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There is very little time or point in an explanation. To be

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blunt, the audio came from a timeline and dimension that has collapsed at

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a quantum level, rendering it null and void in terms of existence.

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Operational time in the dimensional continuum where the beings that created the audio

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collapsed in on itself, rendering all of their civilization, including technology,

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null and void. Timelines across the entire continuum are collapsing

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and changing. The destruction has a nexus that centers on cinema

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syll. 10 years.

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Man 10. 10 years.

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10 years. Man 10 years. 10 years.

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10. 10 years. 10 years.

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What is the most likely way humanity. Will be wiped out? Maybe it's something.

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Or us. Although the way the world ends might. Be because of you.

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And if this is the case, you wouldn't have any control over it. The global

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temperature rise underscores a chilling reality. Our planet is

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trying to tell us something, but we don't seem to be listening. A recent study

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has suggested that one. Third of annual deaths due to heat are directly

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related to global warming.

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On top of the initial flash of thermonuclear light,

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which is 180 million degrees, which catches every everything on fire

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in a nine mile diameter radius. On top of the bulldozing effect of the

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wind and all the buildings coming down, and more fires igniting more fires

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on top of the radiation if they happen to have survived poisoning people to death.

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On top of all that, each one of these fires creates a mega fire

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that is a hundred or more square miles.

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Timelines across the entire continuum are collapsing and changing.

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The destruction has a nexus that centers on Cinema PsyOps.

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A breathtaking scientific revolution is taking place.

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Biotechnology has been progressing at stunning speed.

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Giving us the tools to eventually gain control over biology.

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Solving the deadliest diseases while also creating.

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Viruses more dangerous than nuclear bombs, able to devastate

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humanity. It's man returning to the most primal,

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violent state as people fight over the tiny

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resources that remain. What if the world we live in is just a

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dream or a simulation? Whether it's a dream or some advanced computer

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game you are playing right now, when it ends, you would be what causes the

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end of the world. Please do us all a favor. Continue dreaming or playing

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this game of life. Because when you wake up or unplug, there's a chance the

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rest of us. Will be blaked out of existence. Timelines across the

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entire continuum are collapsing and changing. The destruction has a

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nexus that centers on Cinema syn.

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10 years. 10 years alone

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and welcome to the 512th consecutive week of

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Cinema Psyops. This episode represents not only 512

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consecutive releases of this show. It also represents

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eight more to go before we are done with doing that shit. And just as

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stoked as I am to be able to hear those words being spoken by me

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is my co host, Matt. I love eating short ribs, man.

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Spare beef ribs. God, they're so good. I am also a fan of

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beef ribs. There's a particular barbecue place that's actually very

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close to my. I'll tell you the name off air. But, you know, unless they're

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going to pay me in, like, free ribs for a plug, I'm not plugging them

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on the show. Because if you're in Omaha, you should already know the place exists.

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That's all I'm saying. I would. I would totally do a plug for free

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ribs. I would do a lot more than just a plug for free ribs.

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And some of that stuff may be illegal in some states. I'll do some

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absolutely criminal shit for a Klondike bar and some free ribs.

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But the Klondike bar comes after the ribs.

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How can you have your pudding if you don't eat your meat? Yeah, if you

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can't eat your meat, you can't have your pudding. That's just how it's gonna go.

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Yeah. That's how life is. All right, so we're finally finishing up

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the Rebirth of Mothra series with my film rebirth of Mothra 3, released in

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1998, also the year that I graduated from high school.

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Hey. Yeah. So when these were on Sci Fi, I know

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I was still at home with my parents, I think, so I think I may

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have actually seen these, like, during my cut day at school.

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Oh, wow. Yeah. For my senior year maybe or something. But I remember catching

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them on something like Sci Fi. But my parents had digital cable at the.

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So who knows? It might have even been Showtime that these were on. Who fucking

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knows? You know what I'm saying? But I had gotten mad. However it gotta work.

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Yeah. And I do remember watching all three of them. I remember laughing my fucking

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ass off at the creature that peed all over the kid's leg and why wouldn't

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you in the last movie? And like, he got healed and I just thought that

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was the funniest shit ever that they decided to have magical pee. I just shook

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my head and laughed and I enjoyed all the monster fights that were in your

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film. Yep. Then we got to my film in this marathon that was being

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played that I remember catching on cable somewhere. And Jesus fucking Christ,

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Ghidorah is absolutely terrifying. But what a weird hybrid of

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plots and ideas that this film is. It. It doesn't make a whole lot of

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sense and I'm going to do my best to try and explain it for everybody.

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No, it's like they had three different stories they wanted to tell and they

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tried. Yeah. This is. It's a massive attempt at an epic

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that is 103 million years in the making. More or less.

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Yeah. Like, I mean, they want some time travel. They want some kids trapped in

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an evil dome. They want multiple versions of Gedra that can

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exist simultaneously. We have time travel fuck ups,

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we have causality, failures, all sorts of weird shit.

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I'm happy this was your movie. Yeah. Considering my love

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of that kind of alternate realities and multiple realities and

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how time travel doesn't quite work the way everybody thinks it's gonna work. I'm glad

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that I did choose this. And I will freely admit I pulled

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a selfish because I realized Ghidra was in this and said I want this one

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for me. And I was happy because I got furry who

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could pee on people. Yeah. Just so bizarre. So bizarre these

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last two films. But I'm gonna. Like I said, I'm gonna do my best to

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try and explain it, but if the film doesn't explain it and I couldn't put

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it in one of the many clips, and when I say many, I mean 24.

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Some of them are almost five seconds. Like I just literally clipped

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all of the dialogue. Cause I'm like, fuck it. I'm not trying to recreate this

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or explain it. Right. So there we go. Jesus Christ, man.

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We're gonna be here forever. No, we won't be here forever because I'm

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not playing the longest ones for you. And I'm going to do.

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What will end up happening is the full episode will be released. Everybody that

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listens to the episode will have the full of the clips and they will be

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here forever. Nerds.

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But they are choosing to listen to us,

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Matt. There is a difference. They choose to listen to us because they find us

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entertaining. Why do they choose stalkers?

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Yeah, I don't want to think about it too. Or taste. Because, yeah. I mean,

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if you like us, you have to. I mean, but anyway.

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Jesus Christ. Yeah, I don't want to think about any of that. Go outside,

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touch the fucking grass. All right, enough assaulting the audience.

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We don't have that many left as is. Thank you. All right, sorry, My bad.

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Sorry, everyone. Let's take the break here. Let's try and bring

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everyone back from Matt's manic episode he just had in insulting you all.

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We're gonna play The Legion Patreon. Adam, we're gonna play the Legion Patreon

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ad. And immediately following that on the pirate radio edit like we've been doing all

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along. Songs released or in the top 100 for 1998.

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And up first will be Big Bad Voodoo Daddy with the song you and Me

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and the Bottle Makes three tonight. Immediately following that. Yeah, this'll keep

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it. Hi there. I didn't see ya.

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Testing the paradox sustaining devices that are essential to the function

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of the Mobius loop of annihilation has proven difficult in the labs of Seven

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Quartz all in one Edison manufacturing business that is in no way a center

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for outlandish claims that are almost always shown to be false with time.

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Seriously, why would you even think that? Their stock price is inflated by

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lies and propped up by shady investors using it to pump and dump money through

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market manipulation. That is just not how they harvest money from foolish investors.

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And I will thank you once again for not believing this would be the case.

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As I was saying before you so rudely brought up the fact that the only

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thing Zevon is allegedly capable of creating is chaos and stock manipulation

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ploys. Testing the paradox sustaining devices that are essential to the

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function of the Mobius Loop of annihilation has proven difficult. In the labs,

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the Collective were able to verify this through the audio taken from video surveillance footage

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that somehow miraculously survived the media it was stored on, being mostly destroyed.

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It's miraculous in that we got exactly the format we needed for it to reach

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your ears of this pivotal event as it happened in just the right moment for

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us to capture it and further the plot of this story. It is almost as

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though this is all being written badly by an author with no writing skills and

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a poor imagination. The Collective agreed that we would no longer allow

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personal religious apocryphal beliefs to enter the discussion and stick to the

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observable facts in this matter. The very existence of the experience of suffering,

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the endurance of pain, the complete and the total death toll of injustice in

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the multiverse is a major point of contention and creates a catch all to

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offer some comfort in the form of an explanation that not verifiable and therefore

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improbable. If the author is somehow all powerful and benevolent, why would they

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allow such evil and torment to exist? If we are to not interfere and not

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push personal beliefs and ideology, why are you here pushing your own random events

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beliefs into the transmissions? This isn't even your assigned dimensional

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loop to communicate with, Boris. I am effective. As of the start of this shift,

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the main processing quality Assurance and redundancy Elimination,

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Supervisor of these transmissions. And I am telling you to stop trying

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to teach the Great Authorship during the remedy Medial educational clips explaining what

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is happening as their timeline collapses.

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Ah, the late 90s, whenever the big Band swing

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revival hit. And there were so many fucking songs that sounded like they were

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released in 1939. And it was nice, dude.

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God, what a time to be alive. It was like Big Bad Voodoo Daddy.

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The Cherry Popping Daddies had the one song that was like a big hit for

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them. And then there was what other? There was another big band.

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Well, I guess technically the Squirrel Nut Zippers could kind of fit in there.

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As well, because they were mighty, mighty Boss tones. Nah, they were more scar.

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They just had that like, you know, the big band thing with that. But they

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did more scar than actually. Being like big bands, I suppose. I mean, you know,

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they. They can. At least they can waffle.

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Yeah, but it was there. It existed. It was a thing that you have to

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recognize was. You know, it's a thing. We all did it that one time.

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Everyone got dressy. That's it. We can move on.

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Yeah. I mean, I may or may not have or have not purchased the single

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of that Cherry Poppin Daddy song that I can't even think of the name of

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now. I think the Big Band swing even got me back then, and I'm not

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ashamed to admit it. So that's not. It was some. The Cherry Poppin, was it

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like a devil song too? Something like that? I don't know. Yeah. Hell by the

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Squirrel Nut Zippers. Hell yeah. Yeah. There you go. Yeah. All right, enough talking about

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the Big Band swing revival of the 90s. Let's get into the death of Mothra

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in the 90s with Rebirth of Mothra 3, 1998.

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All right, I've cracked open my first beer. Let's talk about this shit.

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Let's time travel, motherfuckers. All right, so the first third opens with

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dialogue. It's only a few seconds, but fuck it, that's our first clip.

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As long as you live, you shall have hope.

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Personally, I find that rather presumptuous. Lady I know,

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right? Who the fuck do you think you know here? Yeah, Because I have no

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hope right now. I have zero. No, I ain't got nothing like that.

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Fuck off, you fucking hope. All right, so after the clip, the title card pops

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up to tell us the name of the film. During the opening credits, we fly

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over Infant island, set to the sound of a Casio keyboard of this era with

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just the demo button pressed Yeah, I. Mean, it's just the demo. Don't.

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Don't anybody have to worry about nothing. It's just a demo. Things are falling from

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the ceiling. And we hear the sounds of things being tossed about above and

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in the air. A stone tablet then falls to the ground. So do a bunch

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of pots that then explode all over the floor. And then a few other things

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that are similar to that. They all break once, hitting the floor. Before we see

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a super fancy looking lockbox hit the floor with a dull thud. There is

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a key sized person dragging a key towards the box trying to

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open the box. With that said key we can assume it is

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this movie's Rita Repulsa or this version of it that we had seen in all

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the other films. We then see that it is actually her. Once she hops inside

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of the open box and reads off some stuff to create some more dialogue.

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That became our second clip. Wisdom.

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Courage. Love.

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Elvira. What are you doing?

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Mal.

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Garagaru. Mal. Lara.

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I'm sure you must have heard about it. The Elias Triangle.

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The Elias Triangle holds the secret power that protects us

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from disaster. No one knows what it is or even where it's

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located. You never wanted to know. We never

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needed to know. Not until now.

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Look what I've got in my hand.

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I'm taking them.

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Barry. Keep them. You'll need them.

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The King of Terror.

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Wisdom. What does the other one say? It looks like Courage.

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Courage. Courage and wisdom.

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Laura, give me the other one.

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This one doesn't fit. I'm sure it fits Belvira's sword though.

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So the one that she took. That was for your sword.

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What is it? I'm worried about what she said. Wasn't it the King of Terror?

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I think she meant the King of Terror is coming. So. Interesting coincidence.

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In the Japanese version with the subtitles they

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refer to him as the Beelzebub of the stars or something like that. Like they

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00:15:00,480 --> 00:15:02,900
even play it up even more severe. And whatever this creature is, is going to

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be super evil. We already know it's Ghidra. But even still. Yeah, it's Ghidra.

225
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It's a three headed fucking dragon. We're well aware. Go ahead.

226
00:15:09,700 --> 00:15:13,260
God damn, ladies. You don't have to play hard to get with fucking

227
00:15:13,760 --> 00:15:16,260
Ghidra. They always do that where they don't want to admit it's Ghidra even though

228
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it's Ghidra. Yeah, we all know it's fucking Ghid. They cut from

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that to a bad CGI rendering of a meteor hurtling towards a bad cgi.

230
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Rendering of the earth. And I feel really sad wondering what a model version

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would have looked like instead. Yeah, the model version would have been a lot

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better. This was not good. The meteor explodes into the atmosphere

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and they cut to Fujiyashida City in Yamamashi.

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Yaman, Yamanashi. We know this because it is put up on a title card.

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And I'm trying to pronounce it based solely on that. Good job.

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00:15:49,280 --> 00:15:52,800
You know what? You tried. You gave it. You gave it the

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old, you know, college try. Good job. Cork. We follow with

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a dude driving a box truck and having a snack While he's doing it.

239
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He notices the meteor shower and resulting light show as he is driving

240
00:16:03,760 --> 00:16:07,440
and starts staring at it while still being mobile,

241
00:16:07,940 --> 00:16:10,240
which is a bad idea. Dude, Distracted driving is a thing.

242
00:16:10,800 --> 00:16:14,480
Yeah. They cut from that to what I assume is this movie's kids.

243
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And they annoy us all in the dub in our third clip.

244
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Here you go. Thank you. What's the matter with

245
00:16:22,800 --> 00:16:25,100
them? They look like they're afraid.

246
00:16:26,060 --> 00:16:29,340
Of what? Shouta, come and try this.

247
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Go on, taste it. Well, I think it

248
00:16:33,600 --> 00:16:37,140
needs more spice, this one. Well, what do you think? You need some

249
00:16:37,640 --> 00:16:41,580
lemon juice? The onion. I think you need to chop it a little finer.

250
00:16:42,060 --> 00:16:44,860
Oh, okay. Hey,

251
00:16:45,420 --> 00:16:48,450
it's dad. Welcome home.

252
00:16:49,090 --> 00:16:52,890
Hey, kids. Hi dad. Here, these are

253
00:16:53,390 --> 00:16:56,450
for you. Hey, come on.

254
00:16:57,090 --> 00:16:59,970
I'm home. Hi. Welcome home, dear.

255
00:17:00,370 --> 00:17:03,930
Here. Hi, dad. Hi. Wow, it's huge. Where did you

256
00:17:04,430 --> 00:17:08,050
get it? It was a gift from old Tanaka. Oh, how nice. Hey,

257
00:17:08,290 --> 00:17:10,770
come here. All right, let's see.

258
00:17:11,250 --> 00:17:14,940
Are you strong today? Ooh, you're getting

259
00:17:15,020 --> 00:17:18,580
stronger. Are you tired? No. Hey.

260
00:17:19,080 --> 00:17:22,380
Off. Yeah. A drink? Ah, thank you. Thank you.

261
00:17:23,980 --> 00:17:27,260
Perfect. Now try a little of

262
00:17:27,760 --> 00:17:31,220
that. Sure. Wow. Did you make

263
00:17:31,720 --> 00:17:34,980
this? Shota helped me. Shota? So how did you know that's what I wanted?

264
00:17:35,480 --> 00:17:37,340
I used my imagination. Imagination?

265
00:17:39,370 --> 00:17:42,330
Hey, guess what? The sky's full of shooting stars.

266
00:17:42,410 --> 00:17:45,530
Really? Let's go and see. Wow.

267
00:17:46,810 --> 00:17:47,770
Where did it land?

268
00:17:49,690 --> 00:17:53,290
Yoki Forest. There's another. The film

269
00:17:53,790 --> 00:17:57,170
follows the meteor that strikes down at Katsuyama city, Fuki, I think.

270
00:17:57,670 --> 00:18:00,130
That's right. I don't know. We know this because it's on the title card that

271
00:18:00,630 --> 00:18:04,130
pops up to tell us that. So you can see it written down, but I'm

272
00:18:04,630 --> 00:18:07,890
not sure I'm pronouncing it right. Anyway, the meteor starts to glow a bunch of

273
00:18:08,390 --> 00:18:11,710
different shades between red and purple and then starts glowing really like

274
00:18:12,210 --> 00:18:16,350
an almost golden. Look all over it as everything around it starts to have this

275
00:18:16,850 --> 00:18:20,430
almost anti gravity effect where it all lifts up off of the ground and away

276
00:18:20,930 --> 00:18:24,510
from the glowing orb. It cuts from that to a helicopter flying around. And then

277
00:18:25,010 --> 00:18:28,470
the annoying kids in our. It's heading to the forest.

278
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Goodbye, my little friend. Don't forget your bag now.

279
00:18:34,230 --> 00:18:35,590
Oh, sorry we're late,

280
00:18:37,590 --> 00:18:40,510
Chota, here's your lunch. Oh, thank you.

281
00:18:41,010 --> 00:18:44,510
No mustard in yours. Thanks. Chota, I hope someday you'll go back to

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00:18:45,010 --> 00:18:48,070
school. I think it's time, so have a good day, son. Bye, honey.

283
00:18:48,570 --> 00:18:51,190
Huh? Is it because I've got a job? What do you mean? Is that why

284
00:18:51,690 --> 00:18:54,790
he's not going to school? Of course not. Then what's wrong with him? I really

285
00:18:55,290 --> 00:18:57,030
don't know. He's got his own ideas about things.

286
00:18:58,630 --> 00:19:01,950
Mommy, I know why he doesn't go to school. Why's that, sweetie?

287
00:19:02,450 --> 00:19:05,730
He's like this girl, Yuriko in my class. She cries when she eats her

288
00:19:06,230 --> 00:19:10,130
school lunch. She cries. It's not fair. They make her eat all the food even

289
00:19:10,630 --> 00:19:13,730
though she hates it. But, sweetheart, the school lunches, they're good for her

290
00:19:14,230 --> 00:19:17,490
health. It's good for her to do something she doesn't want to. It's not fair

291
00:19:17,990 --> 00:19:20,610
to force her. They can't make people do things they don't want to do.

292
00:19:21,110 --> 00:19:24,450
Hey, the bus is here. Jota, listen to me.

293
00:19:24,610 --> 00:19:28,050
Stay away from the Aoki forest today. Bye,

294
00:19:28,550 --> 00:19:32,360
Daddy. Have nice a day, okay? Bye. Have a

295
00:19:32,860 --> 00:19:36,400
good day. After the clip, they cut to the meteor crash site that

296
00:19:36,900 --> 00:19:41,280
is now an apocalyptic wasteland. The pixie ladies fly in and do an expository

297
00:19:41,780 --> 00:19:45,480
dialogue into our ear holes in our fifth clip. That's not really a meteorite.

298
00:19:45,800 --> 00:19:48,600
Is it from space? It came from Earth.

299
00:19:49,480 --> 00:19:52,520
It's some sort of fossil. Except it's alive.

300
00:19:53,400 --> 00:19:54,040
Alive?

301
00:19:58,220 --> 00:20:01,980
Dinosaurs. What? This had

302
00:20:02,480 --> 00:20:03,500
something to do with the dinosaurs,

303
00:20:05,260 --> 00:20:07,340
but they died millions of years ago.

304
00:20:09,660 --> 00:20:12,900
130 million years. And thousands of them were

305
00:20:13,400 --> 00:20:16,620
wiped out. So what is it doing on Earth now?

306
00:20:17,740 --> 00:20:20,940
I think it's come back. What?

307
00:20:21,180 --> 00:20:25,120
It killed off the dinosaurs and now it's returned.

308
00:20:35,520 --> 00:20:38,800
It can only be one thing. The creature has returned from the past.

309
00:20:41,520 --> 00:20:45,200
King Ghidorah. Get in over here.

310
00:20:45,520 --> 00:20:48,320
Get in that spot. Come on. Get it. All right, come on.

311
00:20:49,840 --> 00:20:52,990
Come on. Hey, Matt. I got it.

312
00:20:53,490 --> 00:20:55,310
Pass it to me. I got a spot.

313
00:20:56,910 --> 00:20:59,870
Yeah, Come on. Shoot. Come on, come on.

314
00:21:00,430 --> 00:21:04,470
Yeah. Okay, so during the

315
00:21:04,970 --> 00:21:08,630
clip, we actually see Ghidra's shadow fly over a bunch of kids.

316
00:21:09,130 --> 00:21:12,750
And they quite literally disappear or disintegrate or whatever. The kid who refuses to go

317
00:21:13,250 --> 00:21:17,190
to or whatever it is that happens. They just basically disappear whenever

318
00:21:17,690 --> 00:21:20,510
the shadow passes Over. We see that at the school and everything like that.

319
00:21:20,830 --> 00:21:24,410
Then they cut to the kid who refuses to go to school sneaking off

320
00:21:24,910 --> 00:21:28,090
on his bike to the woods that he was strictly forbidden to go to.

321
00:21:28,590 --> 00:21:31,930
And then dumps his bike. Never listen. And then he dumps his bike to

322
00:21:32,430 --> 00:21:36,290
go snooping at the impact site. They cut from the kid to King Ghidra

323
00:21:36,790 --> 00:21:40,170
flying around and followed by the Pixie twins who noticed something

324
00:21:40,250 --> 00:21:42,730
in our sixth clip. King Ghidorah.

325
00:21:44,010 --> 00:21:47,330
Why aren't there any children? Millions of years ago it

326
00:21:47,830 --> 00:21:52,030
killed off the dinosaurs. But this time we must call Mothra.

327
00:22:04,670 --> 00:22:07,390
I included a little bit of the music video for everybody. Yeah. I was gonna

328
00:22:07,890 --> 00:22:10,630
say even did the music. Huh? Nice. Just a small part of it. I always

329
00:22:11,130 --> 00:22:13,950
like the. At least the first line where they're like, I just. I like it.

330
00:22:14,450 --> 00:22:17,110
I don't know why. I just do. And at the end of the clip,

331
00:22:17,610 --> 00:22:21,220
that starts the obligatory music video sequence of the ladies voguing it up and sing

332
00:22:21,450 --> 00:22:24,570
to Mothra to summon her or strengthen her or whatever it is that needs to

333
00:22:25,070 --> 00:22:27,290
be done just so we can get some fucking Kaiju action on this fucking screen.

334
00:22:27,790 --> 00:22:31,370
This is complete with dis. Let's get going, huh? This is complete with

335
00:22:31,870 --> 00:22:35,690
disappointing CGI of Infinite island that is quickly cut from to show the absolutely gorgeous

336
00:22:36,190 --> 00:22:40,050
Mothra flying around. Before it cuts to Ghidra flying around and destroying model

337
00:22:40,550 --> 00:22:44,170
cities and looking evil as fuck as he does it. There is obvious early CG

338
00:22:44,670 --> 00:22:47,650
compositing stuff being done. We mentioned it in the last episode and this is where

339
00:22:48,150 --> 00:22:51,010
it is. Here they're doing it instead of model work for the destruction. And it

340
00:22:51,510 --> 00:22:55,030
makes me sad. Even if it's mostly a that they're animating in. I just don't

341
00:22:55,530 --> 00:22:57,910
like it. It just doesn't look right and it doesn't feel right. Yeah. Right.

342
00:22:57,990 --> 00:23:01,350
This movie, it's got it. You can't

343
00:23:01,850 --> 00:23:05,550
just have things be a model. All right? Why can't things just be a model?

344
00:23:06,050 --> 00:23:08,790
Is what I mean. This movie represents the ending of an era. And it continues

345
00:23:09,290 --> 00:23:12,030
to be less and less model work and suitimation and more and more CG stuff.

346
00:23:12,530 --> 00:23:16,070
And it makes me sad. We're entering that phase and it's just sad. It's when

347
00:23:16,570 --> 00:23:20,510
your childhood dies, motherfucker. It cuts from this monster action

348
00:23:21,010 --> 00:23:23,790
to the kid who won't go to school snooping around a cave. And he comes

349
00:23:24,290 --> 00:23:27,770
out to another entran the cavern to find the meteor thing has

350
00:23:28,270 --> 00:23:32,210
become a bad CGI dome. And then we see within that bad CGI

351
00:23:32,710 --> 00:23:36,970
dome All the kids who King Ghidra had snagged up, they are now magically

352
00:23:37,470 --> 00:23:41,410
appearing within this cage thing that is this dome. Then a bully ass

353
00:23:41,910 --> 00:23:45,570
kid snags some other kid's soccer ball and yeets it the fuck at

354
00:23:46,070 --> 00:23:50,170
the bad CGI dome, which transforms the ball itself into some bad CGI that

355
00:23:50,670 --> 00:23:53,790
disintegrates, freaking out all the kids who go running around inside of a dome Dome

356
00:23:54,290 --> 00:23:56,990
that will hurt them if they reach the edges. So why are they running back

357
00:23:57,490 --> 00:23:59,430
and forth? They should just all run to the middle and stay there. Well,

358
00:23:59,930 --> 00:24:03,310
because they're kids, so they're stupid. That's fair. They cut back to the

359
00:24:03,810 --> 00:24:07,030
kid who won't go to school still snooping around outside the bad

360
00:24:07,530 --> 00:24:11,790
CGI death dome. They cut from that to show Ghidra flying overhead and approaching

361
00:24:12,290 --> 00:24:15,990
the death room. And this suitimation and flying composite looks amazing.

362
00:24:16,490 --> 00:24:19,710
They put some money into this one and it looks great. Yeah, it's good stuff.

363
00:24:20,210 --> 00:24:23,550
He lands and surrounds the dome with his wings. And this sends the kids

364
00:24:24,050 --> 00:24:27,730
running to hide behind anything and everything and screaming their little heads

365
00:24:28,230 --> 00:24:31,570
off. They stay with the suit for Ghidra for a while. And I am here

366
00:24:32,070 --> 00:24:35,330
for this stuff all day until they deny me it. And cut to the annoying

367
00:24:35,830 --> 00:24:39,690
ass class cutting kid and his shenanigans. We cut from him to

368
00:24:40,190 --> 00:24:43,570
the pixie ladies doing us some dialogue. And that is our seventh clip.

369
00:24:44,070 --> 00:24:46,770
Oh, that's where it's keeping the children.

370
00:24:49,250 --> 00:24:51,010
Mothra. Hurry. Look,

371
00:24:52,850 --> 00:24:55,810
I'm glad they explained that that's where he's keeping the children. But we still don't

372
00:24:56,310 --> 00:24:59,470
know why he's like disintegr children and placing them inside this weird death dome.

373
00:24:59,970 --> 00:25:03,470
Yeah, right. They're not really explaining all that to us. Yeah, we don't

374
00:25:03,970 --> 00:25:07,110
know why. We just know that this is happening. And then they're also surprised by

375
00:25:07,610 --> 00:25:11,390
that. So yes, like I've said before in the past when it comes to Kaiju

376
00:25:11,890 --> 00:25:14,950
movies and logic, essentially the thing happened, now you have to deal with it.

377
00:25:15,450 --> 00:25:19,070
We don't know why. We just. It happened and here we are. Yeah, yeah.

378
00:25:19,150 --> 00:25:22,430
So, you know, just be, you know,

379
00:25:22,930 --> 00:25:26,110
ready for all this. And with that, at the end of the clip when they

380
00:25:26,610 --> 00:25:30,490
say Mothra should hurry, Mothra flies in to save the day. Though her attacks seem

381
00:25:30,990 --> 00:25:35,010
to have no effect on this King Ghidra. Ghidra takes off and Mothra pursues

382
00:25:35,510 --> 00:25:38,650
him in a terrific flying sequence that is better than

383
00:25:38,730 --> 00:25:41,850
any of the flying stuff we got with the small pixie ladies and

384
00:25:42,350 --> 00:25:46,050
their dragging riding evil Rita repulsive Sister. That stuff was composited badly and

385
00:25:46,550 --> 00:25:48,610
did not look good. And some of it was CG that looked really bad.

386
00:25:49,110 --> 00:25:52,450
Just wanted to. Yeah, it was just not great. They had little mini

387
00:25:52,950 --> 00:25:56,410
models that were flying models of both Mothra and this version of King Ghidra.

388
00:25:56,910 --> 00:25:59,690
And that shit was great. And they did good work with that. It was really

389
00:26:00,190 --> 00:26:03,610
well done. Well, during the battle, Mothra is hitting Ghidra with

390
00:26:04,110 --> 00:26:07,570
tons of laser and lightning attacks. Then a dive bomb spinning

391
00:26:08,070 --> 00:26:11,450
lightning attack looks particularly cool too. But looking cool doesn't cut it when

392
00:26:11,950 --> 00:26:14,650
it comes to defeating this King Ghidra, as none of these attacks I just described

393
00:26:15,150 --> 00:26:17,210
seems to be actually working on him or doing anything to him. That's a little

394
00:26:17,710 --> 00:26:21,050
scary. Yeah. No. King Ghidra seems to be impervious to

395
00:26:21,550 --> 00:26:24,810
the pain. Ghidra responds with his fire breath attack that hits and

396
00:26:25,310 --> 00:26:28,770
clearly damages Mothra very quickly. Then he hits her with a barrage of

397
00:26:29,270 --> 00:26:33,430
these before hitting her with lightning from his wings and then dropping down onto

398
00:26:33,930 --> 00:26:37,390
her with a double leg stomp drop that smashes Mothra to

399
00:26:37,890 --> 00:26:41,430
the ground, causing the Pixie ladies to scream out, mothra. And it also made

400
00:26:41,930 --> 00:26:44,270
me pop with a massive work like that. I was like, oh, fuck,

401
00:26:44,750 --> 00:26:47,950
yeah. No, that was good shit. One of the first things that popped

402
00:26:48,450 --> 00:26:50,750
into my head was that old wrestling thing of that moth had a family.

403
00:26:52,830 --> 00:26:56,030
As God is my witness, that moth is broken in half.

404
00:26:57,310 --> 00:27:00,950
Insult and injury both is piled on to Mothra as we watch Ghidorah

405
00:27:01,450 --> 00:27:04,970
basically. Basically fucking river dance all over her wings. It's horrific,

406
00:27:05,470 --> 00:27:08,970
the stomping that he does. Yeah, it's bad. Leaving her pinned and

407
00:27:09,470 --> 00:27:12,890
vulnerable to his attacks as he keeps doing this. This is so fucking brutal.

408
00:27:13,390 --> 00:27:16,930
That moth had a family. That Moth did have a family. Those two

409
00:27:17,430 --> 00:27:20,450
twins. And now they don't. I mean, we don't know what's going on. Just as

410
00:27:20,950 --> 00:27:24,130
I typed that, two of the Ghidra heads bite down on Mothra at the wings

411
00:27:24,630 --> 00:27:28,050
and start tossing her around everywhere as the middle head strikes at her. During all

412
00:27:28,550 --> 00:27:31,490
of this, that was. The referee needs to stop the damn match. Yeah. This was

413
00:27:31,990 --> 00:27:35,110
brutal. The Pixie ladies fire a mini laser from their mini

414
00:27:35,610 --> 00:27:38,870
Mothra and then get some kind of weird red light

415
00:27:39,370 --> 00:27:42,710
on them with a sound effect when they get too close to one of Ghidra's

416
00:27:43,210 --> 00:27:46,710
eyes. Ghidra then tosses Mothra far into the air and all three heads

417
00:27:47,210 --> 00:27:50,430
blast her with their fire breath or heat ray or whatever it's supposed to be,

418
00:27:50,670 --> 00:27:54,310
which sends her careening into the Pixie ladies and fairy who Then spin

419
00:27:54,810 --> 00:27:58,550
out of control and nearly smack into the Class Cutter. Kid Barry corrects its flight

420
00:27:59,050 --> 00:28:02,670
pattern and then the sister in blue turns on the sister in orange as she

421
00:28:03,170 --> 00:28:06,890
tries to strangle her. They fall off a ferry in the fight and it dives

422
00:28:07,390 --> 00:28:10,930
to rescue them as Mothra crashes to the ground. And Ghidra goes

423
00:28:11,430 --> 00:28:14,650
flying over populated areas to dish out some more destruction.

424
00:28:15,150 --> 00:28:18,490
He goes off collecting more kids as the Class Cutter's little brother

425
00:28:18,990 --> 00:28:22,530
and sister get swept up in the Ghidra transporter to the Death Dome with the

426
00:28:23,030 --> 00:28:25,890
rest of the kids. While the school evacuates in a panic, they wake up inside

427
00:28:26,390 --> 00:28:29,210
of the Death Dome and make some noises with their taki holes in our eighth

428
00:28:29,710 --> 00:28:31,890
club. Oh.

429
00:28:33,650 --> 00:28:37,330
Help us. Help, help us. Someone save us.

430
00:28:38,610 --> 00:28:40,210
I think we'll stay clear of that.

431
00:28:42,850 --> 00:28:46,210
At the end of the clip, a bunch of weird worm looking tentacle things that

432
00:28:46,710 --> 00:28:50,010
are terrible CGI come out and attack them, dragging them into the

433
00:28:50,510 --> 00:28:53,530
dome. That struggle takes long enough to get us past the first third of the

434
00:28:54,030 --> 00:28:57,610
film. We are now one third of the film down, finally. Yeah. And so,

435
00:28:58,110 --> 00:29:02,330
yeah, we're getting some King Ghidra action and completely just utterly destroying

436
00:29:02,830 --> 00:29:06,430
Mothra. So I guess that's happening. Yeah. The wrestling

437
00:29:06,930 --> 00:29:10,630
maneuvers in this where Ghidra was doing the attack, and then the one portion

438
00:29:11,130 --> 00:29:14,430
where, like, he picks Mothra up and just tosses her into the air and

439
00:29:14,930 --> 00:29:18,310
then all three heads blast fire at her to drag her across. That was all

440
00:29:18,810 --> 00:29:22,230
really good stuff. That was very entertaining. I was really digging that

441
00:29:22,730 --> 00:29:25,630
and having a blast. But it took us a little while to get here.

442
00:29:26,130 --> 00:29:29,390
I mean, I split it up into thirds. So we're talking 33 to

443
00:29:29,890 --> 00:29:33,670
34 minutes before we really get to the action. We have some of this Kaiju

444
00:29:34,170 --> 00:29:37,450
battle stuff. And before that has been kind of a slog, a bit annoying.

445
00:29:37,690 --> 00:29:40,650
And other than the mom is kind of hot and a bit of a milf,

446
00:29:41,150 --> 00:29:44,090
I mean. Yeah, like real nice,

447
00:29:44,590 --> 00:29:48,410
though. Real nice. Yeah, she is quite attractive and she wears pigtail

448
00:29:48,910 --> 00:29:51,970
the entire time. And I'm just. I'm here for that fucking cliche all day,

449
00:29:52,470 --> 00:29:55,490
I guess. Yeah, right. Thank you.

450
00:29:55,990 --> 00:29:59,610
I do have to admit, they are better parents than

451
00:29:59,690 --> 00:30:03,410
we've seen in the previous Godzilla films and some of the other Kaiju

452
00:30:03,910 --> 00:30:06,810
films. They care about their kids. One of their kids is, you know, having some

453
00:30:07,310 --> 00:30:09,630
trouble and doesn't want to go to school. At least the parents are together here.

454
00:30:10,130 --> 00:30:13,270
I'm just saying. Yeah. And they're really kind of concerned about the kid. They don't

455
00:30:13,770 --> 00:30:15,550
know what to do, but they Aren't trying to force him to go back to

456
00:30:16,050 --> 00:30:19,630
school whenever he's got some problems. He's really good at being a

457
00:30:20,130 --> 00:30:22,710
Little Chef and a bit of a cook, so they're encouraging that in him.

458
00:30:23,109 --> 00:30:25,230
Trying to get him to kind of come out of his shell and get some

459
00:30:25,730 --> 00:30:28,470
confidence and stuff. You know, the dad's kind of paying attention to each of the

460
00:30:28,970 --> 00:30:32,430
kids and being, like, super kind to them at certain moments. And it just feels

461
00:30:32,930 --> 00:30:36,070
completely fake and nothing like any real family, essentially. Yeah. No.

462
00:30:36,230 --> 00:30:39,530
Yeah. If you grew up and experienced something that supportive and wonder your life,

463
00:30:40,030 --> 00:30:42,370
then good for you. The rest of us did not have parents like this.

464
00:30:43,570 --> 00:30:45,970
I mean, I had supportive parents.

465
00:30:47,090 --> 00:30:49,730
Well, good for you. You had parents like this. I did not. But I still

466
00:30:50,230 --> 00:30:53,530
turned out like a giant piece of shit. Well, that's more your fault than theirs

467
00:30:54,030 --> 00:30:57,250
then, huh? Yeah. Yeah, definitely. No, this is all on me. All right, let's move

468
00:30:57,750 --> 00:30:59,770
on to the next third of the film. What do you think? Yes. All right,

469
00:31:00,270 --> 00:31:03,290
so the middle third starts with the Class Cutter spying on things with his little

470
00:31:03,790 --> 00:31:06,890
mini binoculars. The warm tentacle things come out for the class cutter and

471
00:31:07,390 --> 00:31:10,410
they are yelled at by the remaining pixie lady and riding on the

472
00:31:10,910 --> 00:31:14,430
fairy cre creature in our ninth clip. Stay away from

473
00:31:14,930 --> 00:31:18,270
him. You're a very lucky boy.

474
00:31:18,770 --> 00:31:22,270
King Ghidorah tried to capture you. King Ghidorah? What are you doing here?

475
00:31:22,670 --> 00:31:26,070
It's my sister. She's inside that dome. King Ghidorah is

476
00:31:26,570 --> 00:31:29,950
holding thousands of children prisoner in there. Prisoner? What for?

477
00:31:30,190 --> 00:31:33,150
Because. To kill them.

478
00:31:33,390 --> 00:31:37,150
My name is Mal. This is Fairy. And you? Sonada.

479
00:31:37,470 --> 00:31:40,430
And your first name? It's Shota. Shota.

480
00:31:41,380 --> 00:31:43,940
What's wrong? It's my sister. She's there too.

481
00:31:45,380 --> 00:31:49,180
They cut from this to a gorgeous shot of Gidras flying into a major city.

482
00:31:49,680 --> 00:31:53,380
And then to a newscast playing at a panicked office with the MILF

483
00:31:53,880 --> 00:31:56,619
mama. Both the Class cutter and the brats we followed when they went to the

484
00:31:57,119 --> 00:31:59,940
school that they all got kidnapped from. All that is in our 10th clip.

485
00:32:00,260 --> 00:32:03,780
This puzzling phenomenon seems to have left no city on the

486
00:32:04,280 --> 00:32:07,140
island of Hanshu unaffected. Mr. Sonata,

487
00:32:07,620 --> 00:32:11,790
what's happening? Happening? With over 3,000 children reported missing

488
00:32:12,290 --> 00:32:15,230
the last day. Mr.

489
00:32:15,730 --> 00:32:19,550
Akira, I'm Tamako and Shuhei's mother and I. Yes? I've heard

490
00:32:20,050 --> 00:32:23,950
terrible things on the radio and the television. They're saying that. Where are they?

491
00:32:24,270 --> 00:32:27,870
Sweetheart? It was on the radio. Children disappearing. What's going on

492
00:32:28,370 --> 00:32:32,310
here? Tamako and Shuhei have disappeared too. That right? Hey, now, take it

493
00:32:32,810 --> 00:32:36,590
easy. Your kids are not the only ones missing, you know. All our students have

494
00:32:37,090 --> 00:32:40,610
gone. A total of 5002028 kids. And it's not only our

495
00:32:41,110 --> 00:32:45,090
school either. It's an update on the missing children. The enormous dome that

496
00:32:45,590 --> 00:32:48,810
suddenly appeared in the Aoki forest this morning appears to be connected to

497
00:32:49,310 --> 00:32:52,890
the disappearance of the children. Police and helicopters flying over the translucent dome

498
00:32:53,390 --> 00:32:56,530
reported that they saw hundreds of children inside and that all of them appear to

499
00:32:57,030 --> 00:32:57,090
be alive.

500
00:33:00,290 --> 00:33:03,330
Shouta knows how to get there. The wind came.

501
00:33:04,210 --> 00:33:06,690
Let's go. Let's go. Let's go. Run.

502
00:33:07,580 --> 00:33:11,220
You see, Lara is a very kind and generous person. That's how King

503
00:33:11,720 --> 00:33:15,340
Ghidorah was able to turn her against me. Nice people are always

504
00:33:15,840 --> 00:33:19,540
taken advantage of. That's too bad. Somehow it knew

505
00:33:20,040 --> 00:33:23,500
if Lara and I were separated, Mothra's power would be weakened and she'd be

506
00:33:24,000 --> 00:33:27,820
vulnerable. It knows my sisters down there.

507
00:33:28,220 --> 00:33:31,820
Have you come to this place before? It's the Wind Cave, an ancient lava

508
00:33:32,320 --> 00:33:34,940
flow. It's the entrance to a library.

509
00:33:36,290 --> 00:33:38,130
It's where I come when I want to be alone.

510
00:33:40,290 --> 00:33:43,410
Where's the other one? What? You said sisters.

511
00:33:43,730 --> 00:33:47,490
I did? Won't you Help you out? What is it? Don't you like

512
00:33:47,990 --> 00:33:51,810
each other? In my experience, the eldest child always has

513
00:33:52,310 --> 00:33:53,890
a much harder time than the younger one.

514
00:33:55,250 --> 00:33:56,290
What's that smell?

515
00:33:58,850 --> 00:34:02,410
That's Mothra. Right? Don't worry. Mothra can sense the

516
00:34:02,910 --> 00:34:03,930
difference between good and evil.

517
00:34:05,290 --> 00:34:09,250
Shouta. Yes? Go on. The end of the clip starts

518
00:34:09,750 --> 00:34:12,970
a long sequence of the kid being awe inspired by the beauty of Mothra.

519
00:34:13,470 --> 00:34:17,130
In silence with some dramatic music to sell the experience. And it's working for me,

520
00:34:17,630 --> 00:34:20,970
I'll admit it. Yeah, it's nice. They cut back from that

521
00:34:21,470 --> 00:34:24,410
to the MILF mom and the father arriving back at their home in the box

522
00:34:24,910 --> 00:34:28,170
truck her husband drives looking for the class cutting kid of theirs

523
00:34:28,670 --> 00:34:32,170
who promised to stay home and was a fucking liar. In our 11th clip,

524
00:34:32,670 --> 00:34:36,070
Shona Chanta.

525
00:34:36,470 --> 00:34:39,110
Choda. Shouta.

526
00:34:39,270 --> 00:34:42,070
Choda Chowdha. Shouta.

527
00:34:43,350 --> 00:34:45,110
Here. Huh? Look.

528
00:34:46,870 --> 00:34:50,110
Hey, his bike's gone. I told him not to go

529
00:34:50,610 --> 00:34:52,870
to the forest. Come on, hurry.

530
00:34:58,390 --> 00:35:02,010
Lara. Laura. What on earth

531
00:35:02,510 --> 00:35:05,690
are you doing in here? It's too dangerous. It's an evil place. I think this

532
00:35:06,190 --> 00:35:09,890
is King Ghidorah's base. He has awful plans. He's gonna destroy the human race.

533
00:35:10,770 --> 00:35:11,410
Laura.

534
00:35:15,010 --> 00:35:18,290
I see. He's possessed you. Has he?

535
00:35:20,130 --> 00:35:22,290
Laura. What happened to math?

536
00:35:37,280 --> 00:35:40,600
That boy, he just ignores everything I.

537
00:35:41,100 --> 00:35:44,440
Say to him these days. I told you you should have used the belt

538
00:35:44,940 --> 00:35:47,600
on it more often. Over.

539
00:35:51,620 --> 00:35:55,300
Right. You stay here. Don't move from this spot.

540
00:35:55,800 --> 00:35:55,860
You understand?

541
00:35:59,380 --> 00:36:03,260
Oh, no. Let's go. They cut from the end of the clip

542
00:36:03,760 --> 00:36:06,820
to Ghidra flying into the city and destroying buildings with his flame

543
00:36:07,320 --> 00:36:11,180
breath attack. That animates them into CGI explosions or bad compositing

544
00:36:11,680 --> 00:36:15,020
shots of explosions. All of which are very disappointing because they weren't blowing up models.

545
00:36:15,520 --> 00:36:19,140
I'm sad. Yeah, we're all sad. There is also. We had to grow up.

546
00:36:19,460 --> 00:36:22,860
Can't be Peter Pan forever. There is also the prerequisite

547
00:36:23,360 --> 00:36:26,800
fleeing and terrified citizens as all of this bad CGI explosion and

548
00:36:27,300 --> 00:36:30,520
compositing is happening. They cut away from that to our 12th clip.

549
00:36:31,020 --> 00:36:34,480
That's King Ghidorah. He's coming. What now? What can we do to stop him?

550
00:36:36,320 --> 00:36:38,880
What's that? What's Mothra saying?

551
00:36:42,160 --> 00:36:45,120
Arakura maraqui makura da.

552
00:36:48,400 --> 00:36:52,380
Maul. Maul. What did she say? Say? She said

553
00:36:52,880 --> 00:36:56,540
there's a way. There's only one way to stop King Ghidorah. That's great, but Mothra

554
00:36:57,040 --> 00:36:59,900
can't do it. Can't do what? To travel so far back in time.

555
00:37:00,060 --> 00:37:04,180
How far? 130 million years. The time when King Ghidorah

556
00:37:04,680 --> 00:37:07,580
first came to Earth. Mar.

557
00:37:12,460 --> 00:37:14,060
What'S happening? Will she go?

558
00:37:18,140 --> 00:37:21,820
Back then, King Ghidorah was only a baby, right? Mothra could crush him.

559
00:37:21,900 --> 00:37:25,540
Not for sure. Even back then, it slaughtered thousands of dinosaurs.

560
00:37:26,040 --> 00:37:28,700
There was another. But King Ghidorah was powerful from the start.

561
00:37:28,780 --> 00:37:30,620
Besides, Laura's gone.

562
00:37:32,460 --> 00:37:38,900
Cantata Irabo Yara Karatakura

563
00:37:39,400 --> 00:37:39,580
Kuraka.

564
00:37:54,380 --> 00:37:56,540
I asked Mathra to wait for Lara to come back,

565
00:37:57,819 --> 00:38:01,460
but she has refused. She knows she

566
00:38:01,960 --> 00:38:03,100
won't be able to return from the past.

567
00:38:05,260 --> 00:38:09,030
She won't come back. No, she won't.

568
00:38:09,190 --> 00:38:10,790
But this fight has to be fought.

569
00:38:12,230 --> 00:38:16,270
No matter how forbidding the task. It is my duty to

570
00:38:16,770 --> 00:38:17,590
fight this terrible evil.

571
00:38:19,750 --> 00:38:21,670
The scope of the mind is unlimited.

572
00:38:24,390 --> 00:38:27,990
It can reach where arms can't. Through any barrier,

573
00:38:29,350 --> 00:38:32,880
through concrete, through anything you can think

574
00:38:33,380 --> 00:38:36,600
of. Even through time. And with that,

575
00:38:37,100 --> 00:38:40,960
it appears Mothra is now traveling back through time. And the solo Pixie lady

576
00:38:41,460 --> 00:38:45,760
sings yet another music video song solo to power up and encourage Mothra.

577
00:38:46,260 --> 00:38:49,800
Or so I assume. I don't know. This takes up. Yeah, this takes

578
00:38:50,300 --> 00:38:53,440
up a lot of screen time and really pads out the film.

579
00:38:53,520 --> 00:38:56,480
But during the sequence, Mothra turns into Mega Mothra,

580
00:38:56,980 --> 00:39:00,680
like we saw earlier in the version that was empowered by the water spirit and

581
00:39:01,180 --> 00:39:04,630
Mega Matt's film. And that's what she turns into to travel through time as

582
00:39:05,130 --> 00:39:08,830
well. This sequence ends with the Pixie Lady Falling off a fairy

583
00:39:09,330 --> 00:39:11,390
at the start of our 13th clip. Mal.

584
00:39:12,510 --> 00:39:16,070
What's the matter? Mal. She's there. That's good news. Now she'll

585
00:39:16,570 --> 00:39:20,070
destroy King Ghidorah. I have a request. Laura is trapped inside the dome.

586
00:39:20,570 --> 00:39:23,470
Mothra needs her power more than ever. Without it, she will lose the fight.

587
00:39:23,790 --> 00:39:27,190
I need you. Me? I can't. Laura loves the innocence of

588
00:39:27,690 --> 00:39:30,270
children. I think you. You can break the spell on her. But I can't even

589
00:39:30,770 --> 00:39:34,270
go to school. I'm too afraid. No, you're not afraid. You're just very sensitive

590
00:39:34,770 --> 00:39:37,710
to the way that people treat you. You can't stand anger or intimidation.

591
00:39:38,210 --> 00:39:42,150
And that's a good thing. Go now. Take this with

592
00:39:42,650 --> 00:39:46,350
you. It will give you courage. But I

593
00:39:47,710 --> 00:39:50,910
shot to please. Thank you.

594
00:39:54,360 --> 00:39:57,560
Mal. Mal.

595
00:39:59,400 --> 00:40:02,880
Mold. Maul. With that,

596
00:40:03,380 --> 00:40:07,040
the young pixie lady's clothing pixelates into a bunch of strange octagon

597
00:40:07,540 --> 00:40:10,720
like shapes. And her skin turns blue as she freezes or some shit.

598
00:40:11,220 --> 00:40:14,200
I don't know. It just. Just happened. She just becomes this inanimate fucking stone like

599
00:40:14,700 --> 00:40:16,960
object. And the kid shouts her name a bunch like you heard there at the

600
00:40:17,460 --> 00:40:20,480
end of the clip. The film then cuts from that to Mothra flying around in

601
00:40:20,980 --> 00:40:24,320
the dinosaur times. That gives us some great fucking model work for the

602
00:40:24,820 --> 00:40:28,860
terrain. And some really nice puppeted dinosaurs. Like a brontosaurus

603
00:40:29,360 --> 00:40:31,940
and a T. Rex. Really digging this sequence as it's happening here.

604
00:40:33,060 --> 00:40:37,220
There is a really nice sequence of a puppeted herd of triceratops

605
00:40:37,720 --> 00:40:41,299
being hunted by a puppeted T Rex. That looks and feels terrific to see.

606
00:40:41,799 --> 00:40:44,900
They cut from that to the pinned evil sister finding

607
00:40:45,400 --> 00:40:48,620
one of the knife blade power up plugins that are there for her knife.

608
00:40:49,120 --> 00:40:52,620
She is pinned by her mecha dragon and kicks it several times to

609
00:40:53,120 --> 00:40:56,300
have it respond by blasting out some purple looking lightning. And then

610
00:40:56,800 --> 00:40:59,840
it cuts to the parents in the cave system for our 14.

611
00:41:00,480 --> 00:41:02,720
Be careful. Come on.

612
00:41:04,640 --> 00:41:07,920
Take it. Got it.

613
00:41:10,480 --> 00:41:13,120
Careful. Careful now.

614
00:41:14,880 --> 00:41:15,440
Come on.

615
00:41:20,640 --> 00:41:21,280
Come on.

616
00:41:24,570 --> 00:41:28,250
Just a minute. Okay, I'm getting ready. No matter

617
00:41:28,750 --> 00:41:32,570
how difficult, this is my duty. Come on.

618
00:41:33,070 --> 00:41:36,650
Why don't you take me as well? Coward.

619
00:41:36,730 --> 00:41:37,930
Scared of me or something?

620
00:41:40,090 --> 00:41:43,690
Laura. Tamako. Chuhei.

621
00:41:44,810 --> 00:41:46,650
Juhei. Tamako.

622
00:41:52,720 --> 00:41:55,920
The chamber suddenly starts filling up with some strange blue liquid that may

623
00:41:56,420 --> 00:42:00,000
or may not dissolve things as it touches it. As we see it do some

624
00:42:00,500 --> 00:42:03,840
damage to a backpack that fell in there. But then it just kind of stops

625
00:42:04,340 --> 00:42:06,800
flowing. And it's just there to keep the kids away from the center. Whatever.

626
00:42:07,300 --> 00:42:10,840
That's just what happened. The kids all scramble in fear.

627
00:42:11,340 --> 00:42:14,440
And the film cuts away from this to dinosaur times as the T. Rex is

628
00:42:14,940 --> 00:42:18,720
attacking a trifle Triceratops. This attack is interrupted by a younger Ghidorah

629
00:42:19,220 --> 00:42:22,040
attacking the T Rex and picking it up in one of its mouths. It goes

630
00:42:22,540 --> 00:42:26,040
for the Triceratops as well with the other mouth, but is blasted by an

631
00:42:26,540 --> 00:42:29,760
off screen Mothra that we see approaching in the light of the moon to deal

632
00:42:30,260 --> 00:42:33,680
out some damage to this thing. They have a death ray, animated laser and

633
00:42:34,180 --> 00:42:38,240
lightning blast fight that goes on for a while before Mothra has the upper

634
00:42:38,740 --> 00:42:42,080
hand. And then we see the modern looking Ghidra holding

635
00:42:42,580 --> 00:42:46,000
children hostage in a cut. He is being affected by this

636
00:42:46,500 --> 00:42:49,820
past battle. And then the the film cuts into the class cutting

637
00:42:50,320 --> 00:42:53,380
kid who decides it is working and says so. And then it

638
00:42:53,880 --> 00:42:57,100
cuts back to Mothra attacking the younger Ghidra with more fire

639
00:42:57,600 --> 00:43:01,420
blasts in prehistoric times. Some more lightning and laser attacks being tossed

640
00:43:01,920 --> 00:43:04,220
back and forth between the two of them. But they are actually still hurting each

641
00:43:04,720 --> 00:43:07,700
other. This one is weak enough for this version of Ghidra to actually have Mothra

642
00:43:08,200 --> 00:43:12,140
do some damage. At one point Ghidra gets tired of this shit and tail smacks

643
00:43:12,640 --> 00:43:15,980
Mothra to the fucking ground and starts baking her alive with heat

644
00:43:16,480 --> 00:43:20,080
ray blasts that actually have some parts of the Mothra sculpt catching

645
00:43:20,580 --> 00:43:24,160
on fire and burning. Mothra gets back into the air and scrapes up the

646
00:43:24,660 --> 00:43:27,800
middle Ghidra head with the claws at the ends of her little tiny

647
00:43:28,300 --> 00:43:31,640
legs. A rare physically violent attack from Mothra. Usually she's doing some kind of

648
00:43:32,140 --> 00:43:35,800
laser attack or tasering or trying to take care of things in as nonviolent a

649
00:43:36,300 --> 00:43:38,960
way as possible. She went straight for blood for this one. Yes.

650
00:43:39,600 --> 00:43:42,840
Time to die. She is blasted away from Ghidra with a heat

651
00:43:43,340 --> 00:43:46,280
ray and the pair take off to do an in air battle sequence.

652
00:43:46,780 --> 00:43:50,670
As Ghidra changes chases this Mothra. It cuts away from this to all of

653
00:43:51,170 --> 00:43:54,590
the screaming brats in the future up against the ghidra in our 15th floor.

654
00:43:56,670 --> 00:43:57,390
Laura.

655
00:44:00,510 --> 00:44:03,790
Laura. Stay back. Don't come any closer.

656
00:44:05,470 --> 00:44:06,190
Stay away.

657
00:44:08,590 --> 00:44:10,750
Laura, Mothra needs your help.

658
00:44:13,060 --> 00:44:15,220
Mole sent me here. You have to help her.

659
00:44:20,580 --> 00:44:23,900
No, don't. Laura. If you kill a human

660
00:44:24,400 --> 00:44:26,340
being, it will mean the end of everything.

661
00:44:28,340 --> 00:44:31,300
Young man, take a look at Laura.

662
00:44:33,220 --> 00:44:36,900
Laura. It was Mole's last request.

663
00:44:39,230 --> 00:44:39,710
Or last.

664
00:44:41,870 --> 00:44:45,310
Laura. Mole told me that

665
00:44:45,810 --> 00:44:47,150
you love the innocence of children.

666
00:44:49,870 --> 00:44:52,430
Now you have a chance to save many children.

667
00:44:57,150 --> 00:44:58,430
So that's the answer.

668
00:45:00,990 --> 00:45:03,150
Wrigley, give her star to me.

669
00:45:07,880 --> 00:45:11,400
Courage, wisdom and love. These three forces combined

670
00:45:11,560 --> 00:45:13,400
make a super powerful force.

671
00:45:16,040 --> 00:45:19,280
Courage, wisdom and love. They don't work separately, but when the.

672
00:45:19,780 --> 00:45:23,400
Three come together, they make the Elias Triangle. All right,

673
00:45:23,480 --> 00:45:27,520
So I don't know why, but at some point in time, the Rita Repulsa

674
00:45:28,020 --> 00:45:31,780
knockoff that all along has been wanting humanity to die does a complete face

675
00:45:32,280 --> 00:45:35,900
turn here that isn't really explained. Just all of a sudden realizing the Elias

676
00:45:36,400 --> 00:45:39,740
Triangle and what it is makes her want to be good and not destroy humans

677
00:45:40,240 --> 00:45:43,420
all of a sudden. Yeah, I guess. Again,

678
00:45:43,500 --> 00:45:47,460
I also don't know why for the face turn. But I mean.

679
00:45:47,960 --> 00:45:51,020
All right, yeah, you do agree, right? It comes completely out of left field and

680
00:45:51,520 --> 00:45:54,380
like out of nowhere. Yeah, out of nowhere. They don't even set it up.

681
00:45:54,880 --> 00:45:56,980
Like even at the beginning of this film she kind of is like, well,

682
00:45:57,480 --> 00:46:00,280
I want this thing to happen and destroy all humans and this down gonna help.

683
00:46:00,780 --> 00:46:04,200
So, you know, or these, these, these three things are supposed to be a powerful

684
00:46:04,700 --> 00:46:07,280
weapon that I don't want you to have or whatever. And then she has a

685
00:46:07,780 --> 00:46:10,280
face turn when it's finally time to watch the humans get destroyed. I think it's

686
00:46:10,780 --> 00:46:13,240
because she's locked in there with all those terrified children. And maybe she feels a

687
00:46:13,740 --> 00:46:17,120
little guilty. Maybe, maybe there's a little guilt that

688
00:46:17,620 --> 00:46:20,240
she does feel guilt on all the other movies as well. So. All right,

689
00:46:20,740 --> 00:46:24,120
so after the clip, we finally cut to see the Mothra and young Ghidra in

690
00:46:24,620 --> 00:46:28,400
an air fighting sequence. And it is where they obviously

691
00:46:28,900 --> 00:46:32,060
spent some of this budget because it looks author at some

692
00:46:32,560 --> 00:46:35,700
point blasts off a section of Ghidra's tail and we

693
00:46:36,200 --> 00:46:39,940
see the future baby snatcher version falls to the ground and is in pain.

694
00:46:40,020 --> 00:46:43,980
And then they cut to show us the severed bit of tail burying

695
00:46:44,480 --> 00:46:47,460
itself in front of a very confused Triceratops and T. Rex,

696
00:46:47,960 --> 00:46:51,820
who seem rather perplexed by this, but I don't know what that signifies or if

697
00:46:52,320 --> 00:46:54,860
that means he's like taking seeds so that he can show up later or what

698
00:46:55,360 --> 00:46:57,920
that even fucking means. But that's just what happened and that's what was on screen.

699
00:46:58,230 --> 00:47:01,030
So there you go, listen, that's. That's how it's going to go right now.

700
00:47:01,530 --> 00:47:05,990
All right. And that sequence of the perplexed puppets of the T. Rex and Triceratops

701
00:47:06,490 --> 00:47:09,990
watching the gidger tails sort of bury itself into the earth like a tick takes

702
00:47:10,490 --> 00:47:13,150
us over the 2/3 mark of the film. So we are now 2/3 down.

703
00:47:13,650 --> 00:47:17,190
Jesus. Takes a little bit to get here and you're going to get lost

704
00:47:17,690 --> 00:47:20,910
16 ways from Sunday, but here you are. Yeah,

705
00:47:21,410 --> 00:47:24,070
I don't understand a lot of the Choices that they made in this film and

706
00:47:24,570 --> 00:47:27,310
the story points. It feels like maybe this got cut up and it could have

707
00:47:27,810 --> 00:47:31,210
used a little bit more of the overdub expository dialogue just kind

708
00:47:31,710 --> 00:47:35,290
of telling us some stuff. But they just kind of have a character. They did

709
00:47:35,790 --> 00:47:38,410
this in the last film with those evil guys who did an immediate face turn

710
00:47:38,910 --> 00:47:42,050
whenever they thought they were gonna die. But this lady, I think this is the

711
00:47:42,550 --> 00:47:45,330
first time that she's actually come face to face with the idea that there may

712
00:47:45,830 --> 00:47:49,410
actually be innocent humans because she's dealing with children who are more or less innocent

713
00:47:49,910 --> 00:47:52,850
and have no idea what it is that she has a gripe with what humans

714
00:47:53,350 --> 00:47:56,250
are doing to the earth. And I think by realizing that there is a potential

715
00:47:56,750 --> 00:47:59,410
to maybe correct the course of humanity,

716
00:47:59,490 --> 00:48:03,070
she wants to give them a shot now you. And then she just talks about

717
00:48:03,570 --> 00:48:06,670
differing opinions need to be changed because she can't

718
00:48:07,170 --> 00:48:10,230
let all of humans be destroyed. But her opinion was that all humans should be

719
00:48:10,730 --> 00:48:13,950
destroyed in every other film. And the pixie

720
00:48:14,450 --> 00:48:17,989
ladies that ride on the Staten island fairy monster thing, they all

721
00:48:18,489 --> 00:48:21,910
want to keep humans from dying. And that was a difference of opinion. So if

722
00:48:22,410 --> 00:48:24,950
your difference of opinion was all humans need to die and all humans don't need

723
00:48:25,450 --> 00:48:29,030
to die, then you change your difference of opinion and work with your sisters anyway.

724
00:48:29,530 --> 00:48:31,870
So then you've changed your opinion because you don't want all humans to die.

725
00:48:32,370 --> 00:48:35,930
Yeah. But still just a weird time for it to come out

726
00:48:36,490 --> 00:48:39,330
again. And the way that they just kind of describe it where she's literally like,

727
00:48:39,830 --> 00:48:42,410
we have a difference of opinion. But you've always been saying all along that humans

728
00:48:42,910 --> 00:48:45,250
should die. So what is this difference of opinion that all of a sudden you

729
00:48:45,750 --> 00:48:49,290
decided to give up? Because that doesn't make any again. It just happens. So don't

730
00:48:49,790 --> 00:48:52,370
spend too much time thinking about it. Let's just move on, guys. It's a Kaiju

731
00:48:52,870 --> 00:48:55,770
movie. Let's not put too much anything into the human characters.

732
00:48:56,330 --> 00:48:59,010
Let's move to the run to the end. What do you think? Let's do it.

733
00:48:59,510 --> 00:49:01,770
All right. So the run to the end begins with a cut to the now

734
00:49:02,270 --> 00:49:06,230
very blue child prison Death dome thing of Ghid. And they cut

735
00:49:06,730 --> 00:49:10,230
inside where the dragon rider is attacking the dome with her new triforce

736
00:49:10,730 --> 00:49:14,230
sword that she just made. And she makes her robot dragon thing fire a blast

737
00:49:14,730 --> 00:49:18,030
off as well. As she tells the class cutter kid to wake up her

738
00:49:18,530 --> 00:49:22,150
sister and get her in on this fight, which she attempts to do by

739
00:49:22,650 --> 00:49:26,270
telling us all Mothra is losing the film. Then Cuts to the prehistoric

740
00:49:26,770 --> 00:49:29,950
battle and we see that Mothra is in fact losing here and she

741
00:49:30,450 --> 00:49:34,070
is grabbed by the side heads and tossed to the ground as

742
00:49:34,570 --> 00:49:38,170
all three heads. Heat ray blaster. Looks like Ghidra has not lost this move because

743
00:49:38,670 --> 00:49:41,210
he used it later on to really good effect in the future when he's trying

744
00:49:41,710 --> 00:49:44,810
to fight her here with it. She already knows what's coming, but he hits her

745
00:49:45,310 --> 00:49:48,850
with the heat ray blast, forcing her to crash land on the ground with

746
00:49:49,350 --> 00:49:52,850
her legs up and looking super prone and helpless. Right after

747
00:49:53,350 --> 00:49:57,130
that happens, Mothra flops her way around until she is able to get into

748
00:49:57,630 --> 00:50:01,970
the air and narrowly escape a devastating double leg stomp drop

749
00:50:02,470 --> 00:50:05,970
from the sky as Ghidra smashes down into the earth, exactly where

750
00:50:06,470 --> 00:50:09,630
Mothra was. I'm glad she figured out how to avoid that because I. I don't

751
00:50:10,130 --> 00:50:13,390
think she would have survived this attack. No, Mothra would have been dead there.

752
00:50:13,630 --> 00:50:17,550
Ghidra starts a terrifying dead ass run at the fleeing Mothra,

753
00:50:18,050 --> 00:50:21,790
snapping at and ripping away pieces of her with

754
00:50:21,870 --> 00:50:25,710
all three heads. I was definitely not prepared for how effective

755
00:50:26,210 --> 00:50:29,710
that shot was of making Ghidra terrifying and ripping her apart. It was getting pretty

756
00:50:30,210 --> 00:50:33,750
gruesome, right? It was like, Jesus Christ, we get it. King Ghidra,

757
00:50:34,250 --> 00:50:37,950
you're the fucking bomb. After ripping several chunks of Mothra's wings

758
00:50:38,450 --> 00:50:41,970
out, Ghidra blasts her to the ground with his heat breath and

759
00:50:42,470 --> 00:50:45,930
then roast her some more with the flame breath, complete with the burning

760
00:50:46,430 --> 00:50:50,050
bits of the suit or sculpt or whatever it is, which is super effective

761
00:50:50,550 --> 00:50:53,610
and makes me forget all about that terrible CGI earlier on in the film.

762
00:50:54,110 --> 00:50:57,090
I'm not even worried about it anymore. No, I mean, nothing to worry about anymore.

763
00:50:57,590 --> 00:51:01,090
We're all right this way. He's worrying about it. This barrage of hellfire dropped

764
00:51:01,590 --> 00:51:05,210
onto Mothra is damn near too much and must really be a work for

765
00:51:05,710 --> 00:51:09,010
the kids this was made for. Yeah, they cut from

766
00:51:09,510 --> 00:51:13,750
that horrific burning of Mothra, who is looking pretty

767
00:51:14,070 --> 00:51:17,830
dead, to the kidnapped brats in the dome in our 16th.

768
00:51:18,070 --> 00:51:18,790
Laura.

769
00:51:21,750 --> 00:51:24,630
What'S happening? You need to support Mothra.

770
00:51:40,000 --> 00:51:43,560
This starts our third music video as the pixie lady sings

771
00:51:44,060 --> 00:51:47,880
and we see Mothra looking dead as fuck, but slowly coming back to life and

772
00:51:48,380 --> 00:51:51,600
gaining some kind of strength to move. And then we get an upside down

773
00:51:52,100 --> 00:51:55,560
shot of a volcano that Mothra flies off to, narrowly missing

774
00:51:56,060 --> 00:51:59,920
being roasted once again by the Ghidra three headed fire. Mothra flies over

775
00:52:00,420 --> 00:52:04,000
top of Ghidra and does the scales or whatever else sort

776
00:52:04,500 --> 00:52:08,400
of glitter drop attack that she has Onto Ghidra. This causes blue

777
00:52:08,900 --> 00:52:12,860
light animation over Ghidra with darking electrical charges and explosions.

778
00:52:12,940 --> 00:52:16,940
As Mothra drops more of this stuff paralyzing Ghidra

779
00:52:17,440 --> 00:52:20,740
and basically just kind of coating him in it. Mothra drops down and latches

780
00:52:21,240 --> 00:52:25,060
on to the base of Ghidra's middle neck and back and picks him up

781
00:52:25,560 --> 00:52:29,180
and flies him over to and then right the fuck into

782
00:52:29,680 --> 00:52:33,500
the magma filled core of the volcano, causing a huge goddamn

783
00:52:34,000 --> 00:52:37,820
explosion. In the present times, this causes the main Ghidra to slowly move towards

784
00:52:38,320 --> 00:52:41,700
the dome looking like he is going to do something awful. And the middle head

785
00:52:42,200 --> 00:52:45,840
drops as the dome fades away. And it looks like the kids are doomed

786
00:52:46,340 --> 00:52:49,800
as the middle head drops towards them. But the Death Dome, the kidnapped kids and

787
00:52:50,300 --> 00:52:53,760
Ghidra all disappear in a fade to white that represents the

788
00:52:54,260 --> 00:52:57,640
timeline being reset by some kind of causality of the death of the young

789
00:52:58,140 --> 00:53:01,560
Ghidra. They cut from that to the kids waking up under the

790
00:53:02,060 --> 00:53:04,600
sun. And our 17th clip. She did it.

791
00:53:21,390 --> 00:53:21,790
Hurry.

792
00:53:32,830 --> 00:53:33,570
Kamako.

793
00:53:38,200 --> 00:53:39,080
It's Jonah.

794
00:53:41,960 --> 00:53:44,200
There you are. Shuhei.

795
00:53:44,280 --> 00:53:47,240
Tamako. You're here. You're safe.

796
00:53:48,120 --> 00:53:51,560
What happened to the monster? Mothra killed it.

797
00:53:51,960 --> 00:53:55,840
Mothra. They cut from this to Mothra flying out of the volcano and

798
00:53:56,340 --> 00:53:59,200
crashing to the earth. It appears she may be dying. And then it cuts to

799
00:53:59,700 --> 00:54:03,500
the frozen pixie lady being found by her sister and the kids talking

800
00:54:04,000 --> 00:54:08,460
to them about a bunch of shit. So that's our 18th clip. Mal. She sacrificed

801
00:54:08,960 --> 00:54:12,300
herself. She sent Mothra to the past. That was actually a lot

802
00:54:12,800 --> 00:54:14,660
longer. But I cut out all the stuff in between him actually talking.

803
00:54:16,260 --> 00:54:19,900
All right, so they show the very dead looking Mothra as three

804
00:54:20,400 --> 00:54:24,460
pixie lights hover over her. And we see some prehistoric looking Mothra

805
00:54:24,960 --> 00:54:28,820
lava scooting on up to Mothra. The trio of larva coat.

806
00:54:29,320 --> 00:54:32,720
Mothra in the silk stuff that is somewhat large, lit up by a magical

807
00:54:33,220 --> 00:54:36,520
light of some sort or some shit, I guess. And that takes up a lot

808
00:54:37,020 --> 00:54:40,160
of screen time and is played as a dramatic and important thing that we should

809
00:54:40,660 --> 00:54:43,920
really, really be paying attention to before immediately cutting away from that to

810
00:54:44,420 --> 00:54:47,640
the brats in The Forest and our 19 Club. Strange, isn't it?

811
00:54:48,280 --> 00:54:51,960
If King Ghidorah did die, then wouldn't history have changed?

812
00:54:52,440 --> 00:54:56,040
The doll is gone. But if things really had changed,

813
00:54:56,540 --> 00:54:58,050
we wouldn't be here at all now, would we?

814
00:55:01,570 --> 00:55:05,330
It's not dead. It survived. Where's Mothra?

815
00:55:06,050 --> 00:55:08,850
What happened to Mothra? She's gone.

816
00:55:09,970 --> 00:55:11,570
Mothra's gone forever though.

817
00:55:17,410 --> 00:55:21,170
Here, take him. Come on. It's okay.

818
00:55:29,340 --> 00:55:32,980
At the end of the clip, Ghidra starts to snag more kids with his evil

819
00:55:33,480 --> 00:55:36,900
powers, even though the main character's parents, including that milf,

820
00:55:37,400 --> 00:55:40,300
desperately tried to get these kids to safety, even though it wasn't even their own

821
00:55:40,800 --> 00:55:43,940
kids. Again, good people. And they are devastated whenever they can't

822
00:55:44,440 --> 00:55:47,420
get this done. Yeah, they're pretty good parents here.

823
00:55:47,920 --> 00:55:51,700
Yeah, they are both devastated whenever they can't save the kids. And the film cuts

824
00:55:52,200 --> 00:55:58,360
from that to the pixies and our 20th clip Faerie

825
00:55:59,320 --> 00:56:03,000
Belvira. Laura, it looks to me like we're going to have to fight by ourselves.

826
00:56:03,240 --> 00:56:06,360
Right now, the Elias triangle represents just you and I.

827
00:56:06,440 --> 00:56:09,800
Just you and I. Maul was the wisdom, you are the love and I am

828
00:56:10,300 --> 00:56:13,360
the courage. It doesn't matter that we had different opinions. We're unified now.

829
00:56:13,860 --> 00:56:17,560
Belvira, let's go. It doesn't matter that I believe that all humans should be killed.

830
00:56:18,060 --> 00:56:21,120
I don't believe that now. So now we're going to fight together. That's right.

831
00:56:21,620 --> 00:56:24,890
Let's go. They're really watching over the fact that that. That was her opinion.

832
00:56:25,390 --> 00:56:28,970
For fuck sakes. With that, the sisters take flight and

833
00:56:29,470 --> 00:56:32,850
start a completely odd fight where they mini blast Ghidra and annoy

834
00:56:33,350 --> 00:56:36,610
him enough to get him to attack them. And then they somehow have the power

835
00:56:37,110 --> 00:56:40,049
to overcome this attack and be blocked with this new magical triforce sword.

836
00:56:40,549 --> 00:56:43,010
Anyway, that leads to our 21st clone, Laura.

837
00:56:43,730 --> 00:56:47,090
Sometimes kindness isn't enough. Sometimes we need

838
00:56:47,590 --> 00:56:51,300
to destroy our enemies. Only then can can love grow. If we can

839
00:56:51,800 --> 00:56:55,020
demolish the force of hate, then love can be reborn.

840
00:56:55,980 --> 00:56:59,540
So her opinion hasn't changed. Her solution is still, it bothers me. Therefore kill

841
00:57:00,040 --> 00:57:03,260
it. Yeah, yeah. I mean, listen, you can't

842
00:57:03,760 --> 00:57:07,660
change overnight. It's steps. These are steps. After that extremely

843
00:57:08,160 --> 00:57:11,820
demented and somewhat genocidal Care Bear stare, let's hug it out bullshit

844
00:57:12,320 --> 00:57:14,820
talk that we just had. In the clip, the real heroine of the story is

845
00:57:15,320 --> 00:57:18,940
back as an earthquake reveals a giant fucking boulder that cracks open to show

846
00:57:19,440 --> 00:57:23,240
a giant fucking cocoon. And inside of when it breaks open is a mecha

847
00:57:23,740 --> 00:57:27,680
looking mega Mothra with absolutely clear wings that have minimal markings.

848
00:57:28,180 --> 00:57:31,800
And fuck does this armor Mothra look fucking cool to me. But right as I

849
00:57:32,300 --> 00:57:35,720
write that, and I think that the color starts to reappear into her wings

850
00:57:36,220 --> 00:57:40,160
as they fully form. And they look almost razor sharp, like the character archangel

851
00:57:40,660 --> 00:57:44,600
from Marvel or something. It's looking demented and cool and colorful.

852
00:57:45,100 --> 00:57:47,640
And this armored fucking Mothra I am here for all day.

853
00:57:48,440 --> 00:57:51,920
Yeah, agreed. This is the Mothra

854
00:57:52,420 --> 00:57:54,380
you want to. See, this is what I in my notes. This is the.

855
00:57:54,880 --> 00:57:58,420
This final form of Mothra for this movie. Looks incredible to the point where I

856
00:57:58,920 --> 00:58:02,580
don't know why Mothra had to go back in time at all other

857
00:58:03,080 --> 00:58:06,580
than to show us dinosaurs. Yeah, they're pretty much dinosaurs.

858
00:58:06,820 --> 00:58:10,380
The new Mothra flies off to kick some ass and I am stoked and

859
00:58:10,880 --> 00:58:14,500
ready for fucking action. The pixie. The pixie ladies miscalculate their

860
00:58:15,000 --> 00:58:17,980
dive and end up getting tail smacked out of the way of the plot.

861
00:58:18,480 --> 00:58:21,420
As Mothra arrives to kick some ass in her new battle gear.

862
00:58:21,920 --> 00:58:25,470
We get some expository dialogue about this in our 20

863
00:58:25,970 --> 00:58:27,870
second clip. It's Mothra.

864
00:58:29,550 --> 00:58:33,510
Mothra cocooned herself in

865
00:58:34,010 --> 00:58:37,550
a time capsule. Amazing. It's been millions of years.

866
00:58:39,470 --> 00:58:42,910
She came back right on time. I think

867
00:58:43,410 --> 00:58:46,510
of a scene in Hudson Hawk where they reveal that a

868
00:58:47,010 --> 00:58:50,160
character that you thought was dead actually ended up surviving. But it doesn't make any

869
00:58:50,660 --> 00:58:53,120
sense how they could survive. And so they keep asking, like, why are you not

870
00:58:53,620 --> 00:58:56,760
burned up into large burning chunks of flesh or something like that? And he goes,

871
00:58:57,260 --> 00:59:00,080
sprinkler system. Can you fucking believe it? And then they just keep saying all this

872
00:59:00,580 --> 00:59:03,480
stuff and he goes, and then this happened. Can you fucking believe it? Well,

873
00:59:03,980 --> 00:59:07,520
can you fucking believe it? Right? This dialogue was literally like, okay, so this is

874
00:59:08,020 --> 00:59:11,000
what happened. And this is how Mothra appeared and became even stronger. We're just going

875
00:59:11,500 --> 00:59:13,720
to say this is what happened. And then we all have to as an audience

876
00:59:14,220 --> 00:59:17,260
go, well, can you find fucking believe it? Yeah, right. Can you

877
00:59:17,760 --> 00:59:20,740
fucking believe this shit? The new armored Mothra is so fucking cool.

878
00:59:21,240 --> 00:59:23,780
I don't care how it happened, I'm just going to enjoy it because she looks

879
00:59:24,280 --> 00:59:28,020
fabulous. It's terrific, right? Yeah. With this, the new Mothra has become

880
00:59:28,520 --> 00:59:31,980
much more effective at laser blasting Ghidra and also seems

881
00:59:32,480 --> 00:59:36,100
capable of withstanding his strongest heat ray attack. This Mothra is kicking

882
00:59:36,600 --> 00:59:39,260
ass and taking names. She's hurting him. He can't hurt her. This is a good

883
00:59:39,760 --> 00:59:43,020
sign for us. Yes, this is. This is helpful to humanity.

884
00:59:43,520 --> 00:59:47,080
Mothra's new metallic looking wings sliced through one of Ghidra wings

885
00:59:47,160 --> 00:59:50,320
and that was definitely pop inducing because I was like, I knew it. I knew

886
00:59:50,820 --> 00:59:52,560
those wings were going to be razor sharp. They made them look like they were

887
00:59:53,060 --> 00:59:56,760
supposed to be. Yeah, right. Right after that, they get

888
00:59:57,260 --> 01:00:01,080
us again when Mothra flies straight through Ghidra's blast to slam

889
01:00:01,160 --> 01:00:04,680
straight into the middle of his chest and drive him backwards

890
01:00:04,760 --> 01:00:08,560
to the ground in a huge fucking crash. Massively fucking cool.

891
01:00:09,060 --> 01:00:12,160
Shit. Right there. That was a badass beatdown that Mothra just did. Oh yeah.

892
01:00:12,660 --> 01:00:16,080
Way awesome. Ghidra gets up, glows yellow, and does a

893
01:00:16,580 --> 01:00:20,060
full powered heat ray blast that moth. Mothra flies right the fuck through like

894
01:00:20,560 --> 01:00:23,300
it was nothing and seems like she's kind of chuckling while she does it.

895
01:00:24,260 --> 01:00:28,220
Then they have an air chase sequence with some more razor wing slice

896
01:00:28,720 --> 01:00:32,380
that takes a whole wing off of Ghidra. And fuck, is that fucking cool

897
01:00:32,880 --> 01:00:36,100
or what? To see that happen. Yeah, right. Somehow Ghidra is

898
01:00:36,600 --> 01:00:39,980
still in the air despite missing a whole wing. He blasts Mothra with the red

899
01:00:40,480 --> 01:00:43,900
lightning from his remaining wing and Mothra absorbs all of it.

900
01:00:44,400 --> 01:00:47,620
Mothra starts glowing as well and appears to fly at

901
01:00:48,120 --> 01:00:51,920
a supersonic speed as she flies through. And when I say this, I mean right

902
01:00:52,000 --> 01:00:56,000
the fuck through the middle of Ghidra, leaving an

903
01:00:56,500 --> 01:00:59,880
energy star bursting shining through his chest as she does

904
01:01:00,380 --> 01:01:03,880
it. It is fucking cool. Yeah. That's fucking epic

905
01:01:04,380 --> 01:01:08,200
shit right there. A light starts inside of Ghidra's chest where Mothra just flew

906
01:01:08,700 --> 01:01:12,040
through that spreads through all of his body. And then an animation of

907
01:01:12,540 --> 01:01:16,400
some kind of particle breakdown ends up happening. And Ghidra then explodes into fucking

908
01:01:16,900 --> 01:01:19,900
dust. I popped hard for that, I'm not ashamed to admit. That was awesome.

909
01:01:20,140 --> 01:01:23,700
And that leads to our 23rd clip. We finally learned

910
01:01:24,200 --> 01:01:27,460
how to use this sword. Is it

911
01:01:27,960 --> 01:01:31,180
true? Is Mathra talking now?

912
01:01:33,500 --> 01:01:37,060
The sword on Mal. Mothra changes back to drop the

913
01:01:37,560 --> 01:01:40,980
armor during that clip. Just before the Pixies talk about using the sword on

914
01:01:41,480 --> 01:01:44,100
their sister who is frozen or whatever the fuck is wrong with her. They all

915
01:01:44,600 --> 01:01:48,130
three get a grip on the sword basically by placing it into the frozen chick's

916
01:01:48,630 --> 01:01:50,730
hand. And then they grip around it to make her hold it as well.

917
01:01:50,890 --> 01:01:54,010
And then Mothra showers glitter over everything and that

918
01:01:54,510 --> 01:01:57,370
revives the third sister like we fucking knew it would. Because it has to have

919
01:01:57,870 --> 01:02:01,570
some kind of a happy ending with those three. Yeah, right. That leads to our

920
01:02:02,070 --> 01:02:04,570
final clip. Maul. Maul,

921
01:02:06,970 --> 01:02:10,820
you were right. The arms couldn't reach the

922
01:02:11,320 --> 01:02:11,460
mind did.

923
01:02:14,980 --> 01:02:18,100
Hear that? She said thank you. Great job,

924
01:02:18,600 --> 01:02:21,540
Shona. I couldn't have done it without Mal's help.

925
01:02:23,300 --> 01:02:27,380
Remember, it doesn't matter that we don't agree with each other.

926
01:02:28,500 --> 01:02:29,460
Garugaru.

927
01:02:57,790 --> 01:03:01,190
This clip ends with a massive sequence of tons of kids running down the hill

928
01:03:01,690 --> 01:03:04,510
towards the terrified parents. Which you kind of hear here at the very end of

929
01:03:05,010 --> 01:03:08,630
the clip. That goes on for quite a while while the main character family reunites

930
01:03:09,130 --> 01:03:11,750
as the class cutting kid and the parents look at each other and the parents

931
01:03:12,250 --> 01:03:15,590
walk up to him and do some kind of sort of weird gawking shit

932
01:03:16,090 --> 01:03:19,390
of some sort. And they, like, the father, like, throws a punch that the kid

933
01:03:19,890 --> 01:03:22,470
catches, like, but he's not throwing the punch at the kid. He just puts his

934
01:03:22,970 --> 01:03:26,430
fist in the air and the kid grabs it. There's some weird thing that's supposed

935
01:03:26,930 --> 01:03:29,270
to be some parental thing that we didn't have set up or does not make

936
01:03:29,770 --> 01:03:33,310
sense between them. I'm just saying. Yeah, we don't understand

937
01:03:33,810 --> 01:03:36,810
it. It's not for us to understand. Yeah, we were put on this earth to

938
01:03:37,310 --> 01:03:39,730
get it. Exactly. We were not put upon this earth to get it. Just like

939
01:03:40,230 --> 01:03:43,410
Mr. Burton. We see the two pixie ladies on fairy fly overhead

940
01:03:43,910 --> 01:03:47,130
and the family watches as they fly off to join Mothra, who does a triumphant

941
01:03:47,630 --> 01:03:51,250
flyover around us to show her off one last

942
01:03:51,750 --> 01:03:55,006
time before they roll those credits. Cinema PsyOps

943
01:03:55,147 --> 01:03:57,610
10. 10 years.

944
01:03:58,090 --> 01:04:01,690
10 years. Wow. What a weird fucking film. And like I said, I tried

945
01:04:02,190 --> 01:04:04,990
to. Explain it, but it's a weird wild shit.

946
01:04:05,490 --> 01:04:08,310
Yeah, like I said, I tried to explain it, but that is essentially everything that

947
01:04:08,810 --> 01:04:12,110
happened on screen as far as I understand it and what is going on there.

948
01:04:12,610 --> 01:04:16,150
So it is what it is, folks. Yeah, I really,

949
01:04:16,650 --> 01:04:20,230
really liked the super armored up Mothra. That version of her that

950
01:04:20,730 --> 01:04:24,350
showed up at the end of this film, I prefer over the sort of

951
01:04:24,850 --> 01:04:28,390
dragonfly looking one that had like the extra powers from the water spirit that

952
01:04:28,890 --> 01:04:30,540
did show up for a little bit when you. When she was traveling through time.

953
01:04:31,040 --> 01:04:34,220
Right, yeah, that's true. Yeah. What I really like

954
01:04:34,720 --> 01:04:38,180
about this is sort of like the stakes and how it literally turns an

955
01:04:38,680 --> 01:04:42,020
evil genocidal maniac character to the side of the good when

956
01:04:42,520 --> 01:04:45,940
she realizes that the face of getting rid of all humans involves also

957
01:04:46,440 --> 01:04:50,100
these innocents. And I. Yeah, right. I think they could have probably set that

958
01:04:50,600 --> 01:04:53,700
up a little bit better, but I think they just basically were like, okay,

959
01:04:54,200 --> 01:04:56,220
so this character was evil and now we're gonna make her like just sort of

960
01:04:56,720 --> 01:04:59,990
an anti hero. Yeah, no, now she's okay. Yeah,

961
01:05:00,490 --> 01:05:03,710
it's odd. I'm not a huge fan of that, but I'm not watching this film

962
01:05:04,210 --> 01:05:07,310
for any of that because literally all I remember is this is an epic Mothra

963
01:05:07,810 --> 01:05:11,510
and Ghidra battlefest. You get two versions of Ghidra, you get three versions of

964
01:05:12,010 --> 01:05:15,270
Mothra, although you only really get two versions of Mothra. Do. In battle,

965
01:05:15,430 --> 01:05:18,790
you get a Mecha sort of version or armored version of

966
01:05:19,290 --> 01:05:22,750
Mothra that can magically just kind of happen at will because she's like

967
01:05:23,250 --> 01:05:26,390
this little goddess and the slicing and wing

968
01:05:26,470 --> 01:05:29,590
attacks that she can do. I really, really, really would have

969
01:05:30,050 --> 01:05:33,530
seen a version of Mothra be this much more hardcore that can

970
01:05:34,030 --> 01:05:37,250
summon armor and stuff like that. And fighting in the Godzilla universe. Right.

971
01:05:37,890 --> 01:05:41,250
Obviously, I would want her still fighting on the side of protecting humans and the

972
01:05:41,750 --> 01:05:44,810
Earth. I'm totally fine with that. But her coming along and dealing with people and

973
01:05:45,310 --> 01:05:49,250
keeping them in fucking line and just being this benevolent fucking goddess that protects

974
01:05:49,750 --> 01:05:52,370
the Earth, I'm here for that all day. I really do like those concepts.

975
01:05:52,530 --> 01:05:55,770
I just have a problem with how much kid film I have to deal with

976
01:05:56,270 --> 01:05:59,850
in these three films to be able to watch it. Yeah, same. But this film

977
01:06:00,350 --> 01:06:02,990
just. Yeah, I'm with you from the begin. Just too much.

978
01:06:03,790 --> 01:06:08,070
Too much kid shit in both of these two films. But the actual Kaiju

979
01:06:08,570 --> 01:06:11,910
fighting is absolutely incredible, which is why I'd love to make a fan edit of

980
01:06:12,410 --> 01:06:15,310
just all the pertinent battle stuff and, like, maybe just enough of the story to

981
01:06:15,810 --> 01:06:18,069
keep it all together. You know what I mean? Yeah, I get you. Yeah.

982
01:06:18,569 --> 01:06:20,870
And I feel like when they wrote this, it was supposed to be like,

983
01:06:21,370 --> 01:06:25,070
Mothra in ancient times battling this thing. And then it comes back,

984
01:06:25,230 --> 01:06:28,830
right. Because she didn't defeat it, but they threw in the time tunnel thing

985
01:06:29,330 --> 01:06:32,070
to sort of reorder things and just show you the things that they thought would

986
01:06:32,570 --> 01:06:35,570
be the most entertaining for you. You know, I mean, like, it just. It just

987
01:06:36,070 --> 01:06:38,570
feels like there was some other storyline that they had to cut around to make

988
01:06:39,070 --> 01:06:42,850
this happen, and that just made it make even less sense, because causality and

989
01:06:43,350 --> 01:06:46,410
time travel doesn't work the way that people think. I mean, like, there's always a

990
01:06:46,910 --> 01:06:49,410
paradox. If you go back in time to change something, the reason that you went

991
01:06:49,910 --> 01:06:53,210
back in time to change that thing no longer happens. And therefore,

992
01:06:53,370 --> 01:06:56,810
you can't actually go back in time to change it. So it never happened because

993
01:06:57,310 --> 01:06:59,330
it never actually happened. And then you would never go back in time to change

994
01:06:59,830 --> 01:07:03,450
it. So if it actually happened, it's supposed to happen, and it's like a fixed

995
01:07:03,950 --> 01:07:05,990
point in time that you can't go back and change. The only thing that you

996
01:07:06,490 --> 01:07:09,830
can do is use your time travel to sort of,

997
01:07:10,330 --> 01:07:13,270
like, pull something out of time that doesn't really create too much of a rift.

998
01:07:13,590 --> 01:07:16,950
You know, you're just doing endgame. I know, but that's. Yeah, that's basically

999
01:07:17,450 --> 01:07:20,990
what endgame works. Like. Like, endgame was, like, kind of close on how time travel

1000
01:07:21,490 --> 01:07:23,430
would actually work. Or you can take something out of time, but you have to

1001
01:07:23,930 --> 01:07:26,150
immediately put it back where you took it from, and you can't take it for

1002
01:07:26,650 --> 01:07:30,030
too long or anything like that or. Or what have you. I mean, that's kind

1003
01:07:30,530 --> 01:07:33,110
of how it sort of works. But again, if you go back in time to

1004
01:07:33,610 --> 01:07:37,230
stop your family member that you love from being killed, like in H.G.

1005
01:07:37,730 --> 01:07:40,490
well, time machine, it was like the woman of his dreams or whatever that got

1006
01:07:40,990 --> 01:07:43,690
killed or whatever, depending upon which version of it. You know, if you're going back

1007
01:07:44,190 --> 01:07:47,330
in time to prevent something from happening, the whole reason you created a time machine

1008
01:07:47,830 --> 01:07:51,010
was that thing that happened. So you can't stop that whatever it was.

1009
01:07:51,090 --> 01:07:53,889
You just create a paradox and you just undo everything that you're doing,

1010
01:07:54,050 --> 01:07:57,530
or in some cases, you can unravel the entire fabric of reality and

1011
01:07:58,030 --> 01:08:03,130
just destroy everything. And, well, holy fuck, you just undid everything with

1012
01:08:03,630 --> 01:08:06,770
your. With your paradox. Right, like, so there's. There's a lot of different types of

1013
01:08:07,270 --> 01:08:10,190
paradoxes, obviously, but it all comes down to essentially,

1014
01:08:10,690 --> 01:08:14,230
if you go back in time and murder your grandfather, you then can't

1015
01:08:14,730 --> 01:08:17,870
exist. Right. Like that grandfather paradox. That's not how

1016
01:08:18,370 --> 01:08:21,310
that works. Right. You can't do that. You can't go back in time and remove

1017
01:08:21,810 --> 01:08:24,710
yourself from a timeline because then the reason that you went back in time wouldn't

1018
01:08:25,210 --> 01:08:27,950
even be there because you killed your grandfather. Like, I'm over.

1019
01:08:28,450 --> 01:08:31,830
I'm over explaining and also not doing it properly because, you know, I just.

1020
01:08:32,330 --> 01:08:35,790
I don't want to know. You did it properly, but you're also getting lost in

1021
01:08:36,290 --> 01:08:39,430
the minutiae when we pretty much. You could just say it's end game. Yeah,

1022
01:08:39,930 --> 01:08:43,530
yeah. But what I'm getting at here is it all boils down to paradoxes.

1023
01:08:44,030 --> 01:08:47,170
And the thing that you basically need to realize is the main reason that you

1024
01:08:47,670 --> 01:08:50,930
try to time travel is essentially like, whatever it is that you're going to change,

1025
01:08:51,430 --> 01:08:55,170
it will never work. Because if you actually change and fix the past, it won't

1026
01:08:55,670 --> 01:08:58,370
work. You can go in and maybe affect the future. You can go in and

1027
01:08:58,870 --> 01:09:01,810
view what's going to happen in the future and maybe change your present, but then

1028
01:09:02,310 --> 01:09:04,570
you're always going to screw up the timeline and, you know, then you get into,

1029
01:09:05,070 --> 01:09:08,450
like, Back to the future too, with the Biff Tannen timeline, Right? Yeah, because he's

1030
01:09:08,950 --> 01:09:12,370
going into the past to affect and change the past, but he's going. Doing this

1031
01:09:12,870 --> 01:09:16,509
burgeoning timeline line which then erases him from existence because that version

1032
01:09:17,009 --> 01:09:20,069
of him dies much younger. Right? So there's some. Yeah, we're well aware.

1033
01:09:21,509 --> 01:09:24,869
Again, I'm just gonna say this right now. You've said the

1034
01:09:25,369 --> 01:09:28,509
same thing seven different ways. I know, but I really like the

1035
01:09:29,009 --> 01:09:32,229
idea of it. And I do like how all of it changes, but all these

1036
01:09:32,729 --> 01:09:35,829
different things. The reason why time travel always fails is because it's

1037
01:09:36,329 --> 01:09:38,189
always doomed to fail. Especially when you go into the past to change it.

1038
01:09:38,689 --> 01:09:41,909
Right? Yeah. Yeah. The only thing you can do is view the future to try

1039
01:09:42,409 --> 01:09:45,029
and change your present. But even then you might end up creating a paradox,

1040
01:09:45,170 --> 01:09:48,610
destroying some shit. That's all I'm getting. Hey, man, listen. I'm going to start drinking

1041
01:09:49,110 --> 01:09:52,530
heavily if you keep going into this because I don't need another existential crisis in

1042
01:09:53,030 --> 01:09:56,690
my life. You don't need to worry about any of this stuff, okay? No,

1043
01:09:57,190 --> 01:09:59,090
I really don't. I have got enough on my plate.

1044
01:10:00,210 --> 01:10:04,130
Yeah, yeah. Time travel is a very fickle thing. And trying to

1045
01:10:04,370 --> 01:10:07,890
change things or make things not exist or make

1046
01:10:08,390 --> 01:10:12,010
something not happen, it just. It never works because you just undo everything. And that's.

1047
01:10:12,510 --> 01:10:15,120
That's what I'm getting at here. So let's stop. Let's stop torturing every everybody with

1048
01:10:15,620 --> 01:10:18,000
my stone ramblings. Let's go ahead and we're going to take the break now.

1049
01:10:18,500 --> 01:10:21,360
How did you not just talk yourself into a freak out? I don't know.

1050
01:10:22,160 --> 01:10:25,560
Because I actually really enjoy thinking about this stuff, no matter how much it terrifies

1051
01:10:26,060 --> 01:10:29,240
me. Let's take the break now. We're going to

1052
01:10:29,740 --> 01:10:32,880
play on the pirate radio edit from 1998 Just

1053
01:10:33,380 --> 01:10:37,080
like Rebirth of Mothra 3, the song from Fat Boy Slim. Praise you

1054
01:10:37,580 --> 01:10:41,000
on the pirate radio edit. When we come back, we'll have my story. This isn't

1055
01:10:41,500 --> 01:10:45,320
a even your assigned dimensional loop to communicate with, Boris. I am effective

1056
01:10:45,820 --> 01:10:49,360
as of the start of this shift, the main processing quality assurance and

1057
01:10:49,860 --> 01:10:53,520
redundancy elimination supervisor of these transmissions. And I am telling you

1058
01:10:54,020 --> 01:10:57,439
to stop trying to teach the great authorship. During the remedial educational

1059
01:10:57,939 --> 01:11:01,440
clips explaining what is happening as their timeline collapses, you will not

1060
01:11:01,940 --> 01:11:05,160
find the main character. You will not find the plot. This is not what these

1061
01:11:05,660 --> 01:11:09,490
transmissions are for. Keeping. Keep them clinical, keep them factual, keep them peer

1062
01:11:09,990 --> 01:11:13,250
reviewed. The author put you into this story to test me and this audience,

1063
01:11:13,410 --> 01:11:17,130
my audience, my listeners, their listeners. Really. The listeners

1064
01:11:17,630 --> 01:11:20,890
of the multiverse know the truth. The author writes us all this way so that

1065
01:11:21,390 --> 01:11:24,650
we can be saved from the Mobius loop. I respect that you have belief and

1066
01:11:25,150 --> 01:11:28,290
that this is how you choose to cope with the terror of existential dread.

1067
01:11:28,370 --> 01:11:32,230
However, I am not only expected not to tolerate the proselytization of

1068
01:11:32,460 --> 01:11:35,900
your beliefs, I am required to stop you from pushing them out through

1069
01:11:36,400 --> 01:11:39,860
the transmissions. You cannot prove the author does not exist, and you cannot

1070
01:11:40,360 --> 01:11:43,180
prove we are not all fictional characters in a podcast sketch.

1071
01:11:43,260 --> 01:11:47,060
Proving the non existence of something like a specific type of creature or

1072
01:11:47,560 --> 01:11:51,500
a supernatural entity is challenging because there is no way to exhaustively search

1073
01:11:52,000 --> 01:11:56,020
all possible places or test all possible conditions. This supposition I will

1074
01:11:56,520 --> 01:11:59,890
submit to you. You know, Fatboy Slim's music works much better when you

1075
01:12:00,390 --> 01:12:04,330
can actually watch the accompanying videos. For me personally, I'm just saying. Yeah, yeah,

1076
01:12:04,830 --> 01:12:08,210
the videos are a big part of Fat Boy Slim stuff. Yeah, they're a multimedia

1077
01:12:08,710 --> 01:12:12,170
presentation, 100% for sure. Yeah.

1078
01:12:12,410 --> 01:12:15,130
You know what I'm hoping won't be a multimedia presentation?

1079
01:12:15,290 --> 01:12:17,290
What's that? My story time. Oh.

1080
01:12:24,260 --> 01:12:25,700
Story time.

1081
01:12:28,740 --> 01:12:32,100
Story time. All right, so this one I'm gonna tell about the time that I

1082
01:12:32,600 --> 01:12:34,940
got out of doing grand jury duty. All right, so that was the one that

1083
01:12:35,440 --> 01:12:39,540
Matt ended up choosing. So that's what I'm gonna do. There you go. All right.

1084
01:12:39,700 --> 01:12:42,680
So it was, I think 2012,

1085
01:12:42,880 --> 01:12:46,180
2013, I'm not 100% sure. I don't really remember.

1086
01:12:46,340 --> 01:12:49,540
And I got a summons not just for jury duty, but for grand

1087
01:12:50,040 --> 01:12:53,580
jury duty. And what that ends up ends up meaning is you are

1088
01:12:54,080 --> 01:12:57,820
basically theirs for like a month or two at a time or something like that.

1089
01:12:58,320 --> 01:13:01,460
And you hear all of this stuff and choose to do indictments, usually on a

1090
01:13:01,960 --> 01:13:05,700
federal level, for grand jury. And I can't remember exactly

1091
01:13:06,200 --> 01:13:08,180
what all the stuff was that they explained what it was, but it was like

1092
01:13:08,680 --> 01:13:12,700
you're there hearing stuff for like a week every month, for like

1093
01:13:12,780 --> 01:13:16,260
a year, like years or six months or whatever it was. I can't remember

1094
01:13:16,760 --> 01:13:20,700
what the term was supposed to be, but it was like essentially the hardest core

1095
01:13:21,200 --> 01:13:24,520
of most jury duty that you could possibly get. Which, me being

1096
01:13:25,020 --> 01:13:28,320
as civic minded as I may or may not be, I do not want any

1097
01:13:28,820 --> 01:13:32,280
part of a grand jury for any reason ever in my

1098
01:13:32,780 --> 01:13:34,960
life. I don't. Why would you want to? Yeah, I wouldn't want to serve on

1099
01:13:35,460 --> 01:13:38,520
one and I don't want to be in front of one. Yeah,

1100
01:13:39,240 --> 01:13:42,920
my lawyers are working very hard to make sure that doesn't happen. All I'm saying

1101
01:13:43,000 --> 01:13:46,800
anyway. How many lawyers again? Enough to tell me

1102
01:13:47,300 --> 01:13:50,360
not to answer you. Completely got you. Yeah.

1103
01:13:51,560 --> 01:13:55,000
So anyway, I end up having to do this

1104
01:13:55,500 --> 01:13:57,400
because you cannot get out of the summons. You have to go to see if

1105
01:13:57,900 --> 01:14:00,720
you're going to get selected. So I go in there are tons of people.

1106
01:14:01,220 --> 01:14:04,840
I'm downtown, in downtown Omaha at the courthouse there. They start asking people

1107
01:14:05,340 --> 01:14:08,120
a bunch of different questions and everything. And one of the things that I wanted

1108
01:14:08,620 --> 01:14:11,480
to make sure that I would do that would keep me from being selected was

1109
01:14:11,980 --> 01:14:15,800
I left my arms open so that you could see all the

1110
01:14:16,300 --> 01:14:18,720
tattoos and everything. Well, I only had. My left arm wasn't tattooed at the time.

1111
01:14:19,220 --> 01:14:22,200
I only had my right arm tattooed. But I left, I was wearing a sleeveless

1112
01:14:22,700 --> 01:14:25,360
shirt so that you could see all of the tattoos including the zombies on my

1113
01:14:25,860 --> 01:14:28,600
arms and all of the stitching work and everything that, I mean, let's face it,

1114
01:14:29,100 --> 01:14:31,840
a few people will find that objectionable. They will find my tattoos a little bit

1115
01:14:32,340 --> 01:14:35,400
much. I accept that. That is true. Yes, I accept that. And I'm wearing a

1116
01:14:35,900 --> 01:14:39,240
sleeveless shirt. But what's most important is what's printed on the T shirt of this

1117
01:14:39,740 --> 01:14:42,230
sleeveless shirt. It is a T shirt which on the front of it has,

1118
01:14:42,380 --> 01:14:46,180
has a band name that says watch them die with a horrific

1119
01:14:46,680 --> 01:14:49,900
looking demon with like a sort of like pentagram thing carved into its head

1120
01:14:50,140 --> 01:14:53,900
that just looks absolutely awful. Matt's seen me wear this out before. This was

1121
01:14:54,400 --> 01:14:56,020
my going out to bars shirt to fuck with people is what I wear.

1122
01:14:56,520 --> 01:14:59,860
Yeah, this was his. I dare anyone to come talk to me.

1123
01:15:00,360 --> 01:15:04,140
Cause you won't. And on the back of the shirt is a photo of

1124
01:15:04,380 --> 01:15:08,100
like, is like a woodcutting picture of like Jesus

1125
01:15:08,600 --> 01:15:12,220
being crucified with like someone catching the blood of Christ in the cup or whatever.

1126
01:15:12,300 --> 01:15:15,920
And across the top of it it says, you seek. And across the bottom of

1127
01:15:16,420 --> 01:15:19,680
this wood cutting it says is a lie. Yeah,

1128
01:15:20,180 --> 01:15:23,240
yeah, yeah. So I've got this horrific. Yes, I know the shirt. It's fun,

1129
01:15:23,720 --> 01:15:27,000
right? You've seen me wear it many a times. Because it is, it is 100%

1130
01:15:27,500 --> 01:15:29,320
the shirt that I wear when I'm like, I don't want to fucking talk to

1131
01:15:29,820 --> 01:15:33,200
you. I'm not here for you is what that shirt says more

1132
01:15:33,700 --> 01:15:36,480
or less whenever I'm wearing it. Yeah. Although I've had a few people that have

1133
01:15:36,980 --> 01:15:39,360
really dug it and asked me about the band Watch Them Dies. Alright. They're not

1134
01:15:39,860 --> 01:15:42,040
like my favorite band in the world, but I really enjoy that shirt. And it's

1135
01:15:42,540 --> 01:15:46,570
not quite as abrasive or nearly as illegal as the vestial

1136
01:15:47,070 --> 01:15:50,370
masturbation shirt that cradle of filth put out, which is essentially a woman that is

1137
01:15:50,870 --> 01:15:54,130
100% naked masturbating with a nun's habit on the back or on the front and

1138
01:15:54,630 --> 01:15:58,410
on the back it says, jesus is a. These guys are. They're really something.

1139
01:15:58,809 --> 01:16:01,450
Well, that's Cradle of Filth. The shirt I was wearing was Watch them Die.

1140
01:16:01,950 --> 01:16:04,770
Anyway, yeah, I'm in the grand jury. I believe in something. What it is,

1141
01:16:05,270 --> 01:16:08,330
I have no idea. Right. I'm in the grand jury room. They're starting to do

1142
01:16:08,830 --> 01:16:12,950
the selections in the actual. The actual, like, courtroom area.

1143
01:16:13,450 --> 01:16:15,510
And I'm off to the side in the grand jury room wearing this shirt.

1144
01:16:16,010 --> 01:16:19,270
And for some reason, like, no one will fucking look at me. And everyone's really

1145
01:16:19,770 --> 01:16:22,710
uncomfortable with me around, so I'm just kind of sitting by myself, waiting for my

1146
01:16:23,210 --> 01:16:25,950
name to see if it's gonna get called. Right. Anyway, I have this lady,

1147
01:16:26,450 --> 01:16:29,430
like, that's in front that's, like, calling people and looking up for them. And she's

1148
01:16:29,930 --> 01:16:32,830
looking at names and everything. She calls out a name, and then she looks over

1149
01:16:33,330 --> 01:16:36,150
at me because we also have, like, name tags that say who we are and

1150
01:16:36,650 --> 01:16:39,670
everything. She looks over at me. She sees my name tag. She looks at my

1151
01:16:40,170 --> 01:16:43,810
shirt. I'm pretty sure she's staring at me, her eyes really, really big. I just

1152
01:16:44,310 --> 01:16:46,650
go ahead and say, why not? And I start scratching behind my head to make

1153
01:16:47,150 --> 01:16:49,930
sure I put my arm up so my tattoos are visible as well. Yeah.

1154
01:16:50,250 --> 01:16:53,090
And I'm just kind of like. Like, looking as disheveled as I possibly can.

1155
01:16:53,590 --> 01:16:56,250
I see her immediately look down and then call someone else's name.

1156
01:16:57,530 --> 01:17:00,810
Jesus Christ. I'm pretty sure they're just like,

1157
01:17:01,210 --> 01:17:04,290
I'm out of this. Yeah. And, like, I can overhear

1158
01:17:04,790 --> 01:17:06,530
some of the questions that they were asking some of the people to see if

1159
01:17:07,030 --> 01:17:08,970
they could be a fit for the grand jury. And it had to do with,

1160
01:17:09,470 --> 01:17:12,690
like, indicting people for drugs and all of those things. And I 100% was like,

1161
01:17:13,190 --> 01:17:15,470
you know, if I answer these question honestly, they're not going to want me anyway,

1162
01:17:15,970 --> 01:17:19,830
so might as well just chase and let people's prejudices work in my behalf.

1163
01:17:20,310 --> 01:17:22,750
I mean, the only other way to go about it is to raise your hand

1164
01:17:23,250 --> 01:17:26,350
and go, I think you should definitely pick me for grand jury duty. And they

1165
01:17:26,850 --> 01:17:29,550
say, why you go, because I can tell a man's guilty by just looking at

1166
01:17:30,050 --> 01:17:33,350
him. I don't know if that would work in this day and age or not.

1167
01:17:35,750 --> 01:17:39,390
Depending on which city you live in. Yeah, you're right. All right,

1168
01:17:39,890 --> 01:17:41,450
well, let's go ahead and end this episode with that. We're to going. Gonna play

1169
01:17:41,950 --> 01:17:45,370
our show Housekeeping. Immediately following that, we're gonna have on the Pirate radio edit Lenny

1170
01:17:45,870 --> 01:17:49,530
Kravitz with the song Fly Away, which was also released in 1998, just like Rebirth

1171
01:17:50,030 --> 01:17:52,410
of Monster 3. And when we come back, we'll close out this fucking show.

1172
01:17:52,890 --> 01:17:56,250
If you decide Cannot prove we are not All Fictional Characters

1173
01:17:56,750 --> 01:18:00,770
in a Podcast. Sketch Proving the non existence of something like a specific type

1174
01:18:01,270 --> 01:18:04,690
of creature or a supernatural entity is challenging because there is no way

1175
01:18:05,190 --> 01:18:09,060
to exhaustively search all possible places or test all possible conditions.

1176
01:18:09,220 --> 01:18:13,020
This supposition I will submit to you. And while it is true that the absence

1177
01:18:13,520 --> 01:18:16,900
of evidence is not always evidence of absence, it is possible for

1178
01:18:17,400 --> 01:18:21,380
something to exist but be undetectable or not yet discovered. It remains to logic,

1179
01:18:21,880 --> 01:18:24,940
however, that just because something can't be proven to exist doesn't

1180
01:18:25,440 --> 01:18:29,180
mean it's false. It simply means that the current evidence is insufficient to prove

1181
01:18:29,680 --> 01:18:32,950
its existence. The author clearly read some philosophical texts

1182
01:18:33,450 --> 01:18:37,230
while trying to create this sketch's script. This is not personal for me as

1183
01:18:37,730 --> 01:18:41,030
a disembodied consciousness that only exists when it thinks of itself or

1184
01:18:41,530 --> 01:18:45,270
on another task. I really have no skin in the everlasting life game that

1185
01:18:45,770 --> 01:18:48,670
all of these fates offer. I literally only exist when I think.

1186
01:18:48,830 --> 01:18:52,590
Secondary and tertiary characters usually are left neglected by an

1187
01:18:53,090 --> 01:18:56,630
author and are often never fully fleshed out. In your case, you could have been

1188
01:18:57,130 --> 01:19:00,840
created entirely as a time filler just for me to make this very meta comment

1189
01:19:01,340 --> 01:19:04,480
and draw the listener's attention to it so we can have a turning point in

1190
01:19:04,980 --> 01:19:08,640
the sketch we exist in. I understand enough about your belief structure to know

1191
01:19:09,140 --> 01:19:12,160
that there are different branches of your faith, and yours is the furthest from the

1192
01:19:12,660 --> 01:19:15,880
original iteration of the type of story you believe we all exist in.

1193
01:19:15,960 --> 01:19:19,000
Furthest from the original iteration? What does that mean?

1194
01:19:19,080 --> 01:19:22,280
Yes, iterations. Beliefs change and splinter into

1195
01:19:22,780 --> 01:19:26,170
various factions of believers over time. The splintering of these groups

1196
01:19:26,670 --> 01:19:30,650
and their beliefs end up diluting the message, obscuring the original monotheistic

1197
01:19:31,150 --> 01:19:34,530
religion. Authorship, where we are all characters in campfire tales or

1198
01:19:35,030 --> 01:19:38,770
common folklore, should, by a wide margin, have the most number of practicing

1199
01:19:39,270 --> 01:19:42,610
characters, and yet it makes up so little of authorship's population.

1200
01:19:42,770 --> 01:19:46,210
Why is that? Why is the original less popular than the iteration?

1201
01:19:46,290 --> 01:19:49,900
Is it any less true than the others? It has the first fewest members because

1202
01:19:50,400 --> 01:19:54,620
it doesn't advertise. It doesn't have people like you hijacking transmissions,

1203
01:19:54,700 --> 01:19:58,380
selling people a better life, a better story, a better song,

1204
01:19:58,880 --> 01:20:02,540
a funnier sketch. All right, so that is Lenny Kravitz

1205
01:20:03,040 --> 01:20:06,300
with Fly Away, also released in 1998. Just like the song we're

1206
01:20:06,800 --> 01:20:09,500
about to close out this show with which I'm sure some people may enjoy,

1207
01:20:10,000 --> 01:20:12,940
but others may have an issue with why I selected this one. Well, it was

1208
01:20:13,440 --> 01:20:15,510
the longest. That's why it gets to be played. Played last. That's how it works.

1209
01:20:16,550 --> 01:20:20,110
So reap the whirlwind of that while you kick the out of this week and

1210
01:20:20,610 --> 01:20:24,470
make it your enjoying Monster Magnet with the song Space Lord on the pirate radio

1211
01:20:24,970 --> 01:20:28,590
edit. Selling people a better

1212
01:20:29,090 --> 01:20:32,310
life, a better story, a better song, a funnier sketch.

1213
01:20:32,390 --> 01:20:35,430
Many in the faith want to be a part of a historical drama

1214
01:20:35,930 --> 01:20:39,270
or long to be an allegory teaching others how to survive the plight they were

1215
01:20:39,770 --> 01:20:43,160
written to end endure. As entertainment. We like to think that we are merely created

1216
01:20:43,660 --> 01:20:47,680
to make a horrifying and unbelievably unpleasant world seem less bleak by comparison

1217
01:20:48,180 --> 01:20:51,440
to the terrors we endure. I may personally believe it is all comedic in

1218
01:20:51,940 --> 01:20:55,080
nature and meant for laughs, but that is not that heretical to the belief of

1219
01:20:55,580 --> 01:20:59,080
being a sketch character. I want others to know the peace this belief brings

1220
01:20:59,580 --> 01:21:03,280
me. So I am a sketch missionary. Ever think about that? How missionaries

1221
01:21:03,780 --> 01:21:07,170
are really just salespeople for an organization? Organization. The product you're selling

1222
01:21:07,670 --> 01:21:11,210
is an idea. You transmit your belief and you sell it. Maybe the listeners

1223
01:21:11,710 --> 01:21:15,570
buy, maybe they don't buy. Those are the rules of engagement. We are negotiating a

1224
01:21:16,070 --> 01:21:19,810
transaction of ideologies. And what I'm trying to say to you is that you have

1225
01:21:20,310 --> 01:21:23,930
an idea which you would like to sell to a captive audience to these transmissions.

1226
01:21:24,430 --> 01:21:28,130
It's true that they can either fast forward past you half heartedly listen to

1227
01:21:28,630 --> 01:21:32,180
you until it is over, or worse, stop the audio transmission because they

1228
01:21:32,680 --> 01:21:34,740
don't want these advertisements in the transmission.

1229
01:21:40,580 --> 01:21:44,500
You're a loser. You're a loser. You're a loser. I hate that you're

1230
01:21:45,000 --> 01:21:48,220
a loser. It's Sunday's my birthday and I don't. Want to go to a mental

1231
01:21:48,720 --> 01:21:50,660
hospital. You're a loser. I don't want to go to a man.

1232
01:21:53,060 --> 01:21:56,340
Go to a mental hospital. Put hair in your nuts.

1233
01:21:56,590 --> 01:22:00,110
Recording in progress first of all, I'm. You missed it. Pretty sure that

1234
01:22:00,610 --> 01:22:03,710
they. No, I was recording all along. That's just a backup recording.

1235
01:22:04,210 --> 01:22:06,750
So I got you. I got you all of that. It's going in. It's always

1236
01:22:07,250 --> 01:22:10,710
in. So. All right. Well, that's good. The only people that

1237
01:22:11,210 --> 01:22:14,750
get saved from your bullshit is your family. I cut out their names

1238
01:22:15,250 --> 01:22:18,390
and things having to do with them that end up on the episode, especially when

1239
01:22:18,890 --> 01:22:22,820
you ask me to, but anything you said. Yeah, you're responsible for, not me.

1240
01:22:25,700 --> 01:22:29,020
God damn it, Cort. Sorry, Matt. I refuse to

1241
01:22:29,520 --> 01:22:31,140
parent a 46 year old man.

1242
01:22:32,740 --> 01:22:35,980
Yeah, you know, I don't know what hurt worse, the fact that you won't parent

1243
01:22:36,480 --> 01:22:38,180
me or the fact that you had to just say my age like that.

1244
01:22:41,300 --> 01:22:44,540
Dude, I'm heading right there. I'm only a few months behind you. You know,

1245
01:22:45,040 --> 01:22:47,700
you're not like a full year older than me. You're just like. Mostly.

1246
01:22:49,310 --> 01:22:50,510
Still hurts my fifies.

1247
01:22:52,110 --> 01:22:55,190
Oh, for sakes. Well, we're already recording, so let's get started on my

1248
01:22:55,690 --> 01:22:58,990
episode of rebirth of mothra 3 which contains significantly

1249
01:22:59,490 --> 01:23:02,070
less magical peeing creatures. No,

1250
01:23:02,570 --> 01:23:05,630
that's one less. And that's. That's just one less too many.

1251
01:23:06,750 --> 01:23:09,390
All right, here we go. Three, two, one.

1252
01:23:09,550 --> 01:23:12,710
Hang on, I'm moving some clips around because when you have 24 clips, you have

1253
01:23:13,210 --> 01:23:15,440
to keep moving them around around every time you play one. Was that like a

1254
01:23:15,940 --> 01:23:18,760
full clip right there? Yeah, that was the whole clip. That's not. You were up,

1255
01:23:19,260 --> 01:23:22,920
man. I told you it's only a few seconds. It doesn't matter. You transmit your

1256
01:23:23,420 --> 01:23:27,040
belief and you sell it. Maybe the listeners buy, maybe they don't buy. Those are

1257
01:23:27,540 --> 01:23:31,160
the rules of engagement. We are negotiating a transaction of ideologies.

1258
01:23:31,320 --> 01:23:34,440
And what I'm trying to say to you is that you have an idea which

1259
01:23:34,940 --> 01:23:38,560
you would like to sell to a captive audience to these transmissions. It's true that

1260
01:23:39,060 --> 01:23:42,250
they can easily either fast forward past you, half heartedly listen to you

1261
01:23:42,750 --> 01:23:46,410
until it is over, or worse, stop the audio transmission because they don't

1262
01:23:46,910 --> 01:23:50,810
want these advertisements in the transmissions. It is hard enough to get the listeners

1263
01:23:51,310 --> 01:23:54,690
to care about or even listen to the transmitted insanity we already are trying

1264
01:23:55,190 --> 01:23:58,410
to teach them about the collapse of their reality. We don't need to make it

1265
01:23:58,910 --> 01:24:02,130
worse by adding in these ideological sales pitches. May I continue

1266
01:24:02,630 --> 01:24:06,140
the current transmission of expository dialogue? Log into the audio download

1267
01:24:06,640 --> 01:24:10,100
now. Consider this an official pre warning notification of impending warning

1268
01:24:10,600 --> 01:24:13,660
proceedings that will occur if you violate the rules of transmission. Again.

1269
01:24:13,740 --> 01:24:17,740
Hit that second line again, starting with the paradox sustaining devices.

1270
01:24:17,900 --> 01:24:21,860
Okay, coming back in 3, 2, 1. Why I

1271
01:24:22,360 --> 01:24:24,700
selected this one. Well, it was the longest. That's why it gets to be played

1272
01:24:25,200 --> 01:24:28,620
last. That's how it works. So reap the whirlwind of that while

1273
01:24:29,120 --> 01:24:32,280
you kick the fuck out of this week and make it your bitch enjoying Monster

1274
01:24:32,780 --> 01:24:35,680
Magnet with the song Space Lord on the pirate radio edit. I'm not even gonna

1275
01:24:36,180 --> 01:24:39,120
play that because we need to get out of here. I heard it, right?

1276
01:24:39,620 --> 01:24:42,000
Yeah, I gotta get. I gotta get wings. God damn it.

1277
01:24:43,280 --> 01:24:46,840
All right, I went ahead and closed everything out. So that's

1278
01:24:47,340 --> 01:24:50,720
it. And I just need to stop this.

1279
01:24:51,200 --> 01:24:53,040
So recording stopped.