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Speaker 1: I want us to come up with a sitcom because

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Speaker 1: I started watching Ship's Creek.

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Speaker 2: You did, Yeah, isn't it so funny?

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Speaker 1: It is? But it's like fucking Eugene Levy and and

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Speaker 1: uh Dan Levy and even his sister Sarah Levy or

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Speaker 1: Levy Eugene Levy Levy is it Levy or leaving whatever?

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Speaker 1: But Sarah is the sister and she plays Twila on

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Speaker 1: the show. So there's three. Really you know that.

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Speaker 2: I didn't even know that.

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Speaker 1: Yeah, so I'm watching these guys make a sitcom with family.

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Speaker 1: I'm like, oh my god, what is genius? But a

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Speaker 1: great way to go to work. So I'm not saying

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Speaker 1: we got to come up with fucking Shit's Creek, which,

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Speaker 1: to be fair, was just Green Acres, you know, with

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Speaker 1: a lot more, but like modern day version of Green Acres,

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Speaker 1: Fish out of Water sitcom, very traditional. Yeah, it's very

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Speaker 1: well made and fucking like they're all funny as fuck.

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Speaker 1: But we gotta I'm not even saying it's gotta be original,

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Speaker 1: like it's gotta be like Seinfeld groundbreaking fuck that, it's

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Speaker 1: just got to be something people would watch.

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Speaker 2: Okay, we can do that.

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Speaker 1: So the strength is like in going in as a family.

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Speaker 1: Their production company was Dan and Eugene, so that's using

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Speaker 1: them as a model. That's us.

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Speaker 2: Okay, So we.

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Speaker 1: Got to come up with the sitcom. Their first project

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Speaker 1: was Ship's Creek, So no.

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Speaker 2: Pressure, So no pressure. We have to be iconic.

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Speaker 1: What is the what? What sitcoms did you like? Grown up?

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Speaker 1: Did you like any sitcoms? Well?

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Speaker 2: I don't know about like I mean in the later years,

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Speaker 2: like The Office.

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Speaker 1: Okay, yes, that's right, that was your surface my show,

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Speaker 1: and that's your version of a sitcom of like fucking

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Speaker 1: guy looks at the camera and ship like that. I

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Speaker 1: love that. So wait, what did the old style of

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Speaker 1: like three or four cameras and people like pausing for

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Speaker 1: laughter and applause? Is that? Like did you ever enjoy

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Speaker 1: a sitcom like that? Like? What who does that that?

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Speaker 1: You know?

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Speaker 2: Like Disney Channel and Nick they did that?

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Speaker 1: Yeah, how strange? That's true. Like when the this sitcom

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Speaker 1: format was being like changed by like like The Office

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Speaker 1: and whatnot, Disney Channel and Nick were still doing pretty

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Speaker 1: much traditional strong and we went to one we did

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Speaker 1: live tape and fucking Zach and Cody.

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Speaker 2: Oh yes, polite kids, We'll never forget. We'll never forget it.

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Speaker 1: But I believe when we met them they were were

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Speaker 1: they doing on deck? Sweet Life on Deck or no? No, classic?

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Speaker 1: It was classic so at that point because then they

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Speaker 1: moved on to like sweet Life on Deck or something

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Speaker 1: like that. But by that point the boys had to

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Speaker 1: be at least forty eight forty nine.

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Speaker 2: Right of course, it's.

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Speaker 1: Been acting for you. But they were so like well

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Speaker 1: healed and like, hi, how are you nice to meet you?

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Speaker 2: Like it was so exciting.

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Speaker 1: Yeah, so exciting. One of them went on, did they

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Speaker 1: both go on acting careers? One of them is, we've

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Speaker 1: talked about this. We always fall down the.

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Speaker 2: Right.

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Speaker 1: Some Sweet Life was a sitcom that you fucked with

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Speaker 1: and you Montana and those were filmed in front of studio.

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Speaker 2: Yeah, I Carly, we want to one.

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Speaker 1: What's the Carly song?

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Speaker 2: I know you see somehow me and be so winder.

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Speaker 1: Beat there and and said wind show me. I will

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Speaker 1: make the show.

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Speaker 2: Foun I will I'll like you lose your.

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Speaker 1: Mind it is I gotta go from the top. Hold on, sorry,

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Speaker 1: wait wait, how does it begin?

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Speaker 2: I know you see somehow the world will change for

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Speaker 2: me and be so wonderful.

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Speaker 1: Live like there I know man, I'm going to get

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Speaker 1: there and be so wonderous. Yeah it's not.

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Speaker 3: It's really and it's not show me what these things.

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Speaker 1: That's so I'm telling you this is just.

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Speaker 2: So memois of mony.

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Speaker 1: To be No chip, what is it that's there's no

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Speaker 1: chance unless you take Are you crying? It's such an

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Speaker 1: emthemic little piece of music.

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Speaker 2: I was just about to start filming you, but we're off.

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Speaker 1: Well, I must pull my phone out.

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Speaker 2: You just love the high Carly theme song.

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Speaker 1: Well it's great, but also like you singing it is

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Speaker 1: like that makes even more kin it because you would

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Speaker 1: sing it as a kid and ship.

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Speaker 2: No, I just wanted to think that you're crying over

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Speaker 2: the lyrics and.

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Speaker 1: It's also powderful, yeah, of course, but like it's the

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Speaker 1: gest like I don't know, Yeah, I would probably get

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Speaker 1: emotional for like anybody, even if my most hated enemy.

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Speaker 2: Telling you just how.

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Speaker 1: So wag of the members of my nation, it's your

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Speaker 1: time to be There's no chance unless you take one.

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Speaker 1: Every time you see this side of situation.

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Speaker 2: Some things I'm meant to be so gay, but your

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Speaker 2: fastingly the rest to.

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Speaker 1: Me leave it all.

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Speaker 2: He loves it. He's so touched by the I.

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Speaker 1: Like. I only found out fairly recently. It was like,

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Speaker 1: what is it? So give it your best and leave

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Speaker 1: the rest of me. I thought it was give it

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Speaker 1: a rest and leave the rest of me. And I

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Speaker 1: was like, I fucking love that because it's like that's

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Speaker 1: somebody who understands, like, never're gonna get there unless you

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Speaker 1: let me take charge. I hear something else when I listen.

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Speaker 2: Oh my god.

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Speaker 1: I like their version as well, very funny. Leave the

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Speaker 1: rest of me, leave it all to be take it's slow,

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Speaker 1: I think, Yeah, And now you won't be free you

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Speaker 1: make up the memoiselle my nation. It's your time to

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Speaker 1: be There's no chance unless you take one. Every time

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Speaker 1: you see.

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Speaker 2: This side a side.

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Speaker 1: Jew some things are meant to be so good at you.

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Speaker 1: Does that make me so emuptional? That's crazy. It's crazy

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Speaker 1: powerful like popular, like like positive song.

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Speaker 2: You won't be free until you wake up the members

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Speaker 2: of my nation?

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Speaker 1: Yeah, what's the other? Now I got to know the

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Speaker 1: other fucking lyrics.

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Speaker 2: It's so so powerful.

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Speaker 1: And if there's something about Satan in there a chance

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Speaker 1: for me? A well I Carly theme song?

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Speaker 2: Is it not wake Up? I do believe it's called

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Speaker 2: wake up the members of my nation, or maybe the

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Speaker 2: lyrics what.

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Speaker 1: I would like to be cosgrow leave it all to

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Speaker 1: me lyrics, All right, here we go. I know you

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Speaker 1: see somehow the world will change for me. I can't

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Speaker 1: even it.

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Speaker 4: Do you want me?

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Speaker 1: I can get through it. Just it's so hacked to

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Speaker 1: fall for this, But it's like that's the reason in

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Speaker 1: this business, because like I believe in shit like this.

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Speaker 1: It's but God, you love it. I know you see

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Speaker 1: somehow the world will change for me and be so wonderful.

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Speaker 1: Live life, breathe there. I know somehow we're going to

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Speaker 1: get there and feel so wonderful. I can't. I cannot

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Speaker 1: right now. I will make you change your mind. These

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Speaker 1: things happen all the time, and it's all real. I'm

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Speaker 1: telling you just how I feel. So wake up, the

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Speaker 1: members of Man Nation. It's your time to be There's

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Speaker 1: no chance unless you take one and the time to

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Speaker 1: see the briders of every situation. Get over it, find it,

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Speaker 1: find some things up man to be so gay your

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Speaker 1: best leave that.

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Speaker 2: Maybe my band should do a.

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Speaker 1: Cover of the song, like a speed metal version from

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Speaker 1: Yelling It God, that's nuts.

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Speaker 2: It's so sweet, how touching that Carly theme song, It's

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Speaker 2: to You.

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Speaker 1: It really is on so many levels, but it made

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Speaker 1: it's made even more so because like that was for you,

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Speaker 1: Like that was sure, And I would always be like,

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Speaker 1: you know, you can watch Carly or you can write.

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Speaker 2: You would always say that's.

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Speaker 1: One of them. Is way more fun.

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Speaker 2: You would always say that to me.

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Speaker 1: Watching it was inspiring. But yeah, that's a jam. It's

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Speaker 1: a fucking it's a banger.

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Speaker 2: It's an anthem.

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Speaker 1: It really is.

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Speaker 2: It's nothing less than a fucking anthem.

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Speaker 1: No, she's crowded, did she? She didn't write that song.

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Speaker 1: It's no way she wrote that song. I really did. Geez,

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Speaker 1: did you.

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Speaker 2: Watch Apology to mirandas Girl?

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Speaker 1: Yeah? I really did fucking doubt her hardcore, didn't you.

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Speaker 2: I can't say who.

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Speaker 1: The lyricist is. The theme song leave It All to

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Speaker 1: Me is the debut single by an American actress and

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Speaker 1: singer Miranda Cosgo featuring Drake Bell from the Nickelodeon show

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Speaker 1: I Carly soundtrack album. The song was written by Michael Corkoran,

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Speaker 1: one of Belle's band members. Well fucking what a banger man.

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Speaker 2: Well fucking thank you, sir. We always sing it in

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Speaker 2: the car we too. We always listened to it in

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Speaker 2: the car.

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Speaker 1: You know they did you follow the you know that

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Speaker 1: show when they like did the sequel show.

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Speaker 2: I have not seen the sequel show, so you.

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Speaker 1: Know her and that boy like finally kissed and stuff.

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Speaker 4: Oh yeah, I didn't know that. I Carly was such

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Speaker 4: a off to discussion.

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Speaker 1: I was so swept away by all the fuckers on

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Speaker 1: Twitter who were like, probably your age when it was on,

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Speaker 1: and they were all like, oh my god. And they

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Speaker 1: were able to do those video side by side comparisons

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Speaker 1: of like when they met as kids and when they

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Speaker 1: kissed his adults and I'm not even part of the journey,

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Speaker 1: and I was like, how fucking affected I am? Oh

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Speaker 1: my lord, I'll tell you. We gotta make something like that.

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Speaker 1: That's what makes money.

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Speaker 2: This was not how I my Saturday nights.

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Speaker 1: How it makes a come. You get real emotional overs

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Speaker 1: and cubs that you used to watch. All right, we

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Speaker 1: number one, we have strong Contender and fucking Smitty and Son.

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Speaker 2: I was gonna say, that's still can we already come

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Speaker 2: up with.

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Speaker 5: A pretty hot idea for those who came in late

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Speaker 5: fucking father Daughter number one, the American Prairie kind of

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Speaker 5: like little House in the Prairie and there they on

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Speaker 5: a mercantile called Smitty and Son, but the son is secretly.

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Speaker 1: A daughter because she can't be a woman in those days.

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Speaker 2: Oh god, are you gonna cry over that?

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Speaker 1: It's pretty hot. If somebody was like, make it earnestly

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Speaker 1: like fucking little house in the prairie or a Hallmark

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Speaker 1: earnest or if somebody was like, just make that ironic as.

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Speaker 6: Fun, it's like, oh hell yeah, either way, I work.

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Speaker 2: Either way.

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Speaker 1: It was at a time when a woman could only

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Speaker 1: be a man.

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Speaker 6: People like, there's a reason he couldn't call it Smitty

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Speaker 6: a daughter because people be like, I'm not gonna buy

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Speaker 6: my mercantile goods.

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Speaker 2: Believe the mom passed away and and.

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Speaker 1: This is gonna make me cry.

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Speaker 2: My son had to well, theater had to play the

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Speaker 2: role of a son to have this to run this business,

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Speaker 2: to keep their family afloat.

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Speaker 1: But why couldn't have just been the daughter, Because.

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Speaker 2: I honestly don't know.

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Speaker 1: I think it was the trope of people were shitty

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Speaker 1: about women and then you know, insert any fucking number there.

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Speaker 4: Honestly, but also today, yeah.

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Speaker 1: A competing mercantile but then he can't be like we

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Speaker 1: moved into town, because then you're the bad guy at

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Speaker 1: the end of the day, Like, hey man, we had

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Speaker 1: mercantile in town, you're gonna move in. But there has

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Speaker 1: to be a reason that he's like, you gotta fucking

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Speaker 1: beat a son. You can't. You got to take him

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Speaker 1: down mental style and ship. You can't. Fucking if you

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Speaker 1: show boobage here, we're fucked. Why, Well, that's the hook.

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Speaker 1: That's the thing. We got to figure out why. It's

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Speaker 1: just becau because it's the shitty olden days where they're like, oh,

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Speaker 1: a woman's only good for the fucking dance hall across

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Speaker 1: the street or whatever, and he wants to be taken

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Speaker 1: seriously as a businessman or all right, the mom's dead,

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Speaker 1: but the dad takes ill. Oh man, so smitty and

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Speaker 1: son and it's but then the lie was always in

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Speaker 1: from the fix was always in. You know what I'm saying, Like,

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Speaker 1: does that mean because I completely lost.

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Speaker 2: He take a step back.

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Speaker 1: I don't. This is scary me. The U. In order

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Speaker 1: to name the place Smitian's son, one of two things

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Speaker 1: has to happen.

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Speaker 2: Then That's what I'm talking about, is the mom disguise.

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Speaker 1: Oh shit, now on something. He's like, look, our son died.

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Speaker 1: I need a son and son partner. Can you tape

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Speaker 1: them down? And she's like, I'm your wife. He's like

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Speaker 1: it doesn't matter. She's like, just change the sign this minty.

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Speaker 1: He's like, no, no, no, no, that's very expensive. No,

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Speaker 1: will you take them down.

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Speaker 2: They're about to open. They're about to open, and they

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Speaker 2: can't change the sign. They're about to open for the

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Speaker 2: first time ever in this new town.

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Speaker 1: So there was a son.

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Speaker 2: There was a son, but he died, right, And so it's.

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Speaker 1: Got to be the daughter, not the wife. If it's

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Speaker 1: the wife, it's a whole different fucking show because then

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Speaker 1: people are like, Hey, did I see you kissing that

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Speaker 1: man back there? What? No, I think you have something

264
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Speaker 1: stuck in his throat. We have to be more careful.

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Speaker 1: So it has to be like, you know, it's the

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Speaker 1: age of consumption and shit, cholera, whatever, fuck all the

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Speaker 1: diseases that take lines and stuff. And so him and

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Speaker 1: his son built the place. My daughter is one year younger,

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Speaker 1: but naturally it was old at times, and people were

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Speaker 1: shitty about chicks. She was always kind of the afterthought,

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Speaker 1: of course, So the son dies of you know, enter

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Speaker 1: fucking disease a week and.

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Speaker 2: Also the mom dies or the mom is it a

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Speaker 2: double death? Does she die of despair?

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Speaker 1: No? Maybe they both die in a horse carriage accidents.

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Speaker 1: Maybe we're thinking about this all wrong, trying to give

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Speaker 1: them diseases.

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Speaker 2: Yes, that is so true. Oh wow, what a great setup.

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Speaker 2: So either way, in a horse carriage accident.

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Speaker 1: But here, here's all right. Here's mom died years ago.

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Speaker 1: Dad has been raising the kids by himself, finally put

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Speaker 1: together enough money and sold the farm in fucking Kansas,

283
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Speaker 1: and then they moved to fucking Nebraska. The war stakes place,

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Speaker 1: one of the big fucking farm states. So they're going

285
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Speaker 1: to Kansas or whatever. But he finally saved enough to

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Speaker 1: be like, I'm gonna open to mercantile SMNNY and sons. Yeah,

287
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Speaker 1: but then why wouldn't you name it in honor of

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Speaker 1: your dead wife?

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Speaker 2: And you do have a point there. Why would you

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Speaker 2: know I name it after your deceased wife?

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Speaker 1: Maybe because we know why, because it's the eighteen where

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Speaker 1: they're like, I gotta buy nothing from a pearls. Fuck

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Speaker 1: that that sounds lady like SMITTI and sons and so

294
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Speaker 1: him and his son put together the store and ship.

295
00:18:45,840 --> 00:18:49,920
Speaker 1: It's about to but then the son dies from cholera,

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Speaker 1: and then the old man is felled by it, but

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Speaker 1: he bounces back enough, but he's still winged and ship.

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Speaker 1: But if they don't open up, they owe to creditors

299
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Speaker 1: and stuff like that, land deeds and what So she's

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00:19:01,760 --> 00:19:03,280
Speaker 1: got a like fucking tape.

301
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Speaker 2: Does she have to play both the role of the

302
00:19:07,280 --> 00:19:10,600
Speaker 2: dad and the son because the dad is too ill

303
00:19:10,960 --> 00:19:11,440
Speaker 2: it's an.

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Speaker 1: Acting door to force. No, just she just needs to

305
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Speaker 1: handle the son part.

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Speaker 2: It's just like Jacquel and hide and play and is

307
00:19:20,800 --> 00:19:25,359
Speaker 2: both and is both the dad and the son.

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Speaker 1: You know, I don't like that.

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Speaker 2: Is that where you draw the line.

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Speaker 1: I think you're taking it into a place where that

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00:19:32,480 --> 00:19:35,439
Speaker 1: feels that doesn't feel all right, Sorry, it feels more

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00:19:35,600 --> 00:19:38,679
Speaker 1: than to authentic for her, Like I got to fucking

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Speaker 1: tape them down to save the family farm, so to speak.

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Speaker 1: And then the father is on the mend and whatnot.

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Speaker 1: But then you know, we got episodes where people like

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Speaker 1: I want to buy my fucking gumballs from man who's

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Speaker 1: got cholera and ship like that. Yeah, these are these

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00:19:53,760 --> 00:19:56,040
Speaker 1: are the fucking problems of the day, like none of

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Speaker 1: these like my cell phone's broke because this is a

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Speaker 1: fucking shitty eighteen hundreds and people really shit about.

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Speaker 2: That was the first time you've said that.

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Speaker 1: I think, I think I've coined the phrase. All right,

323
00:20:09,119 --> 00:20:11,760
Speaker 1: so we have Smitty and Sons as a back pocket thing,

324
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Speaker 1: but that's not a sitcom.

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00:20:12,800 --> 00:20:16,760
Speaker 2: That just that feels It feels very dramatic.

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Speaker 1: It feels very Hallmark is what it feels like a

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00:20:19,119 --> 00:20:23,840
Speaker 1: family channel if that still exists. So now we've got

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00:20:23,840 --> 00:20:30,000
Speaker 1: to come up with the our ship's creak. It's just

329
00:20:30,119 --> 00:20:30,719
Speaker 1: that simple.

330
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Speaker 2: Is Smitty and Sons as close as we can get?

331
00:20:34,400 --> 00:20:37,840
Speaker 1: I think, so, oh Jesus, I think. I think, well,

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Speaker 1: number one, it's a firefucking idea, Smitty and Sons, So

333
00:20:41,920 --> 00:20:46,080
Speaker 1: I'm not gonna apologize for that. But number two, like, well,

334
00:20:47,400 --> 00:20:50,520
Speaker 1: maybe we go all in on it. Let's develop this further.

335
00:20:50,840 --> 00:20:52,000
Speaker 1: Who are the people in the town?

336
00:20:52,920 --> 00:20:53,399
Speaker 2: Mm hmmm.

337
00:20:54,400 --> 00:20:57,600
Speaker 1: So they gotta have enemies, right, people who are like,

338
00:20:57,640 --> 00:20:59,800
Speaker 1: I'm gonna buy this American dial I'm from.

339
00:21:00,400 --> 00:21:01,960
Speaker 2: The enemy is disease, but.

340
00:21:02,560 --> 00:21:06,760
Speaker 1: Well, yes, in the existential sense, the enemy is Ultimately

341
00:21:06,880 --> 00:21:10,000
Speaker 1: they'll never live past age fifty because it's the old time.

342
00:21:10,600 --> 00:21:14,040
Speaker 1: But you know there's some land baron fucker who's like,

343
00:21:14,200 --> 00:21:17,440
Speaker 1: you know, if if you don't open the store, I

344
00:21:17,480 --> 00:21:20,080
Speaker 1: will take it from you and your son of God

345
00:21:20,200 --> 00:21:22,480
Speaker 1: from bed. It's was you and a daughter, I'd have

346
00:21:22,720 --> 00:21:27,320
Speaker 1: this place by now. So he's already he's got to

347
00:21:27,359 --> 00:21:29,320
Speaker 1: be the bad guy, the guy you like love to

348
00:21:29,359 --> 00:21:38,880
Speaker 1: hate and stuff. And then there's the the girl in town. See,

349
00:21:38,960 --> 00:21:40,679
Speaker 1: the thing is, when you get to town, do you

350
00:21:40,800 --> 00:21:43,200
Speaker 1: have to be a boy the whole fucking time or

351
00:21:43,240 --> 00:21:44,840
Speaker 1: do you have to be a girl and a boy

352
00:21:45,080 --> 00:21:47,560
Speaker 1: a boy behind the counter when you're helping at the mercantile,

353
00:21:48,320 --> 00:21:51,720
Speaker 1: but then a girl going to school and shit like that.

354
00:21:51,840 --> 00:21:55,199
Speaker 1: So it's like angel hooker, Wow, fucking student by day,

355
00:21:55,240 --> 00:21:56,000
Speaker 1: hooker by night.

356
00:21:56,400 --> 00:21:59,840
Speaker 2: I was gonna say, like Hannah Montana or that.

357
00:22:00,359 --> 00:22:02,040
Speaker 1: She doesn't have a secret identity, Well, I guess she

358
00:22:02,080 --> 00:22:06,480
Speaker 1: does it. She does, but she can't be going to

359
00:22:06,520 --> 00:22:08,960
Speaker 1: school and run the mercantile during the day.

360
00:22:11,040 --> 00:22:14,199
Speaker 2: She has to forego school. Is she even allowed to

361
00:22:14,240 --> 00:22:16,600
Speaker 2: go to school? Or women even in school?

362
00:22:16,800 --> 00:22:20,280
Speaker 1: Or no? The little house in Prayer they all went

363
00:22:20,320 --> 00:22:22,560
Speaker 1: to school, Like Laura Ingles was in class and Miss

364
00:22:22,640 --> 00:22:24,639
Speaker 1: Beadle was a teacher. She was a lady and stuff,

365
00:22:24,680 --> 00:22:27,640
Speaker 1: so you know, school was like that's where do women

366
00:22:27,760 --> 00:22:32,800
Speaker 1: go to school? Of course, But I don't know that

367
00:22:32,880 --> 00:22:35,320
Speaker 1: she can live a double life.

368
00:22:35,520 --> 00:22:36,520
Speaker 2: It's too hard.

369
00:22:36,880 --> 00:22:39,159
Speaker 1: Yeah. That also might be a little too antic for

370
00:22:39,200 --> 00:22:40,960
Speaker 1: the speed we're talking about. Like, you know, they're like

371
00:22:41,000 --> 00:22:44,119
Speaker 1: pick a lane. She's trying to be you know, fucking

372
00:22:44,640 --> 00:22:48,479
Speaker 1: you know, blend in in the shitty old days and

373
00:22:48,520 --> 00:22:51,879
Speaker 1: that's enough without being like and she's also during the

374
00:22:51,960 --> 00:22:54,800
Speaker 1: day like you know, a pretty model girl or whatever.

375
00:22:56,720 --> 00:22:58,200
Speaker 2: Wow, the duality.

376
00:22:59,680 --> 00:23:04,240
Speaker 1: She needs a nemesis, Like in Laura Ingalls in Little

377
00:23:04,240 --> 00:23:06,879
Speaker 1: House in the Pair had Nelly Olsen, the daughter of

378
00:23:06,920 --> 00:23:10,399
Speaker 1: the people that own the mercantile m. And that's who

379
00:23:10,480 --> 00:23:11,480
Speaker 1: I think you should play.

380
00:23:12,280 --> 00:23:14,320
Speaker 2: Oh the enemy.

381
00:23:14,280 --> 00:23:17,160
Speaker 1: Yeah, the shitty spoiled for Smitty and Son.

382
00:23:17,560 --> 00:23:19,520
Speaker 2: I'm not even playing yours.

383
00:23:20,400 --> 00:23:24,480
Speaker 1: I'm not Smitty either, Yes you are. Oh that's right.

384
00:23:24,520 --> 00:23:26,280
Speaker 1: In order for this to work, like Ship's Creek, we're

385
00:23:26,320 --> 00:23:30,679
Speaker 1: both attacked. You're Smitty, all right, So I'm Smitty your son.

386
00:23:30,640 --> 00:23:31,440
Speaker 2: Yeah, I'm son.

387
00:23:32,200 --> 00:23:36,120
Speaker 1: He's really the daughter spoilers. So we got to come

388
00:23:36,200 --> 00:23:39,960
Speaker 1: up with a shitty buddy. Now a shitty like a nemesis,

389
00:23:40,119 --> 00:23:43,880
Speaker 1: a friend of me, really flat out nemesis. Who would

390
00:23:43,920 --> 00:23:50,320
Speaker 1: be your nemesis if you can cast it right now? No,

391
00:23:51,240 --> 00:23:55,240
Speaker 1: a dog nemesis. Everyone's gonna hate you, everyone loves. Set

392
00:23:55,280 --> 00:23:56,280
Speaker 1: yourself up for failure.

393
00:23:56,320 --> 00:23:57,200
Speaker 2: There, I don't know.

394
00:23:58,080 --> 00:24:05,879
Speaker 1: You tell me, Sidney Sweeney? Do you think we can

395
00:24:05,880 --> 00:24:08,359
Speaker 1: get her moving on? Show?

396
00:24:08,560 --> 00:24:11,440
Speaker 2: Moving on? Pretty true?

397
00:24:11,600 --> 00:24:15,160
Speaker 1: What is who's famous in the world now?

398
00:24:15,520 --> 00:24:18,919
Speaker 2: Like of that's my age or just in general or

399
00:24:19,080 --> 00:24:19,400
Speaker 2: just like.

400
00:24:19,400 --> 00:24:22,440
Speaker 1: Your age is? Who is the who's the up and coming?

401
00:24:23,320 --> 00:24:26,320
Speaker 2: Uh? Sidney Sweeney is not up and coming? She's here.

402
00:24:26,359 --> 00:24:31,960
Speaker 2: She has fucking arrived. Zendaya arrived a long time ago.

403
00:24:34,680 --> 00:24:42,560
Speaker 2: The people on the bear Okay, I don't know.

404
00:24:48,080 --> 00:24:49,560
Speaker 1: I don't know. If you look at a career and

405
00:24:49,600 --> 00:24:51,960
Speaker 1: be like, oh, I would like that career? Whose career

406
00:24:52,080 --> 00:24:53,640
Speaker 1: do you look at and be like I would like that?

407
00:24:57,440 --> 00:25:01,280
Speaker 2: I don't want to say that. No, I don't want

408
00:25:01,320 --> 00:25:02,520
Speaker 2: to say that right now?

409
00:25:03,440 --> 00:25:06,560
Speaker 1: Wow, I had no idea. All right, it's too deep?

410
00:25:07,000 --> 00:25:07,520
Speaker 1: Is that right?

411
00:25:07,600 --> 00:25:08,480
Speaker 3: It's too deep?

412
00:25:08,840 --> 00:25:11,600
Speaker 1: I wonder if there's some career if I want.

413
00:25:11,560 --> 00:25:13,440
Speaker 2: Yeah, whose career do you want?

414
00:25:17,160 --> 00:25:19,960
Speaker 1: Honestly? Like? I love my career. I wish like, you know,

415
00:25:20,200 --> 00:25:25,160
Speaker 1: I had more fucking money or whatever, but everybody does

416
00:25:25,359 --> 00:25:29,840
Speaker 1: like I. Yeah, I mean there's generally nothing I don't

417
00:25:29,880 --> 00:25:32,520
Speaker 1: get to make eventually if I haven't made it, So

418
00:25:32,600 --> 00:25:34,040
Speaker 1: it's like I can't really complain.

419
00:25:34,440 --> 00:25:35,680
Speaker 2: You're a lucky guy.

420
00:25:37,720 --> 00:25:41,159
Speaker 1: A wucky guy dance.

421
00:25:42,840 --> 00:25:44,040
Speaker 2: It's wacky.

422
00:25:44,920 --> 00:25:48,800
Speaker 1: Who plays the shitty land bear in town? It's got

423
00:25:48,800 --> 00:25:54,600
Speaker 1: to be a guy. I mean, I appreciate the effort

424
00:25:54,600 --> 00:25:58,919
Speaker 1: to keeping the family. I think he would be the

425
00:25:59,000 --> 00:25:59,960
Speaker 1: local grave digger.

426
00:26:01,400 --> 00:26:04,639
Speaker 2: Oh yeah, that sounds more right because.

427
00:26:04,359 --> 00:26:07,120
Speaker 1: People always die in those old timey places and whatnot.

428
00:26:07,240 --> 00:26:10,840
Speaker 1: And he'll have a lot of philosophic wisdom. So true,

429
00:26:11,000 --> 00:26:12,880
Speaker 1: you know what I'm saying. But I don't think i'd

430
00:26:12,880 --> 00:26:16,040
Speaker 1: make him. He can't be a good bad guy. Give

431
00:26:16,080 --> 00:26:20,600
Speaker 1: me your land, I won't take you seriously, I can

432
00:26:20,720 --> 00:26:28,120
Speaker 1: give you my lind It's okay. No, you could cast anybody,

433
00:26:28,480 --> 00:26:31,280
Speaker 1: but like male actor, you'd be like, oh, I'd be

434
00:26:31,280 --> 00:26:32,440
Speaker 1: amazing to work with that guy.

435
00:26:32,720 --> 00:26:33,439
Speaker 2: Steve Carrell.

436
00:26:35,600 --> 00:26:39,280
Speaker 1: Fair enough, I love him, But you're talking about you know,

437
00:26:39,640 --> 00:26:42,200
Speaker 1: like Steve Kroll. Come be serious, Come be the fucking

438
00:26:42,200 --> 00:26:42,879
Speaker 1: evil lamb bear.

439
00:26:43,960 --> 00:26:45,280
Speaker 2: Well is it that serious?

440
00:26:47,480 --> 00:26:49,520
Speaker 1: Oh, you have no idea I'm gonna shoot this thing

441
00:26:50,520 --> 00:26:56,400
Speaker 1: like fucking Euphoria. Wow, I read the Euphorus. Season three

442
00:26:56,560 --> 00:26:57,320
Speaker 1: is not happening.

443
00:26:58,000 --> 00:27:04,200
Speaker 2: It's been delayed delayed again. Definitely it has, Yes, it has.

444
00:27:04,400 --> 00:27:05,919
Speaker 1: What's happened in Young Hollywood?

445
00:27:07,119 --> 00:27:08,960
Speaker 2: I guess I should call and check in.

446
00:27:09,000 --> 00:27:11,720
Speaker 1: Because can't you call the mayor of Young Hollywood and be.

447
00:27:11,720 --> 00:27:15,880
Speaker 2: Like, yeah, what's your scoop? Let's go ahead them wrong number?

448
00:27:17,119 --> 00:27:18,520
Speaker 1: What's going on? We were hoping you were going to

449
00:27:18,560 --> 00:27:18,920
Speaker 1: tell us.

450
00:27:21,560 --> 00:27:24,400
Speaker 2: Yeah, I forgot what I was going to say.

451
00:27:25,200 --> 00:27:27,879
Speaker 1: Take it back to the fucking show man who plays

452
00:27:28,000 --> 00:27:31,680
Speaker 1: Steve Carell. Now you know I want to show on

453
00:27:31,720 --> 00:27:33,480
Speaker 1: your dreams, but not in my version.

454
00:27:34,040 --> 00:27:37,320
Speaker 2: Sure you've already did, but you already shot on my dreams.

455
00:27:37,480 --> 00:27:41,080
Speaker 1: All right, Steve Carell, it is don't just cast it

456
00:27:41,160 --> 00:27:43,879
Speaker 1: full of office people. Though none of them will be

457
00:27:43,920 --> 00:27:47,280
Speaker 1: convincing on the fucking prairies, many will be.

458
00:27:47,440 --> 00:27:50,920
Speaker 2: John Krasinski, I.

459
00:27:50,880 --> 00:27:53,159
Speaker 1: Thought I was smitty. I thought that's how this is

460
00:27:53,160 --> 00:27:53,480
Speaker 1: our ship.

461
00:27:53,680 --> 00:27:55,360
Speaker 2: I thought you didn't want to be smitty.

462
00:27:55,560 --> 00:27:57,960
Speaker 1: I do if you're trying to make our ships creak.

463
00:27:59,320 --> 00:28:01,600
Speaker 2: John c Ski, well I'm just.

464
00:28:04,000 --> 00:28:09,919
Speaker 1: No. Let's see who would be our fucking land Baron, Dude,

465
00:28:10,720 --> 00:28:11,440
Speaker 1: how old do.

466
00:28:11,400 --> 00:28:12,000
Speaker 2: You picture that?

467
00:28:12,359 --> 00:28:17,040
Speaker 1: Stephen Root would be amazing. Stephen Root has been in

468
00:28:17,160 --> 00:28:20,240
Speaker 1: like a few things I've done. He was in Barry

469
00:28:21,119 --> 00:28:26,240
Speaker 1: It's more recent. He was He's he was in Master's Universe.

470
00:28:26,320 --> 00:28:29,120
Speaker 1: He was our battle cat. He's like if you saw

471
00:28:29,200 --> 00:28:30,639
Speaker 1: him and be like, oh that guy. Did you ever

472
00:28:30,640 --> 00:28:33,560
Speaker 1: see office Space, he's melting.

473
00:28:33,280 --> 00:28:36,800
Speaker 2: The I'm going to look up what he looks like.

474
00:28:36,960 --> 00:28:40,000
Speaker 1: Oh yeah, he'd be amazing. He fit in the old time.

475
00:28:40,080 --> 00:28:45,560
Speaker 1: He fucking looked very easily. He's one of those actors

476
00:28:45,560 --> 00:28:48,920
Speaker 1: that's like the glue Yeah, oh yeah, the glue of

477
00:28:49,000 --> 00:28:50,560
Speaker 1: like fucking every production.

478
00:28:51,640 --> 00:28:54,040
Speaker 2: All right, he can be our he can be our guy.

479
00:28:54,200 --> 00:28:59,000
Speaker 1: I could see him being our fucking like Whiplash character. Geez,

480
00:28:59,040 --> 00:29:04,800
Speaker 1: speaking of Whiplash purpose, I'm sorry, all right, fucking that's it.

481
00:29:05,200 --> 00:29:07,239
Speaker 1: That's the one we pitched. We stand by, all right.

482
00:29:08,280 --> 00:29:10,280
Speaker 1: I was hoping we're going to come up with another one,

483
00:29:10,280 --> 00:29:12,800
Speaker 1: but that's going with your strongest fucking hand.

484
00:29:13,000 --> 00:29:16,200
Speaker 2: I guess it's a really smittier center bust.

485
00:29:16,600 --> 00:29:20,640
Speaker 1: It's what Now, let me ask you this. You committed

486
00:29:20,680 --> 00:29:20,880
Speaker 1: to this?

487
00:29:22,360 --> 00:29:23,440
Speaker 2: Am I committed to this?

488
00:29:23,520 --> 00:29:29,800
Speaker 1: Yeah? You're the Sun and son I so drew. Okay,

489
00:29:30,400 --> 00:29:33,200
Speaker 1: all right, so the only place they'll pick it up

490
00:29:33,240 --> 00:29:39,000
Speaker 1: is a Christian broadcasting network. Now, ain't gonna change our storylines.

491
00:29:39,040 --> 00:29:40,640
Speaker 1: We were always set in the Old West.

492
00:29:41,000 --> 00:29:44,160
Speaker 2: It was kind of giving religious programs.

493
00:29:44,240 --> 00:29:45,760
Speaker 1: A little bit. So at the end of the day,

494
00:29:45,800 --> 00:29:47,800
Speaker 1: our job is not going to change. It's not like,

495
00:29:47,840 --> 00:29:50,600
Speaker 1: oh we got cut material because like fuck we get

496
00:29:50,640 --> 00:29:52,719
Speaker 1: we are cut the fucking titty scenes because now we're

497
00:29:52,760 --> 00:29:57,240
Speaker 1: on the Christian broadcast So the show's not going to change,

498
00:29:57,280 --> 00:30:01,160
Speaker 1: but the venue where it will air, you know, we'll

499
00:30:01,640 --> 00:30:07,880
Speaker 1: be largely conservative. But you're even guaranteed three seasons.

500
00:30:08,600 --> 00:30:10,440
Speaker 2: What you did last time.

501
00:30:10,280 --> 00:30:13,360
Speaker 1: Too, you're guaranteed three seasons.

502
00:30:13,520 --> 00:30:13,880
Speaker 3: Huh.

503
00:30:14,960 --> 00:30:19,920
Speaker 1: And you're gonna make only ten episodes per year, but

504
00:30:20,000 --> 00:30:25,720
Speaker 1: you're gonna make one hundred thousand per episode, so that's

505
00:30:25,720 --> 00:30:26,800
Speaker 1: a million bucks.

506
00:30:27,160 --> 00:30:29,960
Speaker 2: Wait do I do I ever have to speak about it?

507
00:30:30,400 --> 00:30:33,160
Speaker 1: You're gonna have to promote it in your socials. You're

508
00:30:33,200 --> 00:30:36,120
Speaker 1: the main ad campaign for the entire network. So fucking

509
00:30:36,160 --> 00:30:38,920
Speaker 1: they're like, you're close upon You're at the end of

510
00:30:38,960 --> 00:30:41,440
Speaker 1: a long spot and you're like, we are CBN.

511
00:30:45,240 --> 00:30:49,520
Speaker 2: Oh you put me between a rocket or Placier million.

512
00:30:49,200 --> 00:30:56,560
Speaker 1: Bucks a year a helmet. I mean, you know, every

513
00:30:56,640 --> 00:31:00,280
Speaker 1: season you sign up like that season one, you're getting million.

514
00:31:01,920 --> 00:31:04,520
Speaker 1: So the show may not go forward, but they're like,

515
00:31:04,520 --> 00:31:07,240
Speaker 1: we're really taking we're investing, We're really taking a shot

516
00:31:07,320 --> 00:31:18,560
Speaker 1: on the show million million. Fuck you god yeah. Oh,

517
00:31:18,720 --> 00:31:22,600
Speaker 1: especially like they have me until like we are CBN,

518
00:31:23,160 --> 00:31:24,320
Speaker 1: Like I get to be the guy at the end

519
00:31:24,320 --> 00:31:29,040
Speaker 1: of the spot. I mean I agree to the network. Great. Yeah,

520
00:31:29,160 --> 00:31:30,920
Speaker 1: as long as they weren't like, hey man, in your

521
00:31:30,960 --> 00:31:33,320
Speaker 1: social media, you can't be fucking blah blah blah. I'd

522
00:31:33,320 --> 00:31:35,520
Speaker 1: be like, look, I ain't fucking changing who I am

523
00:31:35,560 --> 00:31:37,960
Speaker 1: and stuff. I'm happy to make this show.

524
00:31:38,040 --> 00:31:41,080
Speaker 2: But they're begging you to make Smodian son for them.

525
00:31:41,360 --> 00:31:43,600
Speaker 1: Yeah, They're like, this is it. This is the thing.

526
00:31:43,720 --> 00:31:45,280
Speaker 2: You don't have to change.

527
00:31:45,120 --> 00:31:49,040
Speaker 1: Personally, No, nor the show. The show was going to

528
00:31:49,080 --> 00:31:52,000
Speaker 1: be what it was always going to be. So you're

529
00:31:52,280 --> 00:31:54,320
Speaker 1: can you can be in your social media, you can

530
00:31:54,360 --> 00:31:58,400
Speaker 1: still like be like stop killing animals, but then you

531
00:31:58,440 --> 00:32:04,400
Speaker 1: also have to be like and watch Median TV, Christian

532
00:32:04,480 --> 00:32:09,719
Speaker 1: broadcast work. God bless you. That's their fucking slogan.

533
00:32:11,600 --> 00:32:12,960
Speaker 2: I think I gotta say no.

534
00:32:13,680 --> 00:32:18,360
Speaker 1: Million bucks, I gotta a year for media acting acting

535
00:32:18,440 --> 00:32:21,640
Speaker 1: by the way, that gives you experience. Guess what you

536
00:32:21,640 --> 00:32:23,760
Speaker 1: could be, Like can I direct one of these? And like,

537
00:32:23,800 --> 00:32:27,200
Speaker 1: oh sure, so you get that under your belt as well.

538
00:32:27,440 --> 00:32:30,680
Speaker 1: You got to learn to use the system, man, get

539
00:32:30,720 --> 00:32:35,080
Speaker 1: paid by learn from it and shit, and hey, man,

540
00:32:35,160 --> 00:32:37,880
Speaker 1: an audience is an audience. And you know they're like,

541
00:32:38,120 --> 00:32:41,120
Speaker 1: look what out here's here's a big compliment about the show.

542
00:32:41,120 --> 00:32:45,400
Speaker 1: You always hear. Well, I like about the show, no politics,

543
00:32:45,440 --> 00:32:48,320
Speaker 1: Like I could just watch an adventure that happened back

544
00:32:48,360 --> 00:32:51,920
Speaker 1: in the old days and fucking learn a moral. And

545
00:32:51,960 --> 00:32:54,840
Speaker 1: the cast is great and I love the relations between

546
00:32:54,880 --> 00:32:58,720
Speaker 1: the characters and stuff. I love this show. You just

547
00:32:58,760 --> 00:33:00,880
Speaker 1: don't have to engage them about like uh huh, who'd

548
00:33:00,880 --> 00:33:01,360
Speaker 1: you vote for?

549
00:33:06,040 --> 00:33:07,960
Speaker 2: I have a hypothetical for you?

550
00:33:08,120 --> 00:33:11,920
Speaker 1: Okay, so yes you will.

551
00:33:12,200 --> 00:33:16,760
Speaker 2: You will receive yes, ten million dollars?

552
00:33:16,840 --> 00:33:19,200
Speaker 1: Okay if okay?

553
00:33:20,040 --> 00:33:25,360
Speaker 2: All you ate for one year? Yeah was vegetables? Yes

554
00:33:26,400 --> 00:33:27,520
Speaker 2: for ten million dollars.

555
00:33:27,640 --> 00:33:28,360
Speaker 1: Yeah done.

556
00:33:29,840 --> 00:33:31,480
Speaker 2: You won't need a vegetable.

557
00:33:31,720 --> 00:33:33,520
Speaker 1: Nobody gives me ten million dollars.

558
00:33:33,600 --> 00:33:36,880
Speaker 2: So what about five million? No?

559
00:33:37,000 --> 00:33:39,000
Speaker 1: Why you started at ten? That's interesting?

560
00:33:39,040 --> 00:33:40,520
Speaker 2: Where you would were.

561
00:33:40,320 --> 00:33:42,360
Speaker 1: You no point going down? You gave me a number.

562
00:33:42,560 --> 00:33:45,200
Speaker 1: I'm fine with that number going to that going down.

563
00:33:45,240 --> 00:33:48,000
Speaker 2: Anything else. You can't eat vegetables.

564
00:33:47,600 --> 00:33:52,280
Speaker 1: That's fine. Ten million. Do you know which money ten

565
00:33:52,320 --> 00:33:54,040
Speaker 1: million is. It's a lot of money.

566
00:33:54,080 --> 00:33:55,800
Speaker 2: That's a year. That's a year.

567
00:33:56,080 --> 00:33:58,880
Speaker 1: Yeah, I'll get a ship in my life here needing

568
00:33:58,880 --> 00:34:02,160
Speaker 1: a vegetable. Nobody's ever offered me ten million dollars to

569
00:34:02,240 --> 00:34:05,840
Speaker 1: do so. So if I had ten million.

570
00:34:05,760 --> 00:34:07,880
Speaker 2: Yeah, and I wanted to suspend.

571
00:34:07,480 --> 00:34:10,360
Speaker 1: It on seeing you, I would be like, this seems

572
00:34:10,360 --> 00:34:13,000
Speaker 1: like an unwise investment. But you know what, a fool

573
00:34:13,000 --> 00:34:14,959
Speaker 1: and their money are soon parted. And since you're gonna

574
00:34:14,960 --> 00:34:17,279
Speaker 1: waste on something like this, well, gladly I should have

575
00:34:17,320 --> 00:34:19,319
Speaker 1: said a million. You should have.

576
00:34:19,440 --> 00:34:21,759
Speaker 2: I just thought, I know, I didn't know.

577
00:34:22,040 --> 00:34:24,400
Speaker 1: I just thought, problem you started ten, I'll never go.

578
00:34:24,560 --> 00:34:26,719
Speaker 2: I thought it'd be it'd have to be so hot

579
00:34:26,800 --> 00:34:27,800
Speaker 2: to get you to say.

580
00:34:27,680 --> 00:34:31,800
Speaker 1: Yes, ten was Ten's my number? You hit it, be honest.

581
00:34:31,840 --> 00:34:34,880
Speaker 1: Probably could have had me for five five million, Probably

582
00:34:34,880 --> 00:34:36,560
Speaker 1: could have had me for five. But now that it's ten,

583
00:34:36,680 --> 00:34:37,640
Speaker 1: fucking what.

584
00:34:37,640 --> 00:34:38,360
Speaker 2: About a million?

585
00:34:38,480 --> 00:34:42,719
Speaker 1: Ten million to eat some braccoli? Ten million to eat?

586
00:34:43,080 --> 00:34:44,640
Speaker 1: I think you million to eat.

587
00:34:44,800 --> 00:34:47,240
Speaker 2: I think that you would quit pair is not vegetable.

588
00:34:47,400 --> 00:34:54,600
Speaker 1: Come quiet, quiet, superup? Can I make soup out of Nope?

589
00:34:55,760 --> 00:34:57,600
Speaker 1: Fair enough, I'm gonna push my luft.

590
00:34:57,600 --> 00:35:00,520
Speaker 2: You can't even put salt on it, can't them?

591
00:35:00,719 --> 00:35:06,799
Speaker 1: No, just the natural whatever. You didn't say that, well

592
00:35:06,840 --> 00:35:10,320
Speaker 1: I did not say it. No, you said ten million

593
00:35:10,320 --> 00:35:13,600
Speaker 1: to eat just vegetables for a year, right, just vegetables.

594
00:35:13,960 --> 00:35:15,640
Speaker 1: Raw vegetable is a completely different thing.

595
00:35:15,800 --> 00:35:19,520
Speaker 2: Okay, you can cook it without butter, salt or pepper

596
00:35:19,920 --> 00:35:20,640
Speaker 2: or all boil.

597
00:35:20,800 --> 00:35:25,680
Speaker 1: All right, fair enough. I mean like, look, just oil. Great,

598
00:35:26,960 --> 00:35:29,279
Speaker 1: I am going to eat. I think you give up

599
00:35:29,280 --> 00:35:33,680
Speaker 1: in a week. I think ten million dollars. I think

600
00:35:33,680 --> 00:35:36,160
Speaker 1: you give your three hundred and sixty four days away.

601
00:35:36,280 --> 00:35:38,920
Speaker 1: I'd be like, fuck it, it's worth it, It's worth it.

602
00:35:41,960 --> 00:35:43,759
Speaker 1: Oh my god. The end of it would be so

603
00:35:43,880 --> 00:35:45,960
Speaker 1: much freedom. At the end of it, maybe I'd never

604
00:35:45,960 --> 00:35:46,879
Speaker 1: eat a vegetable again.

605
00:35:46,960 --> 00:35:48,640
Speaker 2: Not to say I don't have faith in you, but

606
00:35:48,960 --> 00:35:51,000
Speaker 2: I really don't believe you.

607
00:35:52,239 --> 00:35:55,360
Speaker 1: I mean, look, if anybody wants to try it, someone

608
00:35:55,840 --> 00:35:58,080
Speaker 1: someone's got ten million bucks.

609
00:35:57,920 --> 00:36:00,240
Speaker 2: Somebody out there, give this a shot.

610
00:36:00,520 --> 00:36:02,239
Speaker 1: There are a lot of wacky billionaires out there, and

611
00:36:02,400 --> 00:36:05,319
Speaker 1: he's like, I went to coach space. How about this,

612
00:36:06,400 --> 00:36:07,920
Speaker 1: like fucking throw a ten million my way?

613
00:36:08,040 --> 00:36:09,919
Speaker 2: Your many real healthy for a year.

614
00:36:10,080 --> 00:36:11,279
Speaker 1: Yeah see if it could be done?

615
00:36:12,160 --> 00:36:12,560
Speaker 2: Wow?

616
00:36:13,520 --> 00:36:15,160
Speaker 1: What does that say about me? And I'm like, pay

617
00:36:15,200 --> 00:36:17,719
Speaker 1: me to do sure, I'll put things in my mouth

618
00:36:17,760 --> 00:36:21,040
Speaker 1: for money. That's where I have in my career.

619
00:36:21,200 --> 00:36:21,960
Speaker 2: I'll do anything.

620
00:36:23,160 --> 00:36:28,759
Speaker 1: I got a self sped in. All right, there it is.

621
00:36:29,400 --> 00:36:31,360
Speaker 1: There's the fucking there's our Mamaly.

622
00:36:32,160 --> 00:36:35,840
Speaker 2: Wait no, I was about to say hypothetical, but I

623
00:36:35,920 --> 00:36:37,600
Speaker 2: don't want to say it in front of Wakie.

624
00:36:39,560 --> 00:36:43,839
Speaker 1: Is that grim? What is it?

625
00:36:45,160 --> 00:36:46,040
Speaker 2: No, it's too sad.

626
00:36:46,680 --> 00:36:51,399
Speaker 1: It's about Waki. You throw Walky on the table. What

627
00:36:51,440 --> 00:36:54,160
Speaker 1: the fuck? You were just petn and you're like, imagine

628
00:36:54,239 --> 00:36:55,960
Speaker 1: if you're a dog had your fancy.

629
00:36:56,239 --> 00:37:01,680
Speaker 2: I'm up against the Christian brought casting networks, so.

630
00:37:01,520 --> 00:37:04,320
Speaker 1: That nearly is bad. I wasn't like they're gonn crucifying

631
00:37:04,480 --> 00:37:06,440
Speaker 1: live on air, because that's the kind of thing they do.

632
00:37:07,120 --> 00:37:08,680
Speaker 1: He's lacky.

633
00:37:08,840 --> 00:37:10,640
Speaker 2: I take it back, I take it back.

634
00:37:10,920 --> 00:37:12,520
Speaker 1: He just went over to Birdie Bill. I guess what

635
00:37:12,760 --> 00:37:16,560
Speaker 1: my sister said is that Wait if that's your sister,

636
00:37:16,760 --> 00:37:18,719
Speaker 1: is that my aunt? I don't get this relationship.

637
00:37:18,800 --> 00:37:22,320
Speaker 2: Oh yeah, it's walk my sister because she was my sister. Yeah,

638
00:37:22,560 --> 00:37:25,440
Speaker 2: and Walky's my sister, and Bodie's my niece.

639
00:37:25,560 --> 00:37:33,080
Speaker 1: Bertie's your niece, Aunt Harley.

640
00:37:40,040 --> 00:37:44,560
Speaker 7: This has been a podcast production, some podcast podcast using

641
00:37:44,600 --> 00:37:51,760
Speaker 7: our mouths on you since two thousand and seven. Hey kids,

642
00:37:51,760 --> 00:37:53,680
Speaker 7: did you like what you just heard? Well, guess what.

643
00:37:53,760 --> 00:37:57,279
Speaker 7: We've got tons more, man thousands of hours of podcasts

644
00:37:57,280 --> 00:38:00,439
Speaker 7: waiting for you at that Kevin Smith Club dot Come

645
00:38:00,640 --> 00:38:01,680
Speaker 7: go sign up now