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Coming to you from crash studios
in Music City, USA. Nashville.

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This is the rich Redmond show.

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What's up, folks? Yep, your
iPhone. Your watch is correct.

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It's time for another exciting
episode of the rich Redmond

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show. We talk about all things
music, motivation, success,

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talking about a lot of things,
but he's the things that drive

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us. And I've got a lot of
musician friends. It's the low

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hanging fruit that drummer in
the forest, the fruit is hanging

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and these are my friends. It's a
beautiful fraternity sorority,

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we always get to kibitz we go
into a bar drummers. We're going

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to close the place down talking
about gear widgets, or favorite

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drummers. And usually I have my
co hosts here co producer Jim

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McCarthy, Jim McCarthy voice
overs.com. Jim is on some sort

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of a sojourn on the east coast.
But that just means I get this

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man all to myself, and a very
special guest today. Today's

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guest originally from Long
Island, New York, and along with

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Brian Setzer and Lee rocker
formed the iconic band the stray

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cats and spearheaded the Neo
rockabilly movement of the early

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1980s. Since then, cementing
himself as rock and roll

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royalty. I'm talking about our
new friends slim, Jim, Phantom.

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What's up, Jim? Hey, rich, you
know how to those levels? Right,

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left, right, right, left, right,
left level 100 times a hotel

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room, and everything's cool.
Yeah, man. Well, I you know,

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this has been a long time in the
making. It's up. There's a

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session drummer here in
Nashville taught me this phrase,

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Chad promo, this phrase called
herding cats. And you run get

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getting a podcast together and
keeping your guests scheduled.

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It is like herding cats. Because
everybody's so busy. You know?

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It's a really it's a good man. I
think there's a lot of us, but

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it's at the same time. It's a
rare few good drummers, you

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know, and yeah, good drummer, I
think and rock and roll. Country

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music, jazz swing America. Do
you have a good drummer?

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Anything else is possible?
Absolutely. And the bad drummer

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can take a great band and just
anchor it sinking and go any

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further. Unless you have a good
drummer. That's the only thing

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and that's why. That's why
everyone's busy. Yeah, and there

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was no and your band the stray
cats. There was no hiding. There

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was only three of you. There was
no computers, there was no

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tricks. It was like you count
the song off. And there's three

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guys I gotta make an app.
Exactly. There was no rock time

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to hide behind. Yeah. Now you
know, you've played on of

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course, other projects. Of
course, we're going to talk

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about the stray cats delineates
the history, all that kind of

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stuff. Because aren't you guys
celebrating? 45 years? Yes, we

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did. 40

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we formed the 1979

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on Long Island and played the
CBGBs Max's Kansas City,

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although well known, like New
York City joins, we were our

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towns like 45 minutes outside on
the train line. So the Jones

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Beach would be the famous place
anyone heard of by us.

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And we really worked at it, to
be honest with you, we were by

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the time that we were overnight
sensations ever we had played

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you know, 200 gigs, four sets a
night, five nights a week kind

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of thing for for for a couple of
years. And

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we we just loved it we we found
rockabilly music. And we all

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played

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red and wrote music took lessons
I just studied from an old jazz

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got a mousy, Alexander Yes,
that's heavy man. Wow. Dinah

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Washington and he was like, and
he was in our neighborhood. And

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he really was he had a goatee
and

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you know, Ben Ray and he said
Daddy oh and Cat Cat man. Yeah.

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You know, and he gave lessons
and he

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we went through title needing
you know, Jim cheap and all the

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books. And you know, I love that
you did the TED read book

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especially the page 38 But but
but but but but but, but it's

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such a famous PAGE PAGE 38 And I
still use it to this day to get

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my students you know, reading
exactly, and the you know, the

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few back pages where it's just a
where where he has accent

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triplets on the different ones
and the different it's still I

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mean, there's 100 of them. I can

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honestly say I use about seven
of them all the time you know?

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It's you know, it still stays in
my head. If I'm trying some fill

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on stage sometimes. I don't know
like if a specific line but the

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tape read the cover and the pops
into my head. Yeah, I can all

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the sudden see and hear the one
triplet two triplet thinking

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about thinking oh, that's a good
Phil buppa buppa buppa buppa

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buppa have the 10 reflections in
my head. But um, so so we all

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took lessons and we were on

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We were the three guys in school
that

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played. And if there was a keg
party or someone's parents were

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out of town if there was a wreck
dance or like we were the ones I

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played at it

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and lead partisan probably 70 or
79. We, me I know for a fact.

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Just trying to find out the same
as us all good. Who does?

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Beatles like who did the Rolling
Stones again? You like

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invariably you wind up on Carl
Perkins, Eddie Cochran, Chuck

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Berry, Little Richard Johnny
Burnett, that Jerry Lee Lewis

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and then the Gene Vincent. And
then ultimately I found the the

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sun recordings of Elvis Presley.

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The world stopped spinning for a
billionth of a second and I knew

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exactly what to do. And I had
long hair, I had flares. I had

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Adidas had a tennis shirt. And I
was going to be a drummer one

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way or another. I didn't know
how or wait or what, but, but

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that day, I heard Elvis Presley
I saw the photographs of the

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because we knew Elvis Presley,
right? Everyone did we didn't

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know well.

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You're against it. But when I
found out what the beginning

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was,

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through Beatles and stones and
the rest, I I just changed my

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life. I went into the city,
which was that 10 train stops, I

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cut all my hair off and walked
across the street.

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Detroit it in my

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my Adidas for some blue suede
shoes.

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I traded in my flares.

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Down the street a bit further.
For some Ricky Ricardo pants, we

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would call him and then I had no
tennis shirt, you know, with an

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alligator on I left that behind
that I got a bowling shirt. And

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I just went home. And that was
my life. No matter what I was

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going to do. I was going to play
the drums and look that way

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while I went to school worked at
the liquor store, like whatever

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I was doing. And we had the
other two had the same

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experience. And we all knew each
other and like Holy mackerel,

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did you I didn't know that
existed either. And we just did

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it. And as we do and while we
could play like maybe once a

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month at some of these famous
rock clubs. We weren't

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interested in that as much as we
were like, every night we got to

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play four sets and like this
little buddy holly song we found

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is the new Eddie Cochran had two
albums. And we just lived it to

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stores and you know, diners and
we wound up making a pretty good

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living from it when we were very
young. Yeah. By finding old man

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bars, just places that might
have had a pool table that we,

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you know, moved out of the way
because they the TRad rock

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clubs, and then the clubs in the
city. We were a little bit even

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too weird for it. They knew punk
rock, they knew New Wave, they

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knew disco. They knew the blues,
they knew.

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Dixie Fried Rock, I mean, they
like knew that kinds of what we

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were doing was even that was the
most American thing. It was very

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unheard of. And finally, so we
just found all these places that

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would have us play. So we did
this place every Tuesday, this

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place every Wednesday up above.
And we made money every night

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because we packed out people who
weren't rockabilly, but they

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found us. We had a following.
They look like dazed and

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confused. You know, like that
exact whatever. 1979 looked

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like. Yeah, they were and they
just went everywhere we went we

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had a couple 100 people every
night. Okay, here's this 1950s

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music and in 1979 You guys are
already, you know, two decades

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have gone back and you're
creating a resurgence. Yeah,

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because it was right there what
we say now what I say now is you

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know, rockabilly is hiding in
plain sight is staring you right

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in the face. Do you like the
Beatles? Yes. Well, then you

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like Carl Perkins? Do you like
The Rolling Stones? Yes. Well,

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then you like Bo Diddley, do you
like Pete Townsend and who are

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yes, well, then you like Eddie
Cochran it's like very easily

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proven stuff. So you're not
going to trade in your, you

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know, Led Zeppelin records, but
I can tell you this for a fact

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Jimmy Page and Robert Plant they
love Carl Perkins, you know, you

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know, that's where it comes
from. And then you factor the

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blues in the original blues,
Howlin Wolf and muddy waters and

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and, and then go back a little
further to the jump blues. We

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had. We found Amos Milburn and
Louis Jordan and the I love

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Louis Jordan, man, if our Friday
night fish fry, come on. actly,

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right. And you find that and we
found all that at the same time

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and we wanted to, you know, you
know, make that combination of

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of influences and we and you
were killing it you were you

155
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were getting your 10,000 hours
together, creating your look

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creating a following

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and, and making some money. So
you didn't have to go get a job.

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It's great. Without knowing what
any of it was. That's the beauty

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of it. That's where it kind of,
maybe ignorance is bliss. That's

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just what you did. I can't say
that we planned it any more than

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that and it

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was a, you know, a beautiful
thing. It was good that one play

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bass one plays

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the drums than the other two
much more than me. They're like

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virtuoso kind of players in
there. They

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they were just good at it ever
since that do you go back

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further with Lee you guys were
like do each other at 12 years

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old, right? Well, all of us.

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We went to the same grammar
school the same everything Lee

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and I are in the same class
actually, is two years old and

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which now when someone's 80, and
someone 78, it doesn't matter.

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But like when you were 14 and
1214 and 16, then it really

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matter. And he was a brilliant
is was always a, you know, a

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brilliant player. But somehow,
like two years when you're in

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junior high or high school seems
like it's bigger to yours

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because they weren't in your
class. Yeah, yeah. And I would

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put class together and go listen
to, you know, Howlin Wolf

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record. And then we we love
Buddy Guy and Jr. Wells and that

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kind of stuff. And talk about
how well that blind faith

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record, you know, that's a Buddy
Holly song that they would like

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Lee and I were in the same
class. So we'd have to wait to a

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little bit of school and all of
us left school a little early

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till you could find out. You
know, Brian knew us. Oh, yeah,

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the guys from the two years
down. You knew my brother. And

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yeah, that's awesome. Well, no,
no. So we were all together. But

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it got together together and
would have been like, 1979, I

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think it would have been, yeah,
the rest was history, man. So

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that's what we did our 40th
anniversary was in 19 2019. And

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everyone in the industry and
because we made an album in

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1980. So the you know, the 40th
anniversary was 2020. Everyone

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had an idea. So on without
speaking to each other, and

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everyone came back with the same
answer. Well, we didn't form in

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1980. Because we don't want
anyone to think still to this

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day that we just appeared out of
nowhere. We play 1979 worked

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very, very hard. So we insisted
that the 40th anniversary be

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2019. And there was a little bit
of like, well, it's a cricket

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number 2020 2020. Yeah, it looks
and I agree. But if we had done

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that, it never would have
happened. COVID it out. It was

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great that you guys did 2018 and
had a beautiful year. Yeah. That

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must have been incredible. So
how many dates was that? Was

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that a world tour? Yeah, yeah,
that was.

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And we had made an album, then.
2018 At the very end, I think

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but got released in 2019. That
didn't that did very well. Yeah.

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Who had no love, which still
counts? I think you know, oh,

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great, incredible.
Congratulations, Bill for speed,

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double platinum rock, this town,
voted by the Rock and Roll Hall

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of Fame Songs that Shaped Rock
and Roll. I mean, right there.

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That's a legacy. You can hang
your hat on all those cool MTV

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videos.

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And I know there's a story I
know there's like an evolution

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of the band. And it's really
interesting how MTV got fed some

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of those early videos because
they ended up being promotional

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videos for the European market.
Right? Can you tell us about

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that? Yeah.

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I think MTV was a beautiful

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cosmic blank, you know, tapas
was a it still is was at the

217
00:13:25,380 --> 00:13:26,970
time like a beautiful thing. And

218
00:13:28,620 --> 00:13:35,730
for us, we left New York in
1980. June, because we just

219
00:13:35,730 --> 00:13:38,910
wanted to have an adventure. We
got the English newspapers and

220
00:13:38,970 --> 00:13:43,710
kind of nobody knew who we who
they didn't know who know who

221
00:13:43,710 --> 00:13:46,200
our heroes were in a funny way.
We were doing this virgin

222
00:13:46,200 --> 00:13:47,520
Vincent for Johnny Burnett and

223
00:13:48,540 --> 00:13:51,030
already liked it. And I think if
we stayed around in New York, we

224
00:13:51,030 --> 00:13:52,950
would have got a record deal on
that. But we wanted to have an

225
00:13:52,950 --> 00:13:55,590
adventure. We heard that in
England, people

226
00:13:56,640 --> 00:14:00,360
look like this. They dress like
we thought everyone was Ringo.

227
00:14:00,810 --> 00:14:04,110
Everyone was Eddie Cochran
because they knew who he was

228
00:14:04,110 --> 00:14:08,970
there. So we went to England, we
sold everything we owned, and we

229
00:14:09,000 --> 00:14:11,970
bought one of my plane tickets,
and we went to London. That's

230
00:14:11,970 --> 00:14:14,970
incredible. Bunch very brave
man. How old were you at the

231
00:14:14,970 --> 00:14:20,940
time? 19 years old? Yeah. Wow.
We were 19 years old. And then

232
00:14:20,940 --> 00:14:25,770
we get there. And we use that as
a good idea. No, you said it was

233
00:14:25,770 --> 00:14:26,310
a good idea.

234
00:14:27,390 --> 00:14:30,090
You know, clutching does a
magazine article that from from

235
00:14:30,150 --> 00:14:32,670
a year ago that we mean Were you
asleep and where are you guys?

236
00:14:33,030 --> 00:14:37,500
We we we were homeless. We set
the movie theaters a little bit

237
00:14:37,500 --> 00:14:41,340
until that ran out. We hung
around like ghosts and parties

238
00:14:41,340 --> 00:14:44,340
and crashed for a while like a
sitting Nancy kind of house and

239
00:14:44,340 --> 00:14:46,650
you know those types of types of
things.

240
00:14:48,720 --> 00:14:52,320
That's incredible. We really had
three of us and we had

241
00:14:53,850 --> 00:14:57,780
we had knocked on enough doors
and made ourselves known

242
00:14:58,860 --> 00:14:59,970
as much as we could on a very

243
00:15:00,000 --> 00:15:03,990
We miniscule in any town when it
comes down to it. The club's

244
00:15:04,800 --> 00:15:08,790
circuit order is very, very
small even in London or New York

245
00:15:08,790 --> 00:15:13,800
or LA or whatever it is. It's
still same couple 100 people

246
00:15:13,800 --> 00:15:14,490
maybe you

247
00:15:16,320 --> 00:15:21,210
so we had just, I guess, had
some obnoxious charm, you know,

248
00:15:21,210 --> 00:15:23,850
we knocked on a lot of doors
eventually, this would have been

249
00:15:23,850 --> 00:15:29,760
about September, August to
September I think we had gotten

250
00:15:30,390 --> 00:15:33,570
a fourth on the bill that uh,
you know, music pub that had

251
00:15:33,570 --> 00:15:36,210
bands every night anyway, kind
of thing. And we just made

252
00:15:36,210 --> 00:15:40,230
ourselves known and hung around
these places. enough that we

253
00:15:40,350 --> 00:15:44,760
managed to string together five,
seven shows maybe all going on

254
00:15:44,760 --> 00:15:49,230
if four in the afternoon or
seven at night or for Bill like

255
00:15:49,260 --> 00:15:53,160
nothing that was, but we had
made ourselves known enough that

256
00:15:53,250 --> 00:15:57,360
a few of the people that we met
along the way came to the first

257
00:15:57,360 --> 00:16:01,530
few shows with the idea of
maybe, maybe that'll be good,

258
00:16:01,710 --> 00:16:05,520
maybe they'll shut it up and go
home. Maybe they saw maybe what

259
00:16:05,520 --> 00:16:08,580
we're going out anyway, that
night. Let's go to let's stop in

260
00:16:08,580 --> 00:16:12,000
at the Greyhound first and check
out these guys from New York.

261
00:16:12,270 --> 00:16:15,330
And that original gang of people
included Lammi

262
00:16:17,190 --> 00:16:19,200
a Joe Strummer, Krishna, hi.

263
00:16:20,820 --> 00:16:24,360
Glen Matlock from the sacred
pistols so there was the like a

264
00:16:24,360 --> 00:16:29,850
core of hipsters that we had met
at parties and you know, but no

265
00:16:29,850 --> 00:16:32,640
one waves we will just use it
noxious guys.

266
00:16:33,900 --> 00:16:36,720
Well, guys got a cool suit. But
it's kind of dirty, almost, you

267
00:16:36,720 --> 00:16:40,050
know, like he's been sleeping.
We have been.

268
00:16:41,430 --> 00:16:46,650
So we had these. So immediately,
that's when we were in control

269
00:16:46,650 --> 00:16:50,370
of our own destiny was at Go and
play for wherever it was on the

270
00:16:50,370 --> 00:16:55,290
planet, or 20 minutes. No
problem. Because we had done a

271
00:16:55,290 --> 00:16:58,410
year of in the clubs for sets
and five nights a week in New

272
00:16:58,410 --> 00:17:03,030
York, you know, so we were in
control of and then yeah, I

273
00:17:03,030 --> 00:17:05,160
don't think anyone ever seen
anything like it was standing

274
00:17:05,160 --> 00:17:08,760
up, playing the drums, spinning
the bass around, he tossed the

275
00:17:08,760 --> 00:17:11,130
guitar 10 feet over his head and
grabbed it in the middle of his

276
00:17:11,130 --> 00:17:13,860
solo and doesn't miss to be
crazy, you know, the stray cats.

277
00:17:14,070 --> 00:17:21,060
And so the next time that she hi
and gave an interview, or Glen

278
00:17:21,060 --> 00:17:24,510
Matlock, from the Sex Pistols or
Joe Stover gave an interview

279
00:17:24,510 --> 00:17:28,410
that week because everyone kept
those music papers going. They

280
00:17:28,410 --> 00:17:30,930
said, Well, what do you been
doing last week, Joe? Well, I

281
00:17:30,930 --> 00:17:34,350
saw this band from New York and
they were so there was a buzz

282
00:17:34,350 --> 00:17:37,080
and now there are tastemakers
that were vouching for you

283
00:17:37,350 --> 00:17:42,480
groundswell. And that led to
Chrissy Hein five days later, a

284
00:17:42,480 --> 00:17:46,170
week later brought Ray Davies
now when he saw it, he mentioned

285
00:17:46,170 --> 00:17:51,270
it Melody Maker. And then by the
end of the couple of maybe,

286
00:17:51,840 --> 00:17:55,650
maybe 10 shows we did over two
weeks, the Rolling Stones came

287
00:17:55,770 --> 00:17:57,000
because they had heard about it.

288
00:17:58,650 --> 00:18:01,980
They were all at a table all
together from rail, right front

289
00:18:01,980 --> 00:18:06,030
row is that the story club and
some club have that's happened

290
00:18:06,030 --> 00:18:09,330
since they all go to something
that's not their thing.

291
00:18:10,620 --> 00:18:14,010
The five guys could agree on
something. And that's when it

292
00:18:14,010 --> 00:18:18,540
took it out of the out of the
music papers into the national

293
00:18:18,540 --> 00:18:22,830
papers like why those things
unknown guys who don't even guys

294
00:18:22,830 --> 00:18:25,230
were doing it yourself. It was
not like you hired a an

295
00:18:25,230 --> 00:18:28,290
expensive publicist. No, no, we

296
00:18:29,340 --> 00:18:32,670
we had no one I'm I'm not
against expensive publicity.

297
00:18:32,850 --> 00:18:36,810
Yeah, no, but I mean, jeez,
that's incredible. So then it

298
00:18:37,470 --> 00:18:42,570
then then it happened very
quickly. We, we, we had a lot of

299
00:18:42,570 --> 00:18:46,830
offers to do record contracts.
And the, the right company came,

300
00:18:46,830 --> 00:18:51,000
which was ours to records at the
time. And someone else who would

301
00:18:51,000 --> 00:18:53,700
come in to all the shows was
going to Dave Edmonds, who were

302
00:18:53,700 --> 00:18:58,860
a fan of his guitar players,
wicked artist. And he, he said

303
00:18:58,860 --> 00:19:01,740
he would produce that the same
night that the record company

304
00:19:01,740 --> 00:19:06,180
got the one what so it all kind
of was, it was, it was a needle

305
00:19:06,180 --> 00:19:10,620
threading thing that was had to
be, and we wound up making the

306
00:19:10,620 --> 00:19:13,350
record with Edmonds and then
having it out by Christmas,

307
00:19:14,100 --> 00:19:17,490
which is when the charts froze,
like, as right before the

308
00:19:17,490 --> 00:19:21,420
charts, we had gotten to the top
10 so it stays in the top 10 for

309
00:19:21,420 --> 00:19:26,460
like, three weeks. So you're and
and we just did what we knew how

310
00:19:26,460 --> 00:19:31,740
to do. We just went on the road.
And during that time, we made a

311
00:19:31,740 --> 00:19:36,660
couple of videos. Because the
the reasoning behind the video

312
00:19:36,840 --> 00:19:41,070
was it was all for Europe
because we signed a record

313
00:19:41,070 --> 00:19:43,590
contract out of England, even
though we were Americans. It was

314
00:19:43,590 --> 00:19:47,280
an English record contract. So
we didn't have North America.

315
00:19:47,730 --> 00:19:51,300
It's called X North America, not
x like we were from there. Extra

316
00:19:51,300 --> 00:19:55,140
excluding Yes, it's too big of a
gamble for record companies. Now

317
00:19:55,140 --> 00:19:58,350
I get it completely to try to
break a band, you know, you're

318
00:19:58,350 --> 00:20:00,000
gonna have to had a hit in
England or

319
00:20:00,000 --> 00:20:03,090
It is still America is a
different, different beast

320
00:20:03,300 --> 00:20:07,290
universe for all that so big.
You can't drive from LA to

321
00:20:07,680 --> 00:20:10,380
Chicago and play a gig that
night in England, you can drive

322
00:20:10,380 --> 00:20:12,510
to London to Scotland and play a
gig that night.

323
00:20:14,190 --> 00:20:16,590
So we had made a few

324
00:20:17,820 --> 00:20:22,050
videos, and I got to Julian
temple did that was very well

325
00:20:22,050 --> 00:20:27,060
known film director. And we made
them because if you're on tour

326
00:20:27,090 --> 00:20:30,090
in England, they could play it
on the Saturday afternoon kids

327
00:20:30,090 --> 00:20:34,380
show in France. Or if you were
in France on tour, they could

328
00:20:34,380 --> 00:20:37,920
play it on the you know, the
solid gold, Sweden or whatever

329
00:20:37,920 --> 00:20:40,590
kind of you could be in two
places at once, basically, with

330
00:20:40,590 --> 00:20:45,870
the video. So and was another
thing that we had very good

331
00:20:45,870 --> 00:20:49,920
people around us, we had certain
amount of input, but who could

332
00:20:49,920 --> 00:20:50,970
organize video

333
00:20:52,470 --> 00:20:54,720
to be you know, and and then
what, like,

334
00:20:55,800 --> 00:20:57,840
you know, like a few other
things. We got it. And we were

335
00:20:57,840 --> 00:21:01,290
kind of natural at it. So when
MTV

336
00:21:02,400 --> 00:21:05,910
came about a year or so later, I
think it was in 81. You leave it

337
00:21:05,910 --> 00:21:07,380
on MTV needed content.

338
00:21:08,430 --> 00:21:11,370
Towards the end of MTV, or
during the middle of you, people

339
00:21:11,370 --> 00:21:15,420
were making very expensive clips
and trying to get them on. And I

340
00:21:15,720 --> 00:21:20,610
do think at at the beginning of
MTV, they were happy to to have

341
00:21:20,610 --> 00:21:23,310
content. Oh my god, I did a
Video Killed the Radio Star.

342
00:21:23,310 --> 00:21:26,610
They're like, how are we going
to do this for 24 hours? That's

343
00:21:26,610 --> 00:21:32,310
exactly right. So they found
ours And in, in the USA, that

344
00:21:32,310 --> 00:21:37,680
created a big groundswell. And
we were doing very well at

345
00:21:37,710 --> 00:21:41,070
import radio, without even
knowing it. Because now he got

346
00:21:41,070 --> 00:21:44,460
played one time and you know,
Saskatoon, you somehow know

347
00:21:44,460 --> 00:21:49,590
about it right? Then we were
kind of popular in regions that

348
00:21:49,590 --> 00:21:54,840
we wouldn't really know about.
So it was very popular in in LA,

349
00:21:54,990 --> 00:21:59,040
and we came through LA to gone
all the way to Japan, I believe.

350
00:22:00,300 --> 00:22:03,750
Australia, not really knowing
that MTV had this big

351
00:22:03,750 --> 00:22:08,100
groundswell and then MTV had
affected radio and when in the

352
00:22:08,100 --> 00:22:13,140
reverse that so important radio
shows were really playing the

353
00:22:13,770 --> 00:22:20,040
the the singles so we stopped in
LA to kind of have one

354
00:22:21,690 --> 00:22:24,750
night and someone asked us to
play at the Roxy we said sure

355
00:22:24,750 --> 00:22:28,260
that famous but so that turned
in to one night tonight, we

356
00:22:28,260 --> 00:22:30,960
wanted to do like four or five
nights with a with a matinee

357
00:22:30,960 --> 00:22:34,650
show and an evening show where
for such a brief period of time,

358
00:22:34,800 --> 00:22:37,920
and that's what kind of launched
MTV was very very helpful with

359
00:22:37,920 --> 00:22:42,480
that along with import radio,
and I played all those places on

360
00:22:42,480 --> 00:22:44,820
the strip except for the Roxy
have never stepped foot in the

361
00:22:44,820 --> 00:22:47,760
Roxy man I got it. I gotta make
it happen. Switchblade House of

362
00:22:47,760 --> 00:22:51,300
Blues whiskey Viper Room. Yeah,
we did have with the house blues

363
00:22:51,300 --> 00:22:53,460
man was a big night when we sold
that sucker out and then they

364
00:22:53,460 --> 00:22:56,790
knocked it down. Now it's a high
rise condo. Yeah, kind of sad.

365
00:22:57,270 --> 00:23:00,390
Totally. But what I understand
the Viper that strip right there

366
00:23:00,390 --> 00:23:02,910
at a liquor store and everything
has been sold.

367
00:23:03,990 --> 00:23:07,830
Yes, that's the that's, that's
the news on the street. But it's

368
00:23:07,830 --> 00:23:13,050
still. As of right now. It's
operating? Yes. I think there's

369
00:23:13,050 --> 00:23:16,290
a lot of permits, and you know,
clearing and still a lot of

370
00:23:16,290 --> 00:23:20,760
stuff to do always up there. So
I do know what's still open now.

371
00:23:21,150 --> 00:23:24,750
Well, hopefully the whiskey and
the rainbow will know will never

372
00:23:24,750 --> 00:23:26,160
go away. No.

373
00:23:27,210 --> 00:23:30,240
I don't think so. I know, the
whiskey is like,

374
00:23:31,920 --> 00:23:34,680
like very strategic. It's got
the signage, and it's very

375
00:23:34,680 --> 00:23:37,860
valuable. Yes, location. And
it's still great people. It's

376
00:23:37,860 --> 00:23:40,230
the same family since
Garrison's, the 60s, and we're

377
00:23:40,230 --> 00:23:43,800
very old. They're very friendly
with them for for all this time.

378
00:23:43,800 --> 00:23:44,220
And and,

379
00:23:45,630 --> 00:23:51,150
and they're the same family that
owns the rainbow as it will be

380
00:23:51,150 --> 00:23:55,110
there. Forever. It's a good, you
know, good, strong family vibe.

381
00:23:55,110 --> 00:23:59,850
And the Roxy is in good hands,
too. That's part the original

382
00:23:59,850 --> 00:24:04,890
family and they are partnered
with golden voice. So that's a

383
00:24:04,890 --> 00:24:08,370
secure myth there. And the
troubadour. Hopefully, that

384
00:24:08,400 --> 00:24:11,880
never goes away. You know? I
don't think I

385
00:24:13,020 --> 00:24:17,640
don't know. I've done my bit to
keep it open. Yeah, yeah, for

386
00:24:17,640 --> 00:24:23,640
sure. So MTV acts as a massive
catalyst for you guys. And then

387
00:24:23,640 --> 00:24:27,420
you're off to the races and then
you go like way when America

388
00:24:27,420 --> 00:24:30,330
starts to pop, are you guys
immediately doing headline

389
00:24:30,330 --> 00:24:32,730
shows? Are you opening up for
packages or

390
00:24:34,350 --> 00:24:36,060
in the states we?

391
00:24:37,200 --> 00:24:38,100
We mainly

392
00:24:39,150 --> 00:24:39,840
did

393
00:24:41,250 --> 00:24:43,860
well, we made it into headline
but we started out in clubs, and

394
00:24:43,860 --> 00:24:48,510
it was the you know, the type of
the typing. type of gigs like

395
00:24:48,510 --> 00:24:50,700
would have been like say the
Roxy or the whiskey you go

396
00:24:50,700 --> 00:24:53,580
everywhere and like across the
states, the places that you got

397
00:24:53,580 --> 00:24:55,260
to, you got to play bow guards.

398
00:24:56,340 --> 00:24:58,890
You got to play the chants in
Poughkeepsie, you got to play

399
00:24:58,890 --> 00:25:00,000
Lost Horizon. It's here.

400
00:25:00,000 --> 00:25:02,850
Here's where do you play in
Saskatoon and I've actually

401
00:25:02,850 --> 00:25:03,180
played

402
00:25:06,060 --> 00:25:09,990
it, it was that circuit of the
gotta play while you're in there

403
00:25:10,320 --> 00:25:13,830
in that town rock circuit. And
and it was beautiful because we

404
00:25:13,830 --> 00:25:18,870
probably could have done maybe
the one larger the first time

405
00:25:18,870 --> 00:25:21,780
around but we didn't because we
were committed to it. So every

406
00:25:21,780 --> 00:25:26,220
one of those gigs became the
like, you had to be there. It

407
00:25:26,220 --> 00:25:30,780
have a legendary thing if you
were there kind of thing. And I

408
00:25:30,780 --> 00:25:33,120
mean, you know how it works like
everyone who said that they were

409
00:25:33,120 --> 00:25:36,330
there, they would have been a
5000 seater. Not everyone could

410
00:25:36,330 --> 00:25:38,820
see the Beatles at Cavern Club
is this big. So

411
00:25:40,260 --> 00:25:41,850
we're the ones who really were
there.

412
00:25:43,080 --> 00:25:47,100
And we did that we did. We did
an opening run with the Rolling

413
00:25:47,100 --> 00:25:50,220
Stones and that but that was
before our album had come out.

414
00:25:50,910 --> 00:25:55,470
They brought us over in 1981
because they liked us and it was

415
00:25:55,470 --> 00:25:58,200
just something wacky to do. And
we said yeah.

416
00:25:59,520 --> 00:26:06,060
So we got ourselves to the
states. And we opened some shows

417
00:26:06,060 --> 00:26:09,840
for them. And it was good
because they played every other

418
00:26:09,840 --> 00:26:13,260
day or every couple of days it
wasn't that hard of a schedule

419
00:26:13,470 --> 00:26:16,950
that like what we were used to
so but on the plane also didn't

420
00:26:16,950 --> 00:26:22,440
pay us anything. So on the days
off we filled in, in these now

421
00:26:22,440 --> 00:26:26,880
very legendary shows, like we
played King Tut's in Chicago or,

422
00:26:26,880 --> 00:26:29,490
you know, someplace in St.
Louis, someplace in Minneapolis

423
00:26:29,490 --> 00:26:32,970
that was a tiny like a, like a
Viper Room kind of thing. Just

424
00:26:32,970 --> 00:26:37,920
to like, get the gasoline or in
the hotel to the next rolling so

425
00:26:38,460 --> 00:26:41,700
I get it. So the stones were
they knew their power. They were

426
00:26:41,700 --> 00:26:43,200
they didn't pay you guys.
They're like, Hey, this is

427
00:26:43,200 --> 00:26:48,000
massive marketing for you guys.
Just say no, no, no, no, that's

428
00:26:48,000 --> 00:26:50,730
okay. Now at this particular
time, you're opening for the

429
00:26:50,730 --> 00:26:53,280
stones. I mean, they see you
guys are the thing is, is this

430
00:26:53,280 --> 00:26:55,590
is all happening. Did you have
management? Are you self

431
00:26:55,590 --> 00:26:59,910
managing, we were pretty much
taking care of ourselves. Wow,

432
00:27:00,030 --> 00:27:04,710
you never really had the right
person at that time. And we were

433
00:27:04,710 --> 00:27:08,700
kind of, we had a couple of
people who on a crew helping us

434
00:27:08,700 --> 00:27:11,460
and we were just, you know,
taking advice a little bit and

435
00:27:11,460 --> 00:27:15,390
just kind of doing it they will
I don't remember, when I wish

436
00:27:15,390 --> 00:27:19,050
back then we had had some new
management company, whatever

437
00:27:19,260 --> 00:27:22,440
life would have been different.
But now it makes for a good

438
00:27:22,440 --> 00:27:25,530
story that we kind of did it
ourselves. And it's a great

439
00:27:25,530 --> 00:27:27,540
story. So who was the first
manager that came along?

440
00:27:30,270 --> 00:27:32,100
We had a few people over the
years really.

441
00:27:33,360 --> 00:27:36,360
There's been once of the last 20
years. But like scarily back,

442
00:27:36,390 --> 00:27:41,430
then we we beat ourselves into
the like the the really the mid

443
00:27:41,430 --> 00:27:45,000
part of the 80s. Really we just
we had some lawyers opening and

444
00:27:46,080 --> 00:27:48,240
you know, accountant that's
passed on that we really liked

445
00:27:48,240 --> 00:27:49,680
him and he was helping us. But

446
00:27:51,960 --> 00:27:56,190
it was really I would love to
say that was di we saved the

447
00:27:56,190 --> 00:27:59,850
commission or we were like
smart, Johnny Ramone style or

448
00:27:59,850 --> 00:28:02,610
something? No, it wasn't any of
that. It was just, I don't know,

449
00:28:02,610 --> 00:28:05,250
if we got it together. We
somehow got there and did all

450
00:28:05,250 --> 00:28:06,000
the stuff but

451
00:28:07,440 --> 00:28:11,640
I can't say it was a plan or
Yeah. Where are you ready? Well,

452
00:28:11,640 --> 00:28:14,400
I worked all right. And I tell
her all my people I say look at

453
00:28:14,400 --> 00:28:16,950
you'll know when you need a
manager, it's become when your

454
00:28:16,950 --> 00:28:18,810
life is unmanageable, you know?

455
00:28:22,230 --> 00:28:25,350
So and you've always I mean, so
meteoric success. We've been

456
00:28:25,350 --> 00:28:28,620
doing it for 45 years, you guys
are all still friendly. 2019 and

457
00:28:28,620 --> 00:28:30,900
the big tour and you've always
had all these amazing side

458
00:28:30,900 --> 00:28:34,440
projects, Phantom rocker and
slick. You had your dead men

459
00:28:34,440 --> 00:28:38,370
walking, you got the cheap day
two, you gotta head cat, you got

460
00:28:38,370 --> 00:28:42,030
the jack, TARS looks like you
may be started a new rockabilly

461
00:28:42,030 --> 00:28:45,510
band with Chris Chaney, and
Jimmy Barnes. That's really so

462
00:28:45,510 --> 00:28:47,760
many hours in the day, man, how
you doing all this?

463
00:28:50,460 --> 00:28:51,810
A lot of it has to do with

464
00:28:53,040 --> 00:28:57,210
what keeps the stray cats good
at this point is that we don't

465
00:28:57,210 --> 00:29:00,180
do it all the time. Yeah, it's
been a few times where there's

466
00:29:00,180 --> 00:29:03,750
been like, longer kind of gaps.
And I know

467
00:29:05,010 --> 00:29:07,740
you got to stay in Beverly Hills
somehow, you know, yeah.

468
00:29:08,880 --> 00:29:14,400
I'm very grateful that like,
along the way, of, of all of

469
00:29:14,400 --> 00:29:18,300
this, these are who my friends
are, like, Lammi. I met 1980 He

470
00:29:18,300 --> 00:29:21,180
was one of the original people
at the original shows that we

471
00:29:21,180 --> 00:29:25,440
did. And we just stayed in
touch, literally 45 years until

472
00:29:25,440 --> 00:29:29,280
he kicked the bucket a few years
ago, we as we sat with him, you

473
00:29:29,280 --> 00:29:32,130
know, and that was one that we
were just

474
00:29:33,570 --> 00:29:37,590
really pals and and he wanted to
do rockabilly music. He couldn't

475
00:29:37,590 --> 00:29:41,220
really in his band, and mighty
moto had been and have an

476
00:29:41,220 --> 00:29:45,900
opportunity to say do three call
Perkins songs on an album and to

477
00:29:45,900 --> 00:29:50,370
Buddy Holly ballads it just you
know. So that's he wanted to do

478
00:29:50,370 --> 00:29:53,400
that and like, Well, okay, I can
organize that for me, you know,

479
00:29:53,400 --> 00:29:54,630
so we did that together.

480
00:29:55,770 --> 00:29:57,810
And kind of a similar thing with
Harry Dean.

481
00:29:58,830 --> 00:29:59,970
The cheat

482
00:30:00,000 --> 00:30:03,180
Days Harry Dean Stanton was a
maybe the best character actor

483
00:30:03,180 --> 00:30:07,140
ever he was oh my god, alien
dude, that what he did an alien

484
00:30:07,140 --> 00:30:10,710
I will take to the grave and
what a great performance. And he

485
00:30:10,710 --> 00:30:14,520
was one of the first people that
was at the Roxy for somebody who

486
00:30:14,520 --> 00:30:18,030
played in 1981. And he's another
one we just became friendly and

487
00:30:18,030 --> 00:30:21,420
I stayed in touch with them. And
he was my friend while I went to

488
00:30:21,420 --> 00:30:25,860
his house, more days than not,
and in the crossword puzzle and

489
00:30:25,860 --> 00:30:30,630
watch TV and that kind of stuff.
And he was always a great player

490
00:30:30,630 --> 00:30:33,330
and singer Cool Hand Luke, he
plays the guitar in that and

491
00:30:33,330 --> 00:30:37,800
he's like, that's something he
he always did. And cheap dates

492
00:30:37,800 --> 00:30:42,210
was a result of doing some gigs.
Really round town. You know how

493
00:30:42,210 --> 00:30:44,880
we wanted to play. And we got
our little gang together,

494
00:30:44,880 --> 00:30:48,000
including Jeff Baxter from the
doobies. Who's my neighbor, I

495
00:30:48,000 --> 00:30:52,920
saw else we would play the tin
machine. Iggy Pop, Jamie James,

496
00:30:52,980 --> 00:30:55,440
I can fall within two seconds.
Dammit.

497
00:30:58,170 --> 00:31:01,470
Jim is walking to adjust
something in his home office.

498
00:31:02,340 --> 00:31:05,550
Like the sun is setting there or
something. It's like the Yeah,

499
00:31:05,550 --> 00:31:08,370
it's like 333 30 in LA.

500
00:31:09,510 --> 00:31:12,690
And it's been raining for like,
over a week. And this is with

501
00:31:12,690 --> 00:31:15,660
the first nice day there's a lot
of cleanup going on. Yeah, you

502
00:31:15,660 --> 00:31:18,360
guys got like, a year's worth of
rain in one day or something?

503
00:31:18,390 --> 00:31:21,540
Oh, yeah, our street was
underwater was the kind of in

504
00:31:21,540 --> 00:31:23,370
the news and all that the world.

505
00:31:24,480 --> 00:31:27,990
But the whole neighborhood
really, so. So a lot of the

506
00:31:27,990 --> 00:31:30,690
things I did because I mean, you
all know this is a drummer,

507
00:31:30,960 --> 00:31:35,490
it's, for me being a stylized
drummer. Like you kind of have

508
00:31:35,490 --> 00:31:38,640
to do things that are around
what you can do in a funny way.

509
00:31:38,640 --> 00:31:41,040
Right. And like, I don't know if
I could go

510
00:31:42,150 --> 00:31:46,230
join a you know, real hard rock
band or being

511
00:31:47,640 --> 00:31:50,070
you know, it's a tribute
Giffords, you know, Rush is

512
00:31:50,070 --> 00:31:53,820
something that we love every
drummer, right. But we know our

513
00:31:53,820 --> 00:31:56,760
limitations at the same time.
And everything I've done is kind

514
00:31:56,760 --> 00:32:00,690
of been around what, what I can
do my you know, for swings a

515
00:32:00,690 --> 00:32:02,520
little bit, and it rocks a
little bit, you know, one of the

516
00:32:02,730 --> 00:32:06,990
then I'm the guy that for it,
and we've just met the right

517
00:32:06,990 --> 00:32:12,450
people who who are friends who
want to do that kind of thing

518
00:32:12,450 --> 00:32:16,770
that may be in their their like
regular job. That's not coming.

519
00:32:16,800 --> 00:32:19,560
They're like Christianity from
living in and Barnsey

520
00:32:20,610 --> 00:32:25,860
who I met in 1981. The first on
the show, Catherine, Australia,

521
00:32:25,860 --> 00:32:30,000
Barnes he and I are pals. And he
said some new rockabilly record.

522
00:32:30,030 --> 00:32:33,600
Yeah, of course, we talked about
it for 40 years, and Chris

523
00:32:33,600 --> 00:32:37,830
Chaney became my friend, because
my son who's 33 years old, he

524
00:32:37,830 --> 00:32:40,740
liked the band living in so I
was able to take with his

525
00:32:40,740 --> 00:32:44,160
friends to go see them at some
gig in LA that can handle and I

526
00:32:44,160 --> 00:32:47,850
met Chris, and that's where the,
the couple of years back then

527
00:32:47,850 --> 00:32:50,010
was, you know, the same kind of
thing. Chris is younger than me

528
00:32:50,010 --> 00:32:53,160
now we're all on our 50s You
know, plus, so it doesn't matter

529
00:32:53,160 --> 00:32:53,670
so much.

530
00:32:54,930 --> 00:32:55,740
And the same with

531
00:32:57,240 --> 00:33:02,850
and so, so bonsey, new Cheney
from Australia altogether, and

532
00:33:02,850 --> 00:33:05,370
they were friendly with Jools
Holland, who has been my friend

533
00:33:05,700 --> 00:33:09,270
since the early 80s. When
squeezing the stray cats played

534
00:33:09,270 --> 00:33:12,450
together. And it was like
another thing Yeah, let's make

535
00:33:12,450 --> 00:33:18,330
an album someday. So eventually,
these things tend to do, do

536
00:33:18,330 --> 00:33:22,710
happen, something to talk about,
and the Barnstormers with Jules

537
00:33:22,710 --> 00:33:27,240
and barzee. We were all set. It
was down to window or I'll see

538
00:33:27,300 --> 00:33:33,060
we were going to Australia to go
to Kevin Shirley studio, live

539
00:33:33,060 --> 00:33:38,430
there, some amazing place on the
water and make an album Jules

540
00:33:38,730 --> 00:33:43,230
Bonzi, Cheney and myself. And my
wife plays a band called Eagles

541
00:33:43,230 --> 00:33:47,580
of Death Metal. Yeah. And they
were touring Australia, we were

542
00:33:47,580 --> 00:33:50,070
going to go make the album, I
would meet them on the weekends,

543
00:33:50,070 --> 00:33:54,180
it was really the perfect plan.
And then of course, everything

544
00:33:54,510 --> 00:33:57,480
weeks before was going to
happen. I guess I'm grateful. I

545
00:33:57,480 --> 00:34:00,180
don't want to be trapped in
Australia. Generally, if you

546
00:34:00,180 --> 00:34:03,150
don't live someplace, it's hard
to be trapped there. Although

547
00:34:03,150 --> 00:34:05,610
it's fine. I'm sure two years
later, wherever I was staying

548
00:34:05,610 --> 00:34:07,260
with it, it would have gotten
sick and

549
00:34:08,820 --> 00:34:10,860
right before we were supposed to
go everything I

550
00:34:12,000 --> 00:34:16,680
canceled. And you decided to
this is where the modern world,

551
00:34:16,770 --> 00:34:20,520
the stray cats and me like in
particular being very seemingly

552
00:34:20,520 --> 00:34:21,450
old fashion.

553
00:34:22,470 --> 00:34:26,880
We did the record through file
sharing the whole album, I would

554
00:34:26,880 --> 00:34:30,060
go and record the drums at Gilby
Clarke because my other neighbor

555
00:34:30,330 --> 00:34:33,690
has a great studio in his house.
He's great at doing drums. And I

556
00:34:33,690 --> 00:34:38,220
would send that to Jules Jules
put his piano on he would send

557
00:34:38,220 --> 00:34:42,480
that to Chris Chaney, he played
guitar and he would send that to

558
00:34:42,480 --> 00:34:47,070
Barnsey who would sing it and
every every step went via Kevin

559
00:34:47,070 --> 00:34:50,850
Shirley, who's the producer who
like organize that pack and

560
00:34:50,850 --> 00:34:54,330
moved it on, and it took a year
we didn't do it every day. We

561
00:34:54,360 --> 00:34:58,470
made an album that got to the
top of the charts in Australia.

562
00:34:58,710 --> 00:34:59,640
Oh kitty

563
00:35:00,930 --> 00:35:02,550
You go, ah,

564
00:35:03,629 --> 00:35:06,779
that's the last the last thing
that we did. And it was kind of

565
00:35:06,779 --> 00:35:10,409
like an old timey thing, but
done with the most modern

566
00:35:10,439 --> 00:35:13,199
approach. That's great. And so
you're you're just mixing

567
00:35:13,199 --> 00:35:14,879
business and pleasure. You're
making great music with your

568
00:35:14,879 --> 00:35:17,639
friends. And that's kind of the
best kind of way to make it.

569
00:35:18,239 --> 00:35:22,559
Totally. Yeah. And in recent
years, I think you told me at

570
00:35:22,559 --> 00:35:24,959
least seven years you can
correct me you've been hosting

571
00:35:24,959 --> 00:35:28,199
the weekly radio show,
rockabilly rave upon a little

572
00:35:28,199 --> 00:35:33,809
Stevens underground garage. How
did you get into that new gig?

573
00:35:34,830 --> 00:35:41,370
That 70 we did in January was
our 300th. Show. Nice. So that

574
00:35:41,370 --> 00:35:43,050
was another funny one, where

575
00:35:44,400 --> 00:35:44,850
where

576
00:35:46,020 --> 00:35:50,700
I've written a book, like auto
bio that maybe seven, eight

577
00:35:50,700 --> 00:35:54,060
years ago, and it's called
What's that called? It's called

578
00:35:54,060 --> 00:35:56,310
a stray cat struts. Nice.

579
00:35:57,570 --> 00:36:01,080
And it was good was on St.
Martin's Press. It's all the

580
00:36:01,080 --> 00:36:03,960
copies. It's good. I might tune
in to say, you know, pressing

581
00:36:03,960 --> 00:36:06,630
over with really these stories
with a few photographs on that

582
00:36:06,630 --> 00:36:09,390
harradine called me and I wanted
to make a band. It's just you

583
00:36:09,390 --> 00:36:13,050
know, irony funny stuff about
the formula stray cats. And

584
00:36:14,880 --> 00:36:16,920
so I had written a book and

585
00:36:18,270 --> 00:36:22,920
I would became friendly. This is
all on Twitter, with Maureen van

586
00:36:22,920 --> 00:36:24,000
Zane Stevie's wife,

587
00:36:25,020 --> 00:36:29,370
who's also on Sopranos. She paid
Gabrielle Dante. She's awesome.

588
00:36:29,430 --> 00:36:30,060
Yes.

589
00:36:31,230 --> 00:36:34,380
We had become somehow crossed
paths on Twitter of liking the

590
00:36:34,380 --> 00:36:40,560
same old TV shows and watching
Colombo and meet TV and that. So

591
00:36:40,650 --> 00:36:44,880
she said, Steve is playing in
LA. Once you come to the gig, I

592
00:36:44,880 --> 00:36:48,720
said great, because I hadn't met
Stevie I knew that Bruce a

593
00:36:48,720 --> 00:36:51,000
little bit because he came to
see the strikeouts play and we

594
00:36:51,000 --> 00:36:54,840
met few times been whispering
things at the club and jersey

595
00:36:54,840 --> 00:36:57,510
with us on that first tour
playing guitar because but

596
00:36:57,570 --> 00:37:00,870
Steve, he's like an East Coast
guy. And sometimes, if you

597
00:37:00,870 --> 00:37:03,180
don't, you know, there's like
New York people. Even though I'm

598
00:37:03,180 --> 00:37:06,750
from New York. I've been in LA
40 something years. I didn't

599
00:37:06,750 --> 00:37:12,870
know Stevie so so. So Marina
invited me to see his show. And

600
00:37:12,870 --> 00:37:16,950
to bring a copy the book. Great.
So I went to the Roxy in the

601
00:37:16,950 --> 00:37:20,550
daytime, the Roxy again. There
was no one there is you know

602
00:37:20,550 --> 00:37:23,460
there's more than anyone clubs
in the daytime have kind of the

603
00:37:23,460 --> 00:37:27,630
weirdest place in the world.
Yes. And like somehow the doors

604
00:37:27,630 --> 00:37:30,030
open and lets all the light in
and you're like, oh, close the

605
00:37:30,030 --> 00:37:33,210
doors. What are you round still
the same time maybe they're in

606
00:37:33,210 --> 00:37:36,450
the office or maybe they're
loading in but haven't started

607
00:37:36,450 --> 00:37:39,210
yet. It's like that. Three
o'clock in the afternoon at a

608
00:37:39,210 --> 00:37:43,680
nightclub before the gig. It's
odd place. So so I'm wandering

609
00:37:43,680 --> 00:37:47,460
around in there. And and I
wandered up into the dressing

610
00:37:47,460 --> 00:37:50,010
room and there's still no so I
was about to leave and then

611
00:37:50,580 --> 00:37:54,510
another door open and who's out
who that and it was Stevie. He

612
00:37:54,510 --> 00:37:57,150
was by himself in the nightclub
as well. I said I was devious

613
00:37:57,150 --> 00:38:01,440
Maysam Jim song. How you doing
kid? Very strange. And I said, I

614
00:38:01,440 --> 00:38:04,680
got this book for your wife. My
wife, isn't it? Yeah, we're

615
00:38:04,680 --> 00:38:08,130
talking about you all. She's not
here today. It's just me. And

616
00:38:08,130 --> 00:38:12,090
the parents on their way. So it
was an and my friend Charlie

617
00:38:12,090 --> 00:38:15,090
Drayton was playing drums at the
time. The great player. Yeah,

618
00:38:15,090 --> 00:38:18,660
we're Facebook friends. Yes,
exactly. He was playing drums

619
00:38:18,660 --> 00:38:23,250
for Stevie at the time. So I
hope to see SMBC Charlie and

620
00:38:23,280 --> 00:38:26,280
drop this book off. Oh, Charlie
could make this trip. I got to

621
00:38:26,280 --> 00:38:29,790
substitute. I know the guy.
Maureen wasn't there. So I'm

622
00:38:29,790 --> 00:38:31,740
with Stevie by myself

623
00:38:32,760 --> 00:38:35,280
and table in a nightclub but
it's completely dark at three

624
00:38:35,280 --> 00:38:39,780
o'clock in the afternoon. So and
I knew he had his channel said

625
00:38:39,780 --> 00:38:41,190
well, you know what, what do you
got?

626
00:38:42,300 --> 00:38:45,240
Yeah, got it there this book to
give to you wise? You said no,

627
00:38:45,240 --> 00:38:49,860
no. What do you got? So I just
went on my kinda, well, there's

628
00:38:49,860 --> 00:38:53,040
no Beatles without Buddy Holly.
There is no Rolling Stones.

629
00:38:53,040 --> 00:38:56,370
Without Bo Diddley. There's no
who without Eddie Cochran Led

630
00:38:56,370 --> 00:38:59,250
Zeppelin loves called
percussion. And I just got my

631
00:38:59,610 --> 00:39:05,850
thing go in my manifesto. And I
realized, like, 710 minutes have

632
00:39:05,850 --> 00:39:09,900
passed, I have taken a breath.
And the Stevie just stopped. And

633
00:39:09,900 --> 00:39:14,550
he's, he's still the Oadby. You
know, he's, he's like, right?

634
00:39:15,870 --> 00:39:20,640
For a show. Three weeks. What
are you talking about? I want

635
00:39:20,640 --> 00:39:23,910
the first show in three weeks. I
don't even know what I was

636
00:39:23,910 --> 00:39:28,590
doing. So that was your, what do
you got? That's funny. I mean,

637
00:39:29,550 --> 00:39:33,240
what does that even mean? You
know? Yeah, exactly. Yeah,

638
00:39:33,240 --> 00:39:37,980
exactly. So I did the first show
and, and I've been doing it

639
00:39:37,980 --> 00:39:41,490
every Sunday since since then,
the rain or shine, I'm on the

640
00:39:41,490 --> 00:39:45,030
road and I learned how to do it
via you know, you know, record

641
00:39:45,030 --> 00:39:48,420
it and send it and it's, you
know, a beautiful thing. You

642
00:39:48,420 --> 00:39:52,590
know, it's for me of everything
I do. It's kind of my favorite

643
00:39:52,590 --> 00:39:58,080
thing. Yeah, I record the
tracks. While I have a setlist I

644
00:39:58,080 --> 00:39:59,970
mailed that ID to the producer.

645
00:40:00,000 --> 00:40:02,100
and who I don't know personally,
but I

646
00:40:03,419 --> 00:40:06,089
know because they're based in
Washington DC serious, it's a

647
00:40:06,089 --> 00:40:09,449
whole how the world works is so
kind of funny. And thank God for

648
00:40:09,449 --> 00:40:13,139
these, this interwebs man is so
young, you put a setlist

649
00:40:13,139 --> 00:40:17,129
together of your favorite genre
songs for that particular week

650
00:40:17,129 --> 00:40:19,499
and then you record all your
talking head stuff, your

651
00:40:19,499 --> 00:40:23,939
interstitial stuff. Yes, after
he sends it back, and

652
00:40:25,050 --> 00:40:28,950
where the brakes go? Yep, we
used to do a Sirius XM studios

653
00:40:28,950 --> 00:40:31,590
that are beautiful. But then
that changed as well right a

654
00:40:31,590 --> 00:40:35,250
couple of days. After doing it
the same place for a certain

655
00:40:35,250 --> 00:40:38,340
amount of time. Then they opened
these beautiful new offices

656
00:40:38,340 --> 00:40:41,700
where you would want to go and
hang out and see everyone. But

657
00:40:41,700 --> 00:40:44,970
that got closed. So you had to
learn how to do it from home

658
00:40:45,000 --> 00:40:48,810
sink or swim. So I got a nice
microphone and interface and in

659
00:40:48,810 --> 00:40:52,860
my closet. My wife's closet is
insulated.

660
00:40:54,480 --> 00:40:56,790
And you do interviews in that
closet. There's looks like

661
00:40:56,790 --> 00:41:00,690
there's shoes behind you and
stuff. Like Well, the thing is

662
00:41:00,690 --> 00:41:04,650
leopard skin lounge. It's like,
yeah, blue jacket, and there's a

663
00:41:04,740 --> 00:41:07,950
you know, you know, there's an
orange cowboy suit and there's

664
00:41:07,950 --> 00:41:12,030
Genovese leopard skin. Fuzzy jar
and this is part of the stick

665
00:41:12,120 --> 00:41:15,630
but but it sounds good enough.
So so we've been doing it like

666
00:41:15,630 --> 00:41:20,430
that for the longest the longest
time and then since I've learned

667
00:41:20,430 --> 00:41:22,710
how to do it, if you're on the
road, you just really need a

668
00:41:22,710 --> 00:41:25,710
quiet place and someone to leave
you alone for an hour and then

669
00:41:25,710 --> 00:41:29,820
you can do it and then I record
it and I send it in back in and

670
00:41:29,820 --> 00:41:32,820
then it's on every Sunday at
five o'clock. That's killer ya

671
00:41:32,820 --> 00:41:37,560
know, for at one point I had XM
radio in my one of my leased

672
00:41:37,560 --> 00:41:40,800
vehicles but then I returned the
car and then I haven't had the

673
00:41:40,800 --> 00:41:43,410
XM since I gotta get back on it
so I can listen to your show

674
00:41:43,410 --> 00:41:46,410
man. is where the five bucks a
month you get it in your house

675
00:41:46,410 --> 00:41:48,900
in the car everything Oh yeah, I
got to do that. Yeah, cuz my my

676
00:41:48,930 --> 00:41:52,020
my girl is like a Howard Stern
freak. I mean, she never misses

677
00:41:52,020 --> 00:41:56,430
an episode, you know? Exactly.
So I think he can do it. I think

678
00:41:56,430 --> 00:41:59,550
they're running a promotion now
too. I could do it. I should do

679
00:41:59,550 --> 00:42:03,030
it bad. Probably on half the
songs on the outlaw country

680
00:42:03,030 --> 00:42:05,670
channel man I did to him I
probably on a lot of them. And

681
00:42:05,670 --> 00:42:08,250
then you're doing some charity
work, man, your love hope

682
00:42:08,250 --> 00:42:12,030
strength foundation. I'd love to
hear about that. And I think

683
00:42:12,030 --> 00:42:15,930
through the organization. Now
this is crazy. Is this true? You

684
00:42:15,930 --> 00:42:21,690
climbed Mount Everest in Mount
Kilimanjaro? Yes. I mean, don't

685
00:42:21,690 --> 00:42:24,150
you have to train for months and
months at a time and have like a

686
00:42:24,150 --> 00:42:27,960
Sherpa and like, you know, like
steer? You have to have a

687
00:42:27,960 --> 00:42:31,800
special breathing apparatus. I
mean, how do you go about doing

688
00:42:31,800 --> 00:42:35,250
that man? Tell me that. Tell me
that story. What how that came

689
00:42:35,250 --> 00:42:36,420
about was

690
00:42:39,150 --> 00:42:43,320
one of my earliest friends
again, it all leads back to to

691
00:42:43,320 --> 00:42:48,150
this original group of shows
that we did in England 1980. And

692
00:42:48,150 --> 00:42:54,480
then the first tour after the
album came out what was in the

693
00:42:54,540 --> 00:42:59,340
was in the winter of 1980. And
the opening act was a band that

694
00:42:59,340 --> 00:43:04,140
would become the alarm. Nice.
And Mike Peters, who was the

695
00:43:04,140 --> 00:43:08,220
lessor the law is still my
friend to this day. This is 1980

696
00:43:08,220 --> 00:43:10,590
until now have a long that is
always staying in touch. And

697
00:43:10,860 --> 00:43:13,500
he's you know, he's he's, you
know, he's there with me

698
00:43:13,500 --> 00:43:20,010
original pal. Now he had a
cancer diagnosis. And the first

699
00:43:20,010 --> 00:43:24,360
time that he beat it, he wanted
to give back because he's a very

700
00:43:24,360 --> 00:43:28,740
write on rock'n'roll can save
your soul guy. And he formed

701
00:43:28,920 --> 00:43:33,870
the, the, the charity love,
hope, strength, which which is,

702
00:43:34,590 --> 00:43:35,640
which is a cancer.

703
00:43:36,990 --> 00:43:40,650
Although all the proceeds go to
cancer research, perfect. And

704
00:43:40,650 --> 00:43:43,380
he's a very, you know, he's one
of those guys, when he says he's

705
00:43:43,380 --> 00:43:47,190
gonna do something, he does it.
And he organized this

706
00:43:47,730 --> 00:43:50,760
organization, love, hope,
strength. And,

707
00:43:52,200 --> 00:43:55,710
you know, we said the same with
my pals all, you know, just tell

708
00:43:55,710 --> 00:43:58,920
me what you want me to do. And
I'll do it. And he organized

709
00:43:58,920 --> 00:44:05,670
this climb for fine for a cure.
And it was to Mount Everest. And

710
00:44:05,670 --> 00:44:08,010
it could have easily been deep
sea diving. And then I would

711
00:44:08,010 --> 00:44:10,530
have had to have done that. But
it was like that was the thing

712
00:44:10,530 --> 00:44:11,340
that he chose

713
00:44:12,450 --> 00:44:16,410
that we're going to hike to the
base camp of Mount Everest,

714
00:44:16,860 --> 00:44:20,880
which two weeks after that, when
you get to base camp, that's

715
00:44:20,880 --> 00:44:23,280
when it's the technical climbing
that's like a different

716
00:44:23,970 --> 00:44:24,630
universe.

717
00:44:26,310 --> 00:44:31,950
But the hike itself, you got to
think it's 27,000 505 or some in

718
00:44:31,980 --> 00:44:34,650
you know, amazing number like
that. And it takes two weeks or

719
00:44:34,650 --> 00:44:37,230
you know, trekking through to
sleeping in a sleeping bag at

720
00:44:37,260 --> 00:44:39,060
night with Sherpa. That whole
thing.

721
00:44:40,980 --> 00:44:43,560
There was a couple of people the
guys from the fix the band the

722
00:44:43,560 --> 00:44:44,820
fix. Oh yeah, love it.

723
00:44:46,230 --> 00:44:50,070
reached the beach. Yeah,
exactly. And

724
00:44:52,470 --> 00:44:55,800
Glencoe work from squeeze where
my paths cross again with

725
00:44:55,800 --> 00:44:59,670
original friends of mine. He's
somehow on it. And then it was

726
00:44:59,670 --> 00:44:59,970
about

727
00:45:00,000 --> 00:45:02,760
Many other people, but it was
the core few of us

728
00:45:03,870 --> 00:45:07,530
musicians and we played along
the way, played with, you know,

729
00:45:07,530 --> 00:45:09,960
a pair of sticks and on a rock
kind of

730
00:45:11,670 --> 00:45:14,190
had to be freezing, you got to
have the right gear and the

731
00:45:14,190 --> 00:45:18,480
right food and all that. Yeah,
it was, that's, that's where it

732
00:45:18,480 --> 00:45:21,840
was very well planned by the, by
the organization, I kind of went

733
00:45:21,840 --> 00:45:25,950
and did it. And it was, you just
you still had to put one foot in

734
00:45:25,980 --> 00:45:29,580
front of the other and go up
there and deal with the altitude

735
00:45:29,580 --> 00:45:34,470
and, and the, you know, the how
how hard it is. And that's the

736
00:45:34,470 --> 00:45:39,510
whole thing. But we we got to
the base camp, and it was quite

737
00:45:39,510 --> 00:45:40,530
extraordinary. And then

738
00:45:41,640 --> 00:45:46,500
up from base camp, we went up
another 1000 feet, and on like a

739
00:45:46,500 --> 00:45:49,260
ledge. And we had

740
00:45:50,610 --> 00:45:55,020
an acoustic guitar, or maybe to
a pair of sticks. And someone

741
00:45:55,020 --> 00:45:59,760
had carried something like some
some type of drum. And we had

742
00:45:59,760 --> 00:46:04,620
like 35 seconds or five minutes
before everyone froze to death

743
00:46:04,620 --> 00:46:08,760
in the weather came in. And we
didn't work this down. And that

744
00:46:08,760 --> 00:46:12,780
was when CNN went past and some
broadcasting. So it was a

745
00:46:12,780 --> 00:46:15,690
beautiful thing. But it was
really one was from Mike, you

746
00:46:15,690 --> 00:46:16,170
know,

747
00:46:17,220 --> 00:46:21,060
anything that he had asked me to
do. So we got home and it was

748
00:46:21,090 --> 00:46:24,090
very nice thing was film for
documentary ethics to do with VH

749
00:46:24,090 --> 00:46:28,020
one and National Geographic. But
that was my thing. I was a go

750
00:46:28,020 --> 00:46:31,770
along. I said Mikey, now you got
everything out of me, please

751
00:46:31,770 --> 00:46:35,640
don't ask me do anything like
this have you got to, and no

752
00:46:35,640 --> 00:46:38,940
problem slim. And then about
six, eight months later is that

753
00:46:39,060 --> 00:46:43,980
we're going to do the same thing
in Africa. And I had have always

754
00:46:43,980 --> 00:46:48,330
had a very strong fascination
with Africa and going and I

755
00:46:48,360 --> 00:46:51,960
looked into it myself, like, I
want to go there and you know,

756
00:46:52,140 --> 00:46:55,500
bring the food and bring the
water. That's great. Jim is

757
00:46:55,500 --> 00:47:00,450
$12,000. You know, I want to go
and hang out with the with the

758
00:47:00,450 --> 00:47:04,320
tribes people and bring them.
That's great, Jim, it's $12,000

759
00:47:04,320 --> 00:47:09,780
to do. Okay, well, and in the
intro music into it. And the

760
00:47:09,810 --> 00:47:13,110
last trip, Mike Peter said,
we're going to do the same thing

761
00:47:13,110 --> 00:47:16,560
at Kilimanjaro. And I said,
Well, you know, I always wanted

762
00:47:16,560 --> 00:47:17,310
to go to Africa.

763
00:47:18,900 --> 00:47:23,970
So we did, we did Kilimanjaro.
And then I said, Now I'm done.

764
00:47:24,180 --> 00:47:28,350
But that was a beautiful,
beautiful thing. I really, I

765
00:47:28,350 --> 00:47:30,690
really love that. And that's
more about the heat than the

766
00:47:30,690 --> 00:47:34,470
coal or Kilimanjaro is more
Yeah, it's like altitude when

767
00:47:34,470 --> 00:47:36,630
you're getting. I mean, it
wasn't as high as Everest, but

768
00:47:36,840 --> 00:47:39,420
not that much less. And it's
kind of the

769
00:47:41,520 --> 00:47:45,330
really, the altitude is the
thing, and just the every day,

770
00:47:45,330 --> 00:47:49,230
you know, you're gonna be hiking
up straight up for eight, nine

771
00:47:49,230 --> 00:47:52,470
hours. And there's not
particularly any trail. So

772
00:47:52,860 --> 00:47:57,600
there's a, there's a, there's a
path, I suppose. But every step

773
00:47:57,600 --> 00:48:00,420
is different, like you need
sticks, and you need to really

774
00:48:00,540 --> 00:48:03,570
watch your feet. So like you
could be walking for two hours

775
00:48:03,570 --> 00:48:06,690
past the most beautiful
landscape in the world, and

776
00:48:06,690 --> 00:48:07,620
you're staring at your feet.

777
00:48:08,790 --> 00:48:13,020
Because one false step and
you're kind of, you know, bit in

778
00:48:13,020 --> 00:48:17,160
trouble. So, but it was an
amazing thing. And then we went

779
00:48:17,160 --> 00:48:20,460
on a safari that, you know, at
the very end that I saw a rhino

780
00:48:20,460 --> 00:48:23,610
and uh, you know, they say they
never see them anymore. And I

781
00:48:23,610 --> 00:48:26,910
said, Well, let's try to conjure
one up, you know? Yeah, I mean,

782
00:48:27,180 --> 00:48:27,570
just

783
00:48:28,860 --> 00:48:32,280
the Savannah, you know, the
lions and tigers and zebras. And

784
00:48:32,280 --> 00:48:34,530
they all gather at the watering
hole. And it's just

785
00:48:34,530 --> 00:48:39,930
unbelievable. It's all true. I
mean, I'm fascinated by my whole

786
00:48:39,930 --> 00:48:40,740
life and

787
00:48:42,630 --> 00:48:45,000
playing the drums I had to go
on, you know, since my supper a

788
00:48:45,000 --> 00:48:47,970
little bit again, play, you
know, play the drum. Yeah, is

789
00:48:47,970 --> 00:48:50,010
that you know what that but the
thing is, is that, you know,

790
00:48:50,490 --> 00:48:53,370
people love the drums and it
literally has taken us around

791
00:48:53,370 --> 00:48:56,400
the world. I mean, you
manifested your childhood dreams

792
00:48:56,400 --> 00:48:59,280
and you did it with friends of
yours. So when you guys take

793
00:48:59,280 --> 00:49:01,230
these little breaks for each
other, I always I always

794
00:49:01,230 --> 00:49:03,270
interesting talking to people
who have been in the same band

795
00:49:03,270 --> 00:49:09,330
20 3040 years, right? Things go
by where you won't talk to each

796
00:49:09,330 --> 00:49:14,640
other, right? Maybe even a year
goes pass? Yeah, certain times.

797
00:49:14,700 --> 00:49:18,900
Yeah. And then when there's
something brewing someone wants

798
00:49:18,900 --> 00:49:21,900
to play or it's getting an offer
or an offer comes through the

799
00:49:21,930 --> 00:49:26,310
really know about right away.
Everyone starts to get in touch

800
00:49:26,310 --> 00:49:30,270
with a bit of an organic thing.
I know. Here we stay in touch

801
00:49:30,300 --> 00:49:30,600
like

802
00:49:31,620 --> 00:49:35,010
every now and again find you
know, some picture something

803
00:49:35,010 --> 00:49:38,250
funny from somewhere in school
or some joke that you remembered

804
00:49:38,250 --> 00:49:41,670
like so innocuous in this three
people who were interested in

805
00:49:41,700 --> 00:49:45,450
would find that funny, right? So
that that somehow drifts in and

806
00:49:45,450 --> 00:49:47,730
it's you know, Hey, should we do
some gig? Well, let's see what's

807
00:49:47,730 --> 00:49:50,580
out there and it's and then
everyone is in touch for a while

808
00:49:50,760 --> 00:49:51,270
and then

809
00:49:52,620 --> 00:49:55,470
but like the gigs it's very
funny thing because I'm not in

810
00:49:55,470 --> 00:49:59,970
any bad vibe district gets since
this since the very beginning.

811
00:50:00,000 --> 00:50:00,120
So

812
00:50:01,560 --> 00:50:04,140
at least I'd say the 90s or the
late 80s. Everyone travels

813
00:50:04,140 --> 00:50:07,620
separately. And like arrives to
the gigs. And somehow,

814
00:50:07,950 --> 00:50:10,890
everyone's on the side of the
stage five minutes before you go

815
00:50:10,890 --> 00:50:13,770
on to it. That's a nice shirt.
Oh, man, that's looking good.

816
00:50:13,830 --> 00:50:17,700
Let's do this one tonight. And
let's Excel. Okay, yeah, no, no,

817
00:50:17,700 --> 00:50:20,700
but and then we go on, we have a
great gig. And then everyone

818
00:50:20,700 --> 00:50:24,690
goes, Oh, and it's not on
purpose. And there's no bad

819
00:50:24,690 --> 00:50:26,850
vibe. Everyone's kind of
friendly. I think maybe that's

820
00:50:26,850 --> 00:50:30,120
what helps keep it friendly in a
funny way. Who's got their own

821
00:50:30,660 --> 00:50:33,420
family and their own schedule
and their own? Well, I want to

822
00:50:33,420 --> 00:50:35,700
stay in Amsterdam an extra
night, why don't want to go

823
00:50:35,730 --> 00:50:38,550
spend the night in Chicago, I
want to fly on to Minneapolis.

824
00:50:38,790 --> 00:50:41,880
Everyone does with I love that
everybody just like they'll meet

825
00:50:41,880 --> 00:50:44,190
you at the gig man. Because, you
know, we're just, you know, our

826
00:50:44,190 --> 00:50:47,100
band is very much we're attached
at the hip and the airports and

827
00:50:47,100 --> 00:50:50,490
the tour bus and we can't we
can't escape each other. You

828
00:50:50,490 --> 00:50:52,980
know, we don't want to but it's,
you know, yeah, we're all going

829
00:50:52,980 --> 00:50:56,040
together. So there's, I kind of
think that, you know, you and I

830
00:50:56,040 --> 00:50:58,590
the drummer, so we accept
whatever, I'm fine with either.

831
00:51:00,720 --> 00:51:04,710
What to do to keep it all going.
I think that's the, you know,

832
00:51:05,160 --> 00:51:08,670
the, you know, the ultimate goal
is to keep it all going but the

833
00:51:08,670 --> 00:51:12,690
drummers may just want it to
know. Yeah. You know, you want

834
00:51:12,690 --> 00:51:15,510
to be like Ringo. And that's
what I always wanted, you know,

835
00:51:15,510 --> 00:51:17,970
my whole life. Yeah, you just
go.

836
00:51:19,080 --> 00:51:23,550
It was my own. Yeah, well,
funny. You know what, you did

837
00:51:23,550 --> 00:51:24,810
it, man. And you you know,

838
00:51:25,890 --> 00:51:29,160
you know, hanging backstage with
Charlie Watts, all the great

839
00:51:29,160 --> 00:51:31,800
stuff. Now you stand the
majority of the time, right? Are

840
00:51:31,800 --> 00:51:35,580
there any projects where like,
you know, you sit down and play

841
00:51:35,580 --> 00:51:40,290
or just traditional, like studio
session, seated or no? Yeah,

842
00:51:40,290 --> 00:51:42,900
besides the stray cats, which we
do everything, how we do it at

843
00:51:42,900 --> 00:51:46,950
the gig. Most everything else,
when I record it, I'll sit down.

844
00:51:47,040 --> 00:51:47,550
Gotcha.

845
00:51:48,660 --> 00:51:53,970
And further the gigs. Really, it
seems like at this point, that's

846
00:51:53,970 --> 00:51:56,460
what they want to be they
meaning the, you know, the

847
00:51:56,460 --> 00:51:59,850
beautiful people who come to the
gigs and, you know, book the

848
00:51:59,850 --> 00:52:03,150
gigs and want the gigs and I
tend to stand up like with

849
00:52:03,150 --> 00:52:04,230
Lemire stood up.

850
00:52:07,530 --> 00:52:12,120
You Yeah, it's mainly mainly
standing up at the gigs. And,

851
00:52:12,960 --> 00:52:17,520
and I do a trio. That's, that's
great. My wife plays bass. And

852
00:52:17,970 --> 00:52:21,330
we, we have a nice little cast
of characters who's available

853
00:52:21,330 --> 00:52:22,080
and which are,

854
00:52:23,790 --> 00:52:26,460
which is really a beautiful
thing that, you know, such a

855
00:52:26,460 --> 00:52:26,940
great

856
00:52:28,170 --> 00:52:31,980
level of musicians and a
quantity of the Well, I had some

857
00:52:31,980 --> 00:52:36,030
gig comes through that's, you
know, in New York, and the usual

858
00:52:36,030 --> 00:52:38,790
guy cut Yeah, but I know another
guy in New York, and well, he

859
00:52:38,790 --> 00:52:41,520
knows this guy. And it's just
like a beautiful community. And

860
00:52:41,520 --> 00:52:46,230
Leon and I on on, like, a very
nice level of musicianship, and

861
00:52:46,230 --> 00:52:50,310
like, respect, it's kind of a
cool, no cool thing to think all

862
00:52:50,310 --> 00:52:56,610
these years later, that because
we love Ringo, and then called

863
00:52:56,610 --> 00:53:00,600
Perkins and these things were
all you know, 100 years later,

864
00:53:00,600 --> 00:53:04,500
you kinda like, you know,
touring and well, I don't know,

865
00:53:04,740 --> 00:53:07,860
you know, like, chocolate in
Chicago. Well, my friend is the

866
00:53:07,860 --> 00:53:10,500
so and so. And he can do and
it's just a beautiful thing to

867
00:53:10,500 --> 00:53:13,260
be part of. Yeah, but like
relationships are like, that's

868
00:53:13,260 --> 00:53:15,330
your life. That's kind of like
your love language, man. It's

869
00:53:15,330 --> 00:53:17,760
like that your whole career is
about relationships. Like that's

870
00:53:17,760 --> 00:53:21,570
my buddy that I met in 1980
You're still mixing business and

871
00:53:21,570 --> 00:53:24,240
pleasure with people decades
later.

872
00:53:25,290 --> 00:53:28,470
Yeah, that's the funny thing.
The beautiful thing fair and

873
00:53:28,470 --> 00:53:33,960
haven't we? We we just came to
the last thing we did. We just

874
00:53:33,960 --> 00:53:35,790
came back a couple of days ago.
We did

875
00:53:36,930 --> 00:53:41,880
every February the third we do
the Buddy Holly tribute that's

876
00:53:41,880 --> 00:53:45,450
at the surf Ballroom in Clear
Lake Iowa. That was the last gig

877
00:53:45,450 --> 00:53:48,690
that Buddy Holly Ritchie bounds
in the boilerplate I bopper

878
00:53:48,690 --> 00:53:53,910
Yeah. And, and every third of
February they do they meaning

879
00:53:53,910 --> 00:53:58,200
the city and the you know, the,
you know, the town Arts Council

880
00:53:58,200 --> 00:54:02,160
kind of thing. They they do a
gig at the surf ballroom, and

881
00:54:02,190 --> 00:54:05,820
all sorts of beautiful people
around it's like, two 3000

882
00:54:05,820 --> 00:54:08,160
people every night and they do
it over the course of a weekend.

883
00:54:08,160 --> 00:54:12,120
It's all things like, Buddy
Holly and you know, which is you

884
00:54:12,120 --> 00:54:14,460
know, affected me it was one of
the things that I first got

885
00:54:14,460 --> 00:54:17,520
turned on to 1979 the Buddy
Holly story came out and that

886
00:54:17,520 --> 00:54:20,820
was the same time I was thinking
well Beatles have kind of Buddy

887
00:54:20,820 --> 00:54:24,990
Holly and like it was all part
of my evolution of finding about

888
00:54:26,280 --> 00:54:30,030
you know, all these things we
love it was kind of like a like

889
00:54:30,030 --> 00:54:33,930
an era when I was finding out
late 70s And so every February

890
00:54:33,930 --> 00:54:36,360
the third we deal with thing and
they get in touch with me and I

891
00:54:36,390 --> 00:54:40,170
make a nice little gang. And
this year we

892
00:54:41,370 --> 00:54:41,880
we had

893
00:54:43,320 --> 00:54:46,560
we Jenny V played bass with me
Gilby Clarke from Guns and

894
00:54:46,560 --> 00:54:50,100
Roses, who's my friend and
neighbor 35 years.

895
00:54:51,840 --> 00:54:55,110
Glen Matlock, from the Sex
Pistols who wrote the six pistol

896
00:54:55,110 --> 00:54:59,580
songs the bass player. Amazing
is my friend since those early

897
00:54:59,610 --> 00:54:59,970
days.

898
00:55:00,000 --> 00:55:03,840
In London, and he and I played a
couple of bands together. But I

899
00:55:03,840 --> 00:55:07,770
called him in on it Albert Lee,
who's beautiful guitar player,

900
00:55:09,179 --> 00:55:14,249
Marshall Crenshaw, who played on
the Hollywood bomba, Chris

901
00:55:14,249 --> 00:55:16,589
Montez, whose original American
rock and roll it from the early

902
00:55:16,589 --> 00:55:20,159
60s, and he was a contemporary
and a friend with Richie Valens.

903
00:55:20,279 --> 00:55:24,599
So, these are all my friends and
we, who could we call this year

904
00:55:24,599 --> 00:55:26,909
and this is the gang that we
assembled this year for, we just

905
00:55:26,909 --> 00:55:30,659
came home like two days ago was,
you know, a beautiful thing. So,

906
00:55:31,139 --> 00:55:34,139
where it's, you know, like you
say, it's so true to have your

907
00:55:34,139 --> 00:55:38,609
friends and like, it's like all
the same thing. You friends in

908
00:55:38,609 --> 00:55:41,369
the gig. And it's like all the
same thing. Really, ya know,

909
00:55:41,399 --> 00:55:43,949
that I talked about all the time
and mixing business and

910
00:55:43,949 --> 00:55:46,319
pleasure. And everyone should
check out your website, you've

911
00:55:46,319 --> 00:55:50,609
got fantastic looking
merchandise and looks like you

912
00:55:50,609 --> 00:55:55,499
do like a sort of like a one man
show like, you know, book, Jim,

913
00:55:55,499 --> 00:55:57,599
and he'll come in he'll do
performance and they'll do

914
00:55:57,599 --> 00:56:01,439
questions and they'll tell
stories. It's cool, man. Yeah,

915
00:56:01,619 --> 00:56:04,079
yeah. A lot of cool stuff. And
my beautiful wife I have to give

916
00:56:04,079 --> 00:56:07,259
her credit for a shoot she on
those types of things. She She

917
00:56:07,259 --> 00:56:12,389
organizes it and comes with
points and shoots me. It's no

918
00:56:12,389 --> 00:56:15,029
that's it. I love that. You
know, I think I saw I think it

919
00:56:15,029 --> 00:56:16,469
was 2016

920
00:56:17,730 --> 00:56:20,580
I believe I saw your wife play
bass with Courtney Love on a

921
00:56:20,580 --> 00:56:26,250
hotel. A Hollywood rooftop
party. Yeah, she played with

922
00:56:26,490 --> 00:56:31,800
love. And that was before she
she she join the death metal.

923
00:56:31,950 --> 00:56:36,720
Yeah. And, and it's, you know, a
great, a great thing if you knew

924
00:56:36,720 --> 00:56:39,120
your partner, someone who
understands the business and it

925
00:56:40,200 --> 00:56:45,240
makes life a lot easier and and
can also, you know, a good bass

926
00:56:45,240 --> 00:56:46,770
player drummer, we know that,
you know,

927
00:56:49,050 --> 00:56:52,800
rhythm section of life. Yes,
yes. Now that NAMM as a great

928
00:56:52,800 --> 00:56:56,010
thing, who's who plays drums
right now in the Eagles? Death

929
00:56:56,010 --> 00:57:00,000
Metal. Okay, these are death
metal right now is someone who's

930
00:57:00,270 --> 00:57:01,710
awesome, who I'm glad you asked
me about

931
00:57:02,880 --> 00:57:07,050
their longtime drummer, he
retired after maybe two tours

932
00:57:07,050 --> 00:57:12,390
ago. And they needed a drummer.
So I they, they asked me to

933
00:57:12,390 --> 00:57:15,060
assist in the, you know, the
search being a drummer, and now

934
00:57:15,750 --> 00:57:18,840
it's close that group with the
other death metal. And we

935
00:57:18,840 --> 00:57:23,640
started to look for drummers.
And I thought it would be cool

936
00:57:23,640 --> 00:57:27,480
idea. And so there's my wife to
have to try to find a rock and

937
00:57:27,480 --> 00:57:31,710
gal, you know, girl playing the
drums and okay, the lot of good

938
00:57:31,710 --> 00:57:33,180
people, every

939
00:57:34,230 --> 00:57:37,380
every description, good drummers
out there. And

940
00:57:38,550 --> 00:57:40,470
we were looking through drum
videos and

941
00:57:42,120 --> 00:57:44,880
for some reason, and it was in
the background, because we

942
00:57:45,870 --> 00:57:48,990
checked out a few there's
already five that were amazing.

943
00:57:50,220 --> 00:57:54,510
Wait a minute, who's that? Go
back to that one. No, no, that

944
00:57:54,540 --> 00:57:57,510
one before that. Who is that?
And it's a girl. Her name was

945
00:57:57,510 --> 00:57:58,590
Leah Bluestein.

946
00:57:59,610 --> 00:58:01,170
And she's Berkeley grad.

947
00:58:02,970 --> 00:58:05,550
Just 25 years old.

948
00:58:06,900 --> 00:58:09,060
Berkeley graduate, who can

949
00:58:10,110 --> 00:58:16,800
read anything? Latin jazz
fusion, but she could also do

950
00:58:16,800 --> 00:58:23,580
punk rock, got her NASM. And I
said, this is the person. And we

951
00:58:23,580 --> 00:58:26,970
got in touch with Leah. And she
came out. And I never even met

952
00:58:26,970 --> 00:58:29,670
her before I saw her videos and
her vibe. We spoke during the

953
00:58:29,670 --> 00:58:31,350
phone. And she came and went.

954
00:58:33,150 --> 00:58:36,840
Went to the audition process.
And they stop talking to people

955
00:58:36,840 --> 00:58:41,100
after it's she's very clear
choice. And so she's been doing

956
00:58:41,100 --> 00:58:44,100
with them for the last couple of
years. Right? She's great. I

957
00:58:44,100 --> 00:58:47,400
like going and watching. I mean,
you're like me, I'm sure I like

958
00:58:47,430 --> 00:58:51,810
every drummer and like going to
sit on the side. And then you

959
00:58:51,810 --> 00:58:54,420
know, be able to walk around and
go to the front and have to

960
00:58:54,600 --> 00:58:56,760
suddenly steal from everyone.
Yeah, yeah.

961
00:58:58,080 --> 00:59:02,850
Any time night or day i So and
then seeing one that

962
00:59:04,710 --> 00:59:05,820
Blows your head off.

963
00:59:07,890 --> 00:59:08,310
That

964
00:59:09,480 --> 00:59:12,210
you know, there's certain
drummers that do that. Well.

965
00:59:12,240 --> 00:59:15,300
They're really good. And I kind
of know what they're doing. I

966
00:59:15,300 --> 00:59:17,730
can't do it, but I know what
they're doing. And then you see

967
00:59:17,730 --> 00:59:20,850
ones that I don't even know what
you're doing. She's

968
00:59:22,110 --> 00:59:25,080
Oh my God, that's incredible.
Yeah. But you got to keep that

969
00:59:25,080 --> 00:59:27,420
in our back pocket while she's
playing with the Eagles because

970
00:59:27,420 --> 00:59:30,810
that's that's just rocket
straight down the middleman.

971
00:59:31,290 --> 00:59:34,620
Yeah, so you find her her name
is Leah Bluestein. And you look

972
00:59:34,620 --> 00:59:38,820
her up incredible. She's great.
So they're, they're you know,

973
00:59:38,820 --> 00:59:43,410
tight, like really tight band
and I think they'll be going on

974
00:59:43,410 --> 00:59:47,250
the road later this year. And
we're going to be doing stuff my

975
00:59:47,250 --> 00:59:50,460
wife and myself. I think we're
going to go do South by

976
00:59:50,460 --> 00:59:51,870
Southwest with them.

977
00:59:53,430 --> 00:59:54,300
There's a

978
00:59:55,350 --> 00:59:57,780
you know, keep fresh, they're
going to do that. A few other

979
00:59:57,780 --> 00:59:59,970
ones and you know, there's just
always stuff going

980
01:00:00,000 --> 01:00:03,720
Don't always always that's I'm
saying it's like, you know, my

981
01:00:03,720 --> 01:00:07,260
life I just, I'm the same way I
just tried to have a lot of

982
01:00:07,290 --> 01:00:10,770
creative options. And that all
fill in on the calendar. So

983
01:00:10,770 --> 01:00:13,560
every day you get to do
something creative. Exactly

984
01:00:13,560 --> 01:00:17,130
right. You know? Exactly right.
And and so so what are your

985
01:00:17,130 --> 01:00:20,220
plans? When are you going out
again? Oh, man, our plans were

986
01:00:20,250 --> 01:00:23,340
were pretty late. You know, we
used to do 200 shows a year and

987
01:00:23,340 --> 01:00:25,800
then you know, it gets whittled
down as the venue's get bigger.

988
01:00:25,830 --> 01:00:29,310
And now we're on a cool cycle
where we pretty much do about

989
01:00:29,340 --> 01:00:34,110
5055 shows a year and it's
usually July to October, so I do

990
01:00:34,110 --> 01:00:36,780
every Thursday, Friday,
Saturday, July to October.

991
01:00:37,680 --> 01:00:43,020
That's awesome. Easy limited. If
you don't have to, when are you

992
01:00:43,020 --> 01:00:44,370
going on the road if you don't
have to?

993
01:00:45,600 --> 01:00:48,540
You want to do a couple of weeks
here a couple exams I know I

994
01:00:48,540 --> 01:00:52,380
will always jump I'm a road dog.
I will always jump into a bunk

995
01:00:52,380 --> 01:00:55,020
man you know, sometimes it's
weird that I have to come home

996
01:00:55,020 --> 01:00:57,660
and like grocery shop and make
sure that the lawn is cut and

997
01:00:57,660 --> 01:01:00,210
all that stuff because I'm just
so used to the 20 years of just

998
01:01:00,210 --> 01:01:01,860
living on the road you know,

999
01:01:03,180 --> 01:01:05,190
but we have a cool you know, we
have a cool lifestyle in

1000
01:01:05,190 --> 01:01:07,290
Nashville where you could jump
on the bus on a Wednesday night

1001
01:01:07,440 --> 01:01:10,470
and get your rocks off Thursday,
Friday, Saturday with with the

1002
01:01:10,470 --> 01:01:13,260
people and then Monday through
Wednesday. You can write songs

1003
01:01:13,260 --> 01:01:18,540
produce record, you know, do
your thing you know. So January

1004
01:01:18,540 --> 01:01:22,080
to June Do you not take gigs or
do you? Oh no, I take I take

1005
01:01:22,080 --> 01:01:25,620
gigs I do sessions on Music Row.
I do sessions here in my house.

1006
01:01:25,620 --> 01:01:29,730
I I teach a lot. I just wrote a
new book I'm promoting and then

1007
01:01:30,120 --> 01:01:34,230
you know we I'm I'm recommitted
to this podcast. One episode a

1008
01:01:34,230 --> 01:01:38,040
week and five years ago, we are
hot and heavy, like two episodes

1009
01:01:38,040 --> 01:01:41,400
a week man no matter what like
Marc Maron that's how you do it

1010
01:01:41,400 --> 01:01:44,310
man Joe Rogan that's and then
you know, life gets in the way.

1011
01:01:44,310 --> 01:01:46,650
And so we like sometimes just
like one episode a week. That's

1012
01:01:46,650 --> 01:01:51,510
what we're gonna do. 52 episodes
this week this year. Yeah. Yeah,

1013
01:01:51,510 --> 01:01:51,960
man.

1014
01:01:53,700 --> 01:01:56,400
It's amazing. But dude, thank
you so much for sharing your

1015
01:01:56,400 --> 01:02:00,720
time with us this amazing story,
this amazing legacy. I I admire

1016
01:02:00,720 --> 01:02:05,220
your passion, your charisma,
your groove, and you're just

1017
01:02:05,220 --> 01:02:08,070
keeping it all alive, man. Thank
you. Oh, well, thanks for

1018
01:02:08,070 --> 01:02:11,370
reaching out. Just you know, you
and me know. Probably a lot of

1019
01:02:11,370 --> 01:02:15,000
people watching is you know, the
drums are thing you know, we

1020
01:02:15,000 --> 01:02:15,750
just love

1021
01:02:16,830 --> 01:02:19,890
that. No, we're not like all the
other ones. All drummers like

1022
01:02:19,890 --> 01:02:22,320
each other. Oh, no, it's a
brotherhood sisterhood. And we

1023
01:02:22,320 --> 01:02:26,040
will close down that diner late
at night. It's just drummers.

1024
01:02:26,040 --> 01:02:29,700
And that's what we want to talk
about, you know, the threads on

1025
01:02:29,700 --> 01:02:32,370
the cymbal stand for an hour.
Fine with me.

1026
01:02:35,580 --> 01:02:39,630
Totally. It's a beautiful thing.
And you know, we've been with

1027
01:02:39,630 --> 01:02:43,830
Gretch Zildjian. Vic Firth since
day one on grandfathered in.

1028
01:02:43,830 --> 01:02:47,280
When things changed a few years
ago, they made a contract signed

1029
01:02:47,280 --> 01:02:50,700
by Fred Gretsch signed by Vic
Firth rip signed by Armin

1030
01:02:50,700 --> 01:02:54,120
Zildjian. And like that alone to
me, I would have one right,

1031
01:02:54,120 --> 01:02:57,840
they're giving me a drum kit.
And now it's amazing. Now, were

1032
01:02:57,840 --> 01:03:03,030
you with DW at one point? Yes,
yes, I saw like an instructional

1033
01:03:03,360 --> 01:03:07,500
video on YouTube when they first
thought I had a kit made because

1034
01:03:07,500 --> 01:03:08,940
John good was a friend of mine.
And

1035
01:03:10,200 --> 01:03:13,980
so, so we had to keep me from
them. But just the whole idea

1036
01:03:13,980 --> 01:03:17,940
that like, you know, an all
drummers are the same to get

1037
01:03:17,940 --> 01:03:22,440
your simple setup in the
Zildjian catalog. Pretty cool.

1038
01:03:23,100 --> 01:03:26,610
You already want everything
pretty cool when when when the

1039
01:03:26,610 --> 01:03:29,520
people at these companies they
see you and they respect you as

1040
01:03:29,520 --> 01:03:32,010
a touring musician or a
recording musician or an

1041
01:03:32,010 --> 01:03:36,450
educator. And they're just like,
we believe in you and we support

1042
01:03:36,450 --> 01:03:41,580
you and it's this beautiful back
and forth relationship. I

1043
01:03:41,580 --> 01:03:45,570
couldn't agree more among on one
9% So if we cut it out, that's

1044
01:03:45,570 --> 01:03:48,060
what it is. You gotta know it.
Yeah, it's been kind of going in

1045
01:03:48,060 --> 01:03:50,130
and out. It's kind of a cool
effect as it looks like the sun

1046
01:03:50,130 --> 01:03:54,210
is cresting or something but hey
man and built in effect. Rogers

1047
01:03:54,210 --> 01:03:56,700
would know behind this is the
beautiful thing and it is that

1048
01:03:56,700 --> 01:04:00,960
stained glass is gorgeous, man.
I you know, I ran so much during

1049
01:04:00,960 --> 01:04:03,480
COVID all over Beverly Hills. I
probably ran past your house a

1050
01:04:03,480 --> 01:04:07,170
million times. That's cuz I
spent on COVID in Beverly Hills.

1051
01:04:07,950 --> 01:04:12,300
A one Beverly Glen. Oh, nice.
Yeah. Street like the main

1052
01:04:12,300 --> 01:04:15,960
street is right there. Yeah, my
girl had a spot on Doheny and

1053
01:04:15,960 --> 01:04:17,550
Beverly so it was kind of like
right there.

1054
01:04:18,570 --> 01:04:19,050
Which

1055
01:04:20,460 --> 01:04:23,340
she was by the it was it was an
apartment complex kind of like

1056
01:04:23,340 --> 01:04:27,720
by the Ralph's and right on the
corner of Bohemian bedroom. I

1057
01:04:27,720 --> 01:04:34,080
lived for 20 years on Tony drive
and Sunset Boulevard. Right

1058
01:04:34,080 --> 01:04:37,350
there at the right there would
that impossible? You know, how

1059
01:04:37,350 --> 01:04:40,320
do I park my car? It's like
straight up like this. It's

1060
01:04:40,320 --> 01:04:44,070
exactly Christian Turner's 1014
North Rohini I lived there for

1061
01:04:44,070 --> 01:04:47,910
25 years. That's my so you are
right next to the filters. Right

1062
01:04:47,910 --> 01:04:51,570
across the street. Yeah, that's
a great what what a sci fi thing

1063
01:04:51,570 --> 01:04:53,670
I mean, if you drive past it,
you'll see it. It's got the old

1064
01:04:53,670 --> 01:04:56,130
awning that was my house for the
longest time. That's really

1065
01:04:56,130 --> 01:04:58,470
incredible. It ever is no excuse
to not go out every night on the

1066
01:04:58,470 --> 01:04:59,790
Sunset Strip if you live right
there.

1067
01:05:00,000 --> 01:05:02,070
Yeah, I walked everywhere.

1068
01:05:04,200 --> 01:05:05,940
Man, you made it kid.

1069
01:05:08,490 --> 01:05:10,920
Your addresses Sunset Boulevard,
you're doing something right.

1070
01:05:12,389 --> 01:05:15,089
Beautiful, awesome, brother.
Well, hey, we really appreciate

1071
01:05:15,089 --> 01:05:17,939
it. And we hope that we could
see you in the flesh here as

1072
01:05:17,939 --> 01:05:19,979
well the listeners. Hey, thanks
so much. If you love the show,

1073
01:05:19,979 --> 01:05:23,129
subscribe, share rate and
review. It helps people find the

1074
01:05:23,129 --> 01:05:27,029
show and until next time, hey,
we'll be here. Thanks, Jim. This

1075
01:05:27,029 --> 01:05:32,039
has been the rich Redmond show.
Subscribe rate and follow along

1076
01:05:32,129 --> 01:05:35,549
at rich redman.com forward slash
podcasts.