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“Seven or eight years ago, I was touring as a singer-songwriter doing all my stuff,” Cole explained. “I ended up putting together just a basic cover project so I could just play covers and have fun with them as kind of a different show. And because I’m such a bossophile, that’s kind of how the name came in… That’s how the Bossa Blue thing came around.”
“A fan said, ‘Why don’t you pick one artist and go to town on that,’” Cole recalled. “Of course, I thought about that for a long time. I had a lot of familiarity with James Taylor’s music from when I was little—my sister brought home Sweet Baby James from her freshman year at college. I was listening to that as a little kid, and it was just something different about it.”
“The idea was not to do what he does, because I can’t top that,” he said. “But I heard things differently. I started to match different arrangements and grooves to his songs, and that was the whole blueprint behind Bossa Blue.”
“It’s a little more spooky,” Cole said. “To me it resonates some of the sadness that’s there behind the lyric. James Taylor doesn’t always lay his stories out in black and white—sometimes he leaves the listener guessing, which I love.”
“One reason this show resonates with so many people is because we really stick to the melody,” he said. “We definitely give these songs a different groove, but when the lights are on in the house, I can see everybody singing along. And I don’t really want to mess with that.”
“It’s just a crazy group of guys who have really communed on this concept and on these tunes,” Cole said.
“James Taylor’s still touring—you can go see him,” he said. “This is our way to preserve things about James Taylor’s music in a jazz tradition, even though it’s not a jazz show. We want to keep these songs going with some fresh energy.”
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