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This file was generated by Descript 

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Welcome to the Soul Touched by Dogs
Podcast, the show for dog lovers who

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see dogs not as toys or tools, but
wise souls worth our respect and care.

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I'm an Herrmann, and I'm your host.

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I talk to poor some humans, people who
do great work for dogs and their people.

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So come and join us for
today's conversation.

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Anke: Hello, welcome Tania.

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I'm excited to have you

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Tanja: here.

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Hi, good morning.

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Nice to be here.

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Thank you for having me.

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Anke: It's awesome.

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And I love your background.

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I love your background.

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Anybody who's just listening, do
yourself a favor, watch the video.

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So Let's start out, give people an
overview where you're from, originally

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where you're based, and what's the

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day

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Tanja: job.

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Sure.

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So, um, welcome to my rainbow cloud, if
you're watching the episode, and, um,

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it's really great to be here with you.

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I am originally from Germany.

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Um, but I am based in the UK.

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I've been here 19 years now,
so, um, pretty much half my

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life I've been in the UK.

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Um, and my day job is painting,
so I am a full time artist.

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I create these very Very colorful,
vibrant, um, happy paintings.

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I call them my happiness anchors to sort
of make people smile, sort of give them

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a break from their day if they come home
and they see this art and I just want

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them to, you know, breathe and feel happy.

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And, um, so, so yeah, that's what they do.

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They anchor happiness in homes and
offices, um, all around the world.

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So that's what I do.

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I love

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Anke: it.

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I love it.

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I, I mean, first of all, I think a lot
of people go like, wait, wait, wait,

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what, how do you, you know, so many
people try and turn a passion, especially

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try and turn their art into a business
and into a full time, um, career.

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And so I think that's, there's,
there's material for another episode

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for a different show, but, um, Yeah,
the happiness, Anke, and I think it's

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almost like, it's just like dogs, right?

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Like, you come home and they
just brighten up your day.

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Tanja: It is, actually, yes.

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When you say that, it's like, I
mean, obviously the dog, it comes

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at you, it's so happy to see
you, it sort of wags its tail.

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And, um, so the paintings are,
I guess, They sort of hang on

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your wall and wag their tails,
you know, like jump out of it.

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They're very, they're so bright.

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They really are, you know,
they, they stand out.

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Um, they, um, you know, you will notice.

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And when you, you know, you, so you
walk in a room and there's this sort

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of splash of color and, um, those
people who, my collectors, they, they

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collect my art because they love it.

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So even, you know, 10 years later,
they still get that same effect of

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just smiling when they see the work.

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And, um, that's, that's my aim.

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I think there's so much.

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Um, out there in the world that kind
of bombards us and, and, and, and

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brings up loads of different emotions.

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And I just want to go with
peaceful happiness and, you know,

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yeah, that's kind of my, my goal.

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I love that.

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Anke: It's almost, you know, I remember
like the first time we spoke, my reaction

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was, Oh my God, I love you, baby.

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You know, and I had the same
reaction again this morning.

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It's like, you cannot.

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It's almost impossible to feel kind
of sad and, you know, looking at so

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much, there's so much life in there,
it's so vibrant and it's just like

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you can't come home to a dog and feel

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Tanja: miserable.

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Exactly, exactly.

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Um, it's, it's, it's like, um, you know,
The moment you're with your dog, the

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day just kind of, at least for a moment,
you know, the day just washes away and

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you don't think about it that much.

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And that's kind of what I
go for with my art as well.

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I want that, that effect, you know, that
it's almost like a break in your nervous

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system or something, you know, like a
little, like this anchor that it's like,

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Brett, you're home now, you know, you're
in a good space, you're safe, you're,

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you know, you can take a breather and,
you know, just sort of come down from

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whatever day you've And, um, actually,
even though, um, so I guess people who

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are not that much into my art, they
kind of look at it and it's like, oh,

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that's quite nice for children and stuff.

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But actually, um, so 90 percent of my
art is owned and displayed by adults.

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So it's actually a very small
percentage of people who buy the, the

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art or actually, um, the cushions.

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I, I have, um, for a while I
was doing cushions and they're

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just sort of coming back.

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So for example, this is one of them.

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And, um, I have a whole, you can
sort of see them in the background.

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Um, I have loads of them, , but, um, so.

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Very, very few of them, of all
the questions that were then

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went out, very few of them are
sort of in children's rooms.

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I mean, yes, I have, I know people
who send me photos and, you know,

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like with their little ones in the
crib or in the, in the nursery, but

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most of them are in living rooms.

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you know, on couches.

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I had, I had one person, he bought
one for every room in his house,

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so he just has one in every, every
guest room, every, every room in his

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house has a, has one of my cushions.

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And, um, So yeah, it's, it's um, it's
mostly adults who, who really respond

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to my art and who, um, who love it

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Anke: in their home.

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And it's, I think it's
not surprising, right?

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Because I think, you know, everything
from kids toys and clothes, everything

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is always colourful, but as adults
we don't really get that that much.

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You know, most of our clothes are sort
of a little more, you know, and, and that

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splash of colour, I think it always works.

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And I'm like, I'm

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Tanja: just like...

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Oh my god, there's a
cushion with dogs on it!

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You know, with Ryan Gannis
and dogs, it's like, oh!

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I had a cushion, I had a
cushion with this one on it.

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Um, but that's just left the
studio, so um, that's not here

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right now, so I can't show it.

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Oh!

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Yeah, it's very cute, yeah.

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And, um, I think that's also when I
started doing the, the greeting cards, um,

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so I have, I have this one as a greeting
card, you know, they came out so nice.

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Um, and I just, I was so excited and
I took them everywhere with me and I

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ended up selling hundreds of cards just
sort of in person and it's, it's all.

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You know, it's all adults.

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And again, it's a very small
percentage of people said, Oh, I

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can get this for my grandchild,
you know, grandchild or something.

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But most of them are like, I can't
wait to send this to my friends.

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And, you know, like send out these
sort of happy, happy greetings.

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And, um, that just makes me really happy
to, you know, I just recently sold a print

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where, where a collector they had bought,
um, they'd actually bought two paintings.

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Two prints and a card at the
exhibition, and then they

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commissioned, um, their dog portrait.

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So this is actually the Snelly,
she's an actual portrait.

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And, um, and then they're just messaging,
like, hey, can we have another print of

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one of the prints that, hey, they had
bought, but they're like, we're not giving

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away our print, but we want to give a
print to our friend for their birthday.

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Can we have another one?

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And I just.

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So, you know, they just
bought it and we send it off.

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And, um, but yes, this, I love this one.

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So this is just a print,
um, of the original.

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See, they already have the
original, but, uh, so this is Nelly.

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And, um, I, it was so much fun.

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Um, the original is a little bit wider,
but for this format, it worked out.

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And, um.

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It was sort of, I'd never met her
before, so I'd done the portrait

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from photographs, he sent me loads
and loads and loads of photographs.

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Anke: I was just about to
ask you, how does that work?

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Tanja: So, um, so he sent me a ton of
photographs and then, um, and then I kind

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of went in and I did the first design.

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So I, I go in digitally.

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I recently learned how to do it,
and that's such a game changer.

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But, so, um, this was sort
of the first draft I did on,

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uh, on the tablet digitally.

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And, um, I didn't have the colors
for the dog in my digital file

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because I don't work with...

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Um, I don't really have black in
my art, and so the dog is, is,

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is black, and I was like, okay, I
need to, I need to do that by hand.

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I need to mix the colors by hand.

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I cannot do that digitally.

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I need to see the actual, I need
to see the, the, the, the paint.

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I need to feel it with my brush.

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I need to know.

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What the paint is like.

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So I send it like this.

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I send it just sort of like an impression
of the dog with the background, just

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as a general approval to sort of say
like, does this, does this kind of work?

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And he's like, Oh my God, that's Nelly.

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You know, it cannot be any other dog.

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It must be my Nelly.

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And, um, so that was great.

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And then, um, when I had, so then
I had painted the dog and done the

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painting and I took a photograph of her.

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Um, to, to sort of play around, and I
went back in digitally to sort of design

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the face, design the colors, uh, plan
out the shadows, and, um, so basically,

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I don't know if you can see from, so the
face was different from the photograph,

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and then I went in with all the different
photographs and found, and tried to kind

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of make her face more, More smiley and
more, um, you know, see, like, counted.

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She

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Anke: looks at you,
like, it's really like...

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Tanja: Yeah, yeah.

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And, you know, I thought of, like,
how many teeth does she have?

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Like, you know, I, like,
this is really important.

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Like, on all her pictures,
how many teeth can you see?

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Like, what, what does her tongue do?

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Like, with these...

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With these two, you know, it was, this is
a sort of work in progress, so it's not,

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it's not finished, it's just not finished
yet, but it was sort of really important,

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like, where do their tongues go, you know?

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It's different with every
dog, because like, my puppy,

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like puppy, she's a year now,

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Anke: but she has this really long
tongue and always hangs out to the side.

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You know, and the other dog, she
just has a little bit of the tip

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of the tongue in the front, like,
very different from dog to dog.

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Tanja: Yeah, so it was really
good to have loads of pictures.

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He really did send me loads.

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And then this is, so obviously, so this
is then how the face came out painted.

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So, um, I did make a few
more changes from there.

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And it was actually funny, is, um, just
before I was Like I had, because every,

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with the paintings, they get more loads of
layers to make the colors super vibrant.

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And just before I was kind of
finishing off the last layer,

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I kind of, suddenly I was like,
what if the dog is not blue black?

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Like, you know, like, what if,
what if she's not a cool black?

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What if she's a brown black?

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And, or like a warm black?

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And I just, for me on my, on the
pictures, it looked different.

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I was like, what if it's like,
you know, that would be terrible.

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So I messaged like, look.

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Just, just to check in, you
know, is she cool or is she warm?

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And you know, when I was putting the
brown in the brown hair in the face, I was

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like, it suddenly the rest looked so cold.

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And then he's like, no, no, she is,
you know, and, and he was like, oh no,

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we comment, you know, we always talk
about how, how she's like sort of a bit

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bluish and, you know, more cool black.

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Okay.

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So then, um, I, then they came to
the studio to pick up the painting

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and it was a surprise for the wife.

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And she had no idea, none whatsoever,
and she didn't even know where they were

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going that day, and so she insisted,
well, no, she didn't insist, but

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she said, oh, can we bring the dog?

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And he was like, I don't know, and so
I said, yeah, please do bring the dog.

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And so, they came here, and, um, it was
so fun to, to meet, uh, Nelif in, you

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know, for the first time, and as they
came into the studio, and, um, I had,

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sort of hidden the painting a little
bit, and then as they walked around and

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looked and then she went back in this
part of the studio and had a look around

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and then I brought the painting out, put
it on the desk, uh, to display it, and

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when she came back she immediately was
like, why is my dog there in a painting?

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And then she started crying and she was I

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Anke: saw her just thinking about it!

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Tanja: Oh, it was like, that was
the best moment because I was like,

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what if she doesn't recognize it?

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You know, because she
didn't have any idea, right?

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So what if she's like, oh, that is a nice
dog, but the moment she saw it, she's

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like, why is my dog on this painting?

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And she was so happy.

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And, um, yeah, it

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Anke: was, I think that's just the most
adorable, like, you know, I don't know.

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It's just like to see your dog
and, you know, and especially

00:13:15.641 --> 00:13:17.081
then if you can have twins of it.

00:13:17.231 --> 00:13:19.361
You know, it's like, oh,
you can have it everywhere.

00:13:19.361 --> 00:13:22.151
You can have a cushion and
you can have the cards.

00:13:23.611 --> 00:13:26.551
Tanja: Yeah, I mean, technically, you
know, if they wanted to, they could,

00:13:26.641 --> 00:13:32.551
um, have, I could make cards for them,
um, and then they could use it to send

00:13:32.581 --> 00:13:34.141
out to their friends or something.

00:13:34.451 --> 00:13:41.021
Um, I didn't, I, I haven't talked
to them about, like, open prints

00:13:41.061 --> 00:13:46.041
or, you know, making cards just in
general, because it still feels.

00:13:46.661 --> 00:13:51.351
You know, when I paint a dog for myself,
like the, like the, the little Frenchie

00:13:51.501 --> 00:13:56.581
here, it's different, you know, it's,
it's for me, and it's, it's, um, of, of

00:13:56.581 --> 00:14:00.941
someone who has shared their reference
picture, and it's great, and I will show

00:14:00.941 --> 00:14:05.161
the person who, who made the picture
available, but it is, it's for me,

00:14:05.161 --> 00:14:08.731
it's, it's, you know, because I want
to paint that happy, cute little faces,

00:14:09.551 --> 00:14:12.981
and, you know, I want to imagine them,
like, wagging their tails while they're

00:14:13.541 --> 00:14:16.031
excited to be painted, and then I.

00:14:16.326 --> 00:14:19.716
I can make prints and cushions
and, and cards and, you

00:14:19.716 --> 00:14:22.686
know, because it feels open.

00:14:22.696 --> 00:14:27.566
But with the commission, even
though anyone who sees this They

00:14:27.566 --> 00:14:28.456
wouldn't know the difference.

00:14:28.466 --> 00:14:32.746
They wouldn't know that this is
someone's dog, you know, but I feel

00:14:32.756 --> 00:14:39.996
like this is, it's so special that,
um, I wouldn't by default just

00:14:39.996 --> 00:14:41.456
make prints or cards or anything.

00:14:41.456 --> 00:14:42.206
No, no,

00:14:42.206 --> 00:14:42.966
Anke: I don't think so.

00:14:42.966 --> 00:14:46.466
No, I think I was thinking of
like prints for these people.

00:14:46.596 --> 00:14:50.756
I'd say if you were to do, if you
were to do something like this for,

00:14:50.806 --> 00:14:54.776
for my dogs, you know, I would,
yeah, I would want like that.

00:14:55.436 --> 00:14:59.876
My cards and my cushions, because they're
my dogs, they mean something to me.

00:14:59.876 --> 00:15:01.266
They don't mean that much

00:15:01.266 --> 00:15:02.086
Tanja: to anybody else.

00:15:02.156 --> 00:15:02.996
So that's just...

00:15:03.016 --> 00:15:07.806
And you may want to give, you know, give
a cushion of your dog to someone who knows

00:15:07.806 --> 00:15:09.276
your dog very well, you know, like...

00:15:09.286 --> 00:15:10.086
They can order that.

00:15:11.496 --> 00:15:15.946
But, um, but yeah, so obviously even with
a commission, the copyright stays with me.

00:15:15.946 --> 00:15:21.506
So if they wanted to do that,
they, you know, then they just

00:15:21.506 --> 00:15:23.066
get in touch and I can talk.

00:15:23.426 --> 00:15:27.816
to them about how it works and like
how we can make that happen for them.

00:15:28.296 --> 00:15:34.296
Um, but, but yeah, I don't, it
doesn't feel, it feels a bit yucky

00:15:34.296 --> 00:15:36.246
for me to do it, so I wouldn't do it.

00:15:36.596 --> 00:15:36.756
It

00:15:39.536 --> 00:15:42.276
Anke: beats the whole purpose of
it, you know, that you have this,

00:15:42.316 --> 00:15:45.656
because it's about the connection
you have with the dog and the art,

00:15:45.816 --> 00:15:47.246
you know, so it's not a public.

00:15:47.831 --> 00:15:48.451
Yeah, I don't know.

00:15:48.921 --> 00:15:49.981
Totally, totally agree.

00:15:50.451 --> 00:15:55.251
So if, if somebody gets as excited as
I am, you know, so where should we,

00:15:55.291 --> 00:16:00.471
where should they go to find out to
get, you know, more eye candy and, and

00:16:00.471 --> 00:16:01.521
Tanja: can get in touch with you?

00:16:01.701 --> 00:16:02.031
Yeah.

00:16:02.441 --> 00:16:07.081
So I do have an Instagram, um, which
is I guess it will be displayed, right?

00:16:07.081 --> 00:16:07.621
It's my little...

00:16:07.621 --> 00:16:08.361
Yeah, no, I will,

00:16:08.401 --> 00:16:08.621
Anke: yeah.

00:16:08.621 --> 00:16:11.021
If you want to say it out, because
this is going to be a podcast

00:16:11.081 --> 00:16:13.751
too, if you want to sort of say it
out loud, but it's going to be...

00:16:13.751 --> 00:16:13.841
Of course, yeah,

00:16:14.131 --> 00:16:14.471
Tanja: yeah.

00:16:14.911 --> 00:16:20.711
So, um, my Instagram is, um,
at Tanya Hassel underscore

00:16:20.761 --> 00:16:23.881
art, and it's Tanya with a J.

00:16:24.521 --> 00:16:32.381
Um, and so usually if you start typing
in like T A N J A It sort of comes up,

00:16:32.451 --> 00:16:37.661
at least for me, and it's, it's just a
really bright icon, like, you know, like a

00:16:38.011 --> 00:16:43.891
rainbow, like a rainbow little round icon,
um, with, I think it's, it's the face.

00:16:44.626 --> 00:16:46.106
I think my face is on there.

00:16:46.106 --> 00:16:48.226
But anyway, you would know what
my face looks like because you're

00:16:48.226 --> 00:16:49.626
on a podcast if you're listening.

00:16:50.216 --> 00:16:52.966
Anke: Yeah, but I think if you,
you know, it's bright colors.

00:16:52.986 --> 00:16:57.626
I see, I don't like, I'm, I followed
you and I kind of, I don't remember what

00:16:57.626 --> 00:17:00.266
the icon is, but it's clearly colorful.

00:17:00.476 --> 00:17:05.316
And so I knew it was you, so there was
no, there's no, there's no mistaking.

00:17:05.386 --> 00:17:10.066
So if you like arts, if you love, if
you love art, if you love dogs, like.

00:17:10.601 --> 00:17:14.721
Get in touch with Tanya and do yourself
a favor, you know, get you, give yourself

00:17:14.721 --> 00:17:17.181
a gift, give a gift to somebody else.

00:17:17.691 --> 00:17:19.571
Uh, I promise you, you'll love it.

00:17:19.651 --> 00:17:21.351
So thank you so much, Tanya.

00:17:21.411 --> 00:17:22.551
That was just wonderful.

00:17:22.561 --> 00:17:25.711
A real bright spark in anyone's day.

00:17:26.491 --> 00:17:27.021
And thanks for

00:17:27.021 --> 00:17:27.401
Tanja: coming.

00:17:28.071 --> 00:17:29.201
Thank you for having me.

00:17:29.918 --> 00:17:31.148
Thanks so much for listening.

00:17:31.668 --> 00:17:35.968
If you enjoyed the episode, don't forget
to subscribe, and leave a review so

00:17:36.068 --> 00:17:37.848
other dog lovers can find the show.

00:17:38.638 --> 00:17:42.128
If you haven't already, head
over to soul touched by dogs.

00:17:42.558 --> 00:17:48.128
com and sign up for weekly doggy cuteness
tips, recommendations, and personal

00:17:48.228 --> 00:17:50.598
stories to warm your dog loving heart.

00:17:50.598 --> 00:17:54.328
And if you know a pawsome human
you think I should interview,

00:17:54.748 --> 00:17:55.888
I'd love an introduction.

00:17:56.368 --> 00:17:58.198
Email me at Anke.

00:17:58.468 --> 00:18:02.703
That's A N k E at Soul
touched by dogs.com.