1 00:00:08,560 --> 00:00:10,260 What are you doing here? 2 00:00:11,920 --> 00:00:15,060 Looking for a friend. Do you mind? 3 00:00:15,840 --> 00:00:19,560 Kind of friend. Kind of 4 00:00:19,600 --> 00:00:23,620 friend. Maybe. Maybe. Do you know where I can get some? 5 00:00:24,800 --> 00:00:28,256 Calling us drug dealers? Is that what you're 6 00:00:28,288 --> 00:00:30,700 calling me? No, 7 00:00:31,720 --> 00:00:34,820 I'm calling you a midget donkey fucker. 8 00:00:35,160 --> 00:00:37,260 You want to do something about it? 9 00:00:48,040 --> 00:00:52,048 It's not fair. A gun against a knife 10 00:00:52,224 --> 00:00:55,312 and. Por favor, no hitting below the belt. 11 00:00:55,376 --> 00:00:57,060 It's not ladyl. 12 00:01:01,060 --> 00:01:04,428 Now let's see how smart you talk when I cut out your 13 00:01:04,484 --> 00:01:07,852 tongue. Praise the 14 00:01:07,876 --> 00:01:11,360 Lord for bringing us this generous penalty. 15 00:01:13,060 --> 00:01:16,508 Just give me all the bacon and eggs you have. Wait, 16 00:01:16,604 --> 00:01:20,012 wait. I worry what you just heard was give me a lot of 17 00:01:20,036 --> 00:01:23,980 bacon and eggs. What I said was give me all 18 00:01:24,100 --> 00:01:26,280 the bacon and eggs you have. 19 00:01:28,820 --> 00:01:32,344 L does about 56ameal, 20 00:01:32,392 --> 00:01:35,864 huh? Look like me 21 00:01:35,952 --> 00:01:37,420 back on the menu? 22 00:01:39,280 --> 00:01:42,580 That's why I'm hungry. Each word I say 23 00:01:43,280 --> 00:01:47,340 farther and farther into a radical. 24 00:01:50,080 --> 00:01:53,940 No secret. It's amazing. Don't skip on. 25 00:01:54,400 --> 00:01:57,752 I'd buy that for a dollar. No fat for 26 00:01:57,776 --> 00:02:00,840 me, please. When you're trying to come back. Oh, look at me. Look at me. 27 00:02:00,880 --> 00:02:03,720 I cannot seem EAS upset. 28 00:02:13,420 --> 00:02:16,200 What about that time I found you. Naked with that bowl of junk? 29 00:02:20,780 --> 00:02:24,068 Hello, folks. Welcome to Cinnamon Beef. The burnt ends. 30 00:02:24,164 --> 00:02:27,940 It's that. It's that crispy part of the brisket that tastes so, 31 00:02:27,980 --> 00:02:31,080 so good. Posse some sauce. You know, 32 00:02:31,120 --> 00:02:34,500 and speaking of deliciousness, I have 33 00:02:34,880 --> 00:02:38,360 my broadcast partner on last call. Torch. He's one of them 34 00:02:38,400 --> 00:02:42,056 with me tonight. The. The great Cameron 35 00:02:42,088 --> 00:02:45,624 Scott is here. How you doing, sir? I'm doing great. 36 00:02:45,712 --> 00:02:49,020 I'm ready to talk some Fred Ray. Man, I love this guy. 37 00:02:49,680 --> 00:02:53,032 Yeah, yeah, I forgot we're doing. Because we've been a while since 38 00:02:53,056 --> 00:02:55,300 we did this. We. We meant to put more of these. 39 00:02:56,650 --> 00:02:59,282 And that's my fault for not saying, hey, camera, you want to do some more 40 00:02:59,306 --> 00:03:02,578 of these? So if you can recall the last that we're gonna do, 41 00:03:02,714 --> 00:03:06,434 we'll do that to these two jams. But we figured we kick it off proper 42 00:03:06,602 --> 00:03:09,990 back again and do some Braille and Ray jams 43 00:03:10,970 --> 00:03:14,930 tonight. One, then probably Sunday night, 44 00:03:14,970 --> 00:03:17,430 another one. Behind the scenes stuff. 45 00:03:18,250 --> 00:03:22,908 This is Commando Squad from 1987. And here's 46 00:03:22,924 --> 00:03:23,920 the trailer. 47 00:03:26,580 --> 00:03:30,380 It was the perfect setup to infiltrate a drug operation from the 48 00:03:30,420 --> 00:03:34,560 inside. But suddenly something went terribly wrong. 49 00:03:36,900 --> 00:03:40,636 We sent 20 of our best agents down there to bust up that little paradise. 50 00:03:40,748 --> 00:03:43,852 Seven of them are missing in action. They mailed the rest of them to us 51 00:03:43,876 --> 00:03:47,552 in very small pieces. I'll send you a postcard. How you 52 00:03:47,576 --> 00:03:51,780 gonna handle it? Like I always do. Organized chaos. 53 00:03:52,840 --> 00:03:56,288 She's his only hope for survival and the last stand for 54 00:03:56,344 --> 00:04:00,304 justice. She's coming and you can't stop. She's afraid 55 00:04:00,352 --> 00:04:03,580 of me. I'm not afraid of her. 56 00:04:05,720 --> 00:04:09,780 If you're dealing with the underworld, the game can get dirty. 57 00:04:11,400 --> 00:04:13,470 This place is got to burn. 58 00:04:14,930 --> 00:04:18,698 But when you call in this dynamic duo, the game will change 59 00:04:18,834 --> 00:04:21,470 and the war will just begin. 60 00:04:24,450 --> 00:04:28,070 Because they're the army that's gonna blow this battle wide open. 61 00:04:28,850 --> 00:04:32,426 Culprit, Brian Thompson and playmate of the year, 62 00:04:32,498 --> 00:04:33,710 Cathy Showers. 63 00:04:35,810 --> 00:04:40,202 Together, they're the toughest team in town, rewriting the book on law 64 00:04:40,306 --> 00:04:43,738 and order. Sometimes it's 65 00:04:43,754 --> 00:04:46,770 not you play the game, it's how you win. 66 00:04:47,550 --> 00:04:51,254 And if you want to win, call in Commando 67 00:04:51,302 --> 00:04:55,450 Squad. Commando Squad. 68 00:04:55,790 --> 00:04:59,606 Your cheap applause synopsis is an American narcotics 69 00:04:59,638 --> 00:05:03,494 agent takes her squad to Mexico where she wants to break up a drug smuggling 70 00:05:03,542 --> 00:05:07,606 gang that has also kidnapped her boyfriend. That is a shitty plot synopsis 71 00:05:07,638 --> 00:05:11,414 for this movie. We'll talk lazy writing right there. That's lazy 72 00:05:11,462 --> 00:05:14,892 writing. It's a sadder boyfriend, for one thing. 73 00:05:14,916 --> 00:05:18,812 We'll talk about that, though. That's. Yeah, yeah. There's an inconsistency in 74 00:05:18,836 --> 00:05:22,316 that. This is directed by Fred Olive 75 00:05:22,348 --> 00:05:26,012 Ray, written by Michael Sonier. I have 76 00:05:26,036 --> 00:05:29,532 to see what his credits are real fast. I'm curious is this is. Because this 77 00:05:29,556 --> 00:05:32,988 is good, but it's kind of cheap at the same time. So we're 78 00:05:33,004 --> 00:05:36,000 gonna look right now and see what he wrote. 79 00:05:36,980 --> 00:05:41,032 Known for. Oh, the voice. He's also known as 80 00:05:41,136 --> 00:05:43,800 Dookie Fly Swatter, right? Oh, that's him. 81 00:05:43,840 --> 00:05:47,240 Okay. Yeah, same guy. Yeah. I'm pretty sure I was gonna make 82 00:05:47,280 --> 00:05:51,016 that joke in Cyclone that it was. If it's a freaking 83 00:05:51,128 --> 00:05:55,560 dookie supply squatter joint, it's obviously this or 84 00:05:55,680 --> 00:05:59,700 freaking David Dakota movie. But he is directed by the one and only 85 00:06:00,000 --> 00:06:02,500 Dookie Fly Swatter. Or written by. I mean, 86 00:06:03,610 --> 00:06:07,190 did not know that was his real name. I just always come to keep Lywater. 87 00:06:08,090 --> 00:06:12,210 This stars Kathy Shower as Cat Withers. Now she's in 88 00:06:12,250 --> 00:06:15,634 a bunch of films like this and a Bunch of Skin Max that you 89 00:06:15,642 --> 00:06:18,578 may have seen. Late Night Posse pulling your pud. 90 00:06:18,674 --> 00:06:22,130 I have no idea. But she's in a lot of those kind of movies. 91 00:06:22,290 --> 00:06:26,914 And including, including, including. Including Irresistible 92 00:06:26,962 --> 00:06:30,532 Impulse, Love Street, Fatal Choice. That can 93 00:06:30,556 --> 00:06:33,684 go either way. There's more of these. She's in a lot of 94 00:06:33,692 --> 00:06:37,320 these, you know, bumping and grinding type movies. 95 00:06:38,700 --> 00:06:42,644 The Skin of AX era, the Skin of X era. It's a wonderful thing. 96 00:06:42,812 --> 00:06:47,220 The legendary Brian Thompson, you know him from. From Cobra 97 00:06:47,380 --> 00:06:50,628 And Fright Night Part two and so many, 98 00:06:50,684 --> 00:06:54,164 many, many things. Mortal Kombat, Annihilation, 99 00:06:54,212 --> 00:06:56,850 if you're nasty. He's in that as well. 100 00:06:58,270 --> 00:07:02,230 The great William Smith, one of the best heavies that have ever heavied 101 00:07:02,390 --> 00:07:04,010 as Morgan Denny. 102 00:07:06,030 --> 00:07:10,166 His credits go on and on and on. The exploitation era. 103 00:07:10,198 --> 00:07:13,318 I'm not even going to go into it, but, you know, we do 104 00:07:13,374 --> 00:07:16,646 a. Whole series like Last Call of Torches is on William Smith. 105 00:07:16,678 --> 00:07:20,342 That guy's been in everything. I keep waiting for Doug Tilly 106 00:07:20,406 --> 00:07:24,084 because he's. They're looking for a new show to do after the big Diaz 107 00:07:24,132 --> 00:07:27,524 show ended. I must suggest that to do William Smith movies 108 00:07:27,572 --> 00:07:31,284 because there's a lot of good ones out there, and one of 109 00:07:31,292 --> 00:07:34,676 which is a favorite I I the Tiger with Gary Busey. 110 00:07:34,788 --> 00:07:37,876 Well, William Smith plays the heavy in that movie, and I. Oh, 111 00:07:37,908 --> 00:07:40,980 yeah. When he plays the big badass bald biker. 112 00:07:41,060 --> 00:07:44,372 Yeah. I love that movie. I mean, 113 00:07:44,396 --> 00:07:47,076 of course, he's also Conan's daddy. 114 00:07:47,188 --> 00:07:50,450 Conan's dad, yeah. Yeah. The late, 115 00:07:50,490 --> 00:07:53,522 great. I. I still miss him. Every time I walk into a convention, every time 116 00:07:53,546 --> 00:07:56,322 I see a Days of the Dead and he's not there, I get real sad. 117 00:07:56,466 --> 00:08:00,114 It's Sid Haig is Iggy looking like a Mexican 118 00:08:00,162 --> 00:08:03,746 street pimp in this movie. And I'm not even mad about it. Okay. You know. 119 00:08:03,898 --> 00:08:07,170 Oh, me neither. I, I hadn't seen this movie, 120 00:08:07,330 --> 00:08:10,482 so I'm giving that away here. Earlier on, when I 121 00:08:10,506 --> 00:08:13,170 saw that Sid Haig was in it, I was just like, I, I am all 122 00:08:13,210 --> 00:08:16,018 in. Oh, it's a sign of quality for sure, 123 00:08:16,074 --> 00:08:19,410 man. Yeah. Other folks include Robert Quarry, 124 00:08:19,490 --> 00:08:22,946 who you may know as Count Yorga in the Count Yorga 125 00:08:22,978 --> 00:08:26,790 movies. Mel Wells Quintano, 126 00:08:27,530 --> 00:08:31,474 Marie Windsor as Casey Andre 127 00:08:31,522 --> 00:08:35,216 as Anita. As some other folks in here, Russ Tamblyn shows up as an 128 00:08:35,218 --> 00:08:38,754 anchor. I just, I've been watching Twin Peaks, so I've 129 00:08:38,802 --> 00:08:41,922 been seeing Russ Tamblyn a lot again. For the 130 00:08:41,946 --> 00:08:45,572 first time ever, I've been watching Twin Peaks. How's that 131 00:08:45,596 --> 00:08:48,640 going for you? It's going good. It's going good. 132 00:08:49,100 --> 00:08:52,000 I'll talk about that. Another show for sure. 133 00:08:52,700 --> 00:08:55,812 Ross Hagen is Cowboy. There's some other folks in 134 00:08:55,836 --> 00:08:59,604 here. Michelle Bauer shows us probably an unannounced 135 00:08:59,732 --> 00:09:03,236 boobage moment, I'm sure. Probably random Mexican 136 00:09:03,268 --> 00:09:06,692 damsel in distress. I don't even know. But, you know, the thing 137 00:09:06,716 --> 00:09:10,452 is, I saw her name in the credits and we just met her like six 138 00:09:10,476 --> 00:09:13,476 months ago at Cinema Wasteland, and I was just like, oh, great, 139 00:09:13,628 --> 00:09:17,030 Michelle Bowers in this. But I'm like I could not find 140 00:09:17,070 --> 00:09:20,518 her. She must have been like the third refugee from the left. 141 00:09:20,654 --> 00:09:23,862 Could be, yes. Because I watched this twice and I'm just like, 142 00:09:23,886 --> 00:09:27,190 I couldn't fucking tell you where 143 00:09:27,230 --> 00:09:30,690 she was in that movie, man. Yeah, your basic plot is. 144 00:09:30,990 --> 00:09:35,078 This is the plot of Commando basically where, you know, 145 00:09:35,214 --> 00:09:39,014 they're told her team is dead. She goes to go find 146 00:09:39,182 --> 00:09:42,788 one of the members of her team in a Mexican encampment. 147 00:09:42,974 --> 00:09:45,864 And it turns out that that William Smith, 148 00:09:45,992 --> 00:09:49,700 who's not Vernon Wells, is not dead and he's working for this 149 00:09:50,160 --> 00:09:54,120 group, mercenaries. And she's gotta go 150 00:09:54,240 --> 00:09:57,800 blow out old Brian Thompson or be the hero with her, 151 00:09:57,920 --> 00:10:02,260 her fake Joan jet wig on and blow some people away. 152 00:10:02,880 --> 00:10:06,152 Oh, that wig is what's better than her hair. I'll get into that when I 153 00:10:06,176 --> 00:10:08,740 have my, my talk about that. So you know, 154 00:10:10,450 --> 00:10:13,610 Cameron, first time watching you, first time watch for me. 155 00:10:13,730 --> 00:10:17,386 What'd you think of Commando Squad from 1987? 156 00:10:17,538 --> 00:10:21,178 Well, dude, if you can. If the listeners at home can't tell 157 00:10:21,234 --> 00:10:24,490 from the model laughing that we're doing this movie's a hoot. 158 00:10:24,570 --> 00:10:27,242 And by saying that, I'm like, I'm not saying it's good. 159 00:10:27,426 --> 00:10:30,586 It's one of those. And I do believe in this saying. I'm a firm 160 00:10:30,618 --> 00:10:33,914 believer in something that's so bad it's good. This movie is pretty 161 00:10:33,962 --> 00:10:37,506 self aware what it is. It's a spoof of action 162 00:10:37,578 --> 00:10:40,834 movies. It's got every trope, it's got the damsel 163 00:10:40,882 --> 00:10:44,050 in distress, but the damsel is Brian Thompson. So go figure that one out. 164 00:10:44,090 --> 00:10:47,762 As Clint, he spends more time being captured and 165 00:10:47,866 --> 00:10:51,186 running away than he does anything. And that's not a slight to his 166 00:10:51,258 --> 00:10:54,690 character, to his acting, because he does great. But this 167 00:10:54,810 --> 00:10:58,306 movie is like a who's who of Z 168 00:10:58,378 --> 00:11:01,842 grade actors of the 80s. 169 00:11:01,986 --> 00:11:05,522 And I say Z grade. I mean that with utmost respect because I love the 170 00:11:05,546 --> 00:11:09,738 Z grade stuff. You know, Robert Corey, William Smith, Sid Haig, 171 00:11:09,914 --> 00:11:13,354 I mean, Russ Tamblyn, I mean everybody else that's in it. I mean, 172 00:11:13,522 --> 00:11:16,714 I'm a huge Robert Corey fan 173 00:11:16,842 --> 00:11:20,010 and I've been a fan of his ever since I saw My mother introduced me 174 00:11:20,050 --> 00:11:23,722 to the, the Count Jorgen movies when I was a kid. 175 00:11:23,866 --> 00:11:27,178 So this movie was just a hoot to watch. Like everybody in it. I'm pointing, 176 00:11:27,194 --> 00:11:30,922 I'm like, oh, that's Tank, you know, that's Tane McClure. Oh, that's Ross Hagen. 177 00:11:31,066 --> 00:11:34,182 Like, you know, everybody was somebody that 178 00:11:34,206 --> 00:11:38,118 I recognized. And the action is good, is really 179 00:11:38,174 --> 00:11:41,510 good as well choreographed. I mean and when I started diving into this, 180 00:11:41,550 --> 00:11:44,998 doing the kind of a deep dive, I couldn't believe that this movie was filmed 181 00:11:45,014 --> 00:11:48,694 for 750,000. Now I don't know if those numbers were fudged 182 00:11:48,742 --> 00:11:52,294 up for something, but it has a feel of a much bigger budgeted 183 00:11:52,342 --> 00:11:55,370 movie. And I usually. 184 00:11:56,510 --> 00:12:00,422 I just have an infinite love for movies 185 00:12:00,566 --> 00:12:04,700 that are inept, you know. 186 00:12:05,400 --> 00:12:09,024 And I have to say that about Fred Olin 187 00:12:09,072 --> 00:12:12,448 Ray. A lot of his movies are very much on the fringe, 188 00:12:12,624 --> 00:12:15,936 but I love this. I'd say it's 189 00:12:15,968 --> 00:12:19,680 a lot like his other 80s 190 00:12:19,840 --> 00:12:22,976 actioners. Like Terminal Force is a little similar 191 00:12:23,048 --> 00:12:26,432 to that. It's a little similar to Armed Response which 192 00:12:26,456 --> 00:12:30,336 I've seen several times. So I don't know how this one ever slipped 193 00:12:30,368 --> 00:12:34,300 past me. I always was renting movies like this when I was a kid. 194 00:12:34,460 --> 00:12:38,668 So I have to thank you for, you know, suggesting us to doing 195 00:12:38,724 --> 00:12:42,220 this one. I enjoyed it. I enjoyed this film immensely as first time 196 00:12:42,260 --> 00:12:46,572 watch. Yeah, I'm right there with it is a 197 00:12:46,596 --> 00:12:50,364 tolerable yet enough action film. I mean 198 00:12:50,532 --> 00:12:54,412 the plot's real loose. I mean she our 199 00:12:54,436 --> 00:12:57,580 lead actress who was playmate of the year 1986 by the way. 200 00:12:57,620 --> 00:13:00,892 So she's used to taking her clothes off. We don't see any 201 00:13:00,916 --> 00:13:05,200 of that in this movie. I guess they, they. I guess Fred found 202 00:13:05,240 --> 00:13:08,464 a girl that takes her clothes off but doesn't take clothes off in his movie. 203 00:13:08,512 --> 00:13:12,576 I, I guess he did a good job there, I guess. But she's 204 00:13:12,608 --> 00:13:15,952 a cop. I guess it's gonna go on vacation. But of course, 205 00:13:16,056 --> 00:13:19,712 you know, this one job sucks her back in and 206 00:13:19,896 --> 00:13:23,952 it goes on from there. I think it's biggest. 207 00:13:24,096 --> 00:13:28,064 It's not his biggest crime because he thinks this 208 00:13:28,232 --> 00:13:31,392 right away takes us. This actress is that. Well, it's not just at this point 209 00:13:31,416 --> 00:13:35,056 she's just a model. It turns into her to a pretty 210 00:13:35,088 --> 00:13:38,432 decent action star for probably one of her 211 00:13:38,456 --> 00:13:41,856 first times out in something like this. Yeah, I thought she handled 212 00:13:41,888 --> 00:13:45,472 it pretty well for being, you know, pretty much, you know, a newbie at 213 00:13:45,496 --> 00:13:48,624 the business. I, you know, I wasn't that familiar 214 00:13:48,672 --> 00:13:51,552 with her. You know, I've seen a couple of those Skin and Max movies back 215 00:13:51,576 --> 00:13:54,464 in the day. But she handles the action fairly well. I mean she makes it 216 00:13:54,472 --> 00:13:57,918 look believable. Told the gun right for one thing. So that's 217 00:13:57,934 --> 00:14:01,678 a big first step. One that you know, she told an assault rifle 218 00:14:01,694 --> 00:14:04,798 is obviously not. Not real or else she probably knock around a little 219 00:14:04,854 --> 00:14:09,086 ass. But you know they have the whole. And this is where it's 220 00:14:09,118 --> 00:14:13,118 pretty right Away because you have the opening sequence to where she's looking 221 00:14:13,174 --> 00:14:16,942 for somebody. I forget the plot point, but she follows them into like of course, 222 00:14:16,966 --> 00:14:20,174 a steel warehouse to where she dispatches them. 223 00:14:20,262 --> 00:14:24,280 And I don't know if, if Fred had like good 224 00:14:24,320 --> 00:14:27,672 stunt coordinators on this movie working with him. I think on the next one we're 225 00:14:27,736 --> 00:14:31,512 talking about the stunt coordinator acts and, and, and does the stunts 226 00:14:31,576 --> 00:14:35,320 and the next we're gonna talk about. But he 227 00:14:35,360 --> 00:14:39,320 made it, he may look good as far as like her 228 00:14:39,360 --> 00:14:42,680 movements and how she handles the gun and all kinds of other good 229 00:14:42,720 --> 00:14:46,072 stuff. And I, I, I have to commend him for that because 230 00:14:46,096 --> 00:14:48,792 I doubt a lot of it had to do with her. I mean, I had 231 00:14:48,816 --> 00:14:52,584 a talk with Bradley Greg, who's Philip 232 00:14:52,632 --> 00:14:56,280 in Nightmare 3, and Cody Culp from Class of 1999. 233 00:14:56,320 --> 00:14:59,672 I talked. Oh yeah, yeah, Cody, I remember that character. 234 00:14:59,736 --> 00:15:04,360 Yeah. And he was telling me that, you know, he, they had John Wayne's like 235 00:15:04,480 --> 00:15:07,864 stuntman, you know, working on that movie. And this is 236 00:15:07,952 --> 00:15:11,656 who in Steve McQueen stuntman who taught him how to handle the weapon. 237 00:15:11,688 --> 00:15:14,936 And that's the big first step for me is as long as they know 238 00:15:15,008 --> 00:15:18,104 how to handle the weapon. A lot of films can be 239 00:15:18,112 --> 00:15:21,544 handled, like watching Danny Bonaduce play the bass guitar of 240 00:15:21,552 --> 00:15:24,792 the Parsons family. Like he's not, he's just kind 241 00:15:24,816 --> 00:15:28,008 of like rocking it up and down. Not really do anything with it, you know. 242 00:15:28,064 --> 00:15:31,352 But yeah, she does it real good in this movie though. And I have to 243 00:15:31,376 --> 00:15:35,112 commend him for that. Yeah, I have to also give her some 244 00:15:35,136 --> 00:15:39,368 accolades because she didn't do the thing that most, you know, 245 00:15:39,504 --> 00:15:42,968 non weapon coordinated kind of people do 246 00:15:43,104 --> 00:15:46,296 with the weapons and they walk around with their finger on the trigger 247 00:15:46,328 --> 00:15:50,056 all the time. That bothers the shit out of me. Yeah, it's just like that's 248 00:15:50,088 --> 00:15:53,368 not proper gun safety. It's like at least like tell your actors that don't 249 00:15:53,384 --> 00:15:56,260 put your finger on the trigger until you're supposed to pull it. 250 00:15:56,720 --> 00:16:00,856 But one of the biggest mistakes that I, we talked about her hair earlier and 251 00:16:01,008 --> 00:16:04,520 the raven wig that she wears in this movie where she takes it 252 00:16:04,560 --> 00:16:08,420 off, she has like this big poodle mess, blonde hairdo and 253 00:16:08,850 --> 00:16:11,962 like. Yeah, you should have kept the wig on, darling. It kind of takes away 254 00:16:11,986 --> 00:16:15,642 the illusion that like you're this Joan Jet badass now. You look kind 255 00:16:15,666 --> 00:16:19,274 of sad a little bit, you know. Oh yeah, that's definitely a Joan Jet wig 256 00:16:19,322 --> 00:16:22,586 man. Yeah. But yeah, 257 00:16:22,618 --> 00:16:25,978 I, I like the whole concept of this. Like she goes to Mexico, 258 00:16:26,154 --> 00:16:29,770 she finds her, her former partner Former, you know, 259 00:16:29,810 --> 00:16:33,786 team member that she thought was dead. He takes 260 00:16:33,818 --> 00:16:37,610 her, takes her into camp, like, huh, I got something here. You think she 261 00:16:37,650 --> 00:16:40,062 has it. But you know, the movie's about, only about a third of the. 262 00:16:40,146 --> 00:16:43,654 And so of course the double cross happens and 263 00:16:43,822 --> 00:16:47,590 I, I just love the reverse, the reverse effect in this movie 264 00:16:47,750 --> 00:16:51,206 because Brian Thompson is captured. I mean they're pulling his teeth 265 00:16:51,238 --> 00:16:54,726 out, doing all kind of nasty to him. Oh yeah, they're torturing the. 266 00:16:54,798 --> 00:16:58,070 Out of him. Usually in a movie like this, you know, 267 00:16:58,110 --> 00:17:01,750 it'd be the other way around. The woman, the woman gets kidnapped and 268 00:17:01,790 --> 00:17:04,726 you even thinking already writes, 269 00:17:04,758 --> 00:17:08,102 writes women pretty well though I will say as far as in these kind of 270 00:17:08,126 --> 00:17:11,664 movies. But it's a nice change for, for 80. 271 00:17:11,752 --> 00:17:15,536 For 87. You were. A lot of these action 272 00:17:15,608 --> 00:17:20,144 films are very male driven to have inexperienced 273 00:17:20,192 --> 00:17:23,632 Kathy shower, you know, kind of show them 274 00:17:23,656 --> 00:17:27,040 up a little bit, you know. Yeah, I think they 275 00:17:27,080 --> 00:17:30,672 reversals roles very well. Like I never thought about it 276 00:17:30,696 --> 00:17:33,344 until like halfway through it. I'm like, yeah, this is like a. Pretty much a 277 00:17:33,352 --> 00:17:36,976 role reversal for, you know, I mean especially. That's pretty progressive 278 00:17:37,008 --> 00:17:40,552 for 1987, man. Yeah. Plus of course 279 00:17:40,656 --> 00:17:44,540 you got great heavies. I mean when Sidhe comes on screen, 280 00:17:45,920 --> 00:17:49,240 he has some, some great lines in this movie too. 281 00:17:49,360 --> 00:17:53,688 And oh yeah, of course, just, just a towering, 282 00:17:53,864 --> 00:17:57,192 you know, presence. He didn't gotta say anything. He's like, he's like 283 00:17:57,216 --> 00:18:01,380 Franco Nero. He gotta say nothing. He just kind of stands there and you know, 284 00:18:01,680 --> 00:18:05,512 the whole thing with them literally up to it, it kind of lulls in 285 00:18:05,536 --> 00:18:08,884 the middle a little bit. For me. That's my, my guess, my biggest, 286 00:18:09,032 --> 00:18:12,780 you know, a bitch about the film. But you know, it does drag 287 00:18:12,860 --> 00:18:15,404 in the middle for it because it feels like all of a sudden in the 288 00:18:15,412 --> 00:18:18,732 middle they didn't know where they're gonna go with it. Yeah, but you know, 289 00:18:18,756 --> 00:18:22,492 that's, that's, that's problem with the writers for me. I mean, because of 4.1 290 00:18:22,516 --> 00:18:26,188 on IMDb that's not really fair to me. I, I'd say that's 291 00:18:26,204 --> 00:18:29,660 closer to a six if you ask me. But yeah, I give it a 292 00:18:29,700 --> 00:18:32,796 six. Maybe like a six and a half maybe, you know, 293 00:18:32,868 --> 00:18:37,114 I think. But yeah, a 4.1. You said that was on IMDb. 294 00:18:37,252 --> 00:18:40,750 Yeah, that's kind of, kind of because. Yeah, that's low 295 00:18:40,790 --> 00:18:43,710 balling. It does a lot of things for, for, 296 00:18:43,750 --> 00:18:47,022 for a low budget action here directed by 297 00:18:47,046 --> 00:18:50,414 Fred Olin Ray. I mean once you get past all the stuff 298 00:18:50,462 --> 00:18:53,966 with, you know, they throw a love Interest in there, which I think is really 299 00:18:54,038 --> 00:18:57,406 stupid with. With the Hispanic girl. Oh, 300 00:18:57,438 --> 00:19:01,326 Anita. Yeah. They just kind of throw that in there because she's 301 00:19:01,358 --> 00:19:05,300 the contact. And it really doesn't go anywhere, but it 302 00:19:05,340 --> 00:19:08,404 picks up, you know, in the grand. The great escape 303 00:19:08,452 --> 00:19:11,588 at the end. And I think that, you know, it just. 304 00:19:11,724 --> 00:19:15,620 Yeah, they were looking for something to fill that. Fill 85 minutes. 305 00:19:15,700 --> 00:19:19,012 And the middle part lacks, but the 306 00:19:19,036 --> 00:19:22,676 rest of it rocks, I'd say. Yeah, I mean, it's got a great first. 307 00:19:22,828 --> 00:19:26,388 First, you know, half an hour, and then it's got a, 308 00:19:26,444 --> 00:19:29,412 you know, the second half hour. Kind of like you said, it lulls a little 309 00:19:29,436 --> 00:19:33,140 bit, but then, like, it really picks up in that, you know, 310 00:19:33,180 --> 00:19:37,080 that final third. Yeah. Oh. Oh, here's the guy. 311 00:19:37,500 --> 00:19:40,772 Oh, that's it. No, that's the wrong guy. Never mind. 312 00:19:40,956 --> 00:19:44,740 One thing I liked about this film a lot was. And the next film, 313 00:19:44,780 --> 00:19:48,324 too is like the front rock score that they gave it. 314 00:19:48,492 --> 00:19:51,988 Oh, yeah. That real weird synth track that it's got. 315 00:19:52,124 --> 00:19:55,492 Yes. The synth mix with the guitars, it's working for me. 316 00:19:55,516 --> 00:19:58,740 It's not like a lot of other films I've seen where, you know, they have, 317 00:19:58,780 --> 00:20:02,348 like. He did, 318 00:20:02,404 --> 00:20:05,532 like, Casio keyboards. We did one a while ago called Wired to 319 00:20:05,556 --> 00:20:09,740 Kill. Me and Ricky Morgan did a short time doing crippled theater. 320 00:20:09,900 --> 00:20:13,644 And it was just like. Somebody got a Casio keyboard 321 00:20:13,692 --> 00:20:17,580 from fucking Radio Shack and said, I'm gonna make a music score. 322 00:20:17,660 --> 00:20:20,120 And then they put it in the movie and, you know. 323 00:20:22,500 --> 00:20:25,996 Yeah, it's. It's a notch above that. It's not much 324 00:20:26,068 --> 00:20:29,452 above that, but it's a notch above. I would totally rock this soundtrack if I 325 00:20:29,476 --> 00:20:32,936 had it on CD or something, I would fuck Rocket. Oh, yeah. Oh, 326 00:20:32,968 --> 00:20:36,120 yeah. I think, though. I gotta say, though, when you were mentioning 327 00:20:36,200 --> 00:20:39,560 a few minutes ago about Sid Haig chewing up the scenery and having the best 328 00:20:39,600 --> 00:20:43,112 lines. I love the line he has in the opening scene with Brian Thompson and 329 00:20:43,136 --> 00:20:46,600 Tayne McClure when he's just like. Like, where they said something 330 00:20:46,640 --> 00:20:49,528 to the effect of like, oh, is this homegrown? You know, is this. You know, 331 00:20:49,584 --> 00:20:52,712 I don't know anybody that has cocaine, you know, 332 00:20:52,736 --> 00:20:56,936 local to the area. He's like, what am I supposed to do, man? Advertisement Advertise 333 00:20:56,968 --> 00:20:59,810 it. Cocaine five miles out. 334 00:21:00,350 --> 00:21:03,734 Said it only the way that said, hey, can. Oh, yeah. 335 00:21:03,862 --> 00:21:07,270 Dressed like a fucking extra from Miami Vice, he was, man. 336 00:21:07,390 --> 00:21:11,158 Oh, yeah. With the. With the lapels and everything. Just looking. He's looking 337 00:21:11,214 --> 00:21:14,966 fly, I gotta say. It's like he. He kept his wardrobe 338 00:21:14,998 --> 00:21:18,422 from which. Which Pancreas. Was he in. Was he in 339 00:21:18,446 --> 00:21:21,782 Coffee? Was that the one he was in? I thought it was 340 00:21:21,806 --> 00:21:24,924 Foxy Brown, but it might have been Coffee. One of those. He had a 341 00:21:24,932 --> 00:21:28,960 suit like. Just like that. It's almost like he kept his wardrobe. 342 00:21:29,540 --> 00:21:32,764 He brought it to set. It's like, this is what I'm gonna wear today, 343 00:21:32,852 --> 00:21:35,400 you know? Would you tell that man no? 344 00:21:36,660 --> 00:21:40,332 I. I tell that man no. When he. To what? He used to take my 345 00:21:40,356 --> 00:21:43,804 phone and call random people and them. Yeah, I never told him that. No way. 346 00:21:43,812 --> 00:21:47,164 That either. But, you know, again, I'm having. I'm having Sid Hay memories 347 00:21:47,212 --> 00:21:51,018 here. You know, they're good memories. I missed that man. 348 00:21:51,074 --> 00:21:54,346 Actually, I looked it up while we were talking. It was Foxy Brown. 349 00:21:54,458 --> 00:21:57,898 Okay. I know it's one of those two. I just couldn't recall. They kind of. 350 00:21:57,954 --> 00:22:01,482 Actually, no, I scrolled even further back. He's in Coffee as well. 351 00:22:01,586 --> 00:22:05,610 Oh. So it could have been either one, man. I wasn't going crazy. 352 00:22:05,770 --> 00:22:09,130 Yeah, he's wearing a suit just. Just like 353 00:22:09,170 --> 00:22:12,762 that, though. Like the blue lapels and stuff. And. Yeah, it's. 354 00:22:12,826 --> 00:22:15,978 It's like, hey, dude, I got my own wardrobe covered. 355 00:22:15,994 --> 00:22:19,692 God damn it. You know? Oh, my gosh. 356 00:22:19,836 --> 00:22:23,436 But, yeah, this is a ton of fun. I'm sorry. Go, Cameron. 357 00:22:23,548 --> 00:22:26,716 I was just. I was just gonna say almost the exact same thing. This movie 358 00:22:26,748 --> 00:22:30,524 is shit. Ton of fun. I mean, it's action packed. It does lull in 359 00:22:30,532 --> 00:22:34,604 the middle a little bit. But if you can't get behind William Smith 360 00:22:34,732 --> 00:22:38,076 and Sid Haig together as heavies in this and Brian Thompson, 361 00:22:38,108 --> 00:22:41,324 I mean, with everybody that's in. If you can't get behind this movie, I. 362 00:22:41,492 --> 00:22:44,542 I don't know that we can be friends, man. You know, I would tell 363 00:22:44,566 --> 00:22:47,902 somebody that, like, what you didn't find Commando Squad, like, I wouldn't. 364 00:22:47,966 --> 00:22:52,334 I wouldn't say is like, you know, the John Wick of action movies or anything, 365 00:22:52,462 --> 00:22:56,526 but it's fucking fun. It's a good way to spend less than 90 minutes. 366 00:22:56,718 --> 00:23:00,574 And William Smith dressed like he's getting ready to go on a Hawaiian vacation 367 00:23:00,622 --> 00:23:04,174 throughout the whole movie, trying to pretend that he's not doing his best. 368 00:23:04,262 --> 00:23:07,534 Vernon Wells, I mean, that's. He's great as that 369 00:23:07,622 --> 00:23:11,124 heavy Morgan because, you know, like I said, I went 370 00:23:11,132 --> 00:23:14,160 into this blind. I hadn't. I hadn't watched it before, 371 00:23:14,540 --> 00:23:17,348 but I, you know, I like the twist that, you know, he was, 372 00:23:17,404 --> 00:23:20,900 you know, a DEA agent that went, you know, went rogue and went 373 00:23:20,940 --> 00:23:24,484 bad. I kind of like that idea. You know, it's I 374 00:23:24,492 --> 00:23:27,652 wouldn't say it was that different for the time because they were definitely kind of 375 00:23:27,676 --> 00:23:30,996 riffing on, you know, the Vernon 376 00:23:31,028 --> 00:23:34,500 Wells slash commando movie a little bit. That is what 377 00:23:34,540 --> 00:23:37,582 they're doing wholesale right there. 378 00:23:37,686 --> 00:23:41,230 Yeah. Minus the chain veil. But the mustache is 379 00:23:41,270 --> 00:23:44,542 intact, you know. Oh yeah, the mustache is there. 380 00:23:44,566 --> 00:23:48,398 And. And when you got William Smith is, is your like main 381 00:23:48,454 --> 00:23:51,694 heavy, you know, you're gonna have a good time. Oh yeah. Because you 382 00:23:51,702 --> 00:23:55,166 do the whole thing where they think all the guys are dead, they're presumed dead, 383 00:23:55,278 --> 00:23:59,050 and all of a sudden, hey, they're alive, you know, 384 00:23:59,430 --> 00:24:02,926 I. Love how they just, they dispatch. How they dispatch 385 00:24:03,038 --> 00:24:06,494 William Smith at the end with that knife, what was 386 00:24:06,502 --> 00:24:10,222 it? Sulfuric acid or whatever the hell it was. Did she stab him in the 387 00:24:10,246 --> 00:24:14,270 dick or she stabbed. I can't tell because they really don't show like the 388 00:24:14,310 --> 00:24:17,566 penetration obviously. But obviously downstairs 389 00:24:17,598 --> 00:24:20,878 is where he meets his end, you know. Yeah. If it's 390 00:24:20,894 --> 00:24:24,450 not in the junk is very. It's junk adjacent. 391 00:24:26,390 --> 00:24:30,046 One of my favorite parts about this movie is like, again, 392 00:24:30,198 --> 00:24:33,854 I think Brian Thompson escapes. Escapes his captors a 393 00:24:33,862 --> 00:24:37,558 good two or three times. And the one time he escapes them, 394 00:24:37,694 --> 00:24:41,270 he like has like bimbo moments to where he has 395 00:24:41,310 --> 00:24:45,334 a handgun. He dispatches the guy with the machine gun, 396 00:24:45,462 --> 00:24:49,334 doesn't go back for the bigger gun, tries to steal the motorcycle. 397 00:24:49,382 --> 00:24:53,142 The motorcycle falls over. He can't pick it up, of course. I mean, 398 00:24:53,246 --> 00:24:56,838 it's almost like again he's. He's like the damsel under stress. 399 00:24:56,854 --> 00:24:59,622 He can't do anything. So it's almost like, 400 00:24:59,726 --> 00:25:02,982 yeah, he's weak. I guess maybe he's weak from being in prison all 401 00:25:03,006 --> 00:25:06,368 this time. That's what I took it as. I took it 402 00:25:06,424 --> 00:25:09,888 like he's been, he's been being chased, he's been beat up, he's been shot at, 403 00:25:09,944 --> 00:25:12,960 he's been had the shit tortured out of him, like. 404 00:25:13,000 --> 00:25:15,952 And he's been tied up for fucking days. I. I just kind of took it 405 00:25:15,976 --> 00:25:19,472 as like he just, you know, he was just running out of gas and. 406 00:25:19,496 --> 00:25:23,536 But you know, he's not the hero of the movie. You know, that's Kathy 407 00:25:23,568 --> 00:25:26,832 Showers character cat. She's definitely. Because he even 408 00:25:26,856 --> 00:25:30,352 says, he's like, oh, when he tells. When William Smith has that 409 00:25:30,376 --> 00:25:33,584 kind of father to son moment. Brian Thompson even says that, he's like, 410 00:25:33,592 --> 00:25:36,684 why are you having this talk with me? He's wait a minute. He's like, 411 00:25:36,692 --> 00:25:39,292 they suck cat on you, didn't they? And he just kind of laughs at him. 412 00:25:39,316 --> 00:25:42,796 He's like, oh, one of those like you were in so much trouble, dude. 413 00:25:42,908 --> 00:25:46,284 You know, and like. Because she's the badass of this movie. 414 00:25:46,412 --> 00:25:49,772 Yeah. And that again, that's a nice switch. 415 00:25:49,836 --> 00:25:53,560 And it's not something that happened back in these days. 416 00:25:54,020 --> 00:25:57,260 I gotta give him. I gotta give him the love he deserves, you know? 417 00:25:57,300 --> 00:26:01,276 To Fred and good old Dookie Flyswatter. 418 00:26:01,388 --> 00:26:04,992 I wouldn't ever call him Michael Sonier. Never. His name 419 00:26:05,016 --> 00:26:09,040 is Dookie Fly Swatter. Okay. You know, I mean, 420 00:26:09,080 --> 00:26:12,976 you know, hey, he's. He's my boy, man. And like. But between Nightmare 421 00:26:13,008 --> 00:26:17,024 Sisters and Sortie Babes and Slime Ball Bolarama, you know, 422 00:26:17,192 --> 00:26:20,912 man, that dude's the man. I actually still have a 423 00:26:20,936 --> 00:26:24,912 cup. A copy of his album on audio 424 00:26:24,976 --> 00:26:28,320 cassette. Not. Not on cd, not even on vinyl. He had 425 00:26:28,360 --> 00:26:32,330 a band called Haunted Garage. Yeah. And it was just 426 00:26:32,370 --> 00:26:36,350 a bunch of punk, you know, kind of weird cramp style punk rock. 427 00:26:36,690 --> 00:26:39,562 But if you're. If you're so inclined to look it up, you can find that 428 00:26:39,586 --> 00:26:42,938 some of the songs on YouTube is highly worth. They have songs. 429 00:26:43,034 --> 00:26:46,186 They have songs in Nightmare Sisters and they have songs. 430 00:26:46,218 --> 00:26:50,122 And in Cyclone. They perform live in Cyclone. 431 00:26:50,186 --> 00:26:53,898 You know, spoilers for that review. But the band performs live 432 00:26:53,954 --> 00:26:56,956 in Cyclone. Oh, nice. Yeah. 433 00:26:57,068 --> 00:27:00,684 So looking forward to that. You get some Haunted Garage action in the 434 00:27:00,692 --> 00:27:03,996 next movie for sure. But as far as actually 435 00:27:04,068 --> 00:27:07,404 this. This is a fine action and you could do 436 00:27:07,492 --> 00:27:10,684 a lot worse. Biggest, 437 00:27:10,812 --> 00:27:14,572 you know, thing I could toss in the garbage is there's too 438 00:27:14,596 --> 00:27:18,012 much gender monologue with Cat. In my opinion. It just. 439 00:27:18,116 --> 00:27:21,964 There's too much going on. Yeah, it's not. 440 00:27:22,052 --> 00:27:25,112 What was that movie called with Duda Cough? Me and Me Lee did it for 441 00:27:25,136 --> 00:27:29,016 Be part of the Cannon. Was it river of Death or something? It was called. 442 00:27:29,168 --> 00:27:32,136 Yeah, river of Death with the old duty. Yeah, 443 00:27:32,168 --> 00:27:35,768 Dude Cough. The whole whole time was doing the inner monologue, 444 00:27:35,864 --> 00:27:38,584 you know? Oh, yeah, that inner monologue, 445 00:27:38,712 --> 00:27:41,528 it sounded like something that was from another movie. 446 00:27:41,624 --> 00:27:45,448 Like they had filmed like a film noir and they just like 447 00:27:45,584 --> 00:27:48,552 half the, like, half the time I understood why they were using it, but other 448 00:27:48,576 --> 00:27:51,794 times it would just be like her infiltrating the. The area. 449 00:27:51,882 --> 00:27:54,930 Like all the money they had and they. They set. You know, 450 00:27:54,970 --> 00:27:58,626 they. They set up this shitty little camp and. Oh, my God, 451 00:27:58,658 --> 00:28:02,450 I was just like. It was so monotone. Like, as an actor, 452 00:28:02,610 --> 00:28:06,098 she was really good. She did a decent job as an action 453 00:28:06,154 --> 00:28:09,874 actor, but doing voiceover work and monologue 454 00:28:09,922 --> 00:28:13,170 was just not. It's not her forte, man. Yeah. 455 00:28:13,250 --> 00:28:16,614 Yeah, that's. That's really the only thing. Bad thing I 456 00:28:16,622 --> 00:28:19,462 have to say about her is that the inner monologue was terrible. But that was 457 00:28:19,486 --> 00:28:22,822 a director and writer decision. Not so much her 458 00:28:22,846 --> 00:28:26,742 decision, obviously, but it wasn't, it wasn't necessary. It's kind 459 00:28:26,766 --> 00:28:30,054 of like. It's kind of like, you know, and I'm not the biggest 460 00:28:30,102 --> 00:28:33,654 Blade Runner fan. But I was thinking the same thing. 461 00:28:33,742 --> 00:28:37,254 That sounds really stupid there too. I'll say about that. 462 00:28:37,342 --> 00:28:40,822 Yeah, yeah, I would be totally. For like this movie would 463 00:28:40,846 --> 00:28:44,280 go up to. From a 6 to 7 if you could give 464 00:28:44,320 --> 00:28:47,672 me a non monologue cut. Yeah, give us 465 00:28:47,696 --> 00:28:50,872 the. Which I, I can see this one, you know, and I 466 00:28:50,896 --> 00:28:54,696 really haven't surprised that more Freddle and Ray jams haven't reached 467 00:28:54,728 --> 00:28:58,520 like a Vinegar Syndrome or Severin release because this 468 00:28:58,560 --> 00:29:01,992 would be a fun one. And, and a lot of these guys are still with 469 00:29:02,016 --> 00:29:05,544 us. Of course. I'm sure if they tried real hard, they could throw a stone 470 00:29:05,592 --> 00:29:09,176 and get a Kathy shower to do. Do something, something. And Brian 471 00:29:09,208 --> 00:29:12,994 Thompson do something, you know. Oh yeah. Is William Smith 472 00:29:13,042 --> 00:29:16,386 gone now? Where. Look right now and I'll tell you. Yeah, he passed 473 00:29:16,418 --> 00:29:19,746 away like four or five years ago, I think. 20, 21. 474 00:29:19,818 --> 00:29:23,394 Yeah. Yeah, this would be a fun release today. They grabbed this because the, 475 00:29:23,482 --> 00:29:26,626 the version I watched was like a VHS rip, 476 00:29:26,658 --> 00:29:29,586 unfortunately. And. Same, same. Yeah, 477 00:29:29,618 --> 00:29:33,378 the dark spots were dark and you know, the fuzzy spots were 478 00:29:33,434 --> 00:29:37,426 real fuzzy. Yeah, the sound was exceptionally 479 00:29:37,458 --> 00:29:40,852 good. I would give it that though. Yeah, it was exceptionally good 480 00:29:40,956 --> 00:29:44,404 and I, I just need more. I need a better version of this and I 481 00:29:44,492 --> 00:29:48,040 think I would enjoy it even more and. But we'll, 482 00:29:48,620 --> 00:29:51,680 we'll leave it with this. Anything else you want to say about it, Cam, 483 00:29:52,060 --> 00:29:55,812 before we head out? Yeah. To the people at Severin 484 00:29:55,876 --> 00:29:59,892 and the people of Vinegar Syndrome or Arrow. Get off your asses and do 485 00:29:59,916 --> 00:30:03,460 a release of this. The. The elements have got to be there. 486 00:30:03,500 --> 00:30:07,090 Just contact Fred Olan Ray. Hell, I mean 487 00:30:08,350 --> 00:30:11,926 it needs a dvd. It needs least a, you know, a Blu 488 00:30:11,958 --> 00:30:15,494 Ray or I would even dare say a 4k because I 489 00:30:15,502 --> 00:30:18,646 would love to see a good version of this. And if we could only get 490 00:30:18,718 --> 00:30:22,518 the. I'm gonna say the, the non monologue 491 00:30:22,534 --> 00:30:24,290 cut, I would give that a 7. 492 00:30:27,310 --> 00:30:30,550 The only other thing that I would say that would make this movie better would 493 00:30:30,590 --> 00:30:34,346 have been a bookend with Robert Quarry's character at the end. I feel like they, 494 00:30:34,478 --> 00:30:37,810 you know, they, they used him pretty much. You know, 495 00:30:37,850 --> 00:30:40,610 they look like they had him for a day or two. I could have done 496 00:30:40,650 --> 00:30:44,114 with another. I could have done with another five minutes of him Arguing with the 497 00:30:44,122 --> 00:30:47,458 Chinese takeout guys on the phone. That was, 498 00:30:47,514 --> 00:30:51,186 that was great stuff. But, yeah, great movie. 499 00:30:51,298 --> 00:30:54,642 Wonderful first time watch. I mean, everybody in it is, 500 00:30:54,746 --> 00:30:58,626 is, you know, working their asses off. You know, you show up for William Smith, 501 00:30:58,658 --> 00:31:02,210 but you stay for Sid Haig, is what I, I got to say about that. 502 00:31:02,250 --> 00:31:05,708 Sid Haig is the mvp. But, but then again, Sid Haig is always 503 00:31:05,764 --> 00:31:09,360 the MVP whenever you put him on camera. 504 00:31:09,860 --> 00:31:13,036 And, you know, and like you said, I miss that man immensely. 505 00:31:13,068 --> 00:31:15,564 You know, every time I saw him at a Horror Hound or Days of the 506 00:31:15,572 --> 00:31:19,452 Dead or whatever convention, he was somebody that was always larger than 507 00:31:19,476 --> 00:31:22,396 life and such a genuinely nice person. I miss him. 508 00:31:22,468 --> 00:31:26,028 But to think that we still have movies like this, 509 00:31:26,164 --> 00:31:29,612 that at least for me and for you, Gary, that we 510 00:31:29,636 --> 00:31:32,892 haven't seen yet, because we're just going to say that the amount of films out 511 00:31:32,916 --> 00:31:35,976 there are almost infinite because there's so many of these movies that we, we haven't 512 00:31:36,008 --> 00:31:39,592 seen. And I, you know, I, I appreciate this 513 00:31:39,616 --> 00:31:42,744 movie for the, you know, giving that to us. Like I 514 00:31:42,752 --> 00:31:46,040 said, it's a great time. It's a fun watch. You want, if you want 515 00:31:46,080 --> 00:31:50,168 something not like a Fast and the furious movie that's 2 hours and 45 516 00:31:50,224 --> 00:31:53,000 minutes long, you want something that's a CRISP, you know, 517 00:31:53,040 --> 00:31:56,520 85 minutes, you know, the won't, you know, kill you on your. 518 00:31:56,560 --> 00:31:59,820 Your evening, watch this movie, man. It's badass. 519 00:32:00,800 --> 00:32:03,986 You know, you think that, you know, when they put the rock 520 00:32:04,018 --> 00:32:07,282 in on the back of the Pontiac Fiero, I would have strayed me 521 00:32:07,306 --> 00:32:10,578 away from the Fast and the Furious series. They literally went into space 522 00:32:10,634 --> 00:32:14,178 with this car. But it didn't. Yeah, I stuck around for, 523 00:32:14,234 --> 00:32:17,522 for, for Jason Mo as just like gay lion. I was all 524 00:32:17,546 --> 00:32:20,930 for it, man. You know, I liked it. I liked it. But I'm just saying, 525 00:32:21,050 --> 00:32:25,042 you could watch this movie twice in the time. You could watch one 526 00:32:25,066 --> 00:32:28,896 Fast and Furious movie, you know. Yes, indeed. At least one and a half times. 527 00:32:29,058 --> 00:32:32,820 Yeah, yeah, yeah. But, yeah, this is totally service play. I've seen 528 00:32:32,860 --> 00:32:35,716 tons worse than this movie. Again, 529 00:32:35,788 --> 00:32:39,556 Kathy Shower. She really gets an MVP 530 00:32:39,668 --> 00:32:42,836 for a lot of this film because she is inexperienced as 531 00:32:42,908 --> 00:32:45,476 an actress and as an action person. 532 00:32:45,628 --> 00:32:49,300 But I had to look up the stunt coordinator real 533 00:32:49,340 --> 00:32:52,212 fast. I lost the dang thing already as it is. 534 00:32:52,316 --> 00:32:55,972 But look right now and tell you who dang. Make up the 535 00:32:55,996 --> 00:32:58,920 problem. Make up the problem. Sound effect, stunts, 536 00:32:59,340 --> 00:33:01,240 stunt coordinator. 537 00:33:02,300 --> 00:33:05,204 Oh, it doesn't show it. Oh, 538 00:33:05,252 --> 00:33:08,660 well. But whoever was that who taught her how to handle stuff and 539 00:33:08,700 --> 00:33:12,628 handle herself and the Guns and the action made 540 00:33:12,684 --> 00:33:16,164 her look really good on screen. Not just as a female presence, 541 00:33:16,212 --> 00:33:19,860 but as an action presence. And I got to give it 542 00:33:19,980 --> 00:33:23,580 flowers for that, man. It's just. It's just fun 543 00:33:23,700 --> 00:33:26,716 for that reason that she took on this role, you know, 544 00:33:26,868 --> 00:33:30,268 and. Yeah, because it was supposed to be civil danning, what I read. 545 00:33:30,404 --> 00:33:34,188 And then there was some sort of weird falling out or there's a weird 546 00:33:34,284 --> 00:33:37,276 thing that happened between her and Fred Owen Ray. And I like civil danning, 547 00:33:37,308 --> 00:33:40,332 but I think Kathy Shower did a fucking great job. 548 00:33:40,436 --> 00:33:43,468 I have no problem with her casting in this. I would take either one. 549 00:33:43,524 --> 00:33:47,100 I would take either one. But, yeah, aces, man. This is fun. 550 00:33:47,220 --> 00:33:50,976 It just needs to be. Be more. Be more available to people, 551 00:33:51,128 --> 00:33:54,688 in my opinion. And I never knew Dookie 552 00:33:54,704 --> 00:33:58,160 Fly Squatter could write an action movie, but now I could say he can. 553 00:33:58,280 --> 00:34:02,160 So there's that, you know, and add. That to his resume. And also doing 554 00:34:02,200 --> 00:34:06,320 the voice of the imp. Voice of the imp. And you know, Omar the 555 00:34:06,360 --> 00:34:09,264 swami from the beginning of Nightmare Sisters. 556 00:34:09,312 --> 00:34:12,720 And that man's got like 557 00:34:12,760 --> 00:34:15,180 the biggest lips on a white man I've ever seen in my life. 558 00:34:16,360 --> 00:34:19,750 Bigger than Steven Tyler. Okay. Is all I'm saying. 559 00:34:19,920 --> 00:34:23,402 But yeah, we'll leave it at that. If you guys got the gumption, 560 00:34:23,466 --> 00:34:27,002 go check out Cameron's show, the Cinema Degeneration 561 00:34:27,066 --> 00:34:31,178 podcast. I just listened to a banging episode of the Grindhouse 562 00:34:31,194 --> 00:34:34,682 Pizzeria where you did 1984. Yeah, that was 563 00:34:34,706 --> 00:34:38,570 a fun one, Class. I tell you before. I'm sorry. But yeah, 564 00:34:38,650 --> 00:34:42,202 it's. It's always a good time over on that show. And if you guys are 565 00:34:42,226 --> 00:34:45,882 feeling nasty, go. Go subscribe to the butcher shop too. If you guys listen here, 566 00:34:45,906 --> 00:34:49,546 you guys are subscribed already. And the after Movie Diner 567 00:34:49,578 --> 00:34:53,706 with John Cross. You can hear the other half of the in the Parade Way 568 00:34:53,858 --> 00:34:57,110 shows there having a good time with him doing those. 569 00:34:57,410 --> 00:35:00,522 Talking about one auteur, Michael Perret. But on the next 570 00:35:00,546 --> 00:35:04,314 episode of this, we're going to talk about what a tour. Fred Olin 571 00:35:04,362 --> 00:35:08,282 Ray once again. And we're gonna go with Heather Thomas. 572 00:35:08,426 --> 00:35:11,722 We're gonna go with Martin Landau. We're gonna go 573 00:35:11,746 --> 00:35:15,818 with. Who else is in that? Oh, Jeffrey Combs. I saw 574 00:35:15,954 --> 00:35:20,148 Combs. He's in that movie for a short time. No spoilers yet 575 00:35:20,284 --> 00:35:24,548 about a supercharged motorcycle that he invents that apparently 576 00:35:24,724 --> 00:35:28,292 has lasers and makes girls with big boobs. And a 577 00:35:28,316 --> 00:35:32,340 scientist, apparently, because we'll talk about that later too. But this is the 578 00:35:32,380 --> 00:35:35,640 actioneer again, the Cyclone, 579 00:35:36,140 --> 00:35:39,236 I think, from the same year or right around the same year. 580 00:35:39,388 --> 00:35:42,452 But, yeah, it's a lot of fun. And we'll. We'll talk about 581 00:35:42,476 --> 00:35:46,200 that in the next episode of the Burnt Ends. 582 00:35:46,540 --> 00:35:50,164 But this has been civic podcast Burnt Ends, 583 00:35:50,212 --> 00:35:53,316 where if you got beef, we've got the grinder. 584 00:35:53,508 --> 00:35:56,388 Have a good evening. Adios, folks. Yes, 585 00:35:56,404 --> 00:35:57,660 Cyclone is stupid fun.