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Chad: And welcome to Pick Six Movies.

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Chad: A podcast about movies.

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Chad: That's original, isn't it here?

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Chad: Each season, we select a theme and then we curate Six movies all based on that theme.

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Chad: This is season 26.

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Chad: It is 26, right, okay.

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Chad: And our theme this season is Domo Origato, featuring six movies all about robots.

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Chad: Now here's how each episode goes down.

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Chad: First, we give you about 15 to 20 minutes of history on the movie.

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Chad: Don't skip it, it's pretty good stuff.

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Chad: We try to address how the movie was made and why the movie was made, and answer the question huh, this movie was made.

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Chad: Then, after all that, we give you a full review of the movie, from credits open to credits closed.

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Chad: Who is this wee of which I speak?

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Chad: Well, it's my lifelong friend, mr Bo Rainsville, and me, chad Cooper.

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Chad: This is episode two.

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Chad: It is episode two, right, episode two, and we're headed into the black hole.

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Chad: This is a movie that gave a whole generation of children nightmares, as it introduced them to the idea of disembowelment on the big screen.

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Chad: This movie is notoriously bad, which is another little detail that I left out, because we mostly discuss objectively bad films on this podcast.

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Chad: I have it and I'm working very hard to break, among many, many others.

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Chad: What say we?

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Chad: Get my dear friend and co-host, mr Bo Rainsville, in here to fill our ear holes with some black hole history and I'll meet you on the other side, assuming you stick around to hear us discuss this outer space disaster of a disaster movie.

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Chad: Hey Bo, this is the part of the podcast where you start talking.

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Bo: Ornarily.

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Bo: This is the part of the show where we tell a little story related to the movie.

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Bo: We're discussing on this episode and then head into the film itself.

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Bo: The problem is, the story of the black hole is just so darn big, so we're going to do something a little different.

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Bo: We're just going to talk about the movie, and that, though, is a story of risk, of trying to set out on a new path for a beloved corporation, of car accidents and haircuts and, of course, failure.

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Bo: But first a quick look back.

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Bo: In 1974, a movie changed the game for studios the Poseidon Adventure.

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Bo: It was a simple and effective formula you get a bunch of big name stars, you put them in a movie where things explode, collapse and generally run amok, and you have yourself a recipe for box office gold and the template for the disaster movie.

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Bo: In the wake of that film, writers Bob Barbash and Richard Landau had an idea what if you took the Poseidon Adventure and set it in space, as it was initially envisioned?

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Bo: It would be a space station with an all-star cast struck by a pulse from a supernova.

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Bo: How do you get back to Earth before the whole station explodes and all these big name stars along with it?

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Bo: The idea was pitched to Disney, who liked the idea enough to hire Barbash and Landau to flesh it out under the title Space Station One.

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Bo: When the more elaborate story pitch is given to Disney, it has an element that wasn't included in the original pitch A black hole.

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Bo: The next year the first draft of the script is made with the black hole as even more of a threat than in the story pitch.

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Bo: The script is retitled wait for it Probe One.

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Bo: Unfortunately, disney felt that the disaster movie trend was beginning to wane and the movie was going to be enormously expensive to produce.

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Bo: Plus, the script had problems, so the whole project was shelved.

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Bo: Kind of, the House of Mouse was still interested in, well, something in space, so they brought in an artist named Robert McCall to help design some of the ships and setting to provide some possible inspiration.

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Bo: Mccall had done work for NASA and for Stanley Kubrick's 2001 as Space Odyssey and gave Disney some visuals to inspire a new set of writers.

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Bo: It was McCall who designed the ship that would come to be known as the Cygnus, so named for the constellation where the first black hole was discovered.

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Bo: Pretty clever, he also gave the production the original design of Vincent, the hovering robot, wanting to create something more like a hummingbird than the lumbering robots of previous films, something like where things were headed, and brought in veteran director John Hugh to get the movie into production.

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Bo: Hugh was reliable, having done Escape to Witch Mountain for them, along with the excellent adaptation of a horror classic called the Legend of Hell House a terrific movie if you haven't seen it.

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Bo: And while Hugh tasked another writer with some more cleanup of the script, he ran off to direct a sequel to his earlier hit, a movie called Return to Witch Mountain.

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Bo: While more development on Space Station One or Probe One or whatever the hell they were calling it, continued, disney's producer on the film, ron Miller, was even more skeptical of the disaster film Origins and told one of the many screenwriters who delivered a draft of this thing to skew further away from Thatchrope to do something different with the script.

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Bo: Still dissatisfied, disney again shelved the whole production, at least until May of 1977.

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Bo: It was then that a little movie called Star Wars maybe you've heard of it was released and became the biggest grossing movie of the year as well as a legitimate cultural phenomenon.

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Bo: Disney thought, hey, we have a space movie sitting on the shelf.

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Bo: Let's dust that off again and see if we have some wars in the stars of our own.

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Bo: Still the script issues were many.

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Bo: The latest writers scrapped the earlier outline and did a whole new pass on it.

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Bo: Frustrated, director John Hugh left the production to go make another movie and Disney grabbed someone else they knew for the director's chair, gary Nelson.

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Bo: Nelson mostly worked in television but he had done Freaky Friday for Disney.

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Bo: Still, when he was sent the script he passed the script.

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Bo: He said just wasn't very good.

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Bo: Disney countered with but have you seen the things we can do with special effects these days?

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Bo: They convinced Nelson to meet with Peter Ellenshaw, who had come out of retirement, to work on this project.

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Bo: Ellenshaw was a genius with matte paintings and his son, harrison, went into the family business too doing work on matte paintings for Star Wars.

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Bo: This project would be the first where father and son worked together to do visual effects on matte paintings and miniatures for this movie.

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Bo: So Nelson agrees to do the movie based on the stunning work of the Ellenshaws, with the caveat that the script has to be better.

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Bo: The latest draft, which Nelson called, and I quote, bullshit, involved the black hole, but a ship with lots of families in danger and the whole thing was a big mess as production was getting underway.

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Bo: Nelson was also unhappy with the robot designs and called in George McGinnis, who worked at Disney's theme parks as a designer.

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Bo: By this point, it's 1978 and the script still isn't locked, even though some of the effects work is.

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Bo: So Nelson brings in a woman named Jerry Day to punch up a script by a guy named Jeb Rosebrook, and only now is the movie officially titled the Black Hole.

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Bo: The script is the one we recognize today, with one small exception.

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Bo: It ended with the characters going through the black hole, and then, well, they'll figure it out, I guess.

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Bo: Despite the lack of an ending, most of the script was agreed on and the effects would be pardon the expression out of this world.

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Bo: So the black hole was slated for filming.

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Bo: The whole ethos of the project was different than any other Disney film.

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Bo: Up to that point, this was largely due to producer Ron Miller, who we mentioned a minute ago.

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Bo: He started off as a football player who married Walt Disney's daughter, diane, and quickly climbed the ranks to become a producer in his own right, having served in that role on Freaky Friday and Escape to Witch Mountain and the Shaggy DA and a bunch of other movies.

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Bo: What Miller saw, however, was that movies were changing.

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Bo: In the 1970s, the blockbusters Jaws and Star Wars was changing the game and Disney was getting left behind.

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Bo: A studio that was perceived as merely the company that made stuff for kids, and Miller wanted to change that.

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Bo: To make Disney's appeal broader with the film going audience, miller aimed for a PG rating for the movie the Black Hole, the first for Disney production and said quote we're making this one for adults.

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Bo: Despite this edict, as production ramped up, they had to settle on designs for the robots, particularly those of Vincent and old Bob.

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Bo: The earlier designs for McCall were too utilitarian, less kid-friendly, and Disney wanted to be able to sell some toys, along with their rebranding as a company with a less predictable slate of films.

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Bo: The final concept was referred to as the Mercury capsule with googly eyes and was heavily influenced by the look of R2-D2 from Star Wars.

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Bo: Maximilian, the scary evil robot of the movie, started off without a head and was going to be a guy in a suit, but as production neared they settled on the all-red design you see in the film, mostly to avoid a black color that might remind viewers of Darth Vader.

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Bo: Max was able to float on wires to look even bigger than the 6 foot design when Vincent and Bob are all rounded edges.

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Bo: Max is all angles, stark and imposing.

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Bo: Due to this rushed timeline, the Century robots had to be guys in suits.

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Bo: Notably one is played by Tom McLaughlin.

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Bo: That is Captain Star, the black sharpshooting robot you see in the movie, and McLaughlin, who was a world-famous mime, stepped into the suit he had just played a monster in the movie Prophecy, along with the other famous monster in a suit, actor Kevin Peter Hall.

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Bo: Interestingly, mclaughlin would go on to become a director directing previous Pic-6 movies episode she's Too Young.

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Bo: And Friday the 13th, part 6, jason Lives.

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Bo: So now that millions of dollars and several years had already been spent to get this movie made, someone thought, hey, you know, we ought to get some actors to be in this too.

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Bo: So director Gary Nelson and producer Ron Miller both wanted Maximilian Shell for the part of Reinhardt, an actor and director who Nelson had been warned could be quite difficult on the set.

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Bo: Maximilian Shell was sent the script and he liked it well enough, but he worried that it would be just another science fiction movie where the effects were the stars and the actors were just furniture, stating the only character with any depth in Star Wars was R2-D2, in his opinion.

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Bo: As he was in the midst of shooting a movie of his own, he made Gary Nelson fly to Vienna.

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Bo: There Shell said he was probably all wrong for the part.

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Bo: But have you seen a guy named Jason Robarts who was just in this miniseries that Maximilian Shell really liked?

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Bo: The miniseries was called Washington Behind Closed Doors.

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Bo: Nelson said seen it?

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Bo: I directed it, which was true.

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Bo: Gary Nelson had just directed Jason Robarts in the miniseries Washington Behind Closed Doors, reportedly.

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Bo: Maximilian Shell then looked shocked, hugged Gary Nelson and said I will do your movie.

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Bo: The role of Kate McCrae had a winding path to its start.

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Bo: The first up was Sigourney Weaver, who had yet to appear in the film Alien, though that movie was already in the can.

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Bo: Producers, including Ron Miller, thought advertising a movie with a lead with a name like Sigourney Weaver would never fly.

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Bo: Sigourney Weaver, they said, she'll never be a star.

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Bo: So they went with model turned actress Jennifer O'Neill.

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Bo: O'neill presented a different kind of problem For the movie.

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Bo: They would mimic Zero Gravity and Jennifer O'Neill's long hair which she was known for thanks to some advertising of hair care products in national commercials, would never convincingly float.

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Bo: So they had to get her to cut her hair.

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Bo: She agreed on a couple of conditions one, if her stylist, bidao Sassoon, would do the haircut himself, which she did, and that O'Neill could have a couple of drinks while this was going down, dampening the pain of losing her long logs, with a lot of wine.

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Bo: So they would cut an inch of her hair and she would have a glass of wine.

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Bo: Then they would cut another inch and she would have another glass of wine, a lot of wine.

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Bo: Like enough that she drove home from that haircut and immediately got in a car accident that landed her in the hospital with a long enough recovery time that the production had to replace her.

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Bo: So the role was then given to Avet Mimou, who also agreed to cut her hair in a more wine-less manner.

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Bo: She was best known for having been the girl in the future from the time machine Robert Forster.

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Bo: Captain Dan in this movie signed on when his agent described the movie as 20,000 leagues under the sea, in space.

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Bo: Also, he would get to work with Maximilian Schell and Anthony Perkins, who would play the scientist Alex and Ernest Borgnein, who was a Hollywood legend.

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Bo: Roddy McDowell and Slim Pickens would be brought in during post-production as the voices of Vincent and old Bob, respectively, dubbing their parts.

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Bo: Well, after shooting was finished, files were built, matte paintings were drawn and in October of 1978, filming was slated to start on the black hole.

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Bo: In the lead-up, disney wanted to use the film system Star Wars employed to get their shots incorporating matte paintings and models, but the fees were exorbitantly expensive.

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Bo: So producer Ron Miller, who also happened to be a VP of production at Disney, said how about we make our own?

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Bo: So they did.

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Bo: In just a few short months they had a computer-driven system in place called ACES, a rival to the technology used by Star Wars a couple of years before, and the black hole would mark a lot of firsts for Disney.

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Bo: It was the most expensive production they'd ever undertaken, and the effects work surpassed anything the studio had attempted before To make the robots appear like they were floating.

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Bo: Dollies were placed beneath them, or wires painted the color of the background were employed above them.

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Bo: The actors who were wearing wire harnesses to achieve the zero-G effects were sent to astronaut camp to learn how to move and operate in a place that simulated zero gravity.

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Bo: Forster said he loved the effect but that the harnesses were, and I quote, ball-busters.

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Bo: As filming began, director Gary Nelson prohibited anyone not involved with the shoot from entering the sound stages where the movie was being made, some of which had been used on 20,000 leaks under the sea.

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Bo: We'll get back to that.

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Bo: Some believe that Nelson wanted an air of mystery to surround the production, but it's just as likely that the director hung no entry signs all over the place to keep people away because he was concerned the movie they were making just wasn't all that good, what with not having an ending at all.

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Bo: Yeah, the movie still didn't have an ending yet.

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Bo: So let's get back to some firsts for this movie.

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Bo: To shoot the film, over 150 matte paintings were used, almost doubling the previous record set by Mary Poppins, which had 80.

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Bo: And to make the titular black hole?

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Bo: Well, they took a tank of water six feet deep by six feet wide, filled it with water and then put a propeller at the bottom of the tank.

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Bo: They then dumped colored lacquer into the swirling water and the whole thing was lit from beneath by 16 lights.

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Bo: 16 lights, as it happens, gets quite hot and the tank ended up exploding, but not before they'd captured the footage they needed of the swirling colors, which would be rear-projected onto the matte paintings during shooting.

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Bo: Also fortunate, the studio where the tank exploded was one of the sound stages used for 20,000 Leagues Under the Sea, so all of that water going everywhere kinda didn't matter.

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Bo: Then we come to the big death of the movie.

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Bo: It was always in the script that Anthony Perkins character Alex would be murdered by the imposing robot Maximilian a sure way for Disney to secure their PG rating.

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Bo: However, the holding up of the book was improvised on set and a great way to show the effect of the whirling blades of Maximilian's arm without a big spray of blood.

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Bo: It was still awfully effective thanks to Perkins reaction, and audiences were legitimately taken aback by this implied violence.

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Bo: The line that follows where Shell asks to be protected from the robot, was also improvised, but they kept it in because of the ambiguity it lent to the character.

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Bo: Was Maximilian Shell actually afraid of the robot Maximilian, or was he just crazy?

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Bo: Or was he just goofing?

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Bo: You don't know.

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Bo: So they shoot every day for 26 weeks, 4 days off for the holidays, from 7am to 7pm, otherwise you were going bell to bell people.

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Bo: It's a grueling schedule, but there was a lot to do, a lot of effects, a lot of setups and most of the tricks were done in camera, including the big meteor rolling through the ship, which was done with a 4 foot fiberglass ball rolling through a miniature, while the crew was superimposed, running over the shot and everyone seemed to have a pretty good time during production.

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Bo: Perkins would tell stories about Hitchcock.

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Bo: Shell loved playing his scenery-chewing villain and people remember Ernest Borgnein being a happy uncle type that was so into the shoot.

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Bo: He was occasionally seen helping the crew move props around or sweeping up after a shot.

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Bo: Maximilian Shell availed himself of the Disney archives when he wasn't filming, adoring this chance to stroll through and see all these animation cells of movies that he remembered fondly from his childhood.

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Bo: John Berry was tapped to do the music, a veteran who had done work on James Bond movies and that 76th version of King Kong, and I would argue his score is one of the most memorable parts of this often tedious movie.

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Bo: It was also the very first score recorded entirely on digital another first for this movie.

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Bo: When the movie was done, gary Nelson suggested they remove the usual Walt Disney Presents from the movie poster and from the movie itself and instead sub in point of vista productions a subsidiary of Disney.

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Bo: So there would be no mistaking this for a kid's film, unless you count the cute robots.

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Bo: As a result, disney started to get hate mail.

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Bo: Parents were angry that Disney had decided to make a non-kid-friendly movie, even though the black hole only received its PG rating for some dams and hells and some intensity, including that Perkins death.

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Bo: Even stockholders were threatening to sue, worried that producer Ron Miller was going to sink the company with his slate of non-kid-friendly movies.

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Bo: And now let's get to the conclusion of this movie.

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Bo: Anthony Perkins said later that the last 20 pages of the script were kept from the actors, but the truth was they didn't really exist Until a month before shooting wrapped.

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Bo: There wasn't an ending and producers and writers were arguing back and forth whether the crew should go through the black hole at the end or maybe they shouldn't.

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Bo: The first proposed ending was that we see the ship go through the black hole, which is seen to be the ceiling of the Sistine Chapel, and Peter Elenshaw actually got permission from the Vatican, traveled to Rome and got shots of the ceiling of the Sistine Chapel.

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Bo: The idea was that the camera would close in on Kate's eye and then pull back on the eye of Adam in the painting.

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Bo: Kate would then be revealed as one of the angels behind God in the painting.

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Bo: Yeah, I don't quite get it either.

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Bo: The cast was brought back to shoot a new ending where Maximilian the Robot and Maximilian Shell as Reinhardt appear to merge and then lord over a hell-like dimension, while the crew of the probe is led by an angel to a new world, or maybe heaven.

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Bo: Nelson, the director, suggested it could be an angel or an astral projection of resident psychic Kate leading them to safety.

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Bo: He said they could have worked it out in the sequel, had anyone been interested in such a thing.

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Bo: But whatever it was, it definitely owed a debt to the Star Child sequence of 2001, only you know, not as good.

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Bo: It also had the effect of confusing the hell out of audiences who were not looking for an esoteric ending to this otherwise kind of weirdly dull movie.

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Bo: On December 20th 1979, the Black Hole was released, and it was a big disappointment, making only $35 million.

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Bo: It didn't help that Star Trek, the Motion Picture, was released two weeks later and would spend five weeks at the number one slot at the box office.

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Bo: While that movie is remembered as a disappointment.

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Bo: It actually financially did very, very well and sort of buried the other sci-fi movie, the Black Hole, in its wake.

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Bo: Critics generally felt that the Black Hole wasn't adult enough to be compelling for that audience, but it was too adult to be appealing to kids, so it ended up satisfying no one Critic.

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Bo: Now, beyond the Black Hole, roger Ebert said the movie was nothing you hadn't seen before, and even accused the production of ripping off Darth Vader for the look of Max, which they had taken pains not to do but somehow did anyway.

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Bo: Still, it racked up a couple of Oscar nominations for special effects, but it didn't win, thanks to a little movie starring Sigourney Weaver called Alien.

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Bo: As recently as 2010, disney was considering a remake from director Joseph Kaczynski, who did that Tron sequel.

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Bo: You can even see a poster for the Black Hole in an early shot in that movie, but that was canned when Tron Legacy didn't do so hot at the box office either.

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Bo: And then Disney acquired Lucasfilm.

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Bo: Why do a remake of a knockoff of Star Wars when you could just make more Star Wars?

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Bo: Still, every so often, the title comes up as a potential for a remake, even though in 2014, scientific spoilsport Neil DeGrasse Tyson called the Black Hole, the most scientifically inaccurate movie ever made no way.

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Bo: Despite its failure, the Black Hole did pave the way for slightly more adult fare from Disney, including the Watcher in the Woods and Tron and the Black Cauldron and something wicked.

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Bo: This way comes a terrific film.

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Bo: If you've never seen it, it has a legitimate legacy, even if it's a slightly tarnished one.

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Bo: And now that you're an expert on all things Black Hole like me, let's get chatted in here and point this show directly at the event horizon.

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Bo: Ladies and gentlemen.

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Bo: Vincent's and Old Bob's, it's 1979's, disney's I mean point of vista productions the Black Hole.

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Bo: And hey there, welcome to the post introduction part of the show.

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Bo: My name is Bo.

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Chad: And I'm Chad, and we're the host of PicSix Movies.

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Bo: Wow, this feels very vaudeville, all of a sudden I'm punch drunk.

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Chad: Well, you know I'm drunk, Lest the punch Unless you're drinking some sort of spiked punch.

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Chad: The crazy thing is that it's like 8.15 AM where I am.

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Bo: That's not crazy to me.

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Bo: I think we're doing this in celebration of the death of Jimmy Buffett, who once said it's eight o'clock somewhere.

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Chad: Well, if I'm known for one thing, it's my controversial hot takes.

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Speaker 3: Oh yeah.

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Chad: When people listen to this podcast they say I wanna hear Chad's controversial hot takes and I got a hot take, old hot take, chad they call ya.

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Chad: I got a hot take on the black hole.

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Chad: I think that this movie is worse than Heart Beeps.

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Bo: That's the craziest shit I've ever heard.

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Chad: It's a hot take.

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Chad: It's controversial that's what I'm known for but it is equally void of entertainment value.

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Chad: It maxes out on what the hell is happening in this movie.

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Chad: There's no clear protagonist.

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Chad: It is extremely derivative of other movies of this era, as you pointed out in your introduction, and it is 20 minutes longer than Heart Beeps and the feels like index is way longer.

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Chad: It's so artsy-fartsy.

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Bo: I don't disagree with that, although I think there is enough going on in the movie that I find it interesting.

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Bo: If nothing else, it is a matte painting extravaganza.

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Chad: I don't disagree with that, but I think that that was arguably true for Kingdom of the Spiders.

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Bo: Well, you know how I feel about Kingdom of the Spiders Chad I do so.

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Bo: I have a soft spot for matte paintings and miniature work.

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Bo: So, even when the people on screen are saying really boring shit, which is most of the movie, yes, there is an artistry to this movie that a Heart Beeps has a touch of with the Stan Winston makeup.

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Bo: But, this is just on such a grand scale of people trying to do effects in a way that had never been done before, in some cases, or effects work that was bigger than had been attempted before, and I find that really interesting and something that captivates me when I watch it.

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Bo: And also the ending of the movie is so fucking batshit that I sort of love it.

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Chad: Stop apologizing for this movie.

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Bo: I'm not apologizing, I'm telling you that this movie is objectively better than Heart Beeps, because Heart Beeps is a movie that defies the very idea of entertainment.

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Chad: And it's 20 minutes shorter and it is equally boring and equally un-entertaining.

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Chad: The first two minutes and 28 seconds of this movie is just the musical score, playing with a black background, and for every single man, woman and child who watches this movie on a streaming service, they immediately, collectively 100% are thinking is I'm fucked up with this?

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Chad: Wait, why is there no picture?

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Chad: The audio?

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Chad: Let me start it up, Wait what huh?

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Bo: This was, unsurprisingly, one of the last movies to ever do this Lawrence of Arabia business, where they just play part of the score at the beginning of the movie into the overture.

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Bo: It used to happen a lot and this was one of the last movies to do it, and I don't disagree.

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Chad: I didn't think there was anything that I could hate more than opening credits.

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Chad: But if you're gonna give me two minutes and 28 seconds of just a black screen with music playing, you know what you can do.

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Bo: Bo, you can go fuck yourself At the time this was made.

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Bo: This is where people were coveted late.

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Bo: All the assholes that show up wanting to miss the credits.

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Chad: This movie is like going to see a live band.

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Chad: What time's the show?

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Chad: At nine, but they got an opening act, then there's gonna be an intermission.

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Chad: Then I heard that his buddy's gonna come on stage with her.

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Chad: Like, so when do I need to show up?

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Chad: Four hours later?

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Chad: Okay, then that's when I'll be there.

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Bo: I wish that every band that had an opening act had two times listed on the ticket.

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Bo: Yeah, and that time is when hey, this is when you can get into the show and this is when we're really going on.

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Bo: So if you don't wanna, listen to John Mayer, pluck some acoustic cover of Jeremy or some shit.

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Bo: Right, no that you can skip all of that and go straight to what you really came for, which was that Nickelback reunion.

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Chad: I'd never seen this movie until watching it for this podcast.

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Chad: I'd seen bits and pieces of it and I had a vague memory of the tepid controversy around it being a Disney film and the PG rating.

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Chad: But as you know, in the intro it's not really a Disney film at heart, or at least what modern audiences think of a Disney film.

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Chad: As you noted, it's certainly more in line with traditional disaster movies or 20,000 Leagues Under the Sea in outer space.

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Chad: But I do wanna point out Disney did make Old Yeller, where they shot and killed a rabid dog.

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Chad: So that's kind of a downer.

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Bo: And Rogue One more recently had bit of a less than upbeat ending Touchstone Pictures is all Disney and they did all kinds of outlandish stuff.

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Bo: There was a movie prior to this one that Disney released but didn't produce, that was rated PG.

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Speaker 4: What was?

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Bo: it.

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Bo: I don't remember the title.

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Bo: Off the top of my head it's a movie that you've never heard of the Kid With the Broken Halo.

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Chad: Starring Gary Coleman, Maybe, who knows, it was some bullshit On the right track.

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Bo: Starring Gary Coleman.

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Bo: I think it was the episode of Differt Strokes with the guy who ran the bicycle shop starring Gary Coleman.

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Chad: Hey, here's a season idea Coleman and Coleman, Gary Coleman and Dabney Coleman movies.

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Chad: Any excuse to do both Wargames and Cloak and Dagger.

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Bo: Nine to five, I genuinely shot.

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Bo: Cloak and Dagger has not appeared on this show yet.

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Bo: Henry Thomas, what a downfall.

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Bo: Huh, he's in those Mike Flanagan horror movies these days.

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Bo: Whatever You're like, dr Sleep, which you asked me about the other day he does the Nicholson part in Dr Sleep they talk about peaking early.

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Chad: You come out of the gate and you're the biggest thing in the world, and then he's had a bit of a renaissance.

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Bo: I mean much more lower key, doing character actor stuff.

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Chad: Of course, because nobody cares.

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Bo: Well, he was in that awful ET and that launched him into fame.

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Bo: I'm shocked that you have such a dislike of ET.

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Bo: I think ET is one of the most overrated, bloated, uninteresting movies.

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Bo: I would rather watch the black hole that I would watch ET.

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Chad: Shame on you, I know Shame on you.

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Bo: It's been a long time since I watched it.

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Bo: I need to go back and give it another day in court, but the last time I watched ET, I remember thinking this is the last time I will ever watch this movie.

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Chad: The last time I watched ET, I choked up at the end.

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Chad: You wanna know why?

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Bo: Cause I was sober, the same thing happened to me when I watched Guardians of Galaxy III recently.

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Chad: You choked up at the end of that Baby.

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Chad: I did Not at the end of the end of the end, really Cause of all the animal stuff.

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Bo: It was when the animal friends start getting murdered in front of him.

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Bo: Look, I'm a soft touch.

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Speaker 3: That's why how do you not like ET?

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Chad: You were such a soft touch.

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Chad: You cry at public's commercials, or I do.

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Bo: When you see old people fall down, when I'm laughing at it, you're like no, no no, this is sad Chad, Because ET looks like a scrotum brought to life and there is nothing charming about that.

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Speaker 4: It's just gross.

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Bo: Says you and also, I never care about ET in that movie.

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Bo: There is nothing about that character that I find endearing.

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Bo: I think it looks gross.

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Bo: I think the glowing heart is stupid.

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Bo: I think that, like his super powers, like he can bring plants back to life, he gives a fuck.

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Bo: Anyway, give me a real, honest and goodness mutant that can shoot lasers out of their eyes like Cyclops from the X-Men.

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Bo: And when he dies and gets sick and a little boy gets sick alongside him, then I will cry, all right.

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Speaker 3: Anyway, let's talk about this movie.

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Bo: So we get some opening credits, which I know you love, and it's a real computer-y kind of font.

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Chad: X and Y axis.

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Bo: Yeah.

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Bo: Green, you know kind of checkerboard pattern and we get our first look at the cast, and I would argue this is a stacked cast for the time.

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Chad: I agree, you hustle through the cast pretty quick, but then they start bullshitting around with things like production designer Peter Ellenshaw.

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Chad: I'm like who cares?

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Bo: Did you not listen to the introduction?

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Bo: Peter Ellenshaw came out of retirement for this.

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Chad: Nobody cares.

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Chad: We are four minutes into this movie when it decides to officially start.

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Bo: I do like the John Berry music which you get not only in the overture but also in the credits.

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Bo: I think that's good stuff.

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Chad: He did.

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Chad: You know all that James Bond stuff.

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Chad: We talked about him during our James Bond season.

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Chad: I always think of John Berry with dances with wolves.

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Chad: That's my go-to John Berry.

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Chad: Yeah, what was the last time you watched that movie?

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Chad: Whenever they were selling those VHS tapes at McDonald's.

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Chad: You could get one for 99 cents, along with a shake.

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Chad: What?

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Chad: A fucking insult that was to the filmmakers.

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Chad: You went in and bought a value meal and for a buck more you got an Academy Award film.

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Bo: I like dances with wolves.

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Bo: The first time I saw it when it was called Avatar.

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Chad: We then see the expanse of space.

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Chad: Yes, and it is pollocked with stars.

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Chad: And we hear the unmistakable voice of Roddy McDowell as Vincent the robot, spouting off a bunch of pretentious robot voice directions on how to steer a spaceship that they're flying.

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Chad: Did they cast Roddy McDowell cause he sounded like C-3PO?

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Chad: Probably a little bit.

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Bo: This is a reference that is probably gonna pass by you, but Vincent the robot is the robot equivalent of Jean-Luc Picard from Star Trek, the Next Generation.

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Bo: You just can't turn around without some Shakespeare or something coming out of his mouth.

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Bo: I get it.

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Bo: You're smart, all right.

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Bo: Right, you don't have to impress the rest of us robot.

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Chad: Then we hear all of our movies principal male characters having this back and forth with Vincent about more spaceship nonsense and it's just a bunch of gibber jabber about rotate these degrees and quaysarks and vector units.

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Chad: And then we finally see the spaceship the Palomino and I immediately mistook it for the USS Swine Trek from the pigs in space opening on the Muppet Show.

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Bo: Huh, when I turned invisible, I look interesting.

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Bo: When it happens to you.

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Bo: You look weird.

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Speaker 3: One of my favorite pigs in space episodes.

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Bo: But you're not wrong, the Palomino does look like the SS.

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Speaker 4: Swine Trek.

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Bo: This also comes from a time in movie history where, in the first three minutes of the movie, everyone had to say each other's name.

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Chad: Seven minutes.

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Chad: The first four and a half were black backgrounds, and who cares Fair?

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Bo: enough, but it's a whole lot of hey, be sure, you've got those coordinates right, dan, you've got it.

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Bo: Alex.

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Bo: Hey, vincent, the robot's outside, isn't he?

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Bo: That's right, charles, and you're like, I get it.

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Bo: You're all named white people names.

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Chad: If you ever watched the pilot episode of Rick and Morty, it's shocking how much Rick and Morty refer to each other as Rick and Morty, and I don't know if that had to do with some sort of post-pilot survey.

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Chad: You know where you had to remember the character's names, but it was like the old Laverne and Shirley of like.

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Chad: We don't know who's who here.

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Chad: Well then, slap a big L on Laverne's sweater so that everybody knows that's Laverne.

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Bo: Although, once you get a look at these people, there's no mistaking them.

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Bo: They all look very different, which is good.

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Chad: Gun to my head.

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Chad: I couldn't name one character in this film.

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Chad: Even in my notes I'm calling them by their actor's names or some nickname Squado and Tall Guy and BDIs and stuff like that.

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Chad: Buckaroo.

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Bo: But yeah, we finally cut inside the ship and we see the Lieutenant on the ship, Charlie, who is played by Timothy Bottoms.

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Chad: All right, we're calling him Bottoms, that's right, I got that.

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Chad: He's a Lieutenant.

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Bo: What does that mean?

357
0:34:28,920 --> 0:34:32,126
Bo: I think that they came up with the titles once the trip had started.

358
0:34:32,320 --> 0:34:35,670
Bo: And it was one of those days where everybody's real edgy and the.

359
0:34:35,710 --> 0:34:36,662
Bo: Captain was like you know what?

360
0:34:36,802 --> 0:34:37,706
Bo: You're a Lieutenant now?

361
0:34:37,960 --> 0:34:39,427
Bo: And he's like, yeah, I am.

362
0:34:39,640 --> 0:34:46,650
Chad: He floats into the scene through this open hatch, and so there's like no gravity, right Well?

363
0:34:46,690 --> 0:34:47,031
Speaker 3: kind of.

364
0:34:47,300 --> 0:34:50,547
Chad: But it kind of looks like you're watching a local production of Peter Pan.

365
0:34:50,700 --> 0:34:55,547
Chad: He's ready to think some happy thoughts and follow that second start to the right and straight on to Neverland.

366
0:34:55,760 --> 0:34:58,930
Bo: The wire work is pretty good for the time.

367
0:34:59,040 --> 0:35:10,247
Bo: In fact, it's probably very good for the time, yes, but now when you're watching it, we live in a world where Apollo 13 happened and they filmed all that stuff on the vomit comet, so everybody was really floating.

368
0:35:10,460 --> 0:35:10,902
Bo: Why are they?

369
0:35:10,942 --> 0:35:15,346
Chad: doing this, beau, nobody in Star Wars or Star Trek was floating around like this.

370
0:35:15,580 --> 0:35:17,026
Chad: Just walk around on the ship.

371
0:35:17,782 --> 0:35:27,066
Bo: I think they wanted this movie to have an air of scientific truth to it even though, as it happened, they got everything wildly wrong.

372
0:35:28,240 --> 0:35:34,229
Bo: But as Bottoms floats up, he's telling Vincent like, say, that's the biggest black hole I ever did see.

373
0:35:35,160 --> 0:35:38,827
Bo: And Vincent's like, yes, I know how about we turn on the fancy holograph.

374
0:35:39,080 --> 0:35:45,627
Chad: Bottoms says hey, don't tell Ernest Borgnein that that's the biggest black hole you've ever seen, or you're gonna get a gander at his butt hole.

375
0:35:46,441 --> 0:35:47,947
Chad: Hey, did somebody say butt hole?

376
0:35:48,261 --> 0:35:49,365
Bo: Oh geez, here he is.

377
0:35:49,840 --> 0:35:54,564
Bo: After he shows up, dr Kate shows up, played by Abette Mimue.

378
0:35:54,765 --> 0:35:59,767
Bo: Okay, she wants to look too at this hologram of the black hole that they've got going on.

379
0:36:00,000 --> 0:36:06,969
Bo: So now it's Bottoms Abette Mimue and Ernest Borgnein and the robot all gathered around looking at this holograph.

380
0:36:07,160 --> 0:36:12,665
Chad: Yeah, Robert Forrester shows up, but he continues using Peter Panwires to go up to another floor.

381
0:36:13,161 --> 0:36:14,226
Bo: I don't want any part of this.

382
0:36:14,440 --> 0:36:15,465
Chad: Whatever's going on in here.

383
0:36:15,780 --> 0:36:17,286
Bo: I'll be upstairs if you need me.

384
0:36:18,141 --> 0:36:19,346
Bo: And it's very silly.

385
0:36:19,420 --> 0:36:22,989
Bo: They're all floating around and you can tell that they're kind of swaying a little bit.

386
0:36:23,100 --> 0:36:26,510
Bo: It's very Star Trek, a ritual series, kind of shit.

387
0:36:26,740 --> 0:36:44,307
Bo: This is the point where Ernest Borgnein says look at that, it's like something out of Dante's Inferno, which is a little bit of hell talk right off the bat, which I like because it's foreshadowing, or it would be if they had known that's where the movie was gonna end.

388
0:36:44,500 --> 0:36:56,145
Chad: Now for those of you who are not English majors, Dante's Inferno details Dante's journey through hell, which includes nine concentric circles of torment located within the earth.

389
0:36:56,441 --> 0:37:03,867
Chad: And the Inferno represented the recognition and rejection of sin in Dante's divine comedy, which, by the way, Bo not very funny.

390
0:37:04,361 --> 0:37:05,887
Bo: Strangely yes, yes, yes, yeah, man.

391
0:37:06,180 --> 0:37:09,310
Chad: It's all about the soul's journey toward God.

392
0:37:09,500 --> 0:37:11,748
Chad: We also get to see Anthony Perkins here.

393
0:37:11,980 --> 0:37:13,285
Chad: He is forever and always.

394
0:37:13,406 --> 0:37:15,303
Chad: Norman Bates and Robert Forrester.

395
0:37:15,644 --> 0:37:16,387
Chad: Is he the captain?

396
0:37:16,547 --> 0:37:22,548
Chad: Yes, Because I didn't know who the main character was in this movie even till now, which welcome back to the podcast.

397
0:37:22,660 --> 0:37:27,667
Chad: We last saw him tracking down an alligator in the sewers back in season 16, episode two.

398
0:37:28,602 --> 0:37:30,451
Bo: Now, is alligator a better movie than the black hole?

399
0:37:30,672 --> 0:37:32,240
Bo: Of course, absolutely.

400
0:37:32,541 --> 0:37:34,924
Bo: No one's gonna make this hard, jesus Christ.

401
0:37:35,105 --> 0:37:37,685
Bo: No, alligator has a giant ass.

402
0:37:37,765 --> 0:37:43,825
Bo: Alligator attacking a car yes, maybe one of the top 10 movies we've ever watched on this show Right.

403
0:37:44,500 --> 0:37:55,010
Chad: And, if you don't know, robert Forrester from alligator, he was also the male lead in Jackie Brown and he was the guy who gave Walter White his chemo treatments in the penultimate episode of that show's final season.

404
0:37:55,281 --> 0:38:07,888
Chad: And Ernest Borgneid, if you don't know, to younger audiences, he was the voice of Mermaid man on SpongeBob SquarePants, and he's also known for telling those three hosts to Fox and Friends on live TV that his secret to long life was that he masturbates a lot.

405
0:38:08,060 --> 0:38:09,245
Bo: Every day is what he said.

406
0:38:10,000 --> 0:38:13,169
Bo: Listen, I make sure I crank one out every morning.

407
0:38:13,940 --> 0:38:15,968
Bo: It's a reason for me to get out of bed.

408
0:38:16,380 --> 0:38:18,007
Chad: You don't give a shit about anything.

409
0:38:18,140 --> 0:38:23,726
Chad: If you were on a television show and you lean in to a stranger and talk to them about how much you're jerking off.

410
0:38:24,061 --> 0:38:25,496
Bo: Ernest Borgneid who.

411
0:38:25,516 --> 0:38:27,565
Speaker 3: I'm in front of had his Oscar for Marty Right.

412
0:38:27,746 --> 0:38:28,649
Bo: He had an Oscar.

413
0:38:29,040 --> 0:38:32,322
Bo: He'd been in movies to one degree or another for what?

414
0:38:32,422 --> 0:38:33,305
Bo: 50 years?

415
0:38:33,385 --> 0:38:36,206
Bo: At that point, what does he give a fuck right?

416
0:38:36,520 --> 0:38:39,263
Speaker 4: I'm surprised he didn't demonstrate, it's better if.

417
0:38:39,383 --> 0:38:40,006
Speaker 3: I show ya.

418
0:38:41,500 --> 0:38:43,828
Bo: I hope you got a real wide lens.

419
0:38:44,240 --> 0:38:45,124
Chad: Here's my technique.

420
0:38:45,360 --> 0:38:48,948
Chad: I turned my hand around and I pretended somebody, I don't know.

421
0:38:49,200 --> 0:38:55,149
Bo: I keep a series of bull's eyes in my bedroom and I can still hit the target sweetie.

422
0:38:55,820 --> 0:39:03,489
Chad: On Thursday nights I put my hand in a bucket of ice water and then when I pull it out, I can't feel anything on the rod or the handle.

423
0:39:03,780 --> 0:39:11,689
Bo: I glued a couple of gloves to my Oscar You'd be surprised how good it feels to get a hand job from a statue.

424
0:39:12,020 --> 0:39:14,909
Chad: Oh, they're looking at this hologram of the black hole.

425
0:39:15,520 --> 0:39:19,810
Chad: Anthony Perkins chimes in yes, a black hole is the most destructive force in the universe.

426
0:39:20,060 --> 0:39:23,250
Chad: And then Yvette, our only female character in the movie.

427
0:39:23,520 --> 0:39:27,869
Chad: She says I had a professor who predicted that black holes would devour the entire universe.

428
0:39:28,040 --> 0:39:39,249
Chad: He also got high with me and some friends and we discussed how the solar system could be like a tiny atom in the fingernail of some giant being and that one tiny atom in my fingernail could be a tiny little universe.

429
0:39:39,780 --> 0:39:43,866
Bo: I ended up having an affair with him, cheating on my boyfriend Otter.

430
0:39:44,180 --> 0:39:55,344
Chad: And then they destroyed the homecoming parade with a giant deathmobile that exploded out of a cake that looked a lot like the crime stopper robot from the movie Heart Beeps.

431
0:39:55,364 --> 0:39:56,107
Chad: Have you seen that film?

432
0:39:56,260 --> 0:40:02,764
Chad: It's much better than the movie we're in, according to 50% of the people who host the podcast fixed-in to the movie.

433
0:40:02,924 --> 0:40:04,530
Bo: That's true, I didn't think about that way.

434
0:40:04,600 --> 0:40:10,780
Bo: But 50% of this podcast is of the crazy opinion that Heart Beeps is a better movie than this one.

435
0:40:10,820 --> 0:40:17,026
Chad: Well, the other 50% thinks that ET is terrible which it isn't but that's why we work together and why we love each other so much.

436
0:40:17,200 --> 0:40:18,660
Chad: So what happens in our movie next year?

437
0:40:18,660 --> 0:40:22,367
Chad: Oh yeah, so Vincent, the robot is like hey, everyone shut up for a second.

438
0:40:22,540 --> 0:40:24,848
Bo: There's a ship really close to this black hole.

439
0:40:25,240 --> 0:40:30,128
Bo: Let me try to place it with a series of pictures that I'm just going to borrow from Wikipedia.

440
0:40:30,660 --> 0:40:32,025
Bo: So that is flashing.

441
0:40:32,306 --> 0:40:42,127
Bo: And that's the point where of Vettememue is like how could something get out here ahead of us, Because we're supposed to be this spaceship on the edge of all we know.

442
0:40:42,520 --> 0:40:45,064
Bo: And that's where Vincent is like oh, my goodness, that's the Cygnus.

443
0:40:45,320 --> 0:40:48,564
Bo: Hey, EVMemue, isn't that the ship that your father was on?

444
0:40:48,745 --> 0:40:49,327
Chad: Oh, yes, it is.

445
0:40:49,620 --> 0:40:54,469
Chad: It disappeared 20 years ago and I'm 30, which means it's been 20 years since I've seen my father.

446
0:40:54,660 --> 0:40:57,585
Chad: I hope this is important to the plot of the film, but it probably won't be.

447
0:40:57,840 --> 0:40:59,185
Chad: Yeah, ernest Borgnein.

448
0:40:59,385 --> 0:41:07,743
Chad: He jumps in and he's like hey, anybody here ever heard of the commander that ship, dr Hans Reinhart, and then Tony Perkins.

449
0:41:07,984 --> 0:41:09,429
Chad: His ears are like tingling.

450
0:41:09,640 --> 0:41:11,247
Chad: Oh my God, yes, he's like Ernest Borgnein.

451
0:41:11,360 --> 0:41:12,645
Chad: Did you ever meet Commander Reinhart?

452
0:41:12,685 --> 0:41:13,428
Chad: Did he smell good?

453
0:41:13,620 --> 0:41:19,428
Chad: I imagine he smelled like sandalwood, with skin that's most simultaneously rough and smooth to touch or so I've heard.

454
0:41:19,580 --> 0:41:25,984
Chad: That guy was a real stuck up asshole Collided with him more like yeah, he was a real piece of shit.

455
0:41:26,024 --> 0:41:27,529
Chad: And Tony Perkins is like whoa, whoa, whoa, whoa.

456
0:41:27,549 --> 0:41:28,622
Chad: He's like you collided with him.

457
0:41:28,642 --> 0:41:30,769
Chad: Was that in a public restroom or a sauna?

458
0:41:30,980 --> 0:41:33,048
Chad: Tell me everything and don't think out one single detail go.

459
0:41:33,380 --> 0:41:35,929
Bo: All I know is that that ship never came back.

460
0:41:36,160 --> 0:41:38,067
Bo: It probably got a vent horizon.

461
0:41:38,420 --> 0:41:40,768
Bo: It's probably haunted as shit right now.

462
0:41:41,020 --> 0:41:42,465
Chad: All right, pause this conversation.

463
0:41:42,485 --> 0:41:42,907
Bo: Yes, please.

464
0:41:43,360 --> 0:41:50,266
Chad: I didn't really put a whole lot of notes down on this, but is this movie essentially a precursor to the film Event Horizon?

465
0:41:50,420 --> 0:42:00,465
Chad: I know that there's a lot of differences between Black Hole and Event Horizon, but as I watched this I kept thinking this just feels like a wet toilet paper version of Event Horizon.

466
0:42:00,820 --> 0:42:10,005
Bo: It's certainly similar because it is that haunted house and space kind of thing, with this ship being populated by robots and whatnot as opposed to demons.

467
0:42:10,660 --> 0:42:12,727
Bo: So there's DNA for sure.

468
0:42:12,907 --> 0:42:15,066
Bo: Okay, is Event Horizon a better movie?

469
0:42:15,280 --> 0:42:16,144
Speaker 3: Probably.

470
0:42:16,801 --> 0:42:17,886
Chad: Yes, it is.

471
0:42:18,300 --> 0:42:20,067
Chad: Is everything a better movie than this?

472
0:42:20,380 --> 0:42:23,168
Chad: Yes, it is, including Heartbeats and ET.

473
0:42:24,300 --> 0:42:25,768
Chad: All right, what's better, Black Hole or ET?

474
0:42:26,250 --> 0:42:26,994
Bo: Sophie's Choice there.

475
0:42:27,242 --> 0:42:28,860
Bo: I mean, I would rather watch Black Hole than ET.

476
0:42:28,920 --> 0:42:30,607
Chad: I thought you were gonna say you'd rather watch Sophie's Choice.

477
0:42:30,860 --> 0:42:32,742
Chad: I've never seen Sophie's Choice, I only know what.

478
0:42:32,763 --> 0:42:37,004
Bo: Sophie's Choice was, and I felt like knowing that I didn't need to watch the rest of the movie.

479
0:42:37,345 --> 0:42:38,730
Bo: Fair enough At this point.

480
0:42:39,031 --> 0:42:45,377
Bo: Anthony Perkins says yes, I heard that the ship either refused a request to return to Earth or they never got it.

481
0:42:45,606 --> 0:42:52,458
Chad: Some people don't get messages from other people, because I've sent Reinhardt a letter every day for the last three years and I've never heard from him.

482
0:42:52,618 --> 0:43:03,305
Chad: I'm sure that he just probably never received my handwritten letters and all the pictures I drew of he and I together me combing his hair, a sharing an umbrella or riding a Vespa in Rome on holiday together.

483
0:43:03,405 --> 0:43:05,451
Bo: Hey, put it back in your pants, pal.

484
0:43:05,952 --> 0:43:07,396
Bo: It's not like you're on a talk show.

485
0:43:07,806 --> 0:43:11,861
Chad: You bet Chimesen, can we talk about my dad possibly being on that ship?

486
0:43:12,005 --> 0:43:14,695
Chad: Like that thing just disappeared with my father on it.

487
0:43:14,968 --> 0:43:16,122
Chad: Oh boy, here we go again.

488
0:43:16,466 --> 0:43:17,310
Chad: Bottoms Chimesen.

489
0:43:17,451 --> 0:43:22,834
Chad: If we can get close enough, then Vincent the Robot and I we can get on that ship using tethers.

490
0:43:23,286 --> 0:43:24,391
Chad: Anthony Perkins points out.

491
0:43:24,525 --> 0:43:27,154
Bo: Why the ship hasn't moved at all since we first saw it.

492
0:43:27,506 --> 0:43:28,572
Bo: All right if you get on that ship.

493
0:43:28,613 --> 0:43:33,555
Chad: Could you take this poem that I wrote for Reinhardt with you, If you see him, Delmuth's from me, Anthony Perkins, Tony Perkins, Tony P.

494
0:43:33,827 --> 0:43:35,238
Chad: So I signed my correspondence with him.

495
0:43:35,359 --> 0:43:36,105
Chad: The top of the P is a heart.

496
0:43:36,287 --> 0:43:38,405
Chad: If he pretends not to remember me, he'll remember me he knows.

497
0:43:38,626 --> 0:43:46,537
Bo: And then Robert Forster decides to get into the movie and says Look, it's against my better judgments, but I guess we'll go take a look at this crazy ship.

498
0:43:46,766 --> 0:43:48,733
Chad: And Vincent the Robot gets all preachy.

499
0:43:48,986 --> 0:43:54,005
Chad: To quote Cicero, Rationus is the characteristic of youth, prudence, of mellow age and discretion.

500
0:43:54,187 --> 0:43:55,906
Chad: The better part of valor, what hey?

501
0:43:56,046 --> 0:43:57,851
Bo: how about you start making some sense?

502
0:43:58,092 --> 0:43:59,856
Bo: Oh, we'll use you for extra pots.

503
0:44:00,166 --> 0:44:02,024
Bo: Which button on you makes a margarita?

504
0:44:02,205 --> 0:44:04,994
Bo: Is it near the button that makes you shut off?

505
0:44:05,485 --> 0:44:09,857
Bo: If we could turn you into a McFlurry machine, that would be preferable.

506
0:44:10,086 --> 0:44:13,898
Chad: So they decide they're going to go on for a closer look and this takes about 90 seconds.

507
0:44:14,140 --> 0:44:19,931
Chad: It's so boring and there's a whole lot of like range two, nine, nine, five holding steady gravity rising.

508
0:44:20,052 --> 0:44:22,705
Chad: Boring editor getting into your job.

509
0:44:22,886 --> 0:44:28,290
Bo: But as we get close to the sickness, we get the real look at the ship, which I think is very cool.

510
0:44:28,311 --> 0:44:31,485
Bo: I think it's very interesting design to this ship.

511
0:44:31,706 --> 0:44:37,755
Chad: They splash a big flashlight on it and they're flying around underneath it, and then gravity comes on, whatever the hell that means.

512
0:44:37,946 --> 0:44:48,822
Bo: And the, the Palomino starts to tumble towards the black hole and we get a scene that nobody wanted or needed in this movie, where it looks like they're going to fall into the black hole and then they don't.

513
0:44:49,144 --> 0:44:58,236
Bo: Yeah, although this does have the first introduction, because Vincent has to go out and repair some shit on the Palomino to fix it so that it can escape the black hole.

514
0:44:58,585 --> 0:45:07,036
Bo: And there's a point where Robert Forster says hey event, mim, you, would you mind using your ESP to tell Vincent some shit?

515
0:45:07,246 --> 0:45:08,631
Bo: And you're like what now?

516
0:45:09,046 --> 0:45:11,747
Chad: She has ESP with a robot, uh-huh.

517
0:45:11,988 --> 0:45:14,148
Bo: But it's not just her Apparently.

518
0:45:14,188 --> 0:45:18,389
Bo: This is a thing, because it comes up later where they talk about other people who use ESP.

519
0:45:18,429 --> 0:45:22,065
Bo: It's like oh, I guess that's just something that humans evolved.

520
0:45:22,246 --> 0:45:23,089
Speaker 3: Question mark.

521
0:45:23,290 --> 0:45:27,791
Chad: You already touched on the terribleness of this script and the slap dash way it was put together.

522
0:45:27,985 --> 0:45:30,214
Chad: That was just something that they forgot to white out.

523
0:45:30,406 --> 0:45:38,777
Bo: She's in possession of a very new power, or a very old one, she goes into this trance and she says Vincent has a stupid quote for us.

524
0:45:38,925 --> 0:45:43,197
Chad: There are old pilots and bold pilots, but few old bold pilots.

525
0:45:43,408 --> 0:45:44,485
Chad: How fun, wait, hold on.

526
0:45:44,706 --> 0:45:46,172
Chad: Now he's telling me a limerick.

527
0:45:46,366 --> 0:45:49,372
Chad: It's about a man from Mantecote and oh my God, I can't say that.

528
0:45:49,485 --> 0:45:52,567
Chad: I'm not sure how any of that helps, does it?

529
0:45:52,687 --> 0:45:57,789
Chad: So Vincent closes or opens a hatch or something and the tether attaching him to the ship snaps.

530
0:45:57,849 --> 0:45:58,332
Chad: Who cares?

531
0:45:58,466 --> 0:46:01,650
Chad: But he has like a magnet on a backup tether, so no worries.

532
0:46:01,906 --> 0:46:21,145
Chad: So they stabilize their ship after about 10 minutes of boring space stuff and they drift by the larger ship and then the big ship turns on its lights, blah, and then they capture a little ring doorbell footage of who's nosing around their property up on the ship and Yvette looks out and she's like hey, I see people on that ship, I know it, I feel it.

533
0:46:21,265 --> 0:46:33,174
Bo: You remember I have ESP with robots whatever Bottoms apologizes to Robert Forster for getting up in his grill about possibly leaving Vincent behind when they were close to the black hole.

534
0:46:34,006 --> 0:46:44,013
Bo: Robert Forster says hey, don't worry about it, pally, we all have a soft spot for the little guy, which leads me to believe that he has fucked this robot Absolutely.

535
0:46:44,365 --> 0:46:48,677
Bo: I think he has bottoms, has artists Borgneid definitely has.

536
0:46:49,046 --> 0:47:00,125
Chad: So they land the ship, the small ship on the big ship, and again, at this point I'm real unclear as to who's the captain, engineer, navigator, cook, ship psychic.

537
0:47:00,346 --> 0:47:07,765
Chad: Well, I'm pretty sure that's Yvette but everything else is up for the crews reunited with Vincent, the robot who says out of the frying pan and hopefully not into the fire.

538
0:47:07,966 --> 0:47:10,360
Chad: But I wish this robot would be quiet.

539
0:47:10,641 --> 0:47:13,640
Chad: Jesus Christ, it's like listening to a metallic fortune cookie.

540
0:47:13,681 --> 0:47:14,867
Chad: 24, seven, are we?

541
0:47:14,907 --> 0:47:17,154
Bo: sure we can turn his vocal back off.

542
0:47:17,445 --> 0:47:21,036
Bo: Hey, and if he tells you something with ESP, tell him to shut it.

543
0:47:21,526 --> 0:47:29,173
Chad: The crew gets on the big ship and Captain Robert Forster says hey, bottoms, you stay on the ship and make sure nothing interesting happens while we're gone.

544
0:47:29,233 --> 0:47:29,975
Chad: He's like yes, sir.

545
0:47:30,225 --> 0:47:35,817
Chad: And then Vincent the robot says yes, bottoms, some people must serve by standing around and doing nothing.

546
0:47:35,917 --> 0:47:36,218
Chad: That's you.

547
0:47:36,646 --> 0:47:37,711
Chad: You are useless.

548
0:47:37,966 --> 0:47:41,765
Chad: I was programmed to educate and remind you of how much of a useless tool you are.

549
0:47:41,885 --> 0:47:46,938
Bo: It's a real prissy comment because Bottoms says you know, vincent, were you here just to annoy me?

550
0:47:47,166 --> 0:47:49,905
Bo: And that's where Vincent the robot says no, to educate you.

551
0:47:50,126 --> 0:47:56,514
Chad: And you're like, yeah, I'm going to shoot this fucking robot because the filmmakers don't know how to edit this movie or write their way out of the scene.

552
0:47:56,725 --> 0:48:01,838
Chad: It just ends with Bottoms saying like I never thought I'd be playing straight man to a tin can.

553
0:48:01,965 --> 0:48:11,415
Chad: Then Bottoms walks a few paces away and then he spins around like a gunslinger with his laser blaster and he just stares into the camera awkwardly Mm.

554
0:48:11,435 --> 0:48:13,673
Bo: Hmm, you might be surprised, or that was improv.

555
0:48:14,006 --> 0:48:15,211
Chad: I'm not surprised by that at all.

556
0:48:15,529 --> 0:48:28,238
Bo: I don't know that for sure, but I mean it has to be right, because in the script if it says and then he does this really dumb twirly thing with his gun and looks right at the camera, someone should have been fired.

557
0:48:28,407 --> 0:48:29,945
Bo: Well, I think several people were.

558
0:48:30,667 --> 0:48:32,872
Chad: So our other four crew members and Vincent the robot.

559
0:48:32,912 --> 0:48:38,673
Chad: They go on to the sickness spaceship and Vincent the robot is immediately shot with a laser blaster.

560
0:48:39,054 --> 0:48:44,791
Chad: And Ernest Borgnein says so much for the friendly theory, these assholes are killing robots.

561
0:48:44,811 --> 0:48:48,562
Bo: Left them right, and it shoots a gun out of Robert Forster's hand too.

562
0:48:48,944 --> 0:48:50,451
Bo: Yeah, oh, correct shot.

563
0:48:50,865 --> 0:48:54,535
Chad: And Anthony Birkin says they could have killed us if they wanted to, but they didn't.

564
0:48:54,675 --> 0:49:05,525
Chad: Because Dr Hans Reinhardt is a gentleman and a scholar, and a father, a mother, a lover, shoulder to cry on, he's everything I've, you've, you've ever dreamed of, and he's so much more.

565
0:49:05,747 --> 0:49:07,225
Chad: Can you see the sweat stains in my pits?

566
0:49:07,447 --> 0:49:10,513
Chad: I sweat a lot when I'm nervous and sexually aroused, I mean when I wanted a spaceship.

567
0:49:10,574 --> 0:49:11,459
Chad: Oh my God, oh my God, oh my God.

568
0:49:11,479 --> 0:49:12,345
Chad: I can't believe I'm going to meet him.

569
0:49:12,486 --> 0:49:20,305
Bo: I don't know if any of you have heard the legend of his lap, but I hear it's the most comfortable place in the universe to put your face and take a nap.

570
0:49:20,445 --> 0:49:24,076
Bo: They're led through a series of doors that are opening, so they go through them.

571
0:49:24,246 --> 0:49:25,390
Chad: Yeah, that's some good filmmaking.

572
0:49:25,511 --> 0:49:32,118
Bo: Sure, and then we see these red rubets with these twin blasters march through the room that they were just in.

573
0:49:32,386 --> 0:49:36,924
Chad: They look like cherry flavored stormtroopers from Star Wars, not from Nazi Germany.

574
0:49:36,944 --> 0:49:38,711
Chad: Sure, lest anyone be confused.

575
0:49:38,812 --> 0:49:44,257
Chad: Sorry, leave it to Nazis to ruin another good name, like stormtroopers jerks.

576
0:49:44,686 --> 0:49:54,008
Bo: So, our heroes are sort of funneled to this four seat sled that looks like a ride that Disney World never quite opened as they're gliding along.

577
0:49:54,069 --> 0:49:59,845
Chad: Yvette says I wonder if my father, who I thought was dead for 20 years, will be on this spaceship and I'll get some closure.

578
0:50:00,025 --> 0:50:10,398
Bo: Vincent, of course, chimes in because he can't shut up in this whole movie and he's basically saying oh boy, more robots sent into black holes trying to communicate via ESP.

579
0:50:10,946 --> 0:50:14,711
Bo: And Ernest Borgnein says don't worry about it, that's ancient history.

580
0:50:15,005 --> 0:50:25,964
Chad: This movie tells you nothing about these characters, because Ernest Borgnein is wearing this small turtleneck and there's a little metal rectangle on it and at first I thought maybe he's a priest.

581
0:50:26,226 --> 0:50:31,619
Chad: So I went over to Wikipedia, the most trusted source of everything everywhere, and I was like wait, he's a journalist.

582
0:50:31,720 --> 0:50:32,405
Bo: Oh, I didn't know that.

583
0:50:32,606 --> 0:50:33,610
Bo: I thought he was the mechanic.

584
0:50:33,886 --> 0:50:36,425
Chad: No, because they talk about him writing articles later.

585
0:50:36,505 --> 0:50:45,136
Chad: If you're barely paying attention, I still don't know what Anthony Perkins' role is on this trip, except for being love struck middle aged white guy.

586
0:50:45,287 --> 0:50:51,097
Bo: I thought he was the scientist, but now that you told me that, ernest, Borgnein was supposed to be, a journalist.

587
0:50:51,287 --> 0:50:53,527
Bo: I mean, anything could have happened Like a vet.

588
0:50:53,547 --> 0:50:57,517
Bo: Maybe you could have been the captain, robert Forster could have been a robot, I don't know.

589
0:50:57,826 --> 0:51:05,356
Chad: So they make their way up to this control tower on the Cygnus, and the movie wants to show off more of Beau's favorite matte paintings.

590
0:51:05,546 --> 0:51:10,068
Chad: And we get this cutting edge set design, according to the set designers who made the set designs for this movie.

591
0:51:10,606 --> 0:51:15,411
Chad: Once we're up in the control tower, there are these shadowy figures that are moving around keeping the ship working.

592
0:51:15,994 --> 0:51:26,304
Chad: You hear that they're robots, according to Vincent the robot, and these figures are dressed in these dark cloaks with face shields and they're all sitting at these 70s era control panels full of buttons, beat-bop, boop in their way.

593
0:51:26,345 --> 0:51:34,417
Bo: And then here, beau, here we meet our movie's robotic villain Maximilian, which is also a red robot, but it's much taller.

594
0:51:34,865 --> 0:51:40,918
Bo: It looks like a middle aged father because it's real top heavy and has real toothpick legs.

595
0:51:41,227 --> 0:51:43,625
Chad: It looks like Calculon from Future Wama.

596
0:51:43,705 --> 0:51:49,213
Bo: That's probably where they got it, as a matter of fact, it's got the same little antenna sticking up.

597
0:51:49,253 --> 0:51:51,985
Chad: Yes, that's a show that never really found its footing.

598
0:51:52,165 --> 0:51:54,374
Chad: If that was a show, that could be great or just dull.

599
0:51:54,585 --> 0:52:04,316
Bo: There are definitely great episodes of it, but it wasn't consistently great, yeah, although that episode with the dog is fantastic.

600
0:52:04,486 --> 0:52:07,420
Chad: Did you ever see the film that they did that addressed that episode?

601
0:52:07,460 --> 0:52:08,485
Chad: No, it's pretty good.

602
0:52:08,686 --> 0:52:13,045
Chad: They came back and they resolved the issue with the dog, because people were very upset about that dog.

603
0:52:13,206 --> 0:52:15,454
Bo: I feel like you should just leave well enough alone.

604
0:52:15,706 --> 0:52:18,237
Bo: Let people be upset about the dog, the way that they do.

605
0:52:18,277 --> 0:52:18,905
Chad: it's pretty clever.

606
0:52:19,025 --> 0:52:21,896
Chad: The show finds a way to not make it feel forced.

607
0:52:22,016 --> 0:52:30,455
Chad: But for people such as my wife that watched it and were just really distraught about the dog, the fact that the dog found resolution it's well.

608
0:52:30,767 --> 0:52:33,945
Chad: But anyway, that's, go watch Future Wama, don't watch the black hole.

609
0:52:34,105 --> 0:52:39,327
Chad: Oh, we also didn't mention that when they see Maximilian Vincent, the robot says identify yourself.

610
0:52:39,507 --> 0:52:46,311
Chad: And this robot whips out these two arms with these spinning ginsu knives of just death.

611
0:52:46,646 --> 0:52:48,212
Chad: You could definitely cut a tin can with those.

612
0:52:48,486 --> 0:52:57,517
Chad: And Robert Forster says hey boy, oh, this is the story to end all stories and the band and ship run by robots, with this red robot in charge of the other robots.

613
0:52:57,626 --> 0:53:01,832
Chad: There's definitely no human robots on this ship, it's just robots.

614
0:53:02,386 --> 0:53:11,737
Bo: You'll say so, but guess who it is what, and around spins Maximilian shell as Reinhardt.

615
0:53:12,106 --> 0:53:12,728
Speaker 4: Not quite.

616
0:53:12,909 --> 0:53:13,752
Speaker 4: Robert Forster.

617
0:53:13,987 --> 0:53:15,865
Speaker 4: Allow me to introduce myself.

618
0:53:16,046 --> 0:53:18,852
Speaker 4: My name is Reinhardt, pronounced with an Einhardt.

619
0:53:19,046 --> 0:53:21,285
Speaker 4: Don't get too close or I might break your heart.

620
0:53:21,486 --> 0:53:23,373
Chad: And then Anthony Perkins just passes out.

621
0:53:25,046 --> 0:53:27,735
Bo: You see, they all work at my command.

622
0:53:28,886 --> 0:53:29,911
Bo: I know who you are.

623
0:53:30,146 --> 0:53:31,912
Bo: I've been scanning you.

624
0:53:32,526 --> 0:53:34,905
Speaker 4: We have monitored you since you boarded the ship.

625
0:53:35,109 --> 0:53:36,025
Speaker 4: You've had to come closer.

626
0:53:36,206 --> 0:53:39,205
Speaker 4: I'm sure you want to know if your father is still in the ship and if he is still alive.

627
0:53:39,405 --> 0:53:43,997
Speaker 4: I shall answer the second question first, and then I shall answer the first question second.

628
0:53:44,206 --> 0:53:44,990
Speaker 4: No and no.

629
0:53:45,266 --> 0:53:54,625
Bo: And it's Ernest Borgnein who first says Reinhardt, you mean Dr Hans Reinhardt, the guy that just a few minutes ago I would say was a total piece of shit.

630
0:53:54,828 --> 0:53:55,641
Chad: Tony Perkins.

631
0:53:55,662 --> 0:53:57,511
Chad: Ain't that the name you got scribbled all over you?

632
0:53:57,551 --> 0:53:59,530
Chad: Trap Keeper Perkins comes to.

633
0:53:59,725 --> 0:54:08,736
Chad: He just stares at Reinhardt with the intensity of somewhat of the front row of a Taylor Swift concert, considering the real world consequences of murdering her.

634
0:54:08,946 --> 0:54:14,913
Bo: This is where Evette Mimue steps forward and is like I have to ask you about my father, but let me stop you there.

635
0:54:15,266 --> 0:54:17,113
Bo: Your father is quite dead.

636
0:54:17,969 --> 0:54:19,785
Chad: Oh well, I had that 10 minutes.

637
0:54:20,086 --> 0:54:22,334
Chad: Oh so I'll relish that forever.

638
0:54:22,525 --> 0:54:31,465
Chad: Let's talk about what Reinhardt looks like in this movie, because most people haven't seen it, because at my note say he looks like a modern day stunt double for Mandy Patinkin.

639
0:54:31,628 --> 0:54:32,485
Bo: Oh, that's pretty good.

640
0:54:32,625 --> 0:54:34,533
Bo: The beard is really there.

641
0:54:35,067 --> 0:54:41,655
Chad: Or Chris Pine, after five years of being blacklisted in Hollywood Jack Black if he went on a radical diet.

642
0:54:42,205 --> 0:54:47,094
Bo: Bizarro Bob Ross the Unabomber after a good buffet.

643
0:54:47,406 --> 0:54:49,874
Chad: The face you see in the woods before you're murdered.

644
0:54:50,366 --> 0:54:52,321
Bo: Yeah for sure, I especially like it.

645
0:54:52,341 --> 0:54:52,825
Bo: We'll get to it.

646
0:54:52,905 --> 0:54:58,738
Bo: But there's a moment later in the movie where he like super ages all of a sudden, and it's quite funny.

647
0:54:58,945 --> 0:55:04,718
Bo: But Reinhardt seemed surprised when they tell him like hey, we never heard what happened to you.

648
0:55:05,006 --> 0:55:06,071
Bo: And he goes what do you mean?

649
0:55:06,425 --> 0:55:09,014
Bo: The crew never made it back to earth.

650
0:55:09,325 --> 0:55:12,535
Speaker 4: Let me come up with an amusing story that's complete bullshit.

651
0:55:12,685 --> 0:55:16,737
Speaker 4: During our mission, we encountered some meteorites and we were disabled.

652
0:55:16,926 --> 0:55:17,750
Speaker 4: That sounds plausible.

653
0:55:17,845 --> 0:55:21,536
Chad: Communications were smashed by the aforementioned meteorites.

654
0:55:21,786 --> 0:55:23,392
Speaker 4: I told the crew it's an abandoned ship.

655
0:55:23,545 --> 0:55:25,373
Speaker 4: Return home to your loved ones and families.

656
0:55:25,626 --> 0:55:27,373
Speaker 4: I stayed on board because I am the captain.

657
0:55:27,585 --> 0:55:30,595
Speaker 4: Yvette's father stayed with me, but I mentioned he is dead.

658
0:55:31,046 --> 0:55:37,430
Chad: And I've been here for 20 years and I made all these companion robots to keep me company because, what can I say?

659
0:55:37,591 --> 0:55:38,394
Chad: I am a romantic.

660
0:55:39,506 --> 0:55:51,753
Bo: It was the lasers that shot your gun onto your robot, but that is because my robots thought you were aggressive, and since you are not, it's fine.

661
0:55:51,946 --> 0:55:59,519
Bo: But don't have any more guns and don't wander around the ship, because if you do, then, I don't know, maybe things don't go so good for you.

662
0:55:59,680 --> 0:55:59,982
Bo: That's all.

663
0:56:00,022 --> 0:56:02,146
Chad: I can say Anthony Perkins jumps in Us.

664
0:56:02,347 --> 0:56:04,294
Chad: Sir, no act of aggression was intended.

665
0:56:04,526 --> 0:56:07,535
Chad: I am not aggressive at all, unless you're into that kind of thing.

666
0:56:07,727 --> 0:56:10,350
Chad: I can be aggressive or passive, I can be whatever you want me to be.

667
0:56:10,450 --> 0:56:11,293
Chad: Ron Archis, Hit the words.

668
0:56:11,465 --> 0:56:17,747
Bo: Before you start soiling yourself on the front side over here, how about you let us repair our ship?

669
0:56:17,848 --> 0:56:22,578
Bo: And, oh, by the by, we can offer you a ride home if you need one.

670
0:56:22,886 --> 0:56:25,294
Bo: Uh, oh, why would I ever want to go home?

671
0:56:25,786 --> 0:56:26,690
Speaker 4: You are my guests.

672
0:56:26,825 --> 0:56:28,725
Speaker 4: I have no desire to go back to earth.

673
0:56:28,806 --> 0:56:32,917
Speaker 4: I have developed anti-gravity forces to prevent us from going into the black hole.

674
0:56:33,166 --> 0:56:38,934
Speaker 4: I heard your cries for help, but I'm the movie's villain, so you can see that that puts me in a real pickle.

675
0:56:39,165 --> 0:56:46,012
Chad: And then Vincent the robot has this standoff with Maximilian and Reinhardt says what does this remind me of?

676
0:56:46,025 --> 0:56:51,993
Speaker 4: Oh, yes, that famous story from that book I forget the name of it David Ungalaya classic confrontation on his.

677
0:56:52,013 --> 0:56:54,072
Chad: This time David is outmatched.

678
0:56:54,185 --> 0:56:58,695
Chad: I was like that's not David Ungalaya, that's the story of someone small defeating someone mighty.

679
0:56:58,865 --> 0:57:01,434
Chad: I don't think you're using this in the appropriate way, sir.

680
0:57:01,545 --> 0:57:05,056
Bo: Also a bit Mimiu is like we don't call the Mexican standoffs anymore.

681
0:57:05,165 --> 0:57:12,975
Bo: That is probably you miss that, being out here on the edge of a black hole for a while, but that's considered a little, a little racist.

682
0:57:13,325 --> 0:57:14,972
Chad: That sounds completely retarded.

683
0:57:15,286 --> 0:57:19,075
Chad: Oh no, no, no, you can't say that, sir.

684
0:57:19,316 --> 0:57:21,412
Bo: What A conce retada.

685
0:57:21,725 --> 0:57:22,548
Bo: Well, that's gay.

686
0:57:22,889 --> 0:57:25,701
Chad: No, oh no, this is ridiculous.

687
0:57:25,761 --> 0:57:29,375
Chad: You know what, if I needed eloquence, or language lessons.

688
0:57:29,566 --> 0:57:31,734
Speaker 4: I would talk to your little metal midget over here.

689
0:57:32,213 --> 0:57:32,723
Bo: Oh, that's it.

690
0:57:32,905 --> 0:57:45,017
Bo: If only I were in position to buy a social media company that could serve as a sort of town square, and perhaps anyone could say anything they wanted.

691
0:57:45,785 --> 0:57:51,077
Bo: I would rebrand it in a way that made it repulsive to advertisers.

692
0:57:51,445 --> 0:57:53,914
Chad: Whatever its name was, I would name it triple X.

693
0:57:54,145 --> 0:57:59,938
Bo: What sounds like something that no right thinking person would ever advertise on.

694
0:58:01,886 --> 0:58:04,867
Bo: What if it's just called fuck no.

695
0:58:04,948 --> 0:58:07,804
Bo: No, that is offensive and kind of beautiful.

696
0:58:08,846 --> 0:58:09,308
Speaker 3: How about X.

697
0:58:10,406 --> 0:58:11,370
Speaker 3: All right where are we.

698
0:58:11,706 --> 0:58:21,677
Bo: He also tells Max million, Max million, my beautiful robot that I have never once touched inappropriately, take these people to repair their ship.

699
0:58:22,286 --> 0:58:23,892
Chad: And Ernest Borgnein asks.

700
0:58:23,952 --> 0:58:25,779
Chad: So I heard you know your ship here.

701
0:58:25,939 --> 0:58:28,570
Chad: It doesn't appear to be crippled Like whoa.

702
0:58:29,166 --> 0:58:34,158
Bo: I thought you just told me I can't say the Mexican standoff and you say cripple.

703
0:58:34,405 --> 0:58:36,513
Chad: You know I'm from a different generation.

704
0:58:36,746 --> 0:58:39,405
Chad: I used to piss in troughs at sporting stadiums.

705
0:58:39,566 --> 0:58:41,665
Chad: There was no vanity wall between us.

706
0:58:41,785 --> 0:58:44,214
Chad: You just whipped at your cock and you pissed on a wall.

707
0:58:44,406 --> 0:58:46,425
Chad: If you were lucky, there was water dribbling down it.

708
0:58:46,485 --> 0:58:56,934
Bo: Could I interest you on a spot nine in a verified account for my new social media approaches there you can say anything you want.

709
0:58:57,306 --> 0:58:58,771
Bo: You can cause the ship crippled.

710
0:58:58,992 --> 0:58:59,654
Bo: I don't mind.

711
0:59:00,526 --> 0:59:15,667
Bo: Is it town square event of you and Anthony Perkins are going to stay behind and hang out with Reinhardt to get lots of and I quote data, while Vincent the robot and Max million face off a little bit.

712
0:59:15,747 --> 0:59:21,694
Bo: And finally rubber forester has to be like how about you get your big red robot to back off a little bit?

713
0:59:21,825 --> 0:59:23,312
Bo: Yeah, Vincent's annoying.

714
0:59:23,545 --> 0:59:27,096
Bo: If he could maybe cut out his vocal center, we got a deal.

715
0:59:27,406 --> 0:59:32,385
Chad: We get a series of shots where max million are rotating hand switch, playing thug robot.

716
0:59:32,566 --> 0:59:49,254
Chad: He's escorting bottoms, the captain forester and Vincent the robot to somewhere I don't know where, and then they wander off and as they're hustling along they run into this robot that looks a lot like Vincent, but he's kind of melted and busted up, and max million, the big thug robot.

717
0:59:49,466 --> 0:59:51,834
Chad: He just smacks this robot in the head.

718
0:59:52,146 --> 0:59:52,627
Bo: It's a real.

719
0:59:52,747 --> 0:59:54,814
Bo: You want a fresh one, kind of smack.

720
0:59:54,934 --> 0:59:55,636
Bo: It's pretty good.

721
0:59:57,066 --> 1:00:04,565
Chad: And then bottoms grows a spine and he goes over to max million and he's like hey pal, you're supposed to take us to get the parts to fix our ship.

722
1:00:04,766 --> 1:00:07,845
Chad: And then max million gets kind of pissed off at this, but he agrees to do it.

723
1:00:08,006 --> 1:00:26,853
Chad: Vincent goes over to this busted up robot that kind of looks like him only just beating all the hell, and Vincent chats with this robot for a little bit about their make and model and then the other robot hobbles away all scared and there's a cutaway scene where Reinhardt is showing event menu and Anthony Perkins this big power source that he's invented.

724
1:00:27,145 --> 1:00:30,135
Bo: This could power everything in the world.

725
1:00:30,426 --> 1:00:35,305
Chad: Anthony Perkins is, like you, will be remembered as one of the greatest space scientists of all time.

726
1:00:35,506 --> 1:00:36,191
Bo: Oh, you're saying so.

727
1:00:36,526 --> 1:00:38,493
Bo: I think he's possible, I don't know.

728
1:00:38,687 --> 1:00:40,085
Chad: One of the greatest space scientists.

729
1:00:40,105 --> 1:00:42,162
Chad: What about one of just the greatest scientists?

730
1:00:42,162 --> 1:00:43,037
Speaker 4: Why does that have to be qualified?

731
1:00:43,057 --> 1:00:43,545
Bo: Yes, yes, yes.

732
1:00:43,728 --> 1:00:44,825
Bo: No space scientists.

733
1:00:45,026 --> 1:00:50,172
Bo: I just meant because we're in space right now, but no matter where you go, you're going to be the best person there and the cutest.

734
1:00:50,212 --> 1:00:50,954
Bo: Did I say cutest?

735
1:00:51,054 --> 1:00:51,856
Bo: I meant smartest.

736
1:00:52,025 --> 1:00:56,937
Speaker 4: Reinhardt says I will never return to enjoy the glory of my success.

737
1:00:57,046 --> 1:00:59,205
Speaker 4: There's too much at stake for me to pull back.

738
1:00:59,428 --> 1:01:00,444
Chad: I am going forward.

739
1:01:00,726 --> 1:01:07,988
Chad: I am not pulling back, going forward deeper, faster and harder oh and then he just passes, yeah, meanwhile Ernest.

740
1:01:08,028 --> 1:01:10,736
Bo: Borgnein kind of ducks off this impromptu tour.

741
1:01:10,905 --> 1:01:12,993
Speaker 3: Hey, I got to take a shit.

742
1:01:13,645 --> 1:01:21,478
Bo: Look, I assume that even though you got all these robots around, you got a couple of turrets around here, don't you Do the robots shit?

743
1:01:21,580 --> 1:01:24,752
Bo: Never mind, don't tell me that part, just tell me where I can find the head.

744
1:01:24,986 --> 1:01:29,688
Chad: So we come back to that little transport ride, because they use that a lot in this movie and Captain Robert Forster.

745
1:01:29,708 --> 1:01:50,062
Chad: He sees a group of six robots carrying another robot in what looks like a casket down below and he wanders off to go find some German expressionism film set design where I guess people once lived in very small space apartments with trapezoid shape doors, but it's all empty now there's no people, just leftover clothes and photos.

746
1:01:50,223 --> 1:01:55,583
Bo: How sad, which is kind of important, at least from a detective Robert Forster point of view.

747
1:01:55,603 --> 1:02:00,930
Bo: Sure, because if Reinhardt said all these people, they took off in escape pods, I don't know where they went.

748
1:02:01,051 --> 1:02:04,005
Bo: And you open up the closets and hey, here are all their clothes.

749
1:02:04,429 --> 1:02:16,985
Bo: Then something's a little fishy, something's rotten in Denmark, and he goes through this other door and this is where he sees those six robots carrying the coffin from before and it's a straight up robot funeral.

750
1:02:17,287 --> 1:02:20,365
Chad: Yeah, they just fire this thing off into space.

751
1:02:20,746 --> 1:02:22,573
Chad: It's the end of Star Trek 2.

752
1:02:22,846 --> 1:02:29,336
Chad: Or it's the end of Osama bin Laden's life in space, instead of the ocean unceremoniously dumped.

753
1:02:29,607 --> 1:02:30,294
Bo: You think they really?

754
1:02:30,355 --> 1:02:31,285
Chad: chunked him in the ocean.

755
1:02:31,528 --> 1:02:32,885
Chad: I'm not a fan of conspiracy theories.

756
1:02:33,006 --> 1:02:36,825
Chad: I was like, really I thought they would have just hung him up and let people punch him for a dollar.

757
1:02:36,925 --> 1:02:41,945
Bo: Well, probably, but after that, like I don't think he made it to the mainland, we got to get rid of him.

758
1:02:42,065 --> 1:02:44,534
Bo: We can't show people what we have done to this body.

759
1:02:45,485 --> 1:02:57,705
Chad: It's just covered in cuts and bruises and come and shit, yeah, and there's a lot of suckhole or Sharpie markers around his mouth and They've decorated him like a blow up doll and used animal.

760
1:02:57,986 --> 1:03:04,630
Chad: Somebody on the back, just drew a picture and it has an arrow pointed at it and it says the Prophet Muhammad oh my God.

761
1:03:05,146 --> 1:03:09,255
Bo: And so Maximilian appears behind Robert Forster all of a sudden.

762
1:03:09,656 --> 1:03:12,149
Speaker 3: And Robert Forster is like oh ain't that belly?

763
1:03:12,490 --> 1:03:14,115
Speaker 3: I must have made a wrong turn.

764
1:03:16,246 --> 1:03:20,577
Chad: I will say that Maximilian in this movie emotes more than any of the human actors.

765
1:03:20,765 --> 1:03:22,071
Bo: Certainly more than a vet, Mim you.

766
1:03:22,367 --> 1:03:28,585
Chad: Ernest Borgnein wanders past the door looking for the crapper and instead he finds this cloak figure at a control panel next to a greenhouse.

767
1:03:28,766 --> 1:03:31,054
Chad: And Ernest Borgnein says it's quite the layout here.

768
1:03:31,325 --> 1:03:33,591
Chad: You guys got into a plumbing on this ship.

769
1:03:33,751 --> 1:03:34,453
Chad: Can you speak?

770
1:03:34,674 --> 1:03:35,516
Chad: I got a shit.

771
1:03:35,596 --> 1:03:36,318
Chad: Where's the head?

772
1:03:36,526 --> 1:03:36,646
Chad: El?

773
1:03:36,687 --> 1:03:37,729
Bo: Toiletto Do?

774
1:03:37,750 --> 1:03:38,665
Bo: People come through here a lot.

775
1:03:38,866 --> 1:03:39,951
Bo: Can I just use the corner?

776
1:03:40,367 --> 1:03:41,034
Chad: That Reinhardt.

777
1:03:41,054 --> 1:03:41,883
Chad: He loves to play.

778
1:03:41,904 --> 1:03:44,534
Chad: God, I wish he played fucking Plumbermore often.

779
1:03:44,827 --> 1:03:46,965
Chad: Oh God, I gotta fucking pitch one off.

780
1:03:47,166 --> 1:03:48,732
Bo: What is this in this other room?

781
1:03:49,006 --> 1:03:50,191
Bo: A whole greenhouse.

782
1:03:50,446 --> 1:03:52,734
Bo: I'm gonna plant a couple of potatoes of my own.

783
1:03:53,045 --> 1:04:00,509
Chad: He peeks through this window and sees a large greenhouse full of all kinds of growing vegetables and it's like a football field long, if not more.

784
1:04:00,786 --> 1:04:01,449
Bo: It's giant.

785
1:04:01,790 --> 1:04:09,802
Chad: And then the cloak figure leaves and Ernest Borgnein follows him but immediately loses him because Ernest Borgnein has to walk with his cheeks pinched together.

786
1:04:10,090 --> 1:04:12,238
Chad: It's a lot of left foot right, foot, left, foot right foot.

787
1:04:12,330 --> 1:04:22,562
Bo: Also, he notices that this robot has a limp when it walks back on the Palomina that Robert Forster is telling the rest of the crew about the funeral that he saw.

788
1:04:22,830 --> 1:04:24,678
Chad: Hey, I saw a funeral with robots.

789
1:04:24,850 --> 1:04:26,958
Chad: They fired another robot out in the space.

790
1:04:27,192 --> 1:04:31,139
Bo: It was fucking crazy, I suggest we get out of here as quick as we can.

791
1:04:31,531 --> 1:04:33,919
Bo: Something fucked up is happening around here.

792
1:04:34,311 --> 1:04:40,658
Chad: Vincent, the robot says a wolf is a wolf even if it doesn't eat your sheep and Bottoms is like will you please shut up?

793
1:04:41,071 --> 1:04:41,940
Chad: What the fuck?

794
1:04:41,981 --> 1:04:42,810
Bo: are you talking about?

795
1:04:43,031 --> 1:04:44,055
Chad: Just repair the ship.

796
1:04:44,096 --> 1:04:45,301
Chad: You loudmouth jackass.

797
1:04:45,513 --> 1:04:48,076
Chad: And then Vincent the robot says I'm doing the best I can.

798
1:04:48,351 --> 1:04:50,121
Chad: A pint cannot hold a quart.

799
1:04:50,221 --> 1:04:55,251
Chad: If the pint is doing the best that it can and Bottoms is like oh my God, will you shut up Quick?

800
1:04:55,331 --> 1:04:57,939
Chad: Give us these half-baked analogies and metaphors.

801
1:04:57,979 --> 1:04:58,801
Chad: Who programmed you?

802
1:04:58,970 --> 1:05:00,035
Chad: Henry Wadsworth?

803
1:05:00,155 --> 1:05:00,958
Bo: long fellow.

804
1:05:01,212 --> 1:05:02,630
Bo: Listen, captain Robert Forster.

805
1:05:02,812 --> 1:05:07,596
Bo: I don't know how well this thing can hear, but as soon as we get this ship fixed, can we shoot this thing into space?

806
1:05:07,830 --> 1:05:08,894
Bo: Because I cannot.

807
1:05:09,095 --> 1:05:10,139
Bo: We've got a long way back.

808
1:05:10,370 --> 1:05:16,126
Chad: Find out where that funeral room was and we're going to load this son of a bitch up and thunk him out like a potato kid.

809
1:05:16,351 --> 1:05:19,100
Chad: We just say that that Maximilian thing killed it.

810
1:05:19,431 --> 1:05:20,374
Chad: Nobody's going to miss him.

811
1:05:20,435 --> 1:05:24,435
Bo: Nobody cares these things come off a production line, nobody gives a shit.

812
1:05:24,671 --> 1:05:25,896
Chad: This is just he's garbage.

813
1:05:26,151 --> 1:05:29,350
Chad: Once he fixes the ship, then we'll murder him and we'll get that old melted one.

814
1:05:29,472 --> 1:05:30,630
Chad: He probably knows how to do the same job.

815
1:05:30,752 --> 1:05:31,750
Chad: Plus, we can fuck that one.

816
1:05:31,911 --> 1:05:32,895
Bo: I'm tired of fucking this one.

817
1:05:33,713 --> 1:05:36,738
Bo: Yeah, he's old and busted, but there's something about that that kind of turns me on.

818
1:05:37,091 --> 1:05:47,136
Chad: Back in the command room of the movie, reinhardt walks over to Anthony Perkins who is staring out these like floor-to-ceiling windows into space, pretending to play hard to get.

819
1:05:47,290 --> 1:05:54,580
Chad: And then Reinhardt walks over and he asks Anthony Perkins let me ask you are you interested in black holes?

820
1:05:54,881 --> 1:05:56,716
Bo: Oh, yes, I mean wait, what did you mean?

821
1:05:57,211 --> 1:05:59,038
Chad: I've waited my whole life to be asked this question.

822
1:05:59,172 --> 1:06:00,109
Bo: The answer is always yes.

823
1:06:00,331 --> 1:06:02,118
Bo: It doesn't matter which black hole you're talking about.

824
1:06:02,451 --> 1:06:07,450
Chad: And then Yvette shows up and she says well, you know they're long tunnels to nowhere.

825
1:06:07,591 --> 1:06:10,376
Chad: And Perkins is like or somewhere, maybe they go somewhere.

826
1:06:10,531 --> 1:06:12,125
Chad: These are places to be explored.

827
1:06:12,225 --> 1:06:17,236
Bo: Yvette, maybe we should just send something into it and see what happens.

828
1:06:17,571 --> 1:06:21,817
Bo: Maybe into it and then back out of it and then into it again, like he was talking about with the power source.

829
1:06:22,091 --> 1:06:34,078
Speaker 4: Reinhardt says Anthony Perkins you are a man who longs for a sense of his own greatness, but he's not found his two directions and Perkins says perhaps I could find it here if you're in no hurry for us to leave.

830
1:06:34,330 --> 1:06:39,296
Chad: And then Tony Perkins darts his eyes and Yvette, with this, beat it.

831
1:06:40,658 --> 1:06:42,330
Bo: Look, I found my special purpose.

832
1:06:42,511 --> 1:06:43,955
Bo: I found my special purpose.

833
1:06:45,410 --> 1:06:52,257
Chad: And then Reinhardt says perhaps we could discuss this over dinner and Perkins says I was thinking over breakfast in bed.

834
1:06:52,338 --> 1:06:53,862
Chad: Too much dinner is fine Baby brunch.

835
1:06:54,050 --> 1:06:56,900
Bo: Do you want me to call you or shake you?

836
1:06:57,050 --> 1:06:59,594
Chad: Got the bottoms, robert Forrester and Vincent.

837
1:06:59,635 --> 1:07:04,720
Chad: They're walking back to the main plot of our movie and Robert Forrester says, hey, we're going to dinner.

838
1:07:04,890 --> 1:07:10,617
Chad: And Vincent says I should be there in case that brute Maximilian shows up with his Guinsoo fist of death.

839
1:07:10,730 --> 1:07:12,417
Chad: And Bottom says here we go again.

840
1:07:12,530 --> 1:07:18,997
Chad: Vincent thinks he can handle everything and Vincent says there are three types of people the wills, the wounds and the cans.

841
1:07:19,130 --> 1:07:22,595
Chad: The wills do everything, the won't suppose everything and the cans won't try.

842
1:07:22,750 --> 1:07:23,816
Chad: And Bottom says you know what?

843
1:07:23,870 --> 1:07:32,977
Chad: There's a fourth type to assholes, and that's you by the way they pass this shooting range, and immediately they're like hey, vincent, how about you stay here?

844
1:07:33,151 --> 1:07:36,045
Chad: These robots and they're practicing their skeet shooting with lasers.

845
1:07:36,170 --> 1:07:39,200
Bo: If everything goes right, maybe you'll get accidentally shot.

846
1:07:39,411 --> 1:07:43,876
Chad: All the robots in there are red, except for this one sharp shooter that's all dressed in black.

847
1:07:44,030 --> 1:07:46,780
Chad: And here we meet that melted old robot, bob.

848
1:07:46,950 --> 1:07:53,517
Chad: He's that busted up version of Vincent, and naturally Vincent goes into this room to see what's happening, because he's just an asshole.

849
1:07:53,650 --> 1:07:57,300
Chad: I'm sure he's going to drop a little two birds, one stone type wisdom on him.

850
1:07:57,910 --> 1:08:00,640
Chad: Maybe start talking about free milk and a cow, bottoms and Forester.

851
1:08:00,730 --> 1:08:04,395
Chad: They're just like hey boy, oh, we'll catch up with you later, or maybe not, if we're lucky.

852
1:08:04,990 --> 1:08:12,860
Bo: And after they take off, we finally get a little bit of information from Bob, who speaks for the first time in the film.

853
1:08:13,070 --> 1:08:15,658
Chad: Vincent asks Bob so who is the sharp shooter?

854
1:08:15,778 --> 1:08:16,791
Chad: The one in black, His?

855
1:08:16,851 --> 1:08:20,952
Speaker 3: name is Star, spelled S, a, then a T and then a, a.

856
1:08:21,515 --> 1:08:23,333
Speaker 3: Go on and then you can hurry and then.

857
1:08:23,794 --> 1:08:33,843
Speaker 3: And then are those letters stand for special, a T, something, and then a word and then a regiment.

858
1:08:33,870 --> 1:08:35,276
Speaker 3: I think I'm good to dinner with the others.

859
1:08:35,572 --> 1:08:36,630
Speaker 3: He's a prototype.

860
1:08:36,730 --> 1:08:38,257
Speaker 3: He's a bad home break.

861
1:08:38,531 --> 1:08:45,941
Speaker 3: I beat him one time and he did things to me I don't even like to think about like robot buggery.

862
1:08:46,470 --> 1:08:47,393
Chad: He says that.

863
1:08:47,753 --> 1:08:55,655
Chad: He says he beat this guy in robot space shooting and that robot did things he doesn't even want to think about, let alone talk about.

864
1:08:55,736 --> 1:08:56,137
Bo: That's right.

865
1:08:56,290 --> 1:09:06,999
Chad: And also this is the voice of Bob is by actor Slim Pickens, who wrote that bomb and Dr Strangelove, and he was Taggart and blazing saddles and this movie sounds like he's sucking and helium between each day.

866
1:09:07,090 --> 1:09:08,717
Chad: This is squeaky redneck accent.

867
1:09:08,830 --> 1:09:13,001
Bo: They tune up Roddy McDowell's voice to like they're both at a higher pitch.

868
1:09:13,290 --> 1:09:24,237
Bo: We cut over to dinner, where Reinhardt is at the head of the table, and so I hear that all of you decide to go on a little unaccompanied excursion.

869
1:09:24,490 --> 1:09:27,740
Bo: Perhaps I suggest that you don't do it again.

870
1:09:27,910 --> 1:09:32,141
Bo: Oh, who wants some mushroom soup from my very own garden?

871
1:09:32,622 --> 1:09:35,078
Bo: And Reinhardt says it's very small.

872
1:09:35,138 --> 1:09:44,578
Bo: Now Zeke's gotten of mine, but it gets me by and immediately, or as organized, like both of them, sorry about got a little something in my throat there.

873
1:09:46,394 --> 1:09:49,903
Chad: Reinhardt, robert Forster, chimes, and so, boy, oh, about our ship.

874
1:09:49,970 --> 1:09:56,100
Chad: We made some modifications and we're going to be able to blast off pretty soon, and Anthony Perkins jumps and speak for yourself.

875
1:09:56,310 --> 1:10:03,635
Chad: I've got a lot to learn from Dr Reinhardt, like what's his favorite movie in his favorite color, and what does he think about before he goes to sleep, and what is he about when he wakes up?

876
1:10:03,675 --> 1:10:04,458
Chad: And is he ticklish?

877
1:10:04,478 --> 1:10:05,753
Chad: And if so, where does he know?

878
1:10:05,834 --> 1:10:07,679
Chad: I'm ticklish and it's on the back of my knees.

879
1:10:07,920 --> 1:10:08,301
Chad: Oh my God.

880
1:10:08,350 --> 1:10:14,879
Chad: There's so much for me to learn for him to perhaps a toast to your good health and safe journey.

881
1:10:15,110 --> 1:10:33,698
Bo: Oh, if I could, I would like to toast you, reinhardt, for being so cool and smart and sexy I mean, did I say smart and for hosting us and giving us this delicious mushroom soup, and also for having a really cool robot and for saying that I was cool.

882
1:10:34,131 --> 1:10:35,697
Speaker 4: I never said that you were cool.

883
1:10:35,990 --> 1:10:37,697
Bo: Oh, I thought you sort of implied it.

884
1:10:38,050 --> 1:10:39,577
Speaker 4: No, it wasn't implied.

885
1:10:40,131 --> 1:10:42,419
Speaker 4: You may have inferred that, but it was incorrect.

886
1:10:42,470 --> 1:10:43,654
Bo: Do you think I'm interesting?

887
1:10:43,835 --> 1:10:45,159
Bo: Because I think you're very interesting.

888
1:10:45,630 --> 1:10:47,076
Speaker 4: Let's put a pin in that, okay.

889
1:10:47,270 --> 1:10:48,435
Bo: Oh, I love putting pins and things.

890
1:10:48,475 --> 1:10:49,157
Bo: Thank you so much.

891
1:10:49,490 --> 1:10:54,740
Bo: Also, I plan to travel into and through the black hole.

892
1:10:55,462 --> 1:11:00,260
Chad: Excuse me Question question Is that into my black hole or the black hole?

893
1:11:00,450 --> 1:11:03,840
Bo: This is becoming transparent and embarrassing.

894
1:11:04,350 --> 1:11:07,019
Bo: The answer is the black hole, not yours.

895
1:11:07,370 --> 1:11:08,455
Chad: Am I trying too hard.

896
1:11:08,495 --> 1:11:12,160
Bo: Yes, I think the kids call it a try hard.

897
1:11:12,650 --> 1:11:14,397
Bo: You are what they call sesty.

898
1:11:14,791 --> 1:11:16,396
Bo: They call it being the NPC.

899
1:11:17,410 --> 1:11:21,722
Bo: Well, you are not a hero, but more of a character like in the video games.

900
1:11:21,950 --> 1:11:32,437
Chad: We cut back to Vincent and Bob the old robot, the cool kid robots are ignoring them while they smoke robot cigarettes and drink robot booze and they should be playing robot pool or something.

901
1:11:32,530 --> 1:11:33,595
Bo: It's that kind of place.

902
1:11:34,010 --> 1:11:44,978
Chad: Star the robot walks over and he gives this four finger word egging motion like come and get it to Bob, like for a rematch, and they start shooting into space.

903
1:11:45,050 --> 1:11:56,078
Chad: So it's Bob the robot, who's old and busted and melted, and star the robot, the one in black, and as they're blasting these laser skeet star bumps into or kind of hip, checks Bob to make him lose.

904
1:11:56,359 --> 1:12:07,417
Chad: And at the end of the star the robot showboats, he spins his space lasers and gives it a blow on the tip and keep in mind this is the person that directed probably the 13th part, six.

905
1:12:07,839 --> 1:12:11,159
Chad: Yes, it is, which I adore, and she's too young.

906
1:12:11,711 --> 1:12:15,921
Chad: I was so happy to hear that he was making a return to this in one way or the other.

907
1:12:16,161 --> 1:12:16,863
Chad: She's too young.

908
1:12:16,990 --> 1:12:22,439
Chad: If you haven't listened to that episode, that's a lifetime movie about teenagers getting was syphilis.

909
1:12:22,640 --> 1:12:24,497
Chad: Her no, no, no, it was gonorrhea.

910
1:12:24,710 --> 1:12:26,016
Bo: I think it's gonorrhea.

911
1:12:26,150 --> 1:12:27,195
Bo: Chlamydia one of the two.

912
1:12:27,490 --> 1:12:28,836
Bo: It was something with a painful drip.

913
1:12:29,090 --> 1:12:30,737
Bo: All the kids in school got beaty.

914
1:12:31,170 --> 1:12:35,321
Bo: That was a good time, or accused of having it, which was almost as good.

915
1:12:35,570 --> 1:12:40,778
Bo: But yeah, star gives him the little twirl and Bob says, oh, I missed on purpose.

916
1:12:41,631 --> 1:12:43,478
Chad: I'm a real piece of shit.

917
1:12:43,650 --> 1:12:53,040
Chad: And then Vincent the robot steps in and says hey asshole, why don't you pick on someone who wasn't a melted robot, that got molested by you for beating you in a contest earlier?

918
1:12:53,250 --> 1:12:55,418
Speaker 3: Well, I never said that directly.

919
1:12:55,690 --> 1:12:57,075
Chad: I guess it was implied.

920
1:12:57,156 --> 1:13:00,131
Chad: Yeah, so then we cut away from that scene, which was getting interesting.

921
1:13:00,171 --> 1:13:01,716
Chad: Back to dinner, which isn't.

922
1:13:02,017 --> 1:13:09,358
Chad: And Robert Forrester says hey boy, oh, how will your ship get around the gravity of the event horizon of a black hole?

923
1:13:09,571 --> 1:13:10,575
Chad: That's unlike science.

924
1:13:10,790 --> 1:13:13,618
Chad: And then Reinhardt says yes, it will involve math.

925
1:13:13,758 --> 1:13:20,042
Speaker 4: Void vortexes, we will make the jump to jargon speech and slingshot into the black hole.

926
1:13:20,230 --> 1:13:21,916
Speaker 4: Do not say anything, mr.

927
1:13:21,957 --> 1:13:23,735
Chad: Perkins, we know what's on your mind.

928
1:13:23,895 --> 1:13:28,141
Bo: Keep it there, he basically says is you just have to know how to do it.

929
1:13:28,632 --> 1:13:29,997
Bo: It's complicated science.

930
1:13:30,170 --> 1:13:34,442
Bo: I could explain it, but you wouldn't understand and it would be a waste of my time.

931
1:13:34,530 --> 1:13:36,296
Bo: Is there only a person who would understand?

932
1:13:36,316 --> 1:13:37,680
Bo: That is Anthony Perkins.

933
1:13:37,850 --> 1:13:40,156
Bo: And let's face it, he's already on the hook.

934
1:13:40,470 --> 1:13:45,799
Chad: So we cut back to star and Vincent and they're going to have this laser outer space skeet shooting battle.

935
1:13:46,019 --> 1:13:54,121
Chad: And star really put some English on his shooting by blasting first from behind his back with one hand over his other hand.

936
1:13:54,250 --> 1:13:57,420
Chad: And then Vincent says nice shooting, simple but nice.

937
1:13:57,490 --> 1:13:59,376
Chad: Now watch this, you simpleton.

938
1:13:59,496 --> 1:14:00,941
Chad: And then Vincent blast some targets.

939
1:14:01,030 --> 1:14:06,697
Chad: Then star one ups him by turning his back and shooting over his shoulder like with a mirror.

940
1:14:07,090 --> 1:14:09,579
Chad: When did this become a trick shooting contest?

941
1:14:09,810 --> 1:14:12,540
Chad: And then Vincent says my grandmother would be impressed by that.

942
1:14:12,691 --> 1:14:13,976
Chad: Watch this, you jerk off.

943
1:14:14,151 --> 1:14:28,654
Chad: And then Vincent spins around like a ferris wheel as he shoots his targets, but one of his lasers bow bounces off the wall and kills star, the robot that's robot murder, yes, yes, or maybe robot manslaughter Robot slaughter Something like that.

944
1:14:28,916 --> 1:14:31,719
Bo: Yeah, vincent is just a straight up murderer in this movie.

945
1:14:31,970 --> 1:14:37,917
Bo: Of course, when this happens, captain star gets so pissed off that he like shape and shorts out.

946
1:14:38,070 --> 1:14:41,275
Chad: Well, he got shot in the chest, he's dying, he's a death rattle.

947
1:14:41,370 --> 1:14:46,819
Chad: And then Bob the old melted robot walks over and he says made me over and parked story.

948
1:14:47,150 --> 1:14:49,383
Chad: We cut to this probe ship.

949
1:14:49,463 --> 1:14:59,836
Chad: That apparently is a thing in our movie heading back to the Cygnus, and apparently it has data on it to confirm Reinhardt's hypothesis of going into and out of a black hole.

950
1:15:00,230 --> 1:15:11,800
Bo: And Anthony Perkins sniffs out here what Reinhardt might need them for, which is, I guess you need the Palomino to monitor you while you search for the, and I quote ultimate knowledge.

951
1:15:12,070 --> 1:15:13,777
Chad: Oh my God, I've got goosebumps Just saying that.

952
1:15:14,131 --> 1:15:19,957
Bo: And Maximilian comes in and tells Reinhardt through, I guess, esp about the probe returning.

953
1:15:20,338 --> 1:15:20,900
Chad: I don't know.

954
1:15:21,130 --> 1:15:25,115
Chad: Reinhardt says to Anthony Perkins I need you to go with me to another place.

955
1:15:25,195 --> 1:15:30,462
Speaker 4: in another time, I will have the possibility to find what we call the ultimate knowledge.

956
1:15:30,650 --> 1:15:35,957
Bo: I promise you you will have the time of your life and you will never feel this way before.

957
1:15:36,370 --> 1:15:50,134
Chad: Maximilian the big red thug robot shows up and Reinhardt says Maximilian, the probe ship is about to dock Continue everyone here eat your meal of mushroom soup and whatever bugs are floating around in it, reinhardt and Maximilian.

958
1:15:50,154 --> 1:15:59,081
Chad: They leave and as they do so Maximilian rotates his head and kind of gives the members of our movie the steak eye with his horizontal red laser light hole.

959
1:15:59,771 --> 1:16:01,337
Chad: I kind of liked it as he was leaving like this.

960
1:16:02,795 --> 1:16:03,257
Bo: Brrrrrr, assholes.

961
1:16:03,893 --> 1:16:12,192
Bo: We cut over to Vincent and Bob, and Bob is just a oh Vincent this is a death ship For what it's worth.

962
1:16:12,293 --> 1:16:13,538
Speaker 3: My name's Bob.

963
1:16:13,670 --> 1:16:21,570
Speaker 3: That stands for Biosanitation Battalion Biosanitation we handle people's pee-pees and poo-poo.

964
1:16:22,337 --> 1:16:23,610
Bo: Yes, I thought I recognized that scent.

965
1:16:24,412 --> 1:16:28,915
Bo: Yes, robots can smell, or at least advance ones like me, some shit like you.

966
1:16:29,630 --> 1:16:30,034
Speaker 3: Now listen.

967
1:16:30,115 --> 1:16:33,610
Speaker 3: I couldn't speak freely earlier, but I got a yarn to spend for it.

968
1:16:34,073 --> 1:16:38,569
Speaker 3: If Max Billion knew you were here, it'd be the death of us both.

969
1:16:39,052 --> 1:16:47,308
Speaker 3: I can permanently rearm your lasers if you want, but you need to know your friends are in grave danger.

970
1:16:48,072 --> 1:16:49,297
Speaker 3: This is a death ship.

971
1:16:49,630 --> 1:16:52,338
Speaker 3: This is gonna be the biggest news you've heard.

972
1:16:52,538 --> 1:16:53,461
Bo: All movie.

973
1:16:53,892 --> 1:16:58,796
Bo: Just hold on to your robot parts, cut to another scene.

974
1:16:58,816 --> 1:17:00,240
Bo: That isn't nearly as interesting.

975
1:17:01,357 --> 1:17:02,610
Chad: We head back to the dinner party.

976
1:17:02,670 --> 1:17:09,590
Bo: Yeah where Ernest Burgdye is, like hey guys, now that he's gone, I gotta tell you this that small garden thing, bullshit.

977
1:17:09,971 --> 1:17:14,603
Bo: I don't know if you heard that when I did the coffin thing earlier, but I gotta tell you over near the Romaine lettuce.

978
1:17:14,804 --> 1:17:16,855
Chad: It's extra fertilized, also helpful.

979
1:17:16,875 --> 1:17:19,060
Chad: Hit pro tip Don't eat the Romaine lettuce.

980
1:17:19,241 --> 1:17:20,570
Chad: Somebody shit over there All the mushrooms.

981
1:17:21,434 --> 1:17:26,704
Chad: It wasn't me just kidding, it was me twice, okay, three times, by the way, is this mushroom soup?

982
1:17:26,784 --> 1:17:27,610
Bo: running through any of you guys.

983
1:17:28,372 --> 1:17:30,959
Bo: I gave it a real Zoe Deschanel, if you know what I mean.

984
1:17:31,953 --> 1:17:39,295
Bo: Robert Forster brings up the funeral again like hey, if you think all that shit in the garden stuff is weird wait till you hear about this funeral.

985
1:17:39,396 --> 1:17:40,399
Bo: I saw what.

986
1:17:40,711 --> 1:17:40,872
Speaker 3: Anthony.

987
1:17:40,933 --> 1:17:42,630
Bo: Perkins is like hey, everyone.

988
1:17:43,051 --> 1:17:46,561
Bo: I think maybe we need to give that cutie pie the benefit of the doubt.

989
1:17:48,658 --> 1:17:51,630
Bo: Ernest Burgdye is like did I tell you about the robot that had the limp?

990
1:17:52,252 --> 1:17:53,497
Bo: That was fucked up too.

991
1:17:53,971 --> 1:18:04,076
Bo: How about we just grab Reinhardt, throw him on the Palomino, chuck that fucker into the black hole and then we take the Cygnus home, the big ship we get the hell outta here.

992
1:18:04,630 --> 1:18:09,195
Bo: We could go on that piece of shit, brus bucket, palomino, or did you look around this place?

993
1:18:09,296 --> 1:18:10,239
Bo: It's pretty sweet.

994
1:18:10,630 --> 1:18:12,377
Bo: They got a whole robot shooting gallery.

995
1:18:12,690 --> 1:18:15,379
Bo: Also, did you see all the places to shit?

996
1:18:15,690 --> 1:18:22,630
Chad: So we cut to a room where these three large lazy Susans with four insets that are the size and shape of a normal human body.

997
1:18:23,474 --> 1:18:29,538
Chad: They're slowly rotating and these person-shaped holes are getting zapped in the head with blue laser beams.

998
1:18:29,719 --> 1:18:30,501
Chad: More on that later.

999
1:18:30,630 --> 1:18:37,630
Chad: Then we come back to Bob and Vincent the robots, and Bob shows up and says, yeah, these poor sons of bitches are what's left of the crew.

1000
1:18:38,414 --> 1:18:41,590
Speaker 3: They've been kept alive by means I don't understand.

1001
1:18:41,952 --> 1:18:44,967
Speaker 3: Remember, I pick up poo-poos and pee-pees from people.

1002
1:18:45,047 --> 1:18:45,630
Speaker 3: I'm not that smart.

1003
1:18:46,112 --> 1:18:47,497
Bo: Yes, yes, you're very stupid.

1004
1:18:47,670 --> 1:18:53,199
Speaker 3: That's what they tell me, but I do know that those humans are more robot than people.

1005
1:18:53,259 --> 1:18:56,630
Speaker 3: Now, hey, let's get out of here before we're discovered.

1006
1:18:57,254 --> 1:19:04,526
Bo: And we see some of those red-century robots showing up and then Vincent, because he has had a taste of blood at this point.

1007
1:19:04,727 --> 1:19:09,220
Chad: just smokes them, yeah he kills these Crimson Daft Punk robots, yeah.

1008
1:19:09,690 --> 1:19:12,590
Chad: And then Bob's like, hey, we got to hide the evidence.

1009
1:19:12,972 --> 1:19:20,590
Chad: And then, because Bob is a real ride-or-die partner and he's doing one of the good ones, they just grab these dead robot parts and just chunk them behind a work console.

1010
1:19:21,112 --> 1:19:22,598
Chad: It's a terrible hiding spot.

1011
1:19:22,630 --> 1:19:24,630
Chad: It's like a kid putting peas under their dinner plate.

1012
1:19:25,093 --> 1:19:39,541
Bo: Not since the last playthrough I did of the game, hitman was a body so poorly hidden this silver-suited robot comes out of the probe as Maximilian and Reinhardt are checking it out, and Reinhardt kind of shoves this robot out of the way.

1013
1:19:39,630 --> 1:19:41,610
Bo: He's like get out of here, you stupid thing.

1014
1:19:41,952 --> 1:19:45,598
Bo: I need to check the probe, I need to check the computers.

1015
1:19:45,952 --> 1:19:49,630
Bo: We cut back to dinner, where Anthony Perkins is still on the.

1016
1:19:50,576 --> 1:19:55,419
Bo: I'm trying to explain to all of you why Reinhardt couldn't possibly be trying to kill us thing.

1017
1:19:55,670 --> 1:20:03,384
Chad: Yeah, he's constantly making excuses for Reinhardt Right, so he neglected his duty to his country for a higher ideal.

1018
1:20:03,725 --> 1:20:05,028
Bo: So what?

1019
1:20:05,169 --> 1:20:05,610
Bo: It's kind of sexy.

1020
1:20:06,335 --> 1:20:14,341
Bo: I'll tell you a story of another man who neglected his duty to his country for higher ideals, a little person named George Washington ever heard of him.

1021
1:20:15,011 --> 1:20:19,630
Bo: He said oh my God, Vincent, just bring me up on the ESP line.

1022
1:20:19,991 --> 1:20:22,378
Chad: Does anyone remember that I have ESP with robots?

1023
1:20:22,538 --> 1:20:23,140
Chad: Well, I do.

1024
1:20:23,630 --> 1:20:25,590
Chad: He says we got to get back to the Palomino stat.

1025
1:20:25,831 --> 1:20:27,596
Chad: He also said don't look behind the console.

1026
1:20:27,657 --> 1:20:33,319
Chad: In sector 7G Somebody killed some robots and dumped their bodies there and Vincent and his pal Bob have no idea who did it.

1027
1:20:33,650 --> 1:20:35,630
Chad: But if anybody asks, vincent says it was Bob who acted alone.

1028
1:20:36,132 --> 1:20:39,590
Bo: Also, he said to stay clear of the greenhouse because it smells like shit.

1029
1:20:40,473 --> 1:20:46,140
Bo: For whatever reason, though, I bet that you and Anthony Perkins stay behind to, I guess, keep up appearances.

1030
1:20:46,741 --> 1:20:53,178
Chad: I guess Because Robert Forrester, bottoms and Ernest Borgman, they all leave and Perkins is there with Yvette.

1031
1:20:53,630 --> 1:21:09,875
Bo: And on their way back to the Palomino they see Max Millian and this silver robot, yeah, and then there's a scene where a vet mem, you is talking to Anthony Perkins and she says you know, I don't know if I mentioned that I have ESP, but I do, and I get the sense that you might want to go with Reinhardt.

1032
1:21:09,895 --> 1:21:20,342
Chad: I do, I do, a thousand times I do, and so Reinhardt rolls in he looks like Nicholson from the third act of the shining Right.

1033
1:21:21,650 --> 1:21:24,939
Bo: God looked over the face of the waters and knew it was good.

1034
1:21:25,750 --> 1:21:35,338
Bo: And Reinhardt just hands Anthony Perkins some papers and he says I'm going to give you my formula and I want you to write my journey into the black hole.

1035
1:21:35,458 --> 1:21:36,581
Bo: How do you feel about that?

1036
1:21:38,442 --> 1:21:39,489
Bo: Yes, I knew you would like it.

1037
1:21:39,892 --> 1:21:44,630
Bo: Also, I'm kind of thinking that maybe when I get to the other side maybe I live forever.

1038
1:21:45,862 --> 1:21:46,630
Bo: Wouldn't that be fun with me?

1039
1:21:47,474 --> 1:21:50,610
Bo: I live with you a little while Not forever, it seems like a long time.

1040
1:21:50,912 --> 1:21:53,630
Bo: Me, max Millian and I have a very complicated relationship.

1041
1:21:54,701 --> 1:21:55,630
Bo: I'll take anything I can get.

1042
1:21:55,972 --> 1:21:58,610
Bo: Look, forever is a long time and I'm sure I'm going to get around to it.

1043
1:21:59,293 --> 1:22:00,700
Chad: In this scene in the movie.

1044
1:22:00,881 --> 1:22:02,630
Chad: I was really shocked that the two of them did kiss.

1045
1:22:03,192 --> 1:22:07,590
Chad: The sexual tension between these two reaches its apex right here, yeah.

1046
1:22:08,473 --> 1:22:09,617
Bo: It was sexy, I liked it.

1047
1:22:10,630 --> 1:22:18,377
Bo: Meanwhile, bob is waiting for the crew on the Palomino with Vincent and he says oh, you know that story I was going to tell Vincent.

1048
1:22:18,650 --> 1:22:20,630
Bo: Well, here's the whole skinny.

1049
1:22:21,252 --> 1:22:30,317
Bo: It turns out that your dad, kate, died trying to mutiny and then Reinhardt turned the rest of the crew into them robots.

1050
1:22:30,377 --> 1:22:31,630
Bo: You see all over the ship.

1051
1:22:32,252 --> 1:22:36,813
Bo: And this is where Ernest Borgnein is like you know what I said about taking the sickness?

1052
1:22:36,973 --> 1:22:39,440
Bo: Fuck that, fuck them, let's get out of here.

1053
1:22:40,670 --> 1:22:43,919
Bo: We got to wait for a vet menu and Anthony Perkins like shit we do.

1054
1:22:44,690 --> 1:22:49,778
Bo: I say we get the hell out of here, forget this whole risk and mutiny bullshit and becoming one of them robots.

1055
1:22:50,039 --> 1:22:52,092
Bo: Yeah, and I also like that.

1056
1:22:52,112 --> 1:22:56,918
Bo: Bob here is like by the way, if you see any of those robots, kill them bitches.

1057
1:22:57,650 --> 1:22:59,096
Bo: Death is their only release.

1058
1:22:59,650 --> 1:23:00,855
Bo: Murder them all.

1059
1:23:01,630 --> 1:23:07,630
Bo: Vincent is like by the way, those busted ass robots that we definitely didn't kill are being searched for.

1060
1:23:08,131 --> 1:23:12,362
Bo: And that's where Robert Forcer is like all right, start a countdown, we're getting out of here.

1061
1:23:12,630 --> 1:23:16,220
Bo: By the way, tell Kate to get Anthony Perkins back to the ship.

1062
1:23:16,650 --> 1:23:25,076
Chad: We've got an uncanny plan that we need to put into action Basically tells Vincent be sure you tell her why That'll fuck her up.

1063
1:23:25,630 --> 1:23:31,630
Chad: We cut to Reinhardt, Anthony Perkins and Yvette and they're going into the master control room or whatever Max millions there.

1064
1:23:31,871 --> 1:23:34,279
Chad: This is the big holodeck to make the ship fly.

1065
1:23:34,650 --> 1:23:41,401
Chad: And Yvette says, um, hey, Anthony Perkins, we need to get back to our ship because they're going to blast off right away.

1066
1:23:41,770 --> 1:23:49,341
Chad: And then Reinhardt looks real pissed off and Anthony Perkins says well, I'm not going, I want to stay here and I want to get into that black hole.

1067
1:23:49,650 --> 1:23:51,630
Chad: I want to explore it and I want to experience it.

1068
1:23:52,051 --> 1:23:56,355
Chad: And this is where Vincent sends some ESPD Yvette and tells her hey, we got, we got to leave that.

1069
1:23:56,395 --> 1:23:57,939
Chad: The robots are people, Right?

1070
1:23:58,630 --> 1:24:03,701
Bo: Yvette Mim, you looks stunned by this news as one would imagine Is one of them my dad.

1071
1:24:03,822 --> 1:24:04,563
Bo: Is he not really dead?

1072
1:24:04,771 --> 1:24:11,097
Bo: Ernest Borgnein is starting to get a little antsy and a pansy where he's like we need to go Tic-tac.

1073
1:24:11,157 --> 1:24:12,501
Chad: There's a black hole out there.

1074
1:24:12,751 --> 1:24:14,590
Bo: See above regarding fuck these people.

1075
1:24:15,192 --> 1:24:16,216
Bo: I don't want to be a robot.

1076
1:24:16,771 --> 1:24:27,441
Bo: And meanwhile Yvette Mim you calls Anthony Perkins over and is trying to fill him in on the down low about the whole robot situation and Reinhardt kind of stalks up.

1077
1:24:27,562 --> 1:24:28,265
Speaker 4: What is wrong?

1078
1:24:28,305 --> 1:24:29,570
Chad: You bet you look ill.

1079
1:24:30,012 --> 1:24:30,875
Speaker 4: Are you going to stay?

1080
1:24:30,915 --> 1:24:34,906
Bo: with us and while he is kind of cornering of that, mim you.

1081
1:24:35,168 --> 1:24:48,657
Bo: Anthony Perkins goes over to one of the robots and removes one of the masks and surprise, surprise, it's actually director Gary Nelson under the mask, looking as stunned as he probably did when the reviews for this thing came in.

1082
1:24:48,677 --> 1:24:50,160
Chad: It's all sunken and hollow.

1083
1:24:50,200 --> 1:24:51,603
Chad: It looks like a mummy face.

1084
1:24:51,883 --> 1:24:56,630
Bo: Right, and Reinhardt is like sorry, I know this looks bad, but this was the only way to keep you back.

1085
1:24:57,074 --> 1:25:00,415
Chad: Yvette throws up in her mouth a little bit, she's like, yeah, she is.

1086
1:25:00,576 --> 1:25:02,501
Chad: Just swallow it Right.

1087
1:25:02,650 --> 1:25:14,610
Bo: You have done something against the good taste of God and man, and Maximilian, by the way, is kind of clocking all this as it's going on Like I might have to step in here because things are starting to get a little out of hand.

1088
1:25:14,971 --> 1:25:18,893
Chad: He's nice until it's time to not be nice, right this?

1089
1:25:18,973 --> 1:25:20,630
Bo: is really the roadhouse of science fiction movies.

1090
1:25:21,112 --> 1:25:22,437
Chad: Well, he goes a little too far.

1091
1:25:22,771 --> 1:25:48,592
Bo: Anthony Perkins starts to kind of hustle of that Mim you out towards this elevator that will take him down, and Reinhardt closes the elevator and then down comes Maximilian, kind of floating down at them with his worldly blades going and one of the best scenes of the movie, I would argue, but are certainly one of the best moments is Anthony Perkins holds up this book as if to block the side blade and it just choose through it.

1092
1:25:48,873 --> 1:25:51,861
Bo: And then Anthony Perkins gives an A plus level.

1093
1:25:52,630 --> 1:25:55,479
Bo: Hey, my guts are bent torn out by a worldly blade expression.

1094
1:25:56,534 --> 1:25:57,317
Bo: It's really good.

1095
1:25:57,630 --> 1:26:05,941
Bo: And then he gets gutted and falls into this reactor where he's also electric, which is a pretty sweet double death with no blood.

1096
1:26:06,630 --> 1:26:06,971
Bo: Well, of course.

1097
1:26:07,011 --> 1:26:07,353
Chad: I mean.

1098
1:26:07,754 --> 1:26:08,096
Bo: I get it.

1099
1:26:08,630 --> 1:26:12,630
Bo: The fact that we got somebody chewed up in the guts from a robot arm is good.

1100
1:26:12,730 --> 1:26:18,561
Chad: It terrified my wife so much she slept in her parents room for weeks at the foot of their bed because of that scene.

1101
1:26:18,751 --> 1:26:20,539
Bo: The one to punch of.

1102
1:26:20,801 --> 1:26:22,630
Bo: Oh my goodness, these robots are people.

1103
1:26:23,438 --> 1:26:26,917
Bo: Here's the face of one, and if you're a child, keep in mind.

1104
1:26:27,177 --> 1:26:37,721
Bo: Seeing this kind of haunted, empty, vanket face of somebody whose brain has been gutted out, immediately followed by this death, is a pretty good one to punch to fuck up a kid, I agree.

1105
1:26:38,670 --> 1:26:43,784
Chad: Reinhardt comes over and he says oh my you silly Billy Maximilian Anthony Perkins, he was a good man.

1106
1:26:43,885 --> 1:26:44,630
Chad: He had a crush on me.

1107
1:26:44,951 --> 1:26:48,521
Chad: Do you know how rare that is for a man of my stature and age?

1108
1:26:48,871 --> 1:26:50,337
Chad: He did not deserve to die.

1109
1:26:50,650 --> 1:26:53,319
Chad: He leans in and he kind of whispers.

1110
1:26:53,650 --> 1:26:59,602
Bo: It's a super weird line, but he whispers to a vet Mimmy, protect me from Maximilian, get me the hell out of here.

1111
1:26:59,763 --> 1:27:00,907
Chad: What is wrong with you people?

1112
1:27:01,148 --> 1:27:02,693
Chad: I was joking, don't you know a joke?

1113
1:27:02,713 --> 1:27:05,981
Chad: When you hear one, open that goddamn door, I'll kick your head in Mommy.

1114
1:27:07,052 --> 1:27:08,457
Bo: Um, hey, handsome.

1115
1:27:08,750 --> 1:27:10,297
Bo: Yes, I mean you back to video.

1116
1:27:13,897 --> 1:27:15,781
Bo: This is a good boy.

1117
1:27:21,119 --> 1:27:23,484
Speaker 3: Oh man, what a wonderful scene that is.

1118
1:27:23,831 --> 1:27:24,194
Bo: But anyway.

1119
1:27:24,214 --> 1:27:31,426
Bo: So a bunch of these red centuries open the elevator doors, they grab a vet menu and Reinhardt says take her to the hospital.

1120
1:27:31,506 --> 1:27:34,397
Bo: And by hospital I mean is in place where they've run the blades.

1121
1:27:35,010 --> 1:27:38,876
Speaker 4: Uh, sort of like that thing from the movie where.

1122
1:27:39,337 --> 1:27:42,501
Bo: Mel Brooks is going to zap, come as a frog.

1123
1:27:42,601 --> 1:27:43,242
Bo: Have you seen that?

1124
1:27:43,282 --> 1:27:44,284
Bo: He's a classic movie.

1125
1:27:44,464 --> 1:27:45,325
Bo: No, he's good.

1126
1:27:46,153 --> 1:27:48,610
Bo: You should watch it before you take her to the hospital.

1127
1:27:48,911 --> 1:27:51,197
Bo: Take her to the theater so she can see the movie.

1128
1:27:52,650 --> 1:27:58,409
Bo: She doesn't have to watch the whole thing, she can stop watching as soon as you see Mel Brooks and the deputy.

1129
1:27:58,429 --> 1:28:03,442
Bo: At the end he says ribbit, ribbit in these, because he's crazy, because he had the brain zap.

1130
1:28:03,811 --> 1:28:05,898
Bo: You can take her to the hospital after that and you know what?

1131
1:28:06,650 --> 1:28:10,904
Bo: Let her watch the whole thing because animal becomes super big and he's beating drums.

1132
1:28:11,105 --> 1:28:11,988
Bo: It's crazy.

1133
1:28:12,209 --> 1:28:12,630
Bo: It's a crazy movie.

1134
1:28:13,372 --> 1:28:15,600
Bo: But then take her to the hospital and we fry her brain.

1135
1:28:15,690 --> 1:28:21,998
Bo: Then when you put her in the thing, she's going to think oh, mel Brooks, did these just coming to the frog, right before her brain gets zapped.

1136
1:28:22,038 --> 1:28:27,623
Speaker 4: and then she Do me a favor, pick up the phone and call me if she says a little bit, a little bit after we zap her brain, make a video.

1137
1:28:27,791 --> 1:28:29,623
Chad: Send me the video because I've got to see that.

1138
1:28:29,784 --> 1:28:30,630
Chad: Do you have the TikTok?

1139
1:28:31,054 --> 1:28:35,303
Bo: Can you TikTok her saying ribbit, ribbit, it's golden.

1140
1:28:35,344 --> 1:28:36,610
Bo: Viral is what happened?

1141
1:28:36,951 --> 1:28:40,500
Bo: Maximilian, go down there, make sure they films on the TikTok.

1142
1:28:40,700 --> 1:28:41,362
Bo: I'll be fine.

1143
1:28:41,650 --> 1:28:43,317
Bo: I'm just going to sit here and watch the black hole.

1144
1:28:43,630 --> 1:28:44,594
Bo: Look, muppet movie.

1145
1:28:44,674 --> 1:28:45,558
Bo: Only 90 minutes.

1146
1:28:45,871 --> 1:28:49,824
Bo: I can wait 90 minutes before I get to the mortality, especially for the Muppet movie.

1147
1:28:49,864 --> 1:28:50,546
Bo: It's quite funny.

1148
1:28:50,627 --> 1:28:51,630
Bo: Paul Williams music is very.

1149
1:28:51,951 --> 1:28:54,600
Chad: The whole crew leaves to go save Yvette.

1150
1:28:54,811 --> 1:28:56,277
Chad: I don't remember how they know that she's there.

1151
1:28:56,690 --> 1:28:58,277
Chad: I'm sure ESP is involved, except for bottoms.

1152
1:28:58,630 --> 1:29:01,419
Chad: He stays behind because that's kind of his job to be useless on the ship.

1153
1:29:01,731 --> 1:29:03,590
Chad: And then Ernest Borgman, I'm going to stick around too.

1154
1:29:04,051 --> 1:29:05,776
Chad: My stomach's not feeling quite right.

1155
1:29:05,796 --> 1:29:06,237
Chad: You know what I mean.

1156
1:29:06,258 --> 1:29:07,381
Chad: All that mushroom soup.

1157
1:29:07,670 --> 1:29:11,000
Chad: I'm afraid I might have a blowout at 86 miles per hour.

1158
1:29:11,630 --> 1:29:12,492
Bo: One small step back.

1159
1:29:12,713 --> 1:29:17,073
Bo: Reinhardt calls down and is like Robert Forster yes, your friend Yvette Mimuel.

1160
1:29:17,334 --> 1:29:20,040
Bo: And Anthony Perkins, surprise, surprise, wants to stay with me.

1161
1:29:21,690 --> 1:29:23,784
Bo: And that's the point where Vincent's like Robert Forster.

1162
1:29:23,905 --> 1:29:24,610
Bo: That's all bullshit.

1163
1:29:25,193 --> 1:29:31,610
Bo: Anthony Perkins is dead from Maximilian and they're taking Yvette Mimuel to the hospital, but first they're taking her to see the Muppet movie.

1164
1:29:32,660 --> 1:29:33,610
Speaker 3: I think we have time.

1165
1:29:33,911 --> 1:29:37,540
Bo: They just got to the part, with Harry chasing them in the used car lot.

1166
1:29:37,700 --> 1:29:49,630
Chad: Yes, we have time, but so they head to the hospital, with old Bob leading the charge and they stuck Yvette into one of those little human shaped holes on this giant lazy Susan for ribbit, ribbit reprogramming.

1167
1:29:50,071 --> 1:29:56,630
Bo: And while this is all going on, the Cygnus is firing up its engines in his position to go through the black hole.

1168
1:29:57,012 --> 1:30:00,610
Bo: So we have what some people like to call multiple layered into related action.

1169
1:30:01,233 --> 1:30:04,630
Chad: About this time, a century robot finds those poorly hidden robot parts.

1170
1:30:05,532 --> 1:30:10,562
Chad: And then Reinhardt is shown on a video transmitter and he says they've bought.

1171
1:30:10,782 --> 1:30:13,656
Chad: Oh my goodness, it is time to liquidate our guests.

1172
1:30:13,836 --> 1:30:18,630
Chad: And then alarm start blaring and the Cygnus is now blasting into the black hole.

1173
1:30:19,291 --> 1:30:24,122
Chad: And we know this because Ernest Borgnein says hey, that man's headed us straight into the black hole.

1174
1:30:25,373 --> 1:30:28,505
Bo: And everyone applauds because they said the title of the movie for the 15th time.

1175
1:30:28,546 --> 1:30:29,630
Chad: Robert Forster leaps into action.

1176
1:30:30,152 --> 1:30:39,610
Chad: He fires off some laser blasters to save Yvette before her brain gets turned into oatmeal Dude she is in the silver sleeping bag with, honest to goodness, tin foil on her head.

1177
1:30:39,650 --> 1:30:41,502
Chad: Yeah, it's real conspiracy theory.

1178
1:30:41,563 --> 1:30:42,590
Chad: It's not tin foil.

1179
1:30:43,011 --> 1:30:47,441
Bo: Not since the weird Al song foil has tin foil on the head been so prominent.

1180
1:30:47,561 --> 1:30:48,142
Bo: I loved it.

1181
1:30:48,650 --> 1:30:54,723
Bo: Robert Forster wrestles with one of the robots and gets its face under the robot laser and it blows up.

1182
1:30:54,784 --> 1:30:57,590
Bo: And then a couple of more red robot show up and they handle those.

1183
1:30:58,131 --> 1:31:13,958
Bo: And then a vet menu and Robert Forster dress up like the people robots and Reinhardt sees this over his video cameras so he says, excuse me, attention to all the robots, Just kidding, you think humanoid between the hospital and the panel?

1184
1:31:13,978 --> 1:31:17,610
Bo: You know, I know it's maybe an overreaction, but you know you've got to break a few eggs to make.

1185
1:31:19,737 --> 1:31:20,821
Chad: Say I like that one.

1186
1:31:20,881 --> 1:31:21,583
Chad: That sounds good.

1187
1:31:21,704 --> 1:31:22,105
Chad: Shut up.

1188
1:31:22,185 --> 1:31:23,590
Chad: You gave us away, you son of a bitch.

1189
1:31:24,293 --> 1:31:28,590
Chad: And then this all ends with a lot of pew, pew, bing, bong, and then robots are shooting at our heroes.

1190
1:31:29,984 --> 1:31:30,630
Chad: There's a laser gun blast.

1191
1:31:30,691 --> 1:31:35,046
Chad: I mean, it looks terrible, even for the time in which it was made.

1192
1:31:35,086 --> 1:31:35,610
Chad: It all looks cheap.

1193
1:31:36,414 --> 1:31:39,630
Bo: It's a little dull too, because it's basically hey, we got pinned down.

1194
1:31:40,534 --> 1:31:43,148
Bo: Oh, those robots on our side saved the day.

1195
1:31:43,168 --> 1:31:43,630
Bo: Now let's get moving.

1196
1:31:44,513 --> 1:31:50,610
Chad: When the good guys shoot the bad guy robots, they just fall off the ledge like poorly stabilized, cheap department store mannequins.

1197
1:31:50,931 --> 1:31:55,610
Bo: It would be a hundred times better if, every time one of them fell off, you heard a good old fashioned will help scream.

1198
1:31:56,294 --> 1:31:58,630
Chad: Bob gets shot but nobody cares and you think he's going to die.

1199
1:31:59,434 --> 1:32:06,630
Chad: The convincing flies down and catches Bob before he crashes and Bob says first fight I've done in 20 years.

1200
1:32:07,514 --> 1:32:10,630
Speaker 3: I just wish it was Ryan hard to make some million in that battle.

1201
1:32:11,373 --> 1:32:15,610
Speaker 3: I want to kill both of those goddamn sons of bitches.

1202
1:32:16,914 --> 1:32:18,097
Speaker 3: Can we just fly?

1203
1:32:18,237 --> 1:32:22,610
Bo: over and kill some of them human robots just to make me feel a little bad.

1204
1:32:23,273 --> 1:32:25,846
Chad: I'm still not sure the protagonist in our movie is.

1205
1:32:25,967 --> 1:32:30,663
Bo: It's a little muddle, one would assume it's a forester, but it's really kind of been some of the robot.

1206
1:32:30,683 --> 1:32:34,630
Chad: I don't know, ryan hard gets so upset by all of this, he just smacks himself in the head repeatedly.

1207
1:32:35,191 --> 1:32:40,363
Chad: And then Ryan hard tells his robots to just let him fly away out of the sky.

1208
1:32:40,650 --> 1:32:46,523
Chad: Captain Robert Forrester calls back and he says hey, bottoms, ernest Borgnein, you got a blast off without us.

1209
1:32:46,771 --> 1:32:49,610
Chad: And instead these two go back to the main ship.

1210
1:32:49,872 --> 1:32:52,630
Chad: Once they arrive, some more red robot show up and there's more battles.

1211
1:32:53,091 --> 1:33:04,630
Chad: Then Ernest Borgnein does something pretty sweet, as he does this old man stunt move, and he falls down the way old people do and he's like Ah shit, I hurt my leg or something, old war wound of football something.

1212
1:33:05,196 --> 1:33:10,521
Chad: And bottoms like you look pretty hurt, old man, why don't you just stay here and I'll go find the other crew members?

1213
1:33:10,771 --> 1:33:13,806
Chad: So bottoms leaves and then Ernest Borgnein goes.

1214
1:33:13,987 --> 1:33:16,590
Chad: That dumb son of a bitch I'm leaving by myself.

1215
1:33:17,031 --> 1:33:19,459
Chad: When did he becomes a just self serving asshole?

1216
1:33:19,670 --> 1:33:21,297
Bo: He just doubles back to the Palomino.

1217
1:33:21,630 --> 1:33:27,590
Bo: I guess he became a self serving asshole right around the time that he was like Fuck everybody else, let's take off.

1218
1:33:28,093 --> 1:33:30,630
Chad: He was still all for one, one for all when it comes to the good guys.

1219
1:33:31,032 --> 1:33:32,598
Chad: He didn't care about the robots or Reinhardt.

1220
1:33:32,710 --> 1:33:37,721
Chad: Now he's just like I'm looking out for number one and I'm trying not to step in number two, If you know what I mean.

1221
1:33:37,781 --> 1:33:38,630
Chad: I'm talking about my shits.

1222
1:33:39,071 --> 1:33:45,610
Bo: He seemed pretty okay with leaving a couple of people behind like, hey, we've got the lion's share of us, and that's me.

1223
1:33:46,072 --> 1:33:49,610
Bo: He decides he's going to take off, which is what he does, and then blows up.

1224
1:33:50,398 --> 1:33:51,630
Bo: Yeah they shoot him out of the sky.

1225
1:33:52,194 --> 1:33:54,630
Bo: So at this point Vincent says I've got a great idea.

1226
1:33:55,312 --> 1:33:57,520
Bo: I got it from Anthony Perkins before he died.

1227
1:33:57,650 --> 1:33:59,610
Bo: How about we take that probe right into the hole instead?

1228
1:33:59,630 --> 1:34:06,228
Chad: I don't think that's exactly what he was talking about, but you know, inspiration comes from the most surprising places and he put in a storm.

1229
1:34:06,248 --> 1:34:06,630
Bo: That's what he said.

1230
1:34:07,372 --> 1:34:14,630
Bo: And then meteorites and quotes which are just glowing paper Michelle balls started hitting the ship, which are being dragged in by the black hole.

1231
1:34:15,191 --> 1:34:22,643
Bo: There's this roller coaster ride on a sled which really leads me to believe that somebody in Disney was like this is going to be a ride.

1232
1:34:22,784 --> 1:34:25,630
Bo: Quite possibly, once this thing takes off, we are going to make this ride.

1233
1:34:26,412 --> 1:34:34,590
Chad: Our heroes run through the main corridor wherever that is, and they find themselves eventually back on the set that they use for the greenhouse earlier, because that's where they end up.

1234
1:34:35,374 --> 1:34:37,786
Chad: And then Centurions show up and they chase them around.

1235
1:34:37,826 --> 1:34:46,928
Chad: There's more laser blasts, Then a hole gets punched in the greenhouse by a meteorite and you think everybody's head would explode or they would just violently get sucked into space.

1236
1:34:47,029 --> 1:34:47,630
Chad: But none of that happens.

1237
1:34:48,398 --> 1:34:56,564
Chad: Everything just ends up covered in dust and our heroes gently fly upward towards the hole in the ceiling like they just shotgun a can of fizzy lifting drink.

1238
1:34:56,710 --> 1:35:03,504
Bo: I do like the shot when they're going across that big main corridor and you see the meteor rolling through the ship.

1239
1:35:03,750 --> 1:35:05,297
Bo: I think that still looks pretty cool.

1240
1:35:05,711 --> 1:35:07,610
Chad: I'll give you that, but I'm not much more.

1241
1:35:07,933 --> 1:35:09,610
Bo: I mean it's nonsense but it looks good.

1242
1:35:09,771 --> 1:35:14,590
Chad: Back in the control room, right heart screams maximum power, we're going to the black hole.

1243
1:35:14,991 --> 1:35:20,610
Chad: And then the whole ship is just creaking and bending outside their explosions all over the place.

1244
1:35:21,374 --> 1:35:24,630
Chad: No one watching this movie is thinking, oh, this ship's going to make it through a black hole.

1245
1:35:25,452 --> 1:35:35,630
Bo: Right heart speaking of gets trapped under this big sheet of metal or something that falls as this place is coming aboard at the seams and Maximilian is like see, you wouldn't want to be you.

1246
1:35:36,232 --> 1:35:38,881
Bo: It gets on an elevator and it's just all.

1247
1:35:38,901 --> 1:35:40,125
Chad: Maximilian, help me.

1248
1:35:40,366 --> 1:35:44,570
Chad: Drones, someone help, I'm in the pickle now.

1249
1:35:44,810 --> 1:35:51,349
Bo: And, of course, the irony is that these robots that he has created do nothing to help him, because they were just mindless automatons.

1250
1:35:51,369 --> 1:36:00,485
Bo: Now and then Maximilian finds our heroes and they shoot back and forth a little bit and then outcome the blades.

1251
1:36:00,791 --> 1:36:03,590
Chad: First he just unceremoniously shoots Bob the robot.

1252
1:36:03,831 --> 1:36:07,044
Speaker 3: He's like I'll take care of this tall drink of water.

1253
1:36:07,164 --> 1:36:20,545
Chad: Blamo, maybe not oh you got me Maximilian and Vincent go mono and mono and Vincent rushes Maximilian and kind of head butts him and then the two of them start hug wrestling.

1254
1:36:21,111 --> 1:36:24,461
Bo: And then Vincent gives him a taste of his own medicine, drills him right in the belly.

1255
1:36:24,630 --> 1:36:27,630
Chad: Maximilian kicks Vincent in the dick with his robot leg and then there's sparks.

1256
1:36:28,152 --> 1:36:32,630
Chad: My Reno is that Vincent extended his robot penis and stabbed Maximilian in his crotch.

1257
1:36:33,133 --> 1:36:34,479
Bo: This was supposed to be for Bob.

1258
1:36:34,901 --> 1:36:36,630
Bo: That's for you, you big red asshole.

1259
1:36:37,152 --> 1:36:39,620
Bo: So he flies off into the black hole.

1260
1:36:39,812 --> 1:36:41,590
Chad: Maximilian and not Vincent.

1261
1:36:41,850 --> 1:36:45,759
Bo: Maximilian does and Vincent goes to find Bob and he gives him the whole.

1262
1:36:46,100 --> 1:36:47,483
Speaker 3: I ain't gonna make it.

1263
1:36:47,650 --> 1:36:49,630
Speaker 3: You're gonna have to go home without me.

1264
1:36:50,256 --> 1:36:51,610
Speaker 3: Carry on the tradition.

1265
1:36:51,872 --> 1:36:53,630
Speaker 3: Remember, we're the best.

1266
1:36:54,312 --> 1:36:56,998
Chad: Well, like the tradition of what Killing other robots.

1267
1:36:57,159 --> 1:36:58,121
Bo: I remember I'm the best.

1268
1:36:58,650 --> 1:36:59,754
Bo: I also remember that you pick up shit.

1269
1:37:01,031 --> 1:37:06,862
Chad: Back at the probe ship bottoms, he gets knocked off into space, but Vincent immediately saves him.

1270
1:37:07,043 --> 1:37:10,824
Chad: Whew, that was a close one that no one needed to see in this movie.

1271
1:37:11,146 --> 1:37:13,905
Bo: By the time you realize what's going on, he's fine again.

1272
1:37:13,965 --> 1:37:16,113
Bo: You're like oh okay, I guess that was exciting.

1273
1:37:16,365 --> 1:37:19,736
Chad: The Cygnus continues to rip apart as it enters the Black Hole.

1274
1:37:19,946 --> 1:37:23,075
Chad: And then our heroes blast off on their probe ship.

1275
1:37:23,326 --> 1:37:30,993
Chad: And then the big ship gets sucked into the Black Hole and Vincent says Captain, this probe ship was programmed to go into the Black Hole.

1276
1:37:32,186 --> 1:37:35,255
Bo: And then it just becomes Succadelia for a minute.

1277
1:37:35,505 --> 1:37:40,137
Bo: It's the sort of that scene from Willy Wonka and the Chocolate Factory in the Tuttle.

1278
1:37:40,506 --> 1:37:47,135
Bo: But they also do this echoey thing with their voices of like oh, we're going into the Black Hole, the Black Hole, the Black Hole.

1279
1:37:47,446 --> 1:37:51,324
Bo: Dental plan Lisa needs praises Dental plan Reinhardt murdered my father.

1280
1:37:51,446 --> 1:37:52,564
Speaker 3: Lisa needs praises, father, father.

1281
1:37:52,786 --> 1:38:02,134
Bo: While that's happening with them, we cut over to Reinhardt, who has apparently gone through the Black Hole question mark and now has long hair and a beard.

1282
1:38:02,347 --> 1:38:03,985
Chad: Longer hair and a longer beard.

1283
1:38:04,326 --> 1:38:06,113
Chad: It looks like an intergalactic hobo.

1284
1:38:06,527 --> 1:38:10,071
Bo: He falls into Maximilian Maximilian's floating around in there too.

1285
1:38:10,645 --> 1:38:46,465
Bo: And they sort of embrace and then they become one entity where it's Maximilian's shell but it's Reinhardt looking out of it, and they're standing on top of this rocky outcropping on a fiery surface of a planet or something that is probably hell, and we see a lot of hooded figures of the damned question mark walking beneath them, and the, I guess meaning of this is that they have somehow become the new rulers of hell in this dimension.

1286
1:38:46,807 --> 1:38:50,109
Speaker 3: They are one person, they are two.

1287
1:38:51,207 --> 1:38:51,950
Chad: They are three.

1288
1:38:52,226 --> 1:38:54,850
Chad: It's super weird, they are four.

1289
1:38:55,848 --> 1:38:57,445
Chad: It defies explanation.

1290
1:38:57,627 --> 1:39:03,276
Bo: But that's what I kind of love about it is that even though it's real tacked on and slapdash and thrown together.

1291
1:39:03,466 --> 1:39:18,445
Bo: It's such a weird creepy visual and for a movie, even though they don't say Walt Disney presents, it is still a Walt Disney production and for the end of this Walt Disney film being, I guess they go to hell and they're the devil now maybe.

1292
1:39:18,566 --> 1:39:22,336
Chad: Well, Mr Toad's Wild Ride was a theme park attraction where you went to hell.

1293
1:39:22,821 --> 1:39:24,651
Bo: Right, right, and they took that shit out.

1294
1:39:24,947 --> 1:39:27,525
Bo: Unfortunately, the park's the worst for it, if you ask me.

1295
1:39:27,667 --> 1:39:28,824
Chad: It's still at Disneyland.

1296
1:39:29,108 --> 1:39:30,241
Bo: Oh, is it still in California?

1297
1:39:30,261 --> 1:39:31,745
Bo: Yeah, oh, I need to go to California.

1298
1:39:31,845 --> 1:39:35,871
Chad: They also have legal weed there, so I've heard Mmm I don't want me to go to California.

1299
1:39:36,125 --> 1:39:57,615
Chad: Well then, the movie goes from hell and we fade into this crystal arched tunnel where we see a woman in white with blonde hair leading the camera somewhere like the other side of this tunnel, and then the probe ship exits and everybody's okay, and then we see a planet that is Earth or something.

1300
1:39:58,617 --> 1:39:59,098
Bo: Maybe.

1301
1:39:59,267 --> 1:40:08,785
Bo: I mean, I think that it's supposed to be, or originally it was certainly intended to be, but they also backlight it so much that you can't really tell the end.

1302
1:40:08,987 --> 1:40:12,694
Bo: The music swells and they're safe, or they're in heaven or something.

1303
1:40:12,775 --> 1:40:14,744
Bo: That's it and that's the end of the life of-.

1304
1:40:14,885 --> 1:40:16,411
Chad: I just like this movie so much.

1305
1:40:16,706 --> 1:40:19,795
Chad: As I said at the beginning, it's boring, it's pointless.

1306
1:40:20,066 --> 1:40:22,925
Chad: There were moments that were somewhat interesting to look at.

1307
1:40:23,005 --> 1:40:24,947
Chad: With the matte paintings it's not good.

1308
1:40:25,067 --> 1:40:29,292
Bo: I like it more after having talked about it, and I liked it pretty well already.

1309
1:40:29,506 --> 1:40:31,425
Bo: Yeah, it's a very weird movie.

1310
1:40:31,586 --> 1:40:32,550
Speaker 3: That you should never watch.

1311
1:40:32,826 --> 1:40:34,572
Bo: It's technically really interesting.

1312
1:40:35,006 --> 1:40:37,385
Bo: The acting is okay.

1313
1:40:37,626 --> 1:40:39,293
Bo: The story is nonsense.

1314
1:40:39,506 --> 1:40:46,045
Bo: I kind of love Maximilian Shell in it because he's having a ball as Reinhardt and I like the visuals.

1315
1:40:46,226 --> 1:40:47,672
Bo: I think it's visually interesting.

1316
1:40:47,807 --> 1:40:49,306
Bo: It feels like a cult movie, like.

1317
1:40:49,346 --> 1:40:58,065
Bo: This is a movie that I could see being a midnight movie and people really getting into it If Disney allowed such a thing, or maybe they do and maybe just people aren't interested in it.

1318
1:40:58,085 --> 1:41:08,065
Bo: I think it's the latter, not the former, you're probably right, but I would love to go see this at a midnight screening with a bunch of nerds that were into it, because I think there is something to this movie.

1319
1:41:08,265 --> 1:41:13,217
Bo: I think the ending is bonkers in the best possible way.

1320
1:41:13,466 --> 1:41:21,505
Bo: That hell imagery stuck with me for years and years and years and years, almost as much as Anthony Perkins getting drilled by Maximilian the Robot.

1321
1:41:21,605 --> 1:41:30,398
Bo: There are certain things about it that are just stuck in my brain, and if you've never seen the black hole, I know you are going to disagree and say don't ever see the black hole.

1322
1:41:30,418 --> 1:41:31,045
Speaker 3: No, I agree with that statement.

1323
1:41:31,065 --> 1:41:38,153
Bo: I would say, if you've never seen it, I am going to say the counter to that, which is, if you've never seen the black hole, you should probably watch it at least once.

1324
1:41:38,326 --> 1:41:48,405
Bo: If you find 70 sci-fi interesting, because it's a great example of that, because it's sort of esoteric and trippy and weird and technically interesting.

1325
1:41:48,546 --> 1:41:52,884
Chad: I don't disagree with that, but I will say that you should never watch this movie.

1326
1:41:53,085 --> 1:42:04,245
Chad: But for the next episode, I want to let you know yes, we've watched some real trash from like the 1980s, 70s, whatever.

1327
1:42:04,366 --> 1:42:06,725
Chad: It's time to get into some modern day filmmaking.

1328
1:42:06,886 --> 1:42:12,671
Chad: Not too long ago, we reviewed that remake of Child's Play that I quite enjoyed.

1329
1:42:12,852 --> 1:42:24,505
Chad: Surprisingly, and about the time that movie came out, there was a trailer for a film that I thought hey, this looks like Child's Play, but with a girl robot, and that girl robot's name was Megan.

1330
1:42:24,705 --> 1:42:38,174
Chad: Well, that's what we have on tap for two weeks from now's episode the movie Megan, about a girl who meets a girl robot and they become friends and they avoid a lawsuit from the people who remade Child's Play.

1331
1:42:38,365 --> 1:42:45,372
Bo: This was a bit of a cultural phenomenon, yeah, and I am interested to revisit it because I saw it in the theater.

1332
1:42:45,726 --> 1:42:51,224
Bo: I now want to go back and watch it in the unrated version, which I'm curious about.

1333
1:42:51,426 --> 1:42:53,405
Bo: We'll see how it goes from there we will see.

1334
1:42:53,606 --> 1:43:02,037
Chad: I mean, the movie is shameless in how it rips off about a dozen other movies and just doesn't care, Absolutely it doesn't care.

1335
1:43:02,460 --> 1:43:04,771
Bo: It's a blue mouse felt, which is one of the greatest things about it.

1336
1:43:04,852 --> 1:43:05,333
Chad: Yeah, yeah, yeah yeah.

1337
1:43:05,626 --> 1:43:06,369
Bo: It doesn't care.

1338
1:43:06,409 --> 1:43:09,673
Bo: In all the best ways it's got kind of a mean spirit to it, which I like.

1339
1:43:09,867 --> 1:43:13,593
Chad: It tries to do a whole lot of things and fails on every single front.

1340
1:43:13,805 --> 1:43:16,114
Chad: So come back and see us in two weeks time.

1341
1:43:16,366 --> 1:43:18,005
Chad: If you want like rate review.

1342
1:43:18,125 --> 1:43:20,948
Chad: If you have recommendations for this season, send them in.

1343
1:43:21,229 --> 1:43:22,153
Chad: We'll consider it.

1344
1:43:22,233 --> 1:43:22,976
Chad: Will we do it?

1345
1:43:23,157 --> 1:43:24,402
Chad: Maybe, who knows?

1346
1:43:24,462 --> 1:43:26,792
Chad: Or maybe you get lucky and you're going to pick something we're already going to do.

1347
1:43:26,926 --> 1:43:29,105
Chad: You can email us and say, hey, why don't you do, megan?

1348
1:43:29,226 --> 1:43:32,289
Chad: And then, when it comes out, you could say you know what I did, that I'll give you credit for it.

1349
1:43:32,490 --> 1:43:34,331
Chad: I don't care, I'll mention you by name.

1350
1:43:34,545 --> 1:43:37,133
Chad: Also, you send me an email at picksixmovies at gmail.com.

1351
1:43:37,154 --> 1:43:37,836
Chad: So, hey, do Megan.

1352
1:43:38,047 --> 1:43:44,844
Chad: I will mention you on the next podcast that it was inspired by you random stranger who listens to us rattle on about movies.

1353
1:43:44,985 --> 1:43:48,225
Chad: But any final thoughts that you have when it comes to the Black Hole?

1354
1:43:48,707 --> 1:43:52,648
Bo: Oh, I mean, I just think that the level is quite attractive for me and that Prince Dude.

1355
1:43:52,748 --> 1:43:54,962
Bo: I was just wondering maybe then how that we're in the Black Hole.

1356
1:43:55,869 --> 1:43:58,808
Bo: Are you interested in entering the other Black Hole, Mr Devil?

1357
1:43:59,725 --> 1:44:01,692
Speaker 4: Whatever you say, that's only Perkins.

1358
1:44:01,772 --> 1:44:03,337
Speaker 4: Wait a minute, your mother is here.

1359
1:44:03,497 --> 1:44:04,520
Speaker 4: Oh god, mother.

1360
1:44:04,560 --> 1:44:05,985
Chad: Mother oh god the blood.

1361
1:44:07,366 --> 1:44:08,968
Chad: We'll see you in two weeks' time, everybody.