41,496
Awesome.

436
00:29:42,448 --> 00:29:45,167
And he will. You don't have any doubts, huh?

437
00:29:45,807 --> 00:29:47,248
About our desperado?

438
00:29:47,632 --> 00:29:48,112
About your bad

439
00:29:48,112 --> 00:29:49,071
Yeah.

440
00:29:53,135 --> 00:29:56,016
Boy, you are really an asshole, you know that?

441
00:30:00,127 --> 00:30:31,807
[Silence]

442
00:30:33,488 --> 00:30:35,119
Can't get over the mistake you made.

443
00:30:35,183 --> 00:30:36,336
You've been set up, you know.

444
00:30:36,720 --> 00:30:38,127
That's right.

445
00:30:38,256 --> 00:30:43,855
He's waiting for you right now at the wrong place. Me and my friend don't want to show up. You two hot shots have both been set up, haven't you?

446
00:30:43,951 --> 00:30:50,192
You know what always amazed me about you? A guy with your attitude. Never carries a gun? That's stupid. Very stupid.

447
00:30:51,183 --> 00:30:58,653
At the end of the clip, the driver puts the baddie down and hops in the truck after checking that the money is there.

448
00:30:58,672 --> 00:31:06,832
And then speeds off and that takes us well past the end of the middle act. So we are now two-thirds of the way through this film.

449
00:31:06,832 --> 00:31:18,864
And it's a good point where you see the guy was basically planning on triple crossing and double crossing. He was gonna triple cross the police, he was gonna double cross everybody, kill everyone and make some retirement money from this bank job. It was a

450
00:31:18,864 --> 00:31:23,663
It was a it's gonna be a double cross on a double cross that's already being triple crossed.

451
00:31:23,663 --> 00:31:28,413
And it would have worked if you would have not fucking done a villain fucking monologue.

452
00:31:29,392 --> 00:31:30,832
monologuing so fucking much.

453
00:31:30,832 --> 00:31:31,791
Yeah.

454
00:31:32,016 --> 00:31:37,776
Keep your fucking mouth shut, wait till the guy's not looking, and then fucking draw on him. You don't fucking talk.

455
00:31:37,776 --> 00:31:38,256
Exactly.

456
00:31:38,256 --> 00:31:49,807
If you're gonna double cross somebody, get it fucking done. Make sure they're dead first. And then as they're laying there dying without any way of being able to kill you, then you monologue as they die. That's the badass move, you fucking idiot.

457
00:31:49,807 --> 00:31:54,127
That's that's that's the smart thing. I mean fucking dipshits.

458
00:31:54,127 --> 00:32:04,655
Or just do what the driver did. He literally waited to be able to fucking spring it on the guy, didn't say a fucking word the entire goddamn time, and drove off winning the day at this point. Yeah.

459
00:32:04,655 --> 00:32:05,615
Yeah.

460
00:32:06,096 --> 00:32:07,536
Yeah.

461
00:32:07,536 --> 00:32:11,375
Th the really things could have been a lot different. It didn't have to be this way.

462
00:32:11,375 --> 00:32:17,584
Yeah. Okay. I'm I'm I'm done bitching about how stupid this guy is. I'm ready to let's finish the film. Let's just knock it.

463
00:32:17,584 --> 00:32:27,920
Uh that's just let's let's let's drive, all right. We have wives waiting for us people. Yeah, that's right. Women married us and sometimes They like to spend time with us.

464
00:32:27,951 --> 00:32:29,872
Not a lot, but sometimes.

465
00:32:29,872 --> 00:32:33,711
Well that's in Matt's case. In my case, my wife loves spending time with me all the time.

466
00:32:33,711 --> 00:32:34,672
Oh fuck off.

467
00:32:34,672 --> 00:32:35,632
awesome.

468
00:32:35,951 --> 00:32:38,832
What? I'm special and wonderful and everybody.

469
00:32:38,832 --> 00:32:41,231
Yeah, you're a special boy.

470
00:32:41,231 --> 00:32:41,711
All right.

471
00:32:41,711 --> 00:32:50,842
All right, so the run to the end of the film starts with the driver loaded with the entrapment robbery cache in the getaway truck, the baddie intent.

472
00:32:50,864 --> 00:33:04,784
intended to use to snag the whole score for himself, as we've already gone over, and then to go on the lambda hide. That two hundred thousand dollars in that year would have been retirement fucking money for a criminal like that. Yeah. Could have set up a good life and just stopped robbing for quite a while. Pretty

473
00:33:04,784 --> 00:33:05,693
Pretty much.

474
00:33:05,711 --> 00:33:06,192
Yeah.

475
00:33:06,192 --> 00:33:18,672
So he was gonna do it. Yeah, he was gonna go run, go on the lamb, hide from the cops and try and build a new life with that two hundred thousand dollars, which means the driver is now positioned to do just that as what he's been trying to do. So

476
00:33:18,832 --> 00:33:22,142
He's the only one of the three men left alive, so he might as well do it.

477
00:33:22,160 --> 00:33:24,016
Might as well get in some of that.

478
00:33:24,048 --> 00:33:33,935
They cut from this to the cops clueless and waiting, and then cut from that to the partner that is still alive that the driver beat the living fuck out of earlier.

479
00:33:33,968 --> 00:33:37,167
Riding a motorcycle to the car swap place.

480
00:33:37,392 --> 00:33:43,582
to find his baddie partner is dead, so he scoots his boots off away from that crime scene.

481
00:33:43,599 --> 00:33:46,000
Yeah, probably for the best. You don't really want to be around there.

482
00:33:46,000 --> 00:33:58,490
They cut from that to a railroad station where the driver drops the money into a paid locker and takes the key and then gets an additional locker key. For some reason, I'm guessing it's to be able to swap out this cash.

483
00:33:58,511 --> 00:34:06,192
We'll know later on. He heads over to a phone booth and makes a call, which we can't hear. Sneaky bastards. I thought we were gonna get a clip there.

484
00:34:06,192 --> 00:34:09,072
I know, right? What what's what's up with that shit?

485
00:34:09,072 --> 00:34:18,159
I'm real surly about that, so then when he heads to a cheap flop house hotel, we actually get a little bit of dialogue and no matter how short it was, that is now our seventh clip.

486
00:34:18,159 --> 00:34:19,000
I want a room.

487
00:34:19,824 --> 00:34:21,456
One night, maybe two.

488
00:34:22,000 --> 00:34:23,184
Five bucks a night.

489
00:34:24,815 --> 00:34:27,695
I'm expecting someone if she shows. Send her right on.

490
00:34:30,384 --> 00:34:31,824
Hey, you want a TV? It's a dollar extra.

491
00:34:31,824 --> 00:34:33,264
I think that's a fair price for a TV.

492
00:34:33,264 --> 00:34:36,623
T V. A dollar extra for a T V? Yeah. No.

493
00:34:36,784 --> 00:34:49,264
After that, he sets up his room including some beer and then sets up a tape player of some sort. This seems like filler, but then they give me dialogue in a cut to the pigs in our eighth clip.

494
00:34:49,264 --> 00:34:52,400
Get on over and keep your eye on our little lady.

495
00:34:52,431 --> 00:34:53,039
Right.

496
00:34:53,519 --> 00:34:56,880
Forget it. I'll put an APB out on all of them. No, you won't.

497
00:34:57,103 --> 00:34:59,023
What the hell are you talking about?

498
00:34:59,632 --> 00:35:02,032
It's tough doing business with low life.

499
00:35:02,288 --> 00:35:03,632
They're unreliable.

500
00:35:03,952 --> 00:35:05,583
We got a few moves left.

501
00:35:06,000 --> 00:35:10,320
Just uh makes the game a little more interesting, that's all. Yeah, well I've been watching your moves.

502
00:35:10,320 --> 00:35:11,039
Moves.

503
00:35:11,503 --> 00:35:13,487
I gotta tell ya, I'm not all that impressed.

504
00:35:15,536 --> 00:35:16,496
Thank you.

505
00:35:16,496 --> 00:35:17,376
No shit.

506
00:35:18,735 --> 00:35:20,943
We got a mutiny with this man here.

507
00:35:22,096 --> 00:35:22,927
Thank you.

508
00:35:23,088 --> 00:35:24,815
You're still on my team.

509
00:35:25,583 --> 00:35:27,023
And I am your manager.

510
00:35:27,920 --> 00:35:30,480
You do exactly what I tell you to do.

511
00:35:32,623 --> 00:35:33,583
Search us up.

512
00:35:34,704 --> 00:35:35,664
Now you talk.

513
00:35:35,664 --> 00:35:36,344
Terima kasih.

514
00:35:37,807 --> 00:35:38,960
What about the other two?

515
00:35:40,880 --> 00:35:42,576
You better stay out of sight for a while.

516
00:35:43,184 --> 00:35:47,023
There's a cop trying to put this one on me. The money's hot. I want to trade it in. Exchange.

517
00:35:47,023 --> 00:35:48,943
Exchange rate's four to one at best. I'll take.

518
00:35:48,943 --> 00:35:49,784
I'll take it.

519
00:35:49,936 --> 00:35:53,679
The train station, nine o'clock. That's Sandwich Counter by the lockers.

520
00:35:53,840 --> 00:35:54,800
I don't like it.

521
00:35:54,800 --> 00:35:55,760
I didn't think it would.

522
00:35:55,760 --> 00:36:00,079
I'll set it up. But they won't do it if you're there. Tonight you'll be hotter than the cache.

523
00:36:00,079 --> 00:36:01,039
I'll get somebody.

524
00:36:01,039 --> 00:36:04,349
Keep your eye out for those other two. They'll know I have their money.

525
00:36:04,367 --> 00:36:07,248
I told ya, I'm not gonna get killed for ya.

526
00:36:07,920 --> 00:36:08,880
Room three oh oh four.

527
00:36:08,880 --> 00:36:09,920
Mm-hmm.

528
00:36:10,255 --> 00:36:12,271
I don't know where he is, I haven't seen him.

529
00:36:12,688 --> 00:36:13,967
Just tell me what you want.

530
00:36:15,568 --> 00:36:16,847
I just set things up.

531
00:36:17,648 --> 00:36:19,664
It's his business what happens after that.

532
00:36:20,559 --> 00:36:22,896
If it was jewelry or bonds, he might come to me.

533
00:36:22,927 --> 00:36:24,367
But with cash he doesn't need me.

534
00:36:25,423 --> 00:36:27,280
I won't see him till the next one.

535
00:36:28,047 --> 00:36:33,807
The Durant. The money's in a locker at the train station. Nine o'clock is trading for smaller bills. That's all.

536
00:36:33,807 --> 00:36:34,288
That's all.

537
00:36:34,288 --> 00:36:36,208
Why told him I wouldn't get killed for it?

538
00:36:36,208 --> 00:36:36,688
Oh yeah?

539
00:36:36,688 --> 00:36:37,628
Sure.

540
00:36:38,288 --> 00:36:46,447
They cut from this revenge killing to the card player lady from possession showing up at the driver's flop house room in our ninth clip.

541
00:36:46,447 --> 00:36:50,777
Hmm. Now this is podcasting.

542
00:36:50,831 --> 00:36:51,791
You don't have to play.

543
00:36:51,791 --> 00:36:52,271
Everything goes all right.

544
00:36:52,271 --> 00:37:00,400
[Silence]

545
00:37:00,400 --> 00:37:01,615
I see it through.

546
00:37:01,615 --> 00:37:05,423
[Music]

547
00:37:05,423 --> 00:37:06,735
I think you're crazy.

548
00:37:06,735 --> 00:37:09,072
[Music]

549
00:37:09,072 --> 00:37:11,983
Put the key in a safe deposit box for six months.

550
00:37:12,623 --> 00:37:14,063
Then go get the money.

551
00:37:16,016 --> 00:37:17,007
I'm on a streak.

552
00:37:17,199 --> 00:37:19,280
I'm gonna play it out. I'm gonna get it tonight.

553
00:37:20,559 --> 00:37:22,192
I know all about streaks.

554
00:37:23,056 --> 00:37:25,615
Every player says this time is different.

555
00:37:25,615 --> 00:37:28,864
[Music]

556
00:37:28,911 --> 00:37:30,159
Maybe we are alike.

557
00:37:31,536 --> 00:37:34,927
No. When I lose I just go broke.

558
00:37:36,047 --> 00:37:37,168
You go to jail.

559
00:37:39,664 --> 00:37:41,744
[Music]

560
00:37:41,744 --> 00:37:44,431
If it wasn't for that cop, I tell you to go ahead.

561
00:37:46,288 --> 00:37:48,431
He's the reason I've got the rush on him.

562
00:37:48,431 --> 00:37:51,568
[Music]

563
00:37:51,568 --> 00:37:53,072
You don't care about the money.

564
00:37:54,384 --> 00:37:55,664
Might even send it to him.

565
00:37:56,463 --> 00:37:57,744
Sucker's game.

566
00:37:57,744 --> 00:38:04,784
[Music]

567
00:38:04,784 --> 00:38:07,248
You think Maybe.

568
00:38:08,784 --> 00:38:09,744
You could wait.

569
00:38:09,775 --> 00:38:10,576
For a while.

570
00:38:10,927 --> 00:38:22,447
It cuts from this to the card player at the train station getting the cash and being followed by the pigs. Her actions are narrated over the phone by one of the pigs, so that automatically has to be our tenth class.

571
00:38:22,447 --> 00:38:23,768
Tenth click. Coffee.

572
00:38:25,615 --> 00:38:27,760
[Silence]

573
00:38:27,760 --> 00:38:28,239
Right back from my chain.

574
00:38:28,239 --> 00:38:29,150
Yeah.

575
00:38:29,168 --> 00:38:33,744
[Silence]

576
00:38:33,871 --> 00:38:35,791
Well, he's about 27, 28 years old. He's a punk.

577
00:38:35,791 --> 00:38:36,541
Yeah.

578
00:38:40,175 --> 00:38:41,840
Looks like they just switched keys.

579
00:38:42,543 --> 00:38:43,983
Yeah, he's going back to the lockers, right?

580
00:38:45,807 --> 00:38:47,632
He's wearing one of those cowboy suits.

581
00:38:47,920 --> 00:38:49,744
Got a beard, a real sleezo.

582
00:38:50,447 --> 00:38:51,695
He's exchanging the bag.

583
00:38:52,719 --> 00:38:54,159
Black at test shake is.

584
00:38:54,800 --> 00:38:56,400
Yeah. Dirty money for cleaning.

585
00:38:57,327 --> 00:38:59,152
Yeah, he's moving headed for the platform.

586
00:38:59,376 --> 00:39:00,655
He's coming your way.

587
00:39:01,967 --> 00:39:03,407
Right, I'll stick with him.

588
00:39:04,880 --> 00:39:21,711
That guy hops a train and so does Bruce Stern's character, while the pig on the phone loses the guy that was grabbing that case. The train search starts and Bruce demands to see in people's bags without any right or proper cause. Violation Yeah.

589
00:39:21,711 --> 00:39:23,902
Yeah, well, I mean that's what they do.

590
00:39:24,559 --> 00:39:35,119
This sparks the kid with the cash to dump the stash and grab a different bag and act really suspicious all the while doing it. But somehow Bruce Stern's character does not see him at all.

591
00:39:35,119 --> 00:39:38,000
No, no, I mean why would he? Come on. What are you doing?

592
00:39:38,000 --> 00:39:46,192
Bruce Dern violates multiple rights f of the civilians around him. Well, that's going to be our 11th clip.

593
00:39:46,192 --> 00:39:47,152
Thank you.

594
00:39:47,152 --> 00:39:48,112
Продолжение следует...

595
00:39:48,688 --> 00:39:49,648
Police, we're checking all the luggage.

596
00:39:49,648 --> 00:39:50,128
Yeah.

597
00:39:50,128 --> 00:39:51,418
Just a minute.

598
00:39:51,824 --> 00:39:52,784
Not just a minute. Now.

599
00:39:52,784 --> 00:39:53,563
Yeah.

600
00:39:53,583 --> 00:39:57,615
[Silence]

601
00:39:59,311 --> 00:39:59,791
What the hell are you trying to-

602
00:39:59,791 --> 00:40:00,541
Trying to

603
00:40:02,351 --> 00:40:03,215
Sous-titrage ST' 501

604
00:40:03,248 --> 00:40:04,208
That's not mine!

605
00:40:05,007 --> 00:40:07,728
[Silence]

606
00:40:07,728 --> 00:40:09,648
Is that your cool? Is it yours?

607
00:40:09,648 --> 00:40:13,117
Did you have one? Yeah, where's a bag? It's up here. Where?

608
00:40:13,840 --> 00:40:14,672
Where?

609
00:40:15,407 --> 00:40:16,175
It's gone.

610
00:40:16,304 --> 00:40:17,360
Was it light brown?

611
00:40:17,456 --> 00:40:18,543
Yeah, that's right, man.

612
00:40:18,543 --> 00:40:26,735
[Silence]

613
00:40:27,856 --> 00:40:28,815
You okay, lady?

614
00:40:30,960 --> 00:40:32,271
A man took my purse.

615
00:40:32,976 --> 00:40:33,840
He's got the key.

616
00:40:34,608 --> 00:40:36,623
He ran to the other side of the station.

617
00:40:36,623 --> 00:40:39,184
[Silence]

618
00:40:39,184 --> 00:40:39,824
There.

619
00:40:42,800 --> 00:40:43,760
Alright, we got trouble. Go!

620
00:40:43,760 --> 00:40:44,719
Go!

621
00:40:46,063 --> 00:40:47,023
Go, go!

622
00:40:47,952 --> 00:41:02,927
The end of the clip kicks off a driver face off as our driver uses that kick-ass old pickup to hound a muscle car that has the remaining baddie in it and a bad Tiger Stripe paint job.

623
00:41:03,088 --> 00:41:03,791
Terrible.

624
00:41:05,007 --> 00:41:19,898
This chase sequence is super intense and has some truly breathtaking shots of car POV in slides and avoiding collisions. The stunt drivers involved in this sequence do some truly masterful stunts and turns. This is just some

625
00:41:19,920 --> 00:41:24,719
Seriously amazing stuff. You gotta watch this. I don't even want to fucking try and describe it. It's incredible. No, you

626
00:41:24,719 --> 00:41:29,039
No, you've gotta just watch it please. It's just the best.

627
00:41:29,039 --> 00:41:34,750
And I'm not gonna describe all of it, but I'll describe some certain parts here coming up here. So the chase runs through

628
00:41:34,768 --> 00:41:49,597
Through everything, including a train depot, warehouse, and parking structures. There is a constant set of spin-outs and immediate recoveries as the truck can't really get an advantage on the muscle car because it has a little bit more acceleration, but the driver's

629
00:41:49,615 --> 00:42:03,536
skill constantly gets to where he's spinning that car out or finding a way to get to where he can fuck up that driver because he's a better driver than him, but the vehicle can't keep up. And that is what makes it really cool is that sort of cat and mouse game they have to play. Yeah.

630
00:42:03,536 --> 00:42:13,039
Yeah. Yeah, the m it's the it's the uh uh uh uh let's catch'em, let's get'em. Uh uh any anything like this is always you need a good cat and mouse sequence.

631
00:42:13,072 --> 00:42:15,472
And it has to bump up the suspense.

632
00:42:15,472 --> 00:42:27,961
Yeah, but they're doing this through the aisles of a giant warehouse with like piles and piles of stuff and like shelves piled up, like the multiple stacks of things where pallets are put on shelves and then multiple shelves really high up.

633
00:42:27,983 --> 00:42:37,103
To where if they hit any of this stuff, it's gonna be really damaging to the cars, the people inside of it and everything else around it because it's gonna become one huge mess. Like it

634
00:42:37,103 --> 00:42:37,583
Yeah. Exactly.

635
00:42:37,583 --> 00:42:44,751
Exactly. Super dangerous shit what they're doing here. And it's all actually there because they couldn't fake that shit that easy back then.

636
00:42:44,751 --> 00:42:46,871
No, no, this is...

637
00:42:46,960 --> 00:42:52,239
This is definitely something that uh you actually just had to do'cause yeah, they there's no CGI for this.

638
00:42:52,239 --> 00:43:01,849
Well, the warehouse chase actually slows down and then devolves into more of a cat and mouse hunting like we were talking about. But at this point they're actually moving slow and trying to be quiet.

639
00:43:01,871 --> 00:43:14,831
Quiet to see if they can hear the other person to know how to get away. And this whole sequence of that like style of hunting is scored with this odd freeform jazz trumpeting that is over a resonating like.

640
00:43:14,831 --> 00:43:24,431
Sort of synth score that sounds like the score from the Warriors. And this does not quite work with me the way that they did that. It does not work for me very much.

641
00:43:24,431 --> 00:43:25,391
Yeah.

642
00:43:25,391 --> 00:43:25,871
Warriors.

643
00:43:25,871 --> 00:43:27,824
Warriors come out and play.

644
00:43:27,824 --> 00:43:28,304
Bye.

645
00:43:28,304 --> 00:43:42,173
The sequence ends with the baddies wanting to leave finally, and the driver is by the only exit ready to play some serious chicken once again. The muscle car guy swerves and flips the

646
00:43:42,192 --> 00:43:52,382
car and while injured both baddies can crawl free from the car. The driver gets the drop on the leftover baddie and tells him to give up.

647
00:43:52,400 --> 00:44:07,289
That guy does not. So as soon as he even raises his gun, the driver just blasts someone dead. The other driver that was in the competition here basically says he was only the driver for this guy. He wants nothing else to do with this shit. He hands over the

648
00:44:07,311 --> 00:44:19,791
purse and is sent packing by our driver. The card player and the driver share a glance and the movie cuts from that to them getting off of a bus in our final clip.

649
00:44:19,791 --> 00:44:21,311
You okay?

650
00:44:22,288 --> 00:44:25,199
Yeah. I'll see you in a couple of minutes.

651
00:44:25,199 --> 00:44:27,503
[Silence]

652
00:44:29,487 --> 00:44:30,255
What happened?

653
00:44:31,152 --> 00:44:32,751
Looks like we both got swindled.

654
00:44:34,096 --> 00:44:36,016
Looks like we both got ripped off.

655
00:44:36,688 --> 00:44:38,000
By the exchange man.

656
00:44:39,152 --> 00:44:40,880
Lot of crooks around these days.

657
00:44:43,791 --> 00:44:44,751
Sure you don't want to keep this?

658
00:44:44,751 --> 00:44:46,192
Driver, are you sure you don't want to keep this?

659
00:44:46,192 --> 00:44:58,192
At the end of the clip, Bruce Dern walks out with the bag no one else wants and drops it square in the middle of that entrance area on his way out of the door, and they roll those fucking credits.

660
00:44:58,192 --> 00:45:00,527
[Silence]

661
00:45:02,416 --> 00:45:15,865
Oh man, Driver was not anything near what I was thinking it was going to be. There was significantly more crime spree planning and uh discussion and then also a lot of

662
00:45:15,887 --> 00:45:28,239
lot more like intrigue with the cops trying to entrap the guy and violating civil rights and all of that. It was more of like a just straight up crime thriller that just so happened to have some major kick ass driving in it, you know? Yeah.

663
00:45:28,271 --> 00:45:29,711
Exactly. And it was awesome.

664
00:45:29,711 --> 00:45:34,992
Awesome. Yeah, I'm here for driving. Yeah, I'm here for this fucking movie all day, dude. The driver was really well done.

665
00:45:34,992 --> 00:45:37,391
And you know what? Really? Some even good suspense. Yeah.

666
00:45:37,391 --> 00:45:43,161
Yeah. Yeah. I totally agree. There's plenty of moments where you're like, is he going to be able to pull this off? How's this going to

667
00:45:43,184 --> 00:45:58,014
work. All right. So I started reading the Parker novels, which were the uh kind of influence on Mel Gibson's payback and a couple of other types of films throughout the years, but like the payback that Mel Gibson is the one that kind of brought me into the world of Parker.

668
00:45:58,608 --> 00:46:13,498
Yeah. This this movie The Driver reminds me very much about those gritty crime novels. So when I say noir, I fucking mean it like this has serious grit crime thriller cred all the way through it. And on top of that, it has some really

669
00:46:13,519 --> 00:46:22,639
kick ass fucking driving and stunts that are just simply breathtaking to the point where we don't even have the balls to try and describe them to you from memory. Yeah.

670
00:46:22,639 --> 00:46:26,480
Yeah. No, yeah, no. Fucking I wouldn't even try that shit. What are you t kidding me?

671
00:46:26,480 --> 00:46:28,349
Yeah.

672
00:46:28,367 --> 00:46:43,197
Is worth it for those sequences alone. And on top of that, you've got a really kick-ass fucking crime thriller and like a lot of intrigue and suspense on top of that. It's pretty well done all around. And it doesn't ever really stop.

673
00:46:43,215 --> 00:46:47,536
to the point where you're like it never really gets boring on either of front, right? Like No.

674
00:46:47,536 --> 00:46:48,016
No, yeah.

675
00:46:48,016 --> 00:46:58,045
Yeah. When they start getting into the crime thriller stuff and it's all dialogue and all of that st and you're you're stuck with the intrigue and you're wondering how is this gonna play out? Is he gonna realize what's gonna happen? Is the

676
00:46:58,063 --> 00:47:12,893
Driver we're following gonna be safe because we're supposed to root for him or what have you. Like while you're getting into that, right about the point when you're like, Man, I really wish they would do some more driving. What's going on with this? They already give it to you. Like it's balanced really well. The the tone balance.

677
00:47:12,911 --> 00:47:15,311
Yeah it does.

678
00:47:15,311 --> 00:47:21,295
Yeah, it does. It uh it has uh it has a great um Great momentum that it doesn't interrupt.

679
00:47:21,295 --> 00:47:33,775
Yeah, that's a great way to put it. I agree with you there. It's got great momentum for things. It just keeps building and it ratchets up the tension and then the driving gets more intense and more dangerous and more insane the more trouble he's in.

680
00:47:33,775 --> 00:47:34,266
He's in.

681
00:47:34,288 --> 00:47:34,768
Yeah.

682
00:47:34,768 --> 00:47:37,648
Yeah. Yeah, and he's and he's always in trouble.

683
00:47:37,648 --> 00:47:43,407
And his face never fucking even looks like he's even concerned or worried when he's behind the wheel.

684
00:47:43,407 --> 00:47:50,096
the wheel. Yep, no, not even a little bit, because he has no soul behind those ho horrid, horrid eyes.

685
00:47:51,503 --> 00:47:53,903
Something real bad happened to the driver.

686
00:47:53,903 --> 00:47:58,224
Yeah, yeah, yeah. Something real bad happened to Ryan O'Neal.

687
00:47:58,224 --> 00:47:59,164
Ha ha ha!

688
00:47:59,791 --> 00:48:00,239
Ha ha.

689
00:48:00,367 --> 00:48:05,840
Oh, I should have never gave you license to pick on that poor man'cause now it's just never gonna end.

690
00:48:06,704 --> 00:48:08,623
Fuck it. Well he's fine.

691
00:48:08,623 --> 00:48:11,614
Yeah, I'm sure. I'm sure he's just fine.

692
00:48:11,664 --> 00:48:14,063
He gives no fucks about what we have to say at all.

693
00:48:14,063 --> 00:48:21,264
No, no, no. D this guy he's like you supposed to think w what, a bunch of fucking nerds have a problem with me? Like I give a shit.

694
00:48:21,871 --> 00:48:25,231
A fucking Ryan O'Neill. I don't even have a soul to care.

695
00:48:25,231 --> 00:48:27,152
Oh Jesus Christ.

696
00:48:28,112 --> 00:48:28,592
All right.

697
00:48:28,592 --> 00:48:40,592
All right, I'm gonna cut that off right now. We're gonna take the break here. We're gonna play the show fucking housekeeping. And when we come back, we will have much better things to say about Ryan O'Neal. And we will have music

698
00:48:40,784 --> 00:48:47,983
That's going to make love to you. It's gonna marry you. The music is gonna be so good, you're gonna be married to it. That's it.

699
00:48:47,983 --> 00:48:50,384
That is a PSYOP guarantee.

700
00:48:50,384 --> 00:48:53,264
This is the last time you could do this bit is this episode.

701
00:48:53,264 --> 00:48:54,224
I'm sorry.

702
00:48:54,224 --> 00:48:55,184
This is fucking awful.

703
00:48:55,184 --> 00:48:58,096
Well, it's the last time we're playing music in the episode, so

704
00:48:58,576 --> 00:49:06,365
If I have to do that just to get you to stop with this bit, I will. I will turn this podcast around, so help me and drive us right back home.

705
00:49:06,512 --> 00:49:08,431
We will go right back home.

706
00:49:08,431 --> 00:49:17,552
We're gonna take the break now, we're gonna play the show housekeeping, and then we're gonna have the fucking music that Matt won't stop fucking lying about and then hopefully when we get back

707
00:49:17,552 --> 00:49:18,032
We will.

708
00:49:18,032 --> 00:49:21,402
We will not be disparaging Ryan O'Diel.

709
00:49:21,423 --> 00:49:36,253
If you've decided you can't get enough of the show and would like to check out more of it, we're available at LegionPodcasts.com Just do a quick search for cinema psyops or just enter this entire URL into your browser. www.Legionpodcasts.com forward slash cinema dash psyops-pod.

710
00:49:36,271 --> 00:49:51,101
Podcast. Also available along with all of the fellow Legioneers on the Legion Discord chat. And now let's give you a rundown of the memes and how you're going to get them through Cinema Psyops. The easiest place to go is to subscribe to our Instagram feed.

711
00:49:51,119 --> 00:50:05,949
Which is our main meme repository at cinema underscore psyops, or you could also follow the Facebook page of Cinema Psyops because they are immediately posted there after they get posted to the Instagram repository, and you can also check

712
00:50:05,967 --> 00:50:20,367
out the Facebook group of cinema psyops and the memes are shared there. I am available on Facebook as Cort PsyOps because the memes are also shared there as well. Thanks for listening to the show. I still can't believe that you're subscribed to us or here every week just like us.

713
00:50:20,880 --> 00:51:44,639
[Music]

714
00:51:45,583 --> 00:51:52,784
That was all the stuff that I said that was gonna happen. Now let's hope that the thing that I was hoping will happen will happen and that we'll stop disparaging Ryan O'Neill.

715
00:51:52,784 --> 00:52:01,327
Oh my god, I'm not even disparusing him. I feel bad for him. It's gotta be rough being a fucking soulless husk of a human.

716
00:52:03,536 --> 00:52:05,103
You're gonna get a suit.

717
00:52:06,000 --> 00:52:06,480
How?

718
00:52:06,480 --> 00:52:06,960
How?

719
00:52:06,960 --> 00:52:08,880
[Silence]

720
00:52:08,880 --> 00:52:09,469
Ha ha.

721
00:52:09,840 --> 00:52:12,239
Yeah, what's the discovery gonna look like in that?

722
00:52:14,416 --> 00:52:19,215
What they said you had no soul. Can you prove you have a soul? I don't think you can. There you go.

723
00:52:19,215 --> 00:52:28,815
Oh Jesus Christ, this just keeps getting worse. Well while you're out there wondering whether or not we're gonna have action brought against us, kick the fuck out of this week and make it your bit.

724
00:52:29,007 --> 00:52:41,664
[Music]

725
00:52:42,288 --> 00:52:43,215
In the zone!

726
00:52:43,344 --> 00:52:44,463
Watch it five.

727
00:52:46,192 --> 00:52:46,960
اشتركوا في القناة

728
00:52:48,175 --> 00:52:48,655
Racing

729
00:52:48,655 --> 00:52:51,983
You left it Legend

730
00:52:51,983 --> 00:52:53,143
Sledge Rose!

731
00:52:53,744 --> 00:52:54,224
A few words.

732
00:52:54,224 --> 00:52:55,184
Words everybody know.

733
00:52:55,184 --> 00:52:57,563
I knows! You better step back!

734
00:52:57,679 --> 00:52:58,159
And clear the way

735
00:52:58,159 --> 00:52:59,099
Get away!

736
00:52:59,152 --> 00:53:00,112
He's burning the road!

737
00:53:00,592 --> 00:53:01,264
It's a wild

738
00:53:01,264 --> 00:53:11,679
[Music]

739
00:53:12,304 --> 00:53:12,784
Detective's on cute!

740
00:53:12,784 --> 00:53:13,744
Don't you obsess with

741
00:53:13,744 --> 00:53:14,224
With the three

742
00:53:14,224 --> 00:53:15,184
With the three or one

743
00:53:15,184 --> 00:53:16,864
Did it pursue

744
00:53:16,880 --> 00:53:25,376
[Music]

745
00:53:26,416 --> 00:53:27,023
Breaking!

746
00:53:30,159 --> 00:53:32,079
Go ahead and talk.

747
00:53:32,079 --> 00:53:36,400
Alright, looks like you're coming through on both of those. Let me start up

748
00:53:39,056 --> 00:53:40,496
Recording in progress.

749
00:53:40,496 --> 00:53:44,335
Awesome and can you hear this?

750
00:53:45,775 --> 00:53:46,735
Yes, sir. All right.

751
00:53:46,735 --> 00:53:48,766
All right. I think we're ready to rock then.

752
00:53:48,815 --> 00:53:49,903
And roll.

753
00:53:49,936 --> 00:53:51,376
Well we can just rock. That's fine. All right.

754
00:53:51,376 --> 00:53:52,335
All right.

755
00:53:52,815 --> 00:53:55,215
One just half acid all the goddamn time.

756
00:53:56,175 --> 00:53:58,096
[Silence]

757
00:53:58,096 --> 00:54:00,496
It's the implication. The role is implied.

758
00:54:01,072 --> 00:54:02,512
The implication.

759
00:54:04,431 --> 00:54:05,871
Jesus Christ.

760
00:54:05,871 --> 00:54:08,271
I can't keep making that joke'cause it's gross.

761
00:54:08,271 --> 00:54:11,391
It is, it's so gross. It's the implication.

762
00:54:11,664 --> 00:54:14,543
We're not gonna do anything, but it's an implication.

763
00:54:15,344 --> 00:54:16,112
Six.

764
00:54:17,135 --> 00:54:20,496
It's gross, but that's probably why it's so fucking funny.

765
00:54:20,847 --> 00:54:25,648
All right, let's get started episode uh five forty five.

766
00:54:25,648 --> 00:54:26,608
Five.

767
00:54:27,215 --> 00:54:32,271
He parks, waits, and just before a pig drives by uh

768
00:54:33,360 --> 00:54:33,840
Uh they cut for

769
00:54:33,840 --> 00:54:43,503
They cut from the driver speeding off to of the humil uh they cut from the driver, speeding off away from the humiliat They cut away from the driver speeding off.

770
00:54:43,664 --> 00:54:46,927
To the humiliated pigs and our second clip.

771
00:54:47,056 --> 00:54:49,936
Jesus, why do I fucking write notes like this for myself?

772
00:54:49,936 --> 00:54:50,896
Oh no man, but we got

773
00:54:50,896 --> 00:54:52,335
But we got there.

774
00:54:53,072 --> 00:54:54,032
Traffic accident on the cruel.

775
00:54:54,032 --> 00:54:55,952
Oh good shit.

776
00:54:56,592 --> 00:55:01,871
Oh sorry, I must try a little bit. It's like trying to hold in my laugh. I'm I don't wanna laugh and make it feel bad.

777
00:55:01,871 --> 00:55:02,751
It's a good thing.

778
00:55:02,960 --> 00:55:06,800
I wrote the fucking sentence like I'm goddamn Yoda.

779
00:55:07,760 --> 00:55:08,570
Hehehe

780
00:55:09,264 --> 00:55:11,952
Backwards talk must die all times.

781
00:55:12,079 --> 00:55:12,559
Yeah.

782
00:55:12,559 --> 00:55:14,000
There isn't gonna be any next time.

783
00:55:14,000 --> 00:55:15,440
Hmm?

784
00:55:15,440 --> 00:55:15,920
Mm-hmm.

785
00:55:15,920 --> 00:55:17,360
You were late.

786
00:55:17,360 --> 00:55:20,829
Uncertain am I doing quotes right?

787
00:55:23,248 --> 00:55:25,168
[Silence]

788
00:55:25,168 --> 00:55:26,128
Yeah, for sure.

789
00:55:26,128 --> 00:55:28,047
On the end.

790
00:55:28,047 --> 00:55:29,487
Oh shit, that was a really big hit.

791
00:55:29,487 --> 00:55:30,557
How about the rest of ya?

792
00:55:31,472 --> 00:55:34,351
Yeah, stay uh drive around.

793
00:55:34,831 --> 00:55:37,231
No, it's okay. I'll just adjust the text so it's even bigger.

794
00:55:37,231 --> 00:55:38,672
Yeah.

795
00:55:40,112 --> 00:55:44,496
You'll be alright. So hard. All these clips.

796
00:55:45,615 --> 00:55:50,416
It is when you're the one that has to play everything, mix everything around, get everything out, read everything down.

797
00:55:50,416 --> 00:55:50,896
Yeah.

798
00:55:50,896 --> 00:55:53,775
Yeah, no, I I understand.

799
00:55:54,255 --> 00:55:58,556
Even when you're doing your notes, I'm still playing your clips.

800
00:55:58,576 --> 00:56:00,976
That's true, you were a Good time for me.

801
00:56:00,976 --> 00:56:01,936
Very nice.

802
00:56:01,936 --> 00:56:02,416
He's just

803
00:56:02,416 --> 00:56:02,896
It's escape.

804
00:56:02,896 --> 00:56:04,815
No that supermarket's gonna cost you

805
00:56:04,815 --> 00:56:08,655
I'm uh I'm very happy with how things are going right now, man.

806
00:56:09,135 --> 00:56:23,568
Yeah, dude, I'm the more I realize all the like multitasking weird crazy shit that I'm capable of doing and like how I do hyperfixate on things Yeah, yeah.

807
00:56:23,568 --> 00:56:26,447
I do. Yeah, you get nicked by it.

808
00:56:26,447 --> 00:56:28,367
Yeah, I definitely feel like I have been.

809
00:56:28,367 --> 00:56:30,735
But yeah it might have some of the tism. Yeah.

810
00:56:30,735 --> 00:56:41,376
Yeah, but you do. I mean as somebody who's no need's had a touch of something wrong with him.

811
00:56:41,775 --> 00:56:43,376
Yeah.

812
00:56:43,440 --> 00:56:58,329
Sixth grade, fifth grade, sixth grade? Yeah, trust me, you got you you definitely got something. But almost everyone I know who I'm friends with like like close friends with, you all got a touch of it. Or I think that's the only reason why we all hang out. No one else really wants to deal with us. So

813
00:56:59,376 --> 00:57:00,815
That's possible.

814
00:57:00,815 --> 00:57:03,215
We all hang out because we all got a bit of it.

815
00:57:03,215 --> 00:57:03,706
Thank you.

816
00:57:04,047 --> 00:57:11,184
This is a four minute clip, so Some of my clips were like nine and ten minutes of screen time'cause then it's down to like

817
00:57:11,184 --> 00:57:12,143
Right.

818
00:57:12,143 --> 00:57:15,503
Minutes. Yeah. I just recorded all dialogue. Yeah.

819
00:57:15,791 --> 00:57:18,192
[Silence]

820
00:57:19,152 --> 00:57:20,112
Yeah, yeah.

821
00:57:20,112 --> 00:57:21,072
I don't like it.

822
00:57:21,519 --> 00:57:24,880
I know, but they're looking to move up. They got their eyes set on something special.

823
00:57:24,880 --> 00:57:26,800
Looking to move up!

824
00:57:28,719 --> 00:57:30,159
No, it's moving on up to the east.

825
00:57:30,159 --> 00:57:32,559
Move it on that true.

826
00:57:32,559 --> 00:57:33,519
Thank you.

827
00:57:33,519 --> 00:57:36,911
Listen, I was just trying to get any song I can out of that.

828
00:57:36,911 --> 00:57:42,672
That kind of uh auditory trigger thing is also when you're touched a little bit with the ADHD or something.

829
00:57:42,672 --> 00:57:43,632
Yeah.

830
00:57:43,632 --> 00:57:44,592
Definitely.

831
00:57:44,592 --> 00:57:45,072
I didn't know you that good.

832
00:57:45,072 --> 00:57:46,992
Good. And I I do that all the goddamn time. Right.

833
00:57:46,992 --> 00:57:47,952
Right. Same.

834
00:57:47,952 --> 00:57:49,871
Uh I know. I just experienced it.

835
00:57:49,871 --> 00:57:51,887
Same yeah, all the time.

836
00:57:52,143 --> 00:57:53,103
That was great.

837
00:57:53,264 --> 00:57:54,704
It's been too long.

838
00:57:56,143 --> 00:58:04,304
I hope I get a good fade in for that. That'd be great. So this is four minutes. The wife just got home, so I'm gonna have to I'm gonna start speeding up a little bit, but not bad.

839
00:58:05,744 --> 00:58:06,704
We'll get it taken care of.

840
00:58:06,704 --> 00:58:10,096
She's probably gonna want to take a nap.

841
00:58:10,096 --> 00:58:12,976
Listen, I need to have a cigar and a beer.

842
00:58:12,976 --> 00:58:14,416
and then another cigar and another beer

843
00:58:14,416 --> 00:58:15,376
I'm not the best part ever. Yeah.

844
00:58:15,376 --> 00:58:15,856
Ja.

845
00:58:15,856 --> 00:58:17,295
Then you gotta have a whiskey.

846
00:58:17,295 --> 00:58:23,005
Well that I usually just keep it to one one cigar. But yeah, I might whisk a whiskey in there with a couple of beers.

847
00:58:23,023 --> 00:58:25,903
Then a whiskey drink, and then a vodka drink.

848
00:58:25,903 --> 00:58:27,344
Yeah you want to talk about it. And then a cider drink.

849
00:58:27,344 --> 00:58:27,824
Yeah.

850
00:58:27,824 --> 00:58:29,264
You know how?

851
00:58:29,264 --> 00:58:31,664
I'll see the songs that remind me of the good times.

852
00:58:31,664 --> 00:58:40,751
What's funny is I was telling Bev about how we uh did that that joke for every time about Godzilla gets knocked down or it gets back up again.

853
00:58:40,751 --> 00:58:41,711
She was so good.

854
00:58:41,711 --> 00:58:45,072
She was so disappointed that that was what I kept using for the Godzilla series.

855
00:58:45,072 --> 00:58:45,552
I wanted to show you.

856
00:58:45,552 --> 00:58:49,871
She's like, Cort, he's like your favorite, and you use that? I'm like, Yeah, but we thought it was funny.

857
00:58:49,871 --> 00:58:54,639
Yeah I'm surprised we didn't do that for like all the Jason movies we watched got knocked out.

858
00:58:54,639 --> 00:58:57,039
We have actually not done a lot of Jason movies. We've only done a small.

859
00:58:57,039 --> 00:58:58,960
We have we did take some lives, right?

860
00:58:58,960 --> 00:59:00,880
[Silence]

861
00:59:00,880 --> 00:59:03,280
Oh, I thought we did Jason Lives once.

862
00:59:03,280 --> 00:59:06,940
No, I think we only did two. We might have done a commentary or something for somebody. Alright, we're back in.

863
00:59:07,056 --> 00:59:11,856
I called it when she got my text that I'm still recording with you.

864
00:59:11,856 --> 00:59:13,295
Yep, you I mean you had it.

865
00:59:13,295 --> 00:59:15,215
I can't say I blame her, it's fucking Sunday.

866
00:59:15,215 --> 00:59:19,536
Sunday.

867
00:59:19,536 --> 00:59:26,768
I quite literally waited until my neighbor next door who never mows as long because he works like eighty hours a fucking week.

868
00:59:27,088 --> 00:59:27,760
Yeah.

869
00:59:27,887 --> 00:59:31,248
Did his lawn and then once he mowed his lawn then I mowed my front lawn.

870
00:59:31,248 --> 00:59:32,688
Ha ha ha.

871
00:59:32,688 --> 00:59:42,543
Pretty much that's kinda I do that too and everyone around me is kinda mowed. But my lawn doesn't look as bad'cause I mowed more recently than they all had, so

872
00:59:42,639 --> 00:59:44,380
I sh I should still be alright. Yeah.

873
00:59:44,400 --> 00:59:59,289
Well that's kinda what happened with me is like I mowed before all of the rainstorms hit and like mowed really, really down. Yeah. So then while everybody else had to like scramble to mow, I had plenty of time. And it wasn't until my neighbor who really let it go for a really long time

874
00:59:59,311 --> 01:00:00,751
Again, because he works so fucking hard.

875
01:00:00,751 --> 01:00:01,231
The guy with your ass.

876
01:00:01,231 --> 01:00:01,711
Yeah.

877
01:00:01,711 --> 01:00:02,192
Yeah.

878
01:00:02,192 --> 01:00:02,672
Ever carries a gun.

879
01:00:02,672 --> 01:00:03,152
Yeah, yeah.

880
01:00:03,152 --> 01:00:05,552
Did his that I was like.

881
01:00:05,552 --> 01:00:09,391
Now you can tell'cause he got his shape real close.

882
01:00:10,032 --> 01:00:10,992
I didn't have to write that fucking note.

883
01:00:10,992 --> 01:00:11,952
I got it.

884
01:00:11,952 --> 01:00:14,231
Yeah, but you still did it.

885
01:00:14,735 --> 01:00:22,416
It's almost like I purposely want to rearrange words in a way that make people have to think more directly about how I'm writing it.

886
01:00:22,896 --> 01:00:27,088
Interesting. Instead of like how I'm going to be saying,

887
01:00:27,088 --> 01:00:27,568
Not all that trust.

888
01:00:27,568 --> 01:00:28,288
Trust.

889
01:00:28,304 --> 01:00:29,552
Please.

890
01:00:29,583 --> 01:00:36,463
I think you you have things in your head and you know what you wanna do um and then you fuck it up. And I

891
01:00:36,463 --> 01:00:37,423
You're still on my team.

892
01:00:37,423 --> 01:00:43,184
But everything I'm saying is accurately describing what it is that I'm seeing. It's just that I'm just Yeah.

893
01:00:43,184 --> 01:00:43,664
Ah yeah.

894
01:00:43,664 --> 01:00:44,623
That's true.

895
01:00:44,623 --> 01:00:45,563
True.

896
01:00:45,615 --> 01:00:49,295
It's not that it's grammatically incorrect, it's just socially awkward.

897
01:00:50,384 --> 01:00:53,264
Oh, this isn't even two minutes. I can wait that long.

898
01:00:53,264 --> 01:00:56,623
I don't have that beta ADHD. I'm not the kile.

899
01:00:56,623 --> 01:00:59,503
It's great in you already, I can hear it.

900
01:00:59,503 --> 01:01:03,344
Does this mean the robot overlords will let me live'cause I can communicate with them?

901
01:01:03,344 --> 01:01:04,634
I don't know what he is.

902
01:01:05,007 --> 01:01:06,447
It means they'll kill you faster.

903
01:01:06,447 --> 01:01:09,327
Because I understand them. Yeah, that makes sense.

904
01:01:09,807 --> 01:01:11,728
Yeah, they don't want any of that.

905
01:01:11,728 --> 01:01:13,648
Quick death! Quick death! Quick death! Yes!

906
01:01:13,648 --> 01:01:15,568
[Silence]

907
01:01:15,568 --> 01:01:19,887
My teeth are not grinding Matt. I made it. I waited the whole minute and a half.

908
01:01:20,175 --> 01:01:22,576
I'm I'm so proud of you.

909
01:01:23,983 --> 01:01:24,463
Thank you.

910
01:01:24,463 --> 01:01:26,384
You're my special boy?

911
01:01:27,311 --> 01:01:30,192
He's about twenty-seven, twenty-eight years old. He's a punk. Yeah, he's going back.

912
01:01:30,192 --> 01:01:39,231
I'm not sure which one of those phrases I want to be applied to me more these days. He looks like he's twenty seven, twenty eight years old, or that he's a punk.

913
01:01:39,376 --> 01:01:42,735
Yeah, no, I agree. I I I want the twenty seven twenty.

914
01:01:42,735 --> 01:01:47,536
Yeah, you want the youth. I'm I'm more of like the if people would still think I'm punk at this age, that'd be great.

915
01:01:47,536 --> 01:01:51,856
Yeah, that's true. Yeah, that is something you more you want.

916
01:01:52,304 --> 01:01:56,623
Bruce Dern's totally the kind of cop who will constantly have problems with his body cam.

917
01:01:56,623 --> 01:01:59,983
Yeah. Oh yeah yeah. No, I don't know why that recording.

918
01:01:59,983 --> 01:02:00,943
He dances with-

919
01:02:00,943 --> 01:02:01,903
Danger.

920
01:02:01,903 --> 01:02:02,864
In a world that spins

921
01:02:02,864 --> 01:02:03,704
Span is wrap

922
01:02:03,728 --> 01:02:19,871
[Music]

923
01:02:27,472 --> 01:02:27,952
Control.

924
01:02:27,952 --> 01:02:35,119
As a player set RAID!

925
01:02:35,119 --> 01:03:00,559
[Music]

926
01:03:01,327 --> 01:03:02,768
What's the discovery gonna look like in that fight?

927
01:03:02,768 --> 01:03:09,967
Yeah, yeah. Okay. What they said you had no soul. Can you prove you have a soul? I don't think you can. There you go.

928
01:03:09,967 --> 01:03:19,119
Oh Jesus Christ, this just keeps getting worse. Well while you're out there wondering whether or not we're gonna have action brought against us, kick the fuck out of this week and make it your bitch.

929
01:03:19,119 --> 01:03:22,960
He does seem like the kind of guy who Google his name, maybe uh

930
01:03:23,920 --> 01:03:25,360
Oh Jesus Christ.

931
01:03:26,768 --> 01:03:31,568
I need to stop this fucking recording. Uh my head hurts from giggling like a stupid kid.

932
01:03:31,568 --> 01:03:33,007
Oh good stuff.

933
01:03:33,007 --> 01:03:33,967
Yeah.

934
01:03:33,967 --> 01:03:35,838
Hmm. Recording stopped.