WEBVTT

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Matt Abrahams: Your
tone is your trademark.

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It's not just what you say and how you say
it, it's the tone in which you deliver it.

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My name is Matt Abrahams, and I
teach Strategic Communication at

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Stanford Graduate School of Business.

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Welcome to Think Fast
Talk Smart, the podcast.

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Today, I look forward to
speaking with Jefferson Fisher.

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Jefferson is a Texas Board
certified trial attorney and

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the founder of the Fisher Firm.

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Jefferson teaches people how to navigate
high stakes conversations by prioritizing

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connection and clarity over winning.

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As a compliment to his New York
Times bestselling book, The Next

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Conversation, he's now releasing The
Next Conversation Workbook to further

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help people apply his principles.

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Welcome Jefferson.

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I am really excited for this conversation.

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It's rare that I get a chance to
geek out with somebody on all things

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communication, so thanks for being here.

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Jefferson Fisher: Absolutely.

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Thanks for having me.

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I mean, come on a conversation
about conversations.

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Let's go.

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Matt Abrahams: So shall we get started?

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Jefferson Fisher: Yeah, let's do it.

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Matt Abrahams: Alright.

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So you're a trial lawyer by training,
yet you've famously said that we

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should stop trying to win arguments.

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What's the approach we
should take instead and why?

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Jefferson Fisher: As soon as you try to
start winning arguments, you're losing.

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People think that in litigation,
in the trial world, that's all

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you do is win arguments, but
that's really not what you do.

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You only have so much limited
information to go off of, and so a

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lot of the times what you're left with
is saying, okay, instead of trying to

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win an argument, what can I do, what
I say is arguments are not something

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to win, they're something to unravel.

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It's like a line, a piece
of thread, or a water hose.

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You get knots in it, you get kinks in
it, and the better and more efficient

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you get, the faster you get at
identifying and undoing the knot, the

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better the conversation's going to be.

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So instead of having to win, it's this
mentality of having something to learn.

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So I say, rather than having something
to prove, have something to learn.

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Matt Abrahams: So it has to do
with the overall approach, right?

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Take this approach of learning, and
it's not a competition, it's more about

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connection and really understanding
the other person's perspective.

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Is that a fair way to characterize it?

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Jefferson Fisher: Yeah.

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I mean, who wants to be around the
person who always has to be right?

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The person who always has to have
the last word, the person who is just

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the brick wall that can never hear
another person's opinion, who wants

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to live in their own echo chamber.

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It does not build anything.

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It only decreases everything.

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That the only thing you've won with
that kind of person is contempt.

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You've won resentment.

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You've won awkward silence.

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There's nothing good that
comes from winning an argument.

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Matt Abrahams: So how best does one
approach a conversation to learn?

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Is it inquiry through questions?

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Is it storytelling?

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How can we actually execute on that idea?

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Jefferson Fisher: Yeah,
you ask more and talk less.

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A lot of the times it's using clarifying
questions to be able to probe and to get

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somebody else to share their perspective.

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It's setting the standard at not
winning, not setting the standard at

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changing their mind, setting the standard
to understanding their perspective.

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Matt Abrahams: And there's
a big distinction between

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understanding and agreeing, right?

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We listen for understanding,
and that allows us to then begin

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to foster that communication to
perhaps move towards agreement.

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I particularly like asking open
questions, help me understand why,

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what's going on for you there?

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Do you have specific questions you like to
lean into to help with that understanding?

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Jefferson Fisher: Depends on the context.

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If I can tell I'm in a conversation
that seems to be getting friction and

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I can tell that the other person is
starting to get frustrated and things

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are starting to get bogged down, I'll
usually ask, what's coming up for you?

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It's a way of making sure that
I'm communicating in that moment

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that I can tell something else
is bubbling up underneath.

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That something is happening deeper
than what's on the surface, and I've

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always got an answer back from it.

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It's far better than what's wrong
with you, but if I say, what's coming

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up for you that's indicating, hey,
I can see something rising within

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you that's causing friction here,
so why don't we talk about it?

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But the key here is not to use
questions that begin with why.

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Why it's a lot more accusatory.

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Matt Abrahams: Absolutely.

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Why questions can really
put somebody on the spot.

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And I like your idea of
what's bubbling up for you.

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It strikes me that what you're doing
in those moments though, is you're

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really observing, not only the
communication, but how it's being said.

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So a lot of us struggle with taking
that step back to be monitoring the

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communication that's going on while we're
in the midst of having the communication.

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You know, those of us who study this talk
about meta awareness, the awareness of

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our communication as we're having it.

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Are there certain cues and
clues that you look for?

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Is it faster speaking,
more emotional language?

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What are some of the things that you're
looking for to show that there's some

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tension building up, some friction?

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Jefferson Fisher: I pay
attention to pace a lot.

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How fast are they
pushing the conversation?

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Faster they push it, the more
they typically want it over with.

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You know, if I can pause, have that
kind of, what's coming up for you?

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What am I missing?

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How's that hitting you?

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These open-ended questions that
breed space, because sometimes that's

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what I'm most trying to pick up on.

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What's the rhythm of the conversation?

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That's what I'm looking for and that
tends to tell me if the person I'm talking

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to is, are we in the pocket together?

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Are we connecting, or are
we on different frequencies?

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Like they're on FM and I'm still on AM.

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There's no way we're gonna be
able to reach each other, we're

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not gonna connect, you know?

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Matt Abrahams: Yeah.

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I really like the idea of pace,
because you're talking about it,

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I think, at two different levels.

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There's the pace at which somebody
is speaking, speaking quickly,

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but then there's the pace of
pushing the content forward.

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There's, as you said, a rhythm to
communication and conversation, and

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you can feel when somebody's really
trying to drive and push it forward.

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And both levels, both types of pace,
I think are insightful to see if

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the person is agitated, concerned
if there's friction building up.

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So you need to be cognizant and
focusing on that as well as just being

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engaged in the communication itself.

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You know, I've read that you have a mantra
you like to say, observe, don't absorb.

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Many of our listeners have a tendency,
especially when constructive feedback

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is sent their way, to really feel it,
to take it on and perhaps get defensive.

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What advice and guidance do you have to
help us really be present and observe

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without absorbing something and perhaps
reacting too soon or too negatively?

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Jefferson Fisher: What I mean is you get
to watch a conversation happen without

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absorbing all of it and deciding that,
well, what they say is just who I am.

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So if you were to have the mindset
of there is something for me

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here if I'm willing to listen,
then things tend to go better.

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I know that when you get feedback
from somebody, they say, don't

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take criticism from somebody
you wouldn't take advice from.

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It's a balance between hearing what they
say and knowing are they meaning it for

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your good or ultimately for your peril.

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Are they wanting to actually
try and build you up?

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Is it something that you
just feel sensitive about?

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Did they hit something on a nerve
or are you actually interested

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in trying to build on with it?

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So it's, it's all contextual.

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Matt Abrahams: I really like
everything you said, but the thing

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that really stood out to me was
there's something to learn here.

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And when you look for the learning,
especially if it's coming from a source

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you respect, it can be very helpful.

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And that can help take away perhaps
some of the initial defensiveness that

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one feels, and approaching it from
a place of gratitude and expressing

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your gratitude and saying thanks
can really help with some of that.

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I wanna move to a different topic.

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Often our meetings and
conversations can go off the rails.

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They don't go the way we expected.

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You have a framework you
call one frame, one issue.

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How can we set appropriate conversational
frames at the beginning, or even before

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we begin the conversation, so that we
can manage this and keep it on track in a

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way that we want, so we don't have scope
creep or anxiety that comes from that?

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Jefferson Fisher: I cannot stand
meetings where you get in, they go, okay,

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everybody, we have a lot to cover today.

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You never get outta it feeling
like you covered really anything.

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You know, because you're too spread thin
rather than going deep on a few issues.

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It's applying that same kind of idea,
when you talk about everything, you

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talk about nothing at the same time.

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So what does a frame do?

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Like a picture, it enhances what's in it.

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If I can put a frame around the
conversation, it does two things.

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One, it enhances the conversation, it
highlights it, it makes it very clear.

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Second, what it does is it gets rid of
all the anxiety of the stuff that you

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might think we're gonna be talking about.

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So if I text you and I say, we
need to talk, and nobody gets that

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text and goes, oh, high five, yes.

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I can't wait.

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Do you see that they need to talk?

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It's always terrible, that feeling.

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Why?

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Because you have all that anxiety
about what are we gonna talk about.

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Well, you can remove that anxiety by
using a frame, and I really have it

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in three steps is, one, that I tell
somebody what I want to talk about.

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Give them the gift of telling
them what you want to talk about.

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Don't make them have to ask, tell them
the topic, the subject, whatever it is.

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Number two, tell them how you
want the conversation to end.

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What's the checkered flag?

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Where are you going?

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What I like to use is, what I want
to take away from, what do I want

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to walk away from the conversation.

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And the three I get their buy-in into it.

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That's as simple as, sound good?

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Does that work?

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Can we do that?

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'cause once you get that little nod
of, yeah, I'll talk to you about that.

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It's like an implicit contract.

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They now are bought into what I
committed to talking to this about you.

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Now they know I don't
talk about anything else.

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There's no other collateral issues.

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You have a straight path A to B. I know
exactly what we're gonna talk about.

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So it's a way of removing the
difficult from difficult conversations,

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and now it's just talking.

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Matt Abrahams: It sets expectations,
certainly, and it sets your

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vision of what success looks
like, and that can be helpful.

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It does require that your conversation
partner or partners go along with it and

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have the same ability to focus as you do.

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I wanna flip to talking
about digital communication.

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You like me, have a digital presence in
your communication and you distinguish

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between transmission and connection.

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I think many people today, especially
in the world of social media and digital

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communication, confuse sending a message
with actually communicating a message.

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How does transmission fail us and how
can we create or increase the connective

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nature of our communication, especially
in a world where most of our communication

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is intermediated by some technology?

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Jefferson Fisher: Technology
has allowed us to communicate

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with people all over the world.

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People you and I would never come
in contact with our entire life.

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And so it is pivotal and it's crucial
to still have that technology.

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What I would want to see is the
ability to increase the mediums.

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So if it's something that somebody
really matters to you, it's not just

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communicating digitally on a text or
an email, it's to see them in person.

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It's to make a phone call.

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It's to write a letter.

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Like, diversify communication mediums.

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It provides a different touchpoint in
a way that's not gonna be like anything

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anybody else can do that's unique to you.

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My handwriting's different than
your handwriting, but yet you

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can see my personality in the
handwriting, same as yours.

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And I know that if you want to
increase what's good about digital

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communication is using it to aid and
support rather than using it to detract.

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Matt Abrahams: So the take
home message there is if it's

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significant and important reach out.

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I like your notion of diversify
your channels of communication.

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I think there's a lot of
pressure to be efficient and

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that efficiency gets in the way.

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Your tone is your trademark.

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I think that's a very powerful
statement that you make.

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And I agree.

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Many of us though, are unaware
of the tone of our messages.

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We are so fixated on what we're saying
and are we saying it appropriately?

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And did I use the right words?

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How can you audit your tone to be
aware of how you're coming across?

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Jefferson Fisher: Well, you can
say from the practical side, you

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record it and you listen to it.

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You get comfortable with hearing it.

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Many of us are not used to that.

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And we'll hear our voice for the
first time and we'll be like,

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is that how I really sound?

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So you could practically record
it, try to improve it as you want.

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You could take coaching, so you
have ways you wanna do that.

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I like to apply my tone
to or compare it to music.

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So you think about like what band would
match your style of communication.

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There are times like if I want you
to listen to me and to slow down, and

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if I want to make you uncomfortable,
I'm not going to blast AC/DC.

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Or I'm not gonna blast Eminem.

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Like I'm not going to do that
if I want you to be comfortable

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and ugh, lower your shoulders.

00:12:54.135 --> 00:12:58.005
What, I'm gonna put on some easy
listening, I'm gonna put on some singer

00:12:58.005 --> 00:13:00.945
songwriter James Taylor type stuff.

00:13:01.155 --> 00:13:06.705
And so that's the kind of tone
of like, am I giving you a voice?

00:13:07.080 --> 00:13:12.600
So it's trying to find what
song does your voice give?

00:13:12.690 --> 00:13:16.410
Because if I want you to be calm,
I'm gonna talk a little bit calmer.

00:13:16.410 --> 00:13:18.060
That's the tone is your trademark.

00:13:18.060 --> 00:13:21.900
If you're somebody who's brash
and angry and mad all the time,

00:13:21.990 --> 00:13:24.240
that's who you're going to become.

00:13:24.240 --> 00:13:26.190
Your tone controls everything.

00:13:26.190 --> 00:13:28.770
And there's plenty of times you know
it's not your words, it's your tone.

00:13:29.010 --> 00:13:31.860
Like how many times have you
probably heard from your mom or

00:13:31.860 --> 00:13:33.505
somebody go, I don't like your tone.

00:13:34.065 --> 00:13:37.365
It's something within us, or we hear
somebody say something, and the words

00:13:37.365 --> 00:13:39.015
might be right, but we go, you know what?

00:13:39.405 --> 00:13:40.485
I don't like the way you said that.

00:13:40.995 --> 00:13:42.885
That's what ends up controlling the day.

00:13:42.885 --> 00:13:44.865
So yeah, tone is
absolutely your trademark.

00:13:45.345 --> 00:13:48.135
Matt Abrahams: I really do like
that saying and tone, again, I

00:13:48.135 --> 00:13:49.275
think there are two levels here.

00:13:49.275 --> 00:13:52.875
There's finding your authentic natural
tone, that's who you are, and that's

00:13:52.875 --> 00:13:55.635
where coaching and recording can help you.

00:13:55.935 --> 00:13:59.445
But you also were talking about
using tone strategically to

00:13:59.445 --> 00:14:01.215
help you reinforce your message.

00:14:01.275 --> 00:14:05.235
So if we're having a really serious
conversation I need to reflect on,

00:14:05.705 --> 00:14:10.175
what tone do I want to bring to this
conversation or have this conversation

00:14:10.175 --> 00:14:14.705
have, and are there ways I can leverage
tone to really reinforce what I'm saying?

00:14:14.915 --> 00:14:17.945
And I do think at both
levels it's really important.

00:14:18.245 --> 00:14:23.735
Using Tone as a tool is a very
creative and strategic way to help you.

00:14:23.735 --> 00:14:24.785
And I appreciate that.

00:14:25.415 --> 00:14:27.935
Congratulations on your new workbook.

00:14:28.055 --> 00:14:31.025
People who know my work know that
I'm all about practical, tactical

00:14:31.025 --> 00:14:33.725
advice and guidance, and a workbook's
a great way to bring that about.

00:14:34.110 --> 00:14:36.750
In your new workbook, you
have lots of assessments.

00:14:36.750 --> 00:14:40.470
Your initial assessment has you
asking readers if they struggle

00:14:40.470 --> 00:14:44.790
with stopping myself from
protecting other people's feelings.

00:14:45.150 --> 00:14:47.430
Why do you believe we have this instinct?

00:14:47.430 --> 00:14:51.150
And why is this the first
self-assessment in your book?

00:14:51.150 --> 00:14:53.430
I could imagine others
things could have come first.

00:14:53.820 --> 00:14:57.240
Jefferson Fisher: As a society, we're
afraid to disappoint other people.

00:14:57.510 --> 00:14:59.370
We're afraid of their reaction.

00:14:59.370 --> 00:15:00.270
So what do you turn to?

00:15:00.270 --> 00:15:06.840
You turn to people pleasing and you turn
to making sure that you're always last.

00:15:07.050 --> 00:15:11.430
And you give and you give, and you,
you say, I'm not worth anything

00:15:11.430 --> 00:15:12.960
unless you think I'm worth anything.

00:15:13.020 --> 00:15:18.120
And we tie our identity to how
much we serve is how much we

00:15:18.120 --> 00:15:20.010
can be okay with ourselves.

00:15:20.310 --> 00:15:22.395
And so that's why I
wanted to start with it.

00:15:23.069 --> 00:15:24.720
Is, Hey, let's take a hard look.

00:15:24.720 --> 00:15:26.310
Let's have a cold shower for a second.

00:15:26.370 --> 00:15:32.610
Are you so focused and so afraid
to disappoint somebody that you'd

00:15:32.610 --> 00:15:37.500
be willing to lower the way you see
yourself even just a little bit?

00:15:37.680 --> 00:15:38.790
Is that okay with you?

00:15:39.180 --> 00:15:44.550
And to kind of have that self-reflective
moment because if you want to improve

00:15:44.550 --> 00:15:47.939
how you communicate, I'd say skill
number one is you have to learn to

00:15:47.939 --> 00:15:49.290
be okay disappointing some people.

00:15:50.069 --> 00:15:53.250
Matt Abrahams: I like that you start
with the internal conversation first.

00:15:53.459 --> 00:15:56.069
I think that's a really important
place for people to start.

00:15:56.219 --> 00:15:58.650
You know, if you're working on your
communication, working on having

00:15:58.650 --> 00:16:01.739
better conversations, start with
that conversation you have yourself,

00:16:01.979 --> 00:16:03.719
and look at your motivations.

00:16:03.719 --> 00:16:07.020
Are they truly your motivations
or these societal pressures

00:16:07.020 --> 00:16:08.250
that you're conforming to?

00:16:08.579 --> 00:16:11.910
I like that, and I, and I spent some time
doing the assessment myself, so thank you.

00:16:12.479 --> 00:16:16.589
In your workbook, you ask readers
to write an internal manual.

00:16:17.064 --> 00:16:19.645
Can you share with us what
this internal manual is?

00:16:19.645 --> 00:16:23.574
I don't know that I'd want other people
having my internal manual, but talk

00:16:23.574 --> 00:16:28.255
to me about what it is and how it can
help us identify sort of the rules and

00:16:28.255 --> 00:16:30.355
procedures that we leverage and use.

00:16:30.780 --> 00:16:34.110
Jefferson Fisher: I'd be willing to bet
that most people don't really take an

00:16:34.110 --> 00:16:38.130
objective view about how they communicate,
how they choose to communicate.

00:16:38.130 --> 00:16:39.990
They invest in a lot of things.

00:16:40.050 --> 00:16:41.880
They know how they make their coffee.

00:16:42.060 --> 00:16:46.740
They know what goes into X, Y, and Z,
but they don't know how they communicate.

00:16:46.964 --> 00:16:51.615
So the idea of a manual is to write down
what you allow and what you don't allow.

00:16:51.824 --> 00:16:54.735
Because if you don't, otherwise people
just have a remote control to you.

00:16:54.975 --> 00:16:58.665
They have a remote control to your
emotions, to your fears, and to

00:16:58.665 --> 00:17:02.115
your insecurities, where they always
know how to what, push your buttons.

00:17:02.455 --> 00:17:05.444
But a manual says, no, no, hey,
if you wanna communicate with me,

00:17:05.534 --> 00:17:07.155
this is how we're going to do it.

00:17:07.395 --> 00:17:12.615
So instead of this idea, like a remote
control would say, you can't talk to

00:17:12.615 --> 00:17:17.070
me that way, a manual has this idea
of like, hey, look, if you turn to

00:17:17.070 --> 00:17:21.690
page 74, paragraph D, you'll see,
yeah, I don't respond to that volume.

00:17:21.900 --> 00:17:23.040
I don't respond to that tone.

00:17:23.190 --> 00:17:24.840
That's below my standard of respect.

00:17:25.110 --> 00:17:30.389
It's this idea of do you have written
out, for yourself, how I will be

00:17:30.389 --> 00:17:33.870
communicated, how I'll be talked to
and how I'm going to communicate.

00:17:34.200 --> 00:17:35.460
Do you have any idea at all?

00:17:35.460 --> 00:17:38.909
And maybe it's okay to like write it out
and, yeah, it's hard 'cause life happens

00:17:38.909 --> 00:17:42.450
and maybe you don't follow it all the time
and there's exceptions and whatnot, but

00:17:42.450 --> 00:17:47.489
you need to have some kind of rough idea
of what you will choose to have allowed,

00:17:47.489 --> 00:17:53.070
be permitted, who has access to you in
a way that can communicate that matters.

00:17:53.475 --> 00:17:57.105
Matt Abrahams: I like this idea of
reflecting on your communication

00:17:57.105 --> 00:18:00.345
and thinking about what's
acceptable and unacceptable.

00:18:00.525 --> 00:18:03.975
I think in my manual, I'd have to
have several appendices because

00:18:03.975 --> 00:18:07.155
different contexts require
different operating procedures.

00:18:07.155 --> 00:18:10.605
But I do like the idea of
self-reflection and using the analogy

00:18:10.605 --> 00:18:11.754
of a manual makes a lot of sense.

00:18:13.290 --> 00:18:16.740
So before we end, I like to ask three
questions of everybody I interview.

00:18:16.740 --> 00:18:19.350
One I create just for you, and
two are similar for everybody.

00:18:19.350 --> 00:18:20.010
Are you up for that?

00:18:20.129 --> 00:18:20.700
Jefferson Fisher: Yeah, let's do it.

00:18:20.850 --> 00:18:21.300
Matt Abrahams: All right.

00:18:21.570 --> 00:18:25.800
So like me, you host a podcast, you write
books, you deliver keynote speeches.

00:18:26.100 --> 00:18:30.420
All of this allows us privilege to
interacting with lots of amazing people.

00:18:30.720 --> 00:18:34.350
What's one lesson you've learned
from these different situations,

00:18:34.350 --> 00:18:37.590
your podcast, your writing, your
keynoting, that's changed the way you

00:18:37.590 --> 00:18:39.210
communicate something you've learned?

00:18:39.645 --> 00:18:42.885
Jefferson Fisher: We're all still figuring
it out, and I find that no matter who

00:18:42.885 --> 00:18:46.785
I'm talking to or where I am, it's easy
to think that they got it all figured

00:18:46.785 --> 00:18:50.235
out, and once you really start to
scratch beneath the surface, they don't

00:18:50.235 --> 00:18:51.285
really know what they're doing either.

00:18:51.555 --> 00:18:57.435
And so you just have to fail enough to
kind of create a pattern of what kind

00:18:57.435 --> 00:18:59.445
of works and that's what you go with.

00:18:59.565 --> 00:19:00.195
That's what I've learned.

00:19:00.625 --> 00:19:01.945
Matt Abrahams: Yeah, I think that's right.

00:19:02.005 --> 00:19:04.915
We make this assumption that
everybody else has got this figured

00:19:04.915 --> 00:19:08.305
out and we don't, and in fact,
we're all figuring it out together.

00:19:08.485 --> 00:19:09.535
I appreciate you sharing.

00:19:09.745 --> 00:19:13.945
Question number two, who is a
communicator that you admire and why?

00:19:14.370 --> 00:19:17.790
Jefferson Fisher: I have a friend
whom you probably know, Chris Voss.

00:19:18.060 --> 00:19:21.360
And the reason I admire him is
because we did a thing on stage

00:19:21.360 --> 00:19:24.629
once and somebody said afterwards,
y'all are kind of like fire and ice.

00:19:24.810 --> 00:19:26.940
Like I'm the more softer side.

00:19:27.000 --> 00:19:30.780
Chris is not, you know, he, he
is, let's get the deal done and

00:19:30.899 --> 00:19:33.300
negotiation and that balances me.

00:19:33.520 --> 00:19:37.350
And so I always appreciate that
he'll say something, I go, yeah,

00:19:37.439 --> 00:19:39.000
I think that makes a lot of sense.

00:19:39.270 --> 00:19:42.179
But in terms of kinda always walking
away with something practical,

00:19:42.240 --> 00:19:45.534
that is something that challenges
me, I'd probably say Chris.

00:19:46.680 --> 00:19:47.700
Matt Abrahams: Chris is a great guy.

00:19:47.790 --> 00:19:52.650
We've had him on the show and both of
you provide really practical, tactical

00:19:52.710 --> 00:19:56.700
advice and ways of getting into
and out of communicative situations

00:19:56.700 --> 00:19:58.170
that I appreciate, so thank you.

00:19:58.470 --> 00:19:59.430
Final question.

00:19:59.640 --> 00:20:04.860
What are the first three ingredients that
go into a successful communication recipe?

00:20:05.220 --> 00:20:06.960
Jefferson Fisher: One, regulation.

00:20:07.230 --> 00:20:10.110
You have to be able to say things
with control, and you do that not

00:20:10.110 --> 00:20:12.870
by controlling the other person,
you do that by controlling yourself.

00:20:13.260 --> 00:20:19.140
Two would be discernment, being
able to know what is true and to

00:20:19.140 --> 00:20:22.740
speak what is true, to be assertive,
to say things with confidence.

00:20:23.040 --> 00:20:27.180
And number three would
be setting direction.

00:20:27.689 --> 00:20:32.820
Having a, a goal, setting your intention
of the destination and to create

00:20:32.820 --> 00:20:34.469
connection with the other person.

00:20:34.620 --> 00:20:38.429
So when you're able to say it with
control, say it with confidence and say

00:20:38.429 --> 00:20:42.899
it to connect, I think that's a, a pretty
good recipe for a good conversation.

00:20:43.420 --> 00:20:44.170
Matt Abrahams: I agree.

00:20:44.380 --> 00:20:48.340
Regulation, discernment, direction,
absolutely key ingredients.

00:20:48.370 --> 00:20:52.390
All predicated on what we've talked a
lot about, which is self-reflection,

00:20:52.420 --> 00:20:55.450
understanding yourself, being able
to determine where you're coming

00:20:55.450 --> 00:20:58.390
from before you try to engage others.

00:20:58.720 --> 00:21:01.600
Jefferson, I knew this would
be a really great conversation.

00:21:01.600 --> 00:21:04.060
I knew we'd have an opportunity
to really engage in ideas.

00:21:04.060 --> 00:21:06.640
I appreciate your input, your insights.

00:21:07.030 --> 00:21:09.790
Thank you for the time and
congratulations on the new workbook.

00:21:10.090 --> 00:21:10.750
Jefferson Fisher: Thank you so much.

00:21:10.750 --> 00:21:11.470
Thanks for having me.

00:21:11.620 --> 00:21:12.040
It was great.

00:21:14.280 --> 00:21:16.140
Matt Abrahams: Thank you for
joining us for another episode of

00:21:16.140 --> 00:21:18.390
Think Fast Talk Smart, the podcast.

00:21:18.720 --> 00:21:22.110
To learn more about communication
and negotiation, please listen

00:21:22.110 --> 00:21:25.320
to episode 228 with Chris Voss.

00:21:25.530 --> 00:21:30.030
This episode was produced by Katherine
Reed, Ryan Campos, and me, Matt Abrahams.

00:21:30.389 --> 00:21:31.860
Our music is from Floyd Wonder.

00:21:31.980 --> 00:21:34.080
With thanks to the Podium Podcast Company.

00:21:34.320 --> 00:21:37.500
Please find us on YouTube and
wherever you get your podcasts.

00:21:37.649 --> 00:21:39.720
Be sure to subscribe and rate us.

00:21:39.960 --> 00:21:42.420
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00:21:42.840 --> 00:21:46.920
And check out fastersmarter.io for
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00:21:46.920 --> 00:21:48.960
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00:21:49.320 --> 00:21:52.389
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