1
00:00:00,160 --> 00:00:03,120
Bump, bump. What time is it? Oh,

2
00:00:05,760 --> 00:00:09,600
oh, it's Poduty and the News. It's Saturday morning, January 10th. I've

3
00:00:09,600 --> 00:00:13,280
got a great guest joining me from Boston, Ande Lyons.

4
00:00:13,600 --> 00:00:16,880
Ande, welcome to the show. Well, the pre show. Welcome to the pre show.

5
00:00:17,280 --> 00:00:20,920
Hey, I am so thrilled to be here, Jeff. I'm so excited to have a

6
00:00:20,920 --> 00:00:23,840
delicious conversation with you and your audience.

7
00:00:24,560 --> 00:00:27,480
Yeah, we're going to have a great time. We've got six stories coming your way.

8
00:00:27,480 --> 00:00:30,630
If you're interested in live podcasting and in creating community

9
00:00:31,030 --> 00:00:34,510
in building something special, Ande's going to share what she's done up in the New

10
00:00:34,510 --> 00:00:38,070
England area. She's got a great podcast we're going to check out and talk about.

11
00:00:38,470 --> 00:00:42,230
But Ande, I have just one question for you.

12
00:00:43,830 --> 00:00:47,430
What time is it? It's show time, Jeff.

13
00:00:48,470 --> 00:00:49,670
What time is it?

14
00:00:55,990 --> 00:00:56,950
What time is.

15
00:01:01,730 --> 00:01:05,090
Oh, it's time for news.

16
00:01:11,010 --> 00:01:13,810
The only live news podcast about

17
00:01:14,130 --> 00:01:16,210
podcasting from the st.

18
00:01:25,970 --> 00:01:28,850
The only live news podcast about

19
00:01:29,170 --> 00:01:31,250
podcasting from the st.

20
00:01:36,670 --> 00:01:40,230
How cool is that, everyone? Oh, my gosh, I love that something

21
00:01:40,230 --> 00:01:43,830
fierce. Almost as much as I love that opening

22
00:01:43,830 --> 00:01:47,590
number. You have a really great tune for

23
00:01:47,590 --> 00:01:50,910
your show. I thought you're gonna say I had a really great voice.

24
00:01:53,790 --> 00:01:57,590
I've been holding everybody put duty in the news. There'd be

25
00:01:57,590 --> 00:02:01,280
a lot of sampling and effects applied to get my voice to sound

26
00:02:01,280 --> 00:02:04,920
that good. This is Piduti and the crew. We do six live

27
00:02:05,000 --> 00:02:08,760
stories about live news podcasting and we

28
00:02:08,760 --> 00:02:12,560
record it live. It's a very meta podcast. And along this journey

29
00:02:12,560 --> 00:02:15,960
of sharing these stories, I'm going to introduce you to Ande Lyons.

30
00:02:16,600 --> 00:02:20,280
Ande, tell us about yourself. We got your podcast don't be caged by your age.

31
00:02:20,280 --> 00:02:24,040
We got the New England Podcasters group. Tell us what you've been building up there

32
00:02:24,520 --> 00:02:27,940
in the New England area. Oh, my gosh. Well, first of all, I am all

33
00:02:27,940 --> 00:02:31,500
about aging out loud and proud. So I'm going to put it out there. I'm

34
00:02:31,500 --> 00:02:35,180
69 and feeling mighty fine. I am the host of

35
00:02:35,180 --> 00:02:39,020
Don't Be Caged by youy Age. This is my sixth podcast

36
00:02:39,020 --> 00:02:42,620
since I started podcasting in 2012. And this

37
00:02:43,260 --> 00:02:47,020
podcast focused on shattering all those

38
00:02:47,020 --> 00:02:50,700
age related expectations and stereotypes

39
00:02:51,020 --> 00:02:54,610
that prevent folks from continuing to fuel their

40
00:02:54,610 --> 00:02:58,210
passion, fuel their purpose, and fuel their

41
00:02:58,370 --> 00:03:02,210
pocketbook. I'm talking about thriving after

42
00:03:02,450 --> 00:03:06,130
65 and I love having conversations with folks

43
00:03:06,370 --> 00:03:09,930
who are doing all of that. Have figured out that

44
00:03:09,930 --> 00:03:13,410
sitting on the couch, just because this clock struck

45
00:03:13,570 --> 00:03:17,410
midnight on their 65th birthday, they said, I'm not done.

46
00:03:18,510 --> 00:03:21,310
And that's what I love to showcase. I also

47
00:03:22,270 --> 00:03:25,870
am the founder and host of the New England Podcasters

48
00:03:25,870 --> 00:03:29,510
Group, and this is a phenomenal group of indie

49
00:03:29,510 --> 00:03:33,230
podcasters from all over New England. Every second

50
00:03:33,470 --> 00:03:37,070
Saturday of the month, we gather in person, we have a featured

51
00:03:37,070 --> 00:03:40,910
speaker, we up our game, we celebrate, we connect,

52
00:03:41,230 --> 00:03:44,590
we collaborate, and we lift each other up.

53
00:03:45,020 --> 00:03:48,780
It also has an online companion for those

54
00:03:48,780 --> 00:03:52,220
who want to join us virtually from around the world, because they love how we're

55
00:03:52,220 --> 00:03:56,020
glowing and vibing and they want to be part of our community. And it's the

56
00:03:56,020 --> 00:03:58,300
New England Podcasters Group community

57
00:03:58,940 --> 00:04:02,220
Podgarden. And there we continue

58
00:04:02,540 --> 00:04:06,380
the delicious conversations and collaborations and connections,

59
00:04:07,020 --> 00:04:10,580
but it's virtual. And I am so honored to be here with you, Jeff,

60
00:04:10,580 --> 00:04:14,280
today. Awesome. Thank you so much. I'm so excited to have you

61
00:04:14,280 --> 00:04:17,920
here. While you were talking, I dropped all of my show notes. They're all out

62
00:04:17,920 --> 00:04:21,600
of order. This will be a fun little game of almost like Twister with the

63
00:04:21,600 --> 00:04:25,440
stories. Right hand story number one, left hand story

64
00:04:25,440 --> 00:04:28,120
number two. I'm gonna try to figure this out, but

65
00:04:29,080 --> 00:04:32,760
I'm gonna put all the links to Ande's podcast and the New England.

66
00:04:33,640 --> 00:04:37,490
New England Podcasters Group. Yep, Podcasters Group. So

67
00:04:37,490 --> 00:04:41,170
that you can connect if you're in that area. Check out the live events, check

68
00:04:41,170 --> 00:04:44,610
out the podcast. There's something there for everybody. And,

69
00:04:44,610 --> 00:04:48,170
Ande, are you ready for our first story? Yes.

70
00:04:48,170 --> 00:04:51,890
Let's glow. Let's see if I got the story in this one. That could be

71
00:04:51,890 --> 00:04:55,090
in the right order. This is the ICEF

72
00:04:55,170 --> 00:04:58,850
podcast took live podcasting global with a special

73
00:04:58,930 --> 00:05:02,530
episode recorded on location at the 30th anniversary

74
00:05:02,530 --> 00:05:06,090
of of ICEF Berlin broadcasting

75
00:05:06,090 --> 00:05:09,850
straight from Berlin, hosts Greg Riggs and Martin Van

76
00:05:09,850 --> 00:05:13,370
de Veen recapped major developments shaping international

77
00:05:13,610 --> 00:05:17,050
education, including Kazakhstan's aggressive growth

78
00:05:17,050 --> 00:05:20,730
plans and how potential U.S. policy changes could impact

79
00:05:20,730 --> 00:05:24,450
the ability of foreign graduates to stay and work. The

80
00:05:24,450 --> 00:05:28,130
episode also featured live on the ground interviews with

81
00:05:28,130 --> 00:05:31,570
industry leaders proving that live podcasting isn't just about

82
00:05:31,570 --> 00:05:34,700
audience energy. It's about capturing context,

83
00:05:34,700 --> 00:05:38,300
urgency, and credibility right where the story is

84
00:05:38,300 --> 00:05:41,660
happening. And this was a global podcasting event. And

85
00:05:41,820 --> 00:05:45,580
the international consultants for education and fans.

86
00:05:46,380 --> 00:05:49,900
This was just like a conference. It was in a certain

87
00:05:49,900 --> 00:05:53,700
industry getting together because they want to better

88
00:05:53,700 --> 00:05:57,300
themselves, they want to become better at their jobs. And what better place to

89
00:05:57,300 --> 00:06:01,080
insert yourself than right there in

90
00:06:01,080 --> 00:06:04,880
a conference environment? So tell me more about this,

91
00:06:04,880 --> 00:06:08,320
because I'm trying to picture are people on the stage, Everybody's taking a turn with

92
00:06:08,320 --> 00:06:12,160
the mic, or are there a few people on the stage live

93
00:06:12,160 --> 00:06:14,960
that are talking to folks. How did that work?

94
00:06:15,920 --> 00:06:18,560
There is the link in the show notes if you want to read all about

95
00:06:18,560 --> 00:06:21,600
it. But they did record it and release it as their own podcast.

96
00:06:22,960 --> 00:06:26,560
I think that's phenomenal because what I love best about live streaming

97
00:06:27,120 --> 00:06:29,920
and everybody should try going live because

98
00:06:30,720 --> 00:06:34,200
many of us, most of us are not trained speakers. And even if you are

99
00:06:34,200 --> 00:06:37,760
speaking from the stage, you have your speech memorized.

100
00:06:38,080 --> 00:06:41,680
In fact, I often have guests who are phenomenal speakers from the

101
00:06:41,680 --> 00:06:45,400
stage, you know, doing the whole screens and

102
00:06:45,400 --> 00:06:49,040
going everything, going back the slides. But they get nervous when they

103
00:06:49,040 --> 00:06:52,000
come on a live stream, when they have to speak

104
00:06:52,000 --> 00:06:55,600
extemporaneously. And. And that's the beauty of livestream.

105
00:06:55,600 --> 00:06:59,280
You're going to capture real human moments. And so I

106
00:06:59,280 --> 00:07:03,040
love that they, for their community, said, let's really

107
00:07:03,040 --> 00:07:06,160
talk about this, but let's talk about it in the moment.

108
00:07:06,560 --> 00:07:10,360
Because some days you might just be compartmentalizing. But when you're with a

109
00:07:10,360 --> 00:07:14,080
whole group of people who are focused on a topic, you are going to

110
00:07:14,080 --> 00:07:17,520
start speaking more from the heart because you're surrounded by other humans.

111
00:07:17,760 --> 00:07:20,960
And so that connection becomes electrified

112
00:07:21,670 --> 00:07:25,030
because it's live and you're gathering all this information and

113
00:07:25,030 --> 00:07:28,830
thoughts that are being sparked by other people's

114
00:07:28,830 --> 00:07:32,590
comments in the moment. It's very exciting. Yeah.

115
00:07:32,590 --> 00:07:36,150
And we're seeing this more and more at conferences, at events where

116
00:07:36,390 --> 00:07:40,030
the entertainment for that event is going to be a

117
00:07:40,030 --> 00:07:43,830
podcast. They used to have, like, musicians

118
00:07:43,830 --> 00:07:47,470
and magicians and comedians come up on stage and entertain

119
00:07:47,470 --> 00:07:51,250
the crowd in between, you know, the speaker sessions and the main

120
00:07:51,250 --> 00:07:54,850
event. But now more and more, part of the entertainment of that

121
00:07:54,850 --> 00:07:58,650
conference is going to be people to perform their podcast live in front of the

122
00:07:58,650 --> 00:08:02,370
audience. They record that for that podcast so that they can

123
00:08:02,370 --> 00:08:06,210
distribute it. And then what are the. What's that podcast doing? They're promoting

124
00:08:06,290 --> 00:08:10,130
that conference at a later date. So now these conferences have realized

125
00:08:10,370 --> 00:08:14,170
we can really expand our reach by having podcasts come

126
00:08:14,170 --> 00:08:17,950
in, record, and then have them release those episodes later on

127
00:08:17,950 --> 00:08:21,590
and promote the conference for next year. And it's evergreen,

128
00:08:21,590 --> 00:08:25,270
too, so people can find it five years down the road and go,

129
00:08:25,270 --> 00:08:26,990
what? I want to go to this year's event.

130
00:08:28,830 --> 00:08:32,590
It's the best way to keep it going. And that snowball gets rolling. Speaking of

131
00:08:32,590 --> 00:08:36,030
rolling, let's go over to our next story.

132
00:08:36,270 --> 00:08:39,870
This comes to us from Film Ireland, and they brought

133
00:08:39,870 --> 00:08:43,710
deep, creative conversations to life with Screen Sessions Live,

134
00:08:44,260 --> 00:08:47,980
a special live podcast recording featuring graphic artist

135
00:08:47,980 --> 00:08:51,660
Annie Atkins, known for her work on the Grand Budapest

136
00:08:51,660 --> 00:08:55,500
Hotel and the French Dispatch in a conversation with

137
00:08:55,500 --> 00:08:58,820
production designer and concept illustrator Jill Beecher,

138
00:08:58,980 --> 00:09:02,820
whose credits include Babylon and Elvis. Recorded

139
00:09:02,820 --> 00:09:06,620
live as part of a Film Ireland Screen Sessions Live

140
00:09:06,620 --> 00:09:10,180
event, the discussion pulled back the curtain on behind the scenes

141
00:09:10,180 --> 00:09:13,820
creativity, collaboration and problem solving in the

142
00:09:13,820 --> 00:09:17,180
art department, showcasing how live podcasting can

143
00:09:17,180 --> 00:09:20,300
elevate niche conversations by putting

144
00:09:20,300 --> 00:09:24,100
audiences directly in the room where creative insights happen.

145
00:09:25,060 --> 00:09:28,180
I think this is a play right out of our playbook, Ande.

146
00:09:30,100 --> 00:09:33,860
A live event happening. And look what they're doing.

147
00:09:33,860 --> 00:09:37,610
They're bringing these two artists together in a room

148
00:09:37,610 --> 00:09:41,370
full of people who are maybe aspiring to be directors or

149
00:09:41,370 --> 00:09:45,170
aspiring to get into the movie industry, and they're sharing their

150
00:09:45,170 --> 00:09:48,850
experiences and talents. Well, I love that too, because I'm sure questions

151
00:09:48,850 --> 00:09:52,530
were taken from the audience. But also it was streaming

152
00:09:52,530 --> 00:09:56,330
live, so folks outside that room could not only see it

153
00:09:56,330 --> 00:10:00,130
then live, but if they had some FOMO fear of

154
00:10:00,130 --> 00:10:03,670
missing out and couldn't be there, they could see it at a later

155
00:10:03,670 --> 00:10:07,310
date, but still feel like they were there live. And because

156
00:10:07,310 --> 00:10:11,150
it's live and it's video and it's streaming, you've got this wonderful

157
00:10:11,470 --> 00:10:14,990
visual effect, right, Jeff, that just makes it even

158
00:10:14,990 --> 00:10:18,429
more edutaining and exciting and

159
00:10:18,429 --> 00:10:22,270
impactful. Yeah, it pulls you right into the

160
00:10:22,270 --> 00:10:25,990
moment, into that stage. And if you're a fan of these two

161
00:10:25,990 --> 00:10:29,070
artists or if you're aspiring to be like these two artists,

162
00:10:29,770 --> 00:10:33,610
you can't help but to just be drawn into everything they're saying and

163
00:10:33,610 --> 00:10:37,410
taking every word. You don't get that From from an

164
00:10:37,410 --> 00:10:40,810
MP3 recording if you're just gonna re listen to the replay. But

165
00:10:40,970 --> 00:10:44,690
being there in the moment, and I always say that in the

166
00:10:44,690 --> 00:10:48,250
history of the world, this recording is the only

167
00:10:48,250 --> 00:10:52,050
time that'll happen in the whole history of the world. It's a

168
00:10:52,050 --> 00:10:55,050
once in a lifetime opportunity to see that performance

169
00:10:56,000 --> 00:10:59,520
live, that time. And you can't recreate that or

170
00:10:59,840 --> 00:11:03,480
you can't duplicate that. You cannot duplicate that. And it's

171
00:11:03,480 --> 00:11:07,080
just so fresh and meaningful and it has that deep

172
00:11:07,080 --> 00:11:10,720
human connection. Let's see. Speaking

173
00:11:10,720 --> 00:11:14,320
of you had to be there in the room the How

174
00:11:14,400 --> 00:11:18,080
Podcast pulled back the curtain on what live podcasting

175
00:11:18,080 --> 00:11:21,800
really feels like with a bonus episode recorded on stage

176
00:11:21,800 --> 00:11:25,170
in Lake Placid. Instead of a single polished story,

177
00:11:25,410 --> 00:11:29,090
this episode captures five stories performed live at

178
00:11:29,090 --> 00:11:32,410
Smoke Signals, complete with nervous energy, audience

179
00:11:32,410 --> 00:11:35,970
reaction, and the shared camaraderie that only happens in the

180
00:11:35,970 --> 00:11:39,289
room. Featuring voices like Emily Russell of

181
00:11:39,289 --> 00:11:42,730
NCPR alongside local storytellers and

182
00:11:42,730 --> 00:11:46,490
writers, the episode reminds listeners that live podcasts

183
00:11:46,490 --> 00:11:50,210
aren't just about content. They're about atmosphere, vulnerability

184
00:11:50,930 --> 00:11:54,690
and community. And sometimes the magic is everything that

185
00:11:54,690 --> 00:11:58,410
happens between the words. What do you think about this one,

186
00:11:58,410 --> 00:12:01,690
Ande? I love Something Fierce because I'm a fan of the moth.

187
00:12:01,690 --> 00:12:05,490
NPR's the moth, right? And that's people getting up, knees

188
00:12:05,570 --> 00:12:08,850
shaking. Right. Voices shaking

189
00:12:09,090 --> 00:12:12,370
and sharing. And it's so, so very important.

190
00:12:12,770 --> 00:12:15,810
And I love, of course, that they call it Tuck art. Is that what we're

191
00:12:15,810 --> 00:12:19,090
looking at now? That's the next one. Okay, so we're still talking about the Lake

192
00:12:19,090 --> 00:12:22,760
Placid event. Wait, there it is. There it is. It's the

193
00:12:22,760 --> 00:12:26,440
Howl podcast. So what they're doing is they're

194
00:12:26,440 --> 00:12:30,120
creating an opportunity where people are going to get up and nothing will

195
00:12:30,120 --> 00:12:33,840
be edited. And so it's live. And it's that vulnerability,

196
00:12:33,920 --> 00:12:37,280
that human vulnerability, to share their art, share their craft

197
00:12:37,600 --> 00:12:41,200
in front of an audience, which is the scariest thing you can ever

198
00:12:41,200 --> 00:12:45,000
do. And it helps those in the audience who are

199
00:12:45,000 --> 00:12:48,710
thinking about doing that themselves someday finding the courage. But the

200
00:12:48,710 --> 00:12:52,270
person who's presenting is having that real live moment,

201
00:12:52,270 --> 00:12:55,750
knowing they're being recorded, that this is not going to be

202
00:12:55,750 --> 00:12:59,470
edited. It just brings a whole nother level of vulnerability

203
00:13:00,270 --> 00:13:04,030
and, you know, deeper connection. I keep saying that word a lot

204
00:13:04,350 --> 00:13:07,710
with the audience, and it benefits both the person

205
00:13:07,710 --> 00:13:11,510
presenting, podcasting, live streaming, and the audience, and then

206
00:13:11,510 --> 00:13:15,190
again, those who are going to watch in the future because it's

207
00:13:15,350 --> 00:13:19,030
real. And what a beautiful setting

208
00:13:19,030 --> 00:13:22,830
that. That lodge with the stage and all the wood pillars, and

209
00:13:22,830 --> 00:13:26,550
you're just drawn in and you're kind of in. You know, you

210
00:13:26,550 --> 00:13:30,390
sometimes think of maybe scary movies or, you know,

211
00:13:30,390 --> 00:13:34,230
suspenseful movies are always in the mountains at a lodge. And here

212
00:13:34,230 --> 00:13:38,070
you are, you're hearing these five intimate stories live from the stage

213
00:13:38,070 --> 00:13:41,730
of the only people talking in the room. And you have to be

214
00:13:41,730 --> 00:13:45,290
drawn into that stage. They pull you right in to share their

215
00:13:45,290 --> 00:13:49,050
story. And you're in this environment that's already a beautiful

216
00:13:49,050 --> 00:13:52,850
environment. Once in a lifetime story. It makes me

217
00:13:52,850 --> 00:13:56,090
want to hop in my car and go over there to Lake Placid.

218
00:13:59,050 --> 00:14:02,730
It's just a short hop over. Yeah. Probably a good five, six hour

219
00:14:02,730 --> 00:14:05,690
drive. But I just wanted to throw a little Boston accent in there for some

220
00:14:05,690 --> 00:14:09,470
tala. Yeah. Well, speaking of color,

221
00:14:09,630 --> 00:14:13,470
let's go to the Beardo and the Weirdo. I really like

222
00:14:13,470 --> 00:14:17,150
the name of this show that made the cut just based on the name alone.

223
00:14:17,150 --> 00:14:20,990
But this is comedy. Metal in a live podcast. Taking the stage.

224
00:14:21,070 --> 00:14:24,470
This comes to us from Metal Sludge. The Beardo and

225
00:14:24,470 --> 00:14:28,150
Weirdo podcast is heading to a major concert venue with a

226
00:14:28,150 --> 00:14:31,710
live show at City National Grove in Anaheim on January

227
00:14:32,030 --> 00:14:35,870
24th. Blending stand up comedy and podcasting into

228
00:14:35,870 --> 00:14:39,470
one high energy night. Hosted by comedian Greg

229
00:14:39,470 --> 00:14:42,990
Gass, known for his legendary impressions and

230
00:14:42,990 --> 00:14:46,790
Chris Kael of Five Finger Death Punch, the event

231
00:14:46,790 --> 00:14:50,550
features solo comedy sets followed by a live podcast taping

232
00:14:50,630 --> 00:14:54,230
packed with a backstage stories and special guests

233
00:14:54,550 --> 00:14:58,030
scheduled during the NOM show weekend. This show

234
00:14:58,030 --> 00:15:01,470
highlights how live podcasts are increasingly pairing with

235
00:15:01,700 --> 00:15:05,220
with major cultural events and traditional entertainment venues,

236
00:15:05,540 --> 00:15:09,100
Proving that podcasting isn't just filling seats, it's

237
00:15:09,100 --> 00:15:12,340
becoming the main attraction. How

238
00:15:12,660 --> 00:15:16,420
fun is this? First of all, I wish I'd been in that audience howling away.

239
00:15:16,740 --> 00:15:20,380
But how creative and out of the box that these two, the Beardo and

240
00:15:20,380 --> 00:15:23,900
Weirdo and the. And the folks who are supporting them to

241
00:15:23,900 --> 00:15:27,300
bring this type of venue to an audience. Because

242
00:15:27,380 --> 00:15:31,180
again, the audience is now part of that podcast their

243
00:15:31,180 --> 00:15:34,860
laughs. And as we know, if you're a

244
00:15:34,860 --> 00:15:38,340
comedian, you are energized by the

245
00:15:38,340 --> 00:15:42,020
audience. So you're feeding off that. You're feeding off your guests, the two of them.

246
00:15:42,260 --> 00:15:45,980
Oh my gosh, I think that's pure gold. Yeah, it's one of these

247
00:15:45,980 --> 00:15:49,540
special events that we keep talking about where there are fans of the show.

248
00:15:49,540 --> 00:15:53,220
There's probably fans of the comedians who'll be attending, but because

249
00:15:53,620 --> 00:15:57,360
they love what you do, they're following what you create. They're willing

250
00:15:57,360 --> 00:16:00,440
to come out to an arena for in January

251
00:16:01,080 --> 00:16:04,920
to support the event and to say, hey, this is something

252
00:16:04,920 --> 00:16:08,640
that we like doing. We like listening to you, we want to see you live.

253
00:16:08,640 --> 00:16:12,440
And as a reward, they're building this super

254
00:16:12,519 --> 00:16:16,280
event with multi, multi acts. They're going to be participating

255
00:16:16,680 --> 00:16:20,320
and they're going to share this whole once in a lifetime evening with their

256
00:16:20,320 --> 00:16:24,010
true fans who are coming out to see them and support them. I

257
00:16:24,010 --> 00:16:27,650
just love it and I would have just loved being in that audience howling away.

258
00:16:27,810 --> 00:16:30,850
And who doesn't love, you know, weirdos? Yeah,

259
00:16:31,650 --> 00:16:35,370
there's. Yeah, the Beardos and the weirdos. January 24th. If you're out

260
00:16:35,370 --> 00:16:38,850
in Anaheim, tickets may still be available. The National

261
00:16:38,929 --> 00:16:42,570
City Grove Beardo and the Weirdo. Let's keep it

262
00:16:42,570 --> 00:16:46,410
moving right along tonight. The have a word podcast proved

263
00:16:46,410 --> 00:16:49,890
that live shows can deliver more than laughs. During a near

264
00:16:49,970 --> 00:16:53,730
sellout night at Liverpool's M S Bank Arena. Here's

265
00:16:53,730 --> 00:16:57,250
another arena. Ande wow. Co host Adam

266
00:16:57,250 --> 00:17:00,770
Rowe with Dan Nightingale mix stand up

267
00:17:00,770 --> 00:17:04,490
surprise guests and chaotic comedy with deeply human moments.

268
00:17:04,810 --> 00:17:08,330
Most notable when Adam gifted fellow host

269
00:17:08,330 --> 00:17:12,170
Finn Kolivals the chance to perform his music live.

270
00:17:12,170 --> 00:17:15,770
On an arena stage. The night ended on an even bigger role

271
00:17:15,770 --> 00:17:18,860
when Adam chose to donate a thousand to

272
00:17:18,940 --> 00:17:22,340
$1,000 prize to Zoe's Place. Turning a

273
00:17:22,340 --> 00:17:26,060
comedy podcast into a powerful act of generosity. It's a

274
00:17:26,060 --> 00:17:29,660
reminder that live podcasting isn't just entertainment. It's

275
00:17:29,660 --> 00:17:33,340
connection, community, and shared moments audiences

276
00:17:33,420 --> 00:17:37,020
never forget. Wow. Isn't

277
00:17:37,020 --> 00:17:40,620
Adam amazing to take that moment and just from his heart go, I'm doing

278
00:17:40,620 --> 00:17:44,460
this now. And I'm sure he. That wasn't planned. I'm sure it

279
00:17:44,460 --> 00:17:48,060
was inspired by the moment. I have to admit,

280
00:17:48,060 --> 00:17:51,880
Jeff, I'm still trying to wrap my br. Brain around podcasts

281
00:17:51,960 --> 00:17:55,160
and arenas. That's a huge.

282
00:17:55,480 --> 00:17:59,000
That's a huge pivot. And you know, I'm going to be going to On Air

283
00:17:59,000 --> 00:18:02,840
Fest in Brooklyn at the end of February. That's what this is. That's what

284
00:18:02,840 --> 00:18:06,200
it's all about, is bringing podcasts like this

285
00:18:06,440 --> 00:18:10,280
to a wider audience and sharing the experience. So this

286
00:18:10,280 --> 00:18:14,080
is amazing. I love this. Yeah, it's happening all

287
00:18:14,080 --> 00:18:17,560
over the place. And like we were talking about before the show went live, this

288
00:18:17,560 --> 00:18:21,260
is episode 39 or 40. And every week I come to you with

289
00:18:21,260 --> 00:18:24,580
six stories, six examples of this happening around the world.

290
00:18:24,980 --> 00:18:28,740
And if you're not in tune with it, you have no idea that this is

291
00:18:28,740 --> 00:18:32,460
part of podcasting that's blowing up right now. This is probably

292
00:18:32,460 --> 00:18:36,180
the highest growth area and what we're trying to build with the New

293
00:18:36,180 --> 00:18:39,980
England podcasters group, with Ande, with me and my theater space

294
00:18:39,980 --> 00:18:43,660
here, it's about bringing that type of energy to

295
00:18:43,660 --> 00:18:47,340
smaller, independent podcasters and trying to show them, hey,

296
00:18:47,340 --> 00:18:51,020
there's another way to do this. That's, that's fun, that you can bring your community

297
00:18:51,180 --> 00:18:54,860
together. You can have a night out and it's not going to be a

298
00:18:54,860 --> 00:18:58,460
$400 ticket. And with, you know, $80 for parking,

299
00:18:58,620 --> 00:19:01,900
you can, you can enjoy a local live podcast

300
00:19:02,140 --> 00:19:05,740
for 5, 10, $15 and have a great night out

301
00:19:05,980 --> 00:19:09,820
and just have a good time with like minded people in your community. Yeah, I've

302
00:19:09,820 --> 00:19:12,980
seen a lot of that happen in our area. There's a woman up in New

303
00:19:12,980 --> 00:19:16,630
Hampshire that meets at a brewery in Portsmouth, New Hampshire. We

304
00:19:16,860 --> 00:19:20,500
once a month to talk about current events in New Hampshire. There's

305
00:19:20,500 --> 00:19:23,260
another gal who interviews folks

306
00:19:24,620 --> 00:19:28,460
outside of Boston who are creatives, who are artists,

307
00:19:28,780 --> 00:19:32,380
who aren't getting the recognition that she thinks they deserve. And

308
00:19:32,380 --> 00:19:36,060
having that sort of audience participation live, it's very exciting.

309
00:19:36,700 --> 00:19:39,740
Well, speaking of artists, you got the best segues tonight.

310
00:19:40,860 --> 00:19:44,590
We got art belongs in a museum.

311
00:19:44,590 --> 00:19:47,670
How perfect was that? Segue. Ande, it's so good.

312
00:19:49,190 --> 00:19:52,630
I love it. The acclaimed Talk Art podcast marked a major

313
00:19:52,630 --> 00:19:55,910
milestone with its first ever Irish live episode

314
00:19:56,070 --> 00:19:59,830
recorded inside the National Gallery of Ireland during

315
00:19:59,910 --> 00:20:03,550
Dublin Gallery Weekend 2025, hosted

316
00:20:03,550 --> 00:20:07,030
by Russell Tavi. And boy, I really,

317
00:20:07,270 --> 00:20:10,620
I apologize everybody's name I butchered today and Robert

318
00:20:10,620 --> 00:20:14,220
Diamant. The live conversation featured artist Isabel

319
00:20:14,220 --> 00:20:17,660
Noland, Ireland's representative to the Venice

320
00:20:19,180 --> 00:20:22,980
Biennale. Biennale I'm going to cause an international incident

321
00:20:22,980 --> 00:20:26,780
with my Italian in 2026. Recorded in a lecture

322
00:20:26,780 --> 00:20:30,380
theater surrounded by centuries of art, the episode

323
00:20:30,380 --> 00:20:34,140
explored Nolan's deeply personal, research driven practice,

324
00:20:34,380 --> 00:20:37,860
proving that live podcasting has firmly entered cultural

325
00:20:37,860 --> 00:20:41,260
institutions where long form conversation

326
00:20:41,260 --> 00:20:44,980
becomes part of the artistic experience itself. And

327
00:20:45,140 --> 00:20:48,660
I just, I couldn't even imagine being in this setting. You know, you're

328
00:20:48,660 --> 00:20:52,340
surrounded by these works of arts from all throughout time

329
00:20:52,580 --> 00:20:56,220
and you're, you're getting this information, you're, you're taking in

330
00:20:56,220 --> 00:20:59,900
this artist and you're just, I couldn't imagine feeling more

331
00:20:59,900 --> 00:21:03,580
cultured than being in this audience. Absolutely. And it

332
00:21:03,580 --> 00:21:07,340
ties into what you said earlier, Jeff, about the opportunity to be

333
00:21:07,340 --> 00:21:10,960
part of something so fabulous and so fascinating with, without

334
00:21:10,960 --> 00:21:14,320
paying for parking, without paying the big ticket item

335
00:21:14,560 --> 00:21:17,840
and still feeling the vibes of that experience

336
00:21:18,240 --> 00:21:21,720
in the art gallery. You know, we have a, I'm at our

337
00:21:21,720 --> 00:21:25,520
Boston Public Library three days a week. Our

338
00:21:25,520 --> 00:21:29,040
local NPR station, Boston Public radio

339
00:21:29,040 --> 00:21:32,320
airs from 11 until 2 at the

340
00:21:32,320 --> 00:21:35,840
library. And it's, and it's, of course, it's live.

341
00:21:36,000 --> 00:21:38,760
And it just again, a great experience

342
00:21:39,640 --> 00:21:43,360
to anyone who was there at the library can go in and

343
00:21:43,360 --> 00:21:46,800
pop in and watch, but also for all the listeners to know that they're live

344
00:21:46,800 --> 00:21:49,800
in front of another audience in such an esteemed location.

345
00:21:51,320 --> 00:21:54,520
And that's one of the things we talk about, you know, think outside the box.

346
00:21:55,080 --> 00:21:58,840
We did a couple stories about arenas and theaters. Here's one at a gallery,

347
00:21:59,160 --> 00:22:02,600
Ande just mentioned the library. If you can't

348
00:22:02,680 --> 00:22:05,880
reach that kind of scale yet. If you're just thinking about starting out,

349
00:22:06,380 --> 00:22:10,100
I promise you that maybe even though you don't have a theater like the Poduty

350
00:22:10,100 --> 00:22:13,740
podcast theater here in Tarentum, you do have coffee

351
00:22:13,740 --> 00:22:17,420
shops, you have bars, you have restaurants with back rooms,

352
00:22:17,500 --> 00:22:21,260
you have social events, civic halls, you have libraries that

353
00:22:21,260 --> 00:22:24,420
usually have media centers or even libraries that have

354
00:22:24,420 --> 00:22:27,740
auditoriums that rent them out very cheaply,

355
00:22:28,380 --> 00:22:31,740
it's not a big barrier to entry to start taking your show live. If you

356
00:22:31,740 --> 00:22:35,250
start thinking outside the box. Where can I host this? If you, if you approach

357
00:22:35,250 --> 00:22:38,930
your local coffee shop is, hey, I Know what's your slowest

358
00:22:38,930 --> 00:22:42,770
day? Wednesday at 2:00'. Clock. Well, maybe Wednesday at 2:00 they'll

359
00:22:42,770 --> 00:22:45,850
let you do a live show there. They'll probably, they may even pay you in

360
00:22:45,850 --> 00:22:49,410
scones and, you know, a hot cup of joe. Well, look at the brewery up

361
00:22:49,410 --> 00:22:52,970
in, in Portsmouth, New Hampshire. Right? I mean, the brewery is always looking to have

362
00:22:52,970 --> 00:22:56,170
people come in and draw, you know, down a pint.

363
00:22:57,210 --> 00:23:00,890
But also remember your cable access TV

364
00:23:01,420 --> 00:23:05,260
facilities, folks, because they're desperate to repurpose right now because who's

365
00:23:05,260 --> 00:23:08,540
watching on cable anymore? And so that's another

366
00:23:08,620 --> 00:23:12,180
studio opportunity. I know Westford, Massachusetts,

367
00:23:12,180 --> 00:23:14,860
their cable access TV. They charge

368
00:23:14,860 --> 00:23:18,660
$150 a year to become a member. And you

369
00:23:18,660 --> 00:23:22,460
can use their podcast studio and their TV studio.

370
00:23:23,260 --> 00:23:26,620
That's very affordable. Yeah, it's what,

371
00:23:26,620 --> 00:23:30,210
12.50amonth? That's not even. Yeah, that's not even

372
00:23:30,210 --> 00:23:32,690
a Starbucks with cold foam. That's right.

373
00:23:34,610 --> 00:23:37,730
Let's see what we got. I think we went through. We did the howl already.

374
00:23:37,730 --> 00:23:41,010
Which brings us back to the beginning. Ande. This has been

375
00:23:41,410 --> 00:23:45,010
so much fun. Time goes so fast. While we do

376
00:23:45,010 --> 00:23:48,770
these on Saturday morning, I had such a great time. I love hearing your experience

377
00:23:48,770 --> 00:23:52,210
and I love the insights that you brought about the brewery,

378
00:23:52,450 --> 00:23:56,090
the New England Podcasters Group, and even Don't Be Caged by Your

379
00:23:56,090 --> 00:23:59,890
Age Podcast one last time. Let's tell everybody how to meet you and

380
00:23:59,890 --> 00:24:03,530
connect with you. What's the best way to get in touch? Oh, my gosh. I

381
00:24:03,530 --> 00:24:07,130
would love to hear from all of you, Ande. A N D E

382
00:24:07,210 --> 00:24:10,730
Lyons. L Y O N S. Connect with me. LinkedIn,

383
00:24:10,730 --> 00:24:14,410
Instagram. I've got a YouTube channel. And

384
00:24:14,410 --> 00:24:18,090
also please visit don'tbecaged by your age dot

385
00:24:18,090 --> 00:24:21,450
com. It is a whole new way of thinking about

386
00:24:21,450 --> 00:24:25,290
aging. We call it pro aging. And it's all about

387
00:24:25,290 --> 00:24:28,800
thriving after 65. Because if you've made it to 65,

388
00:24:29,110 --> 00:24:32,110
you've got a good 20 plus years left. What are you going to do with

389
00:24:32,110 --> 00:24:35,870
them? Right? And then New England Podcasters

390
00:24:35,870 --> 00:24:39,550
Group, this is a way to. If you're thinking about launching a

391
00:24:39,550 --> 00:24:43,310
podcast and you want a supportive group of seasoned podcasters to

392
00:24:43,310 --> 00:24:47,030
help you, we're the group for you. We have a lot of laughs.

393
00:24:47,190 --> 00:24:50,790
And it's just we talk about all things podcasting

394
00:24:50,870 --> 00:24:54,390
because when you're a podcaster, who's going to understand what you're doing?

395
00:24:54,470 --> 00:24:58,310
Nobody but another podcaster. And so you need to have that

396
00:24:58,850 --> 00:25:02,450
community to help keep you moving forward and figuring things out.

397
00:25:02,770 --> 00:25:06,570
So please visit New England Podcasters Group. And

398
00:25:06,570 --> 00:25:10,010
I can't wait to hear from you, meet from you, meet you, and feel free

399
00:25:10,010 --> 00:25:12,050
to ask me any questions that you may have.

400
00:25:13,730 --> 00:25:17,330
Awesome, Ande. Thank you so much. And if you liked anything that I talked about,

401
00:25:17,490 --> 00:25:20,530
if you liked hearing these stories that Ande and I shared with you today,

402
00:25:21,090 --> 00:25:24,330
we have a little theater space. This is where I'm sitting at right now. We'd

403
00:25:24,330 --> 00:25:27,970
love to host your show here. There's no contract. There's no minimum ticket sales.

404
00:25:28,220 --> 00:25:31,420
We just want to put butts in seats and bring live podcasting in the community.

405
00:25:31,820 --> 00:25:35,362
Reach out to me, Jeff, at Poduty P-O-D-U-T-Y.com

406
00:25:35,678 --> 00:25:39,300
poduty.com you can find all of our upcoming events.

407
00:25:39,300 --> 00:25:42,940
You can find information that I talked about today. You can find the podcast

408
00:25:43,100 --> 00:25:46,860
P-O-D-U-T-Y.com which means,

409
00:25:47,180 --> 00:25:51,020
Ande, I only have one more question for you.

410
00:25:52,300 --> 00:25:55,910
What time is it? It's the end of our

411
00:25:55,910 --> 00:25:58,790
showtime. What time is it?

412
00:26:21,060 --> 00:26:24,580
Live news podcast about podcasting from

413
00:26:24,580 --> 00:26:25,540
the stage.

414
00:26:35,140 --> 00:26:37,940
The only live news podcast about

415
00:26:38,260 --> 00:26:40,580
podcasting from the stage.