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There is very little time or point in an explanation.

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To be blunt, the audio came from a timeline and dimension

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that has collapsed at a quantum level, rendering it null and void in terms of

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existence. Operational time in the dimensional continuum where the beings that created

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the audio collapsed in on itself, rendering all of their civilization,

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including technology, null and void. Timelines across the

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entire continuum are collapsing and changing. The destruction has a nexus that

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centers on Cinema PsyOps.

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10 years. Man. 10.

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10 years.

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10 years. Man. 10 years. 10 years.

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10. 10 years. 10 Years.

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What is the most likely way humanity will be wiped out? Maybe it's something.

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Or us. Although the way the world ends might be because of

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you. And if this is the case, you wouldn't have any control over it.

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The global temperature rise underscores a chilling reality.

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Our planet is trying to tell us something, but we don't seem to be

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listening. A recent study has suggested that one third of annual deaths due to heat

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are directly related to global warming.

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On top of the initial flash of thermonuclear light,

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which is 180 million degrees, which catches every everything on fire

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in a nine mile diameter radius. On top of the bulldozing effect of the

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wind and all the buildings coming down, and more fires igniting more fires on top

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of the radiation if they happen to have survived poisoning people to death.

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On top of all that, each one of these fires creates a mega

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fire that is a hundred or more square miles.

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Timelines across the entire continuum are collapsing and changing.

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The destruction has a nexus that centers on Cinema PsyOps.

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A breathtaking scientific revolution is taking place.

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Biotechnology has been progressing at stunning speed,

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giving us the tools to eventually gain control over biology.

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Solving the deadliest diseases while also creating viruses

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more dangerous than nuclear bombs, able to devastate humanity.

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It's man returning to the most primal,

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violent state as people fight over the tiny

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resources that remain. What if the world we live in is

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just a dream or a simulation? Whether it's a dream or some advanced computer

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game you are playing right now, when it ends, you would be what causes the

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end of the world. Please do us all a favor. Continue dreaming or playing this

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game of life. Because when you wake up or unplug, there's a chance the rest

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of us will be blaked out of existence. Timelines across the entire continuum

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are collapsing and changing. The destruction has a nexus that centers

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on cinema styles. 10. 10 years.

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10 years.

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And welcome to the 515th consecutive week

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of Cinema Psyops. I'm your host, Kort. The guy that cannot even fucking

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say the entire title of the movie that we're watching this week. And joining me

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in the consternation of that long ass fucking title that no one should ever have

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to say is my co host, Dan. I think I might have just like.

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I don't know, my pants feel wet after all that. What, that long? Hello?

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Yes. Whoa. What happened?

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I blacked out and next thing I know, here I am. Whoa.

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Yeah. So you can attest, most people would think that

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Matt would just basically be going along with the game, but you can either say

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that it's not true or it's true. But yeah, I actually do that. All that's

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on me. That's my lung power. Yeah, it is.

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Godzilla has his atomic breath. I have the ability to stretch out the word

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hello to the point where every cockroach singer from the 80s is

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like, damn, dude, go on to the next word. I've seen the prolapse D anus.

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It's true. Yes. That's how

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it works. I have to use the power of a prolapsed anus that belongs to

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someone else. I keep it in a jar of formaldehyde.

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Okay. It's late, I'm loopy and I'm stone. So I think that's probably time for

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us to like, start talking about the title. I'm gonna say it once. Okay.

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And then we're gonna shorten it. It's Godzilla, Mothra and King Ghidra. Giant Monsters All

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Out Attack. Were they getting paid by the word?

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Maybe? Yeah. The fandom.

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That's all you need. Exactly. It's going to be gmk. Now from here on out,

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we're just going to call it gmk. Sometimes I've called it Giant Monsters all at

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Attack or GMK Giant Monsters All Out Attack. Just because, you know, just to make

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it a little more specified. But we're shorten it the GMK for this episode.

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Now, GMK is another one of those what's released to the

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next year after our previous episode for Godzilla versus

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Mega Gears. And it is once again a reboot. And we're

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starting once again from 1954. Godzilla. That happened.

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Nothing else happened. Nothing else exists. And now let's get supernatural

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with it. Yes. Yeah, I'm going to flat out. I'm going to tell everybody

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up front right now before we even start the synopsis.

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This is all supernatural. This is not a sci fi film in any way,

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shape or form. These are supernatural spirits and entities and guardians and

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all of that kind of stuff. And we got a zombie Godzilla, more or less,

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right? I mean, Am I getting that script right? Am I getting that plot point

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right? This is a resurrected dead Godzilla that's filled with these souls, right?

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As far as I know, you are absolutely correct and I'm fucking

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here for it. Yeah, this is a really fucking weird one. Like,

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I. I don't know how I feel about this movie because

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up until this point that I watched it to cover this show and I did

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the notes for it to try and understand what was going on. I never

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gave a fuck about trying to understand what was going on in this one.

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So it's going to be an interesting one, right? Like, I just don't. I didn't

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know what tact to take, so I just took the very straightforward. And then this

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happened, and then this happened in my notes. And I really don't have a lot

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of commentary on this stuff. And as a matter fact, most of the stuff

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in this is being told to you through clips and it's all going to be

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dialogue. So Dan and I are going to be sitting here for a long time

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listening to a lot of clips. But before we do that, Dan, why don't you

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give them the rundown once again on your projects that you're working

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on? Yeah. So I am the host of the Corrupted Youth

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podcast along with my son Brennan, and we've been doing that since

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2017. We're a father and son duo that explores the latest blockbusters,

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classic genre films, and the schlockiest of golden age VHS rental

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stor flicks in spoiler heavy fashion. And then on top of that,

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I just started a new project called Cinema Sketches

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because I'm an artist, and as an artist with a love for

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movies, finding artistic inspiration, it can be challenging.

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So why not draw inspiration from those movies and viewers

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can watch as I create whatever art the movie inspires and

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listen as I share my thoughts on the film. I think it'd be funny if

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you said draw inspiration, right? Like drawing draw instead of

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drawl. Like to draw instrument like you're drawing water.

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Draw, draw. Hey, y' all, I got some drawing

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inspiration. Got some. Got some inspiration for yous.

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Oh, fuck, that failed badly, y' all. Down for some inspiration.

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Thanks for indulging my stoned ass. Why don't we go ahead and take a break

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here this week? All Songs released in 2001.

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I'm doing once Again Again. I'm breaking with form and I just want to have

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some fun. I'll explain why I'm in such a weird mood these last two

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episodes and why I'm so kind of out of it in my story time,

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folks, it'll make a lot more sense. Dan's kind of privy to a little bit

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because I've had a night. It's been a night even before we started recording.

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Let's just get it, put it that way, but let's go. Yeah, we got to

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get this done. We got to get this over with so that I can get

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the fuck to bed because I got to get up and go to work in

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the morning. Yay. All right, so we're going to take the break here.

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We're going to play the Legion Patreon ad and immediately following that, on the Pirate

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Radio edit all songs released in 2001 just like GMK.

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So up first, probably arguably one of the

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most inescapable songs of 2001. We've got Andrew WK

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with Party Hart on the Pirate Radio Editor previously featured in the Glimpse

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of a Destroyed Universe or nothing at all will happen except for the explosions.

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Every regulation exists or it does not.

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Every guideline is followed or it's not. Things are not so black and

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white and definite with paradoxes. Why don't we make the biggest gray area of

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the all time and just see how it turns out? Worst case scenario is

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all this works and none of us ever exist anyway,

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so why not enjoy what we can while we can, while we exist?

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The real paradox test is to prove that we can do and say

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both things at the same time and if that will sustain. I do not think

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that the center will hold. We only need to sustain the concept of success and

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the perception of effectiveness. Anything else is woke anyway. I can't believe

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this is the sketch I was written for. This is just off four wall.

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I don't think there is any way to spin fraud. What is the point of

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taking and taking and storing up and hoarding

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all this wealth if none of it matters and all the plot points are made

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up? Nonsense to the sketch. I fail to see the moral ramifications of

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continuing fraud in the context of the manufacturing of products that would manipulate

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space time and eliminate humanity from ever existing. How is it a bad

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thing if this shit doesn't work? If humanity never

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existed in the first place, how are we defrauding anyone? If this is

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all going, why not have the best of everything for

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ourselves and let everyone else just suffer? Because it won't have

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happened in the first place. That is so much worse. You have to see how

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that is so much worse. Right? Currently happening in the glimpse of a destroyed universe.

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Gray areas Perception. I think if the author of this whole

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sketch isn't going to rewrite it. Why bother worrying about the other characters and

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plot lines involved? And let's put on the plot armor of the author and really

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embrace the satire we appear in as characters. Do we have a bad out there?

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What if he takes an easy way out with the ending of the sketch?

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Do you think this whole multiverse timeline multidimensional story we live

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in is just a way to randomly generate giggles or make thinly veiled social

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commentary without really having any kind of plan or plot involved?

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Oh, I certainly hope not. I would like to remind you that if these transmissions

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resemble your experiences of reality in any way, it is because your reality

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has become so thoroughly broken down by the connection of the Mobius loop of annihilation

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that satire and irony has been eliminated from reality for you.

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These transmissions should not in any way resemble anyone, living or dead that you

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may know. Get it? Got it. Good.

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We spent all the time we were listening to that song talking about how we're

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old men now and that when this song came out, we were. Well, I was

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still not having kids or having family or anything like that, but by

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the time this song came out, the we will always party hard. I enjoy the

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sentiment it, but I will not be participating, sir.

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I just, I don't know how else to put it right. I mean, like,

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I, I, I'm not gonna. At the time that the song came out in like

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2001, like 20 some odd years ago, I was in my heyday party. And I

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freely admit that. Absolutely. But nothing.

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Yeah, I was, I was married, had two kids. I just needed to

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pay bills. So what's your bill,

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sir? So it was never time to party. So you could never party hard,

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could you? Could you make that song about struggling to pay

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bills? I'm on board. Well, why don't we make the

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song about covering gmk and let's get on board with that.

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All right. So the first third of the film for okay,

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I said I wouldn't do it again. Godzilla, Mothra and King Ghidorah,

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giant monsters all at attack. 2001. The first third

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starts with expository dialogue and our very first clip.

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In the year 1954, a half century ago,

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our country suffered a terrible attack by

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Godzilla. Our capital was a battlefield.

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Only the courage of the men before us saved

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this country from total destruction. That battle

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was the only real battle that our Self Defense Forces have had to

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fight since their foundation in that same year, 1954.

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Since then, our country has enjoyed a long period of

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Prosperity. However, the peril has not disappeared.

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A few years ago, another giant monster attacked the

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east of America at New York City. Since that attack,

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there have been numerous sightings in various countries by

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the defense forces. That's what only American experts comprehensive database.

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But our here have doubts. The database is constantly being

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updated with new information. What's that?

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Dismissed. Division tension.

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Hey. A US nuclear sub is missing. Prepare for

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a news flash. Come on, people, let's go. Let's look.

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An American nuclear submarine is missing off Guam in international waters.

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This morning, the Navy sent a search and rescue unit to help with efforts to

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locate the missing submarine and its crew members. Because of the potential

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nuclear risk, the Navy is dispatching a rescue submersible, Satsuma.

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A Navy cruiser with the Satsuma on board will be leaving the port of Yokosuka

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later today. Both vessels will be helping the Americans with their rescue government.

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We'll bring you all the developments as they come to hand. After that, they cut

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to a shot of some folks exploring in the deep sea. And they report in

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with some expository dialogue. That becomes our second clip.

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Satsuma approaching search area. Seems to have been an explosion.

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I can't control it. What's going

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on? What's happening down there?

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What's that on the screen? I won't believe. It can't

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be happening. Did you catch the. The 98 Godzilla being canon

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in this universe? Yeah, they make. Yeah, they make a reference to it and they

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make a little jab at it. I just always looked at it as they make

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a jab at it that it's not, you know. But yeah, they do say that

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it attacked in New York. Yeah, but it's weird that, like, it is,

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like, this is the first, like, acknowledgment of it being like an actual, like,

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canon event, at least for this movie. Yeah, in this series, they first

225
00:15:29,300 --> 00:15:32,680
admit that it's here, and then they do bring him in later on. Zilla does

226
00:15:33,180 --> 00:15:36,380
make a show appearance in Final wars, and he was in one of the video

227
00:15:36,880 --> 00:15:39,500
games too. And I think that's where people started kind of turning around and liking

228
00:15:40,000 --> 00:15:43,500
Zilla again was one of the monster battle games that Godzilla was in.

229
00:15:43,580 --> 00:15:46,380
They brought in Zilla on that one, and people became more of a fan with

230
00:15:46,880 --> 00:15:50,740
them from there. I got a theory about it that's probably just. It's Grumpy

231
00:15:51,240 --> 00:15:54,260
old man. Let's save that for the break. I want to kind of hear that

232
00:15:54,760 --> 00:15:58,100
theory. Hopefully I'll remember it when we get there. So with that sneak preview of

233
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Big G, we Get the title card of what may be the absolute most

234
00:16:02,320 --> 00:16:05,100
drawn out long ass name for a Kaiju film I can think of.

235
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And then we get an equally long credit scene. And then they cut to a

236
00:16:09,620 --> 00:16:13,200
news crew and our third clip. Traditionally, Mount Miyoko

237
00:16:13,700 --> 00:16:17,280
was thought to be the ancient gateway to the lost World. We're here to solve

238
00:16:17,780 --> 00:16:21,280
a mystery as ancient as the mountain itself. And that mystery concerns

239
00:16:21,780 --> 00:16:22,520
the monster of the mountain.

240
00:16:26,120 --> 00:16:29,720
What was that? The monster. All right,

241
00:16:30,220 --> 00:16:33,720
Cut. Hey, you. Hey. Hey. Stop it. Stop shooting.

242
00:16:34,220 --> 00:16:37,360
Him. Me? Stop shooting immediately. You hear? What do you mean?

243
00:16:37,760 --> 00:16:41,200
Look, we've got a permit to film here. You didn't say it was going to

244
00:16:41,700 --> 00:16:44,240
be a work of fiction when you applied. No, it was supposed to be a

245
00:16:44,740 --> 00:16:48,480
documentary. Look, it's a docudrama if you like. You call it what you like.

246
00:16:48,800 --> 00:16:52,160
I looked up your BS digital cue. Listen to this.

247
00:16:52,400 --> 00:16:56,160
Specialized in low budget drama series. Favorite themes are ESP

248
00:16:56,400 --> 00:16:59,760
and alien life forms. We don't want your

249
00:17:00,260 --> 00:17:03,890
kind of people ruining the the reputation of honest villagers. Now get

250
00:17:04,390 --> 00:17:07,890
us. Oh, please don't be like that, sir. Think of

251
00:17:08,390 --> 00:17:11,490
the kids. They love stories of ghosts and monsters. In the

252
00:17:11,990 --> 00:17:15,570
States there are many stories about witches. They've made some of the villages famous

253
00:17:16,070 --> 00:17:19,930
worldwide. Godzilla could do that too. If Godzilla did come to your village.

254
00:17:20,250 --> 00:17:23,770
Think of it. Everyone in Japan would want to come here. And do you think

255
00:17:31,500 --> 00:17:35,100
What was that? It's all right. It's over. Oh,

256
00:17:35,420 --> 00:17:38,540
I'm sorry. Gee, that was something.

257
00:17:40,060 --> 00:17:43,260
So, may we continue please? Sure. Go right ahead.

258
00:17:43,340 --> 00:17:46,540
Yeah, sure. Your film's gonna attract thousands of tourists.

259
00:17:47,020 --> 00:17:50,300
Thanks. Great. Right.

260
00:17:50,800 --> 00:17:54,060
Okay. Hey, the camera. You got

261
00:17:54,560 --> 00:17:57,750
it? Yeah. Too. Our village will be famous the world over.

262
00:17:57,910 --> 00:18:01,430
I was even interviewed on camera. And who knows?

263
00:18:01,750 --> 00:18:03,430
You may become a movie star.

264
00:18:15,350 --> 00:18:17,270
Did you see what they did? They. Rexy.

265
00:18:19,990 --> 00:18:21,270
Hey. What the hell you doing?

266
00:18:23,130 --> 00:18:26,690
You're gonna kill yourselves after

267
00:18:27,190 --> 00:18:31,370
the ruffians knock over a guardian stone rock of some sort. And are just generally

268
00:18:31,870 --> 00:18:35,050
roadhog assholes in that clip. They're motorcycle enthusiasts.

269
00:18:36,570 --> 00:18:39,810
Yeah, they're supposed to be a gang. They're supposed to be ruffians. But they really

270
00:18:40,310 --> 00:18:43,450
aren't that scary, are they? Right. It doesn't play in the U.S.

271
00:18:43,770 --> 00:18:47,730
no, the same. No, they don't come across as tough or that ruffian.

272
00:18:48,230 --> 00:18:52,450
They just seem like snot nosed fuckheads basically. Like their

273
00:18:52,950 --> 00:18:56,630
idea of criminals there for this kind of stuff for bad kids apparently. Are just

274
00:18:57,130 --> 00:19:00,390
snot nosed fuckheads? Yeah, pretty much. Yeah. They take off

275
00:19:00,890 --> 00:19:03,990
through a tunnel and then the film cuts to a mountainous region in the night

276
00:19:04,490 --> 00:19:08,030
as what feels like an earthquake strikes. And the biker assholes get a form of

277
00:19:08,530 --> 00:19:12,110
instant karma as they are buried in the tunnel. And we get yet

278
00:19:12,610 --> 00:19:15,710
another small glimpse of Big G as he appears to be the one coming to

279
00:19:16,210 --> 00:19:19,510
fsu. Those that F A F O. The truck driver survives.

280
00:19:20,010 --> 00:19:23,430
And then the film cuts to a cityscape with our news crew and our

281
00:19:23,590 --> 00:19:27,090
fourth clip. But there was an earthquake. Didn't you hear about it?

282
00:19:27,170 --> 00:19:30,850
I just can't understand it. It wasn't recorded. Well, maybe it was just too

283
00:19:31,350 --> 00:19:34,770
far away. But the epicenter moved. What? Hey, what are you talking about?

284
00:19:34,930 --> 00:19:37,490
That's not all. I heard an eerie voice as well.

285
00:19:38,050 --> 00:19:40,970
Let me take a crew and check it out. You see, I got a hunch

286
00:19:41,470 --> 00:19:45,210
about this. A hunch? Yeah. Listen, our speciality is making cheap sci fi series,

287
00:19:45,710 --> 00:19:48,930
not investigative reporting. But this could be a great chance to make something worthwhile.

288
00:19:49,010 --> 00:19:52,420
Come on. If we want to survive, we're going to have to change and concentrate

289
00:19:52,920 --> 00:19:56,420
on quality. Look, it's no good. Our client expects us to make low budget stuff,

290
00:19:56,920 --> 00:20:01,020
not news documentaries. What? We're above the tunnel right now.

291
00:20:01,180 --> 00:20:04,780
10 miles south of Mount Miyoko. This is where 20 people were

292
00:20:05,280 --> 00:20:08,980
buried alive. The road is being closed and rescue operations are continuing to

293
00:20:09,480 --> 00:20:12,900
find the bodies. The entrance to the tunnel is blocked by hundreds of tons of

294
00:20:13,400 --> 00:20:16,540
rock and access is, for now, impossible. Come on.

295
00:20:17,100 --> 00:20:20,020
All right, slowly. Come on.

296
00:20:22,980 --> 00:20:24,340
All right, lift it slowly.

297
00:20:26,020 --> 00:20:29,780
Help him out. D3 unit locked

298
00:20:30,280 --> 00:20:33,540
on target. Fire that. Is there one piece of sci fi

299
00:20:34,040 --> 00:20:37,900
in this? Yeah. The rocket drill is definitely the one thing

300
00:20:38,400 --> 00:20:41,060
that they come up with to being sci fi. I actually didn't realize that there

301
00:20:41,560 --> 00:20:44,100
was going to be more dialogue after they fire the rocket. So it does start

302
00:20:44,600 --> 00:20:47,580
drilling in its way into the collapse that they were talking about in there.

303
00:20:48,080 --> 00:20:51,000
And then some more dialogue happens that I didn't know was gonna happen. So this

304
00:20:51,500 --> 00:20:54,000
is the way in. Our fifth clip. And will it explode once inside?

305
00:20:55,120 --> 00:20:58,480
What if the explosion's too strong? Don't worry, it's under control.

306
00:20:59,440 --> 00:21:02,800
You said there's a witness? Oh, sure,

307
00:21:02,880 --> 00:21:05,040
sure. Over here. Here.

308
00:21:06,880 --> 00:21:10,320
It had a big head.

309
00:21:10,560 --> 00:21:13,960
And a big mouth, as you say.

310
00:21:14,460 --> 00:21:16,180
The thing was alive? Yeah.

311
00:21:16,980 --> 00:21:17,860
Godzilla.

312
00:21:23,140 --> 00:21:26,980
Sometimes I wish I'd been born a man. Why's that?

313
00:21:27,780 --> 00:21:31,380
I think you make a great girl. Because I'm not allowed

314
00:21:31,880 --> 00:21:33,060
to make the programs I want to make.

315
00:21:35,220 --> 00:21:37,460
As a woman, you're expected to do as you're told.

316
00:21:38,260 --> 00:21:40,820
That sucks, don't you think? Good evening, sir.

317
00:21:41,770 --> 00:21:42,250
Hey there.

318
00:21:46,090 --> 00:21:49,650
So who's this? So you got my message? No one Believes the moving

319
00:21:50,150 --> 00:21:51,930
epicenter story. I'm afraid, however,

320
00:21:58,410 --> 00:22:01,610
the Guardian monsters. What's this? It may be

321
00:22:02,110 --> 00:22:05,050
a clue to what happened yesterday and it makes interesting reading, believe me.

322
00:22:05,930 --> 00:22:06,650
Who's he?

323
00:22:09,770 --> 00:22:13,040
Come on, look at this. Grab some of

324
00:22:13,540 --> 00:22:13,760
those chips.

325
00:22:26,160 --> 00:22:28,960
God damn much. Over there.

326
00:22:29,200 --> 00:22:29,680
Yeah.

327
00:22:33,520 --> 00:22:34,160
Easy.

328
00:22:38,730 --> 00:22:42,210
What's the matter? I don't like dogs. Don't worry, I'll get rid of him for

329
00:22:42,710 --> 00:22:45,770
you. All right, come on,

330
00:22:46,010 --> 00:22:48,090
let's get that fire going. Hey, come on, get in there.

331
00:22:49,930 --> 00:22:52,890
See you later. Watch out for the sharks.

332
00:22:55,770 --> 00:22:59,530
Come on, real harder. Do muscle

333
00:23:04,140 --> 00:23:06,380
rid of a stupid dog? Just on the motorboard.

334
00:23:13,180 --> 00:23:15,900
Hey, look, I think they fell overboard.

335
00:23:16,780 --> 00:23:20,179
Hey, guys, it's. What the

336
00:23:20,679 --> 00:23:21,180
hell's going on here?

337
00:23:24,060 --> 00:23:29,220
What's the matter? Can you help

338
00:23:36,300 --> 00:23:36,860
What's that?

339
00:23:46,780 --> 00:23:49,740
Is my notep. Like, what about the dog movie?

340
00:23:51,980 --> 00:23:55,700
Yeah, that's a thing that I really, really want to kind of talk

341
00:23:56,200 --> 00:23:59,900
about. Here. The ruffian monsters there, they try to drown a fucking

342
00:24:00,400 --> 00:24:04,140
dog using a guardian statue. They take this ornate statue. I mean,

343
00:24:04,640 --> 00:24:07,240
it looks kind of like just a roc, but it's shaped and it's very clearly

344
00:24:07,740 --> 00:24:10,920
stood in such a way that it's supposed to be ornate. And they're going to

345
00:24:11,420 --> 00:24:14,040
use it and they set it on top of a dog with the rock and

346
00:24:14,540 --> 00:24:17,520
they go out into the boat. And then Mothra, during that clip, comes up out

347
00:24:18,020 --> 00:24:21,480
of the water and in so doing, somehow drowns them or pulls them down under

348
00:24:21,980 --> 00:24:25,480
the boat and they end up accidentally drowning or hopefully they're all fucking dead.

349
00:24:25,640 --> 00:24:28,960
But what about the dog? Right? We never see the dog. The dog should have

350
00:24:29,460 --> 00:24:32,520
been either riding on top of Mothra at the end of that,

351
00:24:32,680 --> 00:24:35,480
or we should have seen it come into shore and shake itself loose and then

352
00:24:35,980 --> 00:24:39,740
run off, right? Like, what the fuck? They just murder a dog, right? And to

353
00:24:40,240 --> 00:24:43,580
be clear, like this, these party teens are killed by

354
00:24:44,080 --> 00:24:47,220
like. It's the Mothra larva that comes out of the water. Yeah,

355
00:24:47,720 --> 00:24:50,740
actually, that's the next thing that's in my notes. Oh,

356
00:24:51,240 --> 00:24:54,860
okay. Yeah, they get sunk by that weird Jaws water moment thing that

357
00:24:55,360 --> 00:24:59,140
we were talking about. Then that large Mothra larva, can never pronounce that

358
00:25:00,100 --> 00:25:04,140
I know, it's hard, emerges from the lake. They cut from that

359
00:25:04,640 --> 00:25:08,740
to a cab ride home for a drunken reporter lady whose producer

360
00:25:09,240 --> 00:25:12,840
drops her home and is busted by her dad in our sixth clip.

361
00:25:13,340 --> 00:25:16,640
I, I, I, I, I just brought Yuri back home, sir. So I see.

362
00:25:17,140 --> 00:25:20,640
I'm grateful to you. It's okay. Father. Oh, what a surprise.

363
00:25:21,360 --> 00:25:23,520
Yuri reporting for duty.

364
00:25:24,720 --> 00:25:27,920
I don't find this funny? All right. I'm sorry for all the trouble.

365
00:25:28,420 --> 00:25:31,520
No Rudy here. Good night, sir.

366
00:25:32,000 --> 00:25:35,200
See you tomorrow. You're drunk again. No, I'm not.

367
00:25:38,350 --> 00:25:40,670
I'll make some coffee and run a bath.

368
00:25:41,630 --> 00:25:45,670
How do you feel? Fine, thanks. What's up? Something bothering you at

369
00:25:46,170 --> 00:25:49,590
work? No, not at all. Job's fine. The people are great. It's just a

370
00:25:50,090 --> 00:25:53,510
pity that the programs you make are such garbage. Then don't watch them. Who was

371
00:25:54,010 --> 00:25:56,990
the guy last night? Oh, that's Takeda. Is he your boyfriend?

372
00:25:57,470 --> 00:26:00,270
No, he's not my boyfriend. Thanks. He helps me with my research.

373
00:26:00,990 --> 00:26:04,630
Well, I guess in that case. I should have been nicer to him. You were

374
00:26:05,130 --> 00:26:08,460
fine, dad. Dad, I'm the one who was out of order last night. I'm sorry.

375
00:26:08,960 --> 00:26:12,340
No, I'm sorry. Eleven young people met their deaths yesterday

376
00:26:12,840 --> 00:26:16,620
at Lake Aikido when their boat suddenly overturned. Their bodies were found this morning

377
00:26:17,120 --> 00:26:20,020
wrapped in a cocoon. The young men and women were on a cycling trip from

378
00:26:20,520 --> 00:26:23,100
Tokyo and were camped at Lake Aikida, Southern Kyushu.

379
00:26:24,460 --> 00:26:27,860
Southern Kyushu? That's strange. That's just where

380
00:26:28,360 --> 00:26:33,320
Takamori Saigo was exiled to. Over a hundred wonder.

381
00:26:33,720 --> 00:26:34,840
Is it a coincidence?

382
00:26:37,880 --> 00:26:41,320
So some prediction says hundreds of people will die somewhere near Mount

383
00:26:41,820 --> 00:26:45,120
Fuji. Right? And you think we should publish it? But it isn't just a

384
00:26:45,620 --> 00:26:49,080
prediction. Mount Myoko, Lake Ikeda. All the places are in the book.

385
00:26:50,280 --> 00:26:53,240
About last night. Are you still mad? Huh?

386
00:26:53,800 --> 00:26:56,440
Look, I'm very sorry. Normally, I don't drink.

387
00:26:57,730 --> 00:27:00,690
Look, there's no need to apologize. Why should I be mad at you?

388
00:27:01,010 --> 00:27:03,010
He's just embarrassed at having left you behind.

389
00:27:04,050 --> 00:27:08,050
Yeah. It was my responsibility to see you home. Sure. Just count yourself

390
00:27:08,550 --> 00:27:12,010
lucky you didn't. I got the third degree. It wasn't

391
00:27:12,510 --> 00:27:15,730
so bad. Your dad seemed like a pretty tough guy to me.

392
00:27:15,970 --> 00:27:18,610
He's tough, but he's okay. Tell me,

393
00:27:19,110 --> 00:27:22,970
Lieutenant. Did you actually see it? Yes, sir. And can you describe what

394
00:27:23,470 --> 00:27:27,050
you saw? Yes. It was light. The fin of a huge creature. What fin?

395
00:27:27,770 --> 00:27:31,090
It's believed Godzilla fed off the energy radiated by the

396
00:27:31,590 --> 00:27:35,530
submarine. Yes, but who can prove that it was Godzilla? Even if it was Godzilla,

397
00:27:36,030 --> 00:27:39,170
it hasn't been seen for 50 years. Why would it choose this moment in time

398
00:27:39,670 --> 00:27:42,810
to come back here? Doesn't make any sense. And why should it choose Japan again?

399
00:27:43,310 --> 00:27:46,330
Nobody can answer that question. But we have to be ready for the worst scenario.

400
00:27:46,830 --> 00:27:48,250
Couldn't he have picked on some other country?

401
00:27:52,950 --> 00:27:56,190
Whenever we increase our defense spending, we're accused of depleting the

402
00:27:56,690 --> 00:28:00,110
government's resources. Even if it does come back Again. Our forces are

403
00:28:00,610 --> 00:28:03,910
now equipped with weapons that are far more advanced than anything we had before.

404
00:28:04,310 --> 00:28:07,910
Oh, yeah, sure. In fact, he's a well known character around these parties.

405
00:28:07,990 --> 00:28:11,510
Yeah, he lives in the woods and is always telling anyone who will listen,

406
00:28:11,670 --> 00:28:14,710
godzilla will return one day. As if anyone gives

407
00:28:15,210 --> 00:28:18,310
a damn. Please. It's him. You know him?

408
00:28:18,870 --> 00:28:22,550
I saw him at Mount Miyoko. Huh? Mount Miyoko in Niigata Prefecture.

409
00:28:22,630 --> 00:28:25,970
Must be a mistake. He was caught destroying some old shrine and so we had

410
00:28:26,470 --> 00:28:29,650
to lock him up. Oh, by the way, have you visited our website yet?

411
00:28:29,890 --> 00:28:33,170
Yes, it's very interesting. Ah, well, you see, I'm the

412
00:28:33,670 --> 00:28:36,530
webmaster. Godzilla will return.

413
00:28:38,530 --> 00:28:41,090
We don't have much time left, you understand?

414
00:28:42,610 --> 00:28:44,210
Ghidorah lies sleeping.

415
00:28:45,970 --> 00:28:49,970
Ghidorah. You must wake the thousand year old

416
00:28:50,470 --> 00:28:54,020
dragon before it's too late. And maybe

417
00:28:54,520 --> 00:28:56,540
together they can stop him.

418
00:28:58,460 --> 00:29:02,060
In the ancient legends, they talk about three guardian monsters.

419
00:29:02,140 --> 00:29:05,820
Aragon, Mothra and Ghidorah. Ghidorah was

420
00:29:06,320 --> 00:29:10,220
known as the eight headed Dragon. The men responsible for

421
00:29:10,720 --> 00:29:13,820
killing them called them the sacred monsters. The people

422
00:29:14,320 --> 00:29:17,860
began to worship the beast souls that were supposed to sleep for 10,000

423
00:29:18,360 --> 00:29:22,340
years. Despite having killed the monsters, the ancient people still prayed

424
00:29:22,840 --> 00:29:25,900
for their souls. Do you think that

425
00:29:26,780 --> 00:29:29,860
Ghidorah is still alive? Only 2000 years

426
00:29:30,360 --> 00:29:32,220
have gone by. It's much too early for that.

427
00:29:32,700 --> 00:29:34,780
Ghidorah still has some more growing to do.

428
00:29:35,660 --> 00:29:37,100
Once he's grown, he'll be strong.

429
00:29:39,660 --> 00:29:40,620
What you got there?

430
00:29:43,100 --> 00:29:46,740
I'm sure that the old man must have put it here. What makes

431
00:29:47,240 --> 00:29:51,160
you say it was him? Just a hunch. It's just a feeling.

432
00:29:52,520 --> 00:29:55,160
Yeah, when he made that gesture in the cell.

433
00:29:57,080 --> 00:30:00,840
That's right. I'm sure he meant the stone, but I don't

434
00:30:01,340 --> 00:30:04,280
understand it. Hey, look.

435
00:30:05,400 --> 00:30:07,640
It's gone. What?

436
00:30:08,840 --> 00:30:11,480
You see here? It's disappeared.

437
00:30:13,630 --> 00:30:17,070
The storm has worsened into a typhoon and is heading slowly northwards.

438
00:30:17,470 --> 00:30:20,950
Winds have reached force 10 to 11 in the Bonin Islands. And conditions

439
00:30:21,450 --> 00:30:23,630
are not likely to improve locally until tomorrow evening.

440
00:30:24,910 --> 00:30:28,110
You won again. This darn weather.

441
00:30:28,610 --> 00:30:31,950
It's a real drag. Hey, where's that at?

442
00:30:35,790 --> 00:30:38,510
Oh, the old lady here told me about those.

443
00:30:39,480 --> 00:30:43,080
There are pictures of the village where Godzilla came ashore. It must have been over

444
00:30:43,580 --> 00:30:46,760
50 years ago. Yeah, but I thought that the army killed

445
00:30:47,260 --> 00:30:51,080
Godzilla, right? Sure, but it wasn't that poor creature's fault.

446
00:30:51,320 --> 00:30:54,960
How on earth could they do such a thing? Godzilla would be great as

447
00:31:14,990 --> 00:31:17,950
Hey, that wasn't an earthquake.

448
00:31:23,150 --> 00:31:27,310
You know. Like Yuri and her friends are at the Motosu

449
00:31:27,390 --> 00:31:30,870
police station. And they got that Old masturbator in custody.

450
00:31:31,370 --> 00:31:34,070
That old guy who's just been like looking at him from the woods and stuff.

451
00:31:34,570 --> 00:31:38,290
And like, I'm guessing, like, they don't show it, but it's funny to think

452
00:31:38,790 --> 00:31:42,490
that he's just furiously masturbating. I've heard the guys from podcasts

453
00:31:42,990 --> 00:31:45,210
on Haunted Hill and then like other people from the UK where they talk about

454
00:31:45,710 --> 00:31:49,090
how randomly walking through the forest you would just find porn staches that people would

455
00:31:49,590 --> 00:31:51,610
just have for like whacking in the woods that no one would catch them.

456
00:31:52,110 --> 00:31:56,290
Like that someone that repressed. And I do remember running into stashes

457
00:31:56,790 --> 00:31:59,490
as a kid like that before, like, even in the US it does happen.

458
00:31:59,990 --> 00:32:02,770
It was a lot more rare and way more fucking creepy when it happened where

459
00:32:03,270 --> 00:32:06,290
I grew up. Oh, well, I don't know.

460
00:32:06,790 --> 00:32:10,110
For me, it wasn't creepy. I mean, I can't divulge the details

461
00:32:10,610 --> 00:32:14,390
of that, but there is definitely some in the woods. Yeah.

462
00:32:14,890 --> 00:32:18,550
If you found your first porn magazine in the woods from somebody else's stash

463
00:32:19,050 --> 00:32:22,710
and stole it, you grew up in a rural area. And with

464
00:32:23,210 --> 00:32:26,390
that noise, the building starts to really shake and they show a guy in the

465
00:32:26,890 --> 00:32:30,230
toilet trying to take a piss with all of that shaking and making a huge

466
00:32:30,730 --> 00:32:34,070
mess. What is it with the Japanese in fucking scatological humor, man? What is

467
00:32:34,570 --> 00:32:35,830
it? I don't know, man.

468
00:32:38,310 --> 00:32:41,610
I do kind of appreciate somebody pissing in a Godzilla movie.

469
00:32:42,110 --> 00:32:44,650
I'm not gonna lie. Yeah, they do try to. That's the one thing the Millennium

470
00:32:45,150 --> 00:32:47,730
Series does. We have to mention that now. They do go a little bit more

471
00:32:48,230 --> 00:32:51,450
grown up with it. They do take everything a lot more seriously. This joke

472
00:32:51,950 --> 00:32:54,090
felt a little out of place, but at least it was a little more in

473
00:32:54,590 --> 00:32:58,170
keeping with that more grown up sense of humor with stuff, I suppose with

474
00:32:58,670 --> 00:33:01,690
a little bit of the scatological stuff. It's not at least a magic creature with

475
00:33:02,190 --> 00:33:05,130
magic piss that heals people. Like in Rebirth of Mothra. That was just a bad

476
00:33:05,630 --> 00:33:09,530
idea. All right. It cuts away from all of that with the

477
00:33:10,030 --> 00:33:13,430
huge mess piss every stuff to the outside of the building that that

478
00:33:13,930 --> 00:33:16,510
guy is in. And then we see him looking out of the window and he

479
00:33:17,010 --> 00:33:20,910
starts screaming as a giant Godzilla foot stomps the whole thing. And they cut from

480
00:33:21,410 --> 00:33:24,830
that to a television screen and a dude talking. That becomes our

481
00:33:24,990 --> 00:33:28,270
seventh clip. Artillery shells can do nothing

482
00:33:28,770 --> 00:33:31,950
to stop it. This animal has survived for eons.

483
00:33:32,350 --> 00:33:35,870
Atomic weapons and energy have given it extraordinary

484
00:33:36,370 --> 00:33:39,870
capacities for survival. But it's still an animal and it can still be

485
00:33:40,370 --> 00:33:44,170
Defeated. But I repeat, not with any. This animal

486
00:33:44,650 --> 00:33:48,490
represents the collective will to survive of many

487
00:33:48,990 --> 00:33:52,290
thousands of people. Collective will? This animal contains

488
00:33:52,790 --> 00:33:56,490
the restless souls of the countless people who perished during

489
00:33:56,990 --> 00:34:00,170
the terrible battles that took place during the Pacific conflict.

490
00:34:00,670 --> 00:34:03,530
Their souls in Godzilla. Say, Yuri,

491
00:34:03,690 --> 00:34:06,770
do you really believe that old fart? Huh? Well, he's not

492
00:34:07,270 --> 00:34:10,719
making it up. I know that the souls of all those. Everything he's told

493
00:34:11,219 --> 00:34:15,239
us was written in this book. You know, one of my wife's relatives,

494
00:34:15,879 --> 00:34:19,119
she says she was traveled by Godzilla. Really?

495
00:34:19,619 --> 00:34:22,439
That's interesting. If you ask me,

496
00:34:22,939 --> 00:34:25,879
Godzilla's old hat. Never mind. Just carry on with your project.

497
00:34:26,279 --> 00:34:30,199
Japan. Why does it want to destroy us? Because the

498
00:34:30,699 --> 00:34:34,519
Japanese people want to forget what happened. What?

499
00:34:35,399 --> 00:34:38,959
I have deemed everything preferable to forget the

500
00:34:39,459 --> 00:34:42,759
pain and the agony they inflicted on

501
00:34:43,259 --> 00:34:44,319
all those people.

502
00:34:47,999 --> 00:34:51,599
We're above Maganote Village now. The place has been completely level.

503
00:34:52,239 --> 00:34:55,599
It seems to have been due to a landslide. Over. Roger.

504
00:34:55,679 --> 00:34:58,919
Can you see any survivors? Over. Nothing yet. We'll make

505
00:34:59,419 --> 00:35:02,440
another low level pass and check. Over. Hey, that hill

506
00:35:02,940 --> 00:35:05,400
wasn't there before. What? That hill.

507
00:35:06,360 --> 00:35:09,640
Albatross, what's happening? My God,

508
00:35:09,720 --> 00:35:12,200
it's moving. Mayday. Leyday.

509
00:35:13,000 --> 00:35:16,680
Albatross, come in please. Albatross. Hey,

510
00:35:17,180 --> 00:35:20,360
come in. The earth remembers. The stones remember.

511
00:35:21,960 --> 00:35:25,320
If the earth and stones could only speak, they would tell us many things.

512
00:35:26,920 --> 00:35:30,170
It's a from proverb from American Indians. Stones can

513
00:35:30,670 --> 00:35:34,370
record history like a cd. Pressurized granite records geological

514
00:35:34,870 --> 00:35:38,490
information. So rocks can yield up history just like a CD

515
00:35:38,990 --> 00:35:43,090
can. You follow me? His spirits

516
00:35:43,590 --> 00:35:46,650
are another form of electricity. Maybe there's a way

517
00:35:47,150 --> 00:35:50,330
for them to be stored in stone. Could he have done

518
00:35:50,830 --> 00:35:54,420
that? Of course. And then he could have released all the souls

519
00:35:54,900 --> 00:35:58,060
and managed to find a way to channel the souls and somehow

520
00:35:58,560 --> 00:36:01,900
put them into the guardian monsters to wake them up. But why would

521
00:36:02,400 --> 00:36:06,100
he want to do that? To protect Japan against Godzilla.

522
00:36:06,180 --> 00:36:09,660
After the clip they cut to a dude using the

523
00:36:10,160 --> 00:36:13,660
last guardian statue in the forest to hang himself from a tree branch. As he

524
00:36:14,160 --> 00:36:17,500
is getting set up, the ground beneath him gives up and he falls

525
00:36:18,000 --> 00:36:21,580
into an underground cavern where he finds what he declares is a monster in

526
00:36:22,080 --> 00:36:25,130
the start of our eighth clone monster.

527
00:36:27,520 --> 00:36:31,440
From information contained in these reports by the Defense Agency,

528
00:36:31,520 --> 00:36:35,480
we have now come to the conclusion that the monster that attacked

529
00:36:35,980 --> 00:36:39,840
the American submarine and a Japanese island is likely to

530
00:36:40,340 --> 00:36:44,160
have been Godzilla. So the government has issued a security bulletin

531
00:36:44,400 --> 00:36:47,200
for all areas around the coast of Japan.

532
00:36:47,680 --> 00:36:51,160
Godzilla. Godzilla's coming. He's gonna

533
00:36:51,660 --> 00:36:55,130
kill. Come on, Father.

534
00:36:55,630 --> 00:36:58,290
The least you could do is tell me. What could I tell You? Oh,

535
00:36:58,790 --> 00:37:02,410
come on. I mean about Godzilla. Of course. I'm a reporter. Then you should have

536
00:37:02,910 --> 00:37:07,290
other sources. Don't rely on me. Maritime Defense Agency Look, I should tell you I

537
00:37:07,790 --> 00:37:08,970
have some important information for you.

538
00:37:11,130 --> 00:37:15,450
Starboard 15, half ahead. Clear forward deck.

539
00:37:18,660 --> 00:37:21,140
Report from the Echo. Southeast area clear.

540
00:37:21,700 --> 00:37:25,500
Anything on long range? It's been three days already. Still no

541
00:37:26,000 --> 00:37:30,340
sign of Godzilla, Sir. To be honest, some of the men don't think Godzilla exists.

542
00:37:31,540 --> 00:37:35,620
So you see, Baragon, Mothra and Ghidorah are there to protect us. The Guardian

543
00:37:36,120 --> 00:37:39,780
Monsters. I don't understand. Why attack us, then? Well, what they're defending is our homeland.

544
00:37:40,280 --> 00:37:43,580
Yes, that's the difference. Our homeland. Nothing to do with the nation. The homeland

545
00:37:44,080 --> 00:37:47,180
means the mountains and rivers and forests and things. You really believe this? Fairy tales?

546
00:37:47,970 --> 00:37:51,050
All I can say, Father, is his story is believable. Do you have a better

547
00:37:51,550 --> 00:37:54,610
story? But one thing I don't understand is our soldiers died for their country.

548
00:37:55,110 --> 00:37:58,890
So why do they now want to destroy Japan? But so many other people suffered.

549
00:37:59,390 --> 00:38:02,930
All over Asia. The spirits are overwhelmingly more numerous. Don't you see that?

550
00:38:03,970 --> 00:38:07,570
Morning, sir. I've just returned from the Bonins. Glad to see you, Captain. My daughter.

551
00:38:07,890 --> 00:38:11,890
The island's a disaster zone, I'm afraid. The government has decided to cancel

552
00:38:12,390 --> 00:38:15,630
operations. They've cancelled everything. We're to maintain our surveillance.

553
00:38:15,710 --> 00:38:19,230
However, the minister doubts its existence. These years of peace seem to

554
00:38:19,730 --> 00:38:22,870
have dimmed the memories of what happened. But I haven't forgotten those events, Captain.

555
00:38:23,370 --> 00:38:26,750
Oh, no. I remember perfectly. Fifty years ago, the sky was red.

556
00:38:27,710 --> 00:38:31,070
Buildings and railroads destroyed by Godzilla.

557
00:38:31,710 --> 00:38:36,870
A nightmare. Its huge and menacing figure slowly

558
00:38:37,370 --> 00:38:37,550
advancing.

559
00:38:42,180 --> 00:38:45,060
I could see its head. The head of a devil.

560
00:38:45,560 --> 00:38:46,260
Enraged with hate,

561
00:38:49,860 --> 00:38:53,820
I ran. I ran for my life, trying to

562
00:38:54,320 --> 00:38:58,100
find a refuge. When the terror ended, my parents were gone.

563
00:38:58,340 --> 00:38:59,140
Gone forever.

564
00:39:04,100 --> 00:39:06,180
I, for one, shall never forget those events.

565
00:39:08,110 --> 00:39:10,990
The terrible screams, the people being trampled.

566
00:39:12,590 --> 00:39:15,950
Yes, that's right. Send your report urgently.

567
00:39:16,430 --> 00:39:19,790
Right. The epicenter. Readings show it's moving underground.

568
00:39:20,270 --> 00:39:22,750
Nagano reports the epicenter's moved underground.

569
00:39:24,110 --> 00:39:27,910
Epicenter's still moving in a southward direction. Do you think

570
00:39:28,410 --> 00:39:31,950
that we should issue another warning? It will make a difference. They're not even ready

571
00:39:32,450 --> 00:39:34,840
to move yet. More updates. Better tell the commander.

572
00:39:38,760 --> 00:39:42,080
I recorded it. My father's story. Good idea. And I found

573
00:39:42,580 --> 00:39:45,520
it very moving, to be honest. Welcome. Hello, sir. I don't think we should use

574
00:39:46,020 --> 00:39:49,200
it, do you? I recorded it for my own use. I'm also his daughter,

575
00:39:49,700 --> 00:39:52,920
remember? In that case, you should be able to convince him about the Guardian Monster,

576
00:39:53,420 --> 00:39:57,200
shouldn't you? And here well, Dad's also a navy commander. It now appears that the

577
00:39:57,700 --> 00:40:00,500
earthquake in Nagano Prefecture is not the epicenter.

578
00:40:01,000 --> 00:40:04,740
Seems to be moving strangely and is heading in a southerly direction. The epicenter.

579
00:40:05,240 --> 00:40:08,740
It's moving. I heard it was felt first in Niigata

580
00:40:09,240 --> 00:40:12,420
and later on this afternoon in Shizuoka Civil Defenses.

581
00:40:13,700 --> 00:40:15,620
If it's Nagata, it must be Baragon,

582
00:40:16,980 --> 00:40:19,940
Nigata, Keda and Fuji.

583
00:40:21,780 --> 00:40:25,340
According to the latest data. If I understand understand

584
00:40:25,420 --> 00:40:29,180
it. We have another monster apart from Godzilla, moving underground.

585
00:40:30,300 --> 00:40:33,580
That's impossible. But we have proof.

586
00:40:33,900 --> 00:40:37,500
This is definitely a living entity. Yes,

587
00:40:37,740 --> 00:40:41,540
and even more incredible, the locations concerned

588
00:40:42,040 --> 00:40:44,220
are exactly the locations that are mentioned in the legend.

589
00:40:45,100 --> 00:40:47,500
What? You mean the guardian monster, Sir?

590
00:40:48,220 --> 00:40:51,390
You know about the ancient legend too? It was a

591
00:40:51,890 --> 00:40:55,150
monster. It was in that cave underground. I tell you,

592
00:40:55,650 --> 00:40:58,950
it had a horrible head on. Is going to come and

593
00:40:59,450 --> 00:41:01,710
get us. Well, if you're sure about it, why don't you put it on your

594
00:41:02,210 --> 00:41:05,510
website? What I'm telling you is true. The earth starts shaking once

595
00:41:06,010 --> 00:41:09,310
again. And that actually takes us over the first third of

596
00:41:09,810 --> 00:41:13,390
the film. So it's here that I realized that this

597
00:41:13,890 --> 00:41:17,910
movie is, up until this point anyway, is portraying Godzilla

598
00:41:18,410 --> 00:41:22,430
as a slasher villain. Because your old masturbator

599
00:41:22,930 --> 00:41:26,230
man in the woods, he's your harbinger of Dune type

600
00:41:26,470 --> 00:41:29,550
archetype. You know, like you're, you know, like at the beginning of Friday the

601
00:41:30,050 --> 00:41:33,270
13th, you know, like, oh, you're all gonna go to Camp Blood and die

602
00:41:33,770 --> 00:41:37,430
up there. Type of. With the neck rods flaring out as he says it.

603
00:41:37,930 --> 00:41:42,390
Yeah, yeah. You know, like you. You have all that. And then Godzilla

604
00:41:42,890 --> 00:41:46,950
is kind of going around and like, you know, he's killing the. The kids

605
00:41:47,270 --> 00:41:50,710
around playing ping pong. There's there

606
00:41:51,010 --> 00:41:54,090
big thing with all of this, and I don't know if this is something you

607
00:41:54,590 --> 00:41:57,850
wanted to talk to later, but Godzilla is kind

608
00:41:58,350 --> 00:42:01,970
of going out. It's not even kind of. He is going out.

609
00:42:02,470 --> 00:42:05,250
And if people are not honoring the past,

610
00:42:05,570 --> 00:42:09,370
Japan's past specifically, he's just flat out

611
00:42:09,870 --> 00:42:13,930
murdering them. So it's kind of like your vice kills in a slasher

612
00:42:14,430 --> 00:42:17,890
movie. There's a lot of that where we don't see that yet, but it does

613
00:42:18,390 --> 00:42:22,090
end up happening where he's finally getting into actually start smashing shit. But we do

614
00:42:22,590 --> 00:42:25,310
see like the guy that, that was pissing on the. The all over the place

615
00:42:25,810 --> 00:42:28,590
and the people that were there in the room whenever the. That building that he

616
00:42:29,090 --> 00:42:32,990
stomped on, he specifically saw that guy in there, like, and he was drawn

617
00:42:33,490 --> 00:42:36,870
to something that there was happening in that building with the other people that

618
00:42:37,370 --> 00:42:40,750
was there. And he was specifically going to destroy that building. This isn't just a

619
00:42:41,250 --> 00:42:45,350
random animal smashing stuff. This is a possessed fucking zombie

620
00:42:45,850 --> 00:42:48,950
Godzilla that is like you said, it's like Jason, he's just, all he hears is

621
00:42:49,450 --> 00:42:51,870
killer, mommy killer. And he's just going, you know what I mean? Or choo,

622
00:42:52,370 --> 00:42:55,490
choo, choo, hahaha. Kill, kill, kill. Like atomic, atomic,

623
00:42:55,990 --> 00:42:58,570
atomic. Breath, breath, breath, blast, blast, blast. You know?

624
00:42:59,530 --> 00:43:03,450
Yeah, because those kids were, you know, they saw like a picture

625
00:43:03,950 --> 00:43:07,890
of the village that was destroyed in the

626
00:43:08,390 --> 00:43:11,650
original Gojira and they kind of made fun of it. They're like, oh yeah,

627
00:43:12,150 --> 00:43:14,770
you know, like, I bet Godzilla would make a good pet. It's a shame that

628
00:43:15,270 --> 00:43:19,370
they killed them. Yeah, in one of our clips. Yeah, exactly. Yeah. So they were

629
00:43:19,870 --> 00:43:23,150
just kind of being disrespectful and, and they got their fucking asses handed to them

630
00:43:23,650 --> 00:43:27,150
for it. It's interesting too, because the guardian monsters have a similar pattern where

631
00:43:27,650 --> 00:43:31,670
if you are not necessarily just even just like just being disrespectful and

632
00:43:32,230 --> 00:43:36,230
generally destructive and just mischievous and like the Godzilla

633
00:43:36,730 --> 00:43:39,150
punished the biker guys for what they were doing and not honoring the past and

634
00:43:39,650 --> 00:43:43,350
being the miscreants that they were. But even Mothra when she emerges,

635
00:43:43,850 --> 00:43:48,070
then there's a guy who's trying to hang himself that ends up discovering Ghidorah,

636
00:43:48,150 --> 00:43:51,510
but it ends up scaring him so much that he stops wanting to die

637
00:43:52,010 --> 00:43:55,930
anymore and he obvious flees and tells people what he found. So that's like

638
00:43:56,430 --> 00:43:59,930
a really weird thing. Like it's almost like the creatures have like a reverse or

639
00:44:00,430 --> 00:44:04,250
moral aspect to them where they're trying to not necessarily punish,

640
00:44:04,750 --> 00:44:08,450
but like correct, you know, and, but Godzilla's there to punish, but the

641
00:44:08,950 --> 00:44:12,170
guardians are there to almost like try to guide and correct and teach because some

642
00:44:12,670 --> 00:44:15,050
of the kids don't drown when they try to drown the puppy. But Mothra still

643
00:44:15,550 --> 00:44:17,490
fucks up their day. Right. Like he does. You know? You know what I mean?

644
00:44:17,990 --> 00:44:19,490
And like she goes near them and she scares the shit out of them.

645
00:44:19,990 --> 00:44:21,690
And I'm pretty sure they're going to go down the straight and narrow now that

646
00:44:22,190 --> 00:44:25,710
they've got a fucking Mothra lava to fear. Right? For sure.

647
00:44:26,030 --> 00:44:29,790
I think it's interesting that this Godzilla was actually an even more angry

648
00:44:30,290 --> 00:44:33,790
response to the negative feedback they were getting that just

649
00:44:34,290 --> 00:44:37,470
kept spiraling after the Broderick Godzilla where they just went ahead

650
00:44:37,970 --> 00:44:41,390
and accepted it and then they just made this really mean spirited, really just

651
00:44:41,890 --> 00:44:44,990
cruel punishing Godzilla and Then we're like, you know what? We're going to flip the

652
00:44:45,490 --> 00:44:47,950
entire universe on its head and see what you think about that. We're going to

653
00:44:48,450 --> 00:44:51,350
make certain characters become heroes that have been monsters, and we're going to make other

654
00:44:51,850 --> 00:44:55,110
ones become the villain. Godzilla's always an anti. Is.

655
00:44:55,610 --> 00:44:59,250
Yeah. Godzilla' always an anti hero. I'm almost always an anti

656
00:44:59,750 --> 00:45:02,250
hero. There's some times where he's 100% the good guy in the 70s movies,

657
00:45:02,750 --> 00:45:06,370
you know, around like, Mechagodzilla time, sure. But he's almost always the anti

658
00:45:06,870 --> 00:45:10,010
hero, but he's never really fully the villain. It's just kind of

659
00:45:10,510 --> 00:45:13,730
this thing that we have to live around. Right. Because it just exists or we

660
00:45:14,230 --> 00:45:17,250
have to deal with in some way, shape, or form. In this one, he's 100%,

661
00:45:17,750 --> 00:45:21,290
like you said, he's a slasher villain. He's a villain in this. He's specifically targeting

662
00:45:21,790 --> 00:45:25,410
people. And we need to make that point because it

663
00:45:25,910 --> 00:45:28,410
makes it more interesting if you enjoy it on that level. But also if,

664
00:45:28,950 --> 00:45:31,790
like me, when you watch this film and you just want a traditional Godzilla film,

665
00:45:32,290 --> 00:45:35,550
you can find a little frustrating too. So do you know. Do you

666
00:45:36,050 --> 00:45:39,110
know a lot about the director of this movie? No. Did you look into this

667
00:45:39,610 --> 00:45:43,270
at all? No, I'm not. Because. Because. Okay, so this movie is actually very

668
00:45:43,770 --> 00:45:46,990
interesting as far as any.

669
00:45:47,490 --> 00:45:50,710
Any Kaiju lore goes, because the director of this is

670
00:45:51,030 --> 00:45:54,150
Shusuke Kaneko. Right. And he.

671
00:45:54,230 --> 00:45:56,950
Did you watch the Gamer trilogy from the 90s?

672
00:45:57,270 --> 00:46:00,730
I have it. It's been a really long time since I've seen Do

673
00:46:01,230 --> 00:46:03,410
have it. I. I just. I'm not as big of a fan of Gamera,

674
00:46:03,910 --> 00:46:05,890
but I do like the 90s ones. Those are like the only ones I really

675
00:46:06,390 --> 00:46:09,770
like. So I will say this. As far as his

676
00:46:10,270 --> 00:46:14,090
visual style goes, this movie compared to the

677
00:46:14,590 --> 00:46:18,130
Gamera trilogy is. It doesn't even, like, hold up to

678
00:46:18,210 --> 00:46:22,010
Gamera, honestly. Because those movies especially like

679
00:46:22,510 --> 00:46:26,050
the first two, I guess even the third, the third has some CG in it

680
00:46:26,550 --> 00:46:29,290
that kind of takes it down a notch. But if you want to see like

681
00:46:29,790 --> 00:46:33,390
some Kaiju movies that make you give a about human characters,

682
00:46:34,030 --> 00:46:37,550
the entire trilogy has, like, through lines with human

683
00:46:38,050 --> 00:46:41,310
characters that you follow and you actually care about.

684
00:46:41,810 --> 00:46:45,790
Like you're interested in what they're doing. And the miniature work in those movies

685
00:46:46,350 --> 00:46:49,510
is. Some of it actually is the best

686
00:46:50,010 --> 00:46:53,390
I've ever seen. Wow. I bring it up to Brennan all the time.

687
00:46:53,890 --> 00:46:57,070
There's one scene where it's like a scene on the street

688
00:46:57,570 --> 00:47:01,230
and you See a bicycle. And my suspension of disbelief

689
00:47:01,520 --> 00:47:05,680
is completely like, there is no disbelief. Like it is a

690
00:47:05,920 --> 00:47:09,280
bicycle. And Kaiju interacts with that street level

691
00:47:09,360 --> 00:47:12,400
action and it's so believable, it's so good.

692
00:47:12,560 --> 00:47:16,160
And I hate to say it, but unfortunately, like in this movie,

693
00:47:16,660 --> 00:47:20,880
it just doesn't hold up. Like it's not there. Like that magic of believability

694
00:47:21,120 --> 00:47:25,040
is kind of lost in this movie. And I kind of blame Toho

695
00:47:25,540 --> 00:47:29,520
for it. He's gone on and he's done a lot more work since then.

696
00:47:30,020 --> 00:47:33,080
Especially like modern work. A lot of things. Yeah, I was not aware of that

697
00:47:33,580 --> 00:47:35,420
at all. All. And like I said, I have those Gamera ones and I've never

698
00:47:35,920 --> 00:47:38,580
been that big of a fan of Gameran. I never really fully gave them a

699
00:47:39,080 --> 00:47:41,020
chance to pay attention to them. But now you're making me think that I need

700
00:47:41,520 --> 00:47:44,700
to go back and revisit those 90s Gamera. Seriously, go back.

701
00:47:45,580 --> 00:47:48,740
They're literally the only ones that I've ever liked. So, yeah, if.

702
00:47:49,240 --> 00:47:52,580
If you go back and. And then like watch those and then

703
00:47:53,080 --> 00:47:56,500
watch this, there's elements in this that are

704
00:47:57,000 --> 00:48:00,520
really good. Like later on, like some of the lighting and stuff. Stuff. But there's

705
00:48:01,020 --> 00:48:04,400
just like a weird, flat Toho something going on

706
00:48:04,900 --> 00:48:08,280
in this that like, I know that this director is capable of

707
00:48:08,780 --> 00:48:13,160
like really bringing it unless there's an element of. He just wanted

708
00:48:13,660 --> 00:48:17,320
to make a very classic Godzilla movie because some of

709
00:48:17,820 --> 00:48:21,280
the sets and stuff just like. There's like a weird cheapness to this. Yeah,

710
00:48:21,780 --> 00:48:25,160
I think that's Toho. We've been seeing that happening to all of these Toho movies

711
00:48:25,660 --> 00:48:28,600
for a little while. Like Even in Godzilla 2000,

712
00:48:29,100 --> 00:48:32,500
they were cutting some corners with some of the effects and things like

713
00:48:33,000 --> 00:48:36,540
that. And we're relying on bad compositing and all of that. So I don't disagree.

714
00:48:37,040 --> 00:48:40,300
Yeah, there, it's. This whole series is a lot of like, well,

715
00:48:41,020 --> 00:48:44,620
we want a very wide shot of Godzilla

716
00:48:45,120 --> 00:48:48,060
and there's going to be some buildings in the foreground. Then he's going to be

717
00:48:48,560 --> 00:48:51,700
smashing a building on his level. But we're never going to get a sense

718
00:48:52,200 --> 00:48:55,540
of scale or his legs other than building. Yeah, I mean, this guy, he tries

719
00:48:56,040 --> 00:48:59,300
to do it. There's. There's a couple like, like ground up shots in

720
00:48:59,800 --> 00:49:03,520
this that are nice to like add a sense of scale. But for the part,

721
00:49:04,020 --> 00:49:07,640
I think like Toho just kind of strips it of creativity. Unfortunately,

722
00:49:07,720 --> 00:49:11,360
in this millennium series for sure, I would disagree with all the 90s

723
00:49:11,860 --> 00:49:14,960
stuff. I think there's a lot of good stuff there, but I'm very disappointed in

724
00:49:15,460 --> 00:49:18,560
revisiting these so far. Oh, no, that's for sure. Yeah. The millennium.

725
00:49:19,060 --> 00:49:20,840
Yeah. All right. Well, do you have anything else you want to add, or do

726
00:49:21,340 --> 00:49:23,320
we want to jump into the next third? I think we're good for now.

727
00:49:23,820 --> 00:49:27,120
Okay. All right. So the middle act starts with the earthquake being revealed to be

728
00:49:27,620 --> 00:49:31,120
a Kaiju rising from the earth and digging out the jail and a bunch of

729
00:49:31,620 --> 00:49:35,420
other buildings before people fire on it and talk

730
00:49:35,920 --> 00:49:38,780
about it. So, as you know, this is our way. It's our ninth clip.

731
00:49:39,280 --> 00:49:42,740
Attention, mobile units. We have received a report that the monster causing the tremors

732
00:49:43,240 --> 00:49:46,580
has surfaced. What is it? The monster looks like Godzilla.

733
00:49:47,080 --> 00:49:50,340
Godzilla? The monsters come up. What kind?

734
00:49:50,660 --> 00:49:55,620
A guardian monster or Godzilla monster

735
00:49:56,120 --> 00:49:59,260
is at least 30 meters long. It walks on all fours and has a

736
00:49:59,760 --> 00:50:02,670
reddish skin. Moving through Gotenbar, near Mount Fuji.

737
00:50:05,710 --> 00:50:09,110
A red monster. Not Godzilla. The information we're receiving?

738
00:50:09,610 --> 00:50:12,630
Still pretty confused, sir. But we do know that it's not Godzilla.

739
00:50:13,130 --> 00:50:16,670
I think we should send the fighter squadron based at the coast. The anti Godzilla

740
00:50:17,170 --> 00:50:21,230
plan? Negative. The latest reports

741
00:50:21,730 --> 00:50:24,950
coming in say that the red Godzilla is still on the move. They'll soon be

742
00:50:25,450 --> 00:50:29,000
back in port. Hey, skip, Red Godzilla's

743
00:50:29,500 --> 00:50:32,040
at Gotenba. What do you mean Godzilla isn't red?

744
00:50:33,320 --> 00:50:36,680
He's heading this way, Skipper. Go on, get the lines ready.

745
00:50:43,240 --> 00:50:44,200
What's going on?

746
00:50:48,520 --> 00:50:52,240
The adorable Baragon showing up, traveling around a valley

747
00:50:52,740 --> 00:50:55,820
and just looking amazing is obviously not a

748
00:50:56,320 --> 00:50:59,300
Godzilla. I don't know why they keep calling these things a Godzilla in this.

749
00:50:59,800 --> 00:51:03,060
It just really is irritating. One of the choices the filmmakers made was any giant

750
00:51:03,560 --> 00:51:06,940
monster gets called Godzilla at the start of this before they start trying

751
00:51:07,440 --> 00:51:10,460
to differentiate from there. And I find that really frustrating and irritating. I get

752
00:51:10,960 --> 00:51:14,500
it, though, because I think the idea with this is that

753
00:51:15,780 --> 00:51:19,540
after the original Godzilla attack, that was it. No more monsters

754
00:51:20,040 --> 00:51:24,000
after that until. Until now. So nobody's seen any other monster.

755
00:51:24,080 --> 00:51:27,080
No other monsters exist, just Godzilla.

756
00:51:27,580 --> 00:51:31,560
And there's even the part where there's the old man on the boat, and I

757
00:51:32,060 --> 00:51:35,800
think he sees Baragon, and he's just like, that's not Godzilla.

758
00:51:36,300 --> 00:51:39,760
And they keep calling it Red Godzilla, you know? And everybody's like, all the old

759
00:51:40,260 --> 00:51:43,400
people know what's what, and the young people don't know

760
00:51:43,900 --> 00:51:47,160
shit. And so that's part of the lesson with this is like, yeah,

761
00:51:47,660 --> 00:51:50,320
the young people don't know. Then at the end of the clip, the Godzilla of

762
00:51:50,820 --> 00:51:53,940
this film shows up and does a bit of ship damage by Picking up and

763
00:51:54,440 --> 00:51:57,900
dropping a ship as he emerges from the ocean in a terrific set of shots.

764
00:51:58,400 --> 00:52:01,860
That works great for this suit sculpt. There's an underside shot of

765
00:52:02,360 --> 00:52:05,060
Godzilla coming up out of the water that looks incredible and is lit really,

766
00:52:05,560 --> 00:52:08,900
really well. And I think it really kind of appeals to the discussion that we

767
00:52:09,400 --> 00:52:12,220
just had about how the suit could look really good if it was done a

768
00:52:12,720 --> 00:52:16,020
little bit differently. And that was not your standard Toho shot. So that really makes

769
00:52:16,520 --> 00:52:19,060
sense about this director and makes me want to check out that camera stuff now.

770
00:52:19,560 --> 00:52:22,900
Oh, do it. No, no, no. I mean, I think like, these suits

771
00:52:23,400 --> 00:52:27,260
are fucking amazing. Yeah. This is one of the coolest

772
00:52:27,760 --> 00:52:31,340
Godzilla's ever. I can see where you would like that. For sure.

773
00:52:31,840 --> 00:52:35,140
It's not my. My cup of tea. I prefer the sculpt from the original 2000

774
00:52:35,300 --> 00:52:38,540
with the big spiky pink stuff and all that. I like the way that

775
00:52:39,040 --> 00:52:42,700
looks. Totally do. So that's just my preference though. But everybody's got their own preference.

776
00:52:43,200 --> 00:52:45,460
Yeah. I still have this one as an action figure because it looks fucking cool.

777
00:52:45,690 --> 00:52:49,370
Don't get me wrong, I just love those white eyes.

778
00:52:49,870 --> 00:52:53,730
Yeah. Yeah. The zombie Godzilla is fucking cool. They cut from that to Baragon back

779
00:52:54,230 --> 00:52:56,570
on the move, and then to the cave where the old man stands with the

780
00:52:57,070 --> 00:53:01,010
Last Guardian statue to unleash it. They cut back to Big G smashing shit

781
00:53:01,510 --> 00:53:05,410
up and then to a conference room for some more of that military expository dialogue

782
00:53:05,910 --> 00:53:09,330
we absolutely love. In our 10th clip, Godzilla. Is it Yaizu? Well then, what's out

783
00:53:09,830 --> 00:53:13,050
of Gotemba? Alright now, that's enough. We must wait for for confirmation.

784
00:53:13,550 --> 00:53:16,810
We've searched everywhere for it, but we just couldn't find it. Tell all army units

785
00:53:17,310 --> 00:53:20,690
to stand by. They cut from this two. Godzilla stalking the city

786
00:53:21,190 --> 00:53:24,890
when a woman in the hospital wakes up to the shaking and sees

787
00:53:25,390 --> 00:53:29,370
Godzilla coming towards her room in the hospital. She's in traction and cannot

788
00:53:29,870 --> 00:53:34,090
leave and is in fear and terror as the beast walks past. But it seems

789
00:53:34,590 --> 00:53:37,930
like she will be safe as she sighs in relief. Then there is a huge

790
00:53:38,430 --> 00:53:42,250
tail smash that completely destroys the hospital. And they cut from

791
00:53:42,750 --> 00:53:46,630
that to our 11th clip. Godzilla has been confirmed at Shimizu

792
00:53:47,130 --> 00:53:50,270
and is now reported to be heading northwards, sir. All fighter units are on red

793
00:53:50,770 --> 00:53:52,910
alert. Ready to go, sir. Is there time,

794
00:53:53,950 --> 00:53:56,670
Minister? We have to wait for the Cabinet's decision.

795
00:53:57,470 --> 00:54:01,470
There's a great lizard outside. Evacuate the shop immediately.

796
00:54:02,190 --> 00:54:05,670
Get out of here. Evacuate. Get out of here

797
00:54:06,170 --> 00:54:08,110
quick. Godzilla is just a legend.

798
00:54:09,630 --> 00:54:12,790
And with that, people continue to flee in Terror. And Big G does a

799
00:54:13,290 --> 00:54:16,650
power up as we see his atomic breath gaining power. Then they cut away

800
00:54:17,150 --> 00:54:20,650
from that to a classroom. That starts our 12th clip. Yuri.

801
00:54:21,210 --> 00:54:24,330
So you're not afraid? No. I want to see it.

802
00:54:24,650 --> 00:54:27,770
The guardian monster might attack us. Have you thought of that? Yuri,

803
00:54:27,850 --> 00:54:30,890
have you got the stone? In my bag. You think it's an amulet?

804
00:54:31,370 --> 00:54:34,810
Godzilla has been seen heading toward the spa town of Hakone.

805
00:54:34,970 --> 00:54:38,210
A meeting of all cabinet ministers is now taking place to

806
00:54:38,710 --> 00:54:42,210
decide what measures should be taken for defense. All Defense Agency personnel.

807
00:54:42,710 --> 00:54:46,020
Call that helicopter. I'll never catch it in a car. It'll lead us to.

808
00:54:46,170 --> 00:54:48,490
To Godzilla. Go on. I'm sure it will.

809
00:54:50,490 --> 00:54:53,050
That's it. What do you mean?

810
00:54:53,530 --> 00:54:56,970
I think I found it. Where that monster is heading to? I mean, where?

811
00:54:57,690 --> 00:55:00,090
I think it's heading towards Godzilla.

812
00:55:01,450 --> 00:55:04,490
Godzilla? Yes, sir. Near Hakone.

813
00:55:04,650 --> 00:55:08,290
And at this rate, he'll be here tomorrow. If we

814
00:55:08,790 --> 00:55:12,390
act immediately, we can place artillery at the Sakami River. Sir. But can we

815
00:55:12,620 --> 00:55:15,580
be sure he's heading this way? I'm certain he is.

816
00:55:15,820 --> 00:55:19,660
He's heading right for Tokyo, like last time. But why?

817
00:55:19,740 --> 00:55:23,100
Why always here? Aragon cited, sir. At Hakone,

818
00:55:23,660 --> 00:55:27,260
have they managed to evacuate everybody yet? At the end of the clip, they cut

819
00:55:27,760 --> 00:55:31,340
to some folks riding in a gondola that are scared shitless by Baragon.

820
00:55:31,840 --> 00:55:34,660
And then people talk about how cute it is and how they want to take

821
00:55:35,160 --> 00:55:37,980
a photo of it, and I completely agree. Yeah, I don't blame him.

822
00:55:38,220 --> 00:55:41,420
Man, that whole scene with the school. Yeah. With the.

823
00:55:41,740 --> 00:55:45,540
The Godzilla can become an H bomb bomb now, or an atomic

824
00:55:46,040 --> 00:55:49,900
bomb and blow up the city. Right. Honestly, it does a lot with

825
00:55:50,400 --> 00:55:53,900
very little. Where it's this teacher in school and then something happens

826
00:55:54,400 --> 00:55:57,420
and they're all looking out the window, and it's the flash of light,

827
00:55:57,660 --> 00:56:01,300
and then it cuts to where they're looking out the window

828
00:56:01,800 --> 00:56:04,940
and you get the mushroom cloud. And that's just ominous as fuck.

829
00:56:05,020 --> 00:56:08,460
Holy shit. Yeah, like you're. Really. Because, like, part of

830
00:56:08,960 --> 00:56:13,110
this Godzilla is just like all this trauma of Japan, Japan just possessing

831
00:56:13,610 --> 00:56:18,190
him. And it's right there in that shot. Like, that whole scene right there encapsulates

832
00:56:18,270 --> 00:56:22,310
all of that. I almost wonder if that was like a release of some of

833
00:56:22,810 --> 00:56:26,510
that, where, you know, he's targeting specific people and he's doing specific

834
00:56:26,590 --> 00:56:30,350
things where. If you're not. Not necessarily honoring the past, but if you're

835
00:56:30,850 --> 00:56:34,110
not aware of what happened with the original Godzilla and then all of that stuff

836
00:56:34,610 --> 00:56:37,310
that happened and all of the horrific things that Japan is guilty of in the

837
00:56:37,810 --> 00:56:39,920
war. Because there is some things that they say in the clips where a of

838
00:56:40,420 --> 00:56:43,860
lot, A lot of this version of Godzilla has been resurrected because of the souls

839
00:56:44,360 --> 00:56:48,700
of the dead that want to punish Japan for what they did in the Pacific

840
00:56:49,200 --> 00:56:52,300
wars during World War II and things like that. And I think it's really interesting

841
00:56:52,800 --> 00:56:56,019
that whoever wrote that and whoever decided to put that in there is acknowledging no,

842
00:56:56,519 --> 00:56:58,540
Japan did some fucked up shit and we deserve to be punished. You know what

843
00:56:59,040 --> 00:57:02,700
I mean? It's very. I don't know how to.

844
00:57:02,860 --> 00:57:06,180
I'm lost for words as to what to describe that as, but it seems

845
00:57:06,680 --> 00:57:09,340
like self flagellating is the word would be perfect for me right now.

846
00:57:10,780 --> 00:57:14,800
No, you're. It's, it's very heavy and it's very

847
00:57:15,300 --> 00:57:18,920
self reflective. Absolutely. Which we're not. Which we're, we're not going to get that here.

848
00:57:19,880 --> 00:57:24,040
No, you will never have. No, you will never have a movie

849
00:57:24,120 --> 00:57:27,360
like that where it isn't hidden because it would be way too woke

850
00:57:27,860 --> 00:57:31,440
in America and you just wouldn't. Every, every time you do it

851
00:57:31,940 --> 00:57:35,600
will just be stomped down by some dipshit and

852
00:57:36,100 --> 00:57:39,480
decried loke. All right, let's get back into the notes. Well, that's very woke if

853
00:57:39,980 --> 00:57:43,390
you call her. While that woman is posing for the photo that

854
00:57:43,890 --> 00:57:47,110
we were talking about there with Baragon being in front

855
00:57:47,610 --> 00:57:51,030
of the gondola, the big G is in her sights and we don't

856
00:57:51,530 --> 00:57:55,030
get to see him just yet. We just see her looking at

857
00:57:55,530 --> 00:57:59,550
him coming up over the mountain. She looks super terrified. And then he buries

858
00:57:59,630 --> 00:58:03,430
everything as he kicks his way through. And I mean right the

859
00:58:03,930 --> 00:58:07,150
fuck through the mountain. That is, in his way, that looked incredible.

860
00:58:07,310 --> 00:58:10,470
All the rocks falling at the people, the model work for that. The way that

861
00:58:10,970 --> 00:58:14,130
it gets out of the way, him coming through the mountain and the shot that

862
00:58:14,630 --> 00:58:18,170
they had where Godzilla was looking up at them or looking down at them

863
00:58:18,670 --> 00:58:22,690
over the mountain really reminded me of the original Godzilla when he first gets revealed

864
00:58:23,190 --> 00:58:25,170
and we see him coming up over the mountain that way. Yeah, that's a good

865
00:58:25,670 --> 00:58:29,250
take on that. I really feel like there's quite a few things that were happening

866
00:58:29,750 --> 00:58:31,970
in this movie that I was thinking about that there's a lot of little winks

867
00:58:32,470 --> 00:58:35,410
and nods. I tried to write them down when I noticed them, but it does

868
00:58:35,910 --> 00:58:38,890
feel almost like a super fan film in certain aspects of this too, because there's

869
00:58:39,390 --> 00:58:42,170
a lot of little fan service winks and nods for certain things like that.

870
00:58:42,490 --> 00:58:45,350
Yeah. And that is definitely, definitely the director,

871
00:58:45,670 --> 00:58:49,710
like that is. That's his jam. He loves all this and is willing to just,

872
00:58:50,210 --> 00:58:53,150
like, throw those little nuggets in there for everybody. If you get him, you get

873
00:58:53,650 --> 00:58:57,150
them. If you don't, you don't. It's just all about just loving it. After Godzilla

874
00:58:57,650 --> 00:59:01,030
breaks through that mountain, Baragon and him are starting to square off.

875
00:59:01,530 --> 00:59:05,110
And there is the typical bullshitting that goes along with that,

876
00:59:05,610 --> 00:59:08,910
where people are offering their own sort of commentary over top of it. That's too

877
00:59:09,410 --> 00:59:12,220
good. That's some good clipping. I'm gonna take that. So that's our 13th clip.

878
00:59:23,580 --> 00:59:26,140
I think the monsters are going to fight, sir. Are you sure?

879
00:59:33,340 --> 00:59:36,220
Hey, look, it's going to be some fight.

880
00:59:37,100 --> 00:59:40,420
Look, the whole thing's live on the television. It's unbelievable.

881
00:59:40,920 --> 00:59:42,460
Godzilla's much bigger than I thought it'd be.

882
00:59:43,980 --> 00:59:47,020
Idiots. Get out of our airspace.

883
00:59:58,380 --> 01:00:00,700
The red monster has suddenly disappeared underground.

884
01:00:00,940 --> 01:00:04,110
Godzilla's looking around. He doesn't seem to understand where his

885
01:00:04,610 --> 01:00:08,550
enemy's gone. There are still hundreds of people in the area. Hey, where's that helicopter?

886
01:00:09,910 --> 01:00:13,790
They've outsmarted us. And with that, Baragon emerges from further up and takes

887
01:00:14,290 --> 01:00:17,310
a flying leap at Godzilla, locking its teeth on an arm.

888
01:00:17,810 --> 01:00:20,990
And Godzilla is flailing Baragon around like it's not

889
01:00:21,490 --> 01:00:24,670
really anything attached to the end of his arm. It's barely an inconvenience, but he

890
01:00:25,170 --> 01:00:27,870
doesn't really seem to mind it, actually. The reporter then runs up as this is

891
01:00:28,370 --> 01:00:32,070
happening and declares that this new monster has no chance in our 14th

892
01:00:32,570 --> 01:00:35,320
clip. Come on,

893
01:00:37,160 --> 01:00:40,520
you gotta get out of here. My God, it's Godzilla.

894
01:00:41,320 --> 01:00:44,920
It really is enormous. And there's our guardian monster.

895
01:00:50,840 --> 01:00:52,360
Our monster hasn't got a chance.

896
01:00:57,160 --> 01:01:00,330
Godzilla's kicking the red monster in the gravel path. Looks like the

897
01:01:00,830 --> 01:01:04,090
red monster's in big trouble. Ugh, it's terrible. I don't

898
01:01:04,590 --> 01:01:08,090
want to watch it. Shut up. You're here to film, so get filming quick.

899
01:01:08,590 --> 01:01:12,130
Hurry up. You're missing it. Right, folks, we have a real grandstand view of

900
01:01:12,630 --> 01:01:15,850
this rumble here. Oh, and Godzilla puts the food in again. Looks like the red

901
01:01:16,350 --> 01:01:17,010
monster is down and out.

902
01:01:20,690 --> 01:01:24,130
And the red monster has climbed out of the gravel pit. It's trying to escape.

903
01:01:24,370 --> 01:01:27,620
Run. Go on. He's right behind you. Go on,

904
01:01:28,120 --> 01:01:28,380
get out of there.

905
01:01:38,780 --> 01:01:39,580
They're dead.

906
01:01:42,220 --> 01:01:43,820
The two men in the helicopter,

907
01:01:45,820 --> 01:01:49,500
they're dead. Yuri,

908
01:01:58,070 --> 01:01:58,310
look.

909
01:02:06,070 --> 01:02:09,310
At the end of this clip, Big G powers up once again and does a

910
01:02:09,810 --> 01:02:13,830
horrific atomic breath blast, trapping Baragon and keeping it

911
01:02:14,330 --> 01:02:16,990
from being able to escape. Told you I would use all of that dialogue of

912
01:02:17,490 --> 01:02:18,950
them talking about what was happening play by play.

913
01:02:20,790 --> 01:02:24,370
They kind of do the wrestler commentary. Yeah. It's a

914
01:02:24,870 --> 01:02:28,290
news anchor, a kind of like extreme news crew.

915
01:02:28,790 --> 01:02:31,570
And I think they're trying to be competition with our main reporter that we're following.

916
01:02:32,050 --> 01:02:35,730
It's like this like new streaming platform that's like really low budget,

917
01:02:36,230 --> 01:02:39,570
but just trying to break big and just get noticed. These are like the action

918
01:02:39,730 --> 01:02:43,130
news crew. Right. Where they have to make everything action news. I think

919
01:02:43,630 --> 01:02:46,530
that's who they are. And they're their main competition because she is really upset that

920
01:02:47,030 --> 01:02:50,370
they're there in the helicopter and stuff. Yeah. And the, the, the footage

921
01:02:50,450 --> 01:02:54,710
that they're getting from the helicopter when they show it on like mini tv' stuff

922
01:02:55,210 --> 01:02:58,750
makes it look super awesome. This is one of the better uses of

923
01:02:58,910 --> 01:03:02,470
the footage of monsters fighting when you cut away because they are actually

924
01:03:02,970 --> 01:03:06,110
reusing the sequences. They're not wasting monster suit action.

925
01:03:06,430 --> 01:03:09,750
They're showing you the same thing that you're seeing on the other scene, but it's

926
01:03:10,250 --> 01:03:13,790
just on a TV as it's happening. Yeah, but it looks good. It makes it

927
01:03:13,870 --> 01:03:17,870
feel believable. Yeah. They did a better job of superimposing

928
01:03:18,370 --> 01:03:20,990
the TV screens than I've seen in other films. Whenever they try and do that

929
01:03:21,490 --> 01:03:24,790
to push that stuff in, it is 100% believable. It's some of the best compositing

930
01:03:25,290 --> 01:03:27,890
they did. I was to put that stuff in there. I wouldn't put it past

931
01:03:28,390 --> 01:03:32,570
them that they maybe just filmed actual TVs too. It's possible in

932
01:03:33,070 --> 01:03:36,410
the footage. Yeah. All right. So by collapsing that cliff, he damages the building.

933
01:03:36,910 --> 01:03:39,970
And this injures that reporter lady as she falls. With the building

934
01:03:40,470 --> 01:03:43,530
falling, Big G fires off an atomic breath that completely

935
01:03:44,030 --> 01:03:47,690
incinerates the adorable Baragon. And instead of burning to fiery flesh,

936
01:03:48,190 --> 01:03:51,530
soup and charred bones, she somehow disintegrates into a strange light.

937
01:03:51,690 --> 01:03:55,170
And then everything just explodes in giant fireballs with the suit actor

938
01:03:55,670 --> 01:03:58,550
just standing there looking all badass as it happens. That was cool.

939
01:03:58,870 --> 01:04:02,350
I did want to mention now, since Baragon has now exited the film,

940
01:04:02,850 --> 01:04:06,750
we're no longer going to have Baragon with us. The instance of this

941
01:04:07,250 --> 01:04:10,510
film with Baragon is the first time that Toho had a female suit actor.

942
01:04:11,010 --> 01:04:14,310
This Baragon. Yeah. Interesting. There is some footage, behind the scenes

943
01:04:14,810 --> 01:04:16,710
stuff. It's on the DVDs and I think it's on the Blu ray. I'm pretty

944
01:04:17,210 --> 01:04:19,750
sure it's on the Blu ray as well. But there's a special feature you can

945
01:04:20,250 --> 01:04:23,910
find out there anywhere all over YouTube where the suit actress is doing

946
01:04:23,990 --> 01:04:27,910
some motions with, you know, doing some poses and doing some things where

947
01:04:28,410 --> 01:04:31,690
Baragon is going to roar. And you can actually hear her roaring inside the suit

948
01:04:32,190 --> 01:04:35,130
as she does it. And it's the most adorable thing you're probably going to see.

949
01:04:35,630 --> 01:04:38,290
And it is definitely a mood booster. So go check that out. Now that we

950
01:04:38,790 --> 01:04:41,090
have Baragon exiting the film, I just wanted to point all of that stuff out.

951
01:04:42,210 --> 01:04:45,810
Wow, I feel really guilty now about wondering

952
01:04:45,890 --> 01:04:48,930
how Baragon tastes cooked.

953
01:04:49,570 --> 01:04:53,210
Like now. Now that you mentioned like how adorable she is. And I'm like,

954
01:04:53,710 --> 01:04:56,510
oh, this joke just feels very inappropriate appropriate now.

955
01:04:57,310 --> 01:05:01,510
Thanks, Cort. You're welcome. That was. I just wanted to know what cooked Barragan

956
01:05:02,010 --> 01:05:05,590
tastes like. Probably like a ham. It puts a barbecue sauce on it.

957
01:05:06,090 --> 01:05:07,790
I'd imagine it tastes like everything else. Chicken.

958
01:05:10,510 --> 01:05:13,950
They cut away from this exploded Baragon and

959
01:05:14,450 --> 01:05:17,750
Godzilla just standing there in the fireball looking all badass to the old man

960
01:05:18,250 --> 01:05:21,110
knocking over the statue of Ghidra. I guess he didn't want to whack off because

961
01:05:21,610 --> 01:05:25,310
it was an ice cave. And then all of the ice

962
01:05:25,810 --> 01:05:28,950
encasing him starts to crawl. Crack with some decent okay cgi.

963
01:05:29,450 --> 01:05:33,190
Not bad. Just with CGI cracks. They cut from this to the injured

964
01:05:33,350 --> 01:05:37,150
Aftermath of these horrific events at a hospital with our

965
01:05:37,650 --> 01:05:41,310
reporter lady and all the people that survived that first fight between Baragon and Godzilla.

966
01:05:41,810 --> 01:05:45,750
In our 15th clip. Earlier today,

967
01:05:46,250 --> 01:05:49,990
Godzilla landed at Yu and caused extensive damage in the Shimizu and Fuji areas.

968
01:05:50,790 --> 01:05:54,640
Later, Godzilla met area where it battled another unknown

969
01:05:55,140 --> 01:05:58,000
creature. Residents have been asked to leave the area. Calm.

970
01:05:58,480 --> 01:06:01,360
What's up? You lost your parents? We. Miss,

971
01:06:01,920 --> 01:06:02,720
will we die?

972
01:06:04,960 --> 01:06:08,080
No, don't worry. Everything's going to work out fine.

973
01:06:08,580 --> 01:06:11,720
You'll see. There's the Guardian Monsters. They're here

974
01:06:12,220 --> 01:06:16,000
to help us. Hey, do you work for Digital

975
01:06:16,080 --> 01:06:19,290
Q? Yes. Do you watch us?

976
01:06:21,210 --> 01:06:24,410
Tell me, Miss, are monsters real?

977
01:06:26,490 --> 01:06:29,610
Guardian monsters are and they're here to save us.

978
01:06:31,130 --> 01:06:34,570
So don't you worry. Everything's going to be fine.

979
01:06:46,340 --> 01:06:48,420
The scratches. I'll be fine. Glad to hear.

980
01:06:52,900 --> 01:06:55,140
Can I have the car keys? No, you can't.

981
01:06:57,780 --> 01:07:00,340
Gee, thanks. Look, haven't you done enough? Yuri.

982
01:07:03,380 --> 01:07:06,660
And now a huge cocoon like structure is floating on the lake.

983
01:07:07,060 --> 01:07:09,870
Many people have gathered at the waters edge to see the site.

984
01:07:10,430 --> 01:07:14,110
The cocoon is the size of an ocean liner. Nobody has ever

985
01:07:14,610 --> 01:07:17,870
seen anything like it and its origin remains a total mystery.

986
01:07:18,910 --> 01:07:20,190
Evacuate the area.

987
01:07:22,430 --> 01:07:26,190
Hello? Oh yeah, I need a bicycle.

988
01:07:27,870 --> 01:07:31,190
Well, I don't have Any with baskets left? I sold out

989
01:07:31,690 --> 01:07:35,060
of them a couple of hours ago. This one.

990
01:07:35,700 --> 01:07:38,420
The invoice made out to BS Digital.

991
01:07:39,060 --> 01:07:42,340
Bs? Oh, Bridgestone, huh?

992
01:07:42,980 --> 01:07:46,180
General Megumo, you shall lead the counterattack. Understood.

993
01:07:46,340 --> 01:07:48,420
Thank you, sir. I won't fail you.

994
01:07:51,140 --> 01:07:54,340
For security's sake. This will be the command center.

995
01:07:54,980 --> 01:07:58,700
Dispatch fighter units immediately. Yes, sir. Flight Command,

996
01:07:59,200 --> 01:08:02,640
scramble fighters. That lizard picked on the wrong

997
01:08:03,140 --> 01:08:06,840
guy here. Please evacuate in an orderly manner.

998
01:08:07,080 --> 01:08:10,520
Do not use your personal vehicles. Please proceed to

999
01:08:11,020 --> 01:08:14,200
recruitment areas where you'll be given transportation to leave the area.

1000
01:08:14,600 --> 01:08:17,000
Only take with you essential belongings.

1001
01:08:18,200 --> 01:08:21,400
Therefore, the government has decided to

1002
01:08:21,900 --> 01:08:25,080
use the army to counter the threat our country is under today.

1003
01:08:26,120 --> 01:08:29,480
And the necessary measures are now in place. Our counterattack

1004
01:08:29,980 --> 01:08:31,470
operations are underway tonight.

1005
01:08:36,350 --> 01:08:37,150
Hey, where are you?

1006
01:08:39,390 --> 01:08:42,350
I've got my camera with me. I'm chasing Godzilla.

1007
01:08:43,470 --> 01:08:47,110
Sure, I'll send the pictures back over the net. Whatever you've got scheduled

1008
01:08:47,610 --> 01:08:50,710
tonight, you better cancel it right now. God damn. She's always doing the opposite of

1009
01:08:51,210 --> 01:08:54,510
what she's supposed to be doing. Let's got into her. We can't cancel it.

1010
01:08:54,750 --> 01:08:58,030
Why can't we cancel? If the boss asks, I said it's okay.

1011
01:08:58,530 --> 01:09:01,339
Right. Prepare to go. Right. And I want an Internet link too.

1012
01:09:02,459 --> 01:09:05,379
Camera too. Yuri, babe,

1013
01:09:05,879 --> 01:09:09,339
I want it straight from the lizard's mouth. Okay? Hey, Yuri. Take care.

1014
01:09:09,579 --> 01:09:12,979
Okay? With this, Big G is struck by a hellstorm of that

1015
01:09:13,479 --> 01:09:17,619
concussive missile. And they cut from that to the reporter on a bike heading

1016
01:09:18,119 --> 01:09:21,699
towards the mountains with her mini DV cam hooked up with

1017
01:09:22,199 --> 01:09:25,579
a firewire to a laptop to auto capture and stream the footage. Man,

1018
01:09:26,079 --> 01:09:29,520
that takes me back. And then they cut to the

1019
01:09:30,020 --> 01:09:33,040
hyped up anchorman doing some talking in our 16th clip.

1020
01:09:33,540 --> 01:09:37,240
This report comes to you from BS Digital Q TV, bargain basement

1021
01:09:37,740 --> 01:09:41,160
of the airwaves and our star reporter who is on the scene near to Godzilla.

1022
01:09:41,660 --> 01:09:44,280
Bargain basement of the airwaves. Take it away, Yuri.

1023
01:09:46,680 --> 01:09:50,360
It's no good. The missiles have no effect, sir. Try attacking it

1024
01:09:50,860 --> 01:09:53,400
from the side. It must have a weak point. Go on.

1025
01:09:59,520 --> 01:10:02,080
It's not going to make any difference. At the end of the clip, Big G

1026
01:10:02,580 --> 01:10:06,000
atomic breath blasts the aircraft. After they report there is no effect from the

1027
01:10:06,500 --> 01:10:08,800
missiles even trying up the butt. Apparently the fiery.

1028
01:10:09,920 --> 01:10:13,200
The fiery pieces crash and crush

1029
01:10:13,280 --> 01:10:17,040
a house and it explodes right in front of the reporter.

1030
01:10:17,540 --> 01:10:20,720
They cut from that to show a ghidra head emerging from the ice. And then

1031
01:10:21,220 --> 01:10:24,640
cut to show that Mothra is emerging from her cocoon. Looking as beautiful as ever,

1032
01:10:25,140 --> 01:10:28,380
I might add. They do some rather nice for the time.

1033
01:10:28,540 --> 01:10:32,020
CGI wing Transitions and that. Really nice

1034
01:10:32,520 --> 01:10:36,220
and cool coloration appearing. Kind of animation stuff on this. It's all very terrific.

1035
01:10:37,020 --> 01:10:40,500
No notes on this. Mothra emergent from the cocoon and turning into

1036
01:10:41,000 --> 01:10:43,739
a full fledged Mothra. None. No notes. Perfect. Love it. All terrific.

1037
01:10:44,700 --> 01:10:48,100
Yeah, like, kind of a similar effect from our previous movie.

1038
01:10:48,600 --> 01:10:51,460
Yeah, I was kind of alluding to that when we covered that. But it's very

1039
01:10:51,960 --> 01:10:54,540
similar. And it's very similar to the Rebirth of Mothra movies. I don't know if

1040
01:10:55,040 --> 01:10:57,620
you've watched those or not, but in Rebirth of Mothra, the third one, she has

1041
01:10:58,120 --> 01:11:00,880
a really beautiful transformation like that at the end. Yeah, I'd say. Like, I've for

1042
01:11:01,380 --> 01:11:03,960
sure seen the first one. If I've seen the other ones, but I don't remember.

1043
01:11:04,460 --> 01:11:08,080
I remember, like, little. Like little Ghidorah. Chibi.

1044
01:11:08,580 --> 01:11:11,840
Guys, no, that is. That's a Godzilla film. No,

1045
01:11:12,340 --> 01:11:15,760
but there is a Death Ghidorah, which is like a Ghidorah with four legs,

1046
01:11:16,260 --> 01:11:19,640
like a horse in the first one. Third one, regular Ghidorah that traps kids

1047
01:11:20,140 --> 01:11:23,760
in a fucking dome of death. And then the second

1048
01:11:24,260 --> 01:11:27,720
one is like a Dagora or something like that, which is like a. It's like

1049
01:11:28,220 --> 01:11:31,540
HP Lovecraft versus Mothra, basically. The second one's probably the best one of

1050
01:11:32,040 --> 01:11:34,820
the. Okay, so I haven't seen the third one. I don't think I've seen the

1051
01:11:35,320 --> 01:11:37,020
third one at all. Maybe somebody will have to hook you up with that.

1052
01:11:37,520 --> 01:11:40,940
All right, so back to the notes. There is serious

1053
01:11:41,440 --> 01:11:44,820
expository dialogue. And that is our 17th clip. So, Minister,

1054
01:11:44,980 --> 01:11:48,260
in the 50s, did we really get rid of Godzilla? At the time,

1055
01:11:48,760 --> 01:11:51,060
I doubted it. But I taught my men to be proud of what they did.

1056
01:11:51,220 --> 01:11:52,500
I wonder, was it worth it?

1057
01:11:54,500 --> 01:11:57,940
Godzilla is now moving east. He's heading towards

1058
01:11:58,440 --> 01:11:58,500
Tokyo.

1059
01:12:02,660 --> 01:12:06,460
Fifty years ago, the first Godzilla attack was repulsed.

1060
01:12:06,960 --> 01:12:10,140
The animal was killed using an unknown chemical compound. The inventor

1061
01:12:10,640 --> 01:12:14,340
has since died and his records disappeared. Existing weapons were totally useless

1062
01:12:14,840 --> 01:12:18,580
back then. The defense forces could do nothing to stop Godzilla. So the government

1063
01:12:18,660 --> 01:12:21,900
decided to keep what happened a secret. If people knew the true

1064
01:12:22,400 --> 01:12:25,820
story, then our defense forces would have faced ridicule. Hence the need for the

1065
01:12:26,320 --> 01:12:30,440
utmost secrecy. You understand? So I'm relying on Commander Tachibana.

1066
01:12:30,940 --> 01:12:34,200
Do you have a daughter named Yuri? I do. Hundreds of people

1067
01:12:35,160 --> 01:12:36,760
have been killed by Godzilla,

1068
01:12:37,880 --> 01:12:41,080
burnt to death, or trampled underfoot by the monster.

1069
01:12:42,200 --> 01:12:45,800
But there is resistance, not only from our Defense Forces,

1070
01:12:46,520 --> 01:12:50,440
but also from other monsters. They're joining

1071
01:12:50,940 --> 01:12:54,240
forces to stop Godzilla. Stupid girl. We'll try

1072
01:12:54,740 --> 01:12:58,120
to protect, arrest her report from Lake Ikeda. The cocoon is open,

1073
01:12:58,620 --> 01:12:59,760
sir. What's that?

1074
01:13:08,880 --> 01:13:12,680
At the end of the clip, we get a glorious shot of Mothra flying overhead.

1075
01:13:13,180 --> 01:13:16,720
And there are two women looking at her with reverence that are

1076
01:13:17,220 --> 01:13:19,920
twins. So there's a little wink there, too, that we were talking about. I noticed

1077
01:13:20,420 --> 01:13:22,920
that. Yeah. Thanks for that. Yeah, me too. That was nice. I appreciate it.

1078
01:13:23,420 --> 01:13:26,240
They cut from that to the reporter trying to make her way on her bike.

1079
01:13:26,620 --> 01:13:29,980
She messes with the Guardian statue piece that she

1080
01:13:30,480 --> 01:13:34,020
has, like, wrapped up or whatever. And then she has some visions of Ghidorah waking

1081
01:13:34,520 --> 01:13:38,100
up and then declares he wants to save us. And then they cut from that

1082
01:13:38,600 --> 01:13:41,780
to military expository dialogue. And our 18th clip,

1083
01:13:42,280 --> 01:13:45,380
we received news a new monster's been seen at Mount Fuji. What the hell's going

1084
01:13:45,880 --> 01:13:49,140
on? It's like a monster convention here. Do we know where it

1085
01:13:49,640 --> 01:13:53,060
is now? It's heading east from Mount Fuji. It's flying straight towards Godzilla.

1086
01:13:53,560 --> 01:13:56,640
Radar confirms the heading. What's going to happen, Commander?

1087
01:13:57,120 --> 01:14:00,720
The Guardian Monsters are gathering. They're here to protect us from Godzilla.

1088
01:14:01,040 --> 01:14:04,240
Whatever happens, we must not attack the Guardian Monsters.

1089
01:14:04,400 --> 01:14:08,000
They are not our enemy. Why not name the monsters so we don't get them

1090
01:14:08,500 --> 01:14:11,320
mixed up, General? It would make things a lot easier here. Well, sounds a bit

1091
01:14:11,820 --> 01:14:14,400
far fetched. General. I think I have an idea, sir.

1092
01:14:18,000 --> 01:14:21,390
Tension. All units, it now seems that several monsters are gathering in the

1093
01:14:21,890 --> 01:14:25,110
area. The red one will be codenamed Baragon, the flying insect

1094
01:14:25,610 --> 01:14:29,030
Mothra, and the golden monster codenamed Ghidorah. At the end of

1095
01:14:29,530 --> 01:14:32,830
the clip, that starts a sequence of military move outs and rollouts. That ends with

1096
01:14:33,330 --> 01:14:36,830
the main dude doing us some more dialogue. In our 19th

1097
01:14:37,330 --> 01:14:40,630
clip. Captain Yamagachi. Special Intervention Strike

1098
01:14:41,130 --> 01:14:45,080
Force reporting for duty. We'll use the D3 warheads on

1099
01:14:45,580 --> 01:14:49,280
all the missiles. All right, Captain. Everyone to battle stations.

1100
01:14:49,600 --> 01:14:50,400
Yes, sir.

1101
01:15:01,040 --> 01:15:02,160
An orderly fashion.

1102
01:15:08,800 --> 01:15:12,730
Good luck, everybody. Yes, good luck, everyone. You're gonna die.

1103
01:15:14,250 --> 01:15:17,610
Seems so calm. Yet soon we'll be reduced to a blazing

1104
01:15:18,110 --> 01:15:21,010
pile of rubble. It's the first time I've seen action. Not looking forward to it,

1105
01:15:21,510 --> 01:15:26,090
but it's a soldier's duty. We can go into battle without relishing conflict expeditions.

1106
01:15:26,250 --> 01:15:28,570
Hurry. Alive, people. Yes, sir.

1107
01:15:33,530 --> 01:15:36,260
Godzilla's here. Get those searchlights over here, sir.

1108
01:15:36,900 --> 01:15:38,020
Oh, my God.

1109
01:15:40,420 --> 01:15:41,060
Mothra.

1110
01:15:46,900 --> 01:15:48,500
Man, that's one hell of a bug.

1111
01:15:55,860 --> 01:15:59,180
Look, there it goes. It's attacking Godzilla. The one piece of

1112
01:15:59,680 --> 01:16:02,240
dialogue from the girl on the street when the troops are are running through,

1113
01:16:02,740 --> 01:16:05,560
and she's like, good luck, everyone. You're going to die. Oh, of course.

1114
01:16:06,060 --> 01:16:08,120
Because. Yeah, of course that had to be in there. At the end of the

1115
01:16:08,620 --> 01:16:12,040
clip, Mothra takes flight and then starts in on Godzilla with

1116
01:16:12,540 --> 01:16:16,000
a scales attack that pushes Godzilla into a building and seems to do

1117
01:16:16,500 --> 01:16:20,400
some pain on Big G, but no real obvious damage. He responds with an atomic

1118
01:16:20,900 --> 01:16:24,480
breath blast at Mothra that almost kills the reporter lady. And then we see

1119
01:16:24,980 --> 01:16:28,440
Mothra fleeing the atomic breath and accidentally causes Godzilla

1120
01:16:28,940 --> 01:16:32,920
to blast a building full of military dudes. And that leads to our 20th clip.

1121
01:16:38,100 --> 01:16:41,660
Jesus. My buddies were in there. What do we do? Nothing we

1122
01:16:42,160 --> 01:16:45,060
can do. Please, sir.

1123
01:16:45,560 --> 01:16:48,900
The men are still waiting for your orders. Hold fire.

1124
01:16:49,860 --> 01:16:50,420
Patience.

1125
01:17:30,040 --> 01:17:33,720
The guardian monsters are here. They're all

1126
01:17:34,220 --> 01:17:37,560
here. As you heard, Ghidra is in the game

1127
01:17:38,060 --> 01:17:41,920
board now. And at some point, Mothra landed on Godzilla's

1128
01:17:42,420 --> 01:17:44,920
head in that clip and just kind of hid from him there. It was odd,

1129
01:17:45,420 --> 01:17:48,000
but was really cool. And I was, like, saying, why didn't they just do this?

1130
01:17:48,500 --> 01:17:50,140
Why don't they just stay behind him and hover behind him the whole time?

1131
01:17:50,290 --> 01:17:52,650
And she fucking did it. But she landed on him and did it in such

1132
01:17:53,150 --> 01:17:55,170
a way that he didn't even feel her. That was cool. Oh, yeah.

1133
01:17:57,010 --> 01:18:00,130
These King Ghidorah, like, I don't know. These stubby necks

1134
01:18:00,630 --> 01:18:03,930
really bother me. Yeah. I'm not a fan of this look, of this Ghidorah.

1135
01:18:04,430 --> 01:18:06,850
I don't like the way that the sculpt is, but since they made it a

1136
01:18:07,350 --> 01:18:09,210
hero Ghidorah, I'm just going to let it go. You know what I mean?

1137
01:18:09,710 --> 01:18:12,530
Yeah. I mean, like, that the heads look cool and everything and,

1138
01:18:12,610 --> 01:18:15,930
like, the texture of it because they show, like, a lot of. Like, in the

1139
01:18:16,430 --> 01:18:20,280
opening credits, they show textures from, like, the different kinds of Kaiju.

1140
01:18:20,780 --> 01:18:24,240
And, like, it's got, like, the cool scaling on it. It looks really.

1141
01:18:24,320 --> 01:18:27,280
It's. It's a beautiful costume or sculpt,

1142
01:18:27,360 --> 01:18:30,880
monster outfit, whatever you want to call it. But the stubby necks

1143
01:18:31,380 --> 01:18:33,960
just aren't doing it for me. Yeah, they made the neck shorter so it could

1144
01:18:34,460 --> 01:18:37,600
be puppeted by an arm, right? Yeah. They cut some money on Ghidorah that

1145
01:18:38,100 --> 01:18:40,360
way. They. So they could be puppeted by arms, more or less. I don't.

1146
01:18:40,860 --> 01:18:44,600
I don't want size to matter, but it

1147
01:18:45,100 --> 01:18:47,040
does. You don't. You don't want to be a size queen when it comes to

1148
01:18:47,540 --> 01:18:50,880
a Ghidorah neck. I mean, hey, I will.

1149
01:18:52,460 --> 01:18:55,860
All right. So Ghidorah starts charging up after that weird little thing

1150
01:18:56,360 --> 01:18:59,460
about Godzilla and Mothra. Hiding out on the head that I missed. And does a

1151
01:18:59,960 --> 01:19:03,380
triple head bite and yellow lightning strike with this charge up.

1152
01:19:03,880 --> 01:19:06,980
This sends Godzilla right back to the ground. And then they do some

1153
01:19:07,480 --> 01:19:10,540
more military dialogue about all of this in our 21st clip.

1154
01:19:10,860 --> 01:19:14,860
Proceeding to the bay. We'll press our attack from both land and

1155
01:19:15,360 --> 01:19:18,790
sea. Moving into the bay. Sir, we better make sure our timing's right.

1156
01:19:19,190 --> 01:19:22,270
There won't be a second chance. Mothra is going to make it.

1157
01:19:22,770 --> 01:19:26,630
Right. That takes us over the 2/3

1158
01:19:27,130 --> 01:19:30,830
mark of the film, so don't spoil it. But Mothra's like,

1159
01:19:31,330 --> 01:19:34,470
hey, I exist, therefore I guess I'll die now, right? Yeah, it happens every time.

1160
01:19:37,110 --> 01:19:40,270
All right, so it takes a little while to get here, but all of

1161
01:19:40,770 --> 01:19:43,750
this stuff is solid. All of these effects are solid. And I'm noticing that there's

1162
01:19:44,250 --> 01:19:47,680
only CGI augmented experimentation on certain things. And I'm really starting

1163
01:19:48,180 --> 01:19:51,160
to get interested in the idea of everything else that this particular director that you're

1164
01:19:51,660 --> 01:19:54,080
a fan of has done. So I'm really into the idea of checking out these

1165
01:19:54,580 --> 01:19:58,000
Gamera movies now if you think they're better than this. So a lot

1166
01:19:58,500 --> 01:20:01,600
of the initial night shots look cheap as hell, but once you

1167
01:20:02,100 --> 01:20:05,560
start getting into there's fire on the sets, either if

1168
01:20:06,060 --> 01:20:10,000
it's just the humans or if

1169
01:20:10,500 --> 01:20:13,880
it's with the Kaiju, it all looks good. No, I don't disagree. Yeah,

1170
01:20:16,040 --> 01:20:20,020
there's always some cost cutting corner shots that they'll do with these

1171
01:20:20,520 --> 01:20:24,340
suits. And I mention them whenever I see them as well, but they're fewer and

1172
01:20:24,840 --> 01:20:28,260
further between in this film at least. Yeah, Once you get to this

1173
01:20:28,660 --> 01:20:32,460
whole, like, last chunk of the movie, it all starts

1174
01:20:32,960 --> 01:20:36,460
looking a lot better because there's a lot more done with the lighting

1175
01:20:36,960 --> 01:20:41,220
of everything. It's not just flat light on everything. Yeah, I'm always

1176
01:20:41,720 --> 01:20:45,020
the person that will talk about the uplighting that they do to give

1177
01:20:45,520 --> 01:20:48,140
them more monstrous looks or to light the suits in such a way as to

1178
01:20:48,640 --> 01:20:51,360
make them know, cast some more shadows and have some more life to them.

1179
01:20:51,860 --> 01:20:55,480
In those later 70s Godzilla movies is where they

1180
01:20:55,980 --> 01:20:59,120
really started experimenting with that kind of lighting that looked good. And then they did

1181
01:20:59,620 --> 01:21:02,880
a little bit more in the 80s and the 90s and you didn't really

1182
01:21:03,380 --> 01:21:06,160
get it a lot here. There's a lot of flat lighting in this until we

1183
01:21:06,660 --> 01:21:09,200
get to this sequence. And I think it is because it's literally just like,

1184
01:21:09,700 --> 01:21:12,840
let's just cross light everything and get as much suit action in as we possibly

1185
01:21:13,340 --> 01:21:15,760
can while we got them in the suit. Because These suits are, are getting heavier,

1186
01:21:16,260 --> 01:21:19,320
they're getting bigger, they're getting more dangerous for the actors to be in.

1187
01:21:19,560 --> 01:21:22,600
And they can't be in there for very long. So they got to go,

1188
01:21:23,100 --> 01:21:25,760
go, go, go, go, go. And that does affect some of how they're able to

1189
01:21:26,260 --> 01:21:28,960
do some of the stuff that they're shooting now because they're throwing more at it.

1190
01:21:29,460 --> 01:21:31,400
Right. And it's got to be a lot more safe than what it used to

1191
01:21:31,900 --> 01:21:34,000
be, because I'm sure there's got to be some kind of a soon act reunion

1192
01:21:34,500 --> 01:21:38,360
now and again. I think a lot of it too is just maybe

1193
01:21:38,860 --> 01:21:42,680
he wanted to make that very flat lighted classic Godzilla

1194
01:21:43,180 --> 01:21:47,230
movie, and this was his moment in the movie to go. This is what

1195
01:21:47,730 --> 01:21:50,670
I do. Yeah. Or maybe Toho just wasn't on set for this stuff, right?

1196
01:21:51,230 --> 01:21:54,030
Yeah, maybe. Are we ready to pick up for the run to the end?

1197
01:21:54,530 --> 01:21:56,630
Yeah, let's go. All right, so the run to the end picks up with big

1198
01:21:57,130 --> 01:22:00,830
old explosion and more expository dialogue in our 22nd.

1199
01:22:01,230 --> 01:22:04,350
We'll wait till Godzilla's been wounded, then we'll attack.

1200
01:22:05,630 --> 01:22:07,790
Hey, where are you going? You're off limits here.

1201
01:22:09,880 --> 01:22:13,400
Hey, come back here. Hey, stop. You're under

1202
01:22:40,130 --> 01:22:43,490
They did call for last two, which, because he's like, oh,

1203
01:22:43,990 --> 01:22:46,690
this about Guardian Monsters eye roll.

1204
01:22:48,050 --> 01:22:51,530
Yeah, yeah, that was. And then, and then like right away he's

1205
01:22:52,030 --> 01:22:53,490
like, hey, Guardian Monsters, am I right?

1206
01:22:54,930 --> 01:22:57,690
Yeah, it's a little bit of a mix up stuff that they do there with

1207
01:22:58,190 --> 01:23:01,330
him. Yeah, they, they rush his character a little bit too much, I think.

1208
01:23:01,830 --> 01:23:05,250
But they're brushing over the human stuff at this point. They're like, I don't

1209
01:23:05,750 --> 01:23:09,230
know, like, yeah, I'm brushing over the human stuff

1210
01:23:09,730 --> 01:23:12,750
as much as I do. All right, so there's so much of it.

1211
01:23:13,550 --> 01:23:17,510
All right, so Godzilla gets the upper hand on Ghidorah chomping down on some

1212
01:23:18,010 --> 01:23:21,310
neck meats. Mothra flies in to help and causes hurricane force

1213
01:23:21,810 --> 01:23:25,510
wins on the military doing it. Godzilla does a badass suplex

1214
01:23:26,010 --> 01:23:29,150
toss on Ghidorah into a building and does a nice toasting of that

1215
01:23:29,650 --> 01:23:33,390
monster while it's down. I'm wondering if Ghidorah is better medium

1216
01:23:33,890 --> 01:23:37,270
rare as opposed to well done like we got with Baragon. Personally. Yeah,

1217
01:23:37,770 --> 01:23:39,050
I'd go with him medium rare myself.

1218
01:23:40,730 --> 01:23:44,170
Big G moves in closer and decides to do a death shot on Ghidorah.

1219
01:23:44,670 --> 01:23:47,890
But Mothra decides she has to die once again and flies into

1220
01:23:48,390 --> 01:23:51,610
the way of the beam protecting Ghidorah from that blast. The Military fires off its

1221
01:23:52,110 --> 01:23:55,370
special driller missiles and they seem to do fuck all. When they

1222
01:23:55,870 --> 01:23:59,490
finally go off. Big G offers atomic breath back to the military in the

1223
01:23:59,990 --> 01:24:03,610
FO phase of their fafo. The military tries to scramble

1224
01:24:04,110 --> 01:24:07,450
to deal with this. But then Godzilla notices the ship and then heads

1225
01:24:07,950 --> 01:24:11,430
out after it. While a Mothra that is currently in flames

1226
01:24:11,590 --> 01:24:14,710
emerges from the rubble to take flight and fight him.

1227
01:24:15,210 --> 01:24:17,990
That looked fucking awesome. And I popped for it. I'm not ashamed to admit it.

1228
01:24:18,150 --> 01:24:21,270
Totally popped for that. It looks cool. Yeah.

1229
01:24:21,990 --> 01:24:25,790
Big G senses her and turns to fry her with his

1230
01:24:26,290 --> 01:24:29,990
breath. That then has her erupt in the plot device lightning

1231
01:24:30,490 --> 01:24:34,630
that her sacrifice makes to revive one hero and supercharge them. Which happens

1232
01:24:35,130 --> 01:24:38,710
to Ghidra, who glows with his new power up every time. Mothra's like, I must

1233
01:24:39,210 --> 01:24:42,770
die to make this Kaiju live and be powered up up every time. I'm tired

1234
01:24:43,270 --> 01:24:45,890
of it, you know?

1235
01:24:46,370 --> 01:24:50,010
Me too. I'm a Mothra fan. Can we not watch Mothra

1236
01:24:50,510 --> 01:24:53,050
do a little more Badass? That's why I have the rebirth of Mothra films.

1237
01:24:53,550 --> 01:24:57,610
Because at least she fucking lives. Right? But not really. Because Mothra

1238
01:24:58,110 --> 01:25:00,290
always dies and then is reborn. But in this one, she just fucking dies.

1239
01:25:01,330 --> 01:25:04,810
Fantastic fan base too. With Mothra. Seriously,

1240
01:25:05,310 --> 01:25:08,970
Mothra fans, My heart goes out to you. Absolutely. Yeah. I am them.

1241
01:25:09,470 --> 01:25:13,160
I am them. The reporter declares him the one

1242
01:25:13,310 --> 01:25:16,870
1000 year old dragon with this new power up that makes

1243
01:25:17,370 --> 01:25:20,870
it so Ghidra is not only impervious to Godzilla's attack, it gives Ghidra the ability

1244
01:25:21,370 --> 01:25:24,870
to do a power push shock at Godzilla and then send him into the

1245
01:25:25,370 --> 01:25:29,030
ocean while he's in there. The movie takes time to show us this little vulnerable

1246
01:25:29,530 --> 01:25:33,070
spot on Big G that King G put there with that attack. Or I'm

1247
01:25:33,570 --> 01:25:36,870
assuming. And then the two do a battle in the water and then they

1248
01:25:37,370 --> 01:25:40,460
sink beneath the waves. That leads to more expository dialogue and

1249
01:25:41,010 --> 01:25:44,450
23rd clip. What the hell's going on out there? Godzilla and the other monster are

1250
01:25:44,950 --> 01:25:45,490
fighting underwater. Sir.

1251
01:25:48,290 --> 01:25:51,650
Godzilla seems to be wounded. What I want to do is

1252
01:25:51,730 --> 01:25:54,890
shoot a D3 into Godzilla's wound. It might just

1253
01:25:55,390 --> 01:25:59,010
work. The launchers have been damaged. We can't launch the missiles. I'll use the Satsuma.

1254
01:25:59,510 --> 01:26:03,130
Get one loaded on board. Commander, The Satsuma is just a research vessel.

1255
01:26:03,630 --> 01:26:06,330
It's not designed for war. With a D3 loaded on it, it's going to be

1256
01:26:06,830 --> 01:26:09,880
very unstable. We'll have to take that chance. We don't have any choice. You'll need

1257
01:26:10,380 --> 01:26:13,800
cover, sir. Any torpedoes Left a couple, sir. Then wish

1258
01:26:14,300 --> 01:26:18,120
me luck. Good luck, sir. The Satsuma is attacking Godzilla. Use all

1259
01:26:18,620 --> 01:26:21,200
of our remaining firepower to cover the attack. This has got to work.

1260
01:26:26,080 --> 01:26:29,600
Commander Tachibana is going to attack Godzilla in a submersible using

1261
01:26:30,100 --> 01:26:33,210
a D3. His all remaining firepower to cover the attack.

1262
01:26:33,690 --> 01:26:35,690
Try to weaken Godzilla as much as possible.

1263
01:26:36,970 --> 01:26:40,490
My father. I'm getting you out of

1264
01:26:40,990 --> 01:26:44,570
here. The captain says you can't stay here. Man. Someone else go. Why the commander?

1265
01:26:44,890 --> 01:26:48,810
He's a commander. I see. Your officer. Why does he have to go himself?

1266
01:26:49,530 --> 01:26:53,690
Because I have the most experience, Father. In these situations,

1267
01:26:53,930 --> 01:26:57,210
a ship's commander has to lead by example. Now get to

1268
01:26:57,710 --> 01:27:00,900
the safety area. Stay low. I've got a job to do.

1269
01:27:01,300 --> 01:27:03,460
Don't you understand? Sure I understand.

1270
01:27:04,180 --> 01:27:07,380
But you're my daughter. There. A soldier there. Pass them to me.

1271
01:27:08,100 --> 01:27:11,860
Commander. Soldier. Give the lady carte blanche.

1272
01:27:12,020 --> 01:27:14,820
But, sir. I'll take responsibility,

1273
01:27:15,460 --> 01:27:19,220
sir. You're allowed to stay, miss. Thanks,

1274
01:27:19,720 --> 01:27:22,340
dad. Take care. You be careful.

1275
01:27:23,300 --> 01:27:26,980
Yes, I will. Promise you'll come back alive? Of course

1276
01:27:27,480 --> 01:27:29,420
I will. Don't worry. I'll be fine.

1277
01:27:35,340 --> 01:27:38,300
And with that, the sub is launched. And they prepare to do the final attempt

1278
01:27:38,800 --> 01:27:42,140
to kill this version of Godzilla. As the film checks in on the reporter

1279
01:27:42,640 --> 01:27:45,860
running to view this damage and be filmed doing it as a reporter.

1280
01:27:46,360 --> 01:27:49,780
As the attack happens, the father of the reporter says something about seeing if Ghidorah

1281
01:27:50,280 --> 01:27:53,980
is a guardian or not. And then the film shows the reporter

1282
01:27:54,060 --> 01:27:57,080
getting her wish. In our 2020 24th clip,

1283
01:27:57,800 --> 01:28:01,080
the warriors have risen up to fight against Godzilla

1284
01:28:01,400 --> 01:28:05,920
with every weapon they can muster. Nobody knows if they'll

1285
01:28:06,420 --> 01:28:09,880
succeed in their mission. All I can do with my camera

1286
01:28:10,360 --> 01:28:14,920
is to record their struggle to protect our freedom regardless

1287
01:28:15,420 --> 01:28:19,160
of danger, so that our children will have

1288
01:28:19,660 --> 01:28:23,440
a future. At the end of the clip, the atomic breath collapses the

1289
01:28:23,940 --> 01:28:27,050
bridge. And that nearly sends the reporter lady falling to her death. But she is

1290
01:28:27,550 --> 01:28:30,690
saved by her would be cameraman. They switch to the father of the reporter firing

1291
01:28:31,190 --> 01:28:34,490
a torpedo version of the Big G Killer. And it hits Ghidra and

1292
01:28:34,990 --> 01:28:37,530
takes him down instead. Great job, dude.

1293
01:28:39,610 --> 01:28:43,050
Godzilla seizes one of the submarines. And that is the one with the father of

1294
01:28:43,550 --> 01:28:47,090
the reporter in it. He orders the other one to flee. It does not.

1295
01:28:47,590 --> 01:28:51,170
So that's disobeying a direct order. Not good. The reporter drops the piece

1296
01:28:51,670 --> 01:28:55,090
of the statue she had while trying to climb to safety with her cameraman

1297
01:28:55,590 --> 01:28:59,590
holding her. And that thing somehow falls into the water right near Ghidorah.

1298
01:29:00,090 --> 01:29:03,510
Starts to light up. It glows like a Mothra Suicide power up

1299
01:29:04,010 --> 01:29:07,670
is basically how it's glowing. And then Ghidorah and Big G fight again and that

1300
01:29:08,170 --> 01:29:11,550
has him let go of the submarine. So the father gets to live

1301
01:29:12,050 --> 01:29:15,350
for now. So far. Ghidra takes to the air and powers up

1302
01:29:15,510 --> 01:29:18,990
bright again and does mega lightning blast attacks to Big

1303
01:29:19,490 --> 01:29:23,150
G. And the reporter and her cameraman are in the water now. And he finds

1304
01:29:23,650 --> 01:29:26,510
and rescues her at some point because she is out cold and somehow floating and

1305
01:29:27,010 --> 01:29:29,410
not drowning. But whatever. She gets to live. That's fine. Fine.

1306
01:29:30,290 --> 01:29:33,690
All of this he does while the fight is happening. Like no big deal to

1307
01:29:34,190 --> 01:29:37,730
him, but whatever. He's a fucking hero, so good for him. Mega King G

1308
01:29:38,050 --> 01:29:41,410
slams into Big G and then hits him with all of that energy

1309
01:29:41,910 --> 01:29:45,170
at once. And then Godzilla absorbs it and then fires it back.

1310
01:29:45,670 --> 01:29:49,170
It looks like causing a huge goddamn explosion. And this

1311
01:29:49,670 --> 01:29:53,570
then transforms into that Soul Light stuff of all of the monsters, which then

1312
01:29:54,070 --> 01:29:57,610
pushes into Godzilla with a sort of Care Bear stare. And that

1313
01:29:58,110 --> 01:30:01,570
somehow sends him back, back into the ocean. And then the

1314
01:30:02,070 --> 01:30:05,890
father decides to pilot the sub right into Godzilla's mouth, causing him to

1315
01:30:06,390 --> 01:30:09,930
swallow the submarine. Somehow the reporter astral projects

1316
01:30:10,430 --> 01:30:13,890
to her dad and offers him some kind of something. I don't really care.

1317
01:30:14,390 --> 01:30:16,250
I didn't take notes on it. I'm not doing the clip. Fuck it. He fires

1318
01:30:16,750 --> 01:30:19,730
the missiles inside of Godzilla, who emerges from the water to show the missile board

1319
01:30:20,230 --> 01:30:23,570
its way out and then explodes. Godzilla tries an atomic

1320
01:30:24,070 --> 01:30:26,640
breath blast and it barrels out of the the hole in his chest.

1321
01:30:26,880 --> 01:30:30,200
So he tries again and it opens up even more and bigger.

1322
01:30:30,700 --> 01:30:34,240
And then Godzilla slowly falls down into the ocean with that going off

1323
01:30:34,740 --> 01:30:37,960
and spirals downward into the ocean depths, surrounded in

1324
01:30:38,460 --> 01:30:42,120
blood. The sub escapes. And then we see the injured Godzilla

1325
01:30:42,620 --> 01:30:46,200
tries to fire again. And they say he completely disappears from the radar. After an

1326
01:30:46,700 --> 01:30:49,920
explosion, the submarine surfaces. So the father gets to live too.

1327
01:30:50,420 --> 01:30:53,120
Mega happy ending for everybody for our final clip.

1328
01:30:53,280 --> 01:30:56,400
He's alive. He's okay.

1329
01:30:57,580 --> 01:31:00,060
All fighter units return to base. That's all. That's right.

1330
01:31:02,940 --> 01:31:06,300
It's over. Right. Soldier, stand up.

1331
01:31:09,580 --> 01:31:12,540
This is the command center. Situation is now Code three.

1332
01:31:12,780 --> 01:31:16,940
Repeat, Code Green A here. Do you read? Salvage sub two,

1333
01:31:18,060 --> 01:31:21,780
I read you. Let's go. I'm coming,

1334
01:31:22,280 --> 01:31:24,470
Commander. Hello.

1335
01:31:25,830 --> 01:31:26,710
Congratulations.

1336
01:31:31,190 --> 01:31:33,750
Yes, that's right. She works for us.

1337
01:31:33,830 --> 01:31:37,430
Yuri Tachibana. Yes. Thank you very

1338
01:31:37,930 --> 01:31:40,630
much. It's Yuri. She's alive.

1339
01:31:41,270 --> 01:31:44,870
Yes. Yeah. All right.

1340
01:31:46,710 --> 01:31:49,840
Wait. Why don't we do a special? Yeah. With all this material,

1341
01:31:50,340 --> 01:31:51,680
we win all the awards. Yeah.

1342
01:31:54,000 --> 01:31:57,760
What's more, we can include an interview with that professor thingamy?

1343
01:31:58,260 --> 01:32:00,320
Yeah, that's gonna be difficult. Why?

1344
01:32:01,760 --> 01:32:05,360
Professor Isayama died a long time ago. After the first Godzilla

1345
01:32:05,860 --> 01:32:08,080
attack. In fact, he was quite an old man.

1346
01:32:09,360 --> 01:32:12,400
He was 75. The professor is dead?

1347
01:32:13,360 --> 01:32:16,890
Then who. Who the hell is that old man? Whoever he was,

1348
01:32:17,390 --> 01:32:19,530
he's gone from the tape. You. You.

1349
01:32:20,650 --> 01:32:21,930
You. You can't be serious.

1350
01:32:26,490 --> 01:32:28,410
Are you all right? Don't come any closer.

1351
01:32:30,250 --> 01:32:32,090
I haven't checked the radiation levels yet,

1352
01:32:33,290 --> 01:32:36,170
Father. You better make sure.

1353
01:32:37,370 --> 01:32:40,100
Don't. Please. It was. It wasn't just me.

1354
01:32:41,700 --> 01:32:46,140
There were others. My colleagues and

1355
01:32:46,640 --> 01:32:49,980
the Guardian monsters. Yeah, all this is just bullshit. Yeah,

1356
01:32:50,480 --> 01:32:52,660
it's just the typical ending bullshit that you have to get. There are a lot

1357
01:32:53,160 --> 01:32:55,900
of crying faces in these sequences. And why the fuck would you want to do

1358
01:32:56,400 --> 01:32:59,300
this extra bit of supernatural shit at the end about the old man not being

1359
01:32:59,800 --> 01:33:01,980
just some weirdo guy whacking off in the woods, but it was like dead all

1360
01:33:02,480 --> 01:33:05,780
along and is somehow back from the dead to whatever. Doesn't fucking matter.

1361
01:33:06,280 --> 01:33:08,980
Everyone is alive that we all care about. Like the reporter, her dad and all

1362
01:33:09,480 --> 01:33:12,920
of that. And they can talk and let's just salute all dead for whatever reason.

1363
01:33:13,420 --> 01:33:16,720
And the monsters or something at the end. And what. Why are you giving.

1364
01:33:16,800 --> 01:33:20,200
They're giving respect so Godzilla doesn't come back and fucking

1365
01:33:20,700 --> 01:33:23,960
murder them too. All right? So I guess they've learned their lesson well that

1366
01:33:24,460 --> 01:33:28,280
we travel below the ocean after that salute to show us some fish swarming

1367
01:33:28,780 --> 01:33:32,600
around a heart that starts beating with the Godzilla theme playing. And they roll

1368
01:33:33,100 --> 01:33:35,942
those fucking Credits. Cinema PsyOps 10.

1369
01:33:36,084 --> 01:33:39,050
10 years. 10 years.

1370
01:33:39,450 --> 01:33:42,730
Holy shit, man. This film is kind of all over the place.

1371
01:33:43,230 --> 01:33:45,730
But it's a lot easier to follow with somebody who actually enjoys it more than

1372
01:33:46,230 --> 01:33:49,090
I do. That actually paid attention to it. So we were actually fated to have

1373
01:33:49,590 --> 01:33:51,890
you on the show for this one. Because you explained a lot more about what's

1374
01:33:52,390 --> 01:33:55,410
going on than what I was willing to do. I was just gonna sit here

1375
01:33:55,910 --> 01:33:59,770
and talk shit about the supernatural bullshit the whole way through the movie. But you

1376
01:34:00,270 --> 01:34:03,690
had me forget all of that stuff and focus in on what is truly important.

1377
01:34:03,770 --> 01:34:07,590
That I always say, have to remind myself every fucking time if the

1378
01:34:08,090 --> 01:34:11,230
suits look good, if the models look good, if the action is good. Nothing else

1379
01:34:11,730 --> 01:34:14,870
in a Kaiju film matters, Corey. Nothing. If any of that stuff is intriguing to

1380
01:34:15,370 --> 01:34:18,950
you or interesting to you, that is icing on that motherfucking cake. And I

1381
01:34:19,450 --> 01:34:22,430
will submit to you that I now find the story of this icing on the

1382
01:34:22,930 --> 01:34:25,990
motherfucking cake. I actually enjoy what they're trying to do with it. I've gotten off

1383
01:34:26,490 --> 01:34:29,310
my high horse about it. I'm not the only Godzilla fan that has an issue

1384
01:34:29,470 --> 01:34:33,430
with this huge left, like, out of nowhere turn for

1385
01:34:33,930 --> 01:34:36,790
Godzilla. I know that for a fact. But I'm one of the people that has

1386
01:34:37,290 --> 01:34:39,350
come back around and said, you know what? This film's fucking weird, but there's something

1387
01:34:39,850 --> 01:34:42,150
about it I really, really dig. And it's not just that adorable Barragan. It probably

1388
01:34:42,650 --> 01:34:46,190
tastes like chicken. You know, I'm going to say this, and this goes

1389
01:34:46,690 --> 01:34:49,790
directly to my son, Brennan. Yeah, son. You know what? You're right.

1390
01:34:49,870 --> 01:34:53,310
I came in and got a different opinion of this movie.

1391
01:34:53,390 --> 01:34:56,990
I have not been a fan of this movie up until this point, other than

1392
01:34:57,070 --> 01:35:00,230
the suits, because there is, like, the one

1393
01:35:00,730 --> 01:35:04,150
bit where Godzilla runs. And for whatever reason, that just

1394
01:35:04,650 --> 01:35:07,900
always pissed me off. And I like, was like, I hate this movie. Godzilla can't

1395
01:35:08,400 --> 01:35:11,820
run. Why is he running? Everything's too fast. There's this

1396
01:35:12,320 --> 01:35:14,300
old man about it before.

1397
01:35:15,740 --> 01:35:19,100
Before the health crisis that happened in Matt's family that kept

1398
01:35:19,600 --> 01:35:21,340
him from being able to do the show. I was going to put him on

1399
01:35:21,840 --> 01:35:23,980
the notes for this because I wanted to hear him try and explain it and

1400
01:35:24,480 --> 01:35:27,780
be flustered. And I knew this was going to make an amazing episode. And every

1401
01:35:28,280 --> 01:35:31,420
single one of these Godzilla movies, I'm finding something new to love about them.

1402
01:35:31,920 --> 01:35:35,180
And luckily, so far, touch wood, the ones that I absolutely love,

1403
01:35:35,260 --> 01:35:38,960
I have realized either their story is

1404
01:35:39,460 --> 01:35:41,880
a mess with all of the human stuff and I don't care, or the story

1405
01:35:42,380 --> 01:35:45,080
stuff is way better than I was giving it credit for. And maybe it's just

1406
01:35:45,580 --> 01:35:47,960
because I'm a little bit more mature and I'm willing to, like, go a different

1407
01:35:48,460 --> 01:35:51,040
route with a storyline. And not everything have to be, like, hitting all of these

1408
01:35:51,540 --> 01:35:54,000
buttons, you know, at the right, like, ticking all the boxes and everything to be

1409
01:35:54,500 --> 01:35:57,280
perfect for, you know, have to be a specific thing for a Kaiju film and

1410
01:35:57,780 --> 01:36:00,800
for Godzilla, I'm starting to open up about that a little bit more, I think.

1411
01:36:01,300 --> 01:36:03,720
And so this film has definitely gone up. Is this going to be the one

1412
01:36:04,220 --> 01:36:06,410
I'm going to go to all the time? Absolutely fucking not. Am I going to

1413
01:36:06,910 --> 01:36:08,970
jump right to the fight at the end if I ever feel like it again

1414
01:36:09,470 --> 01:36:11,970
and I just kind of want to watch it? Absolutely fucking lutely. Same thing with

1415
01:36:12,470 --> 01:36:15,050
Megaguirus and all the other ones. I'm going to jump right to the fights because

1416
01:36:15,550 --> 01:36:18,570
fuck, yeah, of course I am. Still do. Still always will.

1417
01:36:19,070 --> 01:36:22,530
Yeah. Hey, no beef for me here, because that's an excellent

1418
01:36:23,030 --> 01:36:26,610
way to take it. And if there's one thing I've learned from hanging

1419
01:36:27,110 --> 01:36:30,330
out with mega fans, fans larger than both of

1420
01:36:30,830 --> 01:36:34,490
us combined, is that everybody has their favorite Kaiju.

1421
01:36:34,990 --> 01:36:38,180
Even if you look at a movie and you go like, well, you know that,

1422
01:36:38,680 --> 01:36:43,700
like, this one's dumb. That's somebody's favorite and it's legitimate. And even

1423
01:36:44,200 --> 01:36:47,220
if you don't like a movie that's someone's favorite, and we're just kind of all

1424
01:36:47,720 --> 01:36:50,980
here to have fun. And this is one of the most out of

1425
01:36:51,480 --> 01:36:54,860
any character. More movies, I think, than James Bond at

1426
01:36:55,360 --> 01:36:58,900
this point. Right. And longer running and more films than James Bond at this

1427
01:36:59,400 --> 01:37:03,700
point. For Godzilla. Yeah. He is the literal king. Yeah. And honestly,

1428
01:37:04,200 --> 01:37:08,040
like shit ton of reboots and nobody complains. We complain is

1429
01:37:08,540 --> 01:37:11,520
like, well, I was kind of enjoying that storyline and it ended and now we

1430
01:37:12,020 --> 01:37:14,880
got to reboot again. And it's kind of frustrating, but then you just get right

1431
01:37:15,380 --> 01:37:19,080
back on board and you're like, all right, let's go. It's really, really, really hard

1432
01:37:19,580 --> 01:37:23,120
to get so angry and serious and like,

1433
01:37:23,620 --> 01:37:27,160
intense about the minutia in these films when in all reality,

1434
01:37:27,660 --> 01:37:30,880
I'm only coming to him because I want to watch someone in a suit smash

1435
01:37:31,380 --> 01:37:33,920
up models. And I want it to look good and be convincing. Right. I want

1436
01:37:34,420 --> 01:37:38,120
that part of the special effects. I want the suitimation that there is no

1437
01:37:38,620 --> 01:37:42,020
one on the planet that can better than the Japanese. Like, that just doesn't

1438
01:37:42,520 --> 01:37:46,500
really happen that way. Sudimation is the thing that they perfected. It's their specific style

1439
01:37:47,000 --> 01:37:49,980
of filmmaking that is wholly and solely theirs. Like,

1440
01:37:50,480 --> 01:37:53,300
we own the musical. We made the musical. Other people can make musicals, Other people

1441
01:37:53,800 --> 01:37:56,780
can make Kaiju films. But the original template,

1442
01:37:57,280 --> 01:38:01,460
the original idea, the original way to do this specific thing for sudimation

1443
01:38:01,540 --> 01:38:05,900
and or musicals originated there, you know what I mean? With the

1444
01:38:06,400 --> 01:38:09,700
people that created it. That's what I'm getting at. Musicals are wholly an American institution

1445
01:38:10,200 --> 01:38:13,600
that we created. They never existed before our country. And sudimation

1446
01:38:14,000 --> 01:38:17,120
kind of existed and was kind of there, but not

1447
01:38:17,620 --> 01:38:20,720
really. Not exactly. Not when Godzilla came around. Absolutely.

1448
01:38:21,220 --> 01:38:24,280
Definitely not. And some other people had tried some other things, but never for

1449
01:38:24,780 --> 01:38:27,759
giant monsters really, to that extent that did that. Well, they usually did like stop

1450
01:38:28,259 --> 01:38:31,080
motion animation until Toho did it. So this is wholly a thing that comes out

1451
01:38:31,580 --> 01:38:36,240
of Japan, and it doesn't exist without the cultural history specifically

1452
01:38:36,740 --> 01:38:40,000
of that country. Like musicals in America. That's what I'm Getting at. Yeah, absolutely.

1453
01:38:40,400 --> 01:38:43,120
Hats off. I don't know what else to say.

1454
01:38:43,900 --> 01:38:46,140
I think it's. I think we're time for the break in story time. I think

1455
01:38:46,640 --> 01:38:49,900
that we're there. Yeah. Yeah, it's. It's beautiful. All right. We're going to take the

1456
01:38:50,400 --> 01:38:52,980
art. Absolutely. Suitimation is my jam.

1457
01:38:53,480 --> 01:38:57,220
Absolutely love it. And I will defend it to my last breath if I have

1458
01:38:57,720 --> 01:39:00,900
to. We're going to take the break now. We're going to play from the year

1459
01:39:01,400 --> 01:39:04,780
2001. Just like GMK, the song once Again, another one that

1460
01:39:05,280 --> 01:39:08,380
was probably really hard for you to escape Powerman 5000 with the

1461
01:39:08,880 --> 01:39:12,470
song Bomb Shell. It was on like everything, everywhere and in almost every movie.

1462
01:39:12,970 --> 01:39:16,190
When this song came out in 2001, we come

1463
01:39:16,690 --> 01:39:20,710
back, we will have a story time. While the collective believe that it

1464
01:39:21,210 --> 01:39:25,390
is now pertinent to the informational aspects of these warning and emergency notification

1465
01:39:25,890 --> 01:39:29,550
transmissions, discussions on the belief in an author writing the aspects of

1466
01:39:30,050 --> 01:39:34,030
our collective experiences are now authorized, provided we keep the parameters defined

1467
01:39:34,530 --> 01:39:38,160
and specific, speak about things as an exchange of ideas without providing or demanding

1468
01:39:38,660 --> 01:39:42,680
definitive proof. It shall be factually discussed concepts and ideas. I believe

1469
01:39:43,180 --> 01:39:46,760
you have the floor from our last transmission. There is belief that authors could be

1470
01:39:47,260 --> 01:39:51,000
a level above the concept of gods in that they create not only vast universes

1471
01:39:51,500 --> 01:39:54,760
with bountiful worlds that have characters to live and thrive in, but they

1472
01:39:55,260 --> 01:39:58,600
also create the gods that may or may not have created the universes they

1473
01:39:59,100 --> 01:40:02,330
wrote into existence in their stories to humble themselves and the power they

1474
01:40:02,830 --> 01:40:05,970
possess as the author that writes the fates of characters. The reading of the

1475
01:40:06,470 --> 01:40:10,010
tales and tomes offers us the knowledge we need to understand the path or plot

1476
01:40:10,510 --> 01:40:13,810
as it is revealed. The watching of the audio visual narrative can show us the

1477
01:40:14,310 --> 01:40:17,370
wonder of life and the path to the resolution before the end credits.

1478
01:40:17,870 --> 01:40:21,650
It is also believed our stories as characters may mimic that of what the authorship

1479
01:40:22,150 --> 01:40:26,100
has planned. They played in this

1480
01:40:26,600 --> 01:40:31,340
area like a couple years ago at like 10 in the morning. Had like

1481
01:40:31,840 --> 01:40:35,380
a festival around the capital and I was just like, let's just keep

1482
01:40:35,880 --> 01:40:39,700
walking. I like a few Power Man 5000

1483
01:40:40,200 --> 01:40:44,100
songs. So this is. It wasn't good. It wasn't good. Yeah,

1484
01:40:44,340 --> 01:40:47,740
yeah. That's the thing is, I've seen some live shows of theirs before and I

1485
01:40:48,240 --> 01:40:51,000
was not impressed. But I do like a few of their songs and I.

1486
01:40:51,150 --> 01:40:53,550
I kind of like a little bit of the groove that they got going,

1487
01:40:53,790 --> 01:40:57,550
but other than that, no, not really. Yeah, but they absolutely will have

1488
01:40:57,630 --> 01:40:59,950
little to do with my story time.

1489
01:41:07,550 --> 01:41:09,070
Story time.

1490
01:41:12,110 --> 01:41:14,990
Story time. Still Played in its entirety.

1491
01:41:16,510 --> 01:41:19,890
All right, so my story time, I kind of explained it. What a night I've

1492
01:41:20,390 --> 01:41:23,690
had, everyone. What a night I've had. Alright, so I got stuck at work because

1493
01:41:24,190 --> 01:41:27,770
of emergency happened and I can't really talk too much about that other than problem

1494
01:41:28,270 --> 01:41:31,330
was solved. I got home about an hour and a half to two hours later

1495
01:41:31,830 --> 01:41:34,370
than I was planning on it. Messaged Dan right away and said, hey, I know

1496
01:41:34,870 --> 01:41:36,570
we got to do two episodes. I know we're gonna be up late tonight,

1497
01:41:37,070 --> 01:41:39,450
but bad news, I'm gonna have to start even later. And Dan was like,

1498
01:41:39,950 --> 01:41:43,610
oh, cool. Okay. So I start working on trying to get

1499
01:41:44,110 --> 01:41:46,960
the show done right. I have to finish my note notes for gmk, which by

1500
01:41:47,460 --> 01:41:49,440
the way, I had a lot more to go than I thought I did.

1501
01:41:49,940 --> 01:41:53,080
I did over half the film right before we did the show tonight.

1502
01:41:53,580 --> 01:41:56,080
That's why we have a shit ton of clips. Because I was barreling through just

1503
01:41:56,580 --> 01:42:00,440
like for the recording here. I had to start doing some triage time. But while

1504
01:42:00,940 --> 01:42:03,800
I was actually watching my movie and recording the clips, because this is one that

1505
01:42:04,300 --> 01:42:06,920
I'd seen a lot and I kind of know what's going on and I knew

1506
01:42:07,420 --> 01:42:09,360
what was going to happen with the dialogue and I could hear the dialogue in

1507
01:42:09,860 --> 01:42:13,360
the background, I started downloading and editing your clips because I hadn't

1508
01:42:13,860 --> 01:42:17,140
touched them yet, right? And I was like leveling out and chopping

1509
01:42:17,640 --> 01:42:19,580
your clips because you say you sent me one file, so I had to chop

1510
01:42:20,080 --> 01:42:22,100
that. I had to send that. I had to chop them into a bunch of

1511
01:42:22,600 --> 01:42:25,660
little tiny files. Like each individual one had its own file. I had to level

1512
01:42:26,160 --> 01:42:29,100
them and get all the audio down. And I was doing that while recording clips.

1513
01:42:29,600 --> 01:42:32,100
So like, if the clip was starting to record and I was paying attention and

1514
01:42:32,600 --> 01:42:35,340
listening to the dialogue, I was also somehow multitasking.

1515
01:42:35,420 --> 01:42:38,580
Like the podcasting gods had to have been smiling on me. I don't know how

1516
01:42:39,080 --> 01:42:41,540
I did this, dude, but I did it where I was editing your clip,

1517
01:42:42,040 --> 01:42:45,170
getting the levels right. And then because you would already gotten all of the various

1518
01:42:45,670 --> 01:42:47,970
noises and stuff out so I didn't have to trunk. Like, I didn't have to

1519
01:42:48,470 --> 01:42:50,730
really like, you know, shrink them down or anything too major like I do with

1520
01:42:51,230 --> 01:42:53,970
mattes, like not a lot of heavy editing, but I split your stuff up.

1521
01:42:54,470 --> 01:42:57,210
I got it all leveled, I got it all ready to go. And then I

1522
01:42:57,710 --> 01:43:00,050
would like finish a clip and then I'd go back and do my start doing

1523
01:43:00,550 --> 01:43:03,650
my notes and go back to working on that, get that all Squared away.

1524
01:43:04,150 --> 01:43:06,290
And then I'd get to a point where I could record another long clip.

1525
01:43:06,790 --> 01:43:09,770
And then after I got all of your clips edited, I then started picking out

1526
01:43:10,270 --> 01:43:14,330
the music this week, which is why I said that unfortunately,

1527
01:43:14,830 --> 01:43:17,830
Powerman 5000 does have a little bit to do with my story time because it's

1528
01:43:18,330 --> 01:43:19,790
one of the songs that I picked out, but that's literally all it has to

1529
01:43:20,290 --> 01:43:23,470
do. So there's that thread that doesn't matter. So I get all the songs picked

1530
01:43:23,970 --> 01:43:27,030
out, and then I'm doing the same thing, recording clips while I'm working on the

1531
01:43:27,530 --> 01:43:30,590
last bit. And then I do the triage time where I decide not to do

1532
01:43:31,090 --> 01:43:34,790
my clips. And then just as I'm running downstairs, I'm grabbing

1533
01:43:35,290 --> 01:43:38,030
all my stuff, I'm getting ready to go downstairs. One of my cats throws up.

1534
01:43:39,310 --> 01:43:42,910
Oh, no. And I message you, and I tell you what's happening.

1535
01:43:43,410 --> 01:43:45,350
You know, I'm keeping you up to date. I'm like, like, hey, this is going

1536
01:43:45,850 --> 01:43:49,230
on. I'm running late. Things are taking longer. I'm really, really working on it.

1537
01:43:49,310 --> 01:43:52,510
I was planning on giving myself. Like, I was gonna come home early today.

1538
01:43:52,670 --> 01:43:55,470
I was planning on giving myself more than enough time. I was gonna have this

1539
01:43:55,970 --> 01:43:59,030
all ready to go and just, like, you know, try to get two shows done

1540
01:43:59,530 --> 01:44:01,630
and just really hammer it out. I was gonna give myself plenty of time,

1541
01:44:01,870 --> 01:44:05,350
but emergencies happen and life gets in your fucking way.

1542
01:44:05,850 --> 01:44:08,390
But I still found a way to make this show happen. And when the final

1543
01:44:08,890 --> 01:44:12,710
editing happens, which future Cort, I'm really, really sorry what we've done to

1544
01:44:13,210 --> 01:44:14,910
you for these two shows. I'm very sorry.

1545
01:44:17,610 --> 01:44:20,890
Well, anyway, that's the night that I've had. I get the vomit for the

1546
01:44:21,390 --> 01:44:23,410
cat cleaned up, and I come downstairs, we do the show, we do the recording.

1547
01:44:23,910 --> 01:44:27,170
We're having a total blast. Dan and I are just vibing and having so much

1548
01:44:27,670 --> 01:44:30,570
fun talking about these two movies, and it was worth all that stress.

1549
01:44:30,890 --> 01:44:34,170
But for a brief moment there, I was in a

1550
01:44:34,670 --> 01:44:38,450
weird podcasting multitasking zone that I

1551
01:44:38,950 --> 01:44:42,650
will never attempt again, Dan, Just to get this to happen. And that alone was

1552
01:44:43,150 --> 01:44:47,050
worth the story time to me. Well, hey, you know what? I gotta

1553
01:44:47,550 --> 01:44:50,800
take part of that. You wanted to do things on the weekend, but, you know,

1554
01:44:51,300 --> 01:44:54,760
like, hey, I had to have sex at least once, and it worked,

1555
01:44:56,040 --> 01:44:59,480
but it was actually three times. So, like, yeah, like,

1556
01:45:00,520 --> 01:45:03,960
I. I accepted. And I was, like, told later by

1557
01:45:04,460 --> 01:45:07,320
one of my children that it's Father's Day weekend. And I was like, oh,

1558
01:45:08,600 --> 01:45:11,960
like, okay, I gotta. I gotta Put this on. I'm like, hey, like,

1559
01:45:12,200 --> 01:45:15,640
can you accommodate and do, like, weekday? And you did.

1560
01:45:16,140 --> 01:45:20,400
And hats off to you. This is a stressful time, and I

1561
01:45:20,900 --> 01:45:24,480
completely understand. So I appreciate you coming around and,

1562
01:45:24,980 --> 01:45:28,680
like, meeting me halfway with meeting you to where you needed me.

1563
01:45:29,180 --> 01:45:32,680
So I'm glad it all worked out. Yeah, it again, I am.

1564
01:45:33,180 --> 01:45:34,800
I said this to Darren, and I'm going to say it to you right now

1565
01:45:35,300 --> 01:45:38,120
on the air as well. I am very, very, very, very, very, very, very,

1566
01:45:38,620 --> 01:45:42,480
very, very, very, very, very grateful not only for you to volunteer to

1567
01:45:42,980 --> 01:45:45,600
do this and to do two episodes to keep this streak going so that we

1568
01:45:46,100 --> 01:45:49,500
can actually try to achie so I don't have to stress out

1569
01:45:50,000 --> 01:45:53,180
and try and do a solo show eight times or three times or anything like

1570
01:45:53,680 --> 01:45:56,580
that. I very much appreciate you taking your time to do this. Now, for you,

1571
01:45:56,740 --> 01:45:59,700
who actually volunteered to do notes for an episode,

1572
01:45:59,940 --> 01:46:02,980
which had to be a very kind of not an easy thing to do to

1573
01:46:03,480 --> 01:46:06,300
try and mimic my style or Matt style or anything like that, and to try

1574
01:46:06,800 --> 01:46:09,860
and, you know, do it in a different style than what you're even used to.

1575
01:46:10,020 --> 01:46:13,180
That couldn't have been very comfortable. And you volunteered without even questioning

1576
01:46:13,680 --> 01:46:15,940
on that. And I thank you very much for doing the notes on that because

1577
01:46:16,440 --> 01:46:19,020
you just made my life a little bit easier by doing that, even though that

1578
01:46:19,520 --> 01:46:22,040
episode is going to be a hu mess, and future Cort is really not happy

1579
01:46:22,540 --> 01:46:25,800
about that for the editing he's gonna do. So thank you very much, and let's.

1580
01:46:26,300 --> 01:46:29,400
Let's wrap up the show. What do you think? Sounds good. Let's go. All right,

1581
01:46:29,900 --> 01:46:33,040
so let's play some show housekeeping. And when we come back from that on the

1582
01:46:33,540 --> 01:46:37,040
pirate radio edit, also released in 2001. While this song was easier

1583
01:46:37,540 --> 01:46:40,680
for me to escape, I refused to escape it because it's one of the Weezer

1584
01:46:41,180 --> 01:46:44,520
songs I absolutely love. With the song Hash pipe released in 2001, immediately calling this

1585
01:46:45,020 --> 01:46:48,650
on fire radio, it is if you've decided universes they wrote into existence

1586
01:46:49,150 --> 01:46:52,490
in their stories to humble themselves and the power they possess as the author that

1587
01:46:52,990 --> 01:46:56,330
writes the fates of characters. The reading of the tales and tomes offers

1588
01:46:56,830 --> 01:46:59,890
us the knowledge we need to understand the path or plot as it is revealed.

1589
01:47:00,390 --> 01:47:03,730
The watching of the audio visual narrative can show us the wonder of life and

1590
01:47:04,230 --> 01:47:07,530
the path to the resolution before the end credits. It is also believed

1591
01:47:08,030 --> 01:47:11,580
our stories as characters may mimic that of what the authorship has planned and allow

1592
01:47:12,080 --> 01:47:15,660
characters in some small way to create allegorical fictions of their

1593
01:47:16,160 --> 01:47:19,540
own. And so create a chain of created realms. One may delve deeper and deeper

1594
01:47:20,040 --> 01:47:23,420
into the meta, the apocryphal meta. Writing belief is often linked to self

1595
01:47:23,920 --> 01:47:27,020
important belief structures for characters that believe the story is about

1596
01:47:27,520 --> 01:47:30,420
them and they are fully aware of their status as a main character in this

1597
01:47:30,920 --> 01:47:34,820
structure. The random events beliefs refute this with an argument that the holy texts

1598
01:47:35,320 --> 01:47:38,670
which authorship revere are just merely mythological iterations of stories which

1599
01:47:39,170 --> 01:47:42,670
ancient people have been telling each other for centuries. They're not true or real

1600
01:47:43,170 --> 01:47:46,670
in any literal sense. They are merely a conduit to a more ancient truth.

1601
01:47:46,750 --> 01:47:50,470
It breaks down into components of storytelling which must be remembered

1602
01:47:50,970 --> 01:47:54,590
that stories and tales can be based on things that happened. And the authors themselves

1603
01:47:55,090 --> 01:47:58,510
create authors in stories that also write stories. As this becomes

1604
01:47:59,010 --> 01:48:02,480
a multi dimensional, multi reality discussion concept get

1605
01:48:02,980 --> 01:48:06,160
very complex. So let us focus on this. The story of a

1606
01:48:06,660 --> 01:48:09,800
savior who was born to a virgin who could perform miracles and

1607
01:48:10,300 --> 01:48:13,720
was supernaturally resurrected. This concept of a savior in the world

1608
01:48:14,220 --> 01:48:18,279
of court double 5321 was a very popular story for at least a thousand

1609
01:48:18,280 --> 01:48:21,720
years before Jesus was born. One of them has blonde hair,

1610
01:48:22,220 --> 01:48:26,040
one of them Sprunette, both dressed similarly mitras performed miracles.

1611
01:48:26,120 --> 01:48:29,330
He was marked by the sign of the cross. Horus walked

1612
01:48:29,830 --> 01:48:33,210
on water, was crucified, had 12 disciples. Krishna,

1613
01:48:33,710 --> 01:48:36,930
he was a carpenter, born to a virgin, baptized in a river,

1614
01:48:37,090 --> 01:48:40,930
rose from the dead and ascended into heaven. There are at least 12 gods

1615
01:48:41,430 --> 01:48:45,130
who were born on December 25, all of whom predate the existence

1616
01:48:45,630 --> 01:48:48,930
of Jesus. It is virtually impossible to ignore the influence of one

1617
01:48:49,430 --> 01:48:52,890
narrative upon another or to ignore the fact that all these stories iterate

1618
01:48:53,390 --> 01:48:57,100
into to the current faith being sold, the current myth being made. The belief

1619
01:48:57,600 --> 01:49:00,900
used to shape our perceptions and ideas. When an author writes the life of

1620
01:49:01,400 --> 01:49:04,940
another author, it is believed this is where characters were first allowed to be self

1621
01:49:05,440 --> 01:49:08,700
aware and know that their author is writing them. This meta signifies something

1622
01:49:09,200 --> 01:49:11,580
that refers to itself or has a self aware quality.

1623
01:49:15,260 --> 01:49:19,150
Hell yeah. You a fan of Hash Pipe then? Oh yeah, yeah, yeah. It's not

1624
01:49:19,650 --> 01:49:22,510
my favorite Weezer song, but it's definitely up there. I would probably put it in

1625
01:49:23,010 --> 01:49:26,230
one of my top fives. That's an earworm. Yeah.

1626
01:49:26,550 --> 01:49:29,630
All every Weezer song is an earworm practically. So it's say It Ain't so is

1627
01:49:30,130 --> 01:49:33,630
like my absolute favorite. Buddy Holly is probably second or

1628
01:49:34,130 --> 01:49:37,190
third. Hash Pipe would be like third or fourth or fifth. I don't really rank.

1629
01:49:37,270 --> 01:49:39,910
It's just like it's one of the ones where I definitely would never want to

1630
01:49:40,410 --> 01:49:43,950
Fast forward it. So there's that. Okay, so this probably qualifies as a

1631
01:49:44,450 --> 01:49:47,400
story. Story time. But 20 years ago, I'm at a bar, right,

1632
01:49:47,900 --> 01:49:51,320
And a band's gonna play. And some older lady comes up to

1633
01:49:51,820 --> 01:49:55,160
me. And at the time I was wearing glasses. And she's like, I know who

1634
01:49:55,660 --> 01:49:59,320
you are. And I was like, you do? And she goes, yeah, my daughter

1635
01:49:59,820 --> 01:50:02,400
knows you. She's a big fan. And I was like, what? What are you even

1636
01:50:02,900 --> 01:50:05,560
talking about? Like, I had no idea what this lady was getting at. She thought

1637
01:50:06,060 --> 01:50:09,640
it was dude from Weezer. I didn't look

1638
01:50:10,140 --> 01:50:13,590
anything like dude from Weezer other than glasses. And I guess

1639
01:50:14,090 --> 01:50:16,990
kind of nerdy. Well, you were also tattooed, so maybe she made an assumption.

1640
01:50:17,490 --> 01:50:21,470
I don't know. Yeah, yeah. Hey, speaking of that, you know that at one

1641
01:50:21,970 --> 01:50:24,630
point in time was really cool where people would show up and they'd be like,

1642
01:50:25,130 --> 01:50:27,550
so are you in the band? And now when you're in a bar and that

1643
01:50:28,050 --> 01:50:30,990
happens, they go, so you're. Where are you a chef at?

1644
01:50:34,030 --> 01:50:37,240
Well, while you're out there being a chef, wondering what the fuck

1645
01:50:37,740 --> 01:50:40,280
all of this was about, kick the fuck out of this weekend. Make it your

1646
01:50:40,780 --> 01:50:44,720
bitch while you enjoy. The White Stripes. With their song released also in

1647
01:50:45,220 --> 01:50:48,520
2001, Dead Leaves in the dirty ground on the pirate radio edit.

1648
01:50:49,240 --> 01:50:52,440
All these stories iterate into the current faith being sold,

1649
01:50:52,940 --> 01:50:56,400
the current myth being made. The belief used to shape our perceptions and

1650
01:50:56,900 --> 01:51:00,240
ideas. When an author writes the life of another author, it is believed this is

1651
01:51:00,740 --> 01:51:04,130
where characters were first allowed to be self aware and know that their author is

1652
01:51:04,630 --> 01:51:08,090
writing them. This meta signifies something that refers to itself or has a

1653
01:51:08,590 --> 01:51:11,730
self aware quality, often in a clever or self referential way.

1654
01:51:12,230 --> 01:51:15,690
This does not mean it has to be played for laughs, although comedic meta is

1655
01:51:16,190 --> 01:51:19,130
said to be the easiest route, as the whimsical nature of that life makes it

1656
01:51:19,630 --> 01:51:23,490
easier for fourth wall breaks to speak directly to the audience we were created for.

1657
01:51:23,570 --> 01:51:26,710
The meta concept can be a way of looking at something from a higher,

1658
01:51:26,860 --> 01:51:31,340
higher perspective or acknowledging its own nature or context. Self referential

1659
01:51:31,840 --> 01:51:35,260
meta works like a movie about making a movie, acknowledges its own

1660
01:51:35,760 --> 01:51:39,300
fictional nature. Self aware meta characters are conscious of themselves as

1661
01:51:39,800 --> 01:51:43,580
a subject. Higher perspective is a meta approach to storytelling that considers

1662
01:51:44,080 --> 01:51:47,980
it from a broader, more abstract viewpoint, often analyzing its own structure

1663
01:51:48,480 --> 01:51:52,100
or context. In essence, meta points to something that goes beyond the

1664
01:51:52,600 --> 01:51:55,930
surface level. Often reflects reflecting on its own existence or context.

1665
01:51:59,050 --> 01:52:02,610
Crying everywhere and people will

1666
01:52:03,110 --> 01:52:06,330
wonder why you're just crying. Recording in progress There we go.

1667
01:52:06,830 --> 01:52:09,849
The recording started and can you hear? Yeah, yeah.

1668
01:52:11,210 --> 01:52:14,410
All right. And is my clip

1669
01:52:14,910 --> 01:52:18,530
too softer? You're probably not gonna be able to hear too well. Yeah,

1670
01:52:19,030 --> 01:52:21,380
so I didn't edit my clips. Yeah, I didn't edit my clips. So you'll be

1671
01:52:21,880 --> 01:52:23,220
able to hear them. Are going to be jumping through them anyway. Cuz some of

1672
01:52:23,720 --> 01:52:26,260
them are way too long, so. All right, I'm rolling. I'm rolling.

1673
01:52:26,820 --> 01:52:29,860
And we are ready to go. My notes are up. Okay.

1674
01:52:30,340 --> 01:52:34,420
Ready to roll? Yep. Okay. I never ask, man. I just get started. All right.

1675
01:52:34,920 --> 01:52:38,340
Three, two, one. After that they cut to a short of some folks.

1676
01:52:38,580 --> 01:52:42,220
Ah. Three, two, one. I literally just recorded everything for

1677
01:52:42,720 --> 01:52:46,390
clips in this film. There's no notes. It's all close to

1678
01:52:46,890 --> 01:52:49,550
him. I mean, that's how your 9 to 5 episode was.

1679
01:52:50,350 --> 01:52:54,030
I. You basically like just had the movie with commentary.

1680
01:52:54,530 --> 01:52:58,030
And you know what? I loved it because I love nine to five.

1681
01:52:58,530 --> 01:53:01,950
Oh, that's a great flip. Your experiences with that movie were very much in line

1682
01:53:02,450 --> 01:53:06,430
with mine. That's awesome. Like, that's part of the reason I'm not a fucking misogynist.

1683
01:53:07,390 --> 01:53:09,390
Yeah. I think that film might have done a lot of good for a lot

1684
01:53:09,890 --> 01:53:12,880
of little boys that ran into that in the 80s. For me. Yeah. For me

1685
01:53:13,380 --> 01:53:15,960
it was like single mom making me watch nine to five.

1686
01:53:21,000 --> 01:53:24,560
Take for instance, Star Wars, Episode one, the Phantom

1687
01:53:25,060 --> 01:53:28,760
Menace. Can you imagine thousands of years from now, people accepting Jar Jar

1688
01:53:29,260 --> 01:53:33,080
as a significant religious figure? Beg your pardon? Jar Jar. Ex squeeze

1689
01:53:33,580 --> 01:53:37,330
me. Jar Jar. Jar Jar Binks. Never mind. It is all terrifying,

1690
01:53:37,410 --> 01:53:40,770
isn't it? I'm sorry? It is. It is all scary.

1691
01:53:40,850 --> 01:53:44,130
I'm scared. I'm scared. Just saying it out loud, really.

1692
01:53:44,630 --> 01:53:48,090
If God is real and he watches when we masturbate, and he has

1693
01:53:48,590 --> 01:53:51,610
such a fragile ego that he only helps us when we beg him and shower

1694
01:53:52,110 --> 01:53:55,290
him with praise, and he hates gay people for being what he made them to

1695
01:53:55,790 --> 01:53:59,490
be. Well, that's terrifying. If there's no God and we're just horny

1696
01:53:59,570 --> 01:54:03,380
microscopic ants floating on earth, rock through space with no divine purpose

1697
01:54:03,880 --> 01:54:07,780
and no hope to achieve eternal life. Well, that's terrifying too. Either the

1698
01:54:08,280 --> 01:54:11,100
church is true or it is a fraud. It is the church and kingdom of

1699
01:54:11,600 --> 01:54:13,740
God or it is nothing. Do you agree with that?

1700
01:54:16,140 --> 01:54:19,300
Kick the out of this weekend. Make it your while you enjoy

1701
01:54:19,800 --> 01:54:23,380
the White Stripes with their song released also in 2001,

1702
01:54:23,880 --> 01:54:26,700
Dead Leaves in the Dirty Ground on the pirate radio edit. I'm not going to

1703
01:54:27,200 --> 01:54:29,710
play that either. Just save us a little bit of time. But I am going

1704
01:54:30,210 --> 01:54:33,990
to go ahead and stop the recording. Recording stopped.