1 00:00:00,640 --> 00:00:04,160 Well, very nice. We have six stories about live 2 00:00:04,160 --> 00:00:06,960 podcasting recorded live coming up for you 3 00:00:07,520 --> 00:00:11,360 tonight. Megan, I just have one question for you before we get 4 00:00:11,360 --> 00:00:14,240 started. What time is it? 5 00:00:14,880 --> 00:00:18,560 It's showtime. What time is it? 6 00:00:24,880 --> 00:00:26,080 What time is it? 7 00:00:40,140 --> 00:00:42,780 The only live news podcast about 8 00:00:43,100 --> 00:00:45,420 podcasting from the stage. 9 00:00:54,940 --> 00:00:57,740 The only live news podcast about 10 00:00:58,060 --> 00:01:00,460 podcasting from the stage. 11 00:01:05,560 --> 00:01:08,840 Oh, we're switching it up. Megan, welcome to the main stage. 12 00:01:09,800 --> 00:01:12,920 Thank you. Thank you so much. I love the way you have this set up. 13 00:01:12,920 --> 00:01:15,720 I've got to say, I do not do a lot of live podcasting, so this 14 00:01:15,720 --> 00:01:18,960 is a little bit intimidating for me. But this is a very cool way to 15 00:01:18,960 --> 00:01:21,640 have things arranged. I just love it. Oh, thank you so much. You want to 16 00:01:21,640 --> 00:01:25,320 know the secret is when I'm here by myself, I have no way to start 17 00:01:25,320 --> 00:01:28,720 the recording and get to the stage. That's why we do the backstage 18 00:01:28,720 --> 00:01:32,430 segment. We do a little witty banter. I hit play 19 00:01:32,430 --> 00:01:35,710 on the music video, and then I have to run to the stage and get 20 00:01:35,710 --> 00:01:39,470 everything set up. Oh, I love it. Well, Megan, 21 00:01:39,470 --> 00:01:43,070 tell us a little about yourself. We gave a little preview in the pre show 22 00:01:43,630 --> 00:01:47,150 about what you're doing, the things that you're building with podcasters, with 23 00:01:47,150 --> 00:01:50,790 businesses. You're really building something special and showing 24 00:01:50,790 --> 00:01:54,590 businesses that I think podcasting can be a very valuable asset for 25 00:01:54,590 --> 00:01:58,430 them. So, yeah, the work that I do, 26 00:01:58,430 --> 00:02:02,270 I run a podcast production agency called One Stone Creative, and we've been producing podcasts 27 00:02:02,270 --> 00:02:06,030 for small business owners since 2017. And the way 28 00:02:06,030 --> 00:02:09,830 we go about it is looking at podcasts for business or 29 00:02:09,830 --> 00:02:13,590 podcasts for business as different than podcasting as a hobby or building 30 00:02:13,590 --> 00:02:17,430 a podcast to be its own business. Because a business that already exists, it's 31 00:02:17,430 --> 00:02:20,510 running, it's functioning, it's got clients, it's got services that Scott offers, it has really 32 00:02:20,510 --> 00:02:24,130 different needs from a podcast than the other types of podcasting do. 33 00:02:24,290 --> 00:02:28,010 And so we look at podcasts as tools that business owners can design to 34 00:02:28,010 --> 00:02:31,770 do specific things in their business. And that can be, you know, establish thought leadership. 35 00:02:31,770 --> 00:02:35,410 It can be appear better in search. It can be as a sales enablement tool. 36 00:02:35,410 --> 00:02:38,690 It can be a networking tool. It can do all of these different things. And 37 00:02:38,690 --> 00:02:41,850 the trick for us is to figure out exactly how a business can use a 38 00:02:41,850 --> 00:02:45,130 podcast and then making a podcast that does exactly those things and not too much 39 00:02:45,130 --> 00:02:48,770 of the extra so that there's no time wasted or other, you know, 40 00:02:48,770 --> 00:02:51,410 no investment in things that aren't actually going to give a return for the business, 41 00:02:51,410 --> 00:02:55,080 because nobody's got time for that. People want to connect with you. 42 00:02:55,080 --> 00:02:58,800 It's called One Stone Productions. Is that the name of the company? It's One 43 00:02:58,800 --> 00:03:00,240 Stone Creative and you'll find us 44 00:03:00,240 --> 00:03:04,080 at1stonecreative.net super easy. I'll 45 00:03:04,080 --> 00:03:07,840 put those links in the show notes. And also as of the end of the 46 00:03:07,840 --> 00:03:11,400 show, Megan gets inducted into the Crew on 47 00:03:11,400 --> 00:03:15,240 Poduty and the News Podcast webpage we have the crew, which is 48 00:03:15,240 --> 00:03:18,840 everybody who's ever been a co host with me. You're going to find her 49 00:03:18,840 --> 00:03:22,210 link, her page and any episodes and possibly future 50 00:03:22,210 --> 00:03:25,650 episodes that Megan Lover will be on will be forever 51 00:03:26,770 --> 00:03:30,610 logged as the crew you're part of. Poduty and the Crew 52 00:03:30,850 --> 00:03:34,570 on Poduty and the News. I love it. We're all about 53 00:03:34,570 --> 00:03:38,130 titles around here. Megan, are you ready for our 54 00:03:38,130 --> 00:03:41,810 first story? I am so ready. Our 55 00:03:41,810 --> 00:03:45,570 story number one, from co working to community spaces 56 00:03:45,570 --> 00:03:49,010 built for Connection. A new space is opening in Kansas City's 57 00:03:49,010 --> 00:03:52,750 Westport neighborhood. And. And it's blurring the lines between co working, 58 00:03:52,990 --> 00:03:56,510 social clubs and live experiences. And that's something 59 00:03:56,510 --> 00:04:00,190 live podcasters should be paying attention to. Founded by 60 00:04:00,190 --> 00:04:03,990 Darian Nimrod, the Outsiders Social Club is designed to be 61 00:04:03,990 --> 00:04:07,790 a place where creatives work by day and connect by night 62 00:04:08,030 --> 00:04:11,630 with DJs, events and strong sense of belonging 63 00:04:11,790 --> 00:04:15,630 baked into business models. It's a membership driven, 64 00:04:15,630 --> 00:04:19,460 community focused and build around how people feel when they show 65 00:04:19,460 --> 00:04:23,220 up. Exactly the kind of environment where live podcasts, 66 00:04:23,220 --> 00:04:26,740 conversations and shared experiences thrive. 67 00:04:27,220 --> 00:04:30,900 And the one thing I really loved about this is they 68 00:04:30,980 --> 00:04:34,700 aren't even realizing what they're building because they do have this social 69 00:04:34,700 --> 00:04:38,500 club, they have these co working spaces, but they're bringing a building full 70 00:04:38,500 --> 00:04:41,740 of creatives with the intent of at night having 71 00:04:41,740 --> 00:04:45,570 DJs and music and bands. But if you have all these creative 72 00:04:45,570 --> 00:04:49,370 people, they probably also want to do creative shows. How 73 00:04:49,370 --> 00:04:53,010 great would it be that some night you meet some of the business 74 00:04:53,010 --> 00:04:56,570 owners and they have their own podcast that night 75 00:04:56,810 --> 00:05:00,410 at the social hall? Yeah, I love, I think spaces like this are 76 00:05:00,890 --> 00:05:04,490 so interesting and so important. I think it's a huge thing. Right now a lot 77 00:05:04,490 --> 00:05:07,450 of people are talking about the lack of third spaces, right? People outside of the 78 00:05:07,450 --> 00:05:10,650 home and outside of the workplace or the school where people can actually spend time 79 00:05:10,650 --> 00:05:14,330 together. And I think bringing together business owners like that, and especially 80 00:05:14,330 --> 00:05:17,830 if you've got the infrastructure set up for, for podcasting, you know, 81 00:05:17,990 --> 00:05:21,310 like if you've got your theater, if there are, you know, if there's mics, if 82 00:05:21,310 --> 00:05:24,470 there's sound equipment, if there's cameras, all these things that can make it really useful. 83 00:05:24,550 --> 00:05:27,790 That could be a wonderful addition. I know if I, if I was running a 84 00:05:27,790 --> 00:05:31,110 place like that, I'd want to have a podcast with an episode with every member. 85 00:05:31,430 --> 00:05:34,670 You know, it should be a real perk of membership to be part of that 86 00:05:34,670 --> 00:05:38,150 kind of a body of work. And just, it's such a rich ground 87 00:05:38,230 --> 00:05:41,990 for people to be creating their own projects as well. Yeah, you're right. It's a 88 00:05:41,990 --> 00:05:45,490 great idea for the space. The way to promote new members, way to 89 00:05:45,490 --> 00:05:49,330 introduce businesses to each other and just have a coworker. You know, if 90 00:05:49,330 --> 00:05:53,130 somebody signs a lease, you have a special night, you showcase that 91 00:05:53,130 --> 00:05:56,490 new tenant, you talk about their business, you introduce them. And 92 00:05:56,970 --> 00:06:00,650 I couldn't imagine a better way to welcome people into the business community 93 00:06:01,210 --> 00:06:05,010 in this town with this social club. It's going to be an incredible asset 94 00:06:05,010 --> 00:06:08,450 for the community. Oh, yeah. And if it's, if it's live, you know, and if 95 00:06:08,450 --> 00:06:11,010 you have other people there, you can, you can do live Q and A, you 96 00:06:11,010 --> 00:06:14,130 can do workshopping, you can do hot seats for different business owners. Like, there's so 97 00:06:14,130 --> 00:06:16,630 many directions you can go with that, that kind of content and that kind of 98 00:06:16,630 --> 00:06:20,310 venue. Yeah, I'm all about it. I'm going to follow along with the 99 00:06:20,310 --> 00:06:24,150 story. These links of the stories that we're talking about, they'll be in the show 100 00:06:24,150 --> 00:06:27,950 notes, so make sure you visit the sources. Double check, fact 101 00:06:27,950 --> 00:06:31,430 check me, because a lot of times I'm skimming through and I'm looking at headlines, 102 00:06:31,509 --> 00:06:35,070 but there's a lot more information than what we're talking about. We're kind of pulling 103 00:06:35,070 --> 00:06:38,630 out the nuggets that really fit the narrative for this podcast. 104 00:06:38,710 --> 00:06:42,310 We want to show people how their podcast, how their business 105 00:06:42,310 --> 00:06:45,470 can benefit from live and in person events. And 106 00:06:46,430 --> 00:06:50,270 I think this space is heading in the right direction and building something 107 00:06:50,270 --> 00:06:52,750 that's an incredible asset for their community. 108 00:06:55,230 --> 00:06:58,510 Let's go to story number two, one of my favorites. 109 00:06:59,710 --> 00:07:03,390 Proof you can podcast from anywhere. This next story is a 110 00:07:03,390 --> 00:07:07,070 great reminder that live podcasting doesn't just require a theater, 111 00:07:07,390 --> 00:07:10,990 a studio, or massive production setup. You can 112 00:07:10,990 --> 00:07:14,670 podcast from anywhere people already gather. Chaz 113 00:07:14,670 --> 00:07:17,910 Ebert is guesting Live on Booth 46, 114 00:07:18,150 --> 00:07:21,670 hosted by Steve Dale. Recorded where right 115 00:07:21,670 --> 00:07:25,270 inside Paterno's in downtown Chicago. The show 116 00:07:25,270 --> 00:07:28,550 captures the energy of the room, the buzz of the conversation, 117 00:07:28,790 --> 00:07:32,470 and blends live radio with podcasting, all while 118 00:07:32,470 --> 00:07:36,070 highlighting what's happening in the city. It's the perfect example of how 119 00:07:36,070 --> 00:07:39,430 live podcasts can integrate into, into existing spaces and 120 00:07:39,430 --> 00:07:42,790 experiences without forcing people into traditional 121 00:07:42,790 --> 00:07:46,390 studio Setting. And this is live from Paterna. It's 122 00:07:46,390 --> 00:07:49,910 literally called Booth 46. They are in a booth in a 123 00:07:49,910 --> 00:07:53,350 restaurant producing their podcast. And this is a great 124 00:07:53,350 --> 00:07:54,510 interview coming up. 125 00:07:57,310 --> 00:08:00,510 I think Chaz Ebert is Rupert Ebert's 126 00:08:01,950 --> 00:08:05,360 child, I believe. And it's all based off of their 127 00:08:05,360 --> 00:08:09,120 organization and what they keep building. Roger Ebert. 128 00:08:09,120 --> 00:08:12,840 Roger Ebert. And it's just a great concept and 129 00:08:12,840 --> 00:08:16,400 a great way to promote their charities and their businesses. Oh, 130 00:08:16,400 --> 00:08:19,960 yeah, Yeah. I mean, that can. Especially if you've got somewhere like this where, you 131 00:08:19,960 --> 00:08:23,240 know, it is. It is already a community institution, location. You know, this is a 132 00:08:23,240 --> 00:08:25,360 place people know about. This is a place people want to go. It's a place 133 00:08:25,360 --> 00:08:29,040 they want to be seen. And, well, for everyone listening, I have 134 00:08:29,040 --> 00:08:32,240 to fess up to being a bit of a traditionalist when it comes to recording 135 00:08:32,240 --> 00:08:34,880 audio. And I'm often going to be in the side of let's do this in 136 00:08:34,880 --> 00:08:38,700 a studio and add sounds afterwards. But something like this, I think, 137 00:08:38,700 --> 00:08:41,980 where you do have the ability to kind of have this consistent space where you 138 00:08:41,980 --> 00:08:45,340 know how to manage the sound and to be able to make sure that you're 139 00:08:45,340 --> 00:08:48,500 creating an experience that's as fun to listen to as it is to create, 140 00:08:48,980 --> 00:08:52,740 I think you can do some really fun things. And that's sort of a concept 141 00:08:52,819 --> 00:08:56,540 of the same but different. That's so popular. Right. 142 00:08:56,540 --> 00:09:00,340 And it's so popular for a reason. Because when everything is okay, I know 143 00:09:00,340 --> 00:09:01,860 I'm going to tune into this show and it's going to be in the booth 144 00:09:01,860 --> 00:09:03,620 and there's going to be this noise, and we're going to have a conversation. It's 145 00:09:03,620 --> 00:09:07,090 going to be like this. That same formula is just so repeatable. And I think 146 00:09:07,090 --> 00:09:10,410 that's something really people can take away is what can you do the same but 147 00:09:10,410 --> 00:09:13,930 a little different. Yeah. And probably this show, too. You could probably order 148 00:09:13,930 --> 00:09:17,570 appetizers in the main course all while you're having dinner. But 149 00:09:18,210 --> 00:09:21,730 thinking outside the box, where can I host these 150 00:09:21,730 --> 00:09:25,170 shows? What places are available for me to take my show to? 151 00:09:25,570 --> 00:09:29,330 And if I'm doing a radio show and I want to involve the community, or 152 00:09:29,330 --> 00:09:33,120 maybe this business. Paternos is an advertiser 153 00:09:33,120 --> 00:09:36,760 with WGN Radio. So maybe this is sort of a combination 154 00:09:36,840 --> 00:09:40,600 of an advertising partnership with the dj, and 155 00:09:40,600 --> 00:09:44,360 they're coming back and forth and they're promoting each other, and they're building 156 00:09:44,360 --> 00:09:48,120 off each other, building momentum, supporting the community and 157 00:09:48,120 --> 00:09:51,920 sharing these great stories. I think if you got, especially if 158 00:09:51,920 --> 00:09:55,400 you have any kind of local business or geographically 159 00:09:55,400 --> 00:09:58,840 limited business that you're doing and you want to approach sponsorship. 160 00:09:59,000 --> 00:10:02,830 A perk of sponsorship, of having being an episode recorded at your physical location 161 00:10:03,220 --> 00:10:06,940 could be huge. Yeah. Share the love, share the energy, share 162 00:10:06,940 --> 00:10:10,180 the stories. Bring the community in and immerse them 163 00:10:10,500 --> 00:10:14,300 in what's happening. We'll go 164 00:10:14,300 --> 00:10:17,980 to story number three, but this one is a 165 00:10:17,980 --> 00:10:21,620 fun live show. From tailgate to timeline 166 00:10:21,940 --> 00:10:25,780 Live podcast, go big. This story shows just how 167 00:10:25,780 --> 00:10:29,420 powerful live podcasting can be when it's tied to a 168 00:10:29,420 --> 00:10:33,030 moment people already care about. Cam Newton streamed his 169 00:10:33,030 --> 00:10:36,790 fourth and one with Cam Newton live on YouTube from 170 00:10:36,790 --> 00:10:40,430 the roaring riot tailgate outside Carolina Panthers stadium 171 00:10:40,670 --> 00:10:44,510 ahead of their playoff game against the Rams. The result was a 172 00:10:44,510 --> 00:10:48,110 packed in person crowd with more than 100,000 173 00:10:48,190 --> 00:10:51,750 live viewers online. This wasn't a studio, it 174 00:10:51,750 --> 00:10:55,310 wasn't a theater. It was a live event layered with live 175 00:10:55,390 --> 00:10:59,150 content, proving that podcasts can scale fast when 176 00:10:59,150 --> 00:11:02,070 they meet audiences where the energy already is. 177 00:11:02,710 --> 00:11:05,750 Yeah, this makes me think of the strategy of, I don't know if you heard 178 00:11:05,750 --> 00:11:09,550 the term newsjacking. Yes. Yeah. So it sort of has 179 00:11:09,550 --> 00:11:13,350 that. If there's an event or something going on in your space in 180 00:11:13,350 --> 00:11:16,590 your industry that you know your audience is going to be really, really passionate about, 181 00:11:16,590 --> 00:11:19,870 and if you have the opportunity to be there and sort of let them vicariously 182 00:11:19,870 --> 00:11:23,430 experience that with you, I think it can be a really great strategy. Yeah, that's 183 00:11:23,430 --> 00:11:27,200 a great. I mean, Cam Newton played for the Panthers big, you know, 184 00:11:27,200 --> 00:11:30,840 immersed in the community. A lot of football players, they 185 00:11:30,840 --> 00:11:34,640 give back, they have charities, they set up things to really support and 186 00:11:34,640 --> 00:11:38,160 give back to the community. The fans give so much to the players and the 187 00:11:38,160 --> 00:11:41,480 players give a lot back. And, you know, he's beloved in this town. 188 00:11:41,719 --> 00:11:45,240 People love Cam Newton. He's doing the show. The 189 00:11:45,240 --> 00:11:48,920 crowd is packed before a game. You're right. Showing up 190 00:11:48,920 --> 00:11:52,650 where the audience is is a great strategy if you know your 191 00:11:52,650 --> 00:11:56,410 podcast is about football. Maybe there's a sports bar, maybe you're 192 00:11:56,410 --> 00:11:59,850 not Cam Newton and you're going to get parking lot space at the 193 00:11:59,850 --> 00:12:03,530 Panthers stadium, but you could certainly find a sports 194 00:12:03,530 --> 00:12:07,290 bar. You could certainly find a college town that loves sports 195 00:12:07,290 --> 00:12:10,810 the way you do and try to find where your audience already is. 196 00:12:11,850 --> 00:12:15,690 Yeah, it makes me think of almost the reaction or the 197 00:12:15,690 --> 00:12:18,250 watch along content too. I remember 198 00:12:19,450 --> 00:12:23,230 when Game of Thrones was in its heyday. Right. And getting to kind of 199 00:12:23,230 --> 00:12:27,030 watch like the live experiences of other people watching 200 00:12:27,030 --> 00:12:30,710 it was such an interesting phenomenon and I got so into that 201 00:12:30,710 --> 00:12:34,390 type of content. I still really like that reaction and commentary content and 202 00:12:34,390 --> 00:12:37,790 just being able to. It makes something a moment in time, 203 00:12:37,950 --> 00:12:40,710 rather than just a piece of media that's going to kind of go into the 204 00:12:40,710 --> 00:12:44,390 archive. And you both have their value. But I love 205 00:12:44,390 --> 00:12:47,670 that sense of taking something to something really 206 00:12:47,670 --> 00:12:51,260 transitory and turning it into a piece of content that can go on and on. 207 00:12:51,900 --> 00:12:55,260 Yeah, this has come up actually a couple of times in the last couple 208 00:12:55,260 --> 00:12:58,980 episodes. And this is a perfect example of here's 209 00:12:58,980 --> 00:13:02,660 a moment in time. The Panthers only make the playoff if 210 00:13:02,660 --> 00:13:06,140 they do once a year. They may play 1, 2, 3 games 211 00:13:06,380 --> 00:13:10,060 if they make it to the Super Bowl. But in this moment, the 212 00:13:10,140 --> 00:13:13,940 city is rallying behind the team. Cam Newton is loved by 213 00:13:13,940 --> 00:13:17,540 the city. Only in that moment, that day, 214 00:13:17,780 --> 00:13:21,300 could he go to that stadium and perform this episode of this 215 00:13:21,300 --> 00:13:24,980 podcast. And in the history of the world, that'll never repeat itself. 216 00:13:25,700 --> 00:13:29,180 These live events, when they're based on current 217 00:13:29,180 --> 00:13:33,020 events and news stories, they're only ever gonna 218 00:13:33,020 --> 00:13:36,700 happen that one time. It's a once in a lifetime opportunity. It's not 219 00:13:36,700 --> 00:13:40,420 gonna repeat itself again. You have to be there or have to 220 00:13:40,420 --> 00:13:44,210 watch the recording after, but you can't experience that moment 221 00:13:44,210 --> 00:13:47,970 live ever again. And that's one of the most beautiful things that I've come 222 00:13:47,970 --> 00:13:51,610 to realize about live podcasting is it's different than music, 223 00:13:51,690 --> 00:13:55,410 it's different than comedy, where the musician or the comedian will 224 00:13:55,410 --> 00:13:59,170 do their act in one city and then go to a town and do 225 00:13:59,170 --> 00:14:02,490 the next city the same act with podcast. 226 00:14:02,970 --> 00:14:06,690 If Cam Newton can't do that show next week down at the local 227 00:14:06,690 --> 00:14:09,600 steakhouse, he's already done that show. So 228 00:14:10,000 --> 00:14:13,760 podcasting is once in a lifetime, one time performance. 229 00:14:14,080 --> 00:14:17,680 It never repeats itself again. Let's go on to 230 00:14:17,760 --> 00:14:21,360 our next story. We're going from Cam Newton to 231 00:14:22,080 --> 00:14:25,880 seven days of content. If you're performing live and only 232 00:14:25,880 --> 00:14:29,640 hitting go live once. Oh, let me backtrack 233 00:14:29,640 --> 00:14:32,840 a little bit here. This show is about live 234 00:14:32,840 --> 00:14:36,480 podcasting. We talk about live stories, we record it live. It's very 235 00:14:36,480 --> 00:14:39,870 meta that we do this. But also we've had some feedback that, 236 00:14:40,110 --> 00:14:43,630 hey, if you're encouraging us to do live podcasting, 237 00:14:44,430 --> 00:14:48,270 what are some tips and tricks so incorporated into the show? I'm 238 00:14:48,270 --> 00:14:51,710 going to start including tips about how to do live podcasting, 239 00:14:51,710 --> 00:14:55,550 benefits of doing live podcasting. And I also have a 240 00:14:55,550 --> 00:14:59,310 couple things where everyone's saying, hey, you just isolate 241 00:14:59,310 --> 00:15:02,670 these stories about live podcasting in front of audiences. 242 00:15:03,160 --> 00:15:06,880 But like what Cam Newton, he was live streaming. So we're going to also start 243 00:15:06,880 --> 00:15:10,240 to include live streaming stories too. So just a little bit of A tweak to 244 00:15:10,240 --> 00:15:13,800 the show. We're going to add tips and we're going to add in live streaming. 245 00:15:13,880 --> 00:15:17,320 And this first story is a tip to do whenever you're 246 00:15:17,480 --> 00:15:21,160 in Megan's world, where you're recording in a studio and you're having 247 00:15:21,160 --> 00:15:24,840 all this content. Well, she can also do a lot of stuff in post 248 00:15:24,840 --> 00:15:28,600 production, but if you're doing live events, maybe you need a little bit of help. 249 00:15:29,420 --> 00:15:31,820 Here's something that can help you out. If you're doing a live event, 250 00:15:33,180 --> 00:15:37,020 if you're performing live and only hitting go live once, you're leaving 251 00:15:37,020 --> 00:15:40,220 a lot of value on the table. A new update from 252 00:15:40,220 --> 00:15:44,060 Streamyard shows how one livestream can fuel an entire week of 253 00:15:44,060 --> 00:15:47,620 social content using AI powered clips that pull 254 00:15:47,620 --> 00:15:50,700 highlight moments directly from the long form recordings. 255 00:15:51,500 --> 00:15:55,100 Instead of digging through hours of footage, podcasters can quickly 256 00:15:55,100 --> 00:15:58,230 generate vertical clips with clean framing, 257 00:15:58,390 --> 00:16:01,990 captions, branding, and natural start and end points. 258 00:16:02,310 --> 00:16:05,510 It's a reminder that the live performance isn't just the finish line, 259 00:16:05,990 --> 00:16:09,750 it's the starting point for visibility, growth and audience 260 00:16:09,750 --> 00:16:13,590 building. And this tip is kind of one where you're creating one 261 00:16:13,590 --> 00:16:17,430 piece of content. You spend time preparing the show, you spend 262 00:16:17,430 --> 00:16:20,950 time getting up on stage or setting up your live stream. You've 263 00:16:20,950 --> 00:16:24,540 recorded it. Now what? It's not just that one and done 264 00:16:24,540 --> 00:16:27,820 mentality. Using a tip like this and a tool like 265 00:16:27,820 --> 00:16:30,660 Streamyard, you can repurpose some of that content 266 00:16:31,300 --> 00:16:34,660 for the rest of the week. Now, this one I thought was 267 00:16:35,060 --> 00:16:38,460 of the news stories, one of the ones I was the most excited to talk 268 00:16:38,460 --> 00:16:42,260 about, because I think the prevalence and the use of the short form 269 00:16:42,260 --> 00:16:45,540 clips, I mean, they're huge. Everyone's seen them, right? You have a podcast, whether it's 270 00:16:45,540 --> 00:16:49,260 studio recorded, whether it's done live, and then you cut clips from 271 00:16:49,260 --> 00:16:51,770 it and you post those on social, you send them to your guests if you 272 00:16:51,770 --> 00:16:55,450 have them, and then you wait and you hope that things 273 00:16:55,450 --> 00:16:58,170 happen because of it. And whether it's 274 00:16:58,970 --> 00:17:02,490 a studio recording, whether it's a live recording, whether you're manually 275 00:17:02,490 --> 00:17:06,170 selecting the clips, whether you're having an AI do it, the thing that most people 276 00:17:06,170 --> 00:17:09,610 are getting wrong about them is the context. So these clips, they 277 00:17:09,850 --> 00:17:13,370 so often don't perform because it's really clear 278 00:17:13,610 --> 00:17:17,330 that what you're listening to is part of a larger whole, but you don't necessarily 279 00:17:17,330 --> 00:17:20,530 know what that larger whole is or what it represents, or what led up to 280 00:17:20,530 --> 00:17:23,510 it, or what came after it. And it's often not going to be enough to 281 00:17:23,510 --> 00:17:27,270 get someone to take action. So my Advice for getting really 282 00:17:27,270 --> 00:17:30,710 good with clips. Plan them and practice them in advance 283 00:17:31,030 --> 00:17:34,750 and be ready to. You don't want 284 00:17:34,750 --> 00:17:37,709 to speak entirely in sound bites, but you kind of want to speak in sound 285 00:17:37,709 --> 00:17:40,430 bites a little bit so that you've got something that has a complete beginning, middle 286 00:17:40,430 --> 00:17:43,270 and end that when you clip it or when you have a tool that helps 287 00:17:43,270 --> 00:17:46,350 you clip it, you've got something to share that people can understand and take action 288 00:17:46,350 --> 00:17:50,080 on. Jeff, in your experience with doing 289 00:17:50,080 --> 00:17:53,560 lives or doing on location recording, I mean, do you 290 00:17:53,560 --> 00:17:57,280 practice for things that you're going to share in advance or do you advise 291 00:17:57,280 --> 00:18:00,800 people to. How do you manage that? Here's what I've learned from this show 292 00:18:00,880 --> 00:18:04,520 in particular. Nobody wants to see a live clip of me reading the 293 00:18:04,520 --> 00:18:08,280 story. If I open a clip with me reading that story and 294 00:18:08,280 --> 00:18:11,600 struggling to pronounce people's names, no engagement. 295 00:18:12,080 --> 00:18:15,720 But I've learned that if I can position the transitions between Megan and 296 00:18:15,720 --> 00:18:19,520 myself like you just did, you just threw a question back at me. 297 00:18:19,760 --> 00:18:23,280 Well, that question most likely will be a great starting point 298 00:18:23,840 --> 00:18:27,600 for a clip. So when I go back to Megan, I'm like, oh, okay, that's 299 00:18:27,600 --> 00:18:31,360 a great thing. Is this something that you're doing in your studio to get 300 00:18:31,440 --> 00:18:34,880 viral virality on your video clips? 301 00:18:35,200 --> 00:18:38,480 Just that little statement setting up what Megan's gonna talk about? 302 00:18:39,600 --> 00:18:42,970 That's the kind of clips that you're looking for. You know, almost something 303 00:18:43,370 --> 00:18:47,170 that sounds not outrageous, but out of line, like 304 00:18:47,170 --> 00:18:50,970 something you might not agree with right away and then the supporting argument. 305 00:18:50,970 --> 00:18:54,570 So if you can find those little nuggets throughout and they exist all 306 00:18:54,570 --> 00:18:58,370 through, and you would have to manually comb through it. I have 307 00:18:58,370 --> 00:19:02,090 learned that I have stopped relying on the AI clips like I use. 308 00:19:02,250 --> 00:19:05,450 I've tested Opus, I use Clap for a while, 309 00:19:06,010 --> 00:19:09,350 and I have tried the streamyard and they do decent jobs. 310 00:19:10,300 --> 00:19:13,900 But I have also found that when I do this as a manual process 311 00:19:13,980 --> 00:19:17,100 in Premiere and I upload the clips myself, 312 00:19:17,660 --> 00:19:21,020 I don't know. I know in the metadata it says that 313 00:19:21,500 --> 00:19:25,100 it was updated by Premiere because YouTube will tell you that I'm 314 00:19:25,100 --> 00:19:28,540 thinking that manually updated clips 315 00:19:29,020 --> 00:19:32,540 have a little bit more weight than the AI generated 316 00:19:32,540 --> 00:19:36,060 ones. Only because maybe the volume of AI is so high 317 00:19:36,600 --> 00:19:40,240 that there's so many bad ones compared to the 318 00:19:40,240 --> 00:19:43,560 volume of ones that are manually edited and crafted by hand, 319 00:19:44,280 --> 00:19:47,840 that those ones may skew a little higher in the 320 00:19:47,840 --> 00:19:51,480 algorithm. I don't have science on that. That's just my gut feeling 321 00:19:51,480 --> 00:19:54,840 with where we're at right now. And I do see 322 00:19:55,080 --> 00:19:58,760 my shorts and Clips are performing better now that 323 00:19:59,240 --> 00:20:02,920 I'm editing them myself. I think many people 324 00:20:02,920 --> 00:20:06,760 who are, you know, using clips in this way are finding the same thing. And 325 00:20:06,760 --> 00:20:09,960 I would encourage anyone who is podcasting, live or otherwise, 326 00:20:10,440 --> 00:20:14,120 live or in studio, to get in the habit 327 00:20:14,120 --> 00:20:17,920 of creating short form content within your longer content because, you know, you don't necessarily 328 00:20:17,920 --> 00:20:21,440 want to come back and then record separate content just for your 329 00:20:21,440 --> 00:20:24,440 shorts. But if you can set yourself up to 330 00:20:26,680 --> 00:20:30,330 something like what? When you want to use short form content in your 331 00:20:30,330 --> 00:20:34,050 podcast, it's really important to practice in advance that you can create a narrative arc 332 00:20:34,050 --> 00:20:37,570 within the clips, that it stands alone off the cap. 333 00:20:37,650 --> 00:20:40,890 That's something that could potentially be clipped and hopefully would be useful. But I think 334 00:20:40,890 --> 00:20:44,250 that's something worth practicing. When you know the topics like Jeff, you know, the stories 335 00:20:44,250 --> 00:20:47,170 that we're going to be talking about, and being able to have those little narratives 336 00:20:47,170 --> 00:20:50,890 can make you give you really, really strong clips and hopefully increase 337 00:20:50,890 --> 00:20:54,530 your following. And that was a great clip. I'm going to clip that. That's going 338 00:20:54,530 --> 00:20:58,160 to be one of the clips for this episode. I bet. I was 339 00:20:58,160 --> 00:21:01,840 hoping it would turn out that way. I did 340 00:21:01,840 --> 00:21:04,720 not follow my own advice and practice that in advance, although as I was speaking, 341 00:21:04,720 --> 00:21:08,360 I realized I should have. Well, let's go over to 342 00:21:08,360 --> 00:21:11,879 our next one. This is our fifth story tonight. 343 00:21:12,040 --> 00:21:15,800 Global Stages Real Time Podcasts go international. 344 00:21:16,680 --> 00:21:20,040 This story highlights just how far live podcasting can go 345 00:21:20,280 --> 00:21:24,010 when access and opportunity meet preparation. The making 346 00:21:24,090 --> 00:21:27,530 awesome podcast took their show live to Prague 347 00:21:27,690 --> 00:21:31,370 after formnext recording directly 348 00:21:31,370 --> 00:21:35,210 from Prussia Research headquarters. Instead of waiting to recap 349 00:21:35,210 --> 00:21:38,890 announcements later, they captured reactions, insights and product 350 00:21:38,969 --> 00:21:42,370 conversations in real time, right where the innovation was 351 00:21:42,370 --> 00:21:46,010 happening. It's a strong example of how live podcasts can turn 352 00:21:46,010 --> 00:21:49,530 industry events into instant, authoritative content 353 00:21:49,610 --> 00:21:53,280 with a global reach. So this one, they were at a conference, 354 00:21:53,760 --> 00:21:57,480 they met somebody at the conference from Prussia Research. They went over 355 00:21:57,480 --> 00:22:01,320 to their headquarters and they're like, hey, let's do a Show while we're 356 00:22:01,320 --> 00:22:05,040 3D printing stuff and we'll just talk about stuff. We'll talk 357 00:22:05,040 --> 00:22:08,640 about everything we just saw, all the things that have blown our mind. 358 00:22:08,960 --> 00:22:12,720 And while it's fresh, let's get this information as fast as we can 359 00:22:13,280 --> 00:22:17,000 to our audience. And I just love the strategy, this 360 00:22:17,000 --> 00:22:20,700 technique of, of being somewhere, finding your audience, finding 361 00:22:20,700 --> 00:22:24,380 your fans, connecting with somebody and then taking that and going, 362 00:22:24,380 --> 00:22:27,780 doing a live show all about what you just attended. 363 00:22:29,220 --> 00:22:32,580 Yeah, I love that. What it really makes me think about is access, 364 00:22:32,900 --> 00:22:36,740 you know, access to people, access to spaces, access to information. That often 365 00:22:37,220 --> 00:22:40,660 podcast hosts are in a really privileged position to be able to get. 366 00:22:41,220 --> 00:22:43,660 And that means that when they have the opportunity at a live event. I mean, 367 00:22:43,660 --> 00:22:47,380 you see this a lot at the podcasting conferences, Jeff. I don't know if you're 368 00:22:47,380 --> 00:22:50,720 a big attender of like, podvest or podcasts podcast movement. 369 00:22:50,880 --> 00:22:54,440 They've got podcasting areas where you can go and talk about what's going on and 370 00:22:54,440 --> 00:22:58,280 connect and share interviews with the people that you've met and something else that 371 00:22:58,280 --> 00:23:01,440 really happens there. You know, there's a lot of live podcasting, and it's bringing questions 372 00:23:01,440 --> 00:23:05,040 directly from audience members, whether it's clients, community, people who listen, 373 00:23:05,040 --> 00:23:08,400 people who watch, who can't attend that event, or don't have that kind of access 374 00:23:08,400 --> 00:23:12,000 to people into places. It's a great way to 375 00:23:12,240 --> 00:23:15,800 just get this immediate feedback and this back and 376 00:23:15,800 --> 00:23:19,450 forth with the hostess, intermediary. It can be a really valuable 377 00:23:19,450 --> 00:23:23,050 public service. Yeah. In this example, the host of the 378 00:23:23,050 --> 00:23:26,530 podcast went to this research lab. The research lab is 379 00:23:26,530 --> 00:23:30,210 testing new ways to do 3D printing. And they're just 380 00:23:30,210 --> 00:23:34,050 pulling all these things together and bringing the community 381 00:23:34,130 --> 00:23:37,650 together, making everything stronger. Everybody's bonds are stronger. 382 00:23:38,130 --> 00:23:41,770 The knowledge that they're gaining of this new technology, the 383 00:23:41,770 --> 00:23:45,470 new products that are coming out that support 3D printing, it's 384 00:23:45,470 --> 00:23:49,190 just incredible how small the world has become and how fast 385 00:23:49,190 --> 00:23:52,150 it shrinks with how fast news can be delivered. 386 00:23:53,030 --> 00:23:56,630 It is. I don't know if you're into fiber crafts 387 00:23:56,630 --> 00:23:59,590 at all, Jeff, but there's this wonderful thing that happens in, like, knitting and crochet 388 00:23:59,590 --> 00:24:03,110 communities. They call them knit alongs. And it's over the course of, 389 00:24:03,270 --> 00:24:06,350 you know, a month or six weeks or however long the project is. Everyone involved 390 00:24:06,350 --> 00:24:08,630 is working on the same project at the same time. And I feel like something 391 00:24:08,630 --> 00:24:12,110 like that would be so wonderful to have a live podcast for, so people could 392 00:24:12,110 --> 00:24:15,470 dial in, people could be actually, you know, conducting the same activity in the same 393 00:24:15,470 --> 00:24:18,610 place. Place. I think there's. When you think about 394 00:24:19,490 --> 00:24:23,170 using the podcast, not just to create content, but to create time 395 00:24:23,170 --> 00:24:26,890 for something to happen, there's some really fascinating ideas. It can be co working like 396 00:24:26,890 --> 00:24:29,210 the first story that we talked about. It can be crafts, it can be hobbies, 397 00:24:29,210 --> 00:24:32,290 it can be fashion. There's so many areas where that could go. 398 00:24:33,250 --> 00:24:36,610 That sounds like a lot of fun. I know my daughter loves crocheting and 399 00:24:36,610 --> 00:24:39,970 knitting, and I bet, like having a night out, 400 00:24:40,850 --> 00:24:44,690 maybe we would get catering. Everybody's sitting in the. I could see the orange 401 00:24:44,690 --> 00:24:48,490 chairs here in the theater. Everybody's filled up and having a great night. We 402 00:24:48,490 --> 00:24:52,290 live stream it. Maybe other people, you know, crocheting and knitting at home. 403 00:24:52,370 --> 00:24:55,890 I know they're different. By a local yarn store. Yeah, yeah, 404 00:24:56,050 --> 00:24:58,690 don't come at me. I know that those are two different things. I just don't 405 00:24:58,690 --> 00:25:02,410 understand the difference between crocheting and knitting. But one 406 00:25:02,410 --> 00:25:06,210 needle or two, you could come in here and have a great night 407 00:25:06,210 --> 00:25:10,060 out with friends and family doing the same thing. And like you said, if they're 408 00:25:10,060 --> 00:25:13,660 all working on the same project and they're all contributing it in 409 00:25:13,660 --> 00:25:16,780 different ways, that's got to be a lot of fun to see what they can 410 00:25:16,780 --> 00:25:20,340 build in a night. I think there's the historical 411 00:25:20,980 --> 00:25:24,620 precedent too, right. Of the quilting bee, where everyone comes together to complete the 412 00:25:24,620 --> 00:25:27,940 project. A wonderful blending of old and new. 413 00:25:28,500 --> 00:25:32,340 That'd be so much fun. And then people can learn. People could share 414 00:25:32,340 --> 00:25:36,000 tips and they can show how they're doing it on the 415 00:25:36,000 --> 00:25:39,600 live stream so people can follow along at home and try to crochet 416 00:25:39,600 --> 00:25:43,320 or knit their own. And I bet it worked with the 417 00:25:43,320 --> 00:25:45,800 3D printing, too. If they started a project at the beginning, if that was a 418 00:25:45,800 --> 00:25:48,920 shared template or files that other people could access, at the end, everyone could have 419 00:25:48,920 --> 00:25:52,360 their cool thing whilst having had a lovely two and a half hours 420 00:25:52,360 --> 00:25:56,200 spent spending time together. Awesome. Let's go 421 00:25:56,200 --> 00:25:59,720 to our last story tonight. This is a great one. 422 00:26:00,120 --> 00:26:03,870 This is when brands become the stage. This 423 00:26:03,870 --> 00:26:07,550 final story brings everything we've talked about full circle. Live 424 00:26:07,550 --> 00:26:11,190 podcasting as a tool for community conversation and brand 425 00:26:11,190 --> 00:26:14,950 alignment. On January 17, Leisha is hosting 426 00:26:14,950 --> 00:26:18,590 Keeping Women's Rights in the Picture, a live in store 427 00:26:18,590 --> 00:26:22,430 podcast discussion at the Leisha Store and Gallery 428 00:26:22,430 --> 00:26:26,190 Boston. In collaboration with Concept 429 00:26:26,190 --> 00:26:29,860 Awareness and a Yellow Rose Project. The event 430 00:26:29,860 --> 00:26:33,340 centers on a live podcast recording with artists and educators, 431 00:26:33,820 --> 00:26:37,540 encourages audience participation, and turns a retail space 432 00:26:37,540 --> 00:26:41,380 into a platform for civic dialogue. It's a strong example 433 00:26:41,380 --> 00:26:45,020 of how brands can use live podcasts, not to sell, but to 434 00:26:45,020 --> 00:26:48,420 stand for something and create meaningful, shared 435 00:26:48,420 --> 00:26:52,220 experiences. I'll let Megan, you want 436 00:26:52,220 --> 00:26:55,920 to take this one first? I do, and I want to take it 437 00:26:56,000 --> 00:26:59,800 way back in time because this for me just echoed so 438 00:26:59,800 --> 00:27:03,440 strongly of where spaces, especially 439 00:27:03,680 --> 00:27:07,200 for women in North America and Western Europe, 440 00:27:08,160 --> 00:27:11,520 was very often in a retail setting where some of the first places where women 441 00:27:11,760 --> 00:27:15,320 were able to gather to spend time, department 442 00:27:15,320 --> 00:27:18,880 stores, would have tea rooms where they could sit and talk and spend time. Similarly 443 00:27:18,880 --> 00:27:22,650 with vegetarian restaurants, places where they could speak and they could 444 00:27:22,650 --> 00:27:26,130 have civil dialogue and they could work towards different civil actions 445 00:27:26,610 --> 00:27:30,410 in spaces that were not necessarily when other spaces were 446 00:27:30,410 --> 00:27:34,130 not necessarily available to them. And I think bringing this new technology 447 00:27:34,290 --> 00:27:37,570 into that old concept of, you know, the retail store, 448 00:27:38,210 --> 00:27:41,970 whatever you may think of, you know, retail practice now, and that 449 00:27:41,970 --> 00:27:45,090 can vary a lot, but these are spaces that are traditionally 450 00:27:45,810 --> 00:27:49,610 feminine, coded in a lot of ways. And so using that as a space to 451 00:27:49,610 --> 00:27:53,400 talk about issues that affect. Do affect women and 452 00:27:53,400 --> 00:27:57,000 people of all sorts, of different sorts, who are having 453 00:27:57,560 --> 00:28:00,320 a lack of space in other areas of their life, maybe where they can talk 454 00:28:00,320 --> 00:28:03,840 about these things, and using that space to create art, to create 455 00:28:03,840 --> 00:28:07,600 dialogue, to talk about the reality of being 456 00:28:07,600 --> 00:28:11,440 a person right now, I think is tremendously exciting. And I love 457 00:28:11,440 --> 00:28:14,840 that there's businesses who are, if not intentionally, 458 00:28:14,840 --> 00:28:18,280 honoring that tradition, you know, carrying on a very proud tradition. 459 00:28:20,080 --> 00:28:23,880 If you think about how art makes you feel, how a photograph can make 460 00:28:23,880 --> 00:28:26,960 you feel, and if you're tying all these things with history 461 00:28:27,520 --> 00:28:31,280 and women's rights and how they feel in the moment 462 00:28:31,280 --> 00:28:34,960 and expressing themselves with one another and some of the things 463 00:28:34,960 --> 00:28:38,600 that they're going through, it's such a powerful moment, a 464 00:28:38,600 --> 00:28:41,920 powerful night. And to put this on and pull this off 465 00:28:42,320 --> 00:28:46,170 is an incredible, incredible feed. Just really love this story. I 466 00:28:46,170 --> 00:28:49,890 thought it was a great way to close out tonight and just talk about 467 00:28:49,890 --> 00:28:53,290 this. What's happening here? What can you do in your community 468 00:28:53,610 --> 00:28:57,330 to bring people together? How can you share stories, share, 469 00:28:57,330 --> 00:29:01,090 like, experiences, and build off those experiences to make 470 00:29:01,090 --> 00:29:04,730 the world a better place? It's 471 00:29:05,530 --> 00:29:09,370 as important now, maybe more than it has been. It's kind of a scary 472 00:29:09,370 --> 00:29:13,060 time. And so knowing that there are people intentionally 473 00:29:13,060 --> 00:29:16,780 creating the space to have this kind of dialogue and to make 474 00:29:16,780 --> 00:29:20,620 the kind of access to the tools to create art and the tools to 475 00:29:20,620 --> 00:29:24,340 create conversations. Another thing I love about this business, this gallery, what they're doing, 476 00:29:25,300 --> 00:29:27,460 it feels very important and very of the moment. 477 00:29:29,620 --> 00:29:33,220 And that means we went through 478 00:29:33,220 --> 00:29:36,620 our six stories. I was looking at this picture earlier. We did not plan this, 479 00:29:36,620 --> 00:29:40,250 but we're wearing the same outfit. We are wearing the same 480 00:29:40,250 --> 00:29:43,930 outfit. Megan, this has 481 00:29:43,930 --> 00:29:47,490 been so much fun. I really appreciate your time tonight. 482 00:29:48,050 --> 00:29:51,650 We got through these six stories, and you added so much 483 00:29:51,650 --> 00:29:55,010 value to what live podcasts can be, the quality of 484 00:29:55,010 --> 00:29:58,730 production, how this can apply to businesses. I thank you so much 485 00:29:58,730 --> 00:30:02,290 for your time. One more time. How can people connect with you 486 00:30:02,860 --> 00:30:06,220 and, you know, just hear about your services, learn about what you're doing. 487 00:30:06,540 --> 00:30:10,020 Absolutely. So the best way to find out about me and what we do at 488 00:30:10,020 --> 00:30:13,420 One Stone Creative is to go to onestone creative.net that's o n e 489 00:30:13,420 --> 00:30:17,220 stonecreative.net and if you are a giant nerd about 490 00:30:17,220 --> 00:30:20,980 podcasting or would like to become a giant nerd about podcasting, you can go to 491 00:30:20,980 --> 00:30:24,740 podcasting for business.com where you can download a copy of my book, which will 492 00:30:24,740 --> 00:30:28,540 go through kind of our methodology for designing podcasts specifically to do 493 00:30:28,540 --> 00:30:32,190 jobs within businesses. And I'd always be happy to 494 00:30:32,350 --> 00:30:36,110 connect with anyone. If you are looking to have a podcast for your 495 00:30:36,110 --> 00:30:39,550 business, we make it as easy as possible for busy entrepreneurs who actually have full 496 00:30:39,550 --> 00:30:43,270 businesses to run. That's our thing. I was 497 00:30:43,270 --> 00:30:46,190 trying to get. I didn't want to play. I got hats and I have shirts. 498 00:30:46,270 --> 00:30:50,070 I will say the 10 bucks for the shirts merch if you leave. 499 00:30:50,070 --> 00:30:53,230 If you leave a review. I don't have any reviews on Apple 500 00:30:53,390 --> 00:30:57,070 itunes. I started the show in May. I tore my Achilles 501 00:30:57,070 --> 00:31:00,750 right after. And I never asked. I realized I never asked anybody to leave me 502 00:31:00,750 --> 00:31:04,390 a review. If you leave a review on itunes for Poduty and the News, I'm 503 00:31:04,390 --> 00:31:06,790 gonna send you a T shirt. But if you want to come to the theater 504 00:31:06,790 --> 00:31:09,990 and get one for 10 bucks, I'll do that too. We have hats as well. 505 00:31:10,230 --> 00:31:13,590 And this is the theater space. This is where I'm sitting right now, underneath the 506 00:31:13,590 --> 00:31:17,390 exclamation point in your show here. And this is a 507 00:31:17,390 --> 00:31:21,150 theater space that I built for live podcasts for people to come 508 00:31:21,150 --> 00:31:24,790 in, do their show, do their show without risk. If you were to 509 00:31:25,260 --> 00:31:28,500 go to a hotel and say, I want to produce a live event, they're going 510 00:31:28,500 --> 00:31:32,300 to hand you a contract and say it was a $10,000 minimum, plus 511 00:31:32,300 --> 00:31:35,620 you got to buy all your food and drinks and electrical and AV tech through 512 00:31:35,620 --> 00:31:39,300 us. I'm not doing that. I flipped the script on this. You can come 513 00:31:39,300 --> 00:31:42,740 in. There's no risk to use the stage. There's no contract. I'll build you a 514 00:31:42,740 --> 00:31:46,300 landing page. I'll record the show. I'll give you back the recording. 515 00:31:46,460 --> 00:31:49,940 And at the end of the night, we Split the door 50, 50. If you 516 00:31:49,940 --> 00:31:53,290 like it, we'll do it again. If you didn't like it, we shake hands and 517 00:31:53,290 --> 00:31:56,710 we'll go our separate ways. But check it out. Poduty.com, 518 00:31:56,936 --> 00:32:00,210 P-O-D-U-T-Y.com Megan, 519 00:32:01,250 --> 00:32:04,930 that brings us all the way back to the beginning. 520 00:32:05,330 --> 00:32:07,730 Do you know what time it is? 521 00:32:09,170 --> 00:32:13,010 Is it still showtime? It's still showtime. What 522 00:32:13,010 --> 00:32:13,890 time is it? 523 00:32:20,130 --> 00:32:21,170 What time is. 524 00:32:25,070 --> 00:32:28,710 Oh, it's time for duty and 525 00:32:28,710 --> 00:32:29,310 the news. 526 00:32:35,230 --> 00:32:38,030 The only live news podcast about 527 00:32:38,350 --> 00:32:40,430 podcasting from the st. 528 00:32:50,190 --> 00:32:53,070 The only live news podcast about 529 00:32:53,310 --> 00:32:54,980 podcasting from the 530 00:32:55,290 --> 00:33:01,250 stage.