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Welcome to Working Towards Our Purpose, a podcast that

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offers a different perspective on what a job can be. For everyone

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out there that's heard that voice in the back of their head asking for something

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more, it's time to listen to it. I'm your host, Gino,

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and join me as I interview people who have decided to work in their

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own purpose. Together, we will learn, become inspired,

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and hopefully find our own path towards working in our purpose.

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Raheem Nelson is an artist based in New Haven, Connecticut. He went

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to school for Visual Arts and completed his education with a BFA

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in cartooning. His background is in traditional cartooning

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and oil painting. He currently creates his personal and professional

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work on an iPad using the Procreate app. He specializes

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in graphic design, portraits and pop art. Raheem's work

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has currently been featured in NFT New York City arts and

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Ideas, the shops at Yale, New Haven cultural the

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Arts Council, the Thai Bar and Power to the patients.

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Raheem. Welcome to working towards our purpose. Thanks for having

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me, Gino. So thank you for being here. Why don't

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we start by you just kind of in your own words, telling us a little

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bit about yourself and what you do and that sort of thing. Sure. Sounds

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good. So a little bit about me is my name is Raheem

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Nelson. I'm a New Haven born and raised artist.

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I went to ECA, which was amazing.

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I didn't quite start my art education at ECA, but I think I

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started to come into my own at Aces ECA, which is right on

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Audubon Street. I come from a background that is,

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like, in cartooning. I grew up on comic

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books sonic the Hedgehog, Spider Man, all the

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good stuff. And I would basically create my own comics

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for grade school. And when I got to ECA, I started to branch

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out into oils and life

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drawing, which was a big one. A little bit of sculpture, photography, just

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like, pretty much trying all the arts. And I kind of took

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that influence with me to college. I went

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to New York City for college. The School of Visual Arts is where

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I went to continue my education, and I went for cartooning.

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But I think for me, it was actually oil painting that was, like

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the most impactful on me. The way they set it up was

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for our foundation year, our freshman year, we would basically

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get to try all the arts. So it was like ECA part two pretty

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much. And we had a course for oil painting

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was like a few hours in a given day where we would just

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either paint a live model or we would paint

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different bound objects. And it just really helped me a lot in terms

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of just getting used to the paint and creating

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something on a canvas. And now I do that stuff digitally. So it's just

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interesting how I was able to go to

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ECA, get all this learning

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really early in my art know, still being

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a student and then being able to continue that to New York. So

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I love being an artist, born and raised in New Haven. I bring

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that energy, the culture, the community, and I put that into my

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work. So that's what I pride myself on. Awesome. Thanks

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for sharing that. So what kind of led you

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to the wanting to go to college for art school? Was it ECA and being

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involved in arts at an early like, did you ever

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have some thoughts of going to college for different majors,

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or did you decide early on that you wanted to be an artist? Yeah, it

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was definitely early on. Probably like age seven or eight, to be

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honest. Really? I've been just interested in being

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an artist for a long time and then also doing it professionally. I

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think that was something that I've always been curious about.

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So I think I always knew it was going to be like going

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to an art college because I just loved the idea of being

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trained and developed by different instructors in the arts.

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And I think SVA came about

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because my mom actually, when she was in high school, she

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had a poster of SVA,

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and it was like one of their vintage posters and stuff. So she'd tell me

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about it, and she'd like, oh, have you thought about this school? And so we

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started looking at it, and then they were actually one of the few

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schools that we found at the time that took cartooning

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as a major, and it was accredited. And then it was also in New York.

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And I have a love for New York City, and I love the idea of

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being from New Haven but going to New York for college. So I think

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it was ingrained in me for a while where art college

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was just going to be the move, and that was going to be the next

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step of my creative journey. Very cool.

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So what made you come back to New Haven after going

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to college in New York? I know you're from here and you grew

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up here, but what draws an artist,

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I guess, back to New Haven? That's a good question.

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So the caveat to

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going to school in New York, as amazing an experience as it was, as

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fun as it was, it was very expensive.

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And I never had that chance to actually

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dorm on campus. My mom, and know, because she

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was helping me greatly, know, pay through college.

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And I had grants and loans and stuff like that.

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But the room and board was just like, too much. And it was

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like, well, if you want to go, you're going to have to consider

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commuting. So pretty much for those four years,

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I was hopping on the Metro North and then going to class,

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like, waking up super early most days because I had to be there for

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like, 09:00. So, like, getting the early, early trains

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had been taking trains for a long time at that point, and

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it was like, a huge undertaking. But I knew it's what

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had to be done at the time. So I think making that

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transition, deciding to stay in New Haven

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and work out here, wasn't that difficult

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because I was already commuting between two places and I was like, okay,

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it's actually cost effective to

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be in New haven, work in New Haven. And if I get

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work in New York, which I still know, I can hop on the

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train, go meet a client or have it be a zoom meeting or something.

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So I think I started developing this way of working,

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like, even as a student, where it's like, okay, I live in New Haven, but

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I work in New York. I have my classes in New York. So I think

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for me, the switch was pretty easy. After I didn't have

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to commute necessarily to get to class, it was like, okay, I'm going to go

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back to New Haven because I'm still living here, and then just make it work

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that way because I think it's just a lot more cost effective.

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Interesting point of view. Yeah. Never thought about it like that. It definitely is

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easy access to the city from here. That's definitely a plus, for

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sure. So what did it look like after you graduated college

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and trying to get work in being an artist? And I

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imagine a lot of times artists struggle with finding

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a job that can pay, and you also have the creative freedom that you want.

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What did that look like for you? Yeah, what that looked like for me

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was I think it was a lot of self discovery because

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I think after graduation, I was kind of

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torn between do I want to purely be a

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cartoonist or purely be like, an illustrator. And I wasn't

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really thinking, like, how I am now, where I've got all these

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skills. Like, okay, I can get work in cartooning here. I can get illustration

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work over here. For me, it was like black and white at the time. It's

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like, okay, if I'm going to commit to cartooning, then this is the work I'm

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going to kind of look at, thinking like, Marvel Comics, DC Comics, kind

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of. I think right after

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graduation, I kind of wanted to be on more of the illustration

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path. And I think at first, finding

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work was actually pretty difficult. I was

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able to curate a show with Arts Council right out of college, which was

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great. So that helped with visibility. But in terms of just

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having sustainable income, that didn't come until much later.

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And I think that was one

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area I would have liked more support on in

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college. Just like the art business side of it. I think SBA

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was great for art education,

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learning the techniques. But in terms of the business part of it,

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and most art colleges do this too. It's not just SBA. I think

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they can support students more efficiently where that's

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concerned. So it's like a lot of trial by know,

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I learned a lot at the, you know, shout out to my

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friend Jose and Winter and everybody over

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there. They helped me kind of develop a

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business acumen as an artist. And so

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I would notice that, hey, I can maybe

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do some cartooning for a newspaper, make some

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income and do other things like that where

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I'm submitting to art shows. So it's like a lot of just finding

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myself and making sure I

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had a day job. I had a day job as an

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assistant teacher for different middle schools and

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high schools and everything to support my art. Because I considered like,

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hey, I don't necessarily have a

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backup plan. It's going to be difficult to want to create

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art anyway if the bills aren't paid. So I tried to think of those things

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just right out of the gate. Yeah, that's a really

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good perspective. I think as far as my own path, I came

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from a corporate job and then I thought to myself, once I get to a

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place where I can quit, then I'll just be able to do my business or

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whatever I'm doing full time. And then I went through like a patch where

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I was doing that, but then it got to the point where it became super

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overwhelming and burnt out because the money wasn't there. So I think that's

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good foresight on your part to be able to be like, well, let me take

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the pressure of bill paying off with this thing and then continue

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to I kind of learned that the hard way. I

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understand. How did

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that look for you as far as being able to give yourself creativity?

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Did you have jobs that gave you

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weekdays or nights and weekends to work on your art? How did you balance

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both of those things while still pursuing creative

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endeavors? Yeah, quick question. I always find a way

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to make it work where I can have time for

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my creative endeavors. For a long time, pretty

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much right out of college, until most recently,

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I had been working as a paraprofessional in the

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school system. So summers off

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hours be like, I think around seven to

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02:00. So 02:00 on

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if I wanted to go to Co working spaces and

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I could do that. If I wanted to take other assignments,

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I could do that, have meetings and things like that. So there were

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pockets of time where I could do that. Like in Buffett, I wanted to go

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to New York City after getting out of work, having like

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02:00 until the evening, like pretty much a lot of

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time. So I was able to use that to just get a ton of things

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done with clients, developing different

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relationships and business, having that window

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was really essential. And sometimes,

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well, for instance, this example comes to mind. I was working

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for troop school, and then I was also

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doing art classes for arts for learning.

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And sometimes there would be, like, a conflict because as

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a paraprofessional, they want you to go and cover a class

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if somebody is out or if somebody has, like,

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a staff meeting or something. So there was a lot of that. So sometimes

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if I would have a class to teach off site at arts for learning,

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I would have to make a request of my school to say, like, hey, I

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need to leave for this point in the day, and

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I'll be back at this time, and getting just the clearance

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to have that happen. It was great that I was working with people that

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were gracious enough to help empower me to do that.

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And then sometimes I would have classes on the weekends and stuff

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that I would teach, too, and it wouldn't be a conflict, but just

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making time for art and also making time to pay the bills.

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And, like, fast forward to the job that I have now at

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the milford arts council, which is absolutely

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aligned with me being an artist, because I'm helping the

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milford arts council have a voice with their communications and their

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marketing. I've done a lot of things on social

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media for my own brand that I'm able to now take

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and put into this nonprofit, and I'm

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just having a blast. Like, the board is happy with the work

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I'm doing. My boss is happy with the work I'm doing. And we're able to

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just have this dialogue and this conversation where it's like,

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okay, if you want to take a meeting off site, go take some photos

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for an event that has to do with the Milford arts Council, come back, edit

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that, and then get it on social media. That could be

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considered one of my work days, or I can be remote and I can send

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out press releases and I can send out briefs to people. And

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it's just kind of like I'm still making that

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adjustment to having a job like this because it

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has structure, but it's more fluid

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than my job at New Haven Public Schools. Like, new haven

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public schools, I have to be there by, know, leaving that to

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being in one classroom for the most part during the day, whereas

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Milford arts council, it's like, okay, you're in the office sometimes

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you can also be remote. They encourage me to take on

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entrepreneurial stuff as long as it doesn't conflict with the job. So it's like just

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being in this space where I'm working in an arts

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council as an artist, doing the communication, it's like

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00:14:27,912 --> 00:14:31,474
everything is aligned with what I

235
00:14:31,512 --> 00:14:34,994
want, where it's like, I'm able to

236
00:14:35,112 --> 00:14:38,866
work on my creative endeavors and have even more flexibility

237
00:14:38,978 --> 00:14:42,710
than if I was still in the school system. Yeah, that's awesome.

238
00:14:42,780 --> 00:14:46,434
I'm happy that you got that job, and congratulations.

239
00:14:46,562 --> 00:14:50,154
Thank you. I kind of also feel like I'm in a similar space.

240
00:14:50,272 --> 00:14:53,610
I've done various side jobs while pursuing my

241
00:14:53,680 --> 00:14:57,526
entrepreneur endeavors, and this year I got a new job at Omo

242
00:14:57,558 --> 00:15:01,066
Bagels in town and kind of just started doing, like

243
00:15:01,248 --> 00:15:05,070
I think I applied to be a barista because I wanted to learn that trade.

244
00:15:05,650 --> 00:15:09,486
But ever since working there, it's a very small, tight knit company, and the

245
00:15:09,508 --> 00:15:13,358
owners are really great and give me the flexibility to kind

246
00:15:13,364 --> 00:15:17,118
of do whatever interests me. And since I started, I've done farmers

247
00:15:17,134 --> 00:15:20,786
markets, and now I'm kind of grown into a social media kind of

248
00:15:20,808 --> 00:15:24,594
content role, which kind of also aligns with my

249
00:15:24,632 --> 00:15:28,418
business stuff. So it's nice to have a different job

250
00:15:28,504 --> 00:15:32,326
that pays bills that you can kind of, like you

251
00:15:32,348 --> 00:15:35,046
said, kind of go back and forth and be like, oh, I learned this over

252
00:15:35,068 --> 00:15:38,006
here, and I can bring it to your business. And I learned this at your

253
00:15:38,028 --> 00:15:41,146
business, and I can bring it to my business. So I think that's kind of,

254
00:15:41,168 --> 00:15:44,842
like, for me, an important point to highlight, because I think

255
00:15:44,896 --> 00:15:48,140
sometimes when you think of being an entrepreneur, you think

256
00:15:48,670 --> 00:15:52,474
you can only have your own business, like I alluded to before

257
00:15:52,592 --> 00:15:55,486
my first year quitting. It's like, I only can do this. I can't do anything

258
00:15:55,508 --> 00:15:58,958
else, or otherwise I'm a failure. But it's like, sometimes that's nice

259
00:15:59,044 --> 00:16:02,126
to interact with other people at a job, and then you get

260
00:16:02,148 --> 00:16:05,454
inspiration from taking time off of your own

261
00:16:05,492 --> 00:16:09,314
thing. So I think that that's really cool. So

262
00:16:09,432 --> 00:16:13,266
shifting a little bit, I do want to talk about your specific art. And

263
00:16:13,288 --> 00:16:16,834
one thing that really interests me that you do is this thing that you call

264
00:16:16,872 --> 00:16:20,686
graphic recordings, and I've never seen it anywhere else.

265
00:16:20,808 --> 00:16:24,214
Maybe it's a thing you could give us more information about what they are, but

266
00:16:24,332 --> 00:16:27,506
I just think that they're a really cool idea, and I think you do them

267
00:16:27,548 --> 00:16:30,954
really nicely. So if you want to explain what. They are thank

268
00:16:30,992 --> 00:16:34,614
you. Yeah. So put simply, graphic

269
00:16:34,662 --> 00:16:38,330
recording is like the art of me,

270
00:16:38,400 --> 00:16:41,630
an artist. I would go into a meeting

271
00:16:41,970 --> 00:16:45,470
or a conference, event, whatever, where

272
00:16:45,540 --> 00:16:49,310
somebody is speaking and wanting to engage an audience.

273
00:16:49,810 --> 00:16:53,590
I, the artist, would be creating visual notes

274
00:16:53,690 --> 00:16:57,538
for what's being said. And I think I'm still always trying to

275
00:16:57,544 --> 00:17:00,818
find a way to explain this so that it's like, in layman's terms,

276
00:17:00,984 --> 00:17:04,158
basically creating a visual

277
00:17:04,254 --> 00:17:07,746
summary of a meeting or a

278
00:17:07,768 --> 00:17:11,202
conference. So by the end of it, you can look at the illustration

279
00:17:11,346 --> 00:17:15,174
with some of the words, some of the bullet points, basically, of what people

280
00:17:15,212 --> 00:17:19,050
are talking about, and then say, like, okay,

281
00:17:19,120 --> 00:17:22,650
this meeting was about social justice reform. This

282
00:17:22,720 --> 00:17:26,458
meeting was about clean energy. This meeting was about

283
00:17:26,544 --> 00:17:29,914
being empowered in the arts in New Haven.

284
00:17:30,112 --> 00:17:33,822
And I love graphic recording because

285
00:17:33,876 --> 00:17:37,434
I'm able to provide a service where people have a voice,

286
00:17:37,562 --> 00:17:40,874
and it's like, you don't have to have just a PowerPoint

287
00:17:40,922 --> 00:17:44,690
presentation or the standard things that you would have for a meeting.

288
00:17:45,030 --> 00:17:48,642
And I'm happy to say I won

289
00:17:48,776 --> 00:17:52,606
a grant from the city New Haven Department of Arts, Cultural

290
00:17:52,638 --> 00:17:56,354
and Tourism in collaboration with the Arts Council to do

291
00:17:56,392 --> 00:18:00,182
graphic recording for New Haven. That's awesome. And my own experience

292
00:18:00,316 --> 00:18:04,038
thank you. My own experience with graphic recording comes from New York.

293
00:18:04,124 --> 00:18:07,686
I had a brief time working in Brooklyn for a company, and

294
00:18:07,708 --> 00:18:11,210
they showed me the ropes of doing graphic recording. Go on site

295
00:18:11,360 --> 00:18:15,098
in Brooklyn to do it, different parts of Manhattan, and then

296
00:18:15,184 --> 00:18:18,842
sometimes traveling. So I got that experience to go to

297
00:18:18,896 --> 00:18:22,702
Texas and go to where else to go, like

298
00:18:22,756 --> 00:18:26,494
Chicago, and create these illustrations. And it

299
00:18:26,532 --> 00:18:30,334
can be done traditionally. If it's done

300
00:18:30,372 --> 00:18:34,218
traditionally, it's usually done like a foam core board and markers.

301
00:18:34,314 --> 00:18:38,098
And you either pack it up, take it with you, or you ship it

302
00:18:38,104 --> 00:18:41,858
to the client, and then you're putting it on easel so you're kind of

303
00:18:41,944 --> 00:18:45,778
drawing and writing things out using these big markers. So I know

304
00:18:45,784 --> 00:18:49,074
how to do it that way. But being a mobile digital

305
00:18:49,122 --> 00:18:52,806
artist and wanting to just make things super simple for

306
00:18:52,828 --> 00:18:56,326
myself and the client, I create all the artwork on an

307
00:18:56,348 --> 00:19:00,114
iPad. So I'll go into a meeting if it's like an in person

308
00:19:00,172 --> 00:19:03,706
meeting. If not, I'll just do zoom. I'll sit down in the meeting, the

309
00:19:03,728 --> 00:19:07,546
person's talking, and usually clients will hire me to

310
00:19:07,568 --> 00:19:10,850
do, like, a keynote presentation or maybe like a keynote

311
00:19:10,870 --> 00:19:14,586
presentation, and then maybe some fireside chats

312
00:19:14,618 --> 00:19:18,062
or something. It just depends on the nature of the job. And so

313
00:19:18,116 --> 00:19:21,966
after all that work is finished and maybe I

314
00:19:21,988 --> 00:19:25,586
have like three, four illustrations to go with

315
00:19:25,688 --> 00:19:29,154
these hour long meetings, then the client is

316
00:19:29,192 --> 00:19:32,514
receiving the illustration that they can turn into a

317
00:19:32,552 --> 00:19:36,366
PDF and submit to their attendees, or they can print

318
00:19:36,398 --> 00:19:39,974
it out. So there are those two things. And then I also like to provide

319
00:19:40,092 --> 00:19:43,654
a time lapse video because Procreate does that

320
00:19:43,692 --> 00:19:47,190
automatically in the background so you can actually see the words coming

321
00:19:47,260 --> 00:19:50,942
out, like where if somebody's talking about marketing and branding,

322
00:19:51,026 --> 00:19:54,518
those words might pop up. And then I'm creating illustrations

323
00:19:54,694 --> 00:19:58,378
that have to do with that, which is why I love having at

324
00:19:58,384 --> 00:20:01,420
least a meeting or two with the client before

325
00:20:01,950 --> 00:20:05,514
actually get on site or the zoom call starts. So

326
00:20:05,552 --> 00:20:09,326
I'm having things like color palettes, maybe like a run

327
00:20:09,348 --> 00:20:12,746
of show, like an agenda. Having an agenda is really helpful for graphic

328
00:20:12,778 --> 00:20:16,218
recording because I want to know what's the talk going to be

329
00:20:16,244 --> 00:20:20,066
about. Is there going to be a title for the talk that

330
00:20:20,088 --> 00:20:23,874
I can kind of include in the illustration and then maybe other

331
00:20:23,912 --> 00:20:27,474
things as well to go with it. I recently did a graphic

332
00:20:27,522 --> 00:20:31,206
recording for Arts and Ideas, their Rise Gala that they

333
00:20:31,228 --> 00:20:35,046
had most recently. And what I enjoyed about it is

334
00:20:35,068 --> 00:20:38,614
it's like another form of graphic recording where it's even

335
00:20:38,652 --> 00:20:42,006
more interactive. It's called a social listening

336
00:20:42,038 --> 00:20:45,786
mural. So I sit in one place and it was in

337
00:20:45,808 --> 00:20:49,610
Lost in New Haven, which is the new museum that's going to be opening soon.

338
00:20:49,760 --> 00:20:53,530
And people would come over and there was a prompt

339
00:20:53,690 --> 00:20:57,054
that says, what's New Haven mean to you? In one

340
00:20:57,092 --> 00:21:00,410
word? And so people would come over and they were excited

341
00:21:00,490 --> 00:21:04,174
because they, for the most part got a little flustered, like, oh,

342
00:21:04,212 --> 00:21:06,786
well, like New Haven, one word. Like, I have to come back to you on

343
00:21:06,808 --> 00:21:10,626
that. So they would circle the room and then they would come back

344
00:21:10,728 --> 00:21:14,082
and say, oh, I have my word. And so some people

345
00:21:14,136 --> 00:21:17,550
would come back and check in to see where the illustration

346
00:21:17,630 --> 00:21:21,366
was. And so I'd have these words, and I

347
00:21:21,388 --> 00:21:24,566
think part of it I had like a hand extended and then there's like a

348
00:21:24,588 --> 00:21:28,406
bind coming out of the person's hand and then different words that sum up

349
00:21:28,428 --> 00:21:31,994
their New Haven experience. And by the end of the night, it

350
00:21:32,032 --> 00:21:35,478
was projected for everybody to see that was having dinner.

351
00:21:35,574 --> 00:21:39,274
So everybody there was able to contribute to this

352
00:21:39,312 --> 00:21:42,982
illustration. So as excited as I am about the standard

353
00:21:43,056 --> 00:21:46,686
graphic recording where I'm going to meetings and I'm taking visual notes and stuff,

354
00:21:46,788 --> 00:21:50,606
the social listening mural part of it is the most exciting for me

355
00:21:50,628 --> 00:21:54,434
because it's like truly interactive art where people get to

356
00:21:54,472 --> 00:21:57,842
contribute to how it looks by the end of the night. Wow, that's super

357
00:21:57,896 --> 00:22:01,602
cool. That's really an interesting way to

358
00:22:01,736 --> 00:22:05,346
make live art and have people contribute to it and

359
00:22:05,368 --> 00:22:09,126
be such a collaborative thing. That's really cool. Do you have any

360
00:22:09,148 --> 00:22:12,694
more of those kind of like lined up? Or do you want to do more

361
00:22:12,732 --> 00:22:16,166
of those sorts of yeah, yeah. To be

362
00:22:16,188 --> 00:22:19,434
honest, graphic recording is going to

363
00:22:19,472 --> 00:22:22,298
be at the forefront of my business.

364
00:22:22,464 --> 00:22:25,702
I'm also doing traditional

365
00:22:25,766 --> 00:22:29,546
murals for Yale, which has been amazing. I've done a

366
00:22:29,568 --> 00:22:33,118
few illustration jobs for Yale as well, editorial stuff.

367
00:22:33,284 --> 00:22:36,974
But yeah, graphic recording is like number one for me. It's not

368
00:22:37,012 --> 00:22:40,734
only lucrative, but I'm able to help people. I'm able

369
00:22:40,772 --> 00:22:44,606
to help educate people. And then I myself, like being an

370
00:22:44,628 --> 00:22:48,242
artist, going into a meeting or whatever, I'm able to learn something

371
00:22:48,296 --> 00:22:51,790
too. So I think it's just like so much synergy

372
00:22:51,950 --> 00:22:55,442
with the skill and just what comes out of it, just what can be used

373
00:22:55,496 --> 00:22:59,190
for different meetings. So I have something

374
00:22:59,260 --> 00:23:03,030
lined up for Hartford that I'm going to be doing in a few weeks. And

375
00:23:03,100 --> 00:23:06,866
I just got an email this morning from a long term

376
00:23:06,978 --> 00:23:10,314
client of mine. They're more like an art agency, so they connect me with their

377
00:23:10,352 --> 00:23:13,946
clients about an opportunity in New Orleans, like

378
00:23:14,048 --> 00:23:17,878
going in person and doing graphic recording. And that's

379
00:23:17,894 --> 00:23:21,706
kind of been like a dream to go back to New Orleans. I say

380
00:23:21,728 --> 00:23:25,454
go back to New Orleans because I've done murals out there, and I only went

381
00:23:25,492 --> 00:23:28,766
once and I haven't been back. So I was like, how do I go back

382
00:23:28,868 --> 00:23:31,600
on business and have that be covered? So

383
00:23:32,530 --> 00:23:36,154
make that happen. But yeah, I think it's a skill

384
00:23:36,282 --> 00:23:40,066
where I can use to travel to different states. I

385
00:23:40,088 --> 00:23:43,634
want to go to different countries and do it. To be honest, I just want

386
00:23:43,672 --> 00:23:46,626
to catch on. And I wanted to start in New Haven. For me, it was

387
00:23:46,648 --> 00:23:49,854
important to start in New Haven and say, like, hey, this is the

388
00:23:49,912 --> 00:23:53,734
skill that I'm doing. I was born and raised here.

389
00:23:53,772 --> 00:23:57,446
I want to bring this skill to New Haven before I really bring it to

390
00:23:57,468 --> 00:24:01,098
other places. And thankfully, I've been able to do that. Like the graphic recordings I've

391
00:24:01,104 --> 00:24:04,906
done for the city and arts and ideas. I think it's really

392
00:24:04,928 --> 00:24:08,682
starting to catch on. So it's not just for me,

393
00:24:08,736 --> 00:24:12,314
like, being a self sustained, sustainable

394
00:24:12,362 --> 00:24:15,934
artist. It's like, how can I do good somewhere? Whether it's for

395
00:24:16,052 --> 00:24:19,886
a nonprofit or different organizations, how can my

396
00:24:19,908 --> 00:24:23,586
graphic recording be used to uplift people? And I think that's like my

397
00:24:23,608 --> 00:24:26,994
mission statement. Yeah, I love that. That's awesome.

398
00:24:27,192 --> 00:24:30,818
So not only the graphic design stuff, you also

399
00:24:30,904 --> 00:24:34,686
do NFTs and you're into passion.

400
00:24:34,718 --> 00:24:38,260
You have so many interests, it seems, but

401
00:24:38,870 --> 00:24:42,578
you were able to go to New York as part of an NFT

402
00:24:42,674 --> 00:24:46,306
that you made. Can you explain to us a little bit more about NFTs

403
00:24:46,338 --> 00:24:50,026
and how NFTs could be helpful for artists and used as

404
00:24:50,048 --> 00:24:53,866
artists and that sort of thing? Sure. So NFTs mean

405
00:24:53,968 --> 00:24:57,738
non fungible token. It's basically something you can buy

406
00:24:57,824 --> 00:25:01,566
on a digital marketplace. Doesn't have to be a piece of art. It can

407
00:25:01,588 --> 00:25:05,086
be like a song or tickets to a show, for

408
00:25:05,108 --> 00:25:07,840
example. I use it for my art.

409
00:25:08,610 --> 00:25:12,174
And I think what's been great about NFTs is that

410
00:25:12,212 --> 00:25:15,842
I've always looked for a way to sell my digital fine

411
00:25:15,896 --> 00:25:19,298
art, and usually it's been like, in

412
00:25:19,464 --> 00:25:23,234
exhibitions or galleries, and I

413
00:25:23,272 --> 00:25:26,518
love doing that. And at the same time, it's like, how

414
00:25:26,604 --> 00:25:30,262
can I maximize my profits and take

415
00:25:30,316 --> 00:25:33,910
something that starts out as a digital file and sell

416
00:25:33,980 --> 00:25:37,574
that where whoever gets it, they can put it up in their

417
00:25:37,612 --> 00:25:41,434
gallery and put it on a monitor or a digital canvas or something like

418
00:25:41,472 --> 00:25:45,306
that. So I think that's where NFTs came in for me, where it's

419
00:25:45,328 --> 00:25:48,854
like this really cool digital marketplace

420
00:25:48,982 --> 00:25:52,558
to sell art and then teaching myself the ins and outs of it.

421
00:25:52,724 --> 00:25:56,254
And I think what I love most about NFTs is the

422
00:25:56,292 --> 00:26:00,110
artist community. I made a lot of friends on social

423
00:26:00,180 --> 00:26:03,762
media just because we were all kind of out

424
00:26:03,816 --> 00:26:07,326
to support each other with the art. And it's

425
00:26:07,358 --> 00:26:11,042
still kind of new. People are still figuring it out,

426
00:26:11,096 --> 00:26:14,878
and the market's kind of tanking right now, but

427
00:26:15,064 --> 00:26:18,914
I'm still able to use that to further my career

428
00:26:18,962 --> 00:26:22,790
and then also help other artists out too. Whether

429
00:26:22,860 --> 00:26:26,566
it's just like a retweet or like a re posting or

430
00:26:26,588 --> 00:26:30,394
something, but where NFT NYC is concerned. And

431
00:26:30,432 --> 00:26:33,660
I actually just applied for this. Again, they

432
00:26:34,510 --> 00:26:38,266
had this exhibition that was going to be in New York and this was

433
00:26:38,288 --> 00:26:42,106
like their second year doing it. I applied the first year, didn't get

434
00:26:42,128 --> 00:26:45,966
in. And I applied for a second year with a piece that

435
00:26:45,988 --> 00:26:49,806
was like near and dear to my heart. And I'm going to switch subjects and

436
00:26:49,828 --> 00:26:53,540
then kind of go back. But it's all part of the same story. This

437
00:26:53,990 --> 00:26:57,794
piece was of Solange, and

438
00:26:57,992 --> 00:27:01,746
I went to Paris in 2017, like this

439
00:27:01,768 --> 00:27:05,618
big trip to Europe and stuff. And I went to the Louvre. And I absolutely

440
00:27:05,704 --> 00:27:09,414
love what I saw in terms of all the paintings and the

441
00:27:09,452 --> 00:27:12,742
Impressionism and just soaking up all these

442
00:27:12,796 --> 00:27:16,566
artistic ideas, looking at the old masters and stuff. So I

443
00:27:16,588 --> 00:27:20,134
kind of brought that energy back to New Haven. Fast forward to

444
00:27:20,252 --> 00:27:24,026
that. I want to say, like September, I guess. I

445
00:27:24,048 --> 00:27:27,706
ran to a friend of mine at Rudy's and he was like, hey, I

446
00:27:27,728 --> 00:27:31,414
want you to contribute artwork for the show. And I hadn't

447
00:27:31,462 --> 00:27:35,306
really listened to no, I was into Solange's

448
00:27:35,338 --> 00:27:38,974
music at the time, but I didn't realize this

449
00:27:39,012 --> 00:27:42,259
friend of mine was like organizing the whole show on her music. So I was

450
00:27:42,259 --> 00:27:45,506
like, oh, that's cool. So I just kind of thought, like, what can I

451
00:27:45,528 --> 00:27:49,218
contribute to this art show? And I thought of the Lube and I

452
00:27:49,224 --> 00:27:51,220
thought about all these figures with

453
00:27:53,030 --> 00:27:56,866
these iconic halos. And when I think

454
00:27:56,888 --> 00:28:00,406
of the Renaissance, I think of like the halos that were flat in the

455
00:28:00,428 --> 00:28:04,086
back because they did not know perspective at that point.

456
00:28:04,188 --> 00:28:06,886
So I always thought that was kind of cool, especially how that's kind of made

457
00:28:06,908 --> 00:28:09,594
a resurgence in art. So I kind of took that

458
00:28:09,632 --> 00:28:13,274
iconography and made it like modern day.

459
00:28:13,312 --> 00:28:16,426
So I created this painting of

460
00:28:16,448 --> 00:28:20,154
Solange with her Afro and everything. And then I

461
00:28:20,192 --> 00:28:23,686
put like a red hood over her, like a cloak kind of covering

462
00:28:23,718 --> 00:28:27,486
her. I guess I was thinking like the Knights Templar or something like that or

463
00:28:27,508 --> 00:28:31,146
like Lord of the Rings. And then I had like a halo, a flat

464
00:28:31,178 --> 00:28:35,026
halo behind her that had song lyrics from one

465
00:28:35,048 --> 00:28:38,626
of her most iconic songs. And then the background was

466
00:28:38,648 --> 00:28:42,382
like kind of brushstrokes, impressionism

467
00:28:42,446 --> 00:28:45,826
kind of thing. And then it was to be printed on

468
00:28:45,848 --> 00:28:49,574
canvas. And I thought like, okay, I need to go big with this.

469
00:28:49,612 --> 00:28:53,190
I need to make an impression. So I went like 36

470
00:28:53,260 --> 00:28:57,094
by 42 inch canvas, which is like just about as big

471
00:28:57,132 --> 00:29:00,906
as I am and ended up being the centerpiece of the

472
00:29:00,928 --> 00:29:03,946
art show. And I submitted this piece to

473
00:29:03,968 --> 00:29:07,706
Nftnyc because this piece that

474
00:29:07,728 --> 00:29:11,502
I exhibited at Artspace when it was open is the

475
00:29:11,556 --> 00:29:15,326
place where I met my now wife because she was the

476
00:29:15,348 --> 00:29:18,480
host of the event. And

477
00:29:18,850 --> 00:29:22,174
it's just wild to me. The more I. Think of this

478
00:29:22,212 --> 00:29:25,778
piece, it had to be in New York City. Like, it had to be on

479
00:29:25,784 --> 00:29:28,994
this billboard because this piece is, like, what helped me get

480
00:29:29,032 --> 00:29:32,500
married, bring this woman into my life.

481
00:29:32,950 --> 00:29:36,674
So they had this opportunity to get

482
00:29:36,712 --> 00:29:40,534
artwork on a billboard in Times Square. So that was, like, one of the main

483
00:29:40,572 --> 00:29:44,306
draws for me. I submit it, they tell me that I'm

484
00:29:44,338 --> 00:29:48,102
in I guess the message goes to spam or something.

485
00:29:48,156 --> 00:29:50,346
So I discover it in my junk folder. I was like, oh, I need to

486
00:29:50,368 --> 00:29:53,798
respond to this, right? Yes, I'm

487
00:29:53,814 --> 00:29:57,514
interested. And not only is

488
00:29:57,552 --> 00:30:00,942
it it's basically, like, where the ball drops. Like, that's where my art was seen.

489
00:30:00,996 --> 00:30:04,606
And then, like, two billboards, like, one to the

490
00:30:04,628 --> 00:30:08,474
left, one to the right, and my wife

491
00:30:08,522 --> 00:30:11,840
was there. My friend Frank Brady was there as well,

492
00:30:12,470 --> 00:30:15,810
and a few other people just to support

493
00:30:15,960 --> 00:30:19,522
this monumentous occasion for my art

494
00:30:19,576 --> 00:30:23,074
happening. It's like, words don't really do it

495
00:30:23,112 --> 00:30:26,086
justice. That feeling like, oh, my artwork is on, like, a

496
00:30:26,108 --> 00:30:29,894
billboard. And I was able to make

497
00:30:29,932 --> 00:30:33,670
that happen with all of this hard work and this dedication

498
00:30:34,010 --> 00:30:37,286
and really, like, taking an

499
00:30:37,308 --> 00:30:40,762
international trip, because getting inspiration in a different place is

500
00:30:40,816 --> 00:30:44,506
amazing, and then coming back and putting that into my art.

501
00:30:44,688 --> 00:30:48,394
So just having my artwork seen in a place

502
00:30:48,432 --> 00:30:52,118
that's considered, like, the center of the world is just

503
00:30:52,304 --> 00:30:55,726
hugely amazing. I don't really have the

504
00:30:55,748 --> 00:30:59,342
words, just sum up what it was like. And then the next

505
00:30:59,396 --> 00:31:02,734
day was great too, because it was like, a two, three day

506
00:31:02,772 --> 00:31:06,034
conference. This painting was used in their

507
00:31:06,072 --> 00:31:09,922
branding, so they had these digital tickets that you could get,

508
00:31:09,976 --> 00:31:13,714
like, NFT tickets you could get. And this painting was featured on

509
00:31:13,752 --> 00:31:17,198
that, and it was featured at the Javits Center where the

510
00:31:17,224 --> 00:31:21,046
presentations were. So, like, on this big canvas board as

511
00:31:21,068 --> 00:31:24,758
you go in my piece, was there, like, one of

512
00:31:24,764 --> 00:31:28,566
the artist tickets you could get and then another canvas that

513
00:31:28,588 --> 00:31:32,106
was like I don't remember how big it was, but it was huge. Like, pretty

514
00:31:32,128 --> 00:31:35,974
much any artist that contributed artwork

515
00:31:36,022 --> 00:31:39,626
and said, yes, you can turn my artwork into a ticket, those were

516
00:31:39,648 --> 00:31:43,210
featured too. So it was just, like, a huge marketing

517
00:31:43,290 --> 00:31:47,054
and branding opportunity for my work. And then

518
00:31:47,092 --> 00:31:50,766
I would go on social media, I think, maybe a

519
00:31:50,788 --> 00:31:54,350
day or two before the conference. And then people

520
00:31:54,500 --> 00:31:58,238
because people would randomly get a ticket, like, if you got a ticket

521
00:31:58,254 --> 00:32:01,890
to the show, you might get my work or somebody else's. People

522
00:32:01,960 --> 00:32:05,350
kept tweeting me. It's like, hey, I got your ticket. I really love this piece.

523
00:32:05,420 --> 00:32:09,254
And it was just, like, such a great

524
00:32:09,452 --> 00:32:13,302
moment as a creative person where people are getting

525
00:32:13,356 --> 00:32:17,158
to discover a piece of art that's so

526
00:32:17,324 --> 00:32:21,114
impactful and so important to me, where it helped me get

527
00:32:21,152 --> 00:32:24,778
married, it helped me meet this person, and now people are getting to experience

528
00:32:24,864 --> 00:32:28,060
it on their own, too. So it was just like, something else.

529
00:32:28,750 --> 00:32:32,474
Wow, that's crazy. I remember seeing you post about it and

530
00:32:32,592 --> 00:32:35,646
being super happy for you and being like, wow, you're in Times Square where the

531
00:32:35,668 --> 00:32:39,454
ball drops. That's insane because I also was fortunate enough to see the

532
00:32:39,492 --> 00:32:42,800
actual canvas that you had. It was up at Known for a little bit,

533
00:32:43,170 --> 00:32:46,686
and it is an amazing piece. So that's really cool that it's got such meaning

534
00:32:46,718 --> 00:32:50,434
to you and that was the one that propelled you to that

535
00:32:50,472 --> 00:32:53,650
sort of, I guess, validation, right? Yeah,

536
00:32:53,720 --> 00:32:57,406
exactly. That's really cool. Thanks for sharing

537
00:32:57,438 --> 00:33:00,790
that story. No problem. So, yeah, as you're

538
00:33:01,290 --> 00:33:04,966
talking about all the different things that you do, I think something that kind

539
00:33:04,988 --> 00:33:08,838
of I noticed or came up for me is that it seems as if you

540
00:33:08,844 --> 00:33:12,042
were never really afraid to try a bunch of things, to

541
00:33:12,096 --> 00:33:15,482
just go and try different mediums of art or trying

542
00:33:15,536 --> 00:33:19,322
different things with art. I think that's kind of an important

543
00:33:19,456 --> 00:33:22,954
thing. And more so important for me as of

544
00:33:22,992 --> 00:33:26,286
recent, is just, like, trying a bunch of things. And even if you can't see

545
00:33:26,308 --> 00:33:30,046
the outcome of it, just see what happens because it'll lead to

546
00:33:30,068 --> 00:33:33,854
things that you never really know without doing it. You would never know

547
00:33:33,892 --> 00:33:37,614
that that could happen. Where do you think that maybe that

548
00:33:37,652 --> 00:33:40,862
came from for you? The openness to maybe try

549
00:33:40,916 --> 00:33:44,560
everything? Yeah, that's a really good point.

550
00:33:45,370 --> 00:33:48,610
I think it comes from my entrepreneurial

551
00:33:48,690 --> 00:33:51,480
spirit, and I think I've been

552
00:33:52,250 --> 00:33:55,590
an entrepreneur for, like, a very young

553
00:33:55,660 --> 00:33:59,418
age when I was doing a lot of

554
00:33:59,504 --> 00:34:03,322
comic books. And I would pretty

555
00:34:03,376 --> 00:34:07,082
much do a comic book a month for myself,

556
00:34:07,136 --> 00:34:10,970
like, whatever story I was developing or, like, from being

557
00:34:11,040 --> 00:34:14,814
a kid. And I remember my mom and I went

558
00:34:14,852 --> 00:34:18,286
to New York for, like, I think it was like the Big Apple Con or

559
00:34:18,308 --> 00:34:21,982
something, and they were publishing this comic book

560
00:34:22,116 --> 00:34:25,818
series called Disney Adventures, and they were interviewing one of the

561
00:34:25,844 --> 00:34:29,586
ladies from the book. And so my mom raised her hand, asked like,

562
00:34:29,608 --> 00:34:33,426
oh, what would it take for my son to be an entrepreneur? Like,

563
00:34:33,448 --> 00:34:37,102
he's doing these comics. He sells them to his friends

564
00:34:37,176 --> 00:34:40,786
sometimes, and he does this whenever he can in his spare

565
00:34:40,818 --> 00:34:44,278
time. So I was, like, drawing it, writing it,

566
00:34:44,364 --> 00:34:48,214
coloring it. I was doing everything. And so the woman answers the question.

567
00:34:48,252 --> 00:34:51,674
It's like, oh, your son is already an entrepreneur. Like, he's already doing it.

568
00:34:51,792 --> 00:34:55,610
And that was just extremely validating for

569
00:34:55,680 --> 00:34:59,274
both me and my mom to know that I was already on this

570
00:34:59,312 --> 00:35:03,038
path to entrepreneurship. And I think it just kind of

571
00:35:03,044 --> 00:35:06,570
comes down to, like, let me see what works. And if it doesn't work, I'm

572
00:35:06,570 --> 00:35:10,270
going to go back to the drawing board. Professionally, I've tried,

573
00:35:10,340 --> 00:35:14,178
like, okay, maybe I'll just be a

574
00:35:14,184 --> 00:35:17,906
portrait artist and do families and businesses and

575
00:35:17,928 --> 00:35:20,820
stuff like that. Or maybe I'll do

576
00:35:21,270 --> 00:35:24,850
urban landscapes and make a go at that. So

577
00:35:25,000 --> 00:35:28,280
some of these things that may not have taken off,

578
00:35:29,130 --> 00:35:32,822
I'll still keep them in my toolkit, but it's like,

579
00:35:32,876 --> 00:35:36,294
okay, maybe this won't propel me where I need to go. Like,

580
00:35:36,332 --> 00:35:40,138
NFTs was an experiment and that has propelled me to a

581
00:35:40,144 --> 00:35:43,174
certain point with Times Square and graphic

582
00:35:43,222 --> 00:35:46,586
recording. I think that's going to continue to

583
00:35:46,688 --> 00:35:50,470
propel me as well because it's just sustainable.

584
00:35:50,550 --> 00:35:54,110
And there are just a lot of businesses, I think, that can use

585
00:35:54,180 --> 00:35:57,374
visual notes for their meetings, where visual notes will

586
00:35:57,492 --> 00:36:01,246
enhance what's being talked about so that people remember it,

587
00:36:01,268 --> 00:36:04,080
so they remember the presentator. So that

588
00:36:04,530 --> 00:36:08,274
whoever's presenting feels supported in what they're doing because

589
00:36:08,312 --> 00:36:11,714
it's like they're kind of being able to play off of the art. It's like

590
00:36:11,752 --> 00:36:14,962
if I'm doing graphic recording and I'm projecting it live,

591
00:36:15,096 --> 00:36:18,886
whoever's speaking can see it come together behind them or beside them.

592
00:36:18,988 --> 00:36:22,614
So that kind of just enhances everything. So

593
00:36:22,812 --> 00:36:26,614
I guess I kind of look like, where is there a need for

594
00:36:26,652 --> 00:36:30,274
the art professionally? And if there's

595
00:36:30,322 --> 00:36:33,786
not, or not as much as I would like, then I can kind of go

596
00:36:33,808 --> 00:36:37,546
back to the drawing board. I think photography has

597
00:36:37,568 --> 00:36:41,134
also taken off for me, too. It's something I'm doing a lot of.

598
00:36:41,252 --> 00:36:45,006
At my current job at Milford Arts Council, we had an

599
00:36:45,028 --> 00:36:48,138
exhibit recently called Tattoo Tribe.

600
00:36:48,314 --> 00:36:52,142
And one way I was able to support them was by

601
00:36:52,276 --> 00:36:56,066
going a little bit early, taking pictures of people coming in and

602
00:36:56,088 --> 00:36:59,474
then taking pictures throughout the night. So I've got

603
00:36:59,672 --> 00:37:03,426
the Canon revel that my wife and I use. And then

604
00:37:03,448 --> 00:37:06,862
I've got a tripod set up on stage to capture

605
00:37:06,926 --> 00:37:10,706
video. So I'm capturing video in one place. I'm

606
00:37:10,738 --> 00:37:14,406
doing still photography. And then there was one

607
00:37:14,428 --> 00:37:17,766
point in the night where I kind of went up the stairs to the office,

608
00:37:17,948 --> 00:37:21,370
and then I was able to kind of open

609
00:37:21,440 --> 00:37:25,082
up. It's almost like a little staging area, like you can see

610
00:37:25,136 --> 00:37:28,614
over to where the crowd would be. So I got some nice aerial

611
00:37:28,662 --> 00:37:31,520
shots too. So I think

612
00:37:32,850 --> 00:37:36,446
for one thing, my photography is informed by

613
00:37:36,548 --> 00:37:40,142
my background as a cartoonist. Or like one thing I can appreciate about

614
00:37:40,196 --> 00:37:43,886
cartoonists and kind of movies and TV is that

615
00:37:43,908 --> 00:37:47,486
it's kind of like a similar language. So if I'm taking a

616
00:37:47,508 --> 00:37:50,594
photo, I'm thinking, how can I tell this story? How can I tell this story

617
00:37:50,632 --> 00:37:54,130
in a cinematic way? So I was able to take all that footage and

618
00:37:54,200 --> 00:37:57,538
photos and stuff, and I turned it into a reel

619
00:37:57,634 --> 00:38:01,270
for the local Arts Council Instagram account.

620
00:38:01,420 --> 00:38:05,062
And I kind of composed it like a movie where the

621
00:38:05,196 --> 00:38:08,922
curator spoke at one part of the night just about

622
00:38:08,976 --> 00:38:12,762
his experience. So I isolated that and then

623
00:38:12,816 --> 00:38:16,566
I kind of put that as, like, the narration

624
00:38:16,678 --> 00:38:20,382
behind this movie scene because that's how I treat it. Like

625
00:38:20,436 --> 00:38:23,598
at the beginning opening credits, like it says,

626
00:38:23,764 --> 00:38:27,386
Tattoo Tribe opening exhibition. The camera

627
00:38:27,578 --> 00:38:31,246
follows you in. So you're seeing where the

628
00:38:31,268 --> 00:38:35,098
crowd is and it's like panning to see the audience, like

629
00:38:35,204 --> 00:38:38,958
kind of things slow down, they speed up, and then the whole time it's

630
00:38:38,974 --> 00:38:42,222
like this person's voiceover guiding you through the exhibit.

631
00:38:42,366 --> 00:38:46,018
And I ended it where it fades to black. And then

632
00:38:46,104 --> 00:38:49,734
I think the line he says something like, without my

633
00:38:49,772 --> 00:38:52,982
clients, I would be nothing, and then it fades to black. I was like, oh,

634
00:38:53,036 --> 00:38:56,726
that's it. That's getting posted and just kind of

635
00:38:56,748 --> 00:39:00,522
storyboarding it in my head and then composing it and then putting

636
00:39:00,576 --> 00:39:04,086
it out there in the world. So even though I'm not necessarily

637
00:39:04,198 --> 00:39:07,610
creating comic books as often as I used to,

638
00:39:07,760 --> 00:39:11,590
I'm kind of looking at videography and photography in a

639
00:39:11,600 --> 00:39:15,306
similar way. Yeah, definitely. Yeah. It's

640
00:39:15,338 --> 00:39:19,146
interesting to kind of see how your early influence of comic books

641
00:39:19,178 --> 00:39:22,846
has kind of led to all of everything that you're doing now. And I think

642
00:39:22,868 --> 00:39:26,194
that's important to think about too, is like

643
00:39:26,232 --> 00:39:29,906
transferable skills in the old things that you used to do. And

644
00:39:29,928 --> 00:39:33,634
even so, for me, when I was in a corporate engineering job,

645
00:39:33,672 --> 00:39:37,106
there's still transferable skills that I learned even going through

646
00:39:37,128 --> 00:39:40,806
engineering school that I can then apply to what I'm doing now.

647
00:39:40,988 --> 00:39:44,774
So none of it is really wasted time. It's more so

648
00:39:44,892 --> 00:39:48,374
just propelling you to get to wherever you're supposed to be.

649
00:39:48,572 --> 00:39:51,994
So I think your story has done a good job of showing that, for

650
00:39:52,032 --> 00:39:55,642
sure. So, yeah, we are kind of getting to the end of our time here.

651
00:39:55,696 --> 00:39:59,546
So I have a couple more questions for you. Sure. One, if

652
00:39:59,568 --> 00:40:03,126
you can define what purpose means to you

653
00:40:03,248 --> 00:40:06,974
and how you find purpose in your work, because it has a different

654
00:40:07,012 --> 00:40:10,270
definition for everybody, but I'd. Like to get your thoughts on it. Cool.

655
00:40:10,340 --> 00:40:13,380
Yeah. I like to think that

656
00:40:13,990 --> 00:40:17,794
purpose and happiness go hand in

657
00:40:17,832 --> 00:40:21,122
hand and that you can't have

658
00:40:21,176 --> 00:40:25,026
one without the other. I look at the job I have

659
00:40:25,048 --> 00:40:28,806
now. I look at the kind of commissions and freelance work that I

660
00:40:28,828 --> 00:40:32,360
have and some of the classes that I teach and it all

661
00:40:32,810 --> 00:40:36,566
causes me a lot of happiness. And that makes me

662
00:40:36,588 --> 00:40:40,394
think of alignment. Like, this is aligned with my

663
00:40:40,432 --> 00:40:44,266
values. This is aligned with what I feel like I was put

664
00:40:44,288 --> 00:40:47,946
on this earth to do, connect with people, uplift people

665
00:40:48,048 --> 00:40:51,866
through art. So if this is causing

666
00:40:51,898 --> 00:40:55,610
me to be happy and other people aren't

667
00:40:55,690 --> 00:40:59,374
negatively impacted by it, I think I see that as

668
00:40:59,412 --> 00:41:03,138
being my purpose. And in terms of

669
00:41:03,304 --> 00:41:07,154
the art part of it, I think, again, it goes back

670
00:41:07,192 --> 00:41:10,754
to alignment. Like, what is this painting going to

671
00:41:10,792 --> 00:41:14,034
serve either to me or to my

672
00:41:14,072 --> 00:41:17,686
audience? And I usually think of my audience when I'm working

673
00:41:17,788 --> 00:41:21,030
on something like, how is this going to be received? And I'll let that

674
00:41:21,180 --> 00:41:24,470
confine me or anything, but I think there's like a certain

675
00:41:24,620 --> 00:41:28,454
responsibility as an artist where if I'm creating something

676
00:41:28,492 --> 00:41:32,186
I'm putting out in the world, I do want it to be positive or I

677
00:41:32,208 --> 00:41:35,658
want it to kind of spark a dialogue in a

678
00:41:35,664 --> 00:41:39,174
conversation. And sometimes I'll go back to it like doing political

679
00:41:39,222 --> 00:41:42,726
art. So it'll be whimsical and it'll be humorous, but

680
00:41:42,848 --> 00:41:46,654
it's also like, okay, do you really want this person as president? Like,

681
00:41:46,692 --> 00:41:50,010
this is what I'm trying to showcase to you in this artwork.

682
00:41:50,170 --> 00:41:53,838
So I always think of intent and

683
00:41:54,004 --> 00:41:57,586
what does this piece stand for? What do I stand for as an artist? And

684
00:41:57,608 --> 00:42:01,378
I want to convey that clearly every time I put something out in the

685
00:42:01,384 --> 00:42:05,140
world. Yeah, no, I really like that.

686
00:42:05,670 --> 00:42:09,458
The happiness and the purpose kind of being interrelated. I'm not

687
00:42:09,464 --> 00:42:12,438
sure I've ever thought about it like that before, but it makes total sense to

688
00:42:12,444 --> 00:42:16,246
me when you said it. So the last question that I

689
00:42:16,268 --> 00:42:19,962
have for you is what's next for you and how can people support you

690
00:42:20,096 --> 00:42:23,418
and follow the work that you do? Oh,

691
00:42:23,504 --> 00:42:27,002
great. So what's next for me, I think,

692
00:42:27,056 --> 00:42:30,630
is more graphic recording jobs.

693
00:42:30,710 --> 00:42:34,554
I'd love to attend more events and get

694
00:42:34,592 --> 00:42:38,382
into some conferences where I can kind of be doing this for a few days

695
00:42:38,436 --> 00:42:41,678
at a time and provide like, a ton of work to a client. That would

696
00:42:41,684 --> 00:42:45,506
be great. I definitely want to travel

697
00:42:45,608 --> 00:42:48,690
more. My wife and I are organizing

698
00:42:49,350 --> 00:42:53,106
networking events with the elements of

699
00:42:53,128 --> 00:42:56,966
Abundance, so it would be a tour in Ghana. So we're working on

700
00:42:56,988 --> 00:43:00,678
that. You can actually get your tickets for that now for it. It's going to

701
00:43:00,684 --> 00:43:03,640
be amazing. Yeah. And

702
00:43:04,410 --> 00:43:08,010
in terms of finding me and supporting me, my website

703
00:43:08,080 --> 00:43:11,594
is Raheemnelson.com. You can

704
00:43:11,712 --> 00:43:15,546
follow me on Instagram at Raheem Nelson Arts or at

705
00:43:15,568 --> 00:43:19,002
Raheem Nelson Style as well because I'm definitely into

706
00:43:19,136 --> 00:43:22,566
fashion and suits and all that stuff and

707
00:43:22,688 --> 00:43:26,302
definitely give the Milford Arts Council a follow as well too.

708
00:43:26,356 --> 00:43:30,126
Like, I am doing their communications and their marketing. We have

709
00:43:30,148 --> 00:43:33,886
a lot of amazing productions going on, including the tattoo exhibit that I

710
00:43:33,908 --> 00:43:37,646
mentioned. We're also going to be having a short film be shown at the Milford

711
00:43:37,678 --> 00:43:41,106
Arts Center and then a closing exhibition from our

712
00:43:41,128 --> 00:43:44,878
curator, who is also I forget what instrument he plays, but I know he's

713
00:43:44,894 --> 00:43:48,726
in a band and he's talented. But yeah, it's going to be a

714
00:43:48,748 --> 00:43:52,566
great year, and I'm really happy to be on

715
00:43:52,588 --> 00:43:56,006
here too, Gino. Like, it's been a lot of fun. Yeah. Well, thanks so much

716
00:43:56,108 --> 00:43:59,718
for coming on and sharing your story and your wisdom. And I'll be sure to

717
00:43:59,724 --> 00:44:03,190
get all the links in the show notes so people can find that stuff easily.

718
00:44:03,530 --> 00:44:06,246
But yeah. Thank you so much for your time, Raheem. I appreciate you being on

719
00:44:06,268 --> 00:44:09,080
here. No problem. This is great gino. Thanks.

720
00:44:10,050 --> 00:44:13,834
Thanks for tuning in and listening to Working towards our purpose.

721
00:44:13,962 --> 00:44:17,786
If you like this episode, please share it with a friend and don't forget

722
00:44:17,818 --> 00:44:20,110
to subscribe for more episodes.

723
00:44:24,050 --> 00:44:24,800
You.