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Filmmaker, writer, and dude with an insanely high midi-chlorian count Neil Bahadur joins to discuss George Lucas's return to the Star Wars saga with the prequel trilogy kickoff 'Star Wars: Episode I - The Phantom Menace'. Met with ambivalence by most, genuine revulsion by others upon its initial release in the summer of 1999, the film (and the prequel trilogy more broadly) have seen a continued reappraisal, especially in the era of so many soulless Disney-era Star Wars productions. The Phantom Menace is currently celebrating its 25th anniversary with a recent limited re-release on IMAX screens. On this episode, we make a case for the film not just as comparatively good, but a genuinely excellent entry in the Star Wars canon.
We discuss the film's place within the the decade-spanning saga as well as its position within the film landscape of the era - how it pushed the boundaries of digital effects integration, and signaled (in non-alarmist terms) an evolving style of blockbuster filmmaking. Then, we talk about the film's narrative highs and lows, and share our thoughts on the critical points of 25 years of criticism: Midi-chlorians, Jar Jar Binks, Jake Lloyd, Watto and more. Finally, we praise the film's many incredible formal qualities - its relationship to Lucas's early student films visual experiements, The Phantom Menace's debt to classic cinema greats like Kurosawa and Douglas Sirk, and the brilliance of the film's multi-phase finale, cross-cutting between four different theaters of action seamlessly.
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'1:42:08 To Qualify', George Lucas's 1966 short film
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