The Last Theater

Netflix's new interpretation of Shirley Jackson's The Haunting of Hill House is chilling, heart-wrenching, dramatic, and at times rather scary. Listen to episode 22 of The Last Theater podcast for my take on what worked well, what fell a little flat, and how this new interpretation stacks up to the source material and some of its other adaptations.

Show Notes

Netflix’s new interpretation of Shirley Jackson’s The Haunting of Hill House is chilling, heart-wrenching, dramatic, and at times rather scary. Listen to episode 22 of The Last Theater podcast for my take on what worked well, what fell a little flat, and how this new interpretation stacks up to the source material and some of its other adaptations.

Download the show here:
The Haunting of Hill House (2018) – Podcast Episode 22

Download and subscribe on iTunes so you never miss an episode:
The Last Theater on the Left on iTunes

Non-spoiler review: 0:0024:50
Spoiler-filled reactions: 24:5040:54
Total Run Time: 40:54

Theme music: “Rising Game” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0

The following songs used in this episode are all by The Newton Brothers from The Haunting of Hill House score:
Intro background: “The Haunting of Hill House (Main Titles)”
Intermission: “Whatever Walked There, Walked Alone”
Outro: “The End”

Thanks for listening! If you like what you hear, please leave a review on iTunes. And if you have something you want to tell us about the show or anything else, leave a comment here or send us a message on Facebook!

 

 

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What is The Last Theater?

Join chris and Joey as they explore the dark, forgotten side of film. From horror and exploitation, to b-movies, cult, trash cinema, and everything in-between, The Last Theater shows how even the movies mainstream audiences might find worthless have value. With reviews and discussions covering films and topics within the realm of the more extreme and often dismissed side of cinema, chris and Joey illuminate the vital role these types of films play in the larger pantheon of movie history.

Every movie has its audience, and every movie has value. One person's trash cinema is another person's treasure.