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Welcome to Digication
Scholars Conversations.

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I'm your host, Kelly Driscoll.

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In this episode, you'll hear part one
of my conversation with Bill Torgerson,

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a lecturer in Rhetoric and Composition
at Appalachian State University.

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My conversation with Bill took
place before Hurricane Helene, which

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has had devastating effects on the
campus and surrounding communities.

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We have included donation information
in the show notes for the App

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State Disaster Relief Fund and the
restoration of the treasured Valle

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Crucis Park in Bill's neighborhood.

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More links and information about today's
conversation can be found on Digication's

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Twitter, Facebook, and Instagram.

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Full episodes of Digication Scholars
Conversations can be found on YouTube

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and your favorite podcast app.

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Welcome to Digication
Scholars Conversations.

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I'm your host, Kelly Driscoll,
and I'm so excited today to

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introduce you to Bill Torgerson.

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Bill is a lecturer in Rhetoric and
Composition at Appalachian State

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University in North Carolina.

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Welcome, Bill.

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Thanks, I'm very impressed that you
nailed the Appalachian pronunciation.

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Oh, well, I've been corrected before.

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When I came, I was in New York before I
came, uh, to Boone, and they let me know

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right away that I was saying it wrong, so.

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Yeah.

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Well done.

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Well, thank you.

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I appreciate that.

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I, I tend to kind of go back and forth
because even though I grew up not

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far away up in Stanton, Virginia, we
say it a little differently there.

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So I, I got corrected right away.

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I think actually on a prior podcast
with one of your colleagues.

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So it's all fun.

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It's all fun.

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Um, so I know Bill, you've been using
Digication for quite a long time.

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And I, I look forward to hearing
about how you got started with

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that and how you're using it today.

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But before we start talking about
technology, um, I'd love to hear a

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little bit about how you find your,
how you found your way to App State.

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Yeah, well, one thing I, I like to
say that I live in Boone on purpose.

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Um, So we, you know, made some
sacrifices and some drastic moves

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to get, uh, to the Boone area.

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I think, um, if I back up, um,
I went to graduate school in

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Georgia and was really bent and
focused on being a Creative Writer.

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Um, so I have an MFA in Creative Writing.

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And I, and all I really wanted to
do is become a better Writer and

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didn't have career aspirations.

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Like I want to be a professor.

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Um, but then as I worked on the
MFA, I realized, Oh, there could

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be some college Teaching jobs.

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Uh, I applied for jobs all over the
country, probably like 75 jobs had

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something like four interviews and the
job I ended up accepting was at St.

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John's university.

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Um, and so we had a lot of academic
freedom, but one of the kind of direct

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orders we had was you will use Digication.

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Um, and you will have a portfolio.

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Um, so that was just
sort of thrust upon me.

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Um, and it wasn't long until
I really began to value, um,

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just writing in digital spaces.

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I thought as a teacher of writing,
if we're not working in digital

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spaces, what are we doing?

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Um, so that was exciting and
that engaged the students.

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And so with that little nugget I'll
be like, being made to do something

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that really grew into the other
tool that I've used ever since.

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Oh, thank you so much for sharing that.

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I was just kind of curious with the
teaching that you're doing now, and the

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kind of students that you're working with.

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Do you have a lot of students
that are coming in to, just

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you know, for their love and appreciation
of the, the craft of writing and a

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similar kind of mindset that, that you
were in, or do you have a lot of people

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that are already kind of thinking about
what am I going to do after college?

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Well, so at App State, um, we
have something called the Vertical

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Writing Curriculum, which is one
of the exciting things about being

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here in that the students have
four required writing classes.

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Throughout their time as an undergraduate.

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So I teach in that program.

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And so people are taking a
class that they have to take.

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Um, so no, most of my students
walk into the classroom saying.

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I thought I tested out of this.

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Why do I have to take this in my major?

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Um, and so one of the early goals
for me is just to kind of shift that

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attitude a little bit more towards
the positive and help them experience

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writing as something that's pleasurable.

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And I tend to not have a very
difficult time of doing that.

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They have a lot of
choices about their work.

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Um, and one of the things
that's really guided me.

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for decades is the idea
that it's fun to make stuff.

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And so, and so, uh, a ...port, a digital
portfolio is something that you're making.

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And so once students start
engaging in that, uh, they start

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to forget that they're doing work
and because they're working on

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something they've chosen to work on.

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Um, Enthusiasm starts to grow.

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So it's been a really useful, uh,
tool for me to kind of engage students

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and get them excited about writing.

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Oh, that's wonderful.

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And, you know, it's always been
our kind of hope that Instructors

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and students will approach it as
its own kind of space for creation.

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You know, certainly people can upload
documents and, and files, but we're

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always hoping that they really use
it as that kind of opportunity for

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creating and building and exploring.

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So when you're introducing students
to this kind of digital space,

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how do you describe it to them?

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What are some of the early
conversations that you have with

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them about how it's going to be used?

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I've heard you talk before just
about like process portfolios

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or more polished portfolios.

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So we, we, for example, use
Google docs as a place to draft.

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And we talk about, uh, we
call them "aPortfolios".

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We brand everything with an
A at App State, so, Mm-Hmm.

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. So we, no, I still, I have to
remind them that, you know,

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these are electronic portfolios.

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No one else is gonna call this
an aPort when you leave here.

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Um, but we, we think about,
uh, publishing to the aPort.

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Yeah.

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And we do that, um, as we go, which
I think is, it's not even like

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convincing them, it's, we've got this
draft of this piece we've been working

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on, and now we're gonna publish it.

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To this space, which, you know, it was
kind of like your own personal website.

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Um, and so we decide to
do that together in class.

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And so they leave the class, you know,
one third started, or, or they've at

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least sort of had an introduction to it
because we've all worked on that together.

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So, and then it's.

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I think a good sign is that, um,
it's a space where the students

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do way more than that's required.

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So, you know, I lay out, uh,
you know, a grading guide.

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Here's the expectations for what
you're going to do in this space.

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You know, two images, there's
captions, embed video, use

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some links, whatever it is.

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Uh, and they always go overboard.

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There's always more, more of
everything that I asked for.

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So that's always a good sign
when students work far beyond the

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expectations of the assignment Yeah.

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And so how do you Kind of prepare them
for what the expectations will be.

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You mentioned that there's some kind of
requirements in the beginning about what

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kind of content that they might upload,
but how, how are they actually graded

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or assessed as part of your course?

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Cause that's a question that we often
get, you know, are there specific

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kinds of rubrics that you used?

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Are peers involved in looking
at each other's materials?

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How do you kind of let them know
what those expectations are?

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So it would be yes to all of those things.

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Um, and then to start to
break it down a little bit.

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Um, it's a little bit more, I
think, of a labor based approach.

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Uh, probably not purely that, but
all that means is, um, I'm asking

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for these, things to be part of
the composition of your text.

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And if they're there, you get the credit.

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And if they're not there,
you don't get the credit.

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Um, you can always revise what
you've done for a better grade as

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long as the course is still going.

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Um, so it's, it's almost like
you get a temporary score.

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So it's things like word count and
number of images, um, use of space, use

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of color, um, captions on the images.

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So that's kind of what we talk about.

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Um, and then we use, um, something called
as you learn, which is a Moodle, whatever,

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it's a Learning Management System and
you can create custom grading guides.

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Um, and so it's always just like,
you know, three to five categories,

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like I just said, images, use of,
uh, internal citations, use of

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space, use of color, design is a big
category, is one of the categories.

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So I score that and I write
them a note at the bottom.

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Which sort of engages with their
ideas and content, but also says,

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Hey, you lost three points because
you forgot your captions or you just

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threw your three images on the bottom.

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If you want to move those back,
integrate those into the text, then,

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you know, this can be a better grade.

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So that's, that's sort of the
grading, grading assessment part.

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Um, and then, you know, the challenge,
whether it's an online class, a hybrid

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class or solely face to face class,
um, you know, one of the things I

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take pride in is creating community.

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I used to have this professor that
always said, Sam Watson at UNC

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Charlotte, he would always say, Writing
floats on a sea of conversation.

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And so I'm trying to shift
students out of error finding.

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Let's just talk to each other.

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Let's be a thoughtful, engaged
audience for each other.

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And that will take, you know, we don't,
we don't need to point out mistakes.

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It's just like, Hey Kelly, I'm Bill.

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You're getting to know me.

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I'm listening to you.

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I have questions about what you're doing.

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And so that kind of interaction among
the students, um, it motivates them.

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It gives them a sense of audience.

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It helps them write more effectively.

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Because they can imagine what
they need to say to each other.

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Um, and so we have forums in
our learning management system.

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Where we comment in the forum
about each other's portfolios.

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Nice.

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Nice.

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And how often are they kind of
looking at each other's work?

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Are they looking at some
of the early drafts?

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Do you have them focus more
on some of the final versions?

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How do you kind of get the work
on building that community as

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part of sharing their work?

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We, I mean, I think one of the first
things we do, which takes a little

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bit of time, but seems worth it to
me, um, is that we write an academic

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profile to start, uh, the course.

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So, um, you know, if you were, if you're
writing a profile for a dating website,

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which I've never done, um, cause I'm
old and happily married for a long time.

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Um, you know, that would
be a different audience.

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Like what you would say in that
profile would be different.

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But here we are at App State and
you have a major and you have

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professors and you have classmates.

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Um, so that profile is different,
so that automatically gets

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us thinking about audience.

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Um, so we do some pre writing, we keep
a, a digital journal that I call a day

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book after somebody like Donald Murray.

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Um, so we do that in a doc, so we
have pre writing, we write drafts,

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we comment on each other's drafts.

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Um, we publish to Digication,
and then I do take what usually

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is two full class periods.

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For students to give like a five
minute about me presentation, um, where

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it's like, Oh, you live in Raleigh.

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I went to high school in Raleigh.

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Where did you go?

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So, so just automatically there's
all this conversation that sparks up.

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Oh, you're an EMT.

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I'm an EMT.

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Oh, you're, you work at the Ski School.

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I w...

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i, you know, whatever
it is that's going on.

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So all these connections are built
within the first couple of weeks.

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And then we just repeat that kind of
cycle through all of our projects for

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the course of a semester, where it's
like pre-writing, stop and talk to each

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other, check in on drafts, publish,
look at each other's publications.

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And then I always, you know, I'm not
going to copy everything you do, Kelly.

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But when I look at your portfolio, I get
ideas for myself, like, Oh, I see what

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she did and this is what I want to do.

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Um, and that's that kind of writing
floats on a sea of conversation piece.

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Nice.

227
00:12:47,300 --> 00:12:47,670
Nice.

228
00:12:47,699 --> 00:12:47,979
Yeah.

229
00:12:47,980 --> 00:12:53,789
Do you find that students often
get inspired by some of the design

230
00:12:53,839 --> 00:12:57,630
elements of the content that
they're creating at that time?

231
00:12:58,425 --> 00:12:59,325
Sure, it's both.

232
00:12:59,355 --> 00:13:03,645
I mean, it's, it's, there are some
students that are just self motivated

233
00:13:03,695 --> 00:13:06,905
and excited to experiment and can't
wait to learn from each other.

234
00:13:07,595 --> 00:13:11,705
And then there's other people, and maybe
sometimes you can be each of these people,

235
00:13:11,705 --> 00:13:15,974
you're like, oh, I need to step up my
game because I just saw Kelly's portfolio.

236
00:13:16,004 --> 00:13:16,814
It's incredible.

237
00:13:17,570 --> 00:13:20,880
I just copied and pasted a
bunch of text into one box.

238
00:13:21,350 --> 00:13:22,870
Um, I need to do better than this.

239
00:13:22,880 --> 00:13:24,360
So, so it works both ways.

240
00:13:24,360 --> 00:13:27,520
I mean, I'm not trying to shame people
into working harder, but, um, they just

241
00:13:27,520 --> 00:13:31,620
do it themselves, they see it and they
get motivated, uh, because of the work,

242
00:13:31,750 --> 00:13:33,009
uh, of their classmates sometimes.

243
00:13:33,019 --> 00:13:34,179
So it works in all kinds of ways.

244
00:13:34,690 --> 00:13:35,200
That's great.

245
00:13:35,200 --> 00:13:35,480
Yeah.

246
00:13:35,480 --> 00:13:36,290
So healthy...

247
00:13:36,350 --> 00:13:38,250
Healthy, pure motivation.

248
00:13:38,340 --> 00:13:45,039
And really when we were creating
Digication, uh, a lot of it came out of,

249
00:13:45,675 --> 00:13:52,545
Both, uh, my experience and the experience
of Digication's co founder, Jeff Yan.

250
00:13:52,725 --> 00:13:56,725
Uh, because when we were in
college, we were at a design school

251
00:13:56,725 --> 00:13:59,755
where we're always working in
this kind of studio environment.

252
00:14:00,425 --> 00:14:08,805
So from the very beginning of receiving
a kind of prompt from an instructor, you

253
00:14:08,805 --> 00:14:15,125
know, other people were walking around
viewing what you were creating and, you

254
00:14:15,920 --> 00:14:21,250
It was kind of impossible to not get
inspired by other people that were in

255
00:14:21,250 --> 00:14:27,975
the room and instructors would kind of
wander through and give little desk crits

256
00:14:27,975 --> 00:14:34,475
and feedback as you were building things,
um, classmates would come by and, you

257
00:14:34,475 --> 00:14:37,295
know, sometimes give you props or ideas.

258
00:14:37,345 --> 00:14:42,724
And it was a very, um, wonderful
kind of experience and so

259
00:14:42,724 --> 00:14:47,555
different from what we had done,
you know, coming up through K-12.

260
00:14:47,575 --> 00:14:51,225
So it was really eye opening and exciting.

261
00:14:51,225 --> 00:14:54,144
And so when we were creating
this kind of environment for

262
00:14:54,145 --> 00:14:55,535
students, we really wanted.

263
00:14:56,025 --> 00:15:01,395
There to be that kind of opportunity,
but now in a, in a digital space.

264
00:15:01,944 --> 00:15:05,045
So, it's wonderful to hear that
your students are doing that.

265
00:15:05,665 --> 00:15:09,835
When you were a freshman in college,
when you were heading off to college, um,

266
00:15:09,915 --> 00:15:12,235
and we both have, I think, 18 year olds.

267
00:15:13,095 --> 00:15:13,174
We do.

268
00:15:13,484 --> 00:15:15,525
What did you think the arc of
your life was going to be then?

269
00:15:15,545 --> 00:15:16,245
Did you know?

270
00:15:16,255 --> 00:15:17,194
Did you think you know?

271
00:15:17,194 --> 00:15:18,424
I would imagine it shifted.

272
00:15:18,764 --> 00:15:22,195
I wouldn't think you thought you were
going to be the co founder of Digication

273
00:15:22,195 --> 00:15:24,435
when you were 18, but maybe you didn't.

274
00:15:24,435 --> 00:15:25,209
Absolutely not!

275
00:15:25,350 --> 00:15:26,370
Absolutely not.

276
00:15:26,640 --> 00:15:30,900
And this is something that we
talked to the kids about a lot here.

277
00:15:31,030 --> 00:15:38,690
You know, I do have a senior and, uh,
two sophomores and also some little guys.

278
00:15:38,740 --> 00:15:45,059
And we talk a lot about how, you know,
you may have some ideas in mind about

279
00:15:45,059 --> 00:15:50,450
your future trajectory, but you know,
the people you meet and the places you

280
00:15:50,450 --> 00:15:56,830
go and the different experiences that you
have will certainly kind of shift things

281
00:15:56,830 --> 00:16:01,490
and, um, carry you on different paths.

282
00:16:01,490 --> 00:16:09,290
And yeah, when I started college, uh,
I actually majored in textile design

283
00:16:09,859 --> 00:16:17,619
and, um, had just kind of fallen in
love with, uh, painting on fabric, uh,

284
00:16:17,619 --> 00:16:22,289
in my little corner of the basement
in the home that I grew up in.

285
00:16:22,350 --> 00:16:25,489
And so when I got into this,

286
00:16:27,955 --> 00:16:34,595
That's where I went, but, um, uh,
the, um, kind of foundation year

287
00:16:34,595 --> 00:16:40,115
at Rhode Island School of Design
was just, like, so transformative.

288
00:16:40,215 --> 00:16:44,444
So even though I stayed in that path
of textile design, my, like, whole

289
00:16:44,455 --> 00:16:50,944
vision of art making and drawing and
painting and, I mean, it just opened

290
00:16:50,944 --> 00:16:52,985
up a totally different world to me.

291
00:16:53,700 --> 00:16:59,919
I had no intention at all of even taking
computer classes, but I happened to fall

292
00:16:59,919 --> 00:17:09,870
into one that, um, yeah, just shifted
my path and, um, also didn't plan to

293
00:17:10,040 --> 00:17:15,797
become any kind of, uh, teacher and
then started teaching at the school

294
00:17:15,797 --> 00:17:17,900
that I went to after graduation.

295
00:17:18,460 --> 00:17:21,829
And from there started
building tools for my students.

296
00:17:21,840 --> 00:17:22,640
So you just.

297
00:17:22,815 --> 00:17:29,115
You just don't know where things are
gonna are gonna take you and I'm sure

298
00:17:29,115 --> 00:17:34,715
as an educator you love working with
students kind of for that reason right

299
00:17:34,715 --> 00:17:39,424
you're kind of catching them at this
kind of moment in time where they've

300
00:17:39,424 --> 00:17:45,560
got ideas and you can kind of I remember
I think when you know when I I think

301
00:17:45,810 --> 00:17:50,430
first knew about Digication and met
Jeff, I don't know, 15 or 20 years ago.

302
00:17:50,750 --> 00:17:55,609
It seemed like there was a sense of
you saying to yourselves, we need

303
00:17:55,610 --> 00:17:57,769
something better than what we have here.

304
00:17:58,840 --> 00:18:02,879
And so then you started to work on
creating a space that would be better

305
00:18:02,889 --> 00:18:07,560
for, uh, you know, art, creative
minded students to have a space

306
00:18:07,560 --> 00:18:09,250
to, um, put what they were making.

307
00:18:09,814 --> 00:18:15,814
Yeah, yeah, and it really did start as
something I was teaching in the education

308
00:18:15,885 --> 00:18:21,024
program at the time that we started
building this and it was called the

309
00:18:22,584 --> 00:18:29,154
Digital Media Design Studio, but it was
for you know people that were preparing

310
00:18:29,154 --> 00:18:39,659
to become future art educators And many
of my students had, you know, ideas about

311
00:18:39,659 --> 00:18:48,479
what that meant and may or may not have
used, um, computers to make art or, um,

312
00:18:48,519 --> 00:18:50,929
create lesson plans and curriculum maps.

313
00:18:50,930 --> 00:18:55,580
So there's kind of a combination of,
you know, tools that we were using and

314
00:18:56,140 --> 00:19:02,510
the portfolio at the time was something
that, you know, was definitely used for

315
00:19:02,590 --> 00:19:05,210
kind of creating that showcase of art.

316
00:19:05,260 --> 00:19:11,300
But within that education program was
really about capturing their experience

317
00:19:11,300 --> 00:19:16,620
throughout their time at the program
and the program was using it to give

318
00:19:16,620 --> 00:19:22,585
them feedback and Kind of track progress
toward those professional practice,

319
00:19:22,595 --> 00:19:27,625
teaching standards, and really also
wanted it to be something that they could

320
00:19:27,625 --> 00:19:33,585
take with them to use after graduation
for their own career advancement.

321
00:19:34,014 --> 00:19:38,265
So, you know, I was really trying to
model a lot of things for the students

322
00:19:38,265 --> 00:19:42,355
at the time and the way that I was
using technology in the classroom and

323
00:19:42,955 --> 00:19:47,004
the, the learning management systems
weren't going to cut it because

324
00:19:47,014 --> 00:19:48,615
it wasn't something that I just.

325
00:19:49,719 --> 00:19:51,310
for an individual course.

326
00:19:51,330 --> 00:19:55,199
It was really something that was
going to be, you know, something

327
00:19:55,199 --> 00:19:58,560
that they were going to touch
throughout their time at the program

328
00:19:58,639 --> 00:20:01,110
and then continue to have access to.

329
00:20:01,110 --> 00:20:04,789
And so, yeah, Jeff and I were
just like, well, let's just

330
00:20:04,809 --> 00:20:06,759
build something for our students.

331
00:20:06,769 --> 00:20:09,279
You know, we're not
finding the right kind of.

332
00:20:10,270 --> 00:20:11,380
environment.

333
00:20:11,650 --> 00:20:16,440
And, you know, we innocently embarked
on that thinking we were going to be

334
00:20:16,440 --> 00:20:18,450
working on it for a weekend or so.

335
00:20:18,450 --> 00:20:25,079
And, you know, over 20 years
later, now here we are.

336
00:20:26,540 --> 00:20:35,750
But you really were, you know, using it
in a, in some of the early stages of the

337
00:20:35,770 --> 00:20:43,680
platform and you've seen it kind of evolve
over the last, you know, 10-plus years,

338
00:20:43,819 --> 00:20:47,100
um, what are, have there been any shifts?

339
00:20:47,100 --> 00:20:49,279
You know, you mentioned that
it was just kind of thrust

340
00:20:49,280 --> 00:20:51,780
upon you when you joined App.

341
00:20:51,810 --> 00:20:52,280
State.

342
00:20:52,845 --> 00:20:57,655
Have, have there, has there been some
evolution in kind of how you use it or

343
00:20:57,655 --> 00:21:02,715
maybe some of the, you know, changes
in the platform that may have, you

344
00:21:02,715 --> 00:21:04,635
know, given you other opportunities.

345
00:21:04,895 --> 00:21:08,055
Yeah, I mean, the first thing I would
say is going all the way back to St.

346
00:21:08,055 --> 00:21:08,845
John's, St.

347
00:21:08,845 --> 00:21:12,345
John's is the spot in Queens
where it was thrust upon me.

348
00:21:12,815 --> 00:21:15,334
Um, you know, the guy, the guy
who was directing the program

349
00:21:15,335 --> 00:21:18,164
then, his name is Derek Owens, you
probably know him or remember him.

350
00:21:19,214 --> 00:21:23,275
So, you know, when I hear you talk about
um, your life as an artist, I can see

351
00:21:23,275 --> 00:21:26,340
why You and Jeff appealed to Derek.

352
00:21:26,360 --> 00:21:27,840
I mean, it would make a lot of sense.

353
00:21:27,860 --> 00:21:31,080
I mean, he has that same, I
think, kind of perspective.

354
00:21:31,139 --> 00:21:36,120
Um, so the, the platform has just
gotten much, much more intuitive to use.

355
00:21:36,169 --> 00:21:41,139
Um, where, you know, I think the learning
curve to like popping on there and making

356
00:21:41,139 --> 00:21:46,470
stuff is, you know, much more simple than
it was, of course, 15 or 20 years ago.

357
00:21:47,150 --> 00:21:52,400
Um, and so, uh, I think just the
only thing that's sort of been

358
00:21:52,400 --> 00:21:55,945
evolving It's just the constant
change of technology, right?

359
00:21:56,105 --> 00:21:56,895
Um, Yeah.

360
00:21:57,105 --> 00:22:02,354
Whereas, I mean, I like, we talk about
discourses, groups of, with common goals

361
00:22:02,354 --> 00:22:04,144
and specialized language and so forth.

362
00:22:04,634 --> 00:22:08,925
Um, and sometimes the students, like,
don't get how discourses change.

363
00:22:09,304 --> 00:22:11,475
But, you know, I started teaching in 1995.

364
00:22:11,475 --> 00:22:12,484
I didn't have an email account.

365
00:22:12,504 --> 00:22:13,244
There was no internet.

366
00:22:13,244 --> 00:22:14,404
No one had a cell phone.

367
00:22:14,825 --> 00:22:18,345
So, of course, like, the ways
that teaching has changed.

368
00:22:19,164 --> 00:22:22,225
Writing has changed since the mid 90s.

369
00:22:22,504 --> 00:22:27,145
Um, so that's sort of what I think
of, but, um, just the, and then maybe

370
00:22:27,145 --> 00:22:33,674
the students tend to be, um, they're,
they very willingly engage and they're

371
00:22:33,674 --> 00:22:37,584
thoughtful and they ask me questions
of things that I haven't thought of.

372
00:22:38,094 --> 00:22:41,914
Um, so, you know, we continue to
have really good experiences around.

373
00:22:42,300 --> 00:22:44,980
The digital space and Digication
is where we do most of that.

374
00:22:46,140 --> 00:22:47,100
That's wonderful.

375
00:22:47,460 --> 00:22:54,310
Do you know, as your students are kind
of publishing their writing, do you find

376
00:22:54,310 --> 00:23:04,295
that they have Um, already comfort in
that kind of process of sharing, or do you

377
00:23:04,295 --> 00:23:10,254
have students that, you know, maybe feel
comfortable sharing things with you and

378
00:23:10,254 --> 00:23:18,615
their peers, but may not want to open it
up beyond that particular course or share

379
00:23:18,615 --> 00:23:22,835
it with audiences outside of the school,
what, what's your kind of feeling from the

380
00:23:22,845 --> 00:23:24,984
students that you're working with today?

381
00:23:25,415 --> 00:23:26,854
Yeah, I think what I think of.

382
00:23:27,375 --> 00:23:29,955
You know, if I ask myself, why Digication?

383
00:23:30,605 --> 00:23:37,215
Um, I mean, I think the, the ability to
toggle the privacy settings and to create

384
00:23:37,225 --> 00:23:41,754
and do some of that work and not feel
like it's out on Google immediately, at

385
00:23:41,754 --> 00:23:45,095
least, or out on a social media platform.

386
00:23:45,534 --> 00:23:47,575
Um, that's certainly one of the values.

387
00:23:47,595 --> 00:23:53,395
But then I think, Totally guessing,
you know, 85, 90 percent of my students

388
00:23:53,415 --> 00:23:56,584
are totally fine and immediately eager.

389
00:23:56,584 --> 00:24:01,604
And in fact, um, make themselves
really vulnerable really quickly

390
00:24:01,624 --> 00:24:04,064
to the point where I'm like, Ooh,
you got, you really brought it.

391
00:24:04,545 --> 00:24:09,784
Um, but, and then there are others who,
um, and I always introduce, you know,

392
00:24:09,784 --> 00:24:13,615
you can make this private, private
to me, sort of go over the settings.

393
00:24:13,865 --> 00:24:15,405
There are usually, you know.

394
00:24:16,005 --> 00:24:22,405
One to four students in a group of 80
who, who prefer to keep it much more

395
00:24:22,405 --> 00:24:26,620
private or, and then there's always
like, You know, I do require images,

396
00:24:26,620 --> 00:24:28,010
but I don't require an image of you.

397
00:24:28,030 --> 00:24:30,360
You know, it can be your dog, it
can be a flower, it can be the

398
00:24:30,360 --> 00:24:32,050
clouds, it can be the view, whatever.

399
00:24:33,300 --> 00:24:39,110
So, students, there is a variety
of what they choose as far as

400
00:24:39,110 --> 00:24:40,870
making things public or private.

401
00:24:42,040 --> 00:24:43,159
Yeah, yeah.

402
00:24:43,519 --> 00:24:48,060
And we do find more and more, and this
is something that, you know, certainly

403
00:24:48,060 --> 00:24:54,274
in the earlier days of Digication we
hadn't planned for, but you mentioned

404
00:24:54,274 --> 00:25:03,915
that there's this importance of building
community within your classroom and

405
00:25:04,065 --> 00:25:08,895
among the students that you're working
with and that you're finding that

406
00:25:09,485 --> 00:25:16,515
sometimes students are kind of using
this space within Digication to You

407
00:25:16,515 --> 00:25:26,385
know talk about things that are maybe
more kind of personal in nature You know

408
00:25:26,395 --> 00:25:31,684
information about themselves or their
experiences how that's impacted them

409
00:25:32,314 --> 00:25:40,554
Um, and I think, you know, a big driver
behind that seems to be students really

410
00:25:40,634 --> 00:25:49,684
valuing the opportunity to share in order
to find connection and find community

411
00:25:49,715 --> 00:25:52,724
within the institutions that they're in.

412
00:25:53,354 --> 00:25:58,655
And I was curious if you've seen You
know, throughout the time that you've

413
00:25:58,665 --> 00:26:06,814
been using that is that something that
you feel has kind of grown over time um,

414
00:26:06,824 --> 00:26:14,905
I know sometimes if The spaces are just
used as kind of a showcase of final works.

415
00:26:14,905 --> 00:26:19,455
We see some of that less often, but
if it is used as that kind of creation

416
00:26:19,455 --> 00:26:24,754
space, the kind of human behind the
content starts to emerge and why

417
00:26:24,775 --> 00:26:28,990
they're You know, creating the things
that they are starts to emerge.

418
00:26:29,000 --> 00:26:32,560
So I was just kind of curious from
your perspective, if that seems

419
00:26:32,560 --> 00:26:37,319
like something that has been kind of
evolving along with the, with the times.

420
00:26:38,179 --> 00:26:38,370
Yeah.

421
00:26:38,370 --> 00:26:41,079
I like your phrase human
behind the content.

422
00:26:41,319 --> 00:26:45,849
Um, so, you know, if, if we're
interacting with just a learning

423
00:26:45,859 --> 00:26:50,369
management system and it's just
like your name in black and white.

424
00:26:50,610 --> 00:26:56,240
Letters with text and you're turning in
assignments, um, the human behind the

425
00:26:56,240 --> 00:27:01,490
text, it's more difficult for that person
to emerge whereas when I'm, when I'm

426
00:27:01,490 --> 00:27:07,009
clicking on, um, one thing I really like
about the electronic portfolios is when

427
00:27:07,009 --> 00:27:12,329
I'm looking at a student's piece, um, all
their other pieces are right there too.

428
00:27:12,329 --> 00:27:16,259
So that, that academic profile
that we mentioned, you know, I,

429
00:27:16,289 --> 00:27:20,779
if I'm, if I'm teaching 3 online
classes and that's 70-ish students.

430
00:27:21,615 --> 00:27:24,745
Um, I'm able to pop over to
that about me and just quickly

431
00:27:24,745 --> 00:27:26,215
remind myself, who is this?

432
00:27:26,315 --> 00:27:29,885
Um, in a way that I can't do if
I'm looking at one assignment

433
00:27:29,915 --> 00:27:32,135
in a Learning Management System.

434
00:27:32,185 --> 00:27:36,494
I think something I've noticed about
the students, maybe in the last

435
00:27:36,495 --> 00:27:40,144
five years or so, is just a new
level of thoughtfulness about...

436
00:27:40,760 --> 00:27:41,950
Digital spaces.

437
00:27:42,450 --> 00:27:47,540
More so in, in fact, you know, more
critical of that space, a little

438
00:27:47,540 --> 00:27:49,540
bit more reluctant to go there.

439
00:27:49,560 --> 00:27:54,580
Not necessarily reluctant to use
Digication, but more likely to say,

440
00:27:54,590 --> 00:27:57,410
you know, I don't have any social
media accounts, which I would have

441
00:27:57,410 --> 00:27:58,970
seen maybe seven or eight years ago.

442
00:27:58,970 --> 00:28:02,889
And also maybe, you know, I
have two teenagers at home,

443
00:28:03,189 --> 00:28:04,540
probably more thoughtful.

444
00:28:05,035 --> 00:28:06,605
Then they are also.

445
00:28:06,605 --> 00:28:11,025
So I think just something about whether
it's apps, you know, leaving your house

446
00:28:11,035 --> 00:28:12,605
and showing up in Boone and going to App.

447
00:28:12,605 --> 00:28:17,834
State, um, just being a little bit
more thoughtful about what online

448
00:28:17,835 --> 00:28:22,425
spaces they engage in and more likely
to say, um, you know, I limit my

449
00:28:22,425 --> 00:28:26,025
social media to this and this and this
time, and I'm making sure I'm hiking

450
00:28:26,025 --> 00:28:27,325
and I'm going out on the parkway.

451
00:28:27,325 --> 00:28:32,335
And so I do see like, almost
like a new generation of.

452
00:28:32,919 --> 00:28:39,890
of more thoughtful, less reluctant users
of, um, just social media, for example.

453
00:28:40,270 --> 00:28:40,810
Mm hmm.

454
00:28:40,860 --> 00:28:41,310
Yeah.

455
00:28:41,380 --> 00:28:48,650
I mean, they've really just grown
up so immersed in, you know, well,

456
00:28:48,659 --> 00:28:52,990
many of them having a phone right in
front of them from the very beginning.

457
00:28:53,500 --> 00:29:00,905
And I think you're right that, um, you
know, they're Making more choices about,

458
00:29:00,975 --> 00:29:07,095
you know, the amount of time that they
spend on certain platforms and what the,

459
00:29:07,105 --> 00:29:14,544
um, the value add is for them and their
experience and everything else that they

460
00:29:14,544 --> 00:29:17,214
want to be able to spend their time doing.

461
00:29:17,754 --> 00:29:23,034
And, um, You know, I think in the
beginning as these, uh, new tech,

462
00:29:23,395 --> 00:29:27,504
the new technologies were kind of
coming into play in education context,

463
00:29:27,504 --> 00:29:33,245
that there, there was kind of a,
a newness and a, a freshness and.

464
00:29:33,800 --> 00:29:41,240
Um, the way that people may have been
posting things, um, and there's a lot

465
00:29:41,240 --> 00:29:44,600
of competition for our attention now.

466
00:29:45,149 --> 00:29:51,639
So it has to be kind of deliberate in
where they're choosing to spend their

467
00:29:51,640 --> 00:29:55,380
time and, and what they're sharing
and who they're sharing it with.

468
00:29:55,900 --> 00:29:58,990
And you mentioned earlier, there are
conversations with them a little bit

469
00:29:58,990 --> 00:30:07,265
about audience and Are you talking
to them at all about, um, how this is

470
00:30:07,275 --> 00:30:15,224
something that they could use after
graduation, um, with their alumni

471
00:30:15,224 --> 00:30:20,225
access, ways that they could share
it with people outside of the school?

472
00:30:22,545 --> 00:30:22,995
Sure.

473
00:30:23,064 --> 00:30:25,394
So they're usually sophomores.

474
00:30:25,434 --> 00:30:28,124
Um, so they're a little
ways down the road.

475
00:30:28,124 --> 00:30:33,805
We definitely just talk about the idea of
a portfolio in the history of a portfolio.

476
00:30:34,240 --> 00:30:38,510
Uh, even if it was physical, um,
and what they might potentially use.

477
00:30:38,530 --> 00:30:45,130
We also talk a lot about, um, known
audiences and unknown audiences.

478
00:30:45,310 --> 00:30:51,360
And that often, you know, if you're, if
you're posting something on TikTok, um,

479
00:30:51,510 --> 00:30:56,210
or you're posting something on your, um,
portfolio, you know, there are people,

480
00:30:56,210 --> 00:30:57,450
you know, are going to look at it.

481
00:30:57,770 --> 00:31:00,570
But there's also people who are going
to read it and never thought about it.

482
00:31:00,570 --> 00:31:02,130
So we, we, we talk about that.

483
00:31:02,540 --> 00:31:06,480
Um, and then we, and of course, I
mean, for example, that you said you

484
00:31:06,480 --> 00:31:09,520
taught in the education department,
they're all really conscious of the

485
00:31:09,520 --> 00:31:14,800
fact that they're going to be creating
a portfolio, um, to be used later.

486
00:31:15,220 --> 00:31:15,740
Others.

487
00:31:16,029 --> 00:31:20,440
And, and I guess another thing that
comes up and a reason that I list as 'Why

488
00:31:20,440 --> 00:31:28,030
Digication?' Um, it's because we're, my
students are almost all using Digication.

489
00:31:28,040 --> 00:31:32,280
If you ask me for a letter of
recommendation two years, three years,

490
00:31:32,290 --> 00:31:35,590
four years after I've had you, it's
so easy for me just to search for your

491
00:31:35,590 --> 00:31:41,309
name and, and immediately be immersed
in your work as opposed to like looking

492
00:31:41,310 --> 00:31:43,910
all, you know, do you still have
that link to that portfolio made on

493
00:31:43,910 --> 00:31:45,840
this platform that no one else used?

494
00:31:46,925 --> 00:31:52,085
So it really reduces like, um,
kind of the work, the work involved

495
00:31:52,085 --> 00:31:53,775
in conjuring all that stuff up.

496
00:31:53,775 --> 00:31:56,635
So that's something that,
um, I find useful about it.

497
00:31:57,525 --> 00:31:58,095
Oh, good.

498
00:31:58,185 --> 00:31:58,625
Good.

499
00:31:58,975 --> 00:31:59,275
Yeah.

500
00:31:59,275 --> 00:32:01,374
I don't know if I've had
someone mentioned that before,

501
00:32:01,374 --> 00:32:03,294
but that makes a lot of sense.

502
00:32:03,294 --> 00:32:07,634
I'm sure as soon as you see that
portfolio, you can kind of remember

503
00:32:07,664 --> 00:32:12,434
the, um, the person and you have
that immediate access to the work

504
00:32:12,434 --> 00:32:14,464
that they created within your course.

505
00:32:14,925 --> 00:32:21,965
Um, and you mentioned that most of
them are sophomores in the, um, in

506
00:32:21,965 --> 00:32:24,214
Rhetoric and Composition at App State.

507
00:32:24,265 --> 00:32:30,515
Are there other courses where the students
may be utilizing this technology again?

508
00:32:31,605 --> 00:32:36,635
Yeah, so that's, um, certainly within,
um, the Vertical Writing Curriculum,

509
00:32:36,675 --> 00:32:40,775
um, so they could easily use it in
their required 1000 level class.

510
00:32:40,795 --> 00:32:44,134
Mine's called 2001 Writing
Across the Curriculum.

511
00:32:44,415 --> 00:32:48,145
So they, they, there are
students come to my class.

512
00:32:48,155 --> 00:32:51,235
Some of them having used Digication.

513
00:32:51,694 --> 00:32:55,925
Um, it's a little bit more of an
unknown once they, once they leave the

514
00:32:55,925 --> 00:32:57,525
Vertical Writing Curriculum and go out.

515
00:32:57,960 --> 00:32:59,200
into whatever their majors are.

516
00:32:59,200 --> 00:33:00,830
I really, it's hard for me to say.

517
00:33:00,940 --> 00:33:03,309
I, you know, I don't know.

518
00:33:03,390 --> 00:33:07,420
Here's a preview of what's coming up
next in part two of my conversation

519
00:33:07,460 --> 00:33:11,349
with Bill Torgerson, a lecturer
in Rhetoric and Composition at

520
00:33:11,400 --> 00:33:13,150
Appalachian State University.

521
00:33:13,515 --> 00:33:17,925
You know, the ability to learn content,
the ability to present the content

522
00:33:18,315 --> 00:33:22,644
in an engaging way that makes it
easily digestible to the audience,

523
00:33:22,644 --> 00:33:24,035
whether it's a player or a student.

524
00:33:24,535 --> 00:33:27,975
Um, those are really important
in both of those spaces and

525
00:33:27,985 --> 00:33:29,759
probably strengths of mine.