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Hey everybody, welcome to Poduty and the News for Tuesday, February

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24th, 2026. We're at the Poduty Live Podcast Theater,

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downtown Tarentum, Pennsylvania on Corbet Street. I've got

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Dr. Trudy Beerman joining me tonight, CEO of PSI

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TV Network and the creator of REACHology.

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We're going to learn all about that after the theme

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song. What

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time is it? What time is it?

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Oh, it's time for Poduty and the News.

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Poduty and the News,

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the only live news podcast about

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podcasting from the state.

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Poduty

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and the News. Poduty and the News, the only live

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news podcast Poduty

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and the News! Dr. Trudy, welcome to

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the show. Welcome, Jeff. Thanks for having me.

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You're very welcome. That, that song often gets my guests out of their seats,

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gets the blood pumping. Uh, it is a Tuesday night, but You

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wouldn't know it here with all the energy in the room. Joining

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all the way from the CEO of PSI TV,

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Dr. Tree, tell us a little bit about this TV network. I've been seeing so

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much about it. We were talking about some of the stories that we selected for

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tonight, and I just think you're going to have such a great perspective on some

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of these. Tell us about what you're doing and what you're building.

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Think podcast on TV. PSI TV

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We interview experts and we have a channel presence on

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Apple TV, Roku, Amazon Fire, and Vida TV.

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And then once we've interviewed the guests, we do repurpose it and push it out

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to our podcast, which is Treadmill Tracks for Leaders of

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Brands. And then we also put it out to Influence Media News

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and other, other publications of the social and stuff like that.

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Well, tell us a little bit about the REACHology. I was learning about it, trying

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to figure out, get my head wrapped around it. It's a pretty cool concept.

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Of especially tying in your background with

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the business strategy background and all in REACHology. Tell us

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about the REACHology system. So,

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yes, it is a system. Absolutely. It is a system. REACHology, I have the

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trademark for that word, Jeff, and I've

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defined it. So, you know, with the era of

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influencers and influencers being

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determined by their follower base,

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influential reach has become generally understood to

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be how many followers do you have, and the bigger the number of

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followers, the bigger the influence you're perceived to be. The problem for me in

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my space working with experts is that is not how

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I am defining influential reach,

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because the original understanding of influence is

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your ability to persuade. And

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a lot of influencers, which is a noun for

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these people, are not necessarily

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having any influence beyond the fact that

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they get a lot of attention. So influencers

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today are attention hogs. They get a lot of

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attention. They put on a bikini, they do a prank, whatever the case may

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be, they are definitely attracting attention,

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but experts who have true influence

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expertise may not actually have an audience or

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a very vast audience. So what happens a lot of times is people like us

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will go to the influencers and ask them to

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share our influential content with

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their expanded audience. So I define

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influential reach as think of that big fish in a small pond,

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that expert who has small audience base,

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expanding that audience base where they have

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actual influence over the expanded audience.

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So for that definition, I just coined the word

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REACHology and got the trademark for it. And there it is, a system,

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because it, it explains how

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we're going to— well, it doesn't explain it, but it captures the essence

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of how what we do over here to

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orchestrate experts getting and building that

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influential reach. It's a great concept. And

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is there a way for, for people to talk to you and

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figure out maybe what their REACHology score is or, or

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how big of a reach that they have? What's the, what's the way for a

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professional to figure out, you know, how big of a reach they

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have? I'm glad you asked that question because a

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lot of experts think, oh, my work should speak for me. And

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they will have real influence offline. So like in your

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experience where you at your stage and you fill the

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room with people, that is an offline

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real influential action. So when

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somebody can get people in the room, they do have

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influence., but usually that audience

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is small. So when they go digital, they open up

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that audience to the world. The thing is that

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when experts have real-life expertise, so for example, when I got

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my doctorate, what I had to do was to go to LinkedIn, for example,

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and update LinkedIn from saying Trudy Behrman, MA

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to Trudy Behrman, DSL. So once we have

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these real-life, real-world experiences,

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credentials, publications, If the digital world is not aware of

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it, we're digitally invisible. And so the

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experts are— the Requology score helps the expert to

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identify the gap. So I really have my doctorate, but

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the internet doesn't know. So it shows you the

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gaps and it shows you what is real, but what is not

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visible online. It creates that report. It shows us

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the lowest hanging fruit. As to where to go first to try

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and really build that authoritative depth in the

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digital world. That's, it's incredible. I love hearing about it. I

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love, you know, learning these new perspectives, these new ways to reach communities, the

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new ways to share your knowledge, and you're really honing in

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on that. And if people want to reach out and connect to you and learn

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about the PSITV network, is there a dedicated place you like to

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send people to? Well, absolutely. They can go

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to

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psitvnetwork.com. Absolutely. That's super easy. We'll put the links in the show notes. And everybody

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who's on the show, on Poduty and the News, we have a crew page. So

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all my guests, all their links, their bio, that's all going to

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be on the, the pod, not only on the show notes for this episode,

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but there's going to be a dedicated page. So if Dr. Trudy comes back on

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future episodes, you'll get to see all the episodes that Dr. Trudy was ever

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on and all the links, all those connections. You know, follow those links,

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support the guests that come on the show. It means the world to us

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because they're helping us build this, this new medium of

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live podcasting, and they're here to support what you're

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doing. And you can also return the favor by supporting what they're

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doing. And well, Jeff, if you're doing that, let me tell you, let me tell

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your audience, that is a huge thing because

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when you create those backlinks and media mentions

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are powerful authority backlinks. So it's not just

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the podcast experience, it's not just exposure to a new

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audience, but when you have that dedicated page and those

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backlinks to the— from the guest to your audience, that is doing much,

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much more at the authoritative depth level than

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you probably even realize. So kudos to

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you. Yeah, it's that theory of, you know, we used to say

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30 years ago, if a tree falls in the woods and no one's there to

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hear it, does it make a sound? That really applies

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to what you do online and offline. You

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mentioned I may do a presentation at a college, but if it's not recorded

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and it's not put online, then Google doesn't know about it,

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the algorithms don't know about it. And what Dr. Tree's talking about, so important,

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make sure that the things that you do, you're feeding it to

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online, to your profiles on social media. And this, that's one

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of the reasons I do this backlink page with my guests is I'm showing

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them, positioning them as professionals with knowledge in the, in

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the entertainment industry. I show the shows that they're talking on and we

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give links back to them. So, you know, that ecosystem

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of professionalism is, is what I'm, I'm trying to give

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back. They're going to also link back to the show and we're going to elevate.

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And that, we said it earlier today, rising tide lifts all ships.

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And that's what these backlinks are for, to show that expertise, to

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to share our knowledge with one another. PSI TV does the same thing,

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so you'll see yours as well.

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That's awesome. Are you ready to get into our first story?

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Oh, well, let's go. Well, here we go. This is

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Hidden Brain. It's going on the road with a live stop in

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my home state of Pennsylvania at the Miller Theater, and it's been a

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decade-long exploring psychological and behavior science through

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audio. Now they're translating those insights into a live theater experience built

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around storytelling, research, and interactions. The Hidden

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Brain podcast and things like this, this is taking

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that idea that you maybe thought of in your home

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basement, your home studio, you started recording something and then

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10 years later, you've built that community, you've built that

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audience and now you're able to take that on the road. You've recorded videos,

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you've recorded podcasts, now you're taking it in front of an audience. I

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think this was a 10-stop tour that's coming up too,

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multi-city tour. And it, to me, that's the best part of doing

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these podcasts. And, and what Dr. Trede's talking about, showing your

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expertise— well, this Hidden Brain podcast has developed such a

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community that their community trusts them enough to come out and buy

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tickets. So I, I want to throw this back to you, Dr. Trede. You, how

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do you see the, this touring transforming

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the podcast movement? How do you see this as a form of

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entertainment for really making that connection with your

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audience? Well, Jeff, honestly, your Podoodie show

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is not too far off from that concept, to be honest.

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So touring is, is an amazing concept. And

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honestly, I may adopt that idea as well.

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For someone to fill a

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theater and have, as you say, a community that is

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showing up in these different towns

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is moving that expert from being a

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big fish in a small pond to really expanding that influential

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reach. They are in real time having

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an impact on an audience. And I bet any money that that

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show is not just the live audience. Somehow they'll have a stream feed or something

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or they'll have a video that goes on after it. So I think that

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is top shelf, multi-platform,

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real-time experience. It builds depth with your

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guests, with your audience, because they get to see you, they get to know

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you. A video is a next best thing, but there's nothing

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better than seeing the person in— you can say they're tall, they're

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short, they're taller than I thought, they're shorter than I— you know, it's just

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amazing. And it will show that the audience trusts the host. It's

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just, it's amazing. And I'm telling you, it's going to carry a lot

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of intellectual weight. Yeah, yeah. That's what I really wanted

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to tie in with, with what you're doing, because that credibility aspect— if you're doing

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a live show, even at a small theater like this, if you tell people, I'm

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going to be on the main stage at the Poduty Podcast Theater, that adds

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a ton of credibility. And, and what Dr. Trudy's building with the

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PSI TV network, if you're on a show that's on that network,

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or or you host a show or you want to run your show on that

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network, that too is a way to add credibility to what you're building and

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showing. So these live events are very similar to having a show

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on TV on a network, and I really think that's

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a great parallel between live performances and what you're

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building. Well, let's give some kudos as well to

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Shankar Vedantam because I mean, he does have that

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NPR background. So that is a

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carryover of, you know, his experience and, you

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know, that connection to a very

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strong brand that's carrying over into

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his— into this experience. So for sure, we'll keep it moving. And my

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next two stories, I've really been sitting on these two for a little bit. I

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think I think Dr. Trudy is gonna be a perfect perspective

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on this and podcasters, as somebody who's an

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old-school DIY podcaster guy who believes strongly

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in independent media, who believes still that a podcast is

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an MP3 file distributed by an RSS feed to an aggregator app

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to some sort of application where people can download it

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on demand, there's a lot of changes happening in what we're considering

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a podcast or or what a podcast could be. And the first one we're going

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to talk about has been getting a lot of media attention, and it's Substack wants

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your podcast on the big screen. And they're launching a TV

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app for video podcasts and live streams. They're going to

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give distribution to creators who are already distributing video on

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the platform, and they're going to try to compete directly

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with YouTube and Spotify and tap into that

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700 million podcast hours that were streamed on TVs in

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a single month. And the one thing people might not realize

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is live streaming on TV has

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surpassed the, the voice-activated machines in the house. So people

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are going from their small devices— you know, 10 years ago it was

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the iPod, now it's the phones— and they're skipping

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over, you know, voice-activated devices and going right to the TVs.

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And Substack here is another example of another media

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company tapping into video podcasts? Well,

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Jeff, YouTube just put out data very

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recently that their TV viewing

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has exceeded their mobile app and their people

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viewing on mobile devices. The viewership from a

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television machine has exceeded. So it is

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creating a buzz everywhere and everybody's jumping on the train. But I have been

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saying for years about podcasters moving to

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TV. In fact, that was one of my first target audiences

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because I saw the writing on the wall—podcast to

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TV—and it's happening in real time. YouTube

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exceeded Spotify a long time ago for

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podcast exposures and viewership and downloads, much

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less— I mean, to think that Spotify is in second or

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third to YouTube, and now of of course Substack is going to jump

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on. Of course they are. Absolutely they are. And the thing

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is that when your content is on TV,

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I promise you, when you say to someone, catch me on TV,

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the eyebrows go up in a different way, even though

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the TV is maybe YouTube. It's just something. There's something

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about the TV proximity, the TV

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perception that it just carries weight. It

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does. Yeah, it adds so much credibility. I think here's what

255
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I tend to boil it down to. A lot of times you start a podcast

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and you start telling your friends and family and they understand like,

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okay, that's a podcast and you're doing that. That's nice and

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cute. And you know, you may be at Thanksgiving dinner, you might open up their

259
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phone and show them your podcast on their phone and then

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secretly subscribe. And they're like, okay, well, I'll pretend like I'm supporting you.

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But when you go to, you say, hey, my podcast is going to be

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on television, or my podcast is going to be on the main stage at

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the local theater, that's something that's very tangible to

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your audience, to your friends, to your family, to your fans.

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They take it seriously at that point. You're no longer just,

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you know, playing a game. You've moved to the serious

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level. And, you know, it's like going from weekend warrior to pro

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athlete. Exactly. It's exactly what Dr. Tree is talking about. It really gives

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a whole new level of credibility to what you're producing. People

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understand television, they understand radio, they understand

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live performances much more than I'm just recording this episode

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in my basement. Now you're going to be on the stage. Maybe it's even at

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a local event or a conference invited you to speak and perform your

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show live as part of the entertainment. That's something that

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everybody understands, and that's That's taking podcasting from this niche

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little industry to mainstream media, to

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big broadcast media. It immediately puts you on that

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same playing field. It's content and context

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elevation. Absolutely. I love it. And we got another story coming in.

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This one's a little different than the Substack one. This one

281
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is Hulu. Hulu wants you

282
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to watch video podcasts on Hulu, and they do something a little different

283
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where Hulu does tie in a lot of their shows that they produce.

284
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They also produce podcasts, little behind-the-scenes

285
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tidbits, little stories about the casting and the crew

286
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and, and backstories of some of the characters. And they're building this

287
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other thing. We see HBO doing that a lot. You might watch Game of Thrones

288
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and it says, stay tuned after, or subscribe to the

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podcast after the Game of Thrones. And, and they're licensing this

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full content to stream on their platform first, which is

291
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important. But then they're also distributing it to other platforms, which is something

292
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we're not seeing the Netflixes do, we're not seeing Spotify

293
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do. They, they want to lock their content under these walled gardens.

294
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Hulu's approaching it a little bit differently where they are going to

295
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use their, you know, their proprietary shows that they're creating, but they are going

296
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to distribute that to other platforms. And I think that's going to be a big

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difference here. And we mentioned earlier that the smart TV

298
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podcast consumption is surpassing smart speakers. So when you just

299
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say, okay Google, you know, play Poduty and the News, that's

300
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not as big as searching for this podcast on

301
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YouTube. So to be able to see what Hulu's doing, we're seeing

302
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what Substack's doing, this is bringing a whole new level

303
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of— maybe not the level of podcasting that I'm doing here, this

304
00:19:05,840 --> 00:19:09,440
smaller independent, but it's elevating the medium to

305
00:19:09,440 --> 00:19:13,110
new levels. I think it's introducing it to new people And

306
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showing people that there's a lot happening in the podcast scene. Jeff,

307
00:19:16,950 --> 00:19:20,590
this is huge because we talked

308
00:19:20,910 --> 00:19:23,950
earlier today about the whole rise of the indie

309
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experience, and it is people like you and I that

310
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are producing this kind of content that is finding

311
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its own audience base and, and getting attention from the

312
00:19:35,070 --> 00:19:38,830
big boys. And they're always searching for content,

313
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and it's no surprise that they turn to the

314
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podcasting world because these independent creators are

315
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going out there and coming up with

316
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content on a record level, you know, with a bunch

317
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of creativity that those

318
00:19:56,960 --> 00:20:00,080
paid producers have just, you know, burnt out over

319
00:20:00,560 --> 00:20:03,520
time. So it's— I'm, I'm stoked about

320
00:20:04,160 --> 00:20:07,800
it. That what you're talking about is one of the reasons I built this type

321
00:20:07,800 --> 00:20:10,820
of space. One is we know that

322
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major comedians and actors who have podcasts, we know that

323
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they're filling arenas and large theaters, and we know

324
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that most podcasters do record in a home studio, in their

325
00:20:22,220 --> 00:20:26,020
basement, maybe in an office studio, but there's nothing in between.

326
00:20:26,020 --> 00:20:29,580
So how do we get out of our home studio all the way

327
00:20:29,580 --> 00:20:33,180
to Madison Square Garden? We're gonna need spaces to practice. We're gonna

328
00:20:33,180 --> 00:20:36,720
need small theaters. We're gonna need TV shows to build

329
00:20:36,720 --> 00:20:40,520
that credibility, to build that hosting muscle, to get us out

330
00:20:40,520 --> 00:20:44,160
of the home studio, to small clubs, to the

331
00:20:44,400 --> 00:20:48,000
theaters. So I think spaces like what I'm building here, I think

332
00:20:48,000 --> 00:20:50,960
what Dr. Trudy offers, that type of

333
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experience will lift your podcast up. It will give you new connections,

334
00:20:55,640 --> 00:20:59,480
it'll bring you a new audience, and it'll give you new skills to be

335
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able to host your show in front of a live one, in front of 20,000

336
00:21:03,160 --> 00:21:06,760
people, maybe someday. Well, also, Jeff, the larger

337
00:21:06,760 --> 00:21:10,480
the show, the more they are scrutinizing

338
00:21:10,560 --> 00:21:14,320
your history of media appearances, the more they

339
00:21:14,480 --> 00:21:18,120
want to see what you have done, where you have done it,

340
00:21:18,120 --> 00:21:21,840
the kind of audience you're attracting and all of that.

341
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And it's, it stacks, it compounds over

342
00:21:25,760 --> 00:21:29,350
time. And yes, experiences lead to bigger

343
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experiences. And the person who is not

344
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documenting their continuous rise, you know, keeping a media portfolio and

345
00:21:37,310 --> 00:21:41,030
all of that— so to my, my, my

346
00:21:41,190 --> 00:21:44,990
experience here will go on my media portfolio page

347
00:21:44,990 --> 00:21:48,070
to stack to and add to

348
00:21:48,070 --> 00:21:51,750
the compounding of all these appearances over time.

349
00:21:51,750 --> 00:21:55,210
Absolutely. Which just opens up bigger and bigger opportunities in,

350
00:21:55,210 --> 00:21:58,971
in time. Yeah, you mentioned people are creating, you know,

351
00:21:58,971 --> 00:22:02,730
new types of content. These big places are looking for it. And our next

352
00:22:02,730 --> 00:22:06,490
story is one of the most unique stories I've seen of, for

353
00:22:06,570 --> 00:22:10,410
content creation. And I love this. This was a real-time test.

354
00:22:10,410 --> 00:22:14,050
So the, the GeekWire podcast, they did a live

355
00:22:14,370 --> 00:22:17,770
on-air test, a 30-minute test of Amazon's

356
00:22:18,010 --> 00:22:21,490
Now. It's called Amazon Now. It's a delivery service that

357
00:22:21,570 --> 00:22:25,290
does deliveries within 30 minutes. So what an idea

358
00:22:25,290 --> 00:22:28,850
for a podcast. You talk about what you're going to order, you order it, you

359
00:22:28,850 --> 00:22:32,610
set the ball in motion, and then you see if Amazon can deliver

360
00:22:32,610 --> 00:22:36,290
on it. I thought this was a very unique concept, a

361
00:22:36,290 --> 00:22:40,010
very— one of those, you know, show-and-tell type shows where this

362
00:22:40,010 --> 00:22:43,450
is what they say they do, let's see if they do it. So the proof

363
00:22:43,450 --> 00:22:46,690
of concept, recording it live, you know, rolling the

364
00:22:47,250 --> 00:22:50,170
dice not knowing what's going to happen, you know, not knowing if you're going to

365
00:22:50,170 --> 00:22:54,010
get a show with some products at the end. It's— I, I just— this is

366
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the type of content that I just fall in love with. You

367
00:22:57,850 --> 00:23:01,570
know, when you go like this, you know, when you go live, in

368
00:23:01,570 --> 00:23:05,370
any case, you know, you either bomb miserably before a whole bunch

369
00:23:05,370 --> 00:23:09,010
of people or you do really, really well. And because

370
00:23:09,090 --> 00:23:12,930
it's live, you know, flaws and all, it's

371
00:23:12,930 --> 00:23:16,450
recorded, it feels more authentic. Authentic. And so,

372
00:23:16,450 --> 00:23:19,810
the trust factor really skyrockets. And when you

373
00:23:19,810 --> 00:23:21,650
can demonstrate something in real

374
00:23:23,970 --> 00:23:27,491
time, it really, it's really like you said, proof of concept at the highest

375
00:23:29,170 --> 00:23:33,010
level. Yeah, just the roll, like rolling the dice on a

376
00:23:33,010 --> 00:23:36,530
whole— you could have a whole concept laid out and it could go

377
00:23:36,530 --> 00:23:39,970
completely wrong. It could bomb. Yeah.

378
00:23:40,290 --> 00:23:44,000
Or, you know, in this show, you do see the thumbnail where He's sitting there

379
00:23:44,000 --> 00:23:47,480
with his water and it looks like a bag and it maybe it did, everything

380
00:23:47,480 --> 00:23:51,160
did arrive in the 30 minutes. But to go

381
00:23:51,160 --> 00:23:54,920
into a show not knowing the outcome, not knowing if it's going

382
00:23:54,920 --> 00:23:58,600
to work, it's one of the most beautiful things about live entertainment, about

383
00:23:58,600 --> 00:24:02,280
live podcasting. If it doesn't work, how do you carry the show

384
00:24:02,280 --> 00:24:06,000
forward? How do you get through those 30 minutes? Well, I

385
00:24:06,000 --> 00:24:09,560
take my hat off to all the people who do that. I'm not one of

386
00:24:10,090 --> 00:24:13,890
those. Not usually anyway. So yeah. Let's keep

387
00:24:13,890 --> 00:24:16,810
it moving. We're going to go over to

388
00:24:16,810 --> 00:24:20,090
the BoomBastic. Mr. BoomBastic.

389
00:24:20,490 --> 00:24:21,930
Yeah. The BoomBastic

390
00:24:24,650 --> 00:24:26,490
Health Podcast. I like Mr. BoomBastic. He's fantastic. And I'm from Jamaica, man. So we

391
00:24:26,490 --> 00:24:28,250
love that word like plenty,

392
00:24:30,650 --> 00:24:33,050
plenty. It's the BoomBastic. I'm not going to be able to say the word now.

393
00:24:33,050 --> 00:24:36,410
You're going to go with the song and dance. The BoomBastic

394
00:24:36,410 --> 00:24:40,210
Health Podcast. Will record live from the

395
00:24:40,210 --> 00:24:43,690
diagnostic zone at the VIVE 2026 conference,

396
00:24:43,690 --> 00:24:46,930
positioning itself directly inside one of healthcare's

397
00:24:47,250 --> 00:24:50,890
most influential innovation hubs. And this is a

398
00:24:50,890 --> 00:24:54,530
great example of going where your audience is. And no matter

399
00:24:54,530 --> 00:24:58,290
what niche you're in, no matter what you talk about, what your podcast is

400
00:24:58,290 --> 00:25:01,730
about, there's probably some sort of gathering already in place.

401
00:25:01,810 --> 00:25:05,080
There's maybe a conference that's already happening. And this is a

402
00:25:05,080 --> 00:25:08,720
health podcast, guess where they're going? They're going to a health

403
00:25:08,880 --> 00:25:12,520
conference and they're gonna be part of the entertainment, part of the show. They're gonna

404
00:25:12,520 --> 00:25:16,320
be able to connect with other healthcare professionals, other people in the

405
00:25:16,560 --> 00:25:20,000
industry, do interviews, get more content for the rest of the

406
00:25:20,480 --> 00:25:24,240
year. And the people in the audience, they're already interested in what

407
00:25:24,240 --> 00:25:28,080
they're talking about. So this is a, a great example of where can you put

408
00:25:28,080 --> 00:25:31,700
your podcast in front of where your audience is already at.

409
00:25:31,700 --> 00:25:34,980
I love this. I've, I've done this at some level, but not at

410
00:25:35,940 --> 00:25:39,740
this, this experience, because this is a top-shelf experience. I

411
00:25:39,740 --> 00:25:43,100
mean, being in the middle of an innovation hub and

412
00:25:43,100 --> 00:25:46,740
the proximity to all these leaders—

413
00:25:46,740 --> 00:25:50,460
proximity is huge, Jeff. And it's one of the reasons, like, when people come to

414
00:25:50,460 --> 00:25:53,780
the PSI TV show and they are in

415
00:25:54,020 --> 00:25:57,720
the studio, they are on TV, that proximity, they're

416
00:25:57,720 --> 00:26:01,280
to the brand, to the host. And again, it is

417
00:26:01,600 --> 00:26:04,960
huge. And a lot of times, you know, we'll see that we take a picture

418
00:26:04,960 --> 00:26:08,240
with, you know, the speaker of something, or if you get an opportunity to take

419
00:26:08,720 --> 00:26:11,880
a picture with the president, for the proximity is huge.

420
00:26:11,880 --> 00:26:15,600
So proximity to the space is elevating

421
00:26:15,600 --> 00:26:19,120
for the podcast as well. It can

422
00:26:19,120 --> 00:26:22,920
almost be seen as an industry endorsement. This is brilliant.

423
00:26:22,920 --> 00:26:26,270
And I mean, One of the things we do is we will

424
00:26:26,510 --> 00:26:29,950
go to where our audience is, but we go for different reasons.

425
00:26:30,990 --> 00:26:34,390
But this, this is, this is amazing. Yeah, on

426
00:26:34,390 --> 00:26:37,830
the checkboxes that Dr. Trujillo and I have given you of positioning yourself as

427
00:26:37,830 --> 00:26:41,550
an expert, you're doing live shows, getting on

428
00:26:42,190 --> 00:26:45,910
television, and going to conferences where other experts are. If you can

429
00:26:45,910 --> 00:26:49,230
bring other experts onto your show, that also will

430
00:26:49,230 --> 00:26:52,240
give credibility to your show. If you're in the middle of

431
00:26:52,560 --> 00:26:56,320
a, you know, 2,000, 3,000 people conference and you're able to perform your

432
00:26:56,320 --> 00:26:59,880
show live, that's 2,000 people that just found out

433
00:26:59,880 --> 00:27:03,640
about you who also are already interested in the things that

434
00:27:03,640 --> 00:27:07,360
you're talking about. So don't just think about how do you perform your own

435
00:27:07,360 --> 00:27:10,880
show in a bar or a restaurant, but where are the

436
00:27:11,040 --> 00:27:14,400
industry headed? Where do they hang out? Where do they get

437
00:27:14,640 --> 00:27:18,470
together annually? Is there a retreat? Is there a conference? And that's where you

438
00:27:18,470 --> 00:27:20,590
need to start to think about positioning your

439
00:27:22,990 --> 00:27:26,750
podcast. Speaking of positioning, what better place to position yourself

440
00:27:26,750 --> 00:27:30,550
than on a 143-foot screen?

441
00:27:30,550 --> 00:27:33,950
This is Circa Mania, is going to Circa Resort and

442
00:27:34,190 --> 00:27:37,870
Casino, and it's turning a WrestleMania event into a

443
00:27:38,350 --> 00:27:41,670
full media hub for 5 days. It's going to

444
00:27:41,670 --> 00:27:45,390
blend podcasts, art exhibits, superstar appearances

445
00:27:45,390 --> 00:27:48,510
massive watch parties at a place called Stadium Swim, and that place

446
00:27:48,830 --> 00:27:52,510
has a 143-foot-wide screen. So

447
00:27:52,510 --> 00:27:55,950
you imagine performing a show on a screen that

448
00:27:56,350 --> 00:27:59,390
size, and it's this multi-day event, it's coinciding

449
00:27:59,390 --> 00:28:02,710
with WrestleMania, they're going to bring on wrestler—

450
00:28:02,710 --> 00:28:06,550
wrestling personalities, they're blending in the audience, the livestream

451
00:28:06,550 --> 00:28:10,190
energy and fan engagement. This is something where they've built

452
00:28:10,190 --> 00:28:13,540
up something, obviously wrestling is just bigger than we'll ever

453
00:28:13,780 --> 00:28:17,140
be, but it's that community getting

454
00:28:17,700 --> 00:28:21,500
together, celebrating the thing they love. So that's kind of the lesson I want to

455
00:28:21,500 --> 00:28:25,140
take from this story is, you know, whatever you're passionate about,

456
00:28:25,140 --> 00:28:28,940
bring those people together and maybe someday you'll be on

457
00:28:28,940 --> 00:28:32,500
a 143-foot screen. Well, I mean, you can also make it

458
00:28:32,500 --> 00:28:36,140
yourself, but this is layered. This is a layered experience. This

459
00:28:36,140 --> 00:28:39,960
is content in layers. I mean, this is this is

460
00:28:39,960 --> 00:28:43,600
huge. This is ecosystem thinking because each thing

461
00:28:43,600 --> 00:28:47,280
is feeding to the other. I mean, you'll get the person who is interested in

462
00:28:47,280 --> 00:28:50,560
the wrestling suddenly watching this other thing. It's, it's

463
00:28:51,360 --> 00:28:54,880
amazing. I, I operate in ecosystem, so I get

464
00:28:55,200 --> 00:28:58,880
this. It— this is, this is the way to go. This is like

465
00:28:58,880 --> 00:29:02,600
a little TV programming because they're— this is obviously tying in

466
00:29:02,600 --> 00:29:06,120
with WrestleMania happening, but different days, there's

467
00:29:06,120 --> 00:29:09,960
different podcasts at different times doing different shows. So there is a little

468
00:29:09,960 --> 00:29:13,640
bit element of programming, and it's already part of this event that

469
00:29:13,640 --> 00:29:17,440
you're already immersed in. You're already in Vegas, you're already going to be

470
00:29:17,440 --> 00:29:21,200
for WrestleMania. You go a day or two earlier, you get this

471
00:29:21,200 --> 00:29:25,000
extra layer of experience that you wouldn't get just going to the

472
00:29:26,600 --> 00:29:30,280
matches. Well, the one thing I always warn my guests is this

473
00:29:30,520 --> 00:29:34,150
goes so fast. That was already Story number

474
00:29:34,150 --> 00:29:37,510
6. Dr. Trudi Beerman, thank you so much. CEO

475
00:29:37,510 --> 00:29:41,350
of PSI TV Network, REACHology. One

476
00:29:41,350 --> 00:29:44,990
last time, I'd like to turn the stage over. Please plug, promote,

477
00:29:44,990 --> 00:29:47,750
talk about anything you'd like. The floor is

478
00:29:49,030 --> 00:29:52,830
yours. So one of the things I really would like to share with your audience,

479
00:29:52,830 --> 00:29:56,630
Jeff, is, you know, we're, we're out there, we're doing

480
00:29:56,630 --> 00:30:00,390
podcasting, we're doing TV. What we're really doing, we're in a content space.

481
00:30:00,390 --> 00:30:03,070
And a lot of times our guests are overwhelmed with the

482
00:30:03,870 --> 00:30:07,590
whole content concept. It feels overwhelming.

483
00:30:07,590 --> 00:30:11,150
And social media posting, I call that

484
00:30:11,390 --> 00:30:15,110
digital dots. But when

485
00:30:15,110 --> 00:30:18,910
you talk about the algorithm, a lot of people say, oh, the algorithm shadowbanned me.

486
00:30:18,910 --> 00:30:22,550
People don't understand what the algorithm is. And the

487
00:30:22,550 --> 00:30:26,190
algorithm is simply the way that the internet figures

488
00:30:26,270 --> 00:30:29,780
out what to recommend. So we have trillions

489
00:30:29,780 --> 00:30:33,340
and trillions and trillions and trillions of what I call digital dots,

490
00:30:33,340 --> 00:30:37,140
content pieces, trillions and trillions and trillions. And then what happens

491
00:30:37,140 --> 00:30:40,180
is somebody puts in a search on Google, on Bing, on

492
00:30:40,700 --> 00:30:44,140
ChatGPT, whatever. They ask a question and then

493
00:30:44,740 --> 00:30:48,340
the algorithm attempts to go out to these trillions and trillions and trillions

494
00:30:48,340 --> 00:30:52,020
of content pieces to look for what's the most recent. It's not going to send

495
00:30:52,020 --> 00:30:55,520
up an old piece if there's a more recent piece. What is the

496
00:30:55,600 --> 00:30:59,320
most relevant? And which of all of these things is it

497
00:30:59,320 --> 00:31:02,960
going to recommend? So what happens is when you're doing these

498
00:31:03,040 --> 00:31:06,800
content pieces, if you're just looking for virality,

499
00:31:06,800 --> 00:31:10,599
you know, okay, so you did a prank and it got a lot of attention,

500
00:31:10,599 --> 00:31:13,200
but if you're an expert, that's not going to get you the gig. That's not

501
00:31:13,200 --> 00:31:17,000
going to get you the contract. That's not going to get you hired.

502
00:31:17,000 --> 00:31:20,560
So for the audience that is of the expert

503
00:31:21,460 --> 00:31:24,900
level, you're not gonna be just chasing virality, guys.

504
00:31:24,980 --> 00:31:28,740
You want to be seen and respected for

505
00:31:29,140 --> 00:31:32,980
the expertise that you have. You need to do more than just

506
00:31:32,980 --> 00:31:36,819
create these posts, these digital dots. You need to create what

507
00:31:36,819 --> 00:31:40,460
I call authority signals so that when

508
00:31:40,460 --> 00:31:44,180
these questions are asked and the systems go out to look for

509
00:31:44,180 --> 00:31:47,920
the answer, your content is

510
00:31:47,920 --> 00:31:51,760
solid and has a better chance of being offered

511
00:31:51,840 --> 00:31:53,760
up as a solution to someone's

512
00:31:55,760 --> 00:31:59,440
problem. Oh my goodness, it's so important to get those dots connected

513
00:31:59,440 --> 00:32:03,160
or even get those— Dots connected, yep. Get the dots placed so

514
00:32:03,160 --> 00:32:06,960
that when people do the search, you may have 5 dots

515
00:32:06,960 --> 00:32:10,760
that pertain to that search and you become the most relevant person

516
00:32:10,760 --> 00:32:14,370
for that search. And I love that though, that The way to think

517
00:32:14,370 --> 00:32:18,050
about that in terms of little dots, and then when people are looking

518
00:32:18,050 --> 00:32:21,690
for you, you want to have the most dots relevant to that search.

519
00:32:21,690 --> 00:32:25,370
I think there's no better way to position yourself as an

520
00:32:25,450 --> 00:32:29,210
expert than to think about it that way. Think about putting these dots

521
00:32:32,330 --> 00:32:36,050
online. I only have one plug I like to do. I have a theater space,

522
00:32:36,050 --> 00:32:39,680
and if you like live podcasting, if you like what we're doing here, Come

523
00:32:39,680 --> 00:32:43,320
on down. No contract, no minimum ticket sales. I'll

524
00:32:43,320 --> 00:32:47,040
sell tickets for you. I'll record the show, give you back the recording. It's

525
00:32:47,040 --> 00:32:50,080
your audio. I don't take any ownership over it. And at the end of the

526
00:32:50,080 --> 00:32:52,960
night, we split the door 50/50 at the

527
00:32:52,960 --> 00:32:55,518
Poduty Podcast

528
00:32:55,788 --> 00:32:59,400
Theater, poduty.com. This has been Poduty and the

529
00:32:59,880 --> 00:33:03,240
News for Tuesday,

530
00:33:03,453 --> 00:33:07,290
February 24th, 2026. We'll see you on

531
00:33:08,410 --> 00:33:09,530
Saturday. What time is

532
00:33:30,890 --> 00:33:31,434
it? Oh, what time is it? Oh, it's time for Poduty and the News. Poduty

533
00:33:31,434 --> 00:33:35,010
and the News, the only live news podcast about

534
00:33:35,010 --> 00:33:38,110
podcasting from the States. Hold to

535
00:33:38,110 --> 00:33:41,650
the end of news.

536
00:33:41,650 --> 00:33:45,190
Hold to the end

537
00:33:45,190 --> 00:33:48,710
of news. The only live news podcast

538
00:33:49,030 --> 00:33:51,360
about podcasting from the stage.