Speaker 1: I want us to come up with a sitcom because
Speaker 1: I started watching Ship's Creek.
Speaker 2: You did, Yeah, isn't it so funny?
Speaker 1: It is? But it's like fucking Eugene Levy and and
Speaker 1: uh Dan Levy and even his sister Sarah Levy or
Speaker 1: Levy Eugene Levy Levy is it Levy or leaving whatever?
Speaker 1: But Sarah is the sister and she plays Twila on
Speaker 1: the show. So there's three. Really you know that.
Speaker 2: I didn't even know that.
Speaker 1: Yeah, so I'm watching these guys make a sitcom with family.
Speaker 1: I'm like, oh my god, what is genius? But a
Speaker 1: great way to go to work. So I'm not saying
Speaker 1: we got to come up with fucking Shit's Creek, which,
Speaker 1: to be fair, was just Green Acres, you know, with
Speaker 1: a lot more, but like modern day version of Green Acres,
Speaker 1: Fish out of Water sitcom, very traditional. Yeah, it's very
Speaker 1: well made and fucking like they're all funny as fuck.
Speaker 1: But we gotta I'm not even saying it's gotta be original,
Speaker 1: like it's gotta be like Seinfeld groundbreaking fuck that, it's
Speaker 1: just got to be something people would watch.
Speaker 2: Okay, we can do that.
Speaker 1: So the strength is like in going in as a family.
Speaker 1: Their production company was Dan and Eugene, so that's using
Speaker 1: them as a model. That's us.
Speaker 2: Okay, So we.
Speaker 1: Got to come up with the sitcom. Their first project
Speaker 1: was Ship's Creek, So no.
Speaker 2: Pressure, So no pressure. We have to be iconic.
Speaker 1: What is the what? What sitcoms did you like? Grown up?
Speaker 1: Did you like any sitcoms? Well?
Speaker 2: I don't know about like I mean in the later years,
Speaker 2: like The Office.
Speaker 1: Okay, yes, that's right, that was your surface my show,
Speaker 1: and that's your version of a sitcom of like fucking
Speaker 1: guy looks at the camera and ship like that. I
Speaker 1: love that. So wait, what did the old style of
Speaker 1: like three or four cameras and people like pausing for
Speaker 1: laughter and applause? Is that? Like did you ever enjoy
Speaker 1: a sitcom like that? Like? What who does that that?
Speaker 1: You know?
Speaker 2: Like Disney Channel and Nick they did that?
Speaker 1: Yeah, how strange? That's true. Like when the this sitcom
Speaker 1: format was being like changed by like like The Office
Speaker 1: and whatnot, Disney Channel and Nick were still doing pretty
Speaker 1: much traditional strong and we went to one we did
Speaker 1: live tape and fucking Zach and Cody.
Speaker 2: Oh yes, polite kids, We'll never forget. We'll never forget it.
Speaker 1: But I believe when we met them they were were
Speaker 1: they doing on deck? Sweet Life on Deck or no? No, classic?
Speaker 1: It was classic so at that point because then they
Speaker 1: moved on to like sweet Life on Deck or something
Speaker 1: like that. But by that point the boys had to
Speaker 1: be at least forty eight forty nine.
Speaker 2: Right of course, it's.
Speaker 1: Been acting for you. But they were so like well
Speaker 1: healed and like, hi, how are you nice to meet you?
Speaker 2: Like it was so exciting.
Speaker 1: Yeah, so exciting. One of them went on, did they
Speaker 1: both go on acting careers? One of them is, we've
Speaker 1: talked about this. We always fall down the.
Speaker 2: Right.
Speaker 1: Some Sweet Life was a sitcom that you fucked with
Speaker 1: and you Montana and those were filmed in front of studio.
Speaker 2: Yeah, I Carly, we want to one.
Speaker 1: What's the Carly song?
Speaker 2: I know you see somehow me and be so winder.
Speaker 1: Beat there and and said wind show me. I will
Speaker 1: make the show.
Speaker 2: Foun I will I'll like you lose your.
Speaker 1: Mind it is I gotta go from the top. Hold on, sorry,
Speaker 1: wait wait, how does it begin?
Speaker 2: I know you see somehow the world will change for
Speaker 2: me and be so wonderful.
Speaker 1: Live like there I know man, I'm going to get
Speaker 1: there and be so wonderous. Yeah it's not.
Speaker 3: It's really and it's not show me what these things.
Speaker 1: That's so I'm telling you this is just.
Speaker 2: So memois of mony.
Speaker 1: To be No chip, what is it that's there's no
Speaker 1: chance unless you take Are you crying? It's such an
Speaker 1: emthemic little piece of music.
Speaker 2: I was just about to start filming you, but we're off.
Speaker 1: Well, I must pull my phone out.
Speaker 2: You just love the high Carly theme song.
Speaker 1: Well it's great, but also like you singing it is
Speaker 1: like that makes even more kin it because you would
Speaker 1: sing it as a kid and ship.
Speaker 2: No, I just wanted to think that you're crying over
Speaker 2: the lyrics and.
Speaker 1: It's also powderful, yeah, of course, but like it's the
Speaker 1: gest like I don't know, Yeah, I would probably get
Speaker 1: emotional for like anybody, even if my most hated enemy.
Speaker 2: Telling you just how.
Speaker 1: So wag of the members of my nation, it's your
Speaker 1: time to be There's no chance unless you take one.
Speaker 1: Every time you see this side of situation.
Speaker 2: Some things I'm meant to be so gay, but your
Speaker 2: fastingly the rest to.
Speaker 1: Me leave it all.
Speaker 2: He loves it. He's so touched by the I.
Speaker 1: Like. I only found out fairly recently. It was like,
Speaker 1: what is it? So give it your best and leave
Speaker 1: the rest of me. I thought it was give it
Speaker 1: a rest and leave the rest of me. And I
Speaker 1: was like, I fucking love that because it's like that's
Speaker 1: somebody who understands, like, never're gonna get there unless you
Speaker 1: let me take charge. I hear something else when I listen.
Speaker 2: Oh my god.
Speaker 1: I like their version as well, very funny. Leave the
Speaker 1: rest of me, leave it all to be take it's slow,
Speaker 1: I think, Yeah, And now you won't be free you
Speaker 1: make up the memoiselle my nation. It's your time to
Speaker 1: be There's no chance unless you take one. Every time
Speaker 1: you see.
Speaker 2: This side a side.
Speaker 1: Jew some things are meant to be so good at you.
Speaker 1: Does that make me so emuptional? That's crazy. It's crazy
Speaker 1: powerful like popular, like like positive song.
Speaker 2: You won't be free until you wake up the members
Speaker 2: of my nation?
Speaker 1: Yeah, what's the other? Now I got to know the
Speaker 1: other fucking lyrics.
Speaker 2: It's so so powerful.
Speaker 1: And if there's something about Satan in there a chance
Speaker 1: for me? A well I Carly theme song?
Speaker 2: Is it not wake Up? I do believe it's called
Speaker 2: wake up the members of my nation, or maybe the
Speaker 2: lyrics what.
Speaker 1: I would like to be cosgrow leave it all to
Speaker 1: me lyrics, All right, here we go. I know you
Speaker 1: see somehow the world will change for me. I can't
Speaker 1: even it.
Speaker 4: Do you want me?
Speaker 1: I can get through it. Just it's so hacked to
Speaker 1: fall for this, But it's like that's the reason in
Speaker 1: this business, because like I believe in shit like this.
Speaker 1: It's but God, you love it. I know you see
Speaker 1: somehow the world will change for me and be so wonderful.
Speaker 1: Live life, breathe there. I know somehow we're going to
Speaker 1: get there and feel so wonderful. I can't. I cannot
Speaker 1: right now. I will make you change your mind. These
Speaker 1: things happen all the time, and it's all real. I'm
Speaker 1: telling you just how I feel. So wake up, the
Speaker 1: members of Man Nation. It's your time to be There's
Speaker 1: no chance unless you take one and the time to
Speaker 1: see the briders of every situation. Get over it, find it,
Speaker 1: find some things up man to be so gay your
Speaker 1: best leave that.
Speaker 2: Maybe my band should do a.
Speaker 1: Cover of the song, like a speed metal version from
Speaker 1: Yelling It God, that's nuts.
Speaker 2: It's so sweet, how touching that Carly theme song, It's
Speaker 2: to You.
Speaker 1: It really is on so many levels, but it made
Speaker 1: it's made even more so because like that was for you,
Speaker 1: Like that was sure, And I would always be like,
Speaker 1: you know, you can watch Carly or you can write.
Speaker 2: You would always say that's.
Speaker 1: One of them. Is way more fun.
Speaker 2: You would always say that to me.
Speaker 1: Watching it was inspiring. But yeah, that's a jam. It's
Speaker 1: a fucking it's a banger.
Speaker 2: It's an anthem.
Speaker 1: It really is.
Speaker 2: It's nothing less than a fucking anthem.
Speaker 1: No, she's crowded, did she? She didn't write that song.
Speaker 1: It's no way she wrote that song. I really did. Geez,
Speaker 1: did you.
Speaker 2: Watch Apology to mirandas Girl?
Speaker 1: Yeah? I really did fucking doubt her hardcore, didn't you.
Speaker 2: I can't say who.
Speaker 1: The lyricist is. The theme song leave It All to
Speaker 1: Me is the debut single by an American actress and
Speaker 1: singer Miranda Cosgo featuring Drake Bell from the Nickelodeon show
Speaker 1: I Carly soundtrack album. The song was written by Michael Corkoran,
Speaker 1: one of Belle's band members. Well fucking what a banger man.
Speaker 2: Well fucking thank you, sir. We always sing it in
Speaker 2: the car we too. We always listened to it in
Speaker 2: the car.
Speaker 1: You know they did you follow the you know that
Speaker 1: show when they like did the sequel show.
Speaker 2: I have not seen the sequel show, so you.
Speaker 1: Know her and that boy like finally kissed and stuff.
Speaker 4: Oh yeah, I didn't know that. I Carly was such
Speaker 4: a off to discussion.
Speaker 1: I was so swept away by all the fuckers on
Speaker 1: Twitter who were like, probably your age when it was on,
Speaker 1: and they were all like, oh my god. And they
Speaker 1: were able to do those video side by side comparisons
Speaker 1: of like when they met as kids and when they
Speaker 1: kissed his adults and I'm not even part of the journey,
Speaker 1: and I was like, how fucking affected I am? Oh
Speaker 1: my lord, I'll tell you. We gotta make something like that.
Speaker 1: That's what makes money.
Speaker 2: This was not how I my Saturday nights.
Speaker 1: How it makes a come. You get real emotional overs
Speaker 1: and cubs that you used to watch. All right, we
Speaker 1: number one, we have strong Contender and fucking Smitty and Son.
Speaker 2: I was gonna say, that's still can we already come
Speaker 2: up with.
Speaker 5: A pretty hot idea for those who came in late
Speaker 5: fucking father Daughter number one, the American Prairie kind of
Speaker 5: like little House in the Prairie and there they on
Speaker 5: a mercantile called Smitty and Son, but the son is secretly.
Speaker 1: A daughter because she can't be a woman in those days.
Speaker 2: Oh god, are you gonna cry over that?
Speaker 1: It's pretty hot. If somebody was like, make it earnestly
Speaker 1: like fucking little house in the prairie or a Hallmark
Speaker 1: earnest or if somebody was like, just make that ironic as.
Speaker 6: Fun, it's like, oh hell yeah, either way, I work.
Speaker 2: Either way.
Speaker 1: It was at a time when a woman could only
Speaker 1: be a man.
Speaker 6: People like, there's a reason he couldn't call it Smitty
Speaker 6: a daughter because people be like, I'm not gonna buy
Speaker 6: my mercantile goods.
Speaker 2: Believe the mom passed away and and.
Speaker 1: This is gonna make me cry.
Speaker 2: My son had to well, theater had to play the
Speaker 2: role of a son to have this to run this business,
Speaker 2: to keep their family afloat.
Speaker 1: But why couldn't have just been the daughter, Because.
Speaker 2: I honestly don't know.
Speaker 1: I think it was the trope of people were shitty
Speaker 1: about women and then you know, insert any fucking number there.
Speaker 4: Honestly, but also today, yeah.
Speaker 1: A competing mercantile but then he can't be like we
Speaker 1: moved into town, because then you're the bad guy at
Speaker 1: the end of the day, Like, hey man, we had
Speaker 1: mercantile in town, you're gonna move in. But there has
Speaker 1: to be a reason that he's like, you gotta fucking
Speaker 1: beat a son. You can't. You got to take him
Speaker 1: down mental style and ship. You can't. Fucking if you
Speaker 1: show boobage here, we're fucked. Why, Well, that's the hook.
Speaker 1: That's the thing. We got to figure out why. It's
Speaker 1: just becau because it's the shitty olden days where they're like, oh,
Speaker 1: a woman's only good for the fucking dance hall across
Speaker 1: the street or whatever, and he wants to be taken
Speaker 1: seriously as a businessman or all right, the mom's dead,
Speaker 1: but the dad takes ill. Oh man, so smitty and
Speaker 1: son and it's but then the lie was always in
Speaker 1: from the fix was always in. You know what I'm saying, Like,
Speaker 1: does that mean because I completely lost.
Speaker 2: He take a step back.
Speaker 1: I don't. This is scary me. The U. In order
Speaker 1: to name the place Smitian's son, one of two things
Speaker 1: has to happen.
Speaker 2: Then That's what I'm talking about, is the mom disguise.
Speaker 1: Oh shit, now on something. He's like, look, our son died.
Speaker 1: I need a son and son partner. Can you tape
Speaker 1: them down? And she's like, I'm your wife. He's like
Speaker 1: it doesn't matter. She's like, just change the sign this minty.
Speaker 1: He's like, no, no, no, no, that's very expensive. No,
Speaker 1: will you take them down.
Speaker 2: They're about to open. They're about to open, and they
Speaker 2: can't change the sign. They're about to open for the
Speaker 2: first time ever in this new town.
Speaker 1: So there was a son.
Speaker 2: There was a son, but he died, right, And so it's.
Speaker 1: Got to be the daughter, not the wife. If it's
Speaker 1: the wife, it's a whole different fucking show because then
Speaker 1: people are like, Hey, did I see you kissing that
Speaker 1: man back there? What? No, I think you have something
Speaker 1: stuck in his throat. We have to be more careful.
Speaker 1: So it has to be like, you know, it's the
Speaker 1: age of consumption and shit, cholera, whatever, fuck all the
Speaker 1: diseases that take lines and stuff. And so him and
Speaker 1: his son built the place. My daughter is one year younger,
Speaker 1: but naturally it was old at times, and people were
Speaker 1: shitty about chicks. She was always kind of the afterthought,
Speaker 1: of course, So the son dies of you know, enter
Speaker 1: fucking disease a week and.
Speaker 2: Also the mom dies or the mom is it a
Speaker 2: double death? Does she die of despair?
Speaker 1: No? Maybe they both die in a horse carriage accidents.
Speaker 1: Maybe we're thinking about this all wrong, trying to give
Speaker 1: them diseases.
Speaker 2: Yes, that is so true. Oh wow, what a great setup.
Speaker 2: So either way, in a horse carriage accident.
Speaker 1: But here, here's all right. Here's mom died years ago.
Speaker 1: Dad has been raising the kids by himself, finally put
Speaker 1: together enough money and sold the farm in fucking Kansas,
Speaker 1: and then they moved to fucking Nebraska. The war stakes place,
Speaker 1: one of the big fucking farm states. So they're going
Speaker 1: to Kansas or whatever. But he finally saved enough to
Speaker 1: be like, I'm gonna open to mercantile SMNNY and sons. Yeah,
Speaker 1: but then why wouldn't you name it in honor of
Speaker 1: your dead wife?
Speaker 2: And you do have a point there. Why would you
Speaker 2: know I name it after your deceased wife?
Speaker 1: Maybe because we know why, because it's the eighteen where
Speaker 1: they're like, I gotta buy nothing from a pearls. Fuck
Speaker 1: that that sounds lady like SMITTI and sons and so
Speaker 1: him and his son put together the store and ship.
Speaker 1: It's about to but then the son dies from cholera,
Speaker 1: and then the old man is felled by it, but
Speaker 1: he bounces back enough, but he's still winged and ship.
Speaker 1: But if they don't open up, they owe to creditors
Speaker 1: and stuff like that, land deeds and what So she's
Speaker 1: got a like fucking tape.
Speaker 2: Does she have to play both the role of the
Speaker 2: dad and the son because the dad is too ill
Speaker 2: it's an.
Speaker 1: Acting door to force. No, just she just needs to
Speaker 1: handle the son part.
Speaker 2: It's just like Jacquel and hide and play and is
Speaker 2: both and is both the dad and the son.
Speaker 1: You know, I don't like that.
Speaker 2: Is that where you draw the line.
Speaker 1: I think you're taking it into a place where that
Speaker 1: feels that doesn't feel all right, Sorry, it feels more
Speaker 1: than to authentic for her, Like I got to fucking
Speaker 1: tape them down to save the family farm, so to speak.
Speaker 1: And then the father is on the mend and whatnot.
Speaker 1: But then you know, we got episodes where people like
Speaker 1: I want to buy my fucking gumballs from man who's
Speaker 1: got cholera and ship like that. Yeah, these are these
Speaker 1: are the fucking problems of the day, like none of
Speaker 1: these like my cell phone's broke because this is a
Speaker 1: fucking shitty eighteen hundreds and people really shit about.
Speaker 2: That was the first time you've said that.
Speaker 1: I think, I think I've coined the phrase. All right,
Speaker 1: so we have Smitty and Sons as a back pocket thing,
Speaker 1: but that's not a sitcom.
Speaker 2: That just that feels It feels very dramatic.
Speaker 1: It feels very Hallmark is what it feels like a
Speaker 1: family channel if that still exists. So now we've got
Speaker 1: to come up with the our ship's creak. It's just
Speaker 1: that simple.
Speaker 2: Is Smitty and Sons as close as we can get?
Speaker 1: I think, so, oh Jesus, I think. I think, well,
Speaker 1: number one, it's a firefucking idea, Smitty and Sons, So
Speaker 1: I'm not gonna apologize for that. But number two, like, well,
Speaker 1: maybe we go all in on it. Let's develop this further.
Speaker 1: Who are the people in the town?
Speaker 2: Mm hmmm.
Speaker 1: So they gotta have enemies, right, people who are like,
Speaker 1: I'm gonna buy this American dial I'm from.
Speaker 2: The enemy is disease, but.
Speaker 1: Well, yes, in the existential sense, the enemy is Ultimately
Speaker 1: they'll never live past age fifty because it's the old time.
Speaker 1: But you know there's some land baron fucker who's like,
Speaker 1: you know, if if you don't open the store, I
Speaker 1: will take it from you and your son of God
Speaker 1: from bed. It's was you and a daughter, I'd have
Speaker 1: this place by now. So he's already he's got to
Speaker 1: be the bad guy, the guy you like love to
Speaker 1: hate and stuff. And then there's the the girl in town. See,
Speaker 1: the thing is, when you get to town, do you
Speaker 1: have to be a boy the whole fucking time or
Speaker 1: do you have to be a girl and a boy
Speaker 1: a boy behind the counter when you're helping at the mercantile,
Speaker 1: but then a girl going to school and shit like that.
Speaker 1: So it's like angel hooker, Wow, fucking student by day,
Speaker 1: hooker by night.
Speaker 2: I was gonna say, like Hannah Montana or that.
Speaker 1: She doesn't have a secret identity, Well, I guess she
Speaker 1: does it. She does, but she can't be going to
Speaker 1: school and run the mercantile during the day.
Speaker 2: She has to forego school. Is she even allowed to
Speaker 2: go to school? Or women even in school?
Speaker 1: Or no? The little house in Prayer they all went
Speaker 1: to school, Like Laura Ingles was in class and Miss
Speaker 1: Beadle was a teacher. She was a lady and stuff,
Speaker 1: so you know, school was like that's where do women
Speaker 1: go to school? Of course, But I don't know that
Speaker 1: she can live a double life.
Speaker 2: It's too hard.
Speaker 1: Yeah. That also might be a little too antic for
Speaker 1: the speed we're talking about. Like, you know, they're like
Speaker 1: pick a lane. She's trying to be you know, fucking
Speaker 1: you know, blend in in the shitty old days and
Speaker 1: that's enough without being like and she's also during the
Speaker 1: day like you know, a pretty model girl or whatever.
Speaker 2: Wow, the duality.
Speaker 1: She needs a nemesis, Like in Laura Ingalls in Little
Speaker 1: House in the Pair had Nelly Olsen, the daughter of
Speaker 1: the people that own the mercantile m. And that's who
Speaker 1: I think you should play.
Speaker 2: Oh the enemy.
Speaker 1: Yeah, the shitty spoiled for Smitty and Son.
Speaker 2: I'm not even playing yours.
Speaker 1: I'm not Smitty either, Yes you are. Oh that's right.
Speaker 1: In order for this to work, like Ship's Creek, we're
Speaker 1: both attacked. You're Smitty, all right, So I'm Smitty your son.
Speaker 2: Yeah, I'm son.
Speaker 1: He's really the daughter spoilers. So we got to come
Speaker 1: up with a shitty buddy. Now a shitty like a nemesis,
Speaker 1: a friend of me, really flat out nemesis. Who would
Speaker 1: be your nemesis if you can cast it right now? No,
Speaker 1: a dog nemesis. Everyone's gonna hate you, everyone loves. Set
Speaker 1: yourself up for failure.
Speaker 2: There, I don't know.
Speaker 1: You tell me, Sidney Sweeney? Do you think we can
Speaker 1: get her moving on? Show?
Speaker 2: Moving on? Pretty true?
Speaker 1: What is who's famous in the world now?
Speaker 2: Like of that's my age or just in general or
Speaker 2: just like.
Speaker 1: Your age is? Who is the who's the up and coming?
Speaker 2: Uh? Sidney Sweeney is not up and coming? She's here.
Speaker 2: She has fucking arrived. Zendaya arrived a long time ago.
Speaker 2: The people on the bear Okay, I don't know.
Speaker 1: I don't know. If you look at a career and
Speaker 1: be like, oh, I would like that career? Whose career
Speaker 1: do you look at and be like I would like that?
Speaker 2: I don't want to say that. No, I don't want
Speaker 2: to say that right now?
Speaker 1: Wow, I had no idea. All right, it's too deep?
Speaker 1: Is that right?
Speaker 3: It's too deep?
Speaker 1: I wonder if there's some career if I want.
Speaker 2: Yeah, whose career do you want?
Speaker 1: Honestly? Like? I love my career. I wish like, you know,
Speaker 1: I had more fucking money or whatever, but everybody does
Speaker 1: like I. Yeah, I mean there's generally nothing I don't
Speaker 1: get to make eventually if I haven't made it, So
Speaker 1: it's like I can't really complain.
Speaker 2: You're a lucky guy.
Speaker 1: A wucky guy dance.
Speaker 2: It's wacky.
Speaker 1: Who plays the shitty land bear in town? It's got
Speaker 1: to be a guy. I mean, I appreciate the effort
Speaker 1: to keeping the family. I think he would be the
Speaker 1: local grave digger.
Speaker 2: Oh yeah, that sounds more right because.
Speaker 1: People always die in those old timey places and whatnot.
Speaker 1: And he'll have a lot of philosophic wisdom. So true,
Speaker 1: you know what I'm saying. But I don't think i'd
Speaker 1: make him. He can't be a good bad guy. Give
Speaker 1: me your land, I won't take you seriously, I can
Speaker 1: give you my lind It's okay. No, you could cast anybody,
Speaker 1: but like male actor, you'd be like, oh, I'd be
Speaker 1: amazing to work with that guy.
Speaker 2: Steve Carrell.
Speaker 1: Fair enough, I love him, But you're talking about you know,
Speaker 1: like Steve Kroll. Come be serious, Come be the fucking
Speaker 1: evil lamb bear.
Speaker 2: Well is it that serious?
Speaker 1: Oh, you have no idea I'm gonna shoot this thing
Speaker 1: like fucking Euphoria. Wow, I read the Euphorus. Season three
Speaker 1: is not happening.
Speaker 2: It's been delayed delayed again. Definitely it has, Yes, it has.
Speaker 1: What's happened in Young Hollywood?
Speaker 2: I guess I should call and check in.
Speaker 1: Because can't you call the mayor of Young Hollywood and be.
Speaker 2: Like, yeah, what's your scoop? Let's go ahead them wrong number?
Speaker 1: What's going on? We were hoping you were going to
Speaker 1: tell us.
Speaker 2: Yeah, I forgot what I was going to say.
Speaker 1: Take it back to the fucking show man who plays
Speaker 1: Steve Carell. Now you know I want to show on
Speaker 1: your dreams, but not in my version.
Speaker 2: Sure you've already did, but you already shot on my dreams.
Speaker 1: All right, Steve Carell, it is don't just cast it
Speaker 1: full of office people. Though none of them will be
Speaker 1: convincing on the fucking prairies, many will be.
Speaker 2: John Krasinski, I.
Speaker 1: Thought I was smitty. I thought that's how this is
Speaker 1: our ship.
Speaker 2: I thought you didn't want to be smitty.
Speaker 1: I do if you're trying to make our ships creak.
Speaker 2: John c Ski, well I'm just.
Speaker 1: No. Let's see who would be our fucking land Baron, Dude,
Speaker 1: how old do.
Speaker 2: You picture that?
Speaker 1: Stephen Root would be amazing. Stephen Root has been in
Speaker 1: like a few things I've done. He was in Barry
Speaker 1: It's more recent. He was He's he was in Master's Universe.
Speaker 1: He was our battle cat. He's like if you saw
Speaker 1: him and be like, oh that guy. Did you ever
Speaker 1: see office Space, he's melting.
Speaker 2: The I'm going to look up what he looks like.
Speaker 1: Oh yeah, he'd be amazing. He fit in the old time.
Speaker 1: He fucking looked very easily. He's one of those actors
Speaker 1: that's like the glue Yeah, oh yeah, the glue of
Speaker 1: like fucking every production.
Speaker 2: All right, he can be our he can be our guy.
Speaker 1: I could see him being our fucking like Whiplash character. Geez,
Speaker 1: speaking of Whiplash purpose, I'm sorry, all right, fucking that's it.
Speaker 1: That's the one we pitched. We stand by, all right.
Speaker 1: I was hoping we're going to come up with another one,
Speaker 1: but that's going with your strongest fucking hand.
Speaker 2: I guess it's a really smittier center bust.
Speaker 1: It's what Now, let me ask you this. You committed
Speaker 1: to this?
Speaker 2: Am I committed to this?
Speaker 1: Yeah? You're the Sun and son I so drew. Okay,
Speaker 1: all right, so the only place they'll pick it up
Speaker 1: is a Christian broadcasting network. Now, ain't gonna change our storylines.
Speaker 1: We were always set in the Old West.
Speaker 2: It was kind of giving religious programs.
Speaker 1: A little bit. So at the end of the day,
Speaker 1: our job is not going to change. It's not like,
Speaker 1: oh we got cut material because like fuck we get
Speaker 1: we are cut the fucking titty scenes because now we're
Speaker 1: on the Christian broadcast So the show's not going to change,
Speaker 1: but the venue where it will air, you know, we'll
Speaker 1: be largely conservative. But you're even guaranteed three seasons.
Speaker 2: What you did last time.
Speaker 1: Too, you're guaranteed three seasons.
Speaker 3: Huh.
Speaker 1: And you're gonna make only ten episodes per year, but
Speaker 1: you're gonna make one hundred thousand per episode, so that's
Speaker 1: a million bucks.
Speaker 2: Wait do I do I ever have to speak about it?
Speaker 1: You're gonna have to promote it in your socials. You're
Speaker 1: the main ad campaign for the entire network. So fucking
Speaker 1: they're like, you're close upon You're at the end of
Speaker 1: a long spot and you're like, we are CBN.
Speaker 2: Oh you put me between a rocket or Placier million.
Speaker 1: Bucks a year a helmet. I mean, you know, every
Speaker 1: season you sign up like that season one, you're getting million.
Speaker 1: So the show may not go forward, but they're like,
Speaker 1: we're really taking we're investing, We're really taking a shot
Speaker 1: on the show million million. Fuck you god yeah. Oh,
Speaker 1: especially like they have me until like we are CBN,
Speaker 1: Like I get to be the guy at the end
Speaker 1: of the spot. I mean I agree to the network. Great. Yeah,
Speaker 1: as long as they weren't like, hey man, in your
Speaker 1: social media, you can't be fucking blah blah blah. I'd
Speaker 1: be like, look, I ain't fucking changing who I am
Speaker 1: and stuff. I'm happy to make this show.
Speaker 2: But they're begging you to make Smodian son for them.
Speaker 1: Yeah, They're like, this is it. This is the thing.
Speaker 2: You don't have to change.
Speaker 1: Personally, No, nor the show. The show was going to
Speaker 1: be what it was always going to be. So you're
Speaker 1: can you can be in your social media, you can
Speaker 1: still like be like stop killing animals, but then you
Speaker 1: also have to be like and watch Median TV, Christian
Speaker 1: broadcast work. God bless you. That's their fucking slogan.
Speaker 2: I think I gotta say no.
Speaker 1: Million bucks, I gotta a year for media acting acting
Speaker 1: by the way, that gives you experience. Guess what you
Speaker 1: could be, Like can I direct one of these? And like,
Speaker 1: oh sure, so you get that under your belt as well.
Speaker 1: You got to learn to use the system, man, get
Speaker 1: paid by learn from it and shit, and hey, man,
Speaker 1: an audience is an audience. And you know they're like,
Speaker 1: look what out here's here's a big compliment about the show.
Speaker 1: You always hear. Well, I like about the show, no politics,
Speaker 1: Like I could just watch an adventure that happened back
Speaker 1: in the old days and fucking learn a moral. And
Speaker 1: the cast is great and I love the relations between
Speaker 1: the characters and stuff. I love this show. You just
Speaker 1: don't have to engage them about like uh huh, who'd
Speaker 1: you vote for?
Speaker 2: I have a hypothetical for you?
Speaker 1: Okay, so yes you will.
Speaker 2: You will receive yes, ten million dollars?
Speaker 1: Okay if okay?
Speaker 2: All you ate for one year? Yeah was vegetables? Yes
Speaker 2: for ten million dollars.
Speaker 1: Yeah done.
Speaker 2: You won't need a vegetable.
Speaker 1: Nobody gives me ten million dollars.
Speaker 2: So what about five million? No?
Speaker 1: Why you started at ten? That's interesting?
Speaker 2: Where you would were.
Speaker 1: You no point going down? You gave me a number.
Speaker 1: I'm fine with that number going to that going down.
Speaker 2: Anything else. You can't eat vegetables.
Speaker 1: That's fine. Ten million. Do you know which money ten
Speaker 1: million is. It's a lot of money.
Speaker 2: That's a year. That's a year.
Speaker 1: Yeah, I'll get a ship in my life here needing
Speaker 1: a vegetable. Nobody's ever offered me ten million dollars to
Speaker 1: do so. So if I had ten million.
Speaker 2: Yeah, and I wanted to suspend.
Speaker 1: It on seeing you, I would be like, this seems
Speaker 1: like an unwise investment. But you know what, a fool
Speaker 1: and their money are soon parted. And since you're gonna
Speaker 1: waste on something like this, well, gladly I should have
Speaker 1: said a million. You should have.
Speaker 2: I just thought, I know, I didn't know.
Speaker 1: I just thought, problem you started ten, I'll never go.
Speaker 2: I thought it'd be it'd have to be so hot
Speaker 2: to get you to say.
Speaker 1: Yes, ten was Ten's my number? You hit it, be honest.
Speaker 1: Probably could have had me for five five million, Probably
Speaker 1: could have had me for five. But now that it's ten,
Speaker 1: fucking what.
Speaker 2: About a million?
Speaker 1: Ten million to eat some braccoli? Ten million to eat?
Speaker 1: I think you million to eat.
Speaker 2: I think that you would quit pair is not vegetable.
Speaker 1: Come quiet, quiet, superup? Can I make soup out of Nope?
Speaker 1: Fair enough, I'm gonna push my luft.
Speaker 2: You can't even put salt on it, can't them?
Speaker 1: No, just the natural whatever. You didn't say that, well
Speaker 1: I did not say it. No, you said ten million
Speaker 1: to eat just vegetables for a year, right, just vegetables.
Speaker 1: Raw vegetable is a completely different thing.
Speaker 2: Okay, you can cook it without butter, salt or pepper
Speaker 2: or all boil.
Speaker 1: All right, fair enough. I mean like, look, just oil. Great,
Speaker 1: I am going to eat. I think you give up
Speaker 1: in a week. I think ten million dollars. I think
Speaker 1: you give your three hundred and sixty four days away.
Speaker 1: I'd be like, fuck it, it's worth it, It's worth it.
Speaker 1: Oh my god. The end of it would be so
Speaker 1: much freedom. At the end of it, maybe I'd never
Speaker 1: eat a vegetable again.
Speaker 2: Not to say I don't have faith in you, but
Speaker 2: I really don't believe you.
Speaker 1: I mean, look, if anybody wants to try it, someone
Speaker 1: someone's got ten million bucks.
Speaker 2: Somebody out there, give this a shot.
Speaker 1: There are a lot of wacky billionaires out there, and
Speaker 1: he's like, I went to coach space. How about this,
Speaker 1: like fucking throw a ten million my way?
Speaker 2: Your many real healthy for a year.
Speaker 1: Yeah see if it could be done?
Speaker 2: Wow?
Speaker 1: What does that say about me? And I'm like, pay
Speaker 1: me to do sure, I'll put things in my mouth
Speaker 1: for money. That's where I have in my career.
Speaker 2: I'll do anything.
Speaker 1: I got a self sped in. All right, there it is.
Speaker 1: There's the fucking there's our Mamaly.
Speaker 2: Wait no, I was about to say hypothetical, but I
Speaker 2: don't want to say it in front of Wakie.
Speaker 1: Is that grim? What is it?
Speaker 2: No, it's too sad.
Speaker 1: It's about Waki. You throw Walky on the table. What
Speaker 1: the fuck? You were just petn and you're like, imagine
Speaker 1: if you're a dog had your fancy.
Speaker 2: I'm up against the Christian brought casting networks, so.
Speaker 1: That nearly is bad. I wasn't like they're gonn crucifying
Speaker 1: live on air, because that's the kind of thing they do.
Speaker 1: He's lacky.
Speaker 2: I take it back, I take it back.
Speaker 1: He just went over to Birdie Bill. I guess what
Speaker 1: my sister said is that Wait if that's your sister,
Speaker 1: is that my aunt? I don't get this relationship.
Speaker 2: Oh yeah, it's walk my sister because she was my sister. Yeah,
Speaker 2: and Walky's my sister, and Bodie's my niece.
Speaker 1: Bertie's your niece, Aunt Harley.
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