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Speaker 1: Welcome back to beardless, dickless me.

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Speaker 2: I'm Kevin Smith and I'm Harley Quinn Smith.

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Speaker 3: A crisis man. Right before we went totally spased on anything,

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Speaker 3: I was like, oh, let's talk about that.

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Speaker 2: It happens.

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Speaker 3: Yeah, I don't I want you seeing me with this performance.

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Speaker 3: Don't look at me. I'm supposed to be good at

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Speaker 3: look at me, human being.

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Speaker 2: I think of you so differently now I will never

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Speaker 2: have the same respect.

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Speaker 3: Motherfucker used to be able to get shipped done. Just

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Speaker 3: spased on what we're going to talk about here. Let

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Speaker 3: me tell you a fucking gruesome story. Man.

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Speaker 2: Oh great, we'll start there. Awesome.

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Speaker 3: So I'm walking. I'm out escorting the German the German consulate,

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Speaker 3: uh toward Runyon Canyon.

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Speaker 1: The girls walking, Lucky and.

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Speaker 2: Birdie, they are dogs.

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Speaker 3: They are the Germans. One is one and change. You know,

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Speaker 3: they Mom twenty three and me because they cut her

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Speaker 3: in half and counted the rings like, oh my god,

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Speaker 3: and then they kept her together. Their guestimate is Lucky

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Speaker 3: is between seven and eight or something like that. So

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Speaker 3: Lucky took like a giant ship. I carry around pooh bag,

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Speaker 3: so I'm picking up the pooh and I'm talking to

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Speaker 3: mom Ley the same time, who went home today, right,

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Speaker 3: My mom has been in the hospital for well over

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Speaker 3: a month, and for the last like two weeks or

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Speaker 3: we can have two weeks.

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Speaker 1: She's been in.

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Speaker 3: The rehabby unit of the hospital, not because she's like,

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Speaker 3: I'm drunk, but because they have to teach her how

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Speaker 3: to walk again after being in the hospital for so long.

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Speaker 3: Since she went home today and saw Princess, her beloved

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Speaker 3: twenty two year old fucking cat.

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Speaker 1: Oh my gosh, I just walked over him, was.

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Speaker 3: Like, hello, Yes, I'm talking to Grandma Momily. Momily h

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Speaker 3: and this is yesterday. Momily went home today. This is

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Speaker 3: yesterday talking to Momily picking up lucky shit and lucky

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Speaker 3: shits bricks. The biggest shecky was lucky shitsy.

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Speaker 2: Oh my god.

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Speaker 1: So I'm picking up you know, I take the bag.

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Speaker 3: I got these Snoopy Pooh bags. So I'm like, what's

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Speaker 3: the point of having it unless Snoopy's gonna.

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Speaker 1: Be on the outside in the way they give you

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Speaker 1: a bag, put your.

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Speaker 3: Hand in Snoopy Oh yeah, yeah, yeah, sorry, reverse it.

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Speaker 2: What's the point about me?

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Speaker 3: I mean, I'm like, I'm there, your mom paying an

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Speaker 3: extra buck for the brand. I might as well be like,

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Speaker 3: it's and I can get you Snoopy because what's in

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Speaker 3: the bag is horrible. And plus all those little snoopies

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Speaker 3: on the bag, if it's not inverted, they'd be like.

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Speaker 1: They'd be feeling less like Snoopy and more like Charlie Brown.

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Speaker 2: So true.

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Speaker 3: So I'm picking up I invert the bag, and I'm

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Speaker 3: picking up the ship and I'm talking to Momiley and

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Speaker 3: I'm like yeah, and she's like, what are you doing.

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Speaker 3: I was like, I'm picking up the dog shit mount

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Speaker 3: because there's a garbage can like right here, so I'm

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Speaker 3: gonna be able to throw it right out.

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Speaker 2: So you're really multitasking and narrating the whole thing like

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Speaker 2: it's a book on taping.

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Speaker 1: And you know, Mommiy's life had out exciting. So she

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Speaker 1: was like, Oh, tell me more Tiger.

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Speaker 2: About they invertedoopy bag exactly.

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Speaker 3: She was like, Oh, I'm proud of you Tigers. She's

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Speaker 3: always proud of me. And I throw the dog shit out.

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Speaker 3: While I'm throwing the dog shit out, the two dogs

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Speaker 3: go nuzzling their nose into grass no more than fucking

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Speaker 3: tops eight inches high, just normal ass brands right, maybe

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Speaker 3: a little higher, but normal, you know, right on the

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Speaker 3: side of the curve. Oh man, no warning whatsoever. Lucky

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Speaker 3: pulls her head out of the grass like a bear

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Speaker 3: yanking a salmon out of a stream. In her mouth

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Speaker 3: is a fucking giant ass rat that is hanging out

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Speaker 3: from both sides. Now before I'm flabbergasted, because I'm like,

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Speaker 3: how fucking fast you gotta be to fucking snatch a rat?

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Speaker 3: And this was your primary you know, fucking directive and

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Speaker 3: ship and you just took a ship and all these

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Speaker 3: things are coming on and still you're the presidents of mind.

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Speaker 3: You just took your nose in and come out with

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Speaker 3: this fucking.

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Speaker 1: Like like any toy. It got the violent shape.

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Speaker 2: Fucking Jesus Christ.

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Speaker 3: Bro blood spattered everything. God, Birdie is like looking on

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Speaker 3: like when's my turn?

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Speaker 1: And it's really fucking like.

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Speaker 3: I had to yank Lucky by the harness back so

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Speaker 3: that it fell out of her mouth and crossed them

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Speaker 3: across the street. You know, I look, I'm not I'm

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Speaker 3: not a big fan of rats, but like you know,

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Speaker 3: I don't want to see anything. Fucking Yeah, I suffer.

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Speaker 2: This thing sounds like I say.

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Speaker 3: The least, and they like, you've never seen someone more

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Speaker 3: like fucking.

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Speaker 1: Like very self.

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Speaker 2: Satisfied, fucking murderer, bro Wucky crazy.

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Speaker 1: When I took her out, she had the look of like,

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Speaker 1: what can I kill today?

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Speaker 2: I'm not looking at Waki the same.

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Speaker 3: It was really tough, too, is when I'm getting at

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Speaker 3: like after that, I'm like.

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Speaker 2: That's why my cats are indoor, among other reasons. But

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Speaker 2: if they brought home dead things, I'd be like, on

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Speaker 2: the dead thing.

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Speaker 3: Don't do it in front of me. Like I I

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Speaker 3: watched it happen.

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Speaker 2: I was like, no, no, from the snoopy bags.

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Speaker 1: Help me fucking take the side of the rat.

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Speaker 3: We're like it was horrifying. And ever since then, I

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Speaker 3: have been looking at Lucky through a different sort of

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Speaker 3: lens where she's like Mom had this theory where she's like, no,

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Speaker 3: I never thought of this. She's like, maybe whoever had

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Speaker 3: Lucky before us got rid of Lucky because she like

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Speaker 3: grabs somebody's dog. And was like and then when Mom

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Speaker 3: said that, I'll be honest with you, my wheel start

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Speaker 3: turning because maybe, just maybe that's what happened to Shecky. No,

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Speaker 3: for a second there, you were like, right, let's go,

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Speaker 3: let's go for'm a citizens arrest.

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Speaker 1: Down to the station.

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Speaker 2: No no, no, no, that is no.

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Speaker 3: The way rat, that giant rat was like, you know,

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Speaker 3: not much smaller than you think.

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Speaker 2: Mom is just carrying around this horrible horrendous wouldn't you secret?

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Speaker 3: Wouldn't you? Because look, look how much I love Lucky.

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Speaker 3: What is she going to tell say one day? Like

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Speaker 3: I hate to tell you this. I can't live with

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Speaker 3: the guilt anymore. Lucky Lucky was Lucky, was behind Chucky's.

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Speaker 2: Yeah no no no no, no, no no no.

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Speaker 3: And so many years go by, and I love Lucky

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Speaker 3: so much that I'm like, how do I It's like

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Speaker 3: a fucking you know, we've written a Hallmark movie. This

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Speaker 3: is a lifetime movie. Right here.

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Speaker 2: There really is a solid wucky come on, which.

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Speaker 3: Could be called at midnight unlucky, unlucky in love oh

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Speaker 3: or not so lucky so true or no come on.

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Speaker 1: It's even sitting right there.

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Speaker 2: What about at midnight?

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Speaker 3: Moga at midnight is ridiculous. But they called her Wuckie,

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Speaker 3: well actually not walky because people and also they look

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Speaker 3: at it spelled and they'd be like they called her wookie,

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Speaker 3: they called they call they called her lucky.

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Speaker 2: They called.

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Speaker 3: Well, that's the thing you got. She's fucking at the

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Speaker 3: end that she takes the long walk and ship. But

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Speaker 3: by then maybe it's justified because it's like she was

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Speaker 3: a killer of fucking dogs.

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Speaker 2: Well, he's breathing so loud right now, she's having nightmares

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Speaker 2: about the No.

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Speaker 3: She's sleeping the sleep of the jest because she's like,

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Speaker 3: I took a life. My god, that's my purpose. I

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Speaker 3: take it.

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Speaker 1: I protected my man and my family.

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Speaker 3: Oh my god, I sleep like a baby. Oh my god,

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Speaker 3: man man, those two come rip roaring out of the

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Speaker 3: fucking front door, in the front door, the pool deck door.

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Speaker 3: When I let him out in the morning. Birdie more

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Speaker 3: than lucky because they there's the squirrels hang out up there,

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Speaker 3: like the squirrels take peanuts from my deck, plant them

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Speaker 3: up on theres no ship. And I watched one fucking

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Speaker 3: be like oh ship and fucking scamp up a tree

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Speaker 3: and right up the wall.

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Speaker 1: Only look down and be like.

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Speaker 2: Wait do that again?

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Speaker 3: That far?

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Speaker 2: Why is it running like this?

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Speaker 1: This sucker was so fat.

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Speaker 3: I mean, like I still one misstep you fall into

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Speaker 3: the waiting jaws of Walkie. Oh my god, And I've

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Speaker 3: seen what walk does with a small animal in her mouth.

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Speaker 3: I mean she said that animal did not go gently

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Speaker 3: into that good night.

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Speaker 4: As think about it, like proportionately speaking, In order for

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Speaker 4: you to die the way that.

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Speaker 3: Rat, probably you would have to be like a t rex,

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Speaker 3: would have to take you in its mouth.

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Speaker 2: Like not just like a giant, like a giant killer

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Speaker 2: whale situation. Don't take us there, I'm taking.

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Speaker 3: I'm taking it there, taking it right to the sea.

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Speaker 3: It took. Yes, you're right, the killer, Well, well don't

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Speaker 3: now you make it ridiculous. Now I'm feeling safe because

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Speaker 3: I'm like, I'm.

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Speaker 2: Never sorry killed great white hands.

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Speaker 3: Down, fucking absolute psychotic murderers of the sea.

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Speaker 2: I know that's that's that's right, Okay, that's what we

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Speaker 2: were right now.

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Speaker 3: The they are mindless killers.

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Speaker 2: Are humans. Humans are mindless killers who kill more sharks

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Speaker 2: every year, like a hundred times more than kill humans.

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Speaker 1: I'm not advocating for killing sharks, but I don't want

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Speaker 1: to be.

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Speaker 2: If you were a shark and the humans were polluting

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Speaker 2: your waters and sucking up your entire asp space to

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Speaker 2: live once, you maybe even want to be like and

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Speaker 2: they never they they usually don't do it intentionally. They

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Speaker 2: think people are seals or like other animals. But I

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Speaker 2: would be like, fuck you.

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Speaker 3: Guys, sharks passion or ration.

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Speaker 2: I love them.

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Speaker 3: Look, I got nothing else.

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Speaker 1: I don't want to fucking die. Is food for something else.

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Speaker 3: And you were the one that took us to the sea,

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Speaker 3: and first it was fucking killer whales, which I was

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Speaker 3: totally fine with.

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Speaker 1: Then you had to up the horror anti You were

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Speaker 1: like a studio exectuate.

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Speaker 3: Have to be a whale? Can be a shark?

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Speaker 1: Can the shark be from space?

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Speaker 3: Space shark studios?

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Speaker 2: I have one quick question, even though you were this

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Speaker 2: is gonna do a nice little I just I've been wondering,

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Speaker 2: did blood get on you?

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Speaker 3: No? Okay, But I took the dogs to the place

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Speaker 3: we took Sam's green paw. That's where they get yes,

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Speaker 3: And just because not only do they bathe them and

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Speaker 3: cut their cut there, cut their noise, but they brush

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Speaker 3: their teeth. And after what I saw, I was like,

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Speaker 3: can you clean the fucking rabies out of my dog's mouth?

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Speaker 3: And that's the thing. It's like, she she fucking bit

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Speaker 3: down on a rat that bled in her mouth.

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Speaker 2: Is there blood on the sidewalk? Like could you find

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Speaker 2: the crime scene?

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Speaker 3: I know exactly where it is.

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Speaker 1: I'll never forget even though.

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Speaker 2: Did you bury the rat?

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Speaker 3: Fuck? No, what I moved the fuck on. It was

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Speaker 3: a horror show. You think I'm going to Lucky the

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Speaker 3: guy I'm waiting for the cops show up, and I'm like, officer,

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Speaker 3: it was this horrible thing.

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Speaker 2: You should have taken anoopie bag inverted it.

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Speaker 3: I was trying to spare you this. But as I

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Speaker 3: rocking at those dogs across the street away from because

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Speaker 3: I pulled Lucky by the harnessment, so the rat came

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Speaker 3: out of her mouth because she went back so fast.

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Speaker 3: Because I was like, I'm not violently, but I yanked

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Speaker 3: her back, she dropped the rat. We crossed the street.

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Speaker 3: I had half a second to look back because I

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Speaker 3: had to look back make sure no cars were coming.

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Speaker 3: Wasn't the two pieces? I saw him a little foot

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Speaker 3: going yeah, yes, yes, yes, oh nothing. There was no like,

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Speaker 3: you know, he'll be fine, It's just a flesh wound.

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Speaker 3: That motherfucker was bound for the great fucking rat Catcher

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Speaker 3: in the sky.

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Speaker 2: Well. I was hoping that it was. He was at

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Speaker 2: least gone already.

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Speaker 3: Live in hope, die in despa just like that fucking

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Speaker 3: rat did in Lucky's mouth but didn't die when Lucky

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Speaker 3: put it down, died, you know, hopefully soon.

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Speaker 1: But we walked away still twitching. So please don't don't

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Speaker 1: give me this like you should have bullshit?

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Speaker 3: Would you have?

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Speaker 2: I don't know.

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Speaker 3: You would have been like, get do you do that? Ever?

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Speaker 3: Like with the breathing ship, I can't breathe. Do you

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Speaker 3: have one of those?

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Speaker 2: And Inhaler, Yeah, because.

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Speaker 3: That would be the moment fern Inhaler.

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Speaker 2: Would it be like you one of these.

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Speaker 3: Person either or one of these.

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Speaker 2: Oh my god, different buddy. Honestly I would I would

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Speaker 2: really saw what I saw, Oh yeah, just because it

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Speaker 2: was like number one, it was it was horrifying.

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Speaker 3: It's traumatizing. I'll cary that.

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Speaker 2: I feel so bad.

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Speaker 3: I feel so But number two you're just like that's

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Speaker 3: nature in action. But number three, you know, you just

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Speaker 3: don't like to see anything. You're like me, like, oh

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Speaker 3: my god, fucking I don't want to see anything.

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Speaker 2: Suffer WALKI always sits behind you, by the way, she's

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Speaker 2: watching at all times.

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Speaker 3: I love Wucky and I trust her like ninety eight percent.

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Speaker 3: But whenever I lay on the floor, in Hugwucky. I

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Speaker 3: always leave just enough room just in case Wucky turns.

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Speaker 2: Remember when I was trying to get that one thing

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Speaker 2: off of her one time and she was like, oh

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Speaker 2: and she well, she was just she wasn't even making noise.

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Speaker 2: She was just looking at me like, and I was like, Okay,

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Speaker 2: I think I'm done.

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Speaker 3: I think she she's I will say this about Luggy

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Speaker 3: like she's absolutely loving stuff and she trusts. I think

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Speaker 3: she's had to learn to try. Yeah, like because I

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Speaker 3: think wherever she came from. Whenever I pat her, if

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Speaker 3: I pet near her back, near her tail, she'll turn

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Speaker 3: and look probably brow. I share with you a story

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Speaker 3: of Walkie. Oh, I mean, I know some people are like,

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Speaker 3: stop talking about your dogs, man, wont you talk about

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Speaker 3: the fucking election? Row you talk about it, sell culture,

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00:15:24,880 --> 00:15:26,960
Speaker 3: talk about it. I'm gonna tell a story about a

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Speaker 3: German shepherd dog.

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Speaker 2: Stories beardless, beardless, dickless dog stories.

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Speaker 5: They really are beardless also, So I'm walking these fucking

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Speaker 5: dogs and Lucky, of course, you know, has had a

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Speaker 5: litter of pups, at least one we know of, because

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Speaker 5: Birdie is the result of that.

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Speaker 3: The last fucking of the Walkie pups.

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Speaker 2: Will be adopted. Yes, she was the last one because

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Speaker 2: she was a little off, a little.

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Speaker 3: A little bit small, but there's a little tea.

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Speaker 2: But they called her Spunky.

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Speaker 1: Lucky.

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Speaker 3: That's Bertie was Lucky's golden ticket.

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Speaker 2: Man, it's not literally.

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Speaker 3: Mom went looking for a big ass, old ass German ship.

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Speaker 3: She was looking for the pup. And then when they

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Speaker 3: were like have you met the mom? What? He was like, Hello,

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Speaker 3: He's like I could be good. So Walky knows that, like,

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Speaker 3: look I got in on the fucking Maritsal. She doesn't know,

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Speaker 3: but walk He's like once in walk He's like, I'm

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Speaker 3: going to make you love me. Yes, I will.

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Speaker 2: I believe that.

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Speaker 3: I believe jumping Yes, sir Weed, I'm going to make

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Speaker 3: you love me. Can you name? Can you name the group?

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Speaker 2: What? Tell me?

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Speaker 3: It's either the Supremes or Diana Ross and the Supremes.

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Speaker 3: They started as the Supremes and then she stepped forward

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Speaker 3: and they were like, yeah, I'm.

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Speaker 6: Got a man. You love me?

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Speaker 2: See them is really good.

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Speaker 3: You're very easy.

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Speaker 2: It's really beautiful.

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00:17:18,640 --> 00:17:20,439
Speaker 3: I hear it. Man, I've been doing a lot of

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Speaker 3: thinking this morning on thank You. I don't know why,

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Speaker 3: but we fell down the rabbit hole.

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Speaker 1: Of oh because the girls.

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Speaker 3: Yes, what you call your dogs when your child grows up,

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Speaker 3: moves out, has your own house. The girls they went

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Speaker 3: to Sam's Greenpaw, as previously mentioned.

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Speaker 1: And when they get groomed they walk out with kerchiefs.

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Speaker 2: Yes they do.

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Speaker 3: They do have something on my face.

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Speaker 2: No, sorry, I had to.

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Speaker 1: I thought you were indicating me like.

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Speaker 2: Everyone always thinks up the code. Don't talk about that

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Speaker 2: show I told you on that note. Can you please

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00:17:57,119 --> 00:18:01,600
Speaker 2: stop like naming specifically as you go. It bothers me

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00:18:01,880 --> 00:18:03,959
Speaker 2: so fucking much.

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00:18:04,160 --> 00:18:07,359
Speaker 3: They'll never find me there, man, bru. They'll never find

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Speaker 3: me at Sam's screen.

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00:18:08,400 --> 00:18:11,600
Speaker 2: So specific there. It's not even a change, you know what.

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Speaker 1: It's a great place.

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Speaker 3: They do, great job. I like to give them the ups.

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Speaker 3: Sam's Green Ball, all right. So I was sitting there

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00:18:25,240 --> 00:18:27,600
Speaker 3: because the girl they've got their little kerchiefs on, like

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Speaker 3: when they bathe them. They put these little cut it

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Speaker 3: from like fucking pennies a pound fabric.

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Speaker 1: But they're awesome, They're amazing, so awesome. And their theme

348
00:18:37,240 --> 00:18:38,560
Speaker 1: to the fall they got leaves on the ship.

349
00:18:39,040 --> 00:18:41,840
Speaker 3: So Bertie's is a little bit larger than Birdie and

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00:18:41,880 --> 00:18:44,840
Speaker 3: so the way it's been falling around her neck. She

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00:18:45,080 --> 00:18:49,600
Speaker 3: looks like Laverne Defasio from the classic seventies sitcom Laverne

352
00:18:49,640 --> 00:18:53,440
Speaker 3: and Shirley. Oh my star Penny Marshall, who used to

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00:18:53,520 --> 00:18:57,040
Speaker 3: live the street that has been in this house when I

354
00:18:57,080 --> 00:18:59,760
Speaker 3: interviewed her, you know, years ago on the podcast, so

355
00:19:01,480 --> 00:19:03,359
Speaker 3: we've been calling her like Laverne. I tried to get

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00:19:03,359 --> 00:19:05,159
Speaker 3: a picture of her and then Mom was like, we

357
00:19:05,200 --> 00:19:07,680
Speaker 3: got to get her a poodle skirt and I was like, oh,

358
00:19:07,880 --> 00:19:09,240
Speaker 3: because that's what they were on vern show.

359
00:19:10,240 --> 00:19:14,800
Speaker 6: We will It hasn't happened yet, but we will trust

360
00:19:14,800 --> 00:19:15,320
Speaker 6: that will happen.

361
00:19:16,920 --> 00:19:19,080
Speaker 3: But that led me to fall down the rabbit hole

362
00:19:19,080 --> 00:19:21,879
Speaker 3: of the Vernon shirlet, which like, is one of the

363
00:19:22,680 --> 00:19:24,640
Speaker 3: Your mom didn't watch a lot of TV. She wasn't

364
00:19:24,680 --> 00:19:27,199
Speaker 3: like raised by the TV like I was. But she

365
00:19:27,400 --> 00:19:30,560
Speaker 3: does know a surprising amount of jingles for somebody who

366
00:19:30,600 --> 00:19:32,679
Speaker 3: did not get to watch as much TV, which has

367
00:19:32,720 --> 00:19:34,639
Speaker 3: been backed up by Nana. Nana's like, I never let

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00:19:34,720 --> 00:19:36,480
Speaker 3: him watch TV. You know. It's like, well, you're fucking

369
00:19:36,480 --> 00:19:38,480
Speaker 3: a terrible parents.

370
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Speaker 2: Your problem.

371
00:19:40,000 --> 00:19:44,440
Speaker 3: You want to look how she turned out watch TV?

372
00:19:44,640 --> 00:19:48,679
Speaker 3: In nature she did Jennifer's always like we played what

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00:19:48,720 --> 00:19:50,080
Speaker 3: did you?

374
00:19:50,160 --> 00:19:53,160
Speaker 1: We played the television over and over and over.

375
00:19:53,240 --> 00:19:55,840
Speaker 3: It was our friend, our parent. It taught us things,

376
00:19:56,040 --> 00:19:58,920
Speaker 3: and I honestly like so. So there we are both

377
00:19:58,960 --> 00:20:03,479
Speaker 3: fucking singing the Lavernon Shirley theme, which begins with you

378
00:20:03,480 --> 00:20:06,200
Speaker 3: probably didn't fuck with it, like reruns weren't a big

379
00:20:06,240 --> 00:20:08,640
Speaker 3: part of your life. They were when we were kids

380
00:20:08,680 --> 00:20:11,840
Speaker 3: because there weren't as many cable champs cable. There was

381
00:20:11,880 --> 00:20:14,439
Speaker 3: no streaming, so you have watched like a lot of

382
00:20:14,440 --> 00:20:18,719
Speaker 3: reruns and ship. So the Vernon Shirley always began with

383
00:20:18,760 --> 00:20:23,439
Speaker 3: them kind of skipping down the street, fake street on

384
00:20:23,520 --> 00:20:26,880
Speaker 3: the Paramount lot made to look like Milwaukee, Wisconsin, which

385
00:20:26,920 --> 00:20:28,679
Speaker 3: is where it took place because they both worked for

386
00:20:28,760 --> 00:20:33,920
Speaker 3: Shots Brewery m HM. So began with them going one, two, three, four, five,

387
00:20:34,119 --> 00:20:39,240
Speaker 3: six seven, h Lamil schla Maazel Hassinfeffer Incorporated. Do you

388
00:20:39,240 --> 00:20:42,119
Speaker 3: know what Hassinfeffer is? No, I do not. The German

389
00:20:42,119 --> 00:20:45,399
Speaker 3: word for rabbit. I knew you were gonna inter up

390
00:20:45,400 --> 00:20:48,280
Speaker 3: till now. I was watching your board eyes going he's

391
00:20:48,320 --> 00:20:54,200
Speaker 3: going on about old people. Rabbit. I'm back in German

392
00:20:54,240 --> 00:20:58,320
Speaker 3: word for rabbit. They really go overboards. So in any event.

393
00:20:59,359 --> 00:21:02,800
Speaker 3: That's how they began, and then the theme song kicked it.

394
00:21:02,960 --> 00:21:05,119
Speaker 1: But we're gonna do it.

395
00:21:05,480 --> 00:21:08,919
Speaker 3: And these are the lyrics to the to the Laverne

396
00:21:08,920 --> 00:21:09,640
Speaker 3: Shirley theme song.

397
00:21:09,720 --> 00:21:12,640
Speaker 1: Then even your mother knows.

398
00:21:15,880 --> 00:21:16,359
Speaker 2: I'm waiting.

399
00:21:16,720 --> 00:21:21,600
Speaker 3: Give us any chance, we'll take it, Read us any rule,

400
00:21:21,720 --> 00:21:26,399
Speaker 3: we'll break it. We're gonna make our dreams come true,

401
00:21:27,600 --> 00:21:32,720
Speaker 3: doing it our way. There is nothing, no, no fucking

402
00:21:32,760 --> 00:21:38,000
Speaker 3: wait up, nothing's gonna hold us back. Now, straight ahead

403
00:21:38,040 --> 00:21:42,359
Speaker 3: and on the track. Now, we're gonna make our dreams

404
00:21:42,400 --> 00:21:47,320
Speaker 3: come true doing it our way. There is nothing we

405
00:21:47,359 --> 00:21:53,200
Speaker 3: won't try. Never heard the word impossible. This time, there's

406
00:21:53,240 --> 00:21:59,040
Speaker 3: no stopping us. We're gonna do it. On your market

407
00:21:59,119 --> 00:22:02,200
Speaker 3: set and go. Oh now, got a dream and we

408
00:22:02,760 --> 00:22:08,960
Speaker 3: a show. Now we're gonna make our dreams come true.

409
00:22:08,280 --> 00:22:12,320
Speaker 7: And we'll do it our way, Yes, oh way.

410
00:22:13,280 --> 00:22:15,359
Speaker 1: Don't fucking smile, man, I'm about to cry.

411
00:22:15,640 --> 00:22:18,280
Speaker 2: Yeah, it's really charming.

412
00:22:19,040 --> 00:22:19,919
Speaker 3: Crazy charming.

413
00:22:20,080 --> 00:22:23,600
Speaker 7: Let me finish it and we'll do it our way, Yes,

414
00:22:23,920 --> 00:22:27,880
Speaker 7: oh way, make our dreams come true, and we'll do.

415
00:22:27,960 --> 00:22:33,639
Speaker 3: It our way, Yes, our way. Make a loud dreams

416
00:22:33,720 --> 00:22:41,560
Speaker 3: come true for me and you. Right, that's the laberia

417
00:22:42,000 --> 00:22:44,719
Speaker 3: Shirley theme song and it opened every episode and like

418
00:22:44,800 --> 00:22:48,720
Speaker 3: fucking they went hard on shows, like nowadays they open shows.

419
00:22:48,440 --> 00:22:51,760
Speaker 1: And they just start they fucking that whole fanfare. Charlie

420
00:22:51,800 --> 00:22:53,000
Speaker 1: Fox wrote this fucking song.

421
00:22:53,400 --> 00:22:56,399
Speaker 3: So I was thinking about Debby because we were singing it,

422
00:22:56,440 --> 00:22:57,399
Speaker 3: and I was like, oh, I want to go here,

423
00:22:57,440 --> 00:22:58,959
Speaker 3: and I pulled up on YouTube and I did this

424
00:22:59,040 --> 00:23:02,919
Speaker 3: deep dive on fun Lavernon Shirley, and I realized, like

425
00:23:03,040 --> 00:23:04,840
Speaker 3: that was a huge feature in my life. I got

426
00:23:04,960 --> 00:23:09,240
Speaker 3: yelled at by my parents after my parents' first parent

427
00:23:09,280 --> 00:23:13,080
Speaker 3: teacher conference. Mister Lodge was my kindergarten teacher and I

428
00:23:13,119 --> 00:23:15,320
Speaker 3: would make her laugh all the time because I would

429
00:23:15,320 --> 00:23:20,200
Speaker 3: do lines from Lavernon Shirley. Then when she had my

430
00:23:20,200 --> 00:23:22,359
Speaker 3: my the parent teacher conference with my parents, She's like,

431
00:23:22,880 --> 00:23:26,280
Speaker 3: he just he won't stop doing lines. And my parents

432
00:23:26,280 --> 00:23:28,680
Speaker 3: came home like, why I always don't want Verna Shirley.

433
00:23:28,720 --> 00:23:30,080
Speaker 3: You get in trouble on I'm like, but I.

434
00:23:33,280 --> 00:23:34,520
Speaker 1: First betrayal by a woman.

435
00:23:37,200 --> 00:23:40,520
Speaker 6: Second one in cell culture begins with mister Lodge, keep.

436
00:23:40,440 --> 00:23:42,720
Speaker 2: Your heart's he did not ride.

437
00:23:42,800 --> 00:23:43,240
Speaker 3: That's true.

438
00:23:43,240 --> 00:23:45,040
Speaker 1: Oh my god. I was like, from mister Lodge to

439
00:23:45,119 --> 00:23:46,359
Speaker 1: Waukie interested woman.

440
00:23:47,720 --> 00:23:50,800
Speaker 3: So there I am like watch, I watched the show

441
00:23:50,800 --> 00:23:52,639
Speaker 3: all the time, and like again, we didn't have a

442
00:23:52,680 --> 00:23:54,760
Speaker 3: lot of options and ship and it was like peak

443
00:23:55,600 --> 00:23:59,159
Speaker 3: appointment television, and it was a number only sitcom at

444
00:23:59,240 --> 00:24:02,160
Speaker 3: least at that point that had launched at number one

445
00:24:02,480 --> 00:24:05,000
Speaker 3: because they had been on Happy Days and this was

446
00:24:05,000 --> 00:24:07,320
Speaker 3: a spinoff, and it's charming.

447
00:24:07,359 --> 00:24:09,600
Speaker 1: It's like kind of like the Odd Couple, but with women.

448
00:24:09,880 --> 00:24:13,080
Speaker 3: And they were both comedically like gifted and physical comedians

449
00:24:13,080 --> 00:24:13,480
Speaker 3: and funny.

450
00:24:13,520 --> 00:24:16,200
Speaker 2: They were familiar with I'm familiar breakthrough show.

451
00:24:16,400 --> 00:24:18,440
Speaker 3: And then as time went on, like you know, it

452
00:24:18,560 --> 00:24:20,679
Speaker 3: suffered the fate of many shows, which was like at

453
00:24:20,720 --> 00:24:22,720
Speaker 3: one point, Cindy Williams got married and she's like, I

454
00:24:22,880 --> 00:24:25,280
Speaker 3: want to do this anymore, but the network is like,

455
00:24:25,680 --> 00:24:28,000
Speaker 3: are you fucking nuts? Is the cash count? So they

456
00:24:28,200 --> 00:24:30,560
Speaker 3: like let her go and they kept calling Laverne surely

457
00:24:30,600 --> 00:24:32,560
Speaker 3: even though it was just Laverne and the last season

458
00:24:32,600 --> 00:24:36,320
Speaker 3: the show, every fucking opening credit sequence is the two

459
00:24:36,359 --> 00:24:38,719
Speaker 3: of them. Last season, it's just literally Laverne. It's kind

460
00:24:38,720 --> 00:24:41,159
Speaker 3: of sad, like they had moved to Hollywood by the

461
00:24:41,200 --> 00:24:44,000
Speaker 3: last two or three seasons. They moved from Milwaukee to

462
00:24:44,040 --> 00:24:46,959
Speaker 3: Hollywood shit, and the last you know, it was always

463
00:24:47,000 --> 00:24:50,160
Speaker 3: like fucking them skipping in Milwaukee. When they moved to Hollywood,

464
00:24:50,440 --> 00:24:52,960
Speaker 3: they did their one, two, three four coming out of

465
00:24:53,000 --> 00:24:55,040
Speaker 3: like an apartment on you know, one of the side

466
00:24:55,040 --> 00:24:59,560
Speaker 3: streets here in Los Angeles. And then the last season.

467
00:25:00,359 --> 00:25:03,240
Speaker 2: Oh here he goes, here he goes.

468
00:25:05,240 --> 00:25:11,960
Speaker 3: Remember this is just because Sidney Williams was gone, so

469
00:25:11,960 --> 00:25:17,320
Speaker 3: it's just Penny Marshall. So it begins with a like

470
00:25:17,480 --> 00:25:22,440
Speaker 3: eight kids, school kids going one, two, three, four, five

471
00:25:22,600 --> 00:25:27,120
Speaker 3: six seven h and they pan up to Penny Marshall,

472
00:25:27,160 --> 00:25:31,080
Speaker 3: like coming out of an apartment and seeing the kids

473
00:25:31,119 --> 00:25:35,399
Speaker 3: and wistfully being like, ah, but she wasn't doing it

474
00:25:35,440 --> 00:25:37,480
Speaker 3: no more, and like sure he was gone.

475
00:25:38,200 --> 00:25:50,480
Speaker 2: Oh no, it was so crossed. He's cross sober, bro.

476
00:25:50,560 --> 00:25:52,840
Speaker 3: And I watched an interview with Penny Marshall where she's like,

477
00:25:52,880 --> 00:25:55,240
Speaker 3: look fucking like I didn't want to do it. I tried.

478
00:25:55,320 --> 00:25:58,080
Speaker 3: I was hiding out at Lord Michael's place in New York.

479
00:25:58,320 --> 00:26:00,159
Speaker 3: I didn't want to go back, but I asked for

480
00:26:00,240 --> 00:26:01,720
Speaker 3: double the money and they gave it to me, and

481
00:26:01,760 --> 00:26:03,600
Speaker 3: so fucking I went and did it. Shit, But it's

482
00:26:03,640 --> 00:26:06,720
Speaker 3: kind of heartbreaking. But as I watched all the openings

483
00:26:06,720 --> 00:26:11,320
Speaker 3: to that show. I realized that, like that, that show

484
00:26:11,480 --> 00:26:14,160
Speaker 3: is a big part of why I do what I do.

485
00:26:14,800 --> 00:26:19,800
Speaker 3: That song specifically was so fucking empowering. Think about it.

486
00:26:19,800 --> 00:26:21,960
Speaker 3: My kids didn't grow my kids. My parents didn't grow

487
00:26:22,000 --> 00:26:25,040
Speaker 3: up a fucking songs like you could do shit, you

488
00:26:25,080 --> 00:26:27,080
Speaker 3: know what I'm saying. Like they grew up with like

489
00:26:27,520 --> 00:26:30,119
Speaker 3: country songs or fucking leg love Me Do, or whatever

490
00:26:30,119 --> 00:26:33,639
Speaker 3: the fuck the Beatles sing. This was an empowering, fucking

491
00:26:33,800 --> 00:26:39,239
Speaker 3: anthem that literally said, at all costs, go for what

492
00:26:39,280 --> 00:26:41,240
Speaker 3: makes you happy.

493
00:26:42,920 --> 00:26:49,639
Speaker 2: The only other song comparable Yeah to that. I know

494
00:26:50,640 --> 00:26:55,520
Speaker 2: you'll see somehow the world will change for me.

495
00:26:55,920 --> 00:26:56,600
Speaker 3: So one.

496
00:26:59,400 --> 00:27:07,359
Speaker 2: He loves that song. My dad loves Charley because it's

497
00:27:07,400 --> 00:27:08,560
Speaker 2: it's very inspiring.

498
00:27:09,080 --> 00:27:14,040
Speaker 3: It slaps you gotta be robot cannot be like I want.

499
00:27:13,880 --> 00:27:15,200
Speaker 2: To from the beginning.

500
00:27:15,320 --> 00:27:17,480
Speaker 3: Ready, Yeah, you know it better?

501
00:27:18,040 --> 00:27:24,360
Speaker 2: Three four, I know you'll see somehow changed for me.

502
00:27:24,400 --> 00:27:26,080
Speaker 3: He's so wonder.

503
00:27:29,440 --> 00:27:34,359
Speaker 2: Life somehow, I know I'm going to get there and

504
00:27:34,560 --> 00:27:41,400
Speaker 2: be so wander on the next I because remember, because

505
00:27:41,400 --> 00:27:44,480
Speaker 2: when we listen to it, we listen to the because

506
00:27:44,520 --> 00:27:47,639
Speaker 2: we do listen to it quite frequently, and we listen

507
00:27:47,720 --> 00:27:49,200
Speaker 2: to the extended.

508
00:27:48,680 --> 00:27:57,320
Speaker 3: Version Drake Josh or Drake Yes, but yes he comes

509
00:27:57,480 --> 00:28:02,320
Speaker 3: to that point the way because he comes in like

510
00:28:02,840 --> 00:28:14,720
Speaker 3: sole to me, so take it's how does it go? Son?

511
00:28:15,320 --> 00:28:16,840
Speaker 2: What's the what's the next part?

512
00:28:17,760 --> 00:28:23,480
Speaker 3: You know you won't be free? And until you wake up,

513
00:28:24,000 --> 00:28:28,680
Speaker 3: members of my nation, it's your time to be. There's

514
00:28:28,760 --> 00:28:33,400
Speaker 3: no chance unless you take one. Every time you see the.

515
00:28:35,720 --> 00:28:40,520
Speaker 2: Brighter, brighter side up letation.

516
00:28:41,840 --> 00:28:43,560
Speaker 1: Some things are meant to be.

517
00:28:43,640 --> 00:28:46,840
Speaker 2: So get your best and lead the best to me,

518
00:28:48,080 --> 00:28:56,240
Speaker 2: leave it all, to leave it all to be. It's

519
00:28:56,280 --> 00:28:59,280
Speaker 2: like so sentimental and beautiful. And then he's like leave

520
00:29:00,240 --> 00:29:01,280
Speaker 2: oh he.

521
00:29:01,160 --> 00:29:04,200
Speaker 3: Comes into harmonize. That is a fucking jam in the hand.

522
00:29:04,240 --> 00:29:07,200
Speaker 2: That one, That one really gets you. That one really

523
00:29:07,320 --> 00:29:07,600
Speaker 2: just the.

524
00:29:07,520 --> 00:29:09,760
Speaker 3: Way like I'm Hollywood Babylon, which I have to do

525
00:29:09,840 --> 00:29:14,800
Speaker 3: later on tonight, Ralph. If he sings Beauty and the Beast,

526
00:29:15,040 --> 00:29:15,920
Speaker 3: he starts crying.

527
00:29:15,960 --> 00:29:17,840
Speaker 2: Really which song the.

528
00:29:18,120 --> 00:29:21,000
Speaker 1: Beauty and the Beast. But it's the line, the one

529
00:29:21,040 --> 00:29:22,240
Speaker 1: line that gets me every time.

530
00:29:22,080 --> 00:29:24,560
Speaker 3: Because we're doing the show for fucking almost fifteen years,

531
00:29:24,600 --> 00:29:27,560
Speaker 3: fifteen years, and it has come up multiple times. And

532
00:29:27,600 --> 00:29:29,800
Speaker 3: if he you know, because he likes to fucking sing

533
00:29:29,880 --> 00:29:32,280
Speaker 3: and show like that and he'll he'll say, I was like, really,

534
00:29:32,320 --> 00:29:34,400
Speaker 3: what was and he's like, the Beauty and the Beast

535
00:29:34,400 --> 00:29:36,520
Speaker 3: song really gets me. Really, it was like which one

536
00:29:36,560 --> 00:29:37,760
Speaker 3: He's like, Beauty and the Beast that was like what

537
00:29:37,800 --> 00:29:40,080
Speaker 3: part He's like, you know, it's just when they get

538
00:29:40,120 --> 00:29:43,800
Speaker 3: to the bare leave and friends, then somebody bent and

539
00:29:43,840 --> 00:29:48,720
Speaker 3: then he chokes up. Fucking serious, Missus Potts makes you cry,

540
00:29:49,240 --> 00:29:52,040
Speaker 3: really beautiful, fucking said. And Ralph's normally a very hard guy.

541
00:29:52,160 --> 00:29:53,920
Speaker 2: Oh my god, that's sweet.

542
00:29:53,800 --> 00:29:56,880
Speaker 3: But that fucking song that pushes my Ralph button where.

543
00:29:56,760 --> 00:29:58,479
Speaker 2: I'm like, I want to keep making you cry? What

544
00:29:58,520 --> 00:29:59,320
Speaker 2: else makes you cry?

545
00:30:00,360 --> 00:30:02,120
Speaker 3: Now? I go back to finish my story. So I

546
00:30:02,440 --> 00:30:06,640
Speaker 3: told you all that learning surely ship because that was

547
00:30:06,640 --> 00:30:08,360
Speaker 3: a real discovery. That was a breakthrough for me this

548
00:30:08,400 --> 00:30:15,960
Speaker 3: morning where I'm like that helped, like it definitely, you know,

549
00:30:16,120 --> 00:30:21,800
Speaker 3: because my parents weren't like dream son, like never, and

550
00:30:21,840 --> 00:30:24,880
Speaker 3: they weren't like have nightmare son because that's what life is.

551
00:30:25,080 --> 00:30:27,080
Speaker 3: But they had no fucking example to point to to

552
00:30:27,120 --> 00:30:29,600
Speaker 3: be like, oh, you couldn't fucking do something out of

553
00:30:29,600 --> 00:30:33,480
Speaker 3: the ordinary. And ship it was like, honestly, like you

554
00:30:33,640 --> 00:30:38,880
Speaker 3: fucking that's you know, I want to church right every week,

555
00:30:38,920 --> 00:30:42,280
Speaker 3: and they fucking grind these gods songs into our head

556
00:30:42,280 --> 00:30:43,920
Speaker 3: and show like that and some of them slap some

557
00:30:43,960 --> 00:30:48,640
Speaker 3: of our bankers, but like can't look good music's good music,

558
00:30:48,680 --> 00:30:52,880
Speaker 3: and ship fucking father and father Dave could fucking bust

559
00:30:52,960 --> 00:30:54,960
Speaker 3: a goddamn tue like he always did it on a

560
00:30:55,000 --> 00:30:56,560
Speaker 3: funeral that was an ultra boy and I'd have to

561
00:30:56,560 --> 00:30:57,640
Speaker 3: serve the funerals and ship.

562
00:30:57,760 --> 00:31:02,120
Speaker 2: Oh really, yeah, that's what that's.

563
00:31:01,800 --> 00:31:03,120
Speaker 1: As an altimate what your job was.

564
00:31:03,240 --> 00:31:05,040
Speaker 3: You do it all. But when you say serve a funeral,

565
00:31:05,040 --> 00:31:07,440
Speaker 3: when I say serve a funeral, it means like you're

566
00:31:07,480 --> 00:31:10,240
Speaker 3: doing the funeral, the mass part of the funeral while

567
00:31:10,240 --> 00:31:13,200
Speaker 3: there's a casket that the caskets closed, has got to

568
00:31:13,240 --> 00:31:14,680
Speaker 3: drape over it so it's just a coffee.

569
00:31:14,720 --> 00:31:18,000
Speaker 2: Yeah, but you're around that body a lot of funerals.

570
00:31:18,160 --> 00:31:21,760
Speaker 3: Then, Oh, bro, you how many funerals you've been into

571
00:31:21,760 --> 00:31:23,840
Speaker 3: in your young ass life. You didn't bring in my

572
00:31:23,920 --> 00:31:26,880
Speaker 3: dad's funeral By the time I was your age when

573
00:31:26,880 --> 00:31:29,680
Speaker 3: my dad died, I went to a funeral week. Man, Like,

574
00:31:29,800 --> 00:31:32,600
Speaker 3: funerals was such a big part of our lives, Like

575
00:31:32,640 --> 00:31:35,160
Speaker 3: me and my brother and sister. You ask Coclodo and Virginia.

576
00:31:35,200 --> 00:31:38,400
Speaker 3: One day we were surrounded by death because by the

577
00:31:38,480 --> 00:31:41,160
Speaker 3: time we came into the world, like all of our

578
00:31:41,240 --> 00:31:43,560
Speaker 3: older relatives and Ship were like dropping like flies.

579
00:31:43,600 --> 00:31:45,280
Speaker 1: None of these fucking people were healthy as well.

580
00:31:45,440 --> 00:31:49,160
Speaker 2: Should there's something to that, there's something there.

581
00:31:49,080 --> 00:31:49,960
Speaker 3: That they would take it.

582
00:31:50,040 --> 00:31:54,120
Speaker 2: Yeah, a lot of people because with your therapist, I was,

583
00:31:54,480 --> 00:31:58,240
Speaker 2: I was so really affect a person being around all

584
00:31:58,240 --> 00:31:58,640
Speaker 2: the time.

585
00:31:58,760 --> 00:32:01,400
Speaker 3: When you're around it, it's just a natural part of life.

586
00:32:01,480 --> 00:32:01,680
Speaker 2: Yeah.

587
00:32:02,160 --> 00:32:05,040
Speaker 3: But like we saw dead bodies but all made up right.

588
00:32:05,040 --> 00:32:07,080
Speaker 3: We never saw like the fucking moment of death. We

589
00:32:07,120 --> 00:32:10,240
Speaker 3: always saw them in a wake, so they're lying. It's

590
00:32:10,280 --> 00:32:14,080
Speaker 3: still terrible, the worst makeup onmaldehyde and ship.

591
00:32:14,440 --> 00:32:17,800
Speaker 2: Oh, I recently only just saw my first, my.

592
00:32:17,760 --> 00:32:21,440
Speaker 3: First first dead body in a coffin. Yeah, yeah, you

593
00:32:21,480 --> 00:32:26,280
Speaker 3: never get your first. It's uh yeah, it's kind of well.

594
00:32:26,640 --> 00:32:29,240
Speaker 3: We grew up around it and Ship and so I like,

595
00:32:29,320 --> 00:32:31,880
Speaker 3: not only did we go to the wake, which is

596
00:32:31,920 --> 00:32:33,680
Speaker 3: always boring for a kid who're sitting in a room

597
00:32:33,680 --> 00:32:35,320
Speaker 3: with a bunch of grieving people who are crying and

598
00:32:35,320 --> 00:32:37,560
Speaker 3: there's a dead person up front. You just want to

599
00:32:37,560 --> 00:32:39,440
Speaker 3: hang out with your cousins and laugh. You can't laugh

600
00:32:39,440 --> 00:32:41,600
Speaker 3: because it's inappropriate. Somebody fucking died.

601
00:32:41,440 --> 00:32:43,760
Speaker 2: And this is like kind of giving me more insight,

602
00:32:44,240 --> 00:32:46,520
Speaker 2: like I really thought I knew you completely.

603
00:32:47,240 --> 00:32:50,080
Speaker 3: Yes, take you back in time to attend to one

604
00:32:50,120 --> 00:32:52,880
Speaker 3: of my family funerals with And again, these were not

605
00:32:52,960 --> 00:32:56,800
Speaker 3: relatives that were like, you know, my mom, my dad,

606
00:32:56,920 --> 00:32:59,280
Speaker 3: or my grandmother. They were like cousins.

607
00:32:59,640 --> 00:33:02,360
Speaker 1: Yeah, old like my mom's aunts.

608
00:33:02,760 --> 00:33:05,440
Speaker 2: But you would have to participate in funerals for people

609
00:33:05,480 --> 00:33:06,840
Speaker 2: you did not know at the church.

610
00:33:06,800 --> 00:33:09,400
Speaker 3: As an altar boy. Yeah yeah, but you're not like

611
00:33:09,400 --> 00:33:10,600
Speaker 3: like they're not like carry the.

612
00:33:10,520 --> 00:33:12,360
Speaker 2: Body, but you are there.

613
00:33:12,400 --> 00:33:14,280
Speaker 3: Yeah, but you don't even see a body.

614
00:33:14,680 --> 00:33:16,560
Speaker 2: But that's not the point, but you're you're there.

615
00:33:16,840 --> 00:33:19,240
Speaker 3: Fuck yeah, But so are other people in the church.

616
00:33:19,680 --> 00:33:21,440
Speaker 1: Like this is the funeral mass.

617
00:33:21,600 --> 00:33:23,680
Speaker 3: So there's the wake where they lay the body out

618
00:33:23,680 --> 00:33:26,040
Speaker 3: and the coffin's opening and it's like this. Then they

619
00:33:26,080 --> 00:33:28,040
Speaker 3: close the coffin, bring it to a church, and everybody

620
00:33:28,080 --> 00:33:29,640
Speaker 3: who wants to go to the mask goes to the

621
00:33:29,680 --> 00:33:32,280
Speaker 3: mass in the morning and ship and the coffin is

622
00:33:32,320 --> 00:33:34,560
Speaker 3: on like a little gurney of sorts. It's carried in

623
00:33:34,680 --> 00:33:37,360
Speaker 3: by six people Paul bearers, and then they put it

624
00:33:37,400 --> 00:33:38,920
Speaker 3: on the thing, and then they put like a religious

625
00:33:38,960 --> 00:33:41,240
Speaker 3: drape over it, and then the priest comes out and

626
00:33:41,320 --> 00:33:44,160
Speaker 3: says some nice things about the well. First starts the mask.

627
00:33:44,240 --> 00:33:47,800
Speaker 3: Then during the homily, instead of a homily mamily, they

628
00:33:47,840 --> 00:33:49,680
Speaker 3: do a thing where they're like, you know, you know what,

629
00:33:49,760 --> 00:33:51,600
Speaker 3: the dead guy was a good guy or the dead

630
00:33:51,680 --> 00:33:55,000
Speaker 3: lady fucking meant everything with this beer, and then you know,

631
00:33:55,400 --> 00:33:57,600
Speaker 3: ultimately and winding up of course with like but now

632
00:33:57,680 --> 00:34:00,160
Speaker 3: they're with Jesus, and that what we all want a

633
00:34:00,240 --> 00:34:01,920
Speaker 3: kid and be like, I don't know, like fucking that

634
00:34:01,960 --> 00:34:02,560
Speaker 3: seems to be the.

635
00:34:02,600 --> 00:34:05,440
Speaker 1: End of the party, but it's a party with Jesus.

636
00:34:05,440 --> 00:34:10,040
Speaker 2: I'm like, oh yeah, I don't like wine and I

637
00:34:10,080 --> 00:34:12,520
Speaker 2: don't like fish like loves, and I understand it's very

638
00:34:12,560 --> 00:34:14,319
Speaker 2: good with those, so yes, we'll have plenty of bread

639
00:34:14,320 --> 00:34:14,720
Speaker 2: in heaven.

640
00:34:14,760 --> 00:34:16,360
Speaker 3: But I don't know avatory.

641
00:34:17,120 --> 00:34:18,520
Speaker 1: I never got an answer on that ship.

642
00:34:18,600 --> 00:34:23,239
Speaker 3: So still I would be there in Mass, and you know,

643
00:34:23,280 --> 00:34:27,040
Speaker 3: he fucking sitting there ready to do the normal things

644
00:34:27,080 --> 00:34:29,160
Speaker 3: one serves, like when you get to the Eucharist part

645
00:34:29,200 --> 00:34:31,319
Speaker 3: where he raised the host, but he didn't go through

646
00:34:31,360 --> 00:34:34,359
Speaker 3: all the like transubstantiation ship, which is where he lifts

647
00:34:34,400 --> 00:34:35,920
Speaker 3: it up and it goes and being bred to like

648
00:34:36,000 --> 00:34:38,960
Speaker 3: flesh and wine to like blood. It was already pre

649
00:34:39,040 --> 00:34:41,080
Speaker 3: done because the funeral masses, you ain't good time for

650
00:34:41,120 --> 00:34:43,960
Speaker 3: that ship. There's a dead body playing there. So it's

651
00:34:43,960 --> 00:34:47,040
Speaker 3: like you start whipping out communion without doing the transubstantiation

652
00:34:47,080 --> 00:34:50,319
Speaker 3: because you've already pre communioned it. Right, it's already been

653
00:34:50,360 --> 00:34:54,600
Speaker 3: fucking blessed. That's the miracle of transubstantiation. You were raising

654
00:34:54,640 --> 00:34:57,799
Speaker 3: the faith, so I'll give it to you one more time. Transubstantiation.

655
00:34:58,000 --> 00:35:03,720
Speaker 3: Transubstantiation is when the East raises the host and makes

656
00:35:03,840 --> 00:35:07,839
Speaker 3: all the blessings, and that host, we believe as Catholics,

657
00:35:08,320 --> 00:35:09,760
Speaker 3: stops being wafer.

658
00:35:10,040 --> 00:35:10,840
Speaker 2: What is a host?

659
00:35:11,080 --> 00:35:15,880
Speaker 3: Host is the little communion wafer looks stops being the

660
00:35:15,920 --> 00:35:20,680
Speaker 3: host and becomes the body of Christ. Literally, that's the

661
00:35:20,680 --> 00:35:24,040
Speaker 3: body of Christ, not a symbol. The body of Christ.

662
00:35:24,040 --> 00:35:25,279
Speaker 3: It would make a lot of sense if it was

663
00:35:25,280 --> 00:35:27,120
Speaker 3: a symbol, but Catholics are like, oh no, that ain't

664
00:35:27,120 --> 00:35:30,319
Speaker 3: no symbol. That's for real. Son. In any event, you

665
00:35:30,400 --> 00:35:30,880
Speaker 3: do that.

666
00:35:31,040 --> 00:35:34,440
Speaker 2: No comment, teach their own no comment.

667
00:35:35,360 --> 00:35:39,959
Speaker 3: Then they you know, wrap up the mass and then

668
00:35:40,120 --> 00:35:42,640
Speaker 3: you know, Father, do this ship, and everybody stand up

669
00:35:42,640 --> 00:35:45,320
Speaker 3: and give final fucking blessing, And that is when everybody

670
00:35:45,320 --> 00:35:48,320
Speaker 3: who's a family member starts crying because.

671
00:35:48,200 --> 00:35:49,960
Speaker 1: This is the end of the mass, and the end

672
00:35:49,960 --> 00:35:50,359
Speaker 1: of the mass.

673
00:35:50,480 --> 00:35:52,680
Speaker 3: The next thing, as we drive to the cemetery, put

674
00:35:52,719 --> 00:35:55,120
Speaker 3: the body into the ground as that so the tears

675
00:35:55,120 --> 00:35:57,759
Speaker 3: are coming at this point, and that's when father fucking Dave,

676
00:35:59,080 --> 00:36:02,440
Speaker 3: God bless him, as far as I know, never showed

677
00:36:02,440 --> 00:36:04,239
Speaker 3: an entry, never fucked a kid because he had Oh

678
00:36:04,280 --> 00:36:06,840
Speaker 3: my god, that's a great thing to say about a priest.

679
00:36:07,080 --> 00:36:10,560
Speaker 2: Most I'm more than you could say about most priests,

680
00:36:10,640 --> 00:36:11,239
Speaker 2: for sure, That's.

681
00:36:11,120 --> 00:36:12,840
Speaker 3: What I'm saying. And he do so I'd like to

682
00:36:12,840 --> 00:36:13,560
Speaker 3: give credit.

683
00:36:13,400 --> 00:36:15,640
Speaker 2: Give a girl warning, my god, I like to give.

684
00:36:15,520 --> 00:36:17,920
Speaker 3: Credit where credits due. Like how my father never went

685
00:36:18,000 --> 00:36:20,319
Speaker 3: postal and shot up anybody in a post office, even

686
00:36:20,320 --> 00:36:22,799
Speaker 3: though he worked at one, and people who work at

687
00:36:22,800 --> 00:36:24,319
Speaker 3: the post office had reputations for that.

688
00:36:24,400 --> 00:36:27,280
Speaker 2: You're just looking for the bare minimum.

689
00:36:27,440 --> 00:36:34,000
Speaker 3: I put the bar a razor. Your father, Dave showed

690
00:36:34,040 --> 00:36:36,040
Speaker 3: no interest in kids whatsoever. I was an altar boy,

691
00:36:36,120 --> 00:36:40,240
Speaker 3: served years barely even know I existed.

692
00:36:40,840 --> 00:36:43,200
Speaker 2: So in any of that, I didn't know what.

693
00:36:43,280 --> 00:36:46,040
Speaker 3: Ah, no, you know. I was there to serve. But

694
00:36:46,080 --> 00:36:51,160
Speaker 3: he was never like so you like girls. He kept

695
00:36:51,239 --> 00:36:52,719
Speaker 3: it like I'm an adult. I don't give a ship.

696
00:36:52,760 --> 00:36:54,160
Speaker 3: You serve like Jesus.

697
00:36:54,200 --> 00:36:55,760
Speaker 2: But he could bust a tune.

698
00:36:56,160 --> 00:37:01,319
Speaker 3: Bro this his father day. Oh, he brought the house

699
00:37:01,400 --> 00:37:04,920
Speaker 3: down like what a showman. He would fucking rock him

700
00:37:05,000 --> 00:37:05,680
Speaker 3: with this song.

701
00:37:05,760 --> 00:37:08,360
Speaker 1: The song is be not Afraid.

702
00:37:09,280 --> 00:37:14,080
Speaker 3: It's a religious standard, and the song is like, you know,

703
00:37:14,200 --> 00:37:17,759
Speaker 3: you will pass through raging waters, but you shall not

704
00:37:18,520 --> 00:37:21,600
Speaker 3: feel the wave, and you will pass through burning fires

705
00:37:21,640 --> 00:37:22,839
Speaker 3: and you will not feel the heat.

706
00:37:22,880 --> 00:37:25,840
Speaker 1: And the idea is the chorus is be not afraid.

707
00:37:26,520 --> 00:37:29,560
Speaker 3: I go before you always come follow me, and I

708
00:37:29,600 --> 00:37:31,440
Speaker 3: will give you rest. And these are the words of

709
00:37:31,560 --> 00:37:35,000
Speaker 3: Christ apparently right. So you hear those words and you're like,

710
00:37:35,000 --> 00:37:39,520
Speaker 3: all right, it sounds like a religious Father Dave. This

711
00:37:40,280 --> 00:37:43,239
Speaker 3: this fucking if Uncle Don was here, he co signed this.

712
00:37:44,120 --> 00:37:46,239
Speaker 3: He is invoking Father Dave. He's brought him to life.

713
00:37:46,360 --> 00:37:47,200
Speaker 3: Is that Father Dave.

714
00:37:47,120 --> 00:37:50,080
Speaker 1: Saying I don't know what they call this baritone.

715
00:37:49,520 --> 00:38:07,080
Speaker 3: Whatever, be not of go for come.

716
00:38:08,480 --> 00:38:18,120
Speaker 8: Ohove you, I swear to Christ.

717
00:38:19,000 --> 00:38:19,959
Speaker 3: That's how he said that.

718
00:38:19,960 --> 00:38:21,920
Speaker 1: That was That's terrible.

719
00:38:22,120 --> 00:38:25,360
Speaker 2: No, no, I'm not. I'm not. No, I'm not fucking around.

720
00:38:25,360 --> 00:38:27,080
Speaker 1: That's this podcast singing.

721
00:38:28,719 --> 00:38:30,520
Speaker 2: No, that's clearly church singing.

722
00:38:30,560 --> 00:38:33,279
Speaker 1: But like everyone can rock, fucking be not afraid on

723
00:38:33,320 --> 00:38:34,280
Speaker 1: a podcast.

724
00:38:33,880 --> 00:38:34,439
Speaker 3: I don't.

725
00:38:36,320 --> 00:38:40,400
Speaker 2: I feel like the fucking world just shook or something.

726
00:38:41,080 --> 00:38:44,319
Speaker 3: You know what, I did him justice, I could do that,

727
00:38:44,480 --> 00:38:47,319
Speaker 3: thank you. We none of us knew father Dave could

728
00:38:47,320 --> 00:38:49,680
Speaker 3: do it. I did because I served with him, so

729
00:38:49,719 --> 00:38:52,160
Speaker 3: I knew it was coming every time. And so the

730
00:38:52,239 --> 00:38:54,640
Speaker 3: ladies in the choir and Colin Bush on the organ,

731
00:38:54,880 --> 00:38:57,120
Speaker 3: we all knew everyone else. Like most people when you're

732
00:38:57,200 --> 00:38:59,560
Speaker 3: very relative, you're coming from out of town, it's all

733
00:38:59,600 --> 00:39:01,640
Speaker 3: these fucks are like, oh man, this sucks our beloved

734
00:39:01,640 --> 00:39:04,200
Speaker 3: one dot. They didn't know that fucking they were gonna

735
00:39:04,200 --> 00:39:12,120
Speaker 3: get man performance by Billy Joel then was po man

736
00:39:12,239 --> 00:39:17,840
Speaker 3: and the whole fucking place throwing up. O my god,

737
00:39:18,440 --> 00:39:19,279
Speaker 3: they rocked it. Man.

738
00:39:19,320 --> 00:39:21,680
Speaker 1: That was his fucking that was his stairway to heaven.

739
00:39:22,719 --> 00:39:25,000
Speaker 2: Can you just give me one more little bit of that?

740
00:39:28,920 --> 00:39:29,919
Speaker 1: Let me find the one line.

741
00:39:30,000 --> 00:39:32,120
Speaker 3: It was so fantastic. Even if I as a kid,

742
00:39:32,160 --> 00:39:34,960
Speaker 3: I get emotional and I'm like, fucking that fucking man.

743
00:39:35,000 --> 00:39:38,320
Speaker 3: I hope I could be that faithful one day ready

744
00:39:38,320 --> 00:39:40,480
Speaker 3: for this and my favorite line in that song, Kid,

745
00:39:40,719 --> 00:39:43,560
Speaker 3: it's just so it's kind of metal. It is because

746
00:39:43,560 --> 00:39:53,319
Speaker 3: they referenced fucking my guy. Here we go. Remember, it's

747
00:39:53,320 --> 00:39:55,680
Speaker 3: a series of if you do this, if you do this,

748
00:39:55,880 --> 00:39:57,799
Speaker 3: if you do this, and he's always gonna be there

749
00:39:57,840 --> 00:40:00,359
Speaker 3: being not afraid because he's always gonna be there. God jeez, oh,

750
00:40:01,040 --> 00:40:04,279
Speaker 3: same thing. Three persons in one God, God, the Father,

751
00:40:04,400 --> 00:40:08,400
Speaker 3: got the Son, got the Holy Spirit. We'll get into it, Okay.

752
00:40:09,360 --> 00:40:10,880
Speaker 1: Here is the best.

753
00:40:10,800 --> 00:40:13,240
Speaker 2: Line in that I'm ready and.

754
00:40:13,080 --> 00:40:14,839
Speaker 1: He fucking brought it home.

755
00:40:14,920 --> 00:40:19,480
Speaker 3: This is like you know, this is we'll carry on

756
00:40:20,160 --> 00:40:21,839
Speaker 3: like you gotta nail this or else.

757
00:40:21,880 --> 00:40:23,760
Speaker 1: The rest of it don't fucking work right.

758
00:40:27,440 --> 00:40:42,800
Speaker 3: If you stand before about your side, no, that with

759
00:40:42,960 --> 00:40:45,200
Speaker 3: you through it.

760
00:40:45,000 --> 00:40:52,160
Speaker 1: All pretending to sing.

761
00:40:52,440 --> 00:40:57,879
Speaker 2: No, that's literally the Broadways singer and Stanton with operas.

762
00:40:58,239 --> 00:41:00,840
Speaker 1: That is what throat singing.

763
00:41:01,040 --> 00:41:03,040
Speaker 3: You need to sing from your diaphragm like he sang

764
00:41:03,080 --> 00:41:03,319
Speaker 3: from his.

765
00:41:03,440 --> 00:41:05,279
Speaker 2: You don't always gotta though, that's the.

766
00:41:06,880 --> 00:41:10,400
Speaker 1: Rock the foundations of the church, Like fucking Samson.

767
00:41:10,320 --> 00:41:13,040
Speaker 2: Bro you missed a whole last career path here, Like

768
00:41:13,400 --> 00:41:14,520
Speaker 2: I swear to God.

769
00:41:14,760 --> 00:41:16,759
Speaker 1: If I did, it would have been stolen from Father Dave.

770
00:41:16,840 --> 00:41:17,279
Speaker 3: He missed the.

771
00:41:19,080 --> 00:41:22,600
Speaker 2: You should try to get in the show. Why that

772
00:41:23,880 --> 00:41:24,719
Speaker 2: my fucking mud?

773
00:41:24,920 --> 00:41:25,359
Speaker 3: What do you mean?

774
00:41:25,400 --> 00:41:29,000
Speaker 2: That's just respectful to like any opera singer? Here, I know,

775
00:41:29,320 --> 00:41:31,520
Speaker 2: I sing from my gun, I sing from my gut,

776
00:41:31,600 --> 00:41:33,720
Speaker 2: I sing from my people, sing from all places.

777
00:41:34,080 --> 00:41:35,760
Speaker 1: But I sing from here, and that I are supposed

778
00:41:35,760 --> 00:41:35,960
Speaker 1: to sing.

779
00:41:36,000 --> 00:41:36,480
Speaker 3: That ain't real.

780
00:41:38,239 --> 00:41:40,839
Speaker 1: That was just making that Father Day. That's me approximating

781
00:41:40,880 --> 00:41:41,279
Speaker 1: Father Day.

782
00:41:41,320 --> 00:41:45,040
Speaker 2: That's you blowing my fucking mind to smothering.

783
00:41:45,280 --> 00:41:46,719
Speaker 1: Let me ask you this, Does it make you want

784
00:41:46,719 --> 00:41:47,520
Speaker 1: to go to church at all?

785
00:41:50,280 --> 00:41:56,240
Speaker 2: Perhaps your or Father Dave? Right, maybe I'd attend one.

786
00:41:56,160 --> 00:41:59,400
Speaker 3: Mask you Uh, he had a fucking he had a

787
00:41:59,440 --> 00:42:00,319
Speaker 3: banging voice. You know.

788
00:42:00,440 --> 00:42:05,600
Speaker 1: He was hard on movies. That's where we different.

789
00:42:06,040 --> 00:42:07,760
Speaker 3: I was a big fan when he sang. But whenever

790
00:42:07,800 --> 00:42:08,319
Speaker 3: he was like, you.

791
00:42:08,239 --> 00:42:12,760
Speaker 1: Can't go see the exor system, like listen, my.

792
00:42:12,640 --> 00:42:17,760
Speaker 3: Father, can we go? Like wait, I'm not hungry, commune

793
00:42:17,840 --> 00:42:19,640
Speaker 3: is coming out. I'm fi already passionate.

794
00:42:19,719 --> 00:42:22,480
Speaker 2: Imagine Father Day.

795
00:42:22,400 --> 00:42:27,000
Speaker 3: Oh passion even now at age fifty four, Like even

796
00:42:27,000 --> 00:42:31,400
Speaker 3: though Father Dave was not remotely interested in me, you know,

797
00:42:31,600 --> 00:42:34,440
Speaker 3: thank God, you know as a victim, but even as

798
00:42:34,440 --> 00:42:37,080
Speaker 3: a human being, Like he kind of set the tone

799
00:42:37,080 --> 00:42:39,040
Speaker 3: for how I treat children where it's just like.

800
00:42:40,040 --> 00:42:47,360
Speaker 2: Hello, you're so he will not the old baby days.

801
00:42:47,600 --> 00:42:51,319
Speaker 2: When Jay's first born, Logan was was born. When Jay

802
00:42:51,440 --> 00:42:56,240
Speaker 2: Jordan's daughter was born, my dad literally was so creeped

803
00:42:56,280 --> 00:42:59,360
Speaker 2: out by it, by her exists.

804
00:42:58,880 --> 00:43:00,359
Speaker 1: To be the guy that drops the baby.

805
00:43:00,440 --> 00:43:05,680
Speaker 2: Would not older, would not older his best friends child.

806
00:43:05,760 --> 00:43:08,440
Speaker 3: You're the only kid I interacted with because I'm like,

807
00:43:08,480 --> 00:43:09,160
Speaker 3: this makes sense.

808
00:43:09,200 --> 00:43:12,920
Speaker 2: You literally are to every kid like like you're scared

809
00:43:12,960 --> 00:43:13,920
Speaker 2: of them or something.

810
00:43:14,080 --> 00:43:15,880
Speaker 1: The little ticking tom.

811
00:43:15,560 --> 00:43:21,040
Speaker 2: Passion, Russian babies Russian for you for sure.

812
00:43:21,719 --> 00:43:24,800
Speaker 6: Yeah, but not where I'm like, you know, abortions for all,

813
00:43:25,160 --> 00:43:26,440
Speaker 6: I'm just not for me.

814
00:43:26,520 --> 00:43:28,080
Speaker 3: I don't you know, I'm not. I don't need a

815
00:43:28,080 --> 00:43:36,560
Speaker 3: baby or abortion for well, definitely abortions for all, yes, but.

816
00:43:34,680 --> 00:43:36,040
Speaker 2: Just to be clear, but just to be.

817
00:43:36,000 --> 00:43:39,440
Speaker 3: Clear where they were like tiny flags for all and

818
00:43:39,520 --> 00:43:42,239
Speaker 3: they were like boo, and abortions for all and they're

819
00:43:42,280 --> 00:43:46,200
Speaker 3: like boo, and they're like tiny flags for some abortions

820
00:43:46,200 --> 00:43:50,680
Speaker 3: for others. They're like when Kang code tiny flags. They're

821
00:43:50,760 --> 00:43:58,040
Speaker 3: talking conservative versus lib tiny American flags. What was my point?

822
00:43:58,680 --> 00:44:05,000
Speaker 2: Oh you hate babies, big ration for you on the babies.

823
00:44:05,360 --> 00:44:07,319
Speaker 3: I guess that leads us to our passion. Did I

824
00:44:07,360 --> 00:44:08,880
Speaker 3: finish up on the fucking story?

825
00:44:09,560 --> 00:44:13,960
Speaker 2: I mean, I don't even remember what happened before you

826
00:44:14,120 --> 00:44:17,840
Speaker 2: started singing opera, so I have no fucking clue.

827
00:44:18,760 --> 00:44:22,760
Speaker 3: Vernon Shirley opera not opera, that's church thing.

828
00:44:22,719 --> 00:44:27,080
Speaker 2: No, also better known as opera.

829
00:44:27,280 --> 00:44:28,719
Speaker 3: I feel like I was in the middle of a

830
00:44:28,800 --> 00:44:31,480
Speaker 3: story too, and then I launched out to talk about it.

831
00:44:31,560 --> 00:44:32,839
Speaker 2: Bro it don't matter, I did.

832
00:44:32,880 --> 00:44:34,640
Speaker 3: I think I went back. It was mostly I wanted

833
00:44:34,680 --> 00:44:37,680
Speaker 3: to get to the singing, but I remembered what I

834
00:44:37,719 --> 00:44:38,200
Speaker 3: wanted to.

835
00:44:38,120 --> 00:44:40,480
Speaker 1: Talk about ahead of the show was a Vernon Shirley,

836
00:44:40,520 --> 00:44:40,879
Speaker 1: and we did.

837
00:44:41,239 --> 00:44:42,400
Speaker 3: Oh we went deep.

838
00:44:42,440 --> 00:44:43,120
Speaker 2: We went deep.

839
00:44:44,040 --> 00:44:46,520
Speaker 1: But once again, I always want the show to be

840
00:44:46,840 --> 00:44:47,640
Speaker 1: fucking short.

841
00:44:47,719 --> 00:44:48,680
Speaker 3: And what is it right now?

842
00:44:48,719 --> 00:44:49,359
Speaker 1: Oh, it's not bad.

843
00:44:49,400 --> 00:44:52,840
Speaker 3: Forty four minutes. Let's passion I ration, because then we

844
00:44:52,840 --> 00:44:53,839
Speaker 3: get out under an hour.

845
00:44:56,200 --> 00:44:58,320
Speaker 2: While we're here, I would I would like to start

846
00:44:58,320 --> 00:45:01,800
Speaker 2: with the with the main like of the week, passion irration.

847
00:45:02,480 --> 00:45:06,200
Speaker 3: The passion irration my hold on for those who are

848
00:45:06,239 --> 00:45:08,879
Speaker 3: just like, what the fuck passion irration is? The thing

849
00:45:08,920 --> 00:45:12,520
Speaker 3: we do where we talk about our passion for the week,

850
00:45:12,840 --> 00:45:15,440
Speaker 3: our ration for the week, the thing that you get

851
00:45:15,480 --> 00:45:17,879
Speaker 3: more of this less of everything else, or the thing

852
00:45:17,920 --> 00:45:20,080
Speaker 3: that's like less of this more of anything else.

853
00:45:20,160 --> 00:45:22,640
Speaker 2: All right, and then we do like of the week,

854
00:45:22,800 --> 00:45:25,080
Speaker 2: and then well sometimes and then and then we do

855
00:45:25,160 --> 00:45:25,640
Speaker 2: rabbit fire.

856
00:45:25,880 --> 00:45:26,479
Speaker 3: We did it once.

857
00:45:29,160 --> 00:45:32,280
Speaker 2: Now we're doing this passion of the week. I didn't

858
00:45:32,360 --> 00:45:34,680
Speaker 2: know my father is an opera singer, and it is

859
00:45:34,719 --> 00:45:36,920
Speaker 2: a huge passion of mine now that he explores this,

860
00:45:38,200 --> 00:45:41,320
Speaker 2: and it's ration my father thinking he cannot sing.

861
00:45:41,120 --> 00:45:45,920
Speaker 3: Opera fair enough. You wrote those down in a few

862
00:45:46,000 --> 00:45:52,040
Speaker 3: days ago. I did passion Laverne and Shirley Man period.

863
00:45:52,239 --> 00:45:55,320
Speaker 3: They made me realize that I could make my dreams

864
00:45:55,360 --> 00:45:57,080
Speaker 3: come true. That's what they pushed for.

865
00:45:57,480 --> 00:46:00,560
Speaker 1: And if you sing that enough like.

866
00:46:00,560 --> 00:46:02,319
Speaker 3: It just becomes just. And I think that's why we

867
00:46:02,360 --> 00:46:04,520
Speaker 3: got on church in the first place. They made us

868
00:46:04,640 --> 00:46:09,840
Speaker 3: memorize all those church songs and shit. Laverne, surely you

869
00:46:09,880 --> 00:46:12,960
Speaker 3: know what I'm saying. Like the church songs they promise

870
00:46:13,040 --> 00:46:16,279
Speaker 3: you fucking happiness when you die, you know what I'm saying, Like,

871
00:46:16,320 --> 00:46:18,520
Speaker 3: you'll be happy with Jesus when you're not here. Anymore.

872
00:46:18,600 --> 00:46:20,959
Speaker 2: It's really true. That's really fucking.

873
00:46:20,840 --> 00:46:23,160
Speaker 1: Suffering in this life reward in the next.

874
00:46:23,400 --> 00:46:27,360
Speaker 3: Whereas Laverne and Shirley, they weren't hedonists, but they were like, look,

875
00:46:27,840 --> 00:46:30,520
Speaker 3: and they weren't counting on anybody independence.

876
00:46:30,920 --> 00:46:31,879
Speaker 1: They were like, and.

877
00:46:31,800 --> 00:46:36,480
Speaker 3: We'll do it our way, yes, our way, make all

878
00:46:36,560 --> 00:46:37,920
Speaker 3: our dreams come true.

879
00:46:37,960 --> 00:46:40,400
Speaker 1: Come on, like fucking They're not looking for a handout.

880
00:46:40,400 --> 00:46:43,680
Speaker 3: They're not like we're gonna help this guy's gonna help

881
00:46:43,800 --> 00:46:44,959
Speaker 3: us do it.

882
00:46:46,960 --> 00:46:50,600
Speaker 6: God Jesus, we're gonna step on next.

883
00:46:52,160 --> 00:46:55,920
Speaker 3: Like it's a powerful fucking idea that, like, you know,

884
00:46:56,000 --> 00:46:58,160
Speaker 3: and we got to see them week after week not do.

885
00:46:58,200 --> 00:47:03,839
Speaker 2: It you You serve as the Laverne and Shirley theme

886
00:47:03,960 --> 00:47:07,080
Speaker 2: song for a lot of human beings. I hope you

887
00:47:07,120 --> 00:47:07,920
Speaker 2: know you hear it.

888
00:47:07,960 --> 00:47:09,680
Speaker 3: Make me cry, because let me tell you something, I

889
00:47:09,760 --> 00:47:12,600
Speaker 3: just realized how powerful that Laverne Shirley song was. And

890
00:47:12,600 --> 00:47:14,759
Speaker 3: if that's the case, that, if my.

891
00:47:14,800 --> 00:47:17,719
Speaker 1: Fucking dumbass is making people like want to do something.

892
00:47:18,800 --> 00:47:22,880
Speaker 2: It's the You can say a lot of You can

893
00:47:23,640 --> 00:47:27,400
Speaker 2: talk about clerks and me being your greatest accomplishments all

894
00:47:27,480 --> 00:47:33,040
Speaker 2: day long, but you, more than anything, are like such

895
00:47:33,080 --> 00:47:36,799
Speaker 2: an inspiration of so many people. You are such like

896
00:47:36,920 --> 00:47:40,960
Speaker 2: you give such beautiful, inspiring advice to people to follow

897
00:47:41,000 --> 00:47:41,960
Speaker 2: their dreams.

898
00:47:42,640 --> 00:47:43,000
Speaker 3: Thank you.

899
00:47:43,200 --> 00:47:47,239
Speaker 2: It's the truth I blame. I've heard you speak a

900
00:47:47,280 --> 00:47:53,280
Speaker 2: lot in my life publicly, and I every single time.

901
00:47:53,520 --> 00:47:56,799
Speaker 2: You're always encouraging people to go follow their dreams and

902
00:47:56,880 --> 00:48:02,279
Speaker 2: make something and to take the leap. So you are

903
00:48:02,320 --> 00:48:04,000
Speaker 2: the lover and and Churley theme song.

904
00:48:04,520 --> 00:48:06,200
Speaker 1: The living embodiment of it you.

905
00:48:07,200 --> 00:48:11,080
Speaker 2: Just as the Cracker is Jesus's body.

906
00:48:11,680 --> 00:48:13,719
Speaker 3: Oh my god, you. When I sing the song, I

907
00:48:13,840 --> 00:48:17,960
Speaker 3: transubstantiate from lyrics into human.

908
00:48:19,040 --> 00:48:21,200
Speaker 2: Version of the theme.

909
00:48:21,040 --> 00:48:26,000
Speaker 3: The theme song to you know what, Look if a

910
00:48:26,320 --> 00:48:29,320
Speaker 3: fucking billion people could believe the other thing. Oh it

911
00:48:29,360 --> 00:48:30,880
Speaker 3: needs like a couple of hundred to believe this, And

912
00:48:30,880 --> 00:48:35,560
Speaker 3: I got me at Church Church of Laverne. Surely make

913
00:48:35,600 --> 00:48:42,560
Speaker 3: all your dreams come true. Passion my passion for this week,

914
00:48:42,840 --> 00:48:44,880
Speaker 3: of course, as you heard Lvern Shirley. But my bigger

915
00:48:44,920 --> 00:48:48,680
Speaker 3: passion is chronicon.

916
00:48:52,320 --> 00:48:56,320
Speaker 2: Please kid here and her mother please.

917
00:48:57,000 --> 00:49:00,359
Speaker 3: Skewniverse Star is doing the very first Chronicon in real life.

918
00:49:00,360 --> 00:49:02,000
Speaker 1: We did it in Jane salabab reboot.

919
00:49:02,200 --> 00:49:04,600
Speaker 3: So we're doing a Jan and solabob convention in real

920
00:49:04,640 --> 00:49:06,800
Speaker 3: life in Chicago, right.

921
00:49:06,600 --> 00:49:08,160
Speaker 2: After vegan food.

922
00:49:07,920 --> 00:49:10,160
Speaker 3: There Chicago, there will.

923
00:49:10,719 --> 00:49:11,360
Speaker 2: At the convention.

924
00:49:11,480 --> 00:49:18,200
Speaker 3: You got to imagine they know, they know, Uh, it's happening.

925
00:49:18,280 --> 00:49:19,840
Speaker 3: You can go this weekend, kids, if you want to

926
00:49:19,840 --> 00:49:21,879
Speaker 3: see us in person, you're in the Chicago area. Even

927
00:49:21,880 --> 00:49:23,200
Speaker 3: if you're not in the Chicago area. A lot of

928
00:49:23,200 --> 00:49:26,560
Speaker 3: people flying in because it's right outside the airport.

929
00:49:26,640 --> 00:49:29,040
Speaker 2: There's so many of us if you if you care

930
00:49:29,080 --> 00:49:33,120
Speaker 2: at all about one of this this community there, every

931
00:49:33,280 --> 00:49:35,080
Speaker 2: everybody from it will be there.

932
00:49:34,760 --> 00:49:37,640
Speaker 3: Anyone you've ever seen in a Kevin Smith movie may

933
00:49:37,680 --> 00:49:41,000
Speaker 3: be popping up. Chronic con for real. Dot com is

934
00:49:41,000 --> 00:49:44,960
Speaker 3: where you can get tickets full ration uh for me,

935
00:49:45,480 --> 00:49:53,080
Speaker 3: uh two rat killing. Don't need to see that ever again.

936
00:49:53,200 --> 00:49:55,640
Speaker 1: Don't need to see fucking Lucky taking a life again?

937
00:49:57,360 --> 00:50:01,320
Speaker 3: No, you know, honestly, like fucking dry break into this house, motherfucker.

938
00:50:02,360 --> 00:50:06,920
Speaker 2: Yeah's true. A man who really talks about his location

939
00:50:07,120 --> 00:50:08,600
Speaker 2: way too openly.

940
00:50:12,600 --> 00:50:12,839
Speaker 3: Walk.

941
00:50:12,840 --> 00:50:16,000
Speaker 2: He's here waiting behind the door, all.

942
00:50:16,040 --> 00:50:18,040
Speaker 1: Right, So do your rapid fire all right?

943
00:50:18,440 --> 00:50:22,920
Speaker 2: Hmm? What you eating?

944
00:50:22,920 --> 00:50:27,759
Speaker 3: A rat ration? More of anything else?

945
00:50:31,080 --> 00:50:37,200
Speaker 2: Physical writing going like this, physical writing instead of typing.

946
00:50:38,640 --> 00:50:40,839
Speaker 3: Ration. I have very terrible handwriting. Away.

947
00:50:41,040 --> 00:50:43,799
Speaker 2: I have the same exact handwriting as you. It's just

948
00:50:43,840 --> 00:50:46,440
Speaker 2: in all caps. We both write in all caps.

949
00:50:46,440 --> 00:50:49,560
Speaker 3: Writing caps too, But your handwriting is pretty is just.

950
00:50:49,560 --> 00:50:52,160
Speaker 2: Well we all know, well we don't all know, but

951
00:50:52,880 --> 00:50:55,960
Speaker 2: I do not hold a pencil correctly. Yeah, if you

952
00:50:56,040 --> 00:50:59,080
Speaker 2: have ever seen me with a pencil, everybody's always.

953
00:50:58,760 --> 00:51:01,640
Speaker 3: Like you're doing this from the seventies.

954
00:51:01,680 --> 00:51:04,040
Speaker 2: I know I look really stupid when I stupid.

955
00:51:03,680 --> 00:51:07,360
Speaker 3: But but I I Ever since I interacted with a

956
00:51:07,400 --> 00:51:09,719
Speaker 3: typewriter when I was nine years old, I've loved that more.

957
00:51:10,080 --> 00:51:14,600
Speaker 2: Really, writing is passion for me. Handwriting, handwriting. You like

958
00:51:14,680 --> 00:51:20,280
Speaker 2: to love handwritings? Yeah, even with my weird ass holding

959
00:51:20,280 --> 00:51:20,640
Speaker 2: of the pen.

960
00:51:20,800 --> 00:51:22,360
Speaker 3: Yeah, you do with the journals.

961
00:51:23,560 --> 00:51:25,240
Speaker 2: Journal later on.

962
00:51:27,239 --> 00:51:27,640
Speaker 3: The idea.

963
00:51:27,760 --> 00:51:28,920
Speaker 2: I also keep a planner.

964
00:51:29,760 --> 00:51:35,400
Speaker 3: We've been a fire. No do I get to go ever.

965
00:51:35,520 --> 00:51:41,920
Speaker 2: No tomatoes in their raw form, tomatoes in there like

966
00:51:42,000 --> 00:51:48,080
Speaker 2: fucking ration any vegetables. But you would eat I just meto.

967
00:51:48,160 --> 00:51:49,960
Speaker 1: Yeah you turned the tomato into a meatball.

968
00:51:50,000 --> 00:51:51,520
Speaker 2: I'm there for you, but a meatball?

969
00:51:51,640 --> 00:51:51,839
Speaker 3: Yeah?

970
00:51:52,000 --> 00:51:52,560
Speaker 2: What the fuck?

971
00:51:52,920 --> 00:51:52,960
Speaker 3: What?

972
00:51:53,120 --> 00:51:57,080
Speaker 2: I just mean? Like, you love Marinara sauce, you love ketchup.

973
00:51:58,120 --> 00:51:59,120
Speaker 2: Why wouldn't you eat a raw.

974
00:51:59,080 --> 00:52:00,880
Speaker 3: Tomato squish texture.

975
00:52:01,200 --> 00:52:03,839
Speaker 2: You're such a weird texture person. I'm not at all,

976
00:52:03,920 --> 00:52:05,719
Speaker 2: and it really is like weird to me that you are.

977
00:52:07,880 --> 00:52:09,400
Speaker 1: The way you do is weird to me, and I

978
00:52:09,440 --> 00:52:10,400
Speaker 1: just don't call you out on it.

979
00:52:10,719 --> 00:52:14,040
Speaker 3: He's away, I wacky ways. I haven't killed anything in

980
00:52:14,080 --> 00:52:15,719
Speaker 3: a minute.

981
00:52:19,120 --> 00:52:19,799
Speaker 2: I guess you can go.

982
00:52:20,640 --> 00:52:28,080
Speaker 3: Thank you. Let's see, uh, staying at someone else's house passion.

983
00:52:27,800 --> 00:52:30,040
Speaker 2: Or ration for what duration of time?

984
00:52:32,760 --> 00:52:37,200
Speaker 1: Two days or more? This includes airbnbs?

985
00:52:37,480 --> 00:52:40,040
Speaker 2: Oh, it includes airbnbes and passion for sure?

986
00:52:40,400 --> 00:52:44,040
Speaker 3: Fucking you still with ab hearing that they put cameras

987
00:52:44,040 --> 00:52:45,000
Speaker 3: in them and ship like that.

988
00:52:45,320 --> 00:52:49,759
Speaker 2: Yeah, I mean fine, and it's not fine. It's not fine. Well,

989
00:52:49,960 --> 00:52:52,040
Speaker 2: this is a story for another time. But one time

990
00:52:52,080 --> 00:52:54,320
Speaker 2: I do I did think that I found a camera

991
00:52:54,440 --> 00:52:59,760
Speaker 2: and we called the police. Story for a different time, everybody,

992
00:53:00,480 --> 00:53:02,040
Speaker 2: we don't got that type of time.

993
00:53:03,040 --> 00:53:04,760
Speaker 3: So passionate ration, you say, passion?

994
00:53:04,880 --> 00:53:08,759
Speaker 2: Passion? Yeah, but not like no, no offense to all

995
00:53:08,800 --> 00:53:10,640
Speaker 2: the relatives, but not a relative souse.

996
00:53:10,840 --> 00:53:13,960
Speaker 1: So stranger's house not a relatives house. Yeah, stranger, that's

997
00:53:14,000 --> 00:53:14,840
Speaker 1: just lunacy.

998
00:53:14,920 --> 00:53:15,799
Speaker 2: The stranger's house.

999
00:53:16,400 --> 00:53:18,879
Speaker 3: I'm there, chance is a relative being? Like I put

1000
00:53:18,960 --> 00:53:22,399
Speaker 3: a camera in the Yeah, but like.

1001
00:53:22,440 --> 00:53:29,600
Speaker 2: Right there, football passion, irration, oh fucking just so ration.

1002
00:53:30,000 --> 00:53:31,759
Speaker 1: Yeah, but then your boyfriend like it. I hear him

1003
00:53:31,760 --> 00:53:32,440
Speaker 1: and Pop talking.

1004
00:53:32,239 --> 00:53:33,360
Speaker 2: About Yeah, it's really I do.

1005
00:53:33,600 --> 00:53:36,560
Speaker 3: And I'm always like, well you got talking about pussy

1006
00:53:37,040 --> 00:53:42,200
Speaker 3: talking about hard ass football. Well you know, oh my god? Like, yeah,

1007
00:53:42,239 --> 00:53:45,160
Speaker 3: they may wear they way the way a way they

1008
00:53:45,200 --> 00:53:50,480
Speaker 3: may wear can you they may wear masks, but this

1009
00:53:50,640 --> 00:53:54,760
Speaker 3: ain't comic books, kid. I'm like, I'm older than you, Astin.

1010
00:53:56,920 --> 00:53:59,400
Speaker 1: That's awestin and it gets Pop and it gets tough about football.

1011
00:53:59,480 --> 00:54:00,799
Speaker 2: Oh wow, I didn't know.

1012
00:54:01,000 --> 00:54:02,879
Speaker 1: Yeah, they make me feel inadequate because I don't.

1013
00:54:02,920 --> 00:54:05,880
Speaker 3: I don't. I'm like, Walliam, what are they? What if

1014
00:54:05,960 --> 00:54:07,840
Speaker 3: they are the Jets of New York.

1015
00:54:07,800 --> 00:54:12,440
Speaker 2: Playing It is really sweet paw in Austin watching it together.

1016
00:54:13,440 --> 00:54:15,440
Speaker 3: Look, I'm very happy for them. I'm so glad that

1017
00:54:15,520 --> 00:54:17,359
Speaker 3: Pop was never like why don't you be that guy?

1018
00:54:17,840 --> 00:54:19,839
Speaker 3: You never forced football me, so i'd have to be

1019
00:54:19,880 --> 00:54:20,560
Speaker 3: like Pop.

1020
00:54:20,719 --> 00:54:23,840
Speaker 2: Hate to tell you, buddy, I hate to tell you.

1021
00:54:24,120 --> 00:54:25,240
Speaker 3: Yeah, there's a.

1022
00:54:25,040 --> 00:54:28,200
Speaker 1: List of things I would do before I would I'd

1023
00:54:28,239 --> 00:54:29,920
Speaker 1: like to watch my own death before.

1024
00:54:31,680 --> 00:54:33,279
Speaker 3: That shows you where it is on the list.

1025
00:54:33,280 --> 00:54:37,680
Speaker 2: All Right, passion, irration, going to the club.

1026
00:54:38,560 --> 00:54:41,000
Speaker 1: Going to the clurb. That what they call it these days.

1027
00:54:41,440 --> 00:54:46,120
Speaker 3: Oh ration. I was never a clurb. I went to

1028
00:54:46,200 --> 00:54:48,560
Speaker 3: the teen clerb. I was a youngster man when they

1029
00:54:48,560 --> 00:54:50,919
Speaker 3: would only serve you like cokes and ship like that.

1030
00:54:51,080 --> 00:54:53,239
Speaker 3: The teen clurb, Yeah, it was a teen clerb man.

1031
00:54:53,320 --> 00:54:58,040
Speaker 1: Trade winds was the teen clurb on Friday nights, dance food.

1032
00:54:57,840 --> 00:55:00,279
Speaker 3: Do do do do do do base do you you do.

1033
00:55:01,960 --> 00:55:02,239
Speaker 6: You do?

1034
00:55:04,280 --> 00:55:09,120
Speaker 8: And also the roof, the roof, the roof is on fire.

1035
00:55:12,200 --> 00:55:15,879
Speaker 8: You don't know, that's not the roof, the roof, the

1036
00:55:15,960 --> 00:55:17,360
Speaker 8: roof is on fire.

1037
00:55:18,040 --> 00:55:24,800
Speaker 3: We don't need no water. Let the motherfucker bird, motherfucker bird.

1038
00:55:25,040 --> 00:55:26,160
Speaker 1: You don't know that song?

1039
00:55:26,200 --> 00:55:30,879
Speaker 3: Wait? What song is the roof is on fire, fire roof?

1040
00:55:31,200 --> 00:55:35,440
Speaker 3: I forget what the be boy, the girls, SUPERI DJs

1041
00:55:35,920 --> 00:55:39,520
Speaker 3: turn it up. Somebody say, oh, I mean.

1042
00:55:39,440 --> 00:55:43,680
Speaker 2: Maybe I do, but like yeah, nobody.

1043
00:55:44,640 --> 00:55:49,880
Speaker 8: Everybody screamed the original fucking you know callback.

1044
00:55:49,520 --> 00:55:54,160
Speaker 3: Song the roof, the roof, the roof is on fire.

1045
00:55:54,239 --> 00:55:56,560
Speaker 3: And then the audience takes over and they go wait

1046
00:55:56,680 --> 00:56:01,799
Speaker 3: out in the water. Can you imagine a bunch of

1047
00:56:02,400 --> 00:56:08,080
Speaker 3: thirteen fourteen year olds being like fu at the top

1048
00:56:08,120 --> 00:56:15,280
Speaker 3: of our lot that my childhood well Pa, you can see.

1049
00:56:14,719 --> 00:56:17,200
Speaker 1: In the four thirty movie now available on home videos.

1050
00:56:17,239 --> 00:56:18,440
Speaker 2: So true, that's right.

1051
00:56:18,600 --> 00:56:23,040
Speaker 3: Check it out on iTunes, google Play, Amazon, fucking YouTube,

1052
00:56:23,080 --> 00:56:25,200
Speaker 3: anywhere you can watch a movie except a movie theater.

1053
00:56:25,480 --> 00:56:28,040
Speaker 1: Check out the four thirty movie.

1054
00:56:28,800 --> 00:56:33,279
Speaker 2: Anyways, Do you have any more?

1055
00:56:33,440 --> 00:56:34,480
Speaker 3: Yeah, I'll give you another one.

1056
00:56:35,320 --> 00:56:37,480
Speaker 1: Uh.

1057
00:56:37,719 --> 00:56:42,800
Speaker 3: The Henson Lot potentially being sold to the Church of Scientology.

1058
00:56:43,760 --> 00:56:47,360
Speaker 2: Oh so fucking rations bad.

1059
00:56:47,200 --> 00:56:50,560
Speaker 3: Idea, right, never mind that Scientology?

1060
00:56:50,680 --> 00:56:51,040
Speaker 2: Tragic?

1061
00:56:51,680 --> 00:56:53,200
Speaker 3: Why is the Henson Lot going?

1062
00:56:53,520 --> 00:56:55,480
Speaker 1: Now, that's a lot for those who are like what.

1063
00:56:55,760 --> 00:56:58,359
Speaker 3: The Henson Lot used to be The United Artists Lot

1064
00:56:59,600 --> 00:57:01,919
Speaker 3: used to be the A and M Lot, And it's

1065
00:57:01,960 --> 00:57:04,680
Speaker 3: a place of history. There's Big Kermit dressed as Charlie

1066
00:57:04,760 --> 00:57:08,720
Speaker 3: Chaplin on the front gate. But it's also the location

1067
00:57:09,000 --> 00:57:11,520
Speaker 3: of the recording of We Are the World.

1068
00:57:12,280 --> 00:57:13,080
Speaker 2: Oh I didn't even know.

1069
00:57:13,239 --> 00:57:14,640
Speaker 3: Yeah, that's why they recorded.

1070
00:57:14,840 --> 00:57:16,480
Speaker 2: I just know that they do puppet stuff there.

1071
00:57:16,920 --> 00:57:19,080
Speaker 3: They do. They also do puppet stuff at the Fourth Theater.

1072
00:57:19,240 --> 00:57:21,280
Speaker 2: The Bob the Bob Baker.

1073
00:57:22,440 --> 00:57:26,480
Speaker 3: Kate mccooche's always doing puppets.

1074
00:57:26,520 --> 00:57:28,720
Speaker 1: Just recently, this news story has been debunked.

1075
00:57:29,320 --> 00:57:32,040
Speaker 3: It is for sale but the Church of Scientology is

1076
00:57:32,080 --> 00:57:33,760
Speaker 3: not buying, but somebody else's.

1077
00:57:34,080 --> 00:57:35,320
Speaker 2: He has hands off of that.

1078
00:57:35,440 --> 00:57:37,280
Speaker 1: Somebody else is buying. Taking Kermit down.

1079
00:57:37,280 --> 00:57:37,880
Speaker 3: I don't know it.

1080
00:57:39,920 --> 00:57:40,120
Speaker 2: Was I.

1081
00:57:41,800 --> 00:57:43,200
Speaker 1: Put J and Bob next to Kerman.

1082
00:57:43,280 --> 00:57:45,960
Speaker 3: People be like, what the I'm so sorry. I'd be like,

1083
00:57:46,040 --> 00:57:48,120
Speaker 3: it's not easy being green new.

1084
00:57:52,280 --> 00:57:56,000
Speaker 2: Passioner Russian, my uncontrollable.

1085
00:57:55,320 --> 00:57:58,000
Speaker 3: Grouping passion better in than now.

1086
00:57:59,040 --> 00:58:05,520
Speaker 2: I think I have heard ya. Anyways, Anyway, she had

1087
00:58:05,600 --> 00:58:06,560
Speaker 2: three what the.

1088
00:58:06,560 --> 00:58:08,520
Speaker 3: Operator one, That's why she's been in the hospital all

1089
00:58:08,520 --> 00:58:11,919
Speaker 3: this time. She had she had three hernias that pop

1090
00:58:12,000 --> 00:58:14,480
Speaker 3: at once, and they were like, we can only tackle

1091
00:58:14,520 --> 00:58:17,640
Speaker 3: one at a time. Yeah, talk to momally.

1092
00:58:17,720 --> 00:58:18,960
Speaker 1: In fact, talk to momally.

1093
00:58:19,000 --> 00:58:19,360
Speaker 3: She's hot.

1094
00:58:20,000 --> 00:58:22,360
Speaker 2: Yeah, yeah, she'll tell you.

1095
00:58:23,040 --> 00:58:29,520
Speaker 3: Maybe I do your stomach passion or ration. Uh. The

1096
00:58:29,640 --> 00:58:36,400
Speaker 3: Real Housewives, if you could be on that show, if

1097
00:58:36,440 --> 00:58:37,640
Speaker 3: they were like, we'd like you to be a real

1098
00:58:37,680 --> 00:58:40,800
Speaker 3: house you wouldn't do it. Why they make so much money?

1099
00:58:40,920 --> 00:58:43,640
Speaker 3: I know, but no, no, that's too much drama for you.

1100
00:58:44,040 --> 00:58:49,880
Speaker 2: Oh my, the most toxic life you could ever ever

1101
00:58:50,000 --> 00:58:50,920
Speaker 2: put upon yourself.

1102
00:58:51,320 --> 00:58:53,800
Speaker 1: They seem to have fans you being one of them.

1103
00:58:54,200 --> 00:58:57,200
Speaker 2: I mean that is true, but I to live in

1104
00:58:57,320 --> 00:58:58,760
Speaker 2: that much toxicity.

1105
00:58:59,400 --> 00:59:02,440
Speaker 3: I can SAME's not worth it. It is not you

1106
00:59:02,520 --> 00:59:04,080
Speaker 3: know what you were raised, right, kiddo?

1107
00:59:04,160 --> 00:59:08,280
Speaker 2: Well done to be living in the constant state of drama.

1108
00:59:08,680 --> 00:59:10,120
Speaker 1: If they asked me to be on that show, then

1109
00:59:10,160 --> 00:59:11,760
Speaker 1: they're like, will make you a regular and pay up?

1110
00:59:11,880 --> 00:59:13,080
Speaker 2: You could be a friend, did you know?

1111
00:59:13,880 --> 00:59:15,280
Speaker 1: Look, I'm saying it right now.

1112
00:59:15,280 --> 00:59:17,200
Speaker 3: If they were maybe half million dollars a year, I

1113
00:59:17,200 --> 00:59:18,600
Speaker 3: would totally be on that show and be like, you're

1114
00:59:18,600 --> 00:59:22,160
Speaker 3: all bitches or whatever made to say or she's right,

1115
00:59:22,240 --> 00:59:23,880
Speaker 3: you're wrong or whatever. Fuck I.

1116
00:59:25,640 --> 00:59:27,840
Speaker 2: Are we allowed to say that the thing that you

1117
00:59:28,160 --> 00:59:29,919
Speaker 2: were like talk to talk about?

1118
00:59:30,000 --> 00:59:30,280
Speaker 3: Okay?

1119
00:59:31,360 --> 00:59:34,080
Speaker 1: But yes I did a thing which we talk about

1120
00:59:34,120 --> 00:59:34,560
Speaker 1: it when we know.

1121
00:59:35,480 --> 00:59:39,080
Speaker 2: Um hmmm, anyways, do you.

1122
00:59:39,200 --> 00:59:41,480
Speaker 3: Have a passion for internation for me? Or can we

1123
00:59:41,520 --> 00:59:42,800
Speaker 3: get the flock out of here?

1124
00:59:42,840 --> 00:59:44,640
Speaker 2: And we can get the flock out? I have some more,

1125
00:59:44,760 --> 00:59:45,760
Speaker 2: but they can wait.

1126
00:59:46,360 --> 00:59:50,440
Speaker 3: Uh kids, have you had a good time? Well if

1127
00:59:50,480 --> 00:59:52,680
Speaker 3: you did it, because the little girl across me is

1128
00:59:52,800 --> 00:59:56,000
Speaker 3: so charming, give it up for Harley Quinn Smith. Do

1129
00:59:56,080 --> 00:59:58,480
Speaker 3: you want to see what this looks like? Do you

1130
00:59:58,560 --> 01:00:00,840
Speaker 3: want to see what year you can go to that

1131
01:00:01,000 --> 01:00:03,640
Speaker 3: Kevin Smith club and join up and you can actually

1132
01:00:03,800 --> 01:00:05,800
Speaker 3: watch Beardless stickless Man.

1133
01:00:05,880 --> 01:00:08,120
Speaker 2: Don't watch this episode though. My eyes are really puffy.

1134
01:00:09,160 --> 01:00:13,040
Speaker 3: I was fucking crying about Lavernon Shirley. Fuck you, Okay,

1135
01:00:13,280 --> 01:00:15,840
Speaker 3: you look so cute. You got Halloween after Yeah, because

1136
01:00:15,840 --> 01:00:17,560
Speaker 3: I'm actually join up and you can.

1137
01:00:17,480 --> 01:00:21,240
Speaker 1: See her Halloween aff and then you can send Harley messages.

1138
01:00:20,880 --> 01:00:25,960
Speaker 3: Going look, sure fucking pumpkins and also your hair sucks.

1139
01:00:26,520 --> 01:00:29,120
Speaker 3: Your hair sucks, Queen Halloween shows your pumpkins.

1140
01:00:29,560 --> 01:00:33,560
Speaker 2: I'm going to the cemetery right now. Yeah, the Hollywood

1141
01:00:33,640 --> 01:00:34,919
Speaker 2: River Cemetery to see a movie.

1142
01:00:36,480 --> 01:00:37,880
Speaker 1: I thought you were going there because the dude was

1143
01:00:37,880 --> 01:00:46,320
Speaker 1: gonna be like horns when he said that.

1144
01:00:49,680 --> 01:00:50,800
Speaker 2: Would that would do it?

1145
01:00:50,960 --> 01:00:54,240
Speaker 3: And death is at your side. Know that I'm with

1146
01:00:54,480 --> 01:00:58,720
Speaker 3: you through it all. That's how metal Jesus is. Okay,

1147
01:00:59,400 --> 01:01:01,440
Speaker 3: think better and don't sleep on Jesus.

1148
01:01:01,520 --> 01:01:01,800
Speaker 2: Okay.

1149
01:01:02,480 --> 01:01:03,720
Speaker 3: I don't know if you know about this guy.

1150
01:01:04,360 --> 01:01:05,360
Speaker 1: He's got good ideas.

1151
01:01:05,440 --> 01:01:08,800
Speaker 3: They said, No, dude, there it is. Because there's your

1152
01:01:08,800 --> 01:01:10,840
Speaker 3: beardless dickless me for this week. If you want to

1153
01:01:10,880 --> 01:01:13,800
Speaker 3: hear Beardless Dickless plus the follow up show that's also

1154
01:01:13,880 --> 01:01:15,080
Speaker 3: at that Kevin Smith Club.

1155
01:01:15,120 --> 01:01:16,840
Speaker 1: But if you're like, no, this is quite enough.

1156
01:01:17,440 --> 01:01:21,120
Speaker 3: You know what. I live for the free version. Yeah,

1157
01:01:21,160 --> 01:01:22,160
Speaker 3: why are you guys still talking?

1158
01:01:22,280 --> 01:01:24,120
Speaker 1: You know what we're going to stop for beardless dickless me.

1159
01:01:24,160 --> 01:01:26,120
Speaker 2: I'm Kevin Smith and I'm Harley Quinn Smith.

1160
01:01:26,280 --> 01:01:39,840
Speaker 3: I have a beardless dickless day. This has been a

1161
01:01:40,040 --> 01:01:44,680
Speaker 3: podcast production, some podcast podcast using our mouths on you

1162
01:01:44,840 --> 01:01:51,400
Speaker 3: since two thousand and seven. Hey kids, did you like

1163
01:01:51,520 --> 01:01:54,280
Speaker 3: what you just heard? Well, guess what. We've got tons more,

1164
01:01:54,360 --> 01:01:57,480
Speaker 3: man thousands of hours of podcasts waiting for you at

1165
01:01:57,560 --> 01:02:00,919
Speaker 3: that kevinsmith club dot com. Sign up now